RADIUS BOOKS 2014
RADIUS BOOKS 2014
There's an exhilaration in being able to sequence image and text and have it published. There's a greater exhilaration in seeing it done this well. — The New Yorker Magazine One of the best books about photography that I have seen. — FRACTION Magazine Poetic and striking. — Aesthetica
Alex Webb & Rebecca Norris Webb Memory City Photographers Alex Webb and Rebecca Norris Webb take an elegiac look at Rochester, New York, a city that was for 125 years the home of Eastman Kodak, which declared bankruptcy in 2012. These images, taken during what may be the last days of film as we know it, are a meditation on film, memory, time, and the city itself. For this project, Alex took images with his last rolls of Kodachrome, a formerly vibrant color film that can now only be processed as black and white. The resulting photos have a weathered quality akin to a fading memory. Alex also took to the streets of Rochester and shot in digital color—work that punctuates the black-and-white work with images from his signature style. Rebecca, who still uses film for all her work, responded to the medium’s uncertain future by creating an elegant refrain of color still lifes and portraits of Rochester women past and present. Woven into the book are quotes by many of the famous writers and thinkers who have been connected to Rochester, including women’s rights activist Susan B. Anthony, abolitionist Frederick Douglass, and poets John Ashbery and Ilya Kaminsky. The authors have also created a timeline on the cultural history of the city that traces the evolution of a once-vibrant and now complex city. The design of the book includes a separate booklet and special tipped-in images throughout. Hardcover with separate booklet in a back pocket 9.75 x 12.25 inches, 65 color and B/W images ISBN: 978–1–934435–76–2 $ 60.00
John McCracken Works from 1963–2011 Essay by Robin Clark. Interview with the artist by Anne Reeve.
John McCracken (1934–2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form, and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer, and pigmented resin, creating the highly reflective, smooth surfaces that he has become known for. This catalogue charts the evolution of McCracken’s diverse work, encompassing both well-known and lesser-seen examples of his production from the early 1960s through his death in 2011, presenting a range of sculptures, paintings, and sketches. Co-published with David Zwirner Hardcover, 11.5 x 13 inches 164 pages, 88 color plates ISBN: 978–1–934435–75–5 $ 75.00
One of the best photobooks of 2014. — TIME Magazine Radius Books consistently produces gorgeous books, and this one is no expception. . . — FRACTION Magazine
Julie Blackmon Homegrown Foreword by Billy Collins. Interview with the artist by Reese Witherspoon.
Julie Blackmon has transfixed the contemporary art world with images of her children, nieces, nephews, and friends (and their children). As the eldest of nine children herself, Blackmon has always been fascinated by family life, and her photographs are crammed with children and adults, everyday objects, toys, and playthings. The subjects in the distance are often as fascinating as those highlighted in the foreground, and even the figures barely visible, hidden behind doors or windows, add a sometimes sinister, always intriguing element to the scene. Following the success of the bestselling volume Domestic Vacations (2008), Homegrown shows how Blackmon's style has evolved, as she continues to capture the tensions between the harmony and disarray of domestic life. Though her photographs continue to be undeniably contemporary, references to classical painting and portraiture can be detected; the influence of seventeenth-century Dutch painter Jan Steen mixes with more contemporary figures such as Balthus, Edward Gorey, Tim Burton, and Federico Fellini. Included in this new volume are 45 works made from 2009 to 2014, along with a foreword by renowned poet Billy Collins and an interview by the actress Reese Witherspoon. Hardcover, 11.5 x 13.5 inches 108 pages, 45 color images ISBN: 978–1–934435–79–3 $ 55.00
Michael Light Lake Las Vegas/Black Mountain Essays by Rebecca Solnit and Lucy Lippard.
