Long by Rae Zhuang

| LONG |

| 长 |

This monograph does not have a beginning nor an end.¶

Considering what are the things that I have always

这本书没有开始也没有结尾。¶ 如果这世界上有什么是能让我一直相信的，那便只有永动的时间和热力学定律。地球上的生存空间有限，一切的

believed in, I can only think of the unstoppable time and the principles of thermodynamics. The Earth offers us a limit

The sky is black and earth is yellow; space and time expand without limit. Sun high or low, moon full or parsed; stars spread across the vast sky. Cold then heat arrives and leaves; Autumn is for harvest, Winter is for storing. Extra days round out the years; tune is scaled with sun and spheres.

-- Thousand Character Classic

事物便必须在这有限的空间里重叠发生，在循环地修改中不断前行。我们所能做的，便是享受在时间里产生的变化。¶ 我的设计思维过程受到结构工程的刚性

ted span of living space. All events that have occurred in this finite space repeat, overlay, develop, and evolve in

性和中国书法的流动性的影响。我考虑的是架构的结构框架。我考虑的是两体之间在时间上的二分法。我也考虑到个体如何居住在结构网格中。我考虑事件的

recursion. We can enjoy transformation through time by understanding and designing architecture. Architecture offers phy

进展和联系。而且我认为构建形式会产生纠缠和感情。中国书法包含稳定性，一组笔画和指定的笔画位置与整个字符相结合的网格框架开始，中国书法由作家

ysical and social infrastructure, discovers with its users new possibilities with time, and creates tangling relation-

家的自然运动和情感能量激发，形成独特的个性。建筑具有固定的结构和机械系统，也可以注册动议，时间转换和包含着生物的能量。¶

长的建筑不一定要

ships among us. Everything can eventually connected by architecture. ¶

My design and thinking processes are influenced

像长城一样有绵长的形状。长的建筑体现的是对相对时间和相对运动的理解。长的建筑可以在随着时间和栖息者一起发掘新的可能性。长的建筑如在空间中的书

d by the rigidity of structural engineering and the fluidity of Chinese calligraphy. I consider the structural frame-

书法一般，创造的不仅是空间而是绵延相连的关系。 ¶ 我想要的便是在不同的情景下，创造这样的长的建筑。 ¶

| 看山 | 一直以来我都很喜欢观赏高山

work of the architecture. I consider the dichotomy between two bodies in time. I consider how bodies inhabit in the str

雄蜂。无尽头的山景被云雾缭绕，云雾的形状跟随着时间千变万化。高山和云雾有着奇妙的关系。高山的形状能影响云雾的组成而云雾无穷的变化能遮掩山的

ructural grid. I consider the progression and connection of events. And I consider the form of architecture that create

的真面目，时时刻刻显漏出高山不同的部位，造成不同的景观。我可以花无数个小时观赏着高山和云雾之间天衣无缝的关系和变化，尝试着探索和看出高山雄

entanglement and relationships. Starting with a gridded framework which implies stability, a set of strokes and the app

蜂的真面目。在这个过程当中，时间像流水一样漂过，可是我能意识到时间和高山云雾之间的奥妙和亲密关系。 ¶ 观察着高山雄蜂，我从中得到了很多关于建

pointed position of the stroke in relation with the whole character, Chinese calligraphy is vitalized by natural move-

建筑的灵感。每一座山都有自己特殊的形状，都是根据地形改变的历史而造成的。虽然云朵的形状时时刻刻都在变化，它们碰撞到每座山的表面都有一定的规

{{ The plan of the hotel is inspired by the spread of ink on chinese rice paper. The layers of ink are translated as di

{{ 酒店的平面图如同墨水在宣纸上留下的层层印记一样。因为水和墨的比例不同，印记有不一样的材质。在建筑里，材料有不同的透明度和厚度。在酒店的设

ifferent materials: glass for the inner light tube, concrete for the mechanical systems, and wood for the furnitures. }}

设计里，最里面的一层是玻璃的光管，中间一层是支持水电系统的水泥，最外面的一层是木头的家具。不同房间在平面上旋转和排列组合，形成不同的空间。}}

ment and emotional energy of the writer, resulting in forms of unique individuality. Architecture, with its fixed stru

律。每座山都像是一个用来定义云朵的行中的一个框架。比如说，链接的山峰指引着云朵的去向，山侧可以扭转云朵的形状而灵静不动的山身可以用来衡量云

uctural and mechanical system, can also register natural motions, transformation in time, and energy of living things. ¶

云朵移动的速度。 ¶ 我的建筑里的木头框架就像是灵静不动的山。无数重复的木框可以被视为尺用来打造这个建筑的一个基本系统。这个框让我可以相对之下

Long architecture is not necessarily long in its form, but it sustains long term goals.¶

