Printer Instructions Rachel Greene rgreene109@andersonuniversity.edu Deliverable: 12- page booklet with DVD pocket Total pages counting cover: 12 Files names: Greene_p2_cover.ai, outside_cover.png, inside_cover.png, Greene_p2_booklet.indd, Greene_p2_booklet.pdf
Total pages counting cover: 14 Greene_p2_cover.ai, outside_cover.png, inside_cover.png, Greene_p2_booklet.indd, Greene_p2_booklet.pdf DVD Pocket: DVD_p2.ai
Scale: Layout shown at 80% of original format
Special Assembly: DVD Pocket. Diecut and glue. See additional DVD color markup
Ink: CMYK (4/c) + 1 spot color (PMS 1797U) - 5/5
Bindery process: 2-up saddle staple
Stock: Sterling Ultra,100#, dull cover, White Finished size (assembled, closed): 5”W x 5”H Flat size: 10”W x 11”H Full bleed Scoring Die cut Bindery process: 2-up saddle staple Reader spreads Quantity: 1,000,000un
Extension of pg 12: Flap that covers DVD in DVD pocket
Cover: bleeds and dieline - Side A (Outside) Files names: Greene_p2_cover.ai, outside_cover.png
die line 4/c image file name: maze.png Illustration. color: CMYK #000000
4/c image file name: cow.png
Sponser logo (outlined): Sony, 100% black. file name: Sony.eps
background color: CMYK #000000
Pg 12: back cover
4/c image file name: castle.jpg
Illustration. Spot color: PMS 1797U
Movie title- 4/c vector image (outlined). file name: Monty_Python_and_the_Holy_ Grail.eps
Sponser logo: Columbia Pictures, 100% black. file name: Columbia_Pictures.eps Sponser logo: BBC, 100% black. file name: BBC.eps Pg 1: Front cover
glue
glue
4/c image file name: shield2.png
4/c image file name: grail on cloud.png
4/c image file name: dvd pocket.psd DVD pocket (an extension of pg 12 that folds up and glues)
Cover: bleeds and dieline - Side B (Inside) Files names: Greene_p2_cover.ai, inside_cover.png
Font: Copperplate
die line
4/c image. file name: pg 3-01.png
4/c image file name: dvd pocket.psd
Cover: dieline only - Side A (Outside) Files names: Greene_p2_cover.ai, cover_outside_die.png
Flap that covers DVD in DVD pocket- lift to reveal DVD
back cover- pg 12
DVD pocket (folds up and glues)
Front cover- pg 1
Cover: dieline only - Side B (Inside) Files names: Greene_p2_cover.ai, cover_inside_die.png Flap that covers DVD in DVD pocket- lift to reveal DVD
pg 2- inside cover
DVD pocket- pg 12
DVD pocket (folds up and glues)
Cover: Side A (Outside)- spot color and dieline Files names: Greene_p2_cover.ai, outside_cover_die&bleed.png Spot color: PMS 1797U
Flap that covers DVD in DVD pocket- lift to reveal DVD
Front cover- pg 1
back cover- pg 12
DVD pocket (folds up and glues)
Cover: Side B (Inside)- spot color and dieline Files names: Greene_p2_cover.ai, inside_ cover_die&bleed.png Spot color: PMS 1797U
Flap that covers DVD in DVD pocket- lift to reveal DVD
pg 2- inside cover
DVD pocket- pg 12- back cover
DVD pocket (folds up and glues)
Inside reader spreads: bleeds and trim Files names: Greene_p2_booklet.indd, Greene_p2_booklet.pdf
Body typeface: PT Serif (regular)
4/c image. file name: Frenchguy.jpeg
4/c image. file name: Idle reading on set.jpg
All type for pages 3-10= CMYK #000000 unless otherwise noted
4/c image. file name: cloud.png (duplicated)
Knights of the round table: Cast John Cleese:
Cleese received the 1980 BAFTA for Best Entertainment Performance in the British sitcom Fawlty Towers. He also starred in Clockise and ot er films, including two James ond films as and , t o arry Potter films, and t e last t ree S rek films.
Eric Idle:
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Micheal Palin: n nglis comedian, actor, riter and television presenter who wrote with fellow Python member Terry Jones before Monty Python on Ken Dodd S o , e Frost eport, and o Not Adjust Your Set. Michael Palin played the most characters with 12.
Graham Chapman:
nglis comedian, actor, voice actor, aut or, singer song riter, musician, riter and comedic composer. Author of the Broadway musical Spamalot. Helped close the 2012 Summer Olympics at the Olympic Stadium in London on 12 ugust, performing t e song Always Look on the rig t Side of ife, from the 1979 Monty Python film ife of rian.
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Header typeface: Copperplate (Bold)
After graduating from Emmanuel ollege, ambridge, and St Bartholomew’s Medical ollege, he turned down a career as a doctor to be a comedian which proved to be worth it. The group agreed Chapman had the best acting skills in the group. ogically t en, e took both lead roles in the Holy Grail and Life of Brian.