Until 2008 Nevada was the fastest-growing state in America. But the recession stopped this unprecedented urbanization of the Mojave Desert cold, and Las Vegas froze at exactly the point where its aspirational excesses were most baroque and unfettered. In this third Radius Books installment of Michael Light’s aerial survey of the inhabited West, the noted photographer eschews the glare of the Strip to hover intimately over the topography of America’s most fevered residential dream: castles on the cheap, some half-built, some foreclosed, some hanging on surrounded by golf courses gone bankruptcy brown, some still waiting to spring from empty cul-de-sacs. Throughout, Light characteristically finds beauty and empathy amidst a visual vertigo of speculation, overreach, environmental delusion, and ultimate geological grace. The book is Janus-faced in design. One side plumbs the surrealities of “Lake Las Vegas,” a lifestyle resort comprised of 21 Mediterraneanthemed communities built around a former sewage swamp. The other dissects nearby Black Mountain’s “Ascaya,” the city’s most exclusive— and empty—future community, where a quarter billion dollars was spent on moving earth that has lain dormant for the past seven years. Following the boom-and-bust history of the West itself, Light’s photographs terrifyingly and poignantly show the extraction and habitation industries as two sides of the same coin. Essays by two of the world’s most celebrated cultural and landscape thinkers, Rebecca Solnit and Lucy Lippard, offer resonant counterpoint. Two books in a hard case with pockets, 10.5 x 16.5 inches 128 pages, 44 color images ISBN: 978–1–934435–85–4 $ 60.00
John Gossage pomodori a grappolo Stories & Epilogue by Marlene Klein.
pomodori a grappolo is a set of three interconnected books by photographer and bookmaker John Gossage. Each book gathers images made in Northern Italy and Sardinia between 2009 and 2011, and each includes a short text by Marlene Klein. The written pieces—two stories and one epilogue—have been created in response to Gossage’s pictures, and reflect the 30 years that Klein has spent living and working in Venice. An unexpected approach runs through all the details of the books, from the way elements repeat—or don't, to the choice of materials and color. Since these three books are each a different trim size but include photos that are reproduced at the exact same size, the collective project functions as a study of the way that ink on paper can inform perception. The resulting objects are classic Gossage—clever, unique, and engrossing. A limited edition of the books, held together with magnets in a “disorderly” way, further explores these concepts. Cloth, 3 volumes, 11 x 13 inches Each book: 96 pages, 50 color plates ISBN: 978–1–934435–84–7 $ 85.00 (Orderly edition, pictured below) $ 150.00 (Disorderly limited edition of 250 copies, pictured opposite)
Tony DeLap Paintings, Sculptures & Works on Paper 1965-2013 Text by Barbara Rose. Introduction by Douglas Dreishpoon.
A legendary figure in Californian art, Tony DeLap (born 1927) was associated with Los Angeles’ 1960s Finish Fetish school (alongside the likes of Craig Kauffman and Larry Bell), and has been a mentor to some of California’s most notable artists, including Bruce Nauman, James Turrell, and John McCracken, who all studied with him. Where many artists of the Finish Fetish school eschewed the material facture of their works, DeLap has almost always chosen to construct his work himself, meticulously producing freestanding sculptures in aluminum, fiberglass, lacquer, Plexiglas, resin, molded plastics, and fabrics. DeLap was included in the two shows that helped to define the Minimalist movement — Primary Structures at the Jewish Museum (1966) and American Sculpture of the Sixties at the Los Angeles County Museum of Art (1967)—and his work brilliantly merges the austerity of Minimalism with illusionism. This volume surveys his career to date, covering more than 60 years of work. Included is a major essay by renowned writer Barbara Rose, and an introduction by Douglas Dreishpoon, chief curator at the Albright-Knox Art Gallery. Hardcover, 10 x 13 inches 192 pages, 128 color images ISBN: 978–1–934435–59–5 $ 60.00
Felix Gonzalez-Torres Billboards Text by Matthew Drutt.