Long architecture embodies u

分析建筑里的活动和流程。这种相对论是可以在相比之下显现出来。建筑的使用者和木头建筑产生的温和感会创造一种奇妙的感觉，让使用者和建筑环境建立

understanding of relativity of time and motion.¶

Long architecture discovers with its inhabitants new possibilities

立一个长久的感情。这也会让人们开始欣赏那些跟着时间一起产生的美妙变化。 ¶

| 顺序 |

时间是抽象的。框架是实体的。可能性是根据时间而产生的。

with time.¶ Long architecture resembles spatial calligraphy, creates not only spaces but intertwining sequences and rel

¶ 在中国书法里，每一笔一画都会把纸上的框架给分隔开来。每一笔都有一定的顺序，而框架的空间和格式都是以前一笔打造出来的。在每一个动作里，框架

lationships of intimate events.¶

I would like to create this kind of long architecture under different circumstances.¶

架会跟随着字体改变。字体和框架都根据每一笔一画一起进化着。一开始要先有框架，然后字体再占用框架所分配出来的空间。字体在现有的框架里分隔出更

{{Each Chinese character is composed with different parts. The parts are basic structural system represents events or na

{{ 每一个中文字都是由不同的偏旁部首组成。偏旁部首由生活中的事件或者是自然现象启发，每一个偏旁部首表现了不同的含义，帮助理解字的组成和含义。建

atural phenomenon. The design of the building reflects this thinking where programs are poetically composed together.}}

建筑的设计里运用了这种组合的思想，把不同作用的空间按照顺序诗意地组合在一起。在组合变换的建筑里，人按照时间的顺序去经历不同结构空间时间。}}

| Watching the Mountains | I have always enjoyed watching the mountains. Without a beginning and an end, the long

小的框架，提供一个固定的空间给下一个字体。这里有个固定的顺序来分配每个步骤的先后。可是通常我们都在面对的是鸡和鸡蛋的问题，很难定义哪个步骤

mountain range stands still, surrounded by floating mass of clouds that changes its form with time. The geometry of

骤的先后。如果要追中到底，寻找问题的源头，这可是个无尽头的旅程。所以，我们理解适当的先后顺序是比较重要的。 ¶ 在中国的传统里，命运和缘分都扮

{{The Chinese character can be decomposed into parts and overlaid, resulting in different meaning, connection, and relat

{{ 每一个字可以被分解成不同的部分然后重新组合在一起，字和字之间可以形成新的含义，连接，和关系。在设计收纳时间胶囊的仓库的时候，每层平面如同在

tionships. In the design for the storage, at each level, the permanent storage collection contrasts with open zones. }}

在空间的书法一般，由长时间的储存空间和短时间的收藏空间构成。长时间的储藏空间之间彼此链接，在平面空间里面不断地变化，提供不同的收集场所。}}

the mountain determines how water vapor condense into clouds. In return, clouds come and go, shielding the mountain fro

演着很重要的角色。有很多事情的发生都是在个人能控制的范围之外。因果报应这种事情的关系是很难可以预料到的。然而，某些事情之间的蝴蝶效应和关联

om revealing its true figure at each moment. I can spend hours and hours watching the shape of the mountain altered by

联是可以看出来的。每个事情都有各自的意义，可以决定未来的某种可能性。我们的未来都是因为之前的某种行为而产生的。 ¶ | 共生 | 各种电视剧让我

{{The architecture is a form of spatial calligraphy. The elevations of the storage building are inspired by the composit

{{ 建筑是如同在空间的书法一般。在设计时间胶囊储存空间的时候，每一个立面都是一个汉字左右结构或者包围结构的汉字，例如: 什，亿，甘。不同的里面表

tion of four different Chinese characters, providing response to sunlight and different linkages to other buildings. }}

表现了环境与阳光的不同回应。楼与楼之间的链接通道也各不相同。不同的楼层提供了与其他楼相连的通道和不同用途的空间，例如和健身房相连的泳池。}}

clouds, trying to understand the actual configuration of the mountain. During this process, I always forget about how f

改变了对时间的想法。不同的电视剧可以在同一个时间播放，它们都可以被排进同一个时间表里。每一个节目都可以在固定的空间和时间段播放。已经被播放

fast time flies by, but I can remember the time as a product of entanglement between mountains and clouds. ¶

The mount

放过的节目也能再次的从新上演。即将被播放的节目也能被提前的预料到和排上未来的时间表里。如果我们用的不是固定的尺寸（秒，分，钟）来计算时间的

ain range gives me with a hint about architecture. Each mountain has a unique shape determined by its geological histor

话，而是用对应的个体动态在固定的空间里计算，时间是可以被操控，缩短，和放长的。在剪辑和修改的过程当中，一个节目是可以存在于不同的空间里。在

ry. Although clouds are constantly changing, there is a certain way they collide with the surface of the mountain. The

在这样的状态下，我能开始看到一个广泛的范围和时间上的紧密关系。而各个不同个体的共同点开始在同一个时间段显现了出来。 ¶ 我们自然的被固定的秩序

mountain provides a framework for the movement of the clouds. The valleys of the mountain trap clouds. The tall ridges

和分级给约束了。跟长远的时间历史相比，我们只能生活在极小的部分里。可是如果我们开始研究对时间的关系和同时性，我们可以放慢和扭曲时间。放慢了

direct clouds. The hips bend clouds. The motionlessness of the mountain enables measurement of the cloud motion.

