Arc hitecture Design P
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R A D H I K A AG A R WA L Selected Works | 2015-2020
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All works that have been displayed in the portfolio are works that the author has worked upon. Few of the works may be an outcome of a group of individuals.
CONTENTS Curriculum Vitae
01
SHIFTING ‘IDENTITIES’- The Making of Semi-nomads in the City
.... 03
Design Dissertation (2020)
02
City.Street.LAB
.... 25
Urban Design and Planning in Lucknow (2018-19)
03
Boat Club by the River
.... 29
Architecture and Urban Design in Lucknow (2018-19)
04
Diagon_alley: Social Housing in Amsterdam
.... 35
TU Delft-KRVIA Bridge Studio (2019-20)
05
Examining Institutions of Faith
.... 41
Community Cooperative in Ajmer (2017-18)
06
The Institutions of Democracy
.... 47
Architecture Design in Mumbai (2017-18)
07
Bandra Kurla Complex Family Court
.... 53
Working Drawing and Representation Portfolio (2017-18)
08
The Institution of Everyday Life|Running Up
.... 57
Measured Drawing and Architecture Design in Chakrata (2016-17)
09
Youth Center Competition in Amsterdam
.... 65
Professional Practise at Junya.Ishigami + Associates (2018-19)
10
Serpentine Pavilion in London
.... 71
Professional Practise at Junya.Ishigami + Associates (2018-19)
11
Farmhouse in Haryana
.... 75
Professional Practise at ABRD Architects (2018-19)
12
Day Care, Center for Human Genetics in Bangalore Professional Practise at ABRD Architects (2018-19) Miscellaneous
.... 79
RADHIKA AGARWAL radhikaagarwal002@gmail.com +91- 8828342368
This portfolio is a glimpse of my academic as well as professional experience. It attempts to illustrate the instrumental evolution that I have undergone over this period, in terms of my capabilities as a designer, an architect and my overall moulding as a person. A common understanding is that architecture is only whole when it is cohesive with the context, landscape and the community it is being built for. This constant relationship of the built and un-built is demonstrated through the works that follow.
EDUCATION
TECHNICAL SKILLS
Kamla Raheja Vidyanidhi Institute for Architecture and Environmental Studies
AutoCAD 2D | Advanced
Adobe Illustrator | Intermediate
Adobe Photoshop | Advanced
V-Ray | Intermediate
Adobe InDesign | Advanced
QGIS | Beginner
SketchUp | Advanced
3Ds Max | Beginner
MS Office | Advanced
ArchiCAD | Beginner
Filmora 9 | Advanced
Primavera P6 | Beginner
Bachelor of Architecture | Mumbai University | 2015-20 SGPA Sem X | 9.08 CGPA | 7.93
K.L International School Higher Secondray School | Meerut | 2014-15 CBSE | 95.6%
K.L International School
OTHER INTERESTS
Senior Secondray School | Meerut | 2012-13 CBSE | 10 CGPA
Photography | Video editing |Travelling | Reading | Sketching | Teaching | Event management | Calligraphy
CURRICULUM VITAE PROFESSIONAL EXPERIENCE
ACADEMIC EXPERIENCE
Junya.Ishigami + Associates, Tokyo
Embedding Fluidity: 6th Platform for Asian Architecture and Urbanism, Indonesia
Internship | Nov 2018- Feb 2019
ABRD Architects, New Delhi
Exchange Program | Petra Christian University | Nov 2018
Internship | Feb 2019- May 2019
TU Delft- KRVIA Bridge Studio | Dick Van Gameren, Rohan Varma Semester Program | Social Housing in Amsterdam | 2019
Mohan and Associates, Meerut
Poche Studio | Sudipto Gosh, Riyaz Tayyabji, Neeklath Chayya
Summer Internship| May 2018
Make A Difference: NGO, Mumbai Foundational Training Program| June 2018- Oct 2018
POSITIONS OF RESPONSIBILITY Co-curated Exhibition | Anegundi Documentation | June 2016 Co-curated Exhibition | Chakrata: Building Stories | April 2017 Co-curated Exhibition | City’s and Water’s Edge Competition, KRVIA | Nov 2017 Co-curated Exhibition | The Production of Homes, KRVIA@25 Years | Dec 2017 Co-editor | The Institutions of Democracy Book | 2018 Co-curated Exhibition | Ajmer: Institutions of Faith | April 2018 Organizing Committee | Ahmedabad Study Trip | Oct 2018
Auditing Participant | Aug 2020- Sept 2020
AutoCAD and Photoshop Training Program The CAD Classes | Meerut | 2016
WORKSHOPS | ELECTIVES Space Carving| Kausik Mukhopadhyay and Sonal Sundarajan | July 2015 Built: Un-built: Community- Chunabhatti | Shefali Mehta | Dec 2015 Journalism | Shreyank Kemalapure | May 2016 Theatre | Ramu Ramanathan | July 2016 Pottery | Neha Kudchadkar | July 2017 Machines of Sound | Mihir Desai, Pranav Thole, Pramada Jagtap, Chinmay Shidhore| Dec 2017
Food and Styling | Sanskara Lalwani | Dec 2017 QGIS | Abhijeet Ekbote | July 2018 Performativity in Cinema, TV News and Social Media|
Co-curated Exhibition | KRVIA Annuals | Dec 2017, Dec 2018
Avijit Mukul Kishore | Dec 2019
Vice-Head Girl | K.L International| 2014
ONLINE CERTIFICATE COURSES ArchiCAD 23 | Alexandre Goncalves | UDEMY | Nov 2020
AWARDS AND ACHIEVEMENTS Heritage Award for Excellence in Documentation of Chakrata: Building Stories | INTACH, Delhi | 2017 Winner | Design Esquee Cross Dress Competition | KRVIA | 2017 Academic Excellence Award |2013, 2014
Construction Project Management | Columbia University | Coursera | 96% Grade achieved | July 2020
Construction Scheduling| Columbia University | Coursera | 92% Grade achieved | Aug 2020
Construction Cost Estimating and Cost Control | Columbia University | Coursera | 87% Grade achieved | Sept 2020
Guide | Ainsley Lewis
Design Dissertation | 2019-20
The Making of Semi-nomads in the City
Semester IX-X | KRVIA
01
SHIFTING ‘IDENTITIES’-
03
Location | Dadar, Mumbai
^ PART ELEVATION’: To understand the
poetics of space
Abstract A majority of the nomadic communities have begun to lose their livelihoods due to processes of “development� like mechanization, urbanisation, commercialisation, infrastructural development, growth in communication and transportation, enhanced social and spatial mobility, shift from agrarian to industrial economy due to which they shift towards alternate occupations which results in migration to urban areas from their villages, thereby creating this transition from a nomadic existence to a semi-nomadic life. The pursuance of resources led them to living a semi-nomadic way of life from complete nomadism. Nonetheless, they continue facing dispossession and are excluded access to the resources. The dissertation looks at this highly complex ecosystem wherein the members of the Nomadic community have to strive on an everyday basis to navigate between their traditional livelihoods that have become redundant in the current social, economic, political context, and the current developmental discourse in an urban context. The thesis identifies groups of Nomadic-Semi-nomadic tribes in the state of Maharashtra who have a strong community but remain unidentified or are disappearing with time. It aims at exploring the idea of a space for the Semi-nomads in the city. It also aims at identifying potential spaces throughout the city for the community to propose an architecture that creates a new relationship of them with the city. The architecture where they are identified and heard as a larger group of community in the city, reviving their traditional livelihood.
05
GOREGAON The Pardhi Community Pastoral and Hunter-gatherer
MULUND The Waghri Community Goods and Service provider
SEEPZ The Gosavi Community Religious Performer
MAHIM The Kaikadi Community Goods and Service provider
KHANDESHWAR The Domabri Community Entertainer
^Mapping the Semi-Nomadic Communities in Mumbai
^ ILLUSTRATION: Livelihood of Kaikadi Community in Mahim staying on foothpath
The community using the space near the station to work on the footpath.
The men of the family go to lower parel to collect the raw material to make baskets. They get the bamboos in bulk.
The baby cradle made by the community.
The waste items on road are used to store and hide finished bamboo products from the BMC officials.
The compound wall is used to dry clothes.
What constitutes a space for the community of Semi-nomads in the city?
What is the role of an Architect to achieve a more inclusive future for the city? 07
^ ILLUSTRATION: Livelihood of Dombari Community in Khandeshwar staying near flyover
The men of the family go to collect water in containers tied with rope on a bamboo. They get water from nearby leakage from the municipal pipeline or also sometimes from the nearby public toilet.
The people of the community collectively celebrate festivals and does offerings to God on a daily basis.