In celebration of its fifteenth anniversary in 2010, Artpace in San Antonio, Texas, mounted an ambitious statewide exhibition of 336 seminal billboards created by Cuban-born artist Felix Gonzalez -Torres (1957–1996). Developed with special permission from the artist's estate, this presentation was the first-ever comprehensive survey of GonzalezTorres’ billboard works in the US. Situated deliberately in the public's path in four cities (Austin, Houston, Dallas, and San Antonio), these artworks gracefully interrupted daily routines with poignant reflections on life, love, and humanity. The transcendent quality of Gonzalez-Torres’ work was magnified by its installation in the Texas landscape, and the project garnered international attention for its unprecedented commemoration of this remarkable body of work. This book covers all the billboard pieces and serves as a mini-retrospective of this critical part of Gonzalez-Torres’ career. Co-published with Artpace, San Antonio, Texas Hardcover, 10.5 x 13 inches 168 pages, 336 color plates ISBN: 978–1–934435–80–9 $ 60.00
Renate Aller Ocean I Desert Essay by Janet Dees.
This new project by German-born photographer Renate Aller, titled Ocean | Desert, is an extension of the ongoing series and sold-out book oceanscapes (Radius Books, 2010). Aller has continued to make images of the ocean from a single vantage point—for which she is internationally known—but for the last several years, she has also photographed sand dunes in New Mexico and Colorado. She has now paired the resulting images in a fascinating new series that continues her investigation into the relationship between Romanticism, memory, and landscape. There is both a visual and visceral relationship between the two bodies of work, as though the minerals of the sand dunes carry the memory of the ocean waters that were there millions of years before. The desert images also capture visitors who engage in beach activities far away from any large body of water. And while these parallel realities are from different locations, the simultaneous activities on the sloping sand hills appear as if the different layers were choreographed next to the rolling waves of the sea. Aller’s first combination of these images was in book form, for a unique, mammoth (over 36 inches wide) handmade book. The overwhelming success of that object has inspired this new oversized trade-copy edition, which includes an expanded selection of the work. Hardcover, 16.75 x 11.25 inches 136 pages, 104 color images ISBN: 978–1–934435–81–6 $ 75.00
One of the best photobooks of 2014. — American Photo Magazine A knock-out monograph. — Elle Magazine
Victoria Sambunaris Taxonomy of a Landscape Text by Natasha Egan. Short story by Barry Lopez.
For more than a decade, Victoria Sambunaris has crossed the United States with her five-by-seven wooden field camera and sheets of color negative film. Traveling seemingly every road nationwide, Sambunaris has described herself as having “an unrelenting curiosity to understand the American landscape and our place in it.” This first monograph on Sambunaris’ work is a book comprised of two main parts. The first part — which is the main component of the hardbound book— includes a selection of her images from 2000 to 2013 and is a full retrospective of her work to date. An essay from MOCP Director Natasha Egan included here provides an insightful overview. The second part consists of three elements held in a pocket at the back of the first book: (1) a softbound book documents the artist’s collected professional ephemera as a photographer and researcher, including images of books on geology and history, maps, road logs, mineral specimens, and personal journals; (2) a fold-out poster replicates a grid of Polaroids that Sambunaris took prepping the larger format main images, and (3) a reprint of a short story by Barry Lopez, entitled The Mappist, helps set a tone for the entire project. ISBN: 978–1–934435–63–2 Hardcover with separate elements in a back pocket 13 x 12 inches, 196 pages, 120 color images $ 60.00
James Drake 1242 Essays by Kathryn Kanjo and David Krakauer. Interview with the artist by Ray Williams.
Three years ago, James Drake began the ambitious project of creating 1,242 drawings that would trace and reference all of the developments of his multifaceted career. Known as both a sculptor and video artist, Drake has always considered draftsmanship to be a key to his process, and this body of drawings does not disappoint. It is both a fascinating tour of Drake’s creative thinking and a testament to the simple power of graphite and ink on paper in the hands of a master of the craft. The book is published to accompany a touring exhibition (titled The Anatomy of Drawing and Space), which opened at the Museum of Contemporary Art San Diego in July 2014— the largest show of Drake’s work to date — and traveled to the Blanton Museum of Art, Austin. The impressive 1242-work installation in San Diego covered the walls of the museum from floor to ceiling. The book includes a plate image of every drawing, as well as photos that show the installation and large foldout replicas of every wall which give the reader a sense of how this complex body of work was experienced in the museum. Hardcover, 15.5 x 12.5 inches 320 pages, 1,242 plates, plus 10 large color foldouts ISBN: 978–1–934435–82–3 $ 85.00
“This work is intoxicating. We are as enchanted by the visual play as we are absorbed by our desire to establish a sense of order and definition… — The New Yorker Magazine
Laura Letinsky: Ill Form & Void Full Essay by Anthony Elms. Interview with the artist by Lynne Tillman.