了对时间的观念后，我们才能完完全全的把身体径入到一个环境里。 ¶

| 空书 |

自由有其法律。在中国书法和建筑方面，有一个从识别模式而开发的框

The timber structural grid in my architecture functions similarly to the stationary mountains. The repeating timber

架，这意味着某种规则本身的稳定性。该框架作为一种测量工具，用来理解变化和比较差异。然而在建筑的架构中，虽然框架表明某种稳定性，但框架不一定

grid functions as a ruler and establishes a basic system of infrastructure. The grid helps me to analyze motions and

定是惰性的。其形式和功能可以通过其注册的转换来改变。框架本身可能是一个转变的概念，但是在不同的时间和空间衡量之下产生的。 ¶ 中国书法的诗意美

activities occur in the building relatively. Correlation can be revealed by comparison. The affinity of building’s user

在于它的系统思考，考虑到以前发生的事情和未来将发生的事。毛笔是重现自然现象的工具，如移动的云层和腐烂的树干。每个笔画必须与其他笔画结合形成

rs to the warm feeling of wooden materials will help them to develop a long term relationship with the environment they

成良好的形状。每一个笔画都不能省略或添加。中国书法也强调了每个人物的小差异和文章里的整个过程。通过避免在相同字符中使用类似的笔画或在相同的

inhabit in, and start to appreciate the beautiful changes induced by time. ¶

| Sequence | Time is abstract. The grid

书法中形成相似的字符，眼睛会被文字的有机运动和动态姿势刺激。建筑能否演变成没有不必要的部分或程序的水平？建筑物可以依靠彼此提供各种有用的空

is physical. Possibilities is unfolded with time. ¶

In Chinese calligraphy, each stroke divides the gridded space on

空间和机械服务。 ¶ 建筑是一种空间化的书法。它能表达着时间，速度，和顺序。理解一个建筑不只是关于建筑的空间，而是创建一种息息相关的关系和感

the paper at the time it is written down to the grid. Each stroke is determined by both the sequence of the stroke, and

情。如果顺序是重要的话，我会自问怎么根据时间的推移把物体和事件连接在一起。建筑所产生和运量的真正链接关系到底是什么呢？ ¶

| 跳水 |

我一直

d how the grid space is rearranged by the previous strokes. Every moment, the grid is changing with the body of the

直都和喜欢观看双人跳水。两位有着相似身高和体型的人会一起训练来完成一系列的高难度动作。在莫个阶段，两个人会合为一体。虽然两个人的身体和思想

character. Every moment, the character and the grid are evolving together. The grid is to exist first, then the body of

都一致，大多数的时候还是会有偏差因为他们始终是两个不同的个体，没有两个人是完全一样的。 ¶ 我被两体的矛盾给吸引了。一体的存在感可以被另一方强

f the text is to inhabit the space create by the grid. Body then creates a subdivision of the grid, and subdivided grid

强化。两体也能同时做一样的动作。两体能同时计算好时间，分隔一段时间然后同时进行一些复杂动作。一体是主，另一体是客。一体是要侵略，另一体要防

is for the next body to inhabit in. Here, I know the predetermined sequence of how things should happen. But often we a

守。一体要领先，另一体要辅助。一体要穿越，另一体要灌输。一体要包围，另一体要输入。 ¶ 单体不只是独立的一体可以做到，两体的结合也能达到一种单

are dealing a chicken and egg question that it is difficult to tell which came first. The task of tracing the origin of

单体的结果。可是要怎么定义界限和灰色地带呢？不同的差别又是被什么产生的呢？怎么又能最大的显示两个有矛盾的各自体的优势呢？同时有着两个独立的

things can be endless, and thus it is more important to understand the appropriate sequence. ¶

个体能带来刺激和强烈的视觉效果。 ¶

| 爱情酒店 |

In the Chinese traditio

这个爱情酒店是一个让单身人士寻找爱情的地方。这个爱情酒店也是一个让旅行的夫妇逗留一个礼

on, destiny plays an important role. There are events that will necessarily happen to a person in the future that may

礼拜一个月的地方。互动。当他们成为一对夫妇，他们会拥有更多的共用空间进行日常活动。酒店房间没有家具和楼梯。每个空间的使用方式都是由用户利用每

be beyond one’s control. The cause and effect relationship cannot always be discerned. Yet the synchronicity between th