The women of the family does all the cleaning work after coming back from the work.
The space inside is used to arrange the bamboos used for their performances.
The things inside the living space are carefully arranged to make the maximum use of the space available.
How traditional art forms of a marginalized community derive relevance and survive within a city structure?
What are the urban commons that they want to associate themselves with throughout the day? 08
^
Mapping the pattern of movement of the Dombari and Kaikadi community and understanding their relationship with the city.
Dombari Khel in the streets of Andheri
2-3 Months
3-4 Months
NATIVE VILLAGE
NATIVE VILLAGE
Mount Abu, Rajasthan
Jhanjgir, Champa District, Chhattisgarh
9-10 Months
8-9 Months
CITY
CITY
Mumbai
Mumbai, New Mumbai
Goregaon Andheri
Bandra
Making bamboo baskets near Mahim Station
Dharavi Market
Mahim Dadar Parel Mahalakshmi
Chor Bazar
Lal Baug During the Ganpati days Manish Market CST
Khandeshwar
Asudgaon
Community residing under Mumbai Bangalore highway and nearby in temporary settlements
Circus Ground
Mahim Mela every Wednesday Dombari khel in the streets near Circus ground and Khanda colony
Kaikadi community making bamboo baskets on footpath near Mahim Station
Performances in Fort district of South Bombay
Dombari community Kaikadi community
VISUALIZING THE INVISIBLE SITE: Dadar TT Flyover
rS da
Kh o Ci dad rcl ad e
Da
The thesis attempts to juxtapose the network of unidentified commons with the identified; non-places (voids) and the places. A space which belongs to the unidentified and the identified of the city (Hybrid programming) at the same time, hence, a threshold to the marginalised of the city. The model of architecture proposed in this area for the Seminomadic communities can be a prototype which can be proposed in various other parts, also, improving the quality of social life in the city.
tat ion
Through the study about the various Nomadic communities done, it can be inferred that there is an overlap between the patterns of movement of the Dombari community and the Kaikadi community. Areas of Bandra, Mahim and Dadar thus becomes the potential areas to intervene.
10 m
Da
da
rT
TF lyo ve
r
in W ALK
LEGEND Proximity to Dadar Station Agglomoration of Nomadic Communities Commercial fabric Proximity to bus stop POTENTIAL SITE ^
LOCATION PLAN: Site Analysis
N
MASTER PLAN STRATEGIES POTENTIAL NODES
^
There are 2 Major access- One through the Dadar Station and another through the Khodadad circle. A minor access for the public near the Shivneri part of the flyover could be created.
Shivneri Bus stop
PART 2
Drop-off zone
From Dadar Station 17M
PART 1
Khodadad Circle
ZONES
^
The Community functions happen along the node which has an access from the Dadar Station. More Commercial functions which can generate income happen along the node which has an access from the roundabout. It makes it easier for the vehicular access as well. A Public zone is created along the node near Shivneri bus stop to enhance public engagement. New Zebra crossings have been designed to enhance public access.
Bioswale
Community Zone
Public Zone
CIRCULATION The circulation has been pushed towards the lower edge of the flyover because that side of the street is comparatively less busier. It will also provide climate protection to the habitable spaces.
Busier Edge
WIND DIRECTION Quieter Edge SOUTH SUNLIGHT 11
Commercial Zone
^
PROGRAM STATEMENT
^
Hybrid programming involves developing program strategies that allows for the interaction between the nomadic communities and the identified of the city to happen. This overlap will ensure that the semi-nomadic communities are identified as a part of the public in the city.
SPACE FOR HEALTH CAMPS/ PLAY AWARENESS WORKSHOPS AREA
COMMUNITY WORKSHOP
COMMUNITY VOCATIONAL WORKSHOP TRAINING
TOILET
MARKET SPACE
EATING SPACE
Rainwater Harvesting
N
SHIVNERI BUS STOP
PERFORMANCE SPACE
TOILET
LECTURE PLAY MOVIE PUBLIC SPACES AREA SCREENING PLAZA
12
COMMUNITY KITCHEN
Project Scope: The project aims to provide a sense of public identity and belonging for the nomads (bamboo craftspeople and acrobats) that migrate to the city annually. This space will enable a bidirectional transition between the city dwellers’ and the nomads’ lives.
Design Objective: The Design is fluid and multifunctional because of the dense urban fabric around it. The Design explores Bamboo as a building material thereby working with the possibilities of temporary and light weight architecture, creating no sense of ownership but a sense of belonging for the community. The ground plan allows more of open ended public functions with structures suspending from the structure of flyover. The spaces formed allows for the interaction between the Semi-nomads and the city dwellers which leads to more employment and income generation, cultural exchange and knowledge exchange. The space allows for a metaphorical entry into the lives of the nomads for the city dwellers. Spaces can transform as temporary shelters during the night.
System 1- M.S Hollow Box Section to Flyover
System 2- Tensile Steel Cable to M.S Hollow Box Section System 3- Tensile Steel Cable to hold bamboos in horizontal direction Beam Bottom Level at +3.3M
Ground Floor Level +0.0M
13
M.S HOLLOW BOX SECTION
(150X150MM)
FLYOVER CONCRETE COLUMN
(2000 X 750 MM)
BAMBOO CROSS BRACING IN Z AXIS (DIA 100 MM)
VERTICAL FOLDABLE WINDOW M.S PLATE
(THICKNESS 15 MM)
BAMBOO VERTCAL MEMBER TEAK OIL FINISH (DIA 120 MM)
M.S STRAP TO HOLD THE BAMBOO TOGETHER BAMBOO HORIZONTAL MEMBER - IN X AXIS
(DIA 120 MM)
BAMBOO FLOORING TENSILE STEEL CABLETO HOLD THE TWO HORIZONTAL BAMBOO MEMBERS IN X AXIS (DIA 15 MM)
^ EXPLODED ISO: To understand materiality and bay logic
STRATEGY FOR SUSPENSION The maximum structures are suspended from the structure of the flyover to ensure free movement on the ground plane. The community functions are kept on the edge at the busier node so that they are heard and seen.
Community Zone
Public Zone
Commercial Zone ^
Drawing to understand strategy for suspension
A
18
UP
12
16
16
13
+0.30M
ENTRY 2
DN UP
0.0M 17
+0.30M
DN 15
9 11
10
-0.60M
UP
8
+0.30M +0.45M UP
14
19
0.0M
A’
0.0M
0.0M
5 6
-0.45M
+0.30M
1
UP 7
7
Drop-off Zone
3
2
6
0.0M
+0.30M
ENTRY 1
UP 4
LEGEND 1 Eating Space 2 Community Kitchen 3 Service Counter
7 Finished Products Market (Small)
13 Ticket counter
8 Public Plaza (Seating/ Exhibition)
15 Community gathering
4 Packaging , Washing 9 5 Pump Room 10 11 6 Finished Products Market (Big) 12
Drinking facility Toilet (Female) Toilet (Male) Movie screening
14 Play area 16 Bamboo workshop 17 Lecture space 18 Information kiosk 19 Administration
N ^ GROUND FLOOR PLAN PART 1
+7.5 M BEAM BOTTOM LEVEL
+6.2 M BEAM BOTTOM LEVEL
+3.6 M FIRST FLOOR LEVEL +3.3 M BEAM BOTTOM LEVEL
+0.3 M PLINTH LEVEL +0.0 M GROUND FLOOR LEVEL
^ SECTION AA’: Community workshop
and gathering spaces
^ VIEW 1: Community Workshop Space
^ VIEW 2: Vocational Training Space 21
^ VIEW 3: Finished Products Market
^ VIEW 4: Eating Space 22
+7.5 M BEAM BOTTOM LEVEL
M.
(THICKNESS
A
CONCRETE ANC
(ALL-THREAD BA PLATE AND
B
+6.2 M BEAM BOTTOM LEVEL
M.S HOLLOW BOX SE
(150 X 1
C
+3.6 M FIRST FLOOR LEVEL +3.3 M BEAM BOTTOM LEVEL
M.S HOLLOW BOX SE
(100 X 1
D
M.