Chicago-based photographer Laura Letinsky is known for her depictions of the remnants of foods and objects common to the dining table, ranging from a lipstick-smeared, half-empty wine glass to nibbled-upon cakes and overripe fruits. These works have commonly used an actual tabletop as their point of origin. For her new series Ill Form & Void Full, she creates references to the table using existing photographs from Martha Stewart, Dwell, and Good Housekeeping; her old work; the art of friends; and actual objects. This process shows how ideas about the private sphere and their manifestation in our lives are always predicated upon what has come before: perception itself is a construction. Included in this monograph are 47 works from the series, as well as an interview with the artist conducted by the acclaimed novelist and cultural critic Lynne Tillman, along with a brilliant essay by Anthony Elms, associate curator at the Institute of Contemporary Art (Philadelphia), co-curator of the Whitney Biennial 2014, and independent critic and writer. Hardcover, 11.5 x 13 inches 128 pages, 50 color images ISBN: 978–1–934435–87–8 $ 55.00
Kevin Bubriski Nepal 1975–2011 Preface by Robert Gardner. Essay by Charles Ramble.
In 1975, as a young Peace Corps volunteer, Kevin Bubriski (born 1954) was sent to Nepal’s northwest Karnali Zone, the country’s remotest and most economically depressed region. He walked the length and breadth of the Karnali, conducting feasibility studies for gravity-flow drinking water systems and overseeing their construction. He also photographed the villagers he lived among, producing an extraordinary series of 35mm and large-format black-and-white images. Over more than three decades, Bubriski has returned many times to Nepal, maintaining his close association with the country and its people. Nepal 1975–2011 presents this remarkable body of work—photographs that document Nepal’s growth over a 36-year period from a traditional Himalayan culture to the globalized society of today. Both visual anthropology and cultural history, it is also a succinct look at one photographer’s aesthetic evolution. Kevin Bubriski is Director of Documentary Studies at Green Mountain College and the 2010 – 2011 Robert Gardner Visiting Artist Fellow at the Peabody Museum of Archaeology & Ethnology, Harvard University. Charles Ramble is Director of Studies, École Pratique des Hautes Études, Paris, and President of the International Association for Tibetan Studies. Co-published with the Peabody Museum Press Clothbound, 12 x 11 inches 200 duotone images ISBN: 978–1–934435–72–4 $ 65.00
" Arresting... a project that is strong, full, and nuanced.� — The Boston Globe
Covert Operations Investigating the Known Unknowns Foreword by Timothy R. Rodgers. Essays by Claire C. Carter, with Sandra S. Phillips and Dana Priest.
Following the tragedies of September 11, 2001, contemporary artists such as Ahmed Basiony, Thomas Demand, Harun Farocki, Jenny Holzer, Trevor Paglen, and Taryn Simon urgently pursued the complicated intersection of freedom, security, secrecy, power, and violence. Covert Operations: Investigating the Known Unknowns features 13 international artists who have collected and revealed unreported information on subjects ranging from classified military sites and reconnaissance satellites to border and immigration surveillance, terrorist profiling, narcotics and human trafficking, illegal extradition flights, and nuclear weapons. Among the other contributing artists are Anne-Marie Schleiner, Luis Hernandez Galvan, David Taylor, and Kerry Tribe. This publication accompanies the exhibition of the same name at the Scottsdale Museum of Contemporary Art, and is packaged in a “top-secret” envelope. Co-published with the Scottsdale Museum of Contemporary Art (SMOCA) Hardcover (in envelope sleeve), 10 x 12.5 inches 136 pages, 55 color images ISBN: 978–1–934435–86–1 $ 55.00
Palermo Works on Paper 1976–1977 Texts by Christine Mehring and Christoph Schreier.