自己的想象力来创作的。并且要在房间内流通，夫妇需要相互帮助才能上下爬升。有两种进入建筑的方法，从落地的两个入口处，或者从其他的建筑物进入。

hings can be preconceived. Each event is meaningful in time, determining certain possibility at the next moment. Future

。两条入口隧道可以提供公共活动空间并且强迫人们互相交流，让陌生人相遇和沟通。隧道继续贯穿建筑物，并通过公共场所，如厨房和花园，根据兴趣爱好进

is fermented in the past. ¶

| Coexistance | Television shows have changed the way I think about time. Multiple program

行不同的活动。该建筑物还连接到现场的其他建筑物。对外表不满意的单身人士可以寻求整形外科咨询。夫妇可以一起学习瑜伽或同步潜水，并将一起存放时

ms can happen at the same time, referred and chosen in a single time table. A event can be staged to a certain space

时间胶囊。 ¶ | 时间胶囊 | 电子版的自我在过去几年中日益占主导地位。如果数据云可以记录我做过的事和我是谁，实体物质就逐渐变得不那么重要了。

and time frame. Past events can be experienced once again. Future events can be foreseen and projected. If we measure t

如果我死了，要保留什么？我开始收集一堆对我来说意义重大的物品，包括我最好的朋友送的明信片，生日礼物，从我去世的祖父留下来的戒指，以及我去过

time not in standard units(second, minute, hour) but by the relative movement of bodies in a space, time can be manipu-

过的不同国家的钱等等。每年更新。这最终将成为我曾孙子打开的时间胶囊。 ¶ 我的储存地点是时间胶囊的储存空间。时间胶囊可以由任何人存放在这里，并

lated, shortened, and elongated. By cutting, dilating, and framing, an event can be experienced in multiple dimensions.

随时重新打开。这里有两种类型的存储。一个是固体混凝土储存单元，保护大尺寸和具有重要价值的时间胶囊。这些集合通常存储的时间较长，因此更为永久

. I can then start to see a wide range of scales linked by time. The dependency between objects that exist at the same

久。另一种是公开存款的木结构，任何人都可以存款。两个存储系统可以建立在各自的基础上。通用框架系统允许将不同尺寸和重量的时间胶囊通过将其捆绑

time starts to unfold. ¶

The nature imposed on us a certain order and hierarchy. Compared to the long history of time,

到强力电缆上进行存储。加载存储墙将在与网格空间框架进行观察时显示随机节奏。结构可以连续添加到建筑物，因此它是一个随时变化的施工现场。 ¶

| 整

, we can only live in such a small portion of it. But by examine temporality and simultaneity, we can start to slow

整容中心 | 使用医疗设备的新技术和发展使得人们的意识得到增强和放大。即使一个人可以在网路上生活第二次，青春是不能重获的。无神论者如何寻求

down and bend time. And by decelerating the perception of time, we can allow body to be immersed in an environment. ¶

希望与救恩？因此，我的邪教场所就是一家化妆品诊，为那些不满意的人提供重生的过程。诊所的服务从水厅开始，客户可以从那里开始咨询。客户将要消除

| Spatial Calligraphy | The

freedom has its laws. In Chinese calligraphy and architecture, there is a framework deve-

除过去的一部分，以便将来重生。在火炉厅中，锅炉的热量聚集在一起，进行手术以改造该人。接受整形手术的客户休息在天堂厅，接受治疗过程。然后，客

lop from identifying pattern and implies some sort of rules stability of itself. The framework serves as measurement to

户将下降到地球大厅，医生将检查手术结果，以及被转换的人第一次看到自己的新身体。在木厅，家人和朋友聚集在一起庆祝新人的重生。该建筑物连接到爱

ool so changes can be understood, and differences can be compared. Yet in architecture, although the framework suggests

爱情酒店和健身中心，客户可以在那里寻找约会服务或其他改变身体的方法。手术和恢复过程可以长达一个小时到几个月，具体取决于转化的水平和程度。通

some sort of stability, the frame is not necessarily inert. Its form and function can be altered by the transformation

过身体的这种转变，一个人可以重生，有了新的生活和新的机会。任何人都可以随时改变个人形象，维护青少年。一个狂热者将不断回到这座寺庙寻求新的服

it registered. The framework itself may be a shifting concept, but at a different scale of time and space. ¶

服务。 ¶

The

| 健身 | 该建筑是一个健身中心，具有休闲瑜伽和同步潜水的节目，但也可以适应各种其他活动。瑜伽是一个专注于内部和外部环境之间的紧张关

poetic beauty of Chinese calligraphy relies on a systematic thinking, considering what has happened before and what wil