(THICKNESS
CYLINDRICAL STEEL M
(DIA
3/8
CEMENT MORTA
M.S STRAP TO THE BAMBOO TOG TENSILE STEEL TO HOLD THE TWO HORIZ BAMBOO MEMBERS IN
(DIA
+0.3 M PLINTH LEVEL +0.0 M GROUND FLOOR LEVEL
^ STRIP SECTION
BAMBOO VERTCAL ME TEAK OIL
(DIA 1
BAMBOO VERTCAL MEMBER - TEAK OIL FINISH (DIA 120 MM)
M.S STRAP TO HOLD THE BAMBOO TOGETHER BAMBOO HORIZONTAL MEMBER - IN X AXIS
.S PLATE
S 30 MM)
(DIA 120 MM)
THREADED BAR WITH NUT
CHORS
(DIA 15 MM)
AR WITH D NUTS)
BAMBOO HORIZONTAL MEMBER IN Z AXIS- TEAK OIL FINISH (DIA 120MM)
ECTION
150 MM)
^ DETAIL AT ‘A’
^ DETAIL AT ‘C’
TENSILE STEEL CABLE- TO HOLD THE TWO HORIZONTAL BAMBOO MEMBERS IN X AXIS (DIA 15 MM)
ECTION
100 MM)
BAMBOO RAILING
.S PLATE
S 15 MM)
BAMBOO FLOORING
MEMBER
A 40 MM)
M.S STRAP TO HOLD THE BAMBOOS TOGETHER BAMBOO HORIZONTAL MEMBER - IN X AXIS
8” BOLT
(DIA 120 MM)
AR INFILL
BAMBOO HORIZONTAL MEMBER IN Z AXIS- TEAK OIL FINISH
O HOLD GETHER CABLEZONTAL N X AXIS
(DIA 120MM)
M.S STRAP TO HOLD THE BAMBOOS TOGETHER
A 15 MM)
BAMBOO VERTCAL MEMBER TEAK OIL FINISH
EMBER FINISH
(DIA 120 MM)
120 MM)
^ DETAIL AT ‘B’
^ DETAIL AT ‘D’
24
Guide | Aneerudha Paul, Sonal Sundarajan, Shirish Joshi
Urban Design | 2018-19
02
C i t y. S t r e e t . L A B Urban Design and Planning in Lucknow
Team | Prajwal Gaikwad
Hajratganj is one of Lucknow’s oldest markets. It bears traces of the colonial buildings now used as commercial shop spaces. The market situates itself within a triangle formed by three important streets; Hazratganj street, Vidhan sabha Marg, and Rana Pratap Marg (botanical garden street). The nature of all the three streets is different from each other. Where the Hazratganj street is
Semester VII | KRVIA
mostly shopping street, the Vidhan sabha marg consists of formal offices like Banks, and the Rana Pratap marg displays both offices as well as leisure spaces. The primary urban intent is to make Hazratganj pedestrian and cycle friendly using these three streets along with the nodes at there intersections and other secondary streets along them. This is mainly done to revive the lost public spaces due to the densification of the commercial fabric. The Government proposed underground and overhead Metro station along these streets provide favourable spots of intervention for the urban renewal. The aim is realised by making the main shopping street of Hazratganj green in nature and working with the street cross section to make it more inviting rather than congested. This street then brings the urban energies towards the river via smaller secondary streets running perpendicular. Exisitng open and green space have also been included in the proposal, forming new public zones. Two institutional projects proposed on this site are the Boat Club and the Horticulture Institute along with an extension to Shah Nazaf Imambara in the form of a Heritage Cell.
25
Location | Lucknow
LEGEND- PROPOSED Pedestrian and Cycle path Roads Elevated road Embankment Skywalk Food truck park Parkings Replanned buildings Metro Stations Interventions Relocated Informal settlements
N ^ PROPOSED MASTER PLAN:
Reviving the River Gomti
Potential Nodes Horizontal streets
Residencial Commercial Institutional Informal settlements Shopping Streets Service Streets Institutional Streets
URBAN FABRIC+STREET NODES+STREET Vertical streets (Existing) (Existing) The primary Hazratganj streets intersect each other at critical junctions, where Primary streets of Hazratganjs’ complex urban fabric differ in nature. This provides park, mall, church, chowk or other important institutes are situated. The major idea is multiple possibilties of intervening. activation of these nodes as public spaces that become entry points into the region.
Elevated road Mount Horizontal streets Intersections Vertical streets
Pedestrian and URBAN FABRIC+STREET NODES+STREET cycle friendly (Proposed) (Proposed) streets Providing public plazas, redesigning the interface of street with existing heritages, Keeping the existing nature of the streets intact, the proposal is to enhance these utilising existing greens are the methods used to activate these nodes. The proces streets by providing pedestrian and cycling tracks along the edges. This provides allows the energies from the hazratganj street to traverse till the river. a setout space to all the adjoining street junctions as well as enhances the street aesthatic.
Proposed cycle stands Proposed pedestrian
MODE OF COMMUTE+STREET streets (Proposed) An idea of walkable and cyclable street becomes the prime urban intervention. This allows the change in the conventional aesthetic of a street and creates opportunities for public zones to take over.
Green spaces
Pedestrian and GREEN SPACES+STREET cycle friendly (Proposed) streets Using the existing secondary and primary streets the existing green and open spaces are stiched together, providing plazas at their junctions and enhancing the public interaction at the streets.
Exi
stin
gP ark
Lu Libckno rar w y
tre
et
Ambedkar Chawk
200 Mt s Cathedral Church complex
und
ergGo rouvt p nd rop me ose tro d sta Mayfair tio Building n
Formation of a dense public zone. Proposed metro station entries
Distance between the Proposed underground Metro and Proposed Cycle club is 400mts.
Underground Metro Station
Porous Compound Wall
Stadium
Ov
ck
Pa r
ion
dT ru
tat
os etr
dM
ea
erh
Fo o
Replanned Stadium buildings
Pedestrian friendly street
Shops
k
d un ro rg ng de rki Un Pa
- KD BABU Stadium (Critical Junction) because of the upcoming Overhead Metro Station. - Stadium, Sarojini Naidu Park, La Martiniere girls school, LIC main Branch Office existing Institutions on site. - An attempt to make the stadium more accessible to the public as well as making the Metro exits free of congestion has been made. Providing multiple entry and exits points is one the strategies used.
Street Section Study
An Imagination of proposed Hazratganj Street Section. An attempt to make the shopping street more pedestrian friendly has been made. The streets become more green and provide a setting out area in front of the shops
PROPOSED SECTION: Through intervention 1 Boat Club
^
nj S
Ambedkar Chowk becomes the initial node to enter into Hazratganj from the Vidhan Sabha street. The Hazratganj market at this edge of the site is the one of the oldest part of the city, with colonial building now converted into shops and commercial spaces. To enrich the pedestrian and cycling culture in Hazratganj, a Cycle club is proposed as an extension to the the existing parking lot behind the Lucknow library. The site is at the very entry into Hazratganj so becomes a favourable starting point for cyclerers to rent a cycle and navigate the area.
Arcade Entry
tga
Hazratganj street elevation
Sh Ceoppi nte ng r
Ea ter ies
zra
V Sa idha bh n a
Ha
ing
Guide | Aneerudha Paul
Architecture Design | 2018-19
03
Location | Lucknow
Boat Club by the River R e v i v i n g
R i v e r
G o m t i
The Boat Club behaves like a membrane allowing the energies from the streets to navigate through it and takes them towards the river. An attempt to make a leisure public space has been made along with incorporating the institute’s formal nature. The building comprises of three major blocks which terraces down, the public block at the street edge, the private block and then the semi-public private
Semester VII | KRVIA
block close to the river. Three major axis has been identified across the site through the building which allow visual, pedestrian and vehicular movement. An attempt to use the landscape as an intermediate program between the boat club and the river has been made. Along with this the program has been so chosen that it caters to the existing fabric and fits into the context by reviving the nature of the site.