4/c image. file name: Michael Palin & his script .jpg
4/c image. file name: John Cleese&Graham Chapman
Inside reader spreads: bleeds and trim Files names: Greene_p2_booklet.indd, Greene_p2_booklet.pdf
Typeface: Copperplate (Bold) Spot color: PMS 1797U
illustration color: CMYK #000000 Typeface: Copperplate (Bold)
Background overlay: Spot color: PMS 1797U 70% opacity
4/c image. file name: john.jpg
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Executive producer:
Co-Directors: 4/c image. file name: crown.png 4/c image. file name: terry jones. jpg
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Terry Jones:
John Goldstone
Terry Gilliam:
els actor, riter, comedian, screenriter and film director. e studied at St. dmund all ollege, ford University. n 19 5, it friend Mic ael Palin, e made The Late Show (1966) for television. lso, e rote for many ot er s o s, suc as: e at y irby S o 19 4 , ate ig t ine Up 19 4 it Palin , omplete and Utter istory of Britain (1969) (with Palin). But Jones’ greatest success was the zany Monty Python’s Flying Circus (1969) (1969-74)
n 19 2, Gilliam graduated from ccidental College with a degree in political science. He moved to England in 1967. From 19 9 to 1974, Gilliam orked on t e British comedy television series Monty Python’s Flying Circus. The only American among the cast. Given full creative license to develop the animated shorts. e ent on to ork in film, directing such imaginative adventures as Time andits 1981 , ra il 1985 , e Fis er ing 1991 , 12 Monkeys 1995 , Fear and oat ing in as egas 1998 , e rot ers Grimm 2 5 , ideland 2 , e Imaginarium of Doctor Parnassus (2009) and The Zero Theorem (2014).
is career in film began in 1961 as production assistant on A Kind Loving then seven years as PA to its producer Joseph Janni on his seminal ritis films illy iar, arling, Far From t e Madding ro d, Modesty Blaise and Poor Cow. His first film as producer as Three Sisters directed by Laurence Olivier. His collaboration with the Monty Python team began in 1974 with Monty Python and the Holy Grail then Monty Python’s Life of Brian as well as Monty Python’s Meaning of Life. He also produced such diverse films as e Final Programme e ocky orror Picture Show and its sequel Shock Treatment; Paul
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page 5 Typeface: PT Serif (regular)
Background color: PMS 1797U
Morrissey’s The Hound of Baskervilles with Peter Cook and udley Moore and si feature length Harlequin omances for US tv and video release. In 1990 he created The Comedy Housewith funding from Twentiet entury Fo to promote ritis film comedy talent. During his Hollywood career, e directed Paul e man, obert e iro, obert S a , ames Garner, ic ard Dreyfuss and Sidney Poitier and collaborated with composer and musician, alo Schifrin. He “discovered” Tiny Tim. In addition to his ork in film and television, Goldstone was a longtime leader in the Director’s and Writer’s Guild.
4/c image. File name: holy grail (pg 5).jpg
All clouds= 4/c image. file name: cloud.png (duplicated)
Inside reader spreads: bleeds and trim Files names: Greene_p2_booklet.indd, Greene_p2_ booklet.pdf Header typeface: Copperplate (Bold)
4/c image. File name: SwallowInFlight.png
Fun Facts 1. e film as made it a budget of only 5,274, an incredibly small sum for a modern movie, and as filmed in ust five weeks
4. At the time of the black knig t scene s ooting, they had run out of budget. The producer was running the camera and lighting alongside about t ree ot er people, and it took a week to shoot the scene.
2. The book scene was done to save money; Gilliam's wife turned the pages (shot in his living room) and Michael Palin's son Tom is the little baby.
3. The running joke of the knights riding around on invisible horses with the sound of the horses’ hooves clopping coming from their squires’ clapping coconuts together came from the fact that the group didn’t have enough money in the budget to afford actual horses. The group came up with the coconut idea from an old BBC radio practice of using coconut halves as sound effects for horses.
5. The catapulted cow was a toy from a railway set. It was the directors first model s ot Gilliam said, e dug t e camera into t e ground, t re t e co in ulian oyle s Production Manager back garden, put it all together and we had entered the world of Special ffects. plaining t e tactic, t e director said inging animals in battle as not un eard of.
4/c image. File name: bird.png
8. Part of the Black Knight scene is done with Cleese holding his arms be ind is back, part by a one-legged silversmit , named ic ard urton and part with a wired puppet.
6. The film first debuted during t e time of t e ietnam ar, ic resulted in many anti-violence liberals, not laug ing until t e lack Knight's very last limb was cut off. Jones and Gilliam said they enjoyed the audience coming to terms with the scene and reali ing it asn t about violence, but rather attitude. No matter how much of t e guy is removed, e s still a belligerent, mad c aracter who won't give up.