系的空间事件，而同步潜水是涉及公众对潜水员的关注的定时事件。在传统的瑜伽工作室，其他人的存在可能会引起不适。在这座建筑中，通过将潜水员的表

ll occur next. The brush is to reproduce the movement of natural phenomenon, such as moving clouds and decaying tree

表现定为一定时间，并允许机构与其他机构和建筑结构进行互动，其他人的存在可能反而是积极的。另一方面，同步的潜水员不仅被瑜伽师所看，而且也被广大

trunks. And every stroke must be well shaped and formed in combination with other strokes. No strokes can be omitted or

市民所看好。由于潜水时间短，往往忽视了运动的美丽。建筑物的结构既用于流通，也帮助公众了解运动的空间效应。 ¶

| 古董市场 | 我的零售地点是古

r added. Chinese calligraphy also places emphasis on the slight differences within each character and with the passage

古玩跳蚤市场。一个时间胶囊被打开后，有些是要被保存的，而有些是要被遗弃的。这个地方提供了一个交换市场，让人们用打开时间胶囊的物品和古董商，

level where there is no unnecessary part or program? The buildings can rely on each other for providing a variety of us

| 生活场所 | 一切都最终相互连接。该建筑物与一条隧道相连，作为天桥，并延伸展到跳蚤市场的商店。这个隧道也将这个站点连接到其他街区和城市

seful spaces and for mechanical services. ¶

Architecture is a form of spatial calligraphy. It expresses the time,

市的其他地方。雨，雪，洪水和风暴，一个人可以自由地漫步而不会受到外部天气的影响。然而，个人还是能观看到外界和感受到建筑里的丰富的架构，而

speed, and sequence. Understand architecture is not only about the space, but to create entanglement and relationships.

放大了时间和季节的变化。建筑物也有内部链接取决于人们的活动。酒店和存储共享入口。健身和零售也共享入口。邪教与健身房是连接的，也和患者康复所

. If the sequence is important, I would like to ask myself, how to connect objects and events across time? What is the

所在同一楼，因此整形手术患者可以使用健身房中的设施锻炼身体。零售大楼为健身房的潜水员提供室外屋顶和观景平台。这个零售店与一个地下隧道相连，作

actual linkage articulated by architecture? ¶

| Synchronized Diving |

I have always enjoyed watching synchronized d

为一个走道和一个用于古董的运输机械带。 ¶ 虽然这个区是完全占有的，但仍然保留一些开放空间，以备将来的发展。如果需要更大的密度，将来可以在现有

diving. The two divers with similar body height and weight are trained together to perform the same series of movement.

有的保留空间加入新的项目。一个人可以长期在这个区里生活，探索新的节目，认识新朋友。当时间成为朋友时，可以开发与这个区和其他居住在这个区里的

At certain moments, the unity of the two becomes one body. The two bodies and the two minds are in sync, yet nuances al

人建立关系，这个区就逐渐转型变得有形体了。

| 长 |

这本书没有开始也没有结尾。¶ 如果这世界上有什么是能让我一直相信的，那便只有永动的时间和热

lways occur because they are fundamentally separate entities as no two person are the same. ¶

I am fascinated by the

热力学定律。地球上的生存空间有限，一切的事物便必须在这有限的空间里重叠发生，在循环地修改中不断前行。我们所能做的，便是享受在时间里产生的

dichotomy between two bodies in time: The presence of one body is enriched by its neighbors. The two bodies can act sim

multaneously. The two bodies can act at a distanced time. The first body is the host. The second body is the guest.

The first body is to invade. The second body is to defend. The first body is to lean. The second body is to support. Th

he first body is to pass through. The second body is to channel. The first body is to surround. The second body is to

家的自然运动和情感能量激发，形成独特的个性。建筑具有固定的结构和机械系统，也可以注册动议，时间转换和包含着生物的能量。¶

长的建筑不一定要

inhabit. ¶

Singularity can be achieved not by having one body but by unification of the two. How to define the boundar

像长城一样有绵长的形状。长的建筑体现的是对相对时间和相对运动的理解。长的建筑可以在随着时间和栖息者一起发掘新的可能性。长的建筑如在空间中的

ry and what is in the grey zone? What has caused the differences? How to maximize the advantages of the contrasting

的书法一般，创造的不仅是空间而是绵延相连的关系。 ¶ 我想要的便是在不同的情景下，创造这样的长的建筑。 ¶

| 看山 |

一直以来我都很喜欢观赏高山

entity? Having the two existing at the same time is exciting and animating. ¶

| Place for Hotel | This love hotel is fo

or a single person who is looking for a date. This love hotel is for a travelling couple who is looking for place to

stay for a week to a month. ¶

Each hotel module have two hotel rooms that can be connected and divided upon wishes. Fo

or the single person who is looking for a date, the person may interact with the immediate neighbor. When they become

a couple, they can have more shared areas for daily activities. The hotel rooms do not have furnitures and stairs. The

use of each space is to be improvised by the users at their imagination. And to circulate inside the rooms, the couple

needs to help each other to climb up and down. ¶

There are two ways to enter the building, from the two entrances that

t land on the ground floor, or from the other buildings on the site. The two tunnels for entrance provide public event