29
^ VIEW 1: Through the three major blocks which terraces down
^ VIEW 2: Towards the river and artificial water body
^ VIEW 3: Through the viewing deck
^ VIEW 4: Through the pedestrian axis
30
ck
A
Do
UP
Terrace
Administration
Bar and restaurant
Swimming Pool
Kitchen -4.0M Kitchen Storage
T(M)
B’
+0.0M T(F)
-1.0M UP
Storage (Shops)
UP
DN
-2.0M Storage (Boat Club) T(M) Reception B
-1.0M
T(F)
-3.0M
DN
Viewing
DN
Deck
Club Souvenier Shop UP
DN DN
Computer Room
Learning Level 1 (Sailing)
Temple
T(F)
Reception
Learning Level 1 (Canoeing, rowing)
+0.3M
T(M) T(F)
Administration
T(M)
Shop
Shop
Shop
Shop
Shop
ENTRY UP +0.0M
A’
N ^ PLAN AT +1.2M
Terrace
Swimming Pool
Party Hall Party Hall
Clubbing (Indoor Games) T(M)
+3.0M
T(F) T(M) Library
Learning Level 3
Bag Dro
p
T(F)
Lobby
Administration
Virtual Training Room T(M)
Learning Level 2
+4.3M
T(F)
N ^ PLAN AT +5.2M
^ SECTION AA’: Through the Public,
Private and Semi-public blocks
^ SECTION BB’: Through the second
terrace, private block
Guide | Dick Van Gameren, Rohan Varma
TU Delft - KRVIA Design Studio | 2019-20
04
D i a g o n _ a l l ey Social Housing in Amsterdam
Team | Prajwal Gaikwad
The studio focused on understanding the history of housing development in Amsterdam and demanded a critical conception for the future of housing in the new developing islands suburbs of the city. Housing in Amsterdam has evolved with time keeping its root strongly embedded in history and context. In the course of its development, it has used technology to its advantage and Semester IX | KRVIA
produced extraordinary housing typologies. Learning from it, this project evolves in context and aims globally. The program development focuses on creating mixed housing opportunities, within the allotted area. A comprehensive analysis of different populations within the city helped evolve 3 housing typologies that aimed at 3 different social groups_ Students, Couples, Family and the project intends to design a social housing for them. The design focuses on creating an interactive public realm on all floors as well as comfortable spaces of living. Slicing the rectangular building block diagonally and staggering the building on alternate floors achieves this. This design decision allows for separate building blocks for student housing and family housing maintaining a sense of privacy and security for both entities. Along with this the staggered floors allow open public spaces on each floor with better natural light and ventilation to all apartment blocks. A central spiral staircase connects the two blocks and becomes an anchor design feature.
35
Location | IJburg, Amsterdam
^ SYNTHESIS DRAWING
N
37
A’
N ^
PLAN AT +1.2M
A
N ^
PLAN AT +7.2M
^ FRONT ELEVATION
39
^ SECTION AA’
40
Guide | Mayuri Sisodia, Vineet Nikumbh
Architecture Design | 2017-18
05
Location | Dargah-E-Sharif, Ajmer
Examining Institutions of Faith Community Cooperative in Ajmer
Oblique strategy: Water
Institutions are consolidations of existing power relationships. It is this very nature that often distances them from the communities that they claim to represent. How do we then imagine these institutions to change? The entire Dargah revolves around rituals associated with water and with water comes the significant role of the Abbasis. The Abbasis belong to the Bhishti community who have been selling water in their mashaaks (goat skin bags) to drink or to perform rituals since generations. This entire class of people who used to be the service infrastructure of the entire Dargah, now because of mechanization have no longer been relevant. Semester VI | KRVIA
The program looks at the idea of infrastructure of the community related to water in religious and economic aspects. The aim is to establish a cooperative, which include institutions of production (Leather Workshop) and recreation that will create varied and comfortable spaces for the community. The institution will create opportunities to create a landmark to serve and reflect the community. The building complex, a set of vaults and flat roofs is built around the courtyards and aqua duct which acts as a directional factor for the user. Water is displayed in channels, cascades, pools to offer respite from the heat and to achieve tranquil visual effects. The juxtapose of spaces with water directs the physical form of the building.
STREET
DARGAH
41
^ MINIATURE DRAWING: The Ajmer Dargah Precinct
42
Bhishti making mashaks
Bhishti offering water in the mazar
Women waiting to wazu
Bhishti making musical instruments
Bhishti offering water into the wazu
Bhishti giving water to people to drink
Bhshti giving water in the temples
^
PROCESS MODELS
Bhishti giving water in the houses
^ ILLUSTRATIONS: Understanding the space and community of Abbasis
B
Shop Storage
A
ENTRY Shop
Shop
Shop
Cleaning T(M)
Serving Space
C
Workshop 3 (Bhishti bags)
Bhishti rest space
UP
ENTRY Cooking Space
Langar Khana T(M)
T(W)
UP
DN
T(F) +0.3M
c’
UP
+1.1M
Khadim office
Watch Tower
Lockers
DN
Storage (Raw)
+0.8M
Changing room
Cash department
UP
ENTRY Storage (Finished Products)
Workshop 1 (Musical instrumets) +0.3M
Administration
Workshop 2 (Leather bags) Vazu
Deg
ENTRY +0.0M B’
A’
Shrine
Vazu
N ^ PLAN AT +1.2M
^ FINAL MODEL
^ SECTION AA’: Section through aqua duct
^ SECTION BB’: Section through workshop
^ SECTION CC’: Section through prayer hall and workshop
Guide | Shilpa Gore Shah
Architecture Design | 2017-18
06
Location | BKC, Mumbai
The Institutions of Democracy Bandra Kurla Complex Family Court
The idea of the Architecture of the institutions created by the modern Indian state to administer and maintain it’s democracy is reimagined. The project also studies the the typologies of the buildings within the judicial system across space and time.
Semester V | KRVIA
The site sits amidst the seven storey buildings of BKC. The positioning of the buildings is given utmost importance in the BKC planning scheme. The interventio has been designed keeping in mind the functionality of the ground plane. The building acts as a symbol of transparency between the citizens and the judicial system. The idea of multiple terraces at different levels provide a sense of openness.
^
47
SYNTHESIS DRAWING: Existing family court conditions on site
Sham, The Chaiwala prepares the tea kettle
He travels every floor to serve
He serves tea to every staff member
Gopa, manages case files and storage
He distributes required case papers
Calls out as per terms to everyone
Mr Raj enters the ATM to pay the registration fees of the court
Security check while entering the building
Registeration of the case by paying the fees
Mrs Khulkarni getting nervous aboutthe next date and hoping to win the case
Claering the paper work
Consulting councilor for clarity
^ ILLUSTRATIONS: To understand the spaces 49
and functioning of court via characters
^ Process massing models
50
4
6 5 8
1
3
7 BKC Road 2
^
N SITE PLAN
THIRD FLOOR PLAN 1 2 3 4 5 6 7 8 3
Waiting Space Childrens’ Room Childrens’ Library Court Room 2 Judge’s chamber Stanographer room Record room Copying cell
2 9
1 1 7
B’ C
7 Server Room 8
Seminar Hall 5 6 Administration
4
SECOND FLOOR PLAN 1 2 3 4 5 6 7 8 9
Filling Dept
Information Kiosk
UP
Waiting Space
Waiting Space Principal Judge’s chamber Stanographer room Court Room 1 Judge’s chamber Stanographer room Marriage counselor Meditation room Record room
3 Typist 2 4
A’
B
5 Notary/ Stamp duty n he
1
6 6
C’
c Kit
6
UP FIRST FLOOR PLAN 1 2 3 4 5
A
N ^ GROUND FLOOR PLAN
Waiting Space Registrar Legal aid officer Cash department Principal marriage counselor 6 Marriage counselor
^ SECTION AA’
^ SECTION BB’
Guide | Ainsley Lewis Jamshed Bhiwandiwala
Working Drawing | 2017-18
Location | BKC, Mumbai NOTES:
ACP SILICON SEALANT
COPING
07
RCC BEAM (300X400)
B
Bandra Kurla Complex Family Court 150
150
IPS (25MM) 30MM MORTAR 150 MM BBC
EXTERNAL PLASTER (18MM) BRICKWORK
140
CONCRETE LEDGE
Working drawing and representation portfolio HEAD PLATE RUBBER SPIGOT TRANSOM SILICON SEALANT GASQUET
75
930
PARAPET WALL
110
1) DO NOT SCALE THE DRAWINGS. 2) FOLLOW WRITTEN DIMENSIONS ONLY. 3) THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 4) ALL THE STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 5) ALL SERVICES TO BE REFERRED FROM SERVICES CONSULTANT DRAWINGS. 6) FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 7) ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICE FOR THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK.
