STUDENT WORKS
architect ure
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N AIA rafaela
INDEPENDET ARCHITECT WORKS
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CV name
Naia Gonçalves, Rafaela
address
Rua da Coutada, nº130 3830-134 Ilhavo
ACADEMIC QUALIFICATION September 2005 to July 2011
Master’s Degree in Architecture by the Department of Architecture mobile of the Faculty of Sciences 00351 914382838 and Technology of the email naiagoncalves@hotmail.com University of Coimbra, on the 21 July of 2011, with a nationality final qualification of 16 out Portuguese of 20.
date of birth
06, July of 1987
WORK EXPERIENCE Tetsuo Kondo Architects
march 2015 - april 2015
http://www.tetsuokondo.jp
Tokyo - Japan
Sou Fujimoto Architects
january 2015 - february 2015
http://www.sou-fujimoto.net
Tokyo - Japan
RVDM Arquitectos
december 2013 - january 2015 october 2012 - july 2013 http://www.rvdm.pt/
Aveiro - Portugal
november 2011 - october 2012 Intern architect - Admission internship to Association of Portuguese Architects
COMPUTER SKILLS AND COMPETENCES
advanced user of software Microsoft Office Autodesk AutoCAD 2D Adobe Acrobat Google SketchUp and Vray Adobe Photoshop, Adobe Illustrator, Adobe InDesign intermediate user of software Vray for Cinema 4D Graphisoft ArchiCAD Adobe Premiere Rhinoceros
dissertation
Entitled, ‘Beyond Delirious’ - reflections about the iconic, the social and the urban. It´s a reflection about the iconic in architecture, which aims to reveal the intelligentia that these landmarks give to spaces, as well as the delirium that goes with them, that is, the importance of iconography as an element which is capable of stimulating phenomena of sociability in the urban space. Spaces which allow integration of different lifestyles, different cultures and that prove to be leading elements of new urban expressions. Orientated by Prof. Doutor João Paulo Cardielos, it was defended in a public presentation, with argument by Prof. Doutor Jorge Figueira, presided by Prof. Doutor Rui Lobo, with a classification of 18 out of 20. http://issuu.com/rafaelanaia/ docs/beyond_delirious
LANGUAGE SKILLS
mother tongue Portuguese other languages English - independent user |B2 French - independent user |B1 Spanish - basic user |A2
PUBLICATIONS
winner project of SECIL PRIZE URBANDUTO | Inductor of Urbanity - urban project for Cova da Moura and surrounding areas. website | publication date March 2012 ArchDaily Brasil URBANDUTO | Inductor of Urbanity - urban project for Cova da Moura and surrounding areas
http://www.archdaily.com.br/38160/premio-seciluniversidades-arquitetura-urbanduto-indutor-de-urbanidadena-cova-da-moura-luisa-lopes-e-rafaela-naia/
website | publication date February 2012 Ai-Archmag URBANDUTO | Inductor of Urbanity - urban project for Cova da Moura and surrounding areas
http://www.ai-archmag.com/projetos/premiosuniversidades/183-secil-universidades2010luisa-lopesrafaelagoncalves
catalog | publication date December 2011 ‘SECIL Universities Award 2010’, Secil / Association of Architects.
COMPETITIONS and PRIZES XZ
10.2012 - 02.2013 Participation in “Desafios Urbanos’12”, with the collective REC. 3rd place, ex aequo with other projects. 12.2012 - 01.2013 Participation in “International Architectural Photography Award 2012”, organized by ArchTriumph. STUDENTS COMPETITIONS 08.2011 1st Prize in the SECIL Universities Award 2010, organized by SECIL.
http://www.arquitectos. pt/?no=4040522883,197
28.04.2011 Honorable Mention in the ‘XXI Iberian Competition Pladur Constructive Solutions’ - ‘Pilgrim Shelter. A stop along the way’, organized by the Uralita Group.
STUDENT WORKS
some SEMINARS, WORKSHOPS, OTHER MEETINGS
EXHIBITIONS
21.12.2012 - 19.01.2012 Participation in the exhibition SECIL Awards 2010, in the Architects Order Head Office, in Lisbon.
http://arquitectos.pt/?no=2020493142,154
16.08.2010 Participation “Prize AICO” - Architecture International Congress at Oporto, organized by Jofebar and D’arco Magazine. 30.06.2010 Participation in the competition of universities Lisbon Architecture Triennale 2010 - “Cova da Moura”. 2009|2010 Prize 3% Best Students of Architecture of the University of Coimbra, for the year 2006|2007.
25 to 28. 11.2010 - Participation in the exhibition ‘Projecto Casa 2010’, in Exponor, with competitors projects to the Prize AICO 2010. 2008 - Participation in the exhibition ‘TAPE 2008’, which brings together the best work done by students of all years of the department, with project developed in Architectural Design Studio III in 2007, organized by the Department of Architecture at the University of Coimbra. 2007 - Participation in the exhibition ‘TAPE 2007’, with project developed in Architectural Design Studio II in 2006, organized by the Department of Architecture at the University of Coimbra. 11.2007 a 12.2007 - Participation in the exhibition ‘Walking on the Moon - the plastic experience in architecture teaching’, within the context of the discipline of Drawing II, taught by teacher António Olaio, Pedro Pousada and Teresa Pais, in Circle of Plastic Arts of Coimbra. 03.2007 a 04.2007 - Participation in the exhibition ‘O Mundo em Amarelo’, within the context of the discipline of Drawing II and the IX Cultural Week at the University of Coimbra, taught by teacher António Olaio, Pedro Pousada and Teresa Pais, in Department of Architecture of Coimbra.