立一个长久的感情。这也会让人们开始欣赏那些跟着时间一起产生的美妙变化。 ¶

| 顺序 |

时间是抽象的。框架是实体的。可能性是根据时间而产生的。

spaces and force interaction among people so that strangers can meet each other. The tunnels continues though the build

ding and circulate through the common areas such as kitchen and garden for different activities based on interests. The

building also connect to other buildings on the site. The single person who is not satisfied with the appearance can se

eek for plastic surgery consultation. The couples can learn suspension yoga or synchronized diving, and store a time

capsule together. ¶

| Place for Storage | My digital self becomes increasingly dominating over the past few years. If

the digital cloud can keep a record of what I do and who I am, the physical objects gradually become less important.

联是可以看出来的。每个事情都有各自的意义，可以决定未来的某种可能性。我们的未来都是因为之前的某种行为而产生的。 ¶

| 共生 | 各种电视剧让我

What is to be kept if I die? I started to collect a box of objects that mean a lot to me, including postcards from my b

bestfriends, birthday gifts, a ring from my grandfather who passed away, and money of different countries I traveled to

etc. It gets updated each year. This will eventually become a time capsule to be opened by my great grandchildren. ¶

My place for storage is a storage for time capsules. Time capsule can be deposited here by any person and to be reopen-

ed at any time. There are two types of storages. One is the solid concrete storage units that protect time capsules of

large sizes and of important values. These collections are generally stored for a longer time and thus more permanent.

了对时间的观念后，我们才能完完全全的把身体径入到一个环境里。 ¶

| 空书 |

自由有其法律。在中国书法和建筑方面，有一个从识别模式而开发的框

The other type is the timber structure for open public deposit where any person can make a deposit. The two storing sys

stem can be build upon each other. The universal framing system allows various time capsules of different size and wei-

ght to be stored by tying them to the tension cables. Overtime the storing walls will display a random rhythm when view

wing against the gridded space frame. Structures can be addon to the building continuously, thus it is a construction

site changing at all time. ¶

| Place for Cult | New technologies and developments with medical devices allow a person’s

sense to be augmented and amplified. Even if a person can live a second life online, youth cannot be ragained. How

can an atheist search for hope and salvation? ¶

My place of cult is thus a cosmetic clinic offers a process of rebirth

情。如果顺序是重要的话，我会自问怎么根据时间的推移把物体和事件连接在一起。建筑所产生和运量的真正链接关系到底是什么呢？ ¶

| 跳水 |

我一直

h for those who are unsatisfied with their appearance. The services of the clinic begin at the Hall of Water where a

customer can

seek consultation. A customer is to erase part of the past in order to have rebirth in the future. At the

e Hall of Fire, where heat gathers from the boilers, surgeries are performed to transform the person. A customer who

received a plastic surgery is rest at the Hall of Sky for healing process. Then the customer is to descend to the Hall

of Earth where doctors will examine the results of surgery and where the transformed person will see himself/herself

for the first time. At the Hall of Wood, family and friends gather to celebrate the rebirth of the new person. ¶

个体能带来刺激和强烈的视觉效果。 ¶

| 爱情酒店 |

The b

这个爱情酒店是一个让单身人士寻找爱情的地方。这个爱情酒店也是一个让旅行的夫妇逗留一个礼拜

building is connected to the love hotel and the fitness center where a customer can look for dating services or other

拜一个月的地方。互动。当他们成为一对夫妇，他们会拥有更多的共用空间进行日常活动。酒店房间没有家具和楼梯。每个空间的使用方式都是由用户利用

methods for transforming the body. The surgery and recovery process can range from an hour to a couple of months, depen

nding on the level of transformation.Through this transformation of the body, a person can be reborn, having a new life

and new opportunities. A person can change the personal image at anytime and youth can be maintained. A fanatic will ke

eep coming back to this temple to seek new services. ¶

时间胶囊。 ¶

| Place for Fitness | The building is a fitness center featur-

| 时间胶囊 | 电子版的自我在过去几年中日益占主导地位。如果数据云可以记录我做过的事和我是谁，实体物质就逐渐变得不那么重要了。

ing the program of suspension yoga and the sports of synchronized diving, but can also accommodate various other events

s. Yoga is a spatial event that focuses on the tension between the inner body and outside environment, whereas synchro-

nized diving is a timed event involving public speculation on the divers. In traditional yoga studio, the presence of o

other people may cause discomfort. In this building, by framing the view to certain duration of the diver’s performance

and by allowing bodies to interact with other bodies and the building structure, the presence of other people may rathe

| 整

er be positive. On the other hand, the synchronized divers are not only viewed by the yogis but by the general public.