SPECIFIC NOTES: 1) ALL DIMENSIONS ARE IN MILLIMETERES
LEGEND SITE BOUNDARY
DOUBLE GLAZED UNIT
CENTER LINE
MULLION
The work involved making detailed working drawings for the BKC Family Court Project. It included making detailed plans, sections, elevations and
ACP SILICON SEALANT
EXTERNAL GLASS (8MM)
BRICKWORK
3350
140
150
CONCRETE LEDGE
600 WAFFLE SLAB VOIDS
END SUPPORT BEAM
25 MM IPS 30MM MORTAR
30 LOUVERED WINDOW
CENTER 230 LINE
75
PROPOSED FAMILY 150 BKC, MUMBAI MAHARASHTRA
640
EXTERNAL PLASTER (25MM)
INTERNAL GLASS (6MM)
SITE BOUNDARY
12MM STIRRUP 16MM DIA BARS
CONCRETE LEDGE
360
RIBS TOP REINFORCEMENT BAR AIR GAP (12MM)
LEGEND
400
MULLION
D
30MM MORTAR
EXTERNAL GLASS (8MM) 1) ALL DIMENSIONS ARE IN MILLIMETERES SLAB REINFORCEMENT MESH
DOUBLE GLAZED UNIT
8MM DIA DISTRIBUTION BARS 12MM DIA DISTRIBUTION BARS BRICK BLOCK
150
25 MM IPS FLOORING
SPECIFIC NOTES:
150
75 1690
110
SECTION OF DETAIL AT B ( SCALE 1:5)
30
TRANSOM
HEAD PLATE RUBBER SPIGOT TRANSOM SILICON SEALANT GASQUET
RCC COLUMN (300X600)
270
Semester VI | KRVIA
MULLION
DOUBLE GLAZED UNIT
C
RCC BEAM (300X400MM)
20
8MM STIRRUP
90
70
1690
1600
EXTERNAL PLASTER (18MM)
V2
SILICON SEALANT ALUMINIUM CHANNEL (25X25MM) TRANSOM (75X75MM) SCREW
12MM MAIN REINFORCEMENT BAR RIBS BOTTOM REINFORCEMENT BAR COURT 300X600MM RCC COLUMN CONCRETE LEDGE
15MM PLASTER 12MM COLUMN REINFORCEMENT EXTERNAL PLASTER (18MM)
830 200
V2
BRICKWORK 12MM CONNECTING STIRRUPS
SECTION OF DETAIL AT B ( SCALE 1:5)
900
BBC (300MM)
20
TOE
WATER BAR LIGHT CONCRETE FILLING GUTTER
10 310
0
RCC COLUMN
20
150
EXTERNAL DOUBLE GLAZED UNITGLASS (8MM) INTERNAL GLASS (6MM) AIR GAP (12MM) EXTERNAL GLASS (8MM) INTERNAL GLASS (6MM)
12MM STIRRUP
M.S ANGLE (25X25MM) RCC BEAM (300X400MM)
TRANSOM (75X75MM) 16MM CLICK AND FIT UNIT SILICON SEALANT SILICON SEALANT ALUMINIUM CHANNEL (25X25MM) TRANSOM (75X75MM) GASQUET SCREW
90
SLAB REINFORCEMENT MESH RIBS TOP REINFORCEMENT BAR RCC COLUMN (300X600MM)
230MM THICK BRICK WALL 8MM STIRRUP
DIA BARS
15MM PLASTER 12MM MAIN REINFORCEMENT BAR MULLION (75X75MM)
300X600MM RCC COLUMN 12MM CONNECTING STIRRUPS
RIBS BOTTOM REINFORCEMENT BAR 12MM COLUMN REINFORCEMENT 140
0
60
150
LOCATION PLAN (SCALE 1:5000)
COLLEGE STAMP AND SIGNATURE
640 830
EXTERNAL PLASTER (18MM)
GASQUET
SECTION BB' (SCALE 1:10) SILICON SEALANT
30
150
CONCRETE LEDGE
N
REINFORCEMENT PLAN OF WAFFLE SLAB (SCALE 1:20)
200
20
^ SECTION: Curtain walling detail
SECTION OF DETAIL AT C ( SCALE 1:5)
SECTION OF DETAIL AT D ( SCALE 1:5)
600 400
30
REVISIONS:
AIR GAP (16MM) 100
DOUBLE GLAZED UNIT INTERNAL GLASS (6MM) EXTERNAL GLASS (8MM)
RCC COLUMN (300X600MM)
DATE
640230MM THICK BRICK WALL
DWG NO
DESCRIPTION
75
75
10
TRANSOM (75X75MM) CLICK AND FIT UNIT SILICON SEALANT
30
+3.4M
840 140
GASQUET
12MM CONNECTING STIRRUPS 12MM COLUMN REINFORCEMENT 300X1200MM RCC COLUMN LIGHT WEIGHT SIPORAX FIN
12MM MAIN REINFORCEMENT BAR
M.S ANGLE (25X25MM)
75
UP
20
D
DOUBLE GLAZED UNIT INTERNAL GLASS (6MM) EXTERNAL GLASS (8MM) AIR GAP (16MM)
REINFORCEMENT ^ PLAN: CurtainPLANSLAB walling KAMLA RAHEJA VIDYANIDHI OF DETAIL AT Adetail ( SCALE 1:2) MESH RIBS TOP INSTITUTE FOR REINFORCEMENT BAR ARCHITECTURE AND 8MM STIRRUP ENVIRONMENTAL STUDIES 550
D'
40
150
STRIP SECTION DD' (SCALE 1:25) CURTAIN WALL PART ELEVATION (1:25)
BRICKWORK
150
V2
MULLION (75X75MM)
53
NOTES: 1) DO NOT SCALE THE DRAWINGS. 2) FOLLOW WRITTEN DIMENSIONS ONLY. 3) THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 4) ALL THE STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 5) ALL SERVICES TO BE REFERRED FROM LOCATION PLAN (SCALE 1:5000) SERVICES CONSULTANT DRAWINGS. COLLEGE STAMP ANDREFER TO OTHER 6) FOR ALL OTHER DETAILS SIGNATURE RELEVANT DRAWINGS. 7) ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICE FOR THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK.
KAMLA RAHEJA VIDYANIDHI SPECIFIC NOTES: INSTITUTE FOR ARCHITECTURE AND ENVIRONMENTAL STUDIES LEGEND
1) ALL DIMENSIONS ARE IN MILLIMETERES
SITE BOUNDARY
REVISIONS: DATE
CENTER LINE DWG NO
DESCRIPTION
75
70
PROTECTIVE BRICK WORK PCC (100MM)
75
230
60
100
60
0
TRANSOM
AIR GAP (16MM)
75
2
30
400
30
23
30MM MORTAR
30
WATER PROOFING PROTECTIVE BRICK WORK
SECTION OF DETAIL AT D ( SCALE 1:5)
25 MM IPS FLOORING
30
0
60
SECTION slab AA' (SCALE 1:10) ^ SECTION: Waffle detail
CURTAIN WALL PART ELEVATION (1:25) MULLION
75
3450
650
WAFFLE SLAB VOID PLINTH 0 PCC (100MM) 23 DRY RUBBLE DOUBLE GLAZED UNIT RAMMED EARTH
PROPOSED FAMILY COURT BKC, MUMBAI MAHARASHTRA
various other details. The challenge was to keep the design intact while resolving the project structurally and materially.
INTERNAL GLASS (6MM)
150
MULLION AIR GAP (16MM)
1) DO NOT SCALE THE DRAWINGS. 2) FOLLOW WRITTEN DIMENSIONS ONLY. 30 3) THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS/HER PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 4) ALL THE STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWING. 5) ALL SERVICES TO BE REFERRED FROM SERVICES CONSULTANT DRAWINGS. 6) FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 7) ANY DISCREPANCIES TO BE BROUGHT TO THE NOTICE FOR THE ARCHITECT BEFORE THE COMMENCEMENT OF THE WORK.