Although it has been linked with distinct twentieth-century art practices—including abstraction, Minimalism, and Conceptual art— Blinky Palermo’s (1943–1977) diverse body of work defies easy classification. Throughout his brief and influential career, Palermo executed paintings, objects, installations, and works on paper that addressed the contextual and semantic issues at stake in the construction, exhibition, and reception of works of art. This publication focuses in depth on the artist’s works on paper from 1976 to 1977, made just prior to his untimely death in February 1977. Palermo’s late work is characterized by its explorations of the tensions and contrasts between material and color, surface and depth, signification and abstraction— all of which convey his understanding of color as a system of signs. This fully illustrated catalogue is the first to comprehensively address this facet of Palermo’s practice and includes new scholarship by Christine Mehring and Christoph Schreier. Co-published with David Zwirner Hardcover, 8.25 x 10.75 inches 104 color images ISBN: 978–1–934435–74–8 $ 50.00
SELECTED BACKLIST
Suzan Frecon Paper
Janelle Lynch Barcelona
Text by Sarah Eckhardt
Photographs and text by Janelle Lynch
Co-published with David Zwirner
Hardcover, 10 x 12.75 in., 114 pages, 60 images
Hardcover with jacket, 11.25 x 13 in., 114 pages, 64 color
ISBN: 978-1-934435-68-7
ISBN: 978-1-934435-61–8
$ 60.00
$ 55.00
Barbara Bosworth Natural Histories
Susan York & Arthur Sze The Unfolding Center
Hardcover with tip-on image
Hardcover with jacket
11.25 x 14 in., 120 pages, 58 color images
11.25 x 14.75 in., 120 pages, 36 color images
ISBN: 978-1-934435-60-1
ISBN: 978-1-934435-69–4
$55.00
$50.00
Stephen Dupont Piksa Niugini, Portraits and Diaries
Alan Uglow
Foreword by Robert Gardner
Text by Bob Nickas Interviews with Alain Kirili and Bob Nickas
2 volumes, Hardcover in a case, 8.5 x 11 in.
Co-published with David Zwirner
144 pages (each book), 230 color and duotone images
Hardcover, 12. 5 x 10.5 in., 96 pages, 48 color images
ISBN: 978-1-934435-62-5
ISBN: 978-1-934435-64-9
$60.00
$60.00
Enrique Martínez Celaya The Pearl Interview with Irene Hoffman
Toba Khedoori Text by Julien Bismuth Co-published with David Zwirner
Hardcover with jacket
Hardcover with jacket
9 x 12 in., 320 pages, 160 color images
10 x 12.75 in., 80 pages, 28 color images
ISBN: 978-1-934435-71–7
ISBN: 978-1-934435-65–6
$55.00
$55.00
Sam Abell Library Essay by Leah Bendavid-Val
Betsy Karel Conjuring Paradise
4 hardcover books in a slipcase
Hardcover with plastic jacket
10 x 11 in., 384 pages, 140 color images
11 x 12 in., 143 pages, 66 color images
ISBN: 978-1-934435-45-8
ISBN: 978-1-934435-67-0
$75.00
$55.00
Janet Russek The Tenuous Stem
Sharon Harper From Above and Below
Essay by MaLin Wilson Powell
Essays by Jimena Canales and Phillip Prodger
Hardcover with jacket
Hardcover
9.5 x 10.5 in., 143 pages, 66 color images
11 x 14 in., 120 pages, 39 color images