+58’

Because the diving time is short, often the beauty of the sports is overlooked. The structure of the building serves bo

oth for the circulation and for helping the public to understand the spatial effects of the sport.

| Place for Retail | My place for retail is an antique flea market. After a time capsule is opened, some is to be kept

+183’

t and some is unwanted. This place offers an exchange market to the antiques from the opened time capsules, individu-

+30’

+24’

al dealers, and auctions.The building accommodates sequences of different events such as collecting and storing, loadin

ng and selling. At each time, multiple possible events can happen in one space. With both the space frame and the vol-

服务。 ¶

| 健身 | 该建筑是一个健身中心，具有休闲瑜伽和同步潜水的节目，但也可以适应各种其他活动。瑜伽是一个专注于内部和外部环境之间的紧张关

ume of the continuous spaces, a person can go through the market at various routes to explore different types of goods.

. The space frame serves as both the support structure of the body of indoor spaces and offers platforms for outdoor

flea markets. ¶

| Living in Place | Everything eventually connects to each other. The building on the site is linked wit

市民所看好。由于潜水时间短，往往忽视了运动的美丽。建筑物的结构既用于流通，也帮助公众了解运动的空间效应。 ¶

| 古董市场 | 我的零售地点是古

th a tunnel which serves as a skywalk and extension to the shops for the flea market. This tunnel also connect this

site to other blocks and the rest of the city. Rain, snow, flood, and storm, a person can freely wander around without

个人经销商和拍卖会交换。该建筑物负责收集和存储，装载和销售的不同事件的顺序。在每个时间，多个可能的事件可以同时发生在同一个空间。随着空间框

interruption of outside weather. Yet the outside can always be seen and experienced with the architecture which ampli-

框架和连续空间的大小，人们可以通过各种途径进入跳蚤市场，在市场里探索不同类型的商品。空间框架既是室内空间的支撑结构，也是户外跳蚤市场的平台。

fy change in time and seasons. The buildings also have internal links depending on the programs. The hotel and the stor

| 生活场所 | 一切都最终相互连接。该建筑物与一条隧道相连，作为天桥，并延伸展到跳蚤市场的商店。这个隧道也将这个站点连接到其他街区和城市

rage shares an entrance. The fitness and the retail also shares entrances. The cult is linked to the fitness on the

floor for patient recovery and gym so a plastic surgery patient can use the facility in the fitness building for exerci

ise. The retail building provide a outdoor roof and a viewing platform for the divers of the fitness building. The re-

tail is linked to the storage with a underground tunnel which serves as a walkway and a transportation mechanical belt

for antiques. ¶

Although the site is fully occupied, some open spaces are still preserved for future developments.

Programs can be plugged in the future when greater density is needed. A person can live on the site for a long time to

人建立关系，这个区就逐渐转型变得有形体了。 | 长 | 这本书没有开始也没有结尾。¶ 如果这世界上有什么是能让我一直相信的，那便只有永动的时间和热

explore new programs and meet new people. When time becomes a friend, a relationship with the site and other people

热力学定律。地球上的生存空间有限，一切的事物便必须在这有限的空间里重叠发生，在循环地修改中不断前行。我们所能做的，便是享受在时间里产生的变化

living on the site can be developed, and the transformation of the site becomes tangible.

| LONG | This monograph does

s not have a beginning nor an end.¶

Considering what are the things that I have always believed in, I can only think of

believed in, I can only think of the unstoppable time and the principles of thermodynamics. The Earth offers us a limit

ted span of living space. All events that have occurred in this finite space repeat, overlay, develop, and evolve in

家的自然运动和情感能量激发，形成独特的个性。建筑具有固定的结构和机械系统，也可以注册动议，时间转换和包含着生物的能量。¶

长的建筑不一定要

recursion. We can enjoy transformation through time by understanding and designing architecture. Architecture offers phy

ysical and social infrastructure, discovers with its users new possibilities with time, and creates tangling relation-

的书法一般，创造的不仅是空间而是绵延相连的关系。 ¶ 我想要的便是在不同的情景下，创造这样的长的建筑。 ¶

| 看山 |

一直以来我都很喜欢观赏高山

ships among us. Everything can eventually connected by architecture. ¶

My design and thinking processes are influenced

d by the rigidity of structural engineering and the fluidity of Chinese calligraphy. I consider the structural frame-

work of the architecture. I consider the dichotomy between two bodies in time. I consider how bodies inhabit in the str

ructural grid. I consider the progression and connection of events. And I consider the form of architecture that create

entanglement and relationships. Starting with a gridded framework which implies stability, a set of strokes and the app

pointed position of the stroke in relation with the whole character, Chinese calligraphy is vitalized by natural move-

ment and emotional energy of the writer, resulting in forms of unique individuality. Architecture, with its fixed struc

ctural and mechanical system, can also register natura motions, transformation in time, and energy of living things.