310
1010
TRANSOM
NOTES:
N
ALUMINIUM COMPOSITE PANEL
DETAIL- CURTAIN WALLING
SECTION EE' (SCALE 1:10)
PROPOSED FAMILY COURT BKC, MUMBAI MAHARASHTRA DETAIL- CURTAIN WALLING SCALE- AS SPECIFIED NAME- RADHIKA AGARWAL ROLL NO- 1501 DATE- 23/04/2018 SHEET NUMBER- 20
2
WALL SIZE 1700X200
WALL NAME I16,I17,I18
7100X200
J17
I 00
35
THK
REMARK
IPS FLOORING CEMENT CONCRETE FLOORING
TYPE
25
1:4 (CEMENT:SAND)
FF2
CREAM COLOURED NON-SKID VITRIFIED TILES
15
300X300
00
4
M2
0
50 30
83
10
60
7
00
NO 9
00 14
F 00
0
30
NO
90
11
SITTING SPACE
M9
60
13
WF2 CURTAIN WALL- DOUBLE GLAZED UNIT
CT
40
00
21
21
15 00
0 50
59
45 0
42
00
40
19 30
M22 V1 V1 V1
CT
V1 +0.0M
ET
DU
IL
TO
V1 0
60
D14
0
TOILET (FEMALE) (14 SQ MT)
D4
+1.65M
0
55
0
60
M
0
55
W3
0
55
G21
D1
60
0
J
87
I
W2
9
W2
30
15
)
M
.2
X1
(8
D2
0
F19
16
+1.65M
00
40
83
14
0 30
00
00
1200
WAITING SPACE 14MX12.5M
W
NO
W1
70
50 17
60
10
E14
00
17
D1
D2
00
1880
SF1FF1
22
27
W4 CF1WF1
00
60
W2 8
G19
3770
CONFERENCE ROOM 7.3MX6.4M
TOILET 1 (MALE) (4.7MX3.2M)
90
F15
W4
SF2FF1
0 10
38
W10
37
SF1FF1
7
00
38
12
23
CF1WF1
B11
RE T FI UC10 D 16
INFORMATION KIOSK 70
98
0
86
13
CF1WF1 13
80
D1
40
0
D5
W10
D11
D2
12
90 72 900 1
61
00
21
24 25 26 27 28 29 30 31 32 33 34 35
10
W1
UP
40
00 32
13
10
11
+3.4M
00 0
40
22
00
18
0
12
35
40
53
B9
00
00
B7
14
25
47 46 45 44 43 42 41 40 39 38 37 36
2
1240
7 13
70
0
8 16
34
0
78
B4
21
+3.4M 0 5 33
00
00
I18
90
I17
D7
M19
13
36
27
WF2
15
0 80 0 35
10
W5
D5
47 46 45 44 43 42 41 40 39 38 37 36
J17
0
G14
W4
D9
I16
20
40
22
D1
90 66
50 11
10
23 24 25 26 27 28 29 30 31 32 33 34 35
D6
19
50
00
00
17
0
D1
72
50 13
75
00 20
35 00
UP
15
00
18
00 17
00
0
D1 00
28
4
68
19
D7
00 17
82
70
46
W4
20
64
W2
10
0
48
13
64
60
CF1WF1 SF1FF1 0
72
B14
D19
ADMINISTRATION DEPARTMENT 7.2MX6.4M
0 70 34 50 1 35
W2
0 30 0 00 0 31 660 3
80
SF1FF1
B19 W2
E
C DU
M
E
W1 70
19
W2
18
R
60 TE
28
+1.65M
B22 W3
10
CENTER OPENING TELESCOPIC DOOR SHAFT WIDTH
1900MM
SHAFT DEPTH
D21 T
W2
17
F 20
20
00 45
CF1WF1
FILLING DEPARTMENT 6MX6.4M
W7
SCHINDLER 5240
D2
ELECTRIC ROOM
64
16
00
00
W2
W6
LIFT SCHEDULE
11
0
2 20
64
W2
15
0
31
W2
14
53
D3
+1.65M
W5
G
0
74
13 95 0
00
W2
11
D
1700MM
SHAFT PIT DEPTH
1200MM
CAR WIDTH
1500MM
CAR DEPTH
1000MM
CAR HEIGTH
2800MM
DOOR WIDTH
800MM
DOOR HEIGHT
2300MM
MAX PASSENGERS
6
LOAD CAPACITY
500KG
W8
1900
V1 1700
0
78
0 37 40 1
W8
90
D1 00
28
+1.50M
25
+1.65M
FF1
D5 17
CANTEEN 8.3MX7.6M
F8
TYPIST/XEROX 4.5MX4M
30
G11
+1.50M
M14
SF1FF1
D4
+1.50M
00
45
W8
00
0
00
93
STAMP DUTY 4.5MX4M
0
30
00 22
B2
0 15
00
70
W8
3
00
10
25
D2
00
25
16
D1
CF1WF1
00
00
73
0 35
15
D3
56
0
35
00
D4
14
U1P170
G9
85
20
W7
35
+0.7M 30
+0M
60
13
W7
22
20
70
+0.825M
00 74
10
28
M11
D2
G7
88
00
D3
DU
00
46
00
21
B
D2
ET
00
12
+1.50M
TYPE
IL
+1.50M
49
TO
Y TR 0 EN 957 P U
00
40
D
FF1
D1
15MM INTERNAL PLASTER AND PAINT WF1 25MM EXTERNAL PLASTER AND PAINT
22
+0M
E
NO
TYPE
WALL FINISH SCHEDULE
53
M7
D
CF1 15MM PLASTER AND PAINT ON RCC SLABS
17
0 50
G2
6 30
D
CEILING FINISH SCHEDULE
8
14
00 68
81
70
3
FF1
NO
43
00
42
C
FLOORING FINISH SCHEDULE
0 80
G
C
SHEAR WALL SCHEDULE
M J
800 1500
MASONARY SCHEDULE
W1
115MM THK MASONRY WALL (HALF BRICK THICK) WITH 15MM INTERNAL PLASTER AND PAINT 230MM THK MASONRY WALL (ONE BRICK THICK) WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
53
B
SF1
100MM HIGH BLACK GRANITE STONE SKIRTING ON IPS
SF1
DADO 250MM HIGH ON VITRIFIES TILES
N
^ GROUND FLOOR PLAN 54
V2
W1
SKIRTING SCHEDULE
00
22
W1
120MM THK MASONRY WALL OF SIPORAX BLOCK WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
10
19
21
W9
CEILING FINISH SCHEDULE NO
TYPE
CF1 15MM PLASTER AND PAINT ON RCC SLABS
TYPE
D1
TIMBER FRAMED SINGLE SHUTTER
D2
TIMBER FRAMED SINGLE SHUTTER
D3
TIMBER FRAMED DOUBLE SHUTTER
D4
TIMBER FRAMED SINGLE SHUTTER OPENS ON BOTH SIDES STAINLESS STEEL FITTINGS
WALL FINISH SCHEDULE
B' ENTRY
NO
+0M
SITTING SPACE +1.65M
TYPE
15MM INTERNAL PLASTER AND PAINT WF1 25MM EXTERNAL PLASTER AND PAINT
UP
A
DOOR SCHED NO
+0.825M
CANTEEN 8.3MX7.6M +1.65M
TYPIST/XEROX 4.5MX4M
UP
+1.65M
WF2 CURTAIN WALL- DOUBLE GLAZED UNIT
STAMP DUTY 4.5MX4M +1.65M
MASONARY SCHEDULE
+3.4M
E FIR CT DU
+1.50M
MALE TOILET
UP
INFORMATION KIOSK
120MM THK MASONRY WALL OF SIPORAX BLOCK WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
FEMALE TOILET
1.5M) X HANDICA (2M
+3.4M
CT
PPED TOILET
WAITING SPACE 14MX12.5M ADMINISTRATION DEPARTMENT 7.2MX6.4M
T
DU
ILE
TO
+1.65M
115MM THK MASONRY WALL (HALF BRICK THICK) WITH 15MM INTERNAL PLASTER AND PAINT
+1.65M
B
230MM THK MASONRY WALL (ONE BRICK THICK) WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
FILLING DEPARTMENT 6MX6.4M +1.65M
CT
R
DU
TE
CONFERENCE ROOM 7.3MX6.4M
ME
+1.65M
A'
KEY PLAN (SCALE-1:100) 4
7
9
11
14
19
D5
22
3700
2
W11
METAL RAILING IPS 150 MM BRICK BAT COBA
STANOGRAPHER CHAMBER D2
D3
W11
3700
SF1FF1
CF1WF1 SF1FF1
MARRIAGE COUNSELLOR
3700
W2
3700
46 45 44 43 42 41 40 39 38 37 36
PRINCIPAL MARRIAGE COUNSELLOR
22 21 20 19 18 17 16 15 14 13 12
7000 REGISTRAR OFFICE
SF1FF1
ADMINISTRATION DEPARTMENT
CONFERENCE ROOM
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
W3
TIMBER FRAMED SINGLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
W4
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
W5
TIMBER FRAMED SINGLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
+9.05 SECOND FLOOR LEVEL W6 +8.65 BEAM BOTTOM LEVEL
TIMBER FRAMED FIXED GLASS GLASS PANELLED WINDOW
W7
TIMBER FRAMED SLIDING WINDOW GLASS PANELLED
W8
TIMBER FRAMED SLIDING WINDOW GLASS PANELLED
+5.35 FIRST FLOOR LEVEL +4.95 BEAM BOTTOM LEVEL
D3
D1
W2
W9
CASH DEPARTMENT
CF1WF1
35 34 33 32 31 30 29 28 27 26 25 24 23
STAMP DUTY
V1
TOILET WINDOW ALUMINIUM FRAMED LOUVERED WINDOW
W9
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
W1 FILLING DEPARTMENT
+1.65M PLINTH LEVEL +1.25 BEAM BOTTOM LEVEL
W10TIMBER FRAMED
DOUBLE SHUTTER GLASS PANELLED
+0M GROUND LEVEL 11 10 9 8 7 6 5 4 3 2 1
2200
3000
SF1FF1
D1
W8
1550
CF1WF1
58 57 56 55 54 53 52 51 50 49 48 47
PRINCIPAL JUDGE'S CHAMBER
D3
D1
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
W9
RECORD ROOM
D1
MARRIAGE COUNSELLOR
MARRIAGE COUNSELLOR
SF1FF1
SF1FF1
SERVER ROOM
TYPE
W1
+12.75 THIRD FLOOR LEVEL +12.35 BEAM BOTTOM LEVEL
D3 CF1WF1
3300
D1
D1
70 69 68 67 66 65 64 63 62 61 60 59
D1
WINDOW SCH NO
W1 SF1FF1
3300
D1 CF1WF1
83 82 81 80 79 78 77 76 75 74 73 72 71