7. The opening credits are so plain because t e se uence as done at t e end of filming and there was no budget left. The “Swedish” subtitles were written by Michael Palin; he used it as an opportunity to entertain the captive audience. en t e film opened at annes, t e subtitles got uge laug s and rig t at t e end of t e credits, t e film stopped and a bunc of firemen ran in to us er out t e audience. ecause of t e perfect concurrence of events, filmgoers t oug t it as all part of t e s o , but t ey ad been evacuated for a real bomb scare. fter t e t eater as deemed clear, the audience went back in and resumed watching.
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9.“...and only at the end do you realise there's no plot whatsoever. We didn't know how to end it. I contributed t e ending because said, "You should just stop it. The police should come in and arrest everybody, and t ere s a hand on the lens.' My daug ter ates t at end, s e says, s t at t e end at it I hate that." Well we couldn't afford the battle. We had all these university students on £4 a day and they shot them every angle t ey could, but t ere weren't many of them at all.” - Eric Idle
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Body typeface: PT Serif (regular) 4/c image. File name: coconut1.png
illustration color: CMYK #000000, 1 pt
Inside reader spreads: bleeds and trim Files names: Greene_p2_booklet.indd, Typeface: Copperplate (Bold) Greene_p2_booklet.pdf Spot color: PMS 1797U
Monty Python and the Holy Grail was mostly shot on location in Scotland, particularly around Doune Castle, Glen Coe, and the privately owned Castle Stalker. The many castles seen throughout the film were mainly either Doune Castle shot from different angles or hanging miniatures. During pre-production, Gilliam and Jones had scouted and secured a series of authentic medieval shooting locations throughout Scotland, but two weeks before production began the filmmakers found out that the National Trust had banned the comedy troupe from shooting in any national historical sites because,
Location
Typeface: Copperplate (Bold) Spot color: PMS 1797U 4/c image. file name: Football during downtime.jpg
according to Gilliam, “we wouldn't respect ‘the dignity of the fabric of the building,’”. Forced to scramble to find a place to shoot the movie, they secured two privately owned castles, Castle Stalker and Doune Castle, to shoot all of castle interiors and most of the exteriors. Castle Aaargh is Castle Stalker, and the rest of the castles are actually Doune Castle from multiple angles. Just as the character of Patsy says, Camelot is only a model. It was a 12-foot high cutout of a castle that frequently fell over in the wind disrupting shots. Gilliam and Jones used forced perspective as a quick cheat during wide-angle shots to make it seem like an actual location.
Body Typeface: PT Serif (regular)
ed-Doune castle doors.png
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Behind the Scenes
page 8 PMS color: 1797U image file: scotland.png
4/c image. file name: Football during downtime2.jpg
4/c image. file name: John Cleese, Neil Innes, Michael Palin &Eric Idle. 4/c image. file jpg name: edit-
page 9 4/c image. file name: Idle reading on set.jpg
4/c image. file name: Michael Palin & his script .jpg
4/c image. file name:John Cleese&Graham Chapman.jpg
Inside reader spreads: bleeds and trim Files names: Greene_p2_booklet.indd, Greene_p2_booklet.pdf
4/c image. file name: maze.png
page 10
Inside reader spreads: spot color and trimpages 4 & 5 Files names: Greene_p2_booklet.indd, spot_color_ pgs4&5.pdf Spot color: PMS 1797U Note: Only pages 4, 5, & 8 (on next page) have a spot color
70% opacity Typeface: Copperplate (Bold)
Co-Directors:
page 4
100% opacity
page 5
Inside reader spreads: spot color and trim - page 8 Files names: Greene_p2_booklet.indd, spot_color_pgs8. pdf Spot color: PMS 1797U Notes: -Only pages 4, 5, & 8 have a spot color -spot color on pg 8 is all at 100% opacity
Typeface: Copperplate (Bold)
Location
page 8
DVDDeliverable: DVD Files names: DVD_p2.ai Scale: Layout shown at 100% of original format Ink: CMYK (or 4/c) 4/0 Final size (flat): 4.75� dia Full bleed Quantity: 3,500un
illustration color: CMYK #000000, 1 pt
4/c image. File name: bird.png
die lines 4/c image. File name: SwallowInFlight.png 4/c image. File name: coconut1. png 4/c image file name: grail on cloud.png 4/c image. file name: sword.png
Movie title- 4/c vector image (outlined). file name: Monty_Python_and_the_ Holy_Grail.eps Typeface: Copperplate (light) color: CMYK #000000 Background illustration color: CMYK #5ea2d1
All other clouds= 4/c image. 4/c image. file file name: cloud.png (dupliname: pg 3-01.png cated)
Assembly detail: pages 10 & 11 reader spread- pg 11 flap closed
page 10
page 11 note: flap does not reach bottom of page intentionally. Clouds will be visable when flap is down
Assembly detail: pages 10 & 11 reader spread- pg 11 with flap open to reveal DVD
page 10
page 11
Assembly detail: DVD sleeve construction page 11 of booklet
DVD rests nicely in pocket Removing the DVD reveals the grail underneath