立一个长久的感情。这也会让人们开始欣赏那些跟着时间一起产生的美妙变化。 ¶

| 顺序 |

时间是抽象的。框架是实体的。可能性是根据时间而产生的。

Long architecture is not necessarily long in its form, but it sustains long term goals. Long architecture embodies u

understanding of relativity of time and motion. Long architecture discovers with its inhabitants new possibilities with

time. ¶ Long architecture resembles spatial calligraphy, creates not only spaces but intertwining sequences and relatio

onships with events and people. ¶

I would like to create this kind of long architecture under different circumstances.

| Watching the Mountains | I have always enjoyed watching the mountains. Without a beginning and an end, the long

mountain range stands still, surrounded by floating mass of clouds that changes its form with time. The geometry of

联是可以看出来的。每个事情都有各自的意义，可以决定未来的某种可能性。我们的未来都是因为之前的某种行为而产生的。 ¶

| 共生 | 各种电视剧让我

the mountain determines how water vapor condense into clouds. In return, clouds come and go, shielding the mountain fro

om revealing its true figure at each moment. I can spend hours and hours watching the shape of the mountain altered by

clouds, trying to understand the actual configuration of the mountain. During this process, I always forget about how f

fast time flies by, but I can remember the time as a product of entanglement between mountains and clouds. ¶

The mount

ain range gives me with a hint about architecture. Each mountain has a unique shape determined by its geological histor

ry. Although clouds are constantly changing, there is a certain way they collide with the surface of the mountain. The

了对时间的观念后，我们才能完完全全的把身体径入到一个环境里。 ¶

| 空书 |

自由有其法律。在中国书法和建筑方面，有一个从识别模式而开发的框

mountain provides a framework for the movement of the clouds. The valleys of the mountain trap clouds. The tall ridges

direct clouds. The hips bend clouds. The motionlessness of the mountain enables measurement of the cloud motion.

The timber structural grid in my architecture functions similarly to the stationary mountains. The repeating timber

grid functions as a ruler and establishes a basic system of infrastructure. The grid helps me to analyze motions and

activities occur in the building relatively. Correlation can be revealed by comparison. The affinity of building’s user

rs to the warm feeling of wooden materials will help them to develop a long term relationship with the environment they

inhabit in, and start to appreciate the beautiful changes induced by time. ¶

| Sequence | Time is abstract. The grid i

情。如果顺序是重要的话，我会自问怎么根据时间的推移把物体和事件连接在一起。建筑所产生和运量的真正链接关系到底是什么呢？ ¶

| 跳水 |

我一直

is physical. Possibilities is unfolded with time. ¶

In Chinese calligraphy, each stroke divides the gridded space on

the paper at the time it is written down to the grid. Each stroke is determined by both the sequence of the stroke, and

d how the grid space is rearranged by the previous strokes. Every moment, the grid is changing with the body of the

character. Every moment, the character and the grid are evolving together. The grid is to exist first, then the body of

f the text is to inhabit the space create by the grid. Body then creates a subdivision of the grid, and subdivided grid

is for the next body to inhabit in. Here, I know the predetermined sequence of how things should happen. But often we a

个体能带来刺激和强烈的视觉效果。 ¶

| 爱情酒店 |

这个爱情酒店是一个让单身人士寻找爱情的地方。这个爱情酒店也是一个让旅行的夫妇逗留一个礼拜

are dealing a chicken and egg question that it is difficult to tell which came first. The task of tracing the origin of

things can be endless, and thus it is more important to understand the appropriate sequence. ¶

In the Chinese traditio

on, destiny plays an important role. There are events that will necessarily happen to a person in the future that may

be beyond one’s control. The cause and effect relationship cannot always be discerned. Yet the synchronicity between th

hings can be preconceived. Each event is meaningful in time, determining certain possibility at the next moment. Future

时间胶囊。 ¶

| 时间胶囊 | 电子版的自我在过去几年中日益占主导地位。如果数据云可以记录我做过的事和我是谁，实体物质就逐渐变得不那么重要了。

is fermented in the past. ¶

| Coexistance | Television

shows have changed the way I think about time. Multiple progra

ams can happen at the same time, referred and chosen in a single time table. A event can be staged to a certain space

and time frame. Past events can be experienced once again. Future events can be foreseen and projected. If we measure t

time not in standard units(second, minute, hour) but by the relative movement of bodies in a space, time can be manipu-

lated, shortened, and elongated. By cutting, dilating, and framing, an event can be experienced in multiple dimensions.

| 整

. I can then start to see a wide range of scales linked by time. The dependency between objects that exist at the same