+16.45 FOURTH FLOOR LEVEL +16.08 BEAM BOTTOM LEVEL
CF1WF1
COURT ROOM 2
3300
3700
W2
95 94 93 92 91 90 89 88 87 86 85 84
ALUMINIUM FRAME DOUBLE SHUTTER SLIDING DOOR
D3
800
STANOGRAPHER CHAMBER 3300
D2
D2
3710
27200
W11
RECORD ROOM
230MM THICK BRICK WALL
PROTECTIVE BRICK WORK
JUDGE'S CHAMBER
D1
D1
100MM PCC 230X300 DRY RUBBLE PACKING RAMMED EARTH
D2
COURT ROOM 4
WF1
150 MM RCC SLAB 230X400 RCC BEAM
+20.15 FIFTH FLOOR LEVEL +19.78 BEAM BOTTOM LEVEL
STANOGRAPHER CHAMBER
CF1WF1
W1
W1
RCC CHAJJA
D2
3300
7000
JUDGE'S CHAMBER
D7
SF1FF1
COURT ROOM 5
D3
ALUMINIUM FRAME THREE SHUTTERS SLIDING DOOR GLASS DOOR
W1
CF1WF1
3300
3710
W11
D2
7000
JUDGE'S CHAMBER
D6
24.75 PARAPET LEVEL +23.85 TERRACE LEVEL +23.45 BEAM BOTTOM LEVEL
WF1
ALUMINIUM FRAME DOUBLE SHUTTER GLASS DOOR FLOOR SUPPORTED FOLDABLE PANEL
V2
CF1WF1 SF1FF1
-2.1M BASEMENT LEVEL
BASEMENT WINDOW ALUMINIUM FRAMED LOUVERED WINDOW
W11 TIMBER FRAMED
THREE FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
900 MM TOE
FLOORING 4300
2
3050
4
2800
7
3090
9
7400
11
7150
14
6400
19
22
NO
TYPE
FF1
IPS FLOO CEMENT FLOORIN
FF2
CREAM C NON-SKID TILES
SKIRTING S
^ SECTION CC’
55
SF1
100MM H
SF1
DADO 25
CEILING FINISH SCHEDULE NO
TYPE
CF1 15MM PLASTER AND PAINT ON RCC SLABS
TYPE
D1
TIMBER FRAMED SINGLE SHUTTER
WIDTH 1200
D2
TIMBER FRAMED SINGLE SHUTTER
900
D3
TIMBER FRAMED DOUBLE SHUTTER
1500
D4
TIMBER FRAMED SINGLE SHUTTER OPENS ON BOTH SIDES STAINLESS STEEL FITTINGS
1200
WALL FINISH SCHEDULE
B' ENTRY
NO
+0M
SITTING SPACE +1.65M
TYPE
15MM INTERNAL PLASTER AND PAINT WF1 25MM EXTERNAL PLASTER AND PAINT
UP
A
DOOR SCHEDULE NO
+0.825M
CANTEEN 8.3MX7.6M +1.65M
TYPIST/XEROX 4.5MX4M
UP
+1.65M
WF2 CURTAIN WALL- DOUBLE GLAZED UNIT
STAMP DUTY 4.5MX4M +1.65M
MASONARY SCHEDULE
+3.4M
FIR E DU
+1.50M
CT
MALE TOILET
UP
INFORMATION KIOSK
120MM THK MASONRY WALL OF SIPORAX BLOCK WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
FEMALE TOILET
1.5M) X HANDICA (2M
+3.4M
CT
PPED TOILET
WAITING SPACE 14MX12.5M ADMINISTRATION DEPARTMENT 7.2MX6.4M
T
DU
ILE
TO
+1.65M
115MM THK MASONRY WALL (HALF BRICK THICK) WITH 15MM INTERNAL PLASTER AND PAINT
+1.65M
B
230MM THK MASONRY WALL (ONE BRICK THICK) WITH 15MM INTERNAL AND 25MM EXTERNAL PLASTER AND PAINT
FILLING DEPARTMENT 6MX6.4M +1.65M
CT
R
DU
TE
CONFERENCE ROOM 7.3MX6.4M
ME
+1.65M
A'
M
G
F
D
B
KEY PLAN (SCALE-1:100)
3700
D5
FABRICATED PANEL COPING PARAPET WALL
WF1
WF1
WF1
V1
JUDGES' TOILET
CF1WF1
D6
ALUMINIUM FRAME THREE SHUTTERS SLIDING DOOR GLASS DOOR
2600
+23.85 TERRACE LEVEL +23.45 BEAM BOTTOM LEVEL
D7
ALUMINIUM FRAME DOUBLE SHUTTER SLIDING DOOR
1800
+20.15 FIFTH FLOOR LEVEL +19.78 BEAM BOTTOM LEVEL
NO W1
TIMBER FRAMED 1000 DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
+16.45 FOURTH FLOOR LEVEL +16.08 BEAM BOTTOM LEVEL
W2
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
1700
W3
TIMBER FRAMED SINGLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
1700
W4
TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
1700
W5
TIMBER FRAMED SINGLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
1700
CF1WF1
SF2FF1
FF1
WINDOW SCHEDUL
W11
SF1FF1
FF2
7000
V1
3280
3710
LOUVERED WINDOW 230MM THICK BRICK WALL
D3
JUDGES' TOILET FF2
15 MM THICK VITRIFIED TILES 25MM THICK MORTAR
W1
3300
V1
3280
V1
CF1WF1 SF2FF1
280 200
3700
120MM SIPORAX BLOCK FINS 12MM INTERNAL PLASTER
COURT ROOM 4
FF1
CF1WF1 SF2FF1
SF1FF1
FF1
FF2
150 MM RCC SUNK SLAB 230X400 RCC BEAM
93
92
91
90
89
3300
SF2FF1
FF1
71
72
73
70
74
69
D2
75
68
76
77
67
66
65
3700
3280
D3
W5
W6
3700
W4
D5
W6
W4
W4
45
D2
W1
44
FF1
FF1
23
24
26
25
43
27
21
D2
53
54
55
56
61
42
41
28
FF1
1
2
3
20
4
60 59
+5.35 FIRST FLOOR LEVEL +4.95 BEAM BOTTOM LEVEL
40
19
31
30
29
32
37
5
6
36
W1
35
17
7
8
9
14
10
W6
TIMBER FRAMED FIXED GLASS GLASS PANELLED WINDOW
1900
W7
TIMBER FRAMED SLIDING WINDOW GLASS PANELLED
5800
W8
TIMBER FRAMED SLIDING WINDOW GLASS PANELLED
3300
V1
TOILET WINDOW ALUMINIUM FRAMED LOUVERED WINDOW
500
34
33
+1.65M PLINTH LEVEL +1.25 BEAM BOTTOM LEVEL 18
3000
2200
SF1FF1
WIDTH
58
57
15
CF1WF1
+9.05 SECOND FLOOR LEVEL +8.65 BEAM BOTTOM LEVEL W9
38
150
1550
52
D5
22
PROTECTIVE BRICK WORK 900 MM TOE
51
50
49
84 83 82
3550
48
85
81
64
3300
47
46
CANTEEN
80
62
FF1 W7
79
78
3550
3300
CF1WF1
D3
100MM PCC 230X300 DRY RUBBLE PACKING RAMMED EARTH
W9
88 86
JUDGES' TOILET FF2
3280
3700
D2 V1
+12.75 THIRD FLOOR LEVEL +12.35 BEAM BOTTOM LEVEL
95 94
V1
TYPE
CF1WF1
5200
JUDGES' TOILET
3300
V1
3280
3710
27200
D2 V1
1900
24.75 PARAPET LEVEL
IPS 150 MM BRICK BAT COBA RCC LINTEL (150MM THK)
ALUMINIUM FRAME DOUBLE SHUTTER GLASS DOOR FLOOR SUPPORTED FOLDABLE PANEL
W9
+0M GROUND LEVEL
13 12
1000 TIMBER FRAMED DOUBLE SHUTTER FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
11
-2.1M BASEMENT LEVEL
W10TIMBER FRAMED
DOUBLE SHUTTER GLASS PANELLED
V2
BASEMENT WINDOW ALUMINIUM FRAMED LOUVERED WINDOW
W11 TIMBER FRAMED
THREE FIXED GLASS GLASS PANELLED COMPOSITE WINDOW
8500
7000
7100
1000
1500
1000
8500
FLOORING FINISH NO M
G
F
D
B
TYPE
FF1
IPS FLOORING CEMENT CONCR FLOORING
FF2
CREAM COLOUR NON-SKID VITRIF TILES
SKIRTING SCHED SF1
^ SECTION AA’SF1
56
100MM HIGH BLACK
DADO 250MM HIGH O
Guide | Rohan Shivkumar Mayuri Sisodia
Measured drawing, Architecture Design | 2016-17
08
The Institution of Everyday Life Running Up: A space for children
The measured drawings are an attempt to use the conventional plans, sections and elevations and script the lives of the people living in a place called Semester IV | KRVIA
Chakrata, using the many ways of telling a story in the graphic novel form. This transcendence allows for the architectural plans, sections, elevations and axonometric views to be used as containers of life and the break of the frame as that of time. Rhythms of life now get documented within the very meticulously constructed wall sections. The night sky, grazing cattle, harvest festivals, gods and demons all find their way on the paper through the documentation of architecture. What is the relationship between the idea of the instituion and that of everyday life? While one is steeped in creating value systems that transcend the everyday, the other is steeped in the rhythms of eating, sleeping and working. This is the space that is explored in the Architectural Design studio through the creating of an ‘Instituion of Everyday Life’ in the villages of Chakrata.