ISBN: 978-1-934435-70-0
ISBN: 978-1-934435-52-6
$55.00
$55.00
Mark Klett The Half-life of History
112 Greene Street The Early Years
Text by William L. Fox
Text by Jessamyn Fiore and Louise Sørensen
Hardcover, 9.5 x 11.75 in., 160 pages,
Co-published with David Zwirner
30 duotone and 40 color images
Hardcover, 8.5 x 12 in., 160 pages, 90 images
ISBN: 978-1-934435-39-7
ISBN: 978-1-934435-41-0
$55.00
$50.00
Alice Neel Late Portraits & Still Lifes Text by Tim Griffin and Louise Sørensen
Rebecca Norris Webb My Dakota Hardcover with jacket
Co-published with David Zwirner
8.5 x 9.75 in., 116 pages, 42 color images
Hardcover, 8 x 11.5 in., 72 pages, 18 color images
ISBN: 978-1-934435-47-2
ISBN: 978-1-934435-55-7
OUT- OF - PRINT
$50.00
Sharon Core Early American
Gay Block About Love
Text by Brian Sholis
Interview with Anne Wilkes Tucker
Hardcover with jacket
Hardcover with tip-on image
11 x 13 in., 108 pages, 30 color images
11 x 13 in., 312 pages, 219 images
ISBN: 978-1-934435-46-5
ISBN: 978-1-934435-32-8
$50.00
$65.00
m itak uye oyas i n aaron h u ey
Justin Kimball, Pieces of String Text by Douglas Kimball
Aaron Huey Mitakuye Oyasin
Softbound with a slipcase
Hardcover with jacket
9.5 x 10 in., 128 pages and booklet, 60 images
9.5 x 12.5 in., 144 pages, 88 color images
ISBN: 978-1-934435-50-2
ISBN: 978-1-934435-51-9
$55.00
$50.00
James Drake Red Drawings & White Cut-outs
Fred Sandback
Text by Carter Foster
Essay by James Lawrence Co-published with David Zwirner
Hardcover with dye-cut jacket
Hardcover, 10 x 12 in., 128 pages, 80 images
12 x 15 in., 144 pages, 50 color images
ISBN: 978-1-934435-58-8
ISBN: 978-1-934435-40-3
OUT- OF - PRINT
$60.00
John Fincher
Rudolf de Crignis
Essays by Jan Adlmann and James Moore
Texts by Larry Rinder and Georg Imdahl Chronology by David Gray
Hardcover with jacket 10 x 13 in., 192 pages, 128 color images
Hardcover with acetate jacket
ISBN: 978-1-934435-53-3
9.5 x 12.5 in., 256 pages, 120 color images
$60.00
ISBN: 978-1-934435-38-0
$60.00
Charles Ross The Substance of Light Essays by Thomas McEvilley & Klaus Ottmann Hardcover with acetate jacket
Janelle Lynch Los Jardines de México Texts by Mario Bellatín & José Antonio Aldrete-Haas
10 x 12.5 in., 344 pages, 218 images
Hardcover, 14 x 11 in., 80 pages, 41 images
ISBN: 978-1-934435-49-6
ISBN: 978-1-934435-31-1
$65.00
OUT- OF - PRINT
Charles Arnoldi Foreword by Frank Gehry
The Auckland Project John Gossage & Alec Soth
Hardcover with jacket
Two Volumes Hardcover
11 x 12 in., 360 pages, 160 images
9 x 11 .5 in., 160 pages, 80 color images
ISBN: 978-1-934435-07-6
ISBN: 978-1-934435-26-7
$65.00
OUT- OF - PRINT
Terry Evans Prairie Stories
Thomas Joshua Cooper Shoshone Falls
Photographs by Terry Evans
Essay by Toby Jurovics
Hardcover, 9.5 x 9 .5 in., 176 pages, 100 images
Hardcover with jacket, 15 x 10.25 in., 60 pages, 34 tritones
ISBN: 978-1-934435-48-9
ISBN: 978-1-934435-25-0
$50.00
$50.00
Ralph Eugene Meatyard Dolls & Masks
Ed Moses