57
Location | Chakrata
^ Chakrata vernacular house model
58
Chakrata Documentation: Narratives of Space
His brother’s family lives in the chhani
Suraj reaches his brother’s home
They collect the farm produce in the bags
Farming
Tea
Tea finished
Chilli
They all sit together and have tea
Ginger
Tomato
They all leave together for farming
Suraj takes some vegetables to Sawara
Design Objective: The Site in Chakrata is a village named Sawra. The village has settlements on both sides of the central ridge. The design sits on the extreme edge of the village. The given stories demanded a space for the children where they can play and learn simultaneously. The design also provides them a sleeping space. A ramp acts as the connecting factor between the roofs at different levels below which all the functions happen. As one moves inside, the heavy stone walls start to disappear creating open courtyard spaces. The roof and the fenestrations are designed in a way that keeps the building well lit and ventilated. By the blend of the material and space I desire to create a lively environment for the children of all the castes to come together, hence, eradicating caste differences prevalent in the society.
61
^ SYNTHESIS DRAWING
62
N ^ PLAN AT 1.2M
^ SECTION AA’
^ Process models
64
Project Head | Alexandra Kovaleva
Contribution | Design development, Research and analysis (2018-19)
09
Youth Center Competition Professional Practise at Junya.Ishigami+ Associates
Semester VIII | KRVIA | Tokyo
Team | Jirawan Wanaudom, Benjamin Arleth
The aim is to create a new environment for the former prison building and bring new life to the site of the rigid atmosphere. The aim is to create a youth campus as a new garden. The new campus is a new living environment for young inhabitants and their visitors. By creating several courtyards, inside and outside of an existing building, we aim to change the rigid surrounding and bring a new vibrant atmosphere. We want to create a unqiue space for young people, regardless of their background, as a vibrant environment with a variety of different functions, spaces, activities, and quality of zones. The new program of the campus as Live, Learn, Work and Play becomes a vivacious environment within a structure of existing building, received through the careful renovation project and gentle work with a unique structural fabric and facade.
65
Location | Amsterdam, Holland
160 units to accomodate students, youn professionals, and other people who come to live in the new campus. Common courtyards are open for semiprivate activities like musical nights or for workshops for professional improvements. The campus is connected with existing building, which becomes one of the activities space. 66
Design Development
STEP 1: OPEN AN EXISTING CLOSED SPACE , REMOVE INTERNAL STRUCTURE
STEP 2: WHOLE SITE ABECOMES A CONTINUOUS SPACE- A NEW GARDEN CLOSED SPACE , REMOVE INTERNAL STRUCTURE
STEP 3: AN ADDITIONAL VOLUME, A NEW FACADE BRINGS THE COMMUNITY TO THE SITE
STEP 4: A FORMER PRISON IS RE-BORN AS NEW VIBRANT ENVIRONMENT
67
Visualizations
The housing units open up as balconies with plants and rest chairs into the common courtyards with various semi-private functions.
A new green facade becomes a beautiful scenery for the surrounding instituions and gives a new version of the former prison.
68
N ^ PLAN AT 1.5M
^ SECTIONAL IDEA
N ^ PLAN AT 1.5M:
Living Unit Design
70
Project Head | Gagas Firas
Contribution | Design Development, Visualizations (2018-19)
10
S e r p e n t i n e Pa v i l i o n Professional Practise at Junya.Ishigami+ Associates
Team | Ritesh Rohra, Benjamin Arleth
The Serpentine is a world-famous contemporary art center in London composed Semester VIII | KRVIA | Tokyo
of two galleries at the opposite sides of the Kensington Gardens’ Serpentine Lake in Hyde Park. Along with the activity of its permanent galleries, the Serpentine is renowned for the temporary summer pavilion, commissioning since 2000 to some of the most prominent international architects. The aim is to create a sense of certain beauty in the sight of a building slowly decaying in the landscape. A minimalistic wooden structure is built by using a traditional Japanese technique of yakisugi, which involves charring cedar to deliberately form a carbon layer. Burnt timber is arranged all across the park. The scale glides low along the park covering the vibrant green summer grass. The black surface juxtaposed with green summer grass offers a new contrast in the park scenery. The holes in the timber and slender columns are arranged according to the activities happening. The burnt timber is joined with tension wire, making it possible to remove the beams all together, creating a simple, smooth, black surface.
71
Location | Amsterdam, Holland
^ ROOF PLAN: Simple appearance
reduces human trace in the design proces, creates the same feeling as when encountering a natural object.
^ ELEVATION: The undulating roof surface glides
low above the grass, giving new contrast to the park. The high number of slender irregular columns resemble a dense black forest.
Project Head | Anupam Bansal
Contribution | Concept Design Development (2018-19)
11
F a r m h o u s e Professional Practise at ABRD Architects
To create a farmhouse with ‘No Tension’ where the intervention is a part of the agrarian landscape around it. The feeling of being in a calm space not only physically but also energetically. Semester VIII | KRVIA | New Delhi
Architecture is cohesive only when it co the context around it. Hence, the scale of the farmhouse to be kept as intimate as possible. Use of geometries like vaults, arches create a natural cave like environment wherein a person tend to turn into virtual recluse.
75
Location | Sadhrana, Haryana
The farmhouse, a set of vaults and flat roofs to be built around the courtyard. Water is displayed in channels and small pools to offer respite from the heat and to achieve tranquil visual effects.
76
N ^ ROOF PLAN: Site zoning
a/c to Vastu guidlines
B
A’
N
PLAN AT 1.5M
^
A
B’
^ SECTION AA’
78
^ SECTION BB’
Project Head | Anupam Bansal
Contribution | Concept Design Development (2018-19)
12
Day Care, CentreforHumanGenetics Professional Practise at ABRD Architects
The Day Care Building envision a low energy consumption building. Majority of areas proposed in the building are naturally lit and ventilated. Solar updraft towers have been used. The buidling appears to float due to the raised plinth. Bamboo screen is also Semester VIII | KRVIA | New Delhi
used for the green facade. The Day care building is an extension to the Centre for Human Genetics in Bangalore.
79
Location | Bangalore
N ^ SITE PLAN
81
SECTION AA’
^
Use of Stabilised Mud Blocks
A
A’
N ^ PLAN AT 1.5M 82
COMPLEX STRUCTURAL SYSTEM
HIGH RISE STRUCTURES
Building
Material
Nomadic Museum
Watchmaker sticks- Structure Green Foam- Joints
Architect
Height of Model- 1600mm Weight of Model- 1000gm
Shigeru Ban Architects
Model Scale
Structural System
1:5
Bundled Tube System
Material
Case Study
Paper tube, Containers
Willis Tower
Shake Table Test
83
MISCELLANEOUS SPACE CARVING- PETS
MAPPING THE NEIGHBOURHOOD
Material
Guide
Introductory Workshop
Sonal Sundarajan, Apurva Parikh
Guide Sonal Sundarajan, Kaushik Mukhopadhyay The workshop aimed at visualizing and experiencing space through the imagination of a virtual pet. Each member in the group has an imagination of a sanitized pet which evolved through sketches and photos. The installation was an attempt to portray the imagination of the santisized pet.
PLAY OBJECTS Bamboo has a higher compressive strength than wood, brick or concrete. Each group had to build a play object using bamboo by simply using various joints and knots.
84
RADHIKA AGARWAL radhikaagarwal002@gmail.com +91- 8828342368