Essays by Eugenia Parry and Elizabeth Siegel
Essay by Barbara Haskell Foreword by Frances Colpitt
Clothbound with jacket
Hardcover with acetate jacket
9 x 10 in., 144 pages, 55 duotone images
11 x 12 in., 192 pages, 120 color images
ISBN: 978-1-934435-33-5
ISBN: 978-1-934435-16-8
$60.00
$65.00
Suzan Frecon
David Taylor Working the Line
Essay by Joachim Pissarro Co-published with David Zwirner
Essays by Hannah Frieser & Luis Alberto Urrea
Hardcover, 10.25 x 12.75 in., 60 pages, 22 color images
Hardcover, 11 x 10.5 in., 196 pages, 120 color images
ISBN: 978-1-934435-29-8
ISBN: 978-1-934435-24-3
$55.00
OUT- OF - PRINT
Michael Light LA Day/LA Night
Michael Light Bingham Mine
Essay by David L. Ulin Conversation with Lawrence Weschler
Essay by Trevor Paglen
Hardcover, 10.5 x 16 in., 72 pages, 39 duotones
ISBN: 978-1-934435-20-5
ISBN: 978-1-934435-30-4
$60.00
Hardcover, 10.5 x 16 in., 48 pages, 21 duotones
$50.00
Beaumont’s Kitchen Photographs by Beaumont Newhall, Berenice Abbott, Ansel Adams, Edward Weston, Paul Strand, and others
John McCracken Sketchbook Interview with Neville Wakefield Hardcover with separate softbound book
Hardcover with acetate jacket
11 x 14 in., 168 pages, 157 color images
8 x 10.25 in., 172 pages, 28 tipped-in images
ISBN: 987-1-934435-12-0
ISBN: 978-1-934435-06-9
OUT- OF - PRINT
$55.00
Dayanita Singh House of Love
Colleen Plumb Animals are Outside Today
Writings by Aveek Sen
Essay by Lisa Hostetler
Co-published with the Peabody Museum
Hardcover
Hardcover, 6.25 x 9.25 in., 198 pages, 111 images
9 x 10 in., 128 pages, 65 color images
ISBN: 978-1-934435-27-4
ISBN: 978-1-934435-36-6
$45.00
$50.00
Joan Watts Foreword by Louis Grachos Essay by Lilly Wei
Michael Lundgren Transfigurations Essays by Rebecca Solnit & William Jenkins
Hardcover with an acetate slipcase
Hardcover, 14 x 11 in., 72 pages, 80 images
9 .5 x 12.75 in., 292 pages, 135 color images
ISBN: 978-1-934435-10-6
ISBN 978-1-934435-05-2
$65.00
$50.00
Marlene Dumas Against the Wall
Alex Webb & Rebecca Norris Webb Violet Isle
Co-published with David Zwirner
Essay by Pico Iyer
Hardcover, 9.75 x 12.75 in., 72 pages, 26 color images ISBN: 978-1-934435-28-1 OUT- OF - PRINT
Softbound with a printed slipcase 10 x 11.25 in., 144 pages, 70 color images ISBN: 978-1-934435-18-2 OUT- OF - PRINT
Judy Tuwaletstiwa Mapping Water Hardcover with an acetate jacket
Johnnie Winona Ross Foreword by Douglas Dreishpoon Essay by Carter Ratcliff
9.5 X 12 in., 304 pages, 128 color images
Hardcover with an acetate jacket
ISBN: 978-1-934435-02-1
10 x 11.25 in., 224 pages, 89 color images
OUT- OF - PRINT
ISBN: 978-1-934435-01-4
$60.00
Mark Klett Saguaros Dssay by Gregory McNamee
Callahan, Siskind, Sommer Essays by Keith F. Davis & Britt Salvesen Hardcover, 10.5 x 11.25 in., 152 pages, 66 images
Hardcover, 12 x 15 in., 106 pages, 75 duotones
ISBN: 978-1-934435-15-1
ISBN: 978-1-934435-00-7
$ 50.00
OUT- OF - PRINT
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