INDEPENDET ARCHITECT WORKS
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illustration workshop 2.2.2013 Workshop directed by the Illustrator Gémeo Luís, Aveiro. conferences cycle 12.7.2012 ‘The Concept until Construction’ – Manuel Graça Dias, organized by Urban Strategy, Porto. conference 20.5.2012 #041 ‘in transit’ | ‘Proyectos Urbanos com responsabilidade estructural’ by Eduardo Leira, in Casa da Música. explanation session 19.5. 2012 ‘Introduction to Building Process Instruction’, organized by Association of Portuguese Architects. conference 13.1.2012 ‘José Forjáz – Ideias e Projectos 1962’, organized by the Núcleo de Arquitectos, Aveiro. conferences cycle 19’20.9.2011 ‘MESA Talks’, in Casa da Música, Porto. talks cycle 28.1.2011 ‘Dão-se explicações’10 - out of Portugal’, organized by the Núcleo de Arquitectos, Aveiro. conference 18.1.2011 ‘Jacques Herzog’, organized by the Lisbon Architecture Triennale 2010, Lisbon. international conference 15’16.1.2011 ‘Arquitectura [IN] ]OUT[ Política’, organized by the Lisbon Architecture Triennale 2010, Lisbon. international congress 30’31.8.2010 01’02’03’04.9.2010 ‘AICO – Architecture International Congress at Oporto’, Porto. seminar 25.1.2010 Universities ‘Cova da Moura’, organized by the Lisbon Architecture Triennale 2010, Lisbon. colloquy 4.3.2010 ‘Mulheres na Arquitectura’, organized by Departement of Architecture, Coimbra. international colloquy 24’25’26.9.2009 ‘(re)Construir Cidades: Cartografias a partir de Marques da Silva’, organized by Foundation Institute of Architect José Marques da Silva and by Faculty of Architecture of Porto, Porto. conference 28.2.2008 ‘Programas e Equipamentos para o séc. XXI’, organized by nucleus of students, Departement of Architecture, Coimbra. international conference 3.3.2006 ‘Cidade e Mar – Paisagens Aquáticas’, carreied out under the VIII Cultural Week of the University of Coimbra. international seminar 11’12.11.2005 ‘III Seminário Internacional do Projecto IAPXX’ – Survey of Twentieth Century Architecture in Portugal, Coimbra.
architect ure
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STUDENT WORKS
work contents
HABITAÇÃO ATELIER PARA PINTOR
HABITAÇÃO ATELIER PARA PINTOR HABITAÇÃO COLECTIVA ESPAÇOS COMERCIAIS
HABITAÇÃO ATELIER PARA PINTOR
HABITAÇÃO ATELIER PARA PINTOR
HABITAÇÃO COLECTIVA ESPAÇOS COMERCIAIS
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HABITAÇÃO ATELIER PARA PINTOR HABITAÇÃO COLECTIVA ESPAÇOS COMERCIAIS
habitação | atelier para HABITAÇÃO COLECTIVA um pintor ESPAÇOS COMERCIAIS HOUSE | STUDIO FOR A PAINTER
HABITAÇÃO COLECTIVA ESPAÇOS COMERCIAIS
DARQ - AMPLIAÇÃO DE UMA ESCOLA DE ARQUITECTURA
habitação colectiva | espaço comercial DARQ - AMPLIAÇÃO DE UMA ESCOLA COLLECTIVE HOUSING | DE ARQUITECTURA SHOPPING AREAS
DARQ - AMPLIAÇÃO DE UMA ESCOLA DE ARQUITECTURA
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DARQ - AMPLIAÇÃO DE UMA ESCOLA DE ARQUITECTURA
darq | ampliação de uma escola de arquitectura PROJECTO URBANO PARA A A COVA DA MOURA DARQ | EXTENSION OF SCHOOL OF ARCHITECTURE
PROJECTO URBANO PARA A COVA DA MOURA
DARQ - AMPLIAÇÃO DE UMA ESCOLA DE ARQUITECTURA
ABRIGO DO PEREGRINO
PROJECTO URBANO PARA A COVA DA MOURA
PARA A COVA DA MOURA
projecto urbano para a Cova da Moura URBAN PROJECT FOR COVA DA MOURA ABRIGO DO PEREGRINO ABRIGO DO PEREGRINO
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ABRIGO DO PEREGRINO
ABRIGO DO PEREGRINO
abrigo do peregrino | uma paragem no caminho PILGRIN SHELTER | A STOP ALONG THE WAY
disser tation
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PROJECTO URBANO PARA A COVA DA MOURA PROJECTO URBANO
BEYOND DELIRIOUS
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desafios urbanos’12 | a fábrica THE FACTORY
work
architect ure
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HABITAÇÃO ESPAÇOS C
DARQ - AMPLIAÇ ESCOLA DE ARQ
PROJECT PARA A COVA
ABRIGO DO
in c ollaboration
INDEPENDET ARCHITECT WORKS
HABITAÇÃO ATELIER PARA PINTOR
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TEDNEPEDNI TCETIHCRA SKROW
BEYOND DELIRIOUS reflections about the iconic, the social an the urban
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MASTER THESIS
Fear of the new, fear of the difference, fear of what we don’t kwon and that we aren’t accustomed to master. Fear, seduction, fascination by silhouettes, floating objects of desire, which whom we have already become accustomed to live together. Objects so singular that become almost all the times a vanguard exploration. Sometimes, a new language, in others, a melting pot of ancient concepts but decontextualized, in favour of a new monument concept. Perhaps this, the contemporary icons don’t seem to aspire a replacement, as happened with the icons of antiquity that remains. But will the future of architecture be defined by the creation of more “exception buildings”? Certainly for who wanders and dwells every day in the earth of these stunt buildings, it has become almost insignificant, in contrast to the ecstasy of the starting bustle. But do we need them as much as they need us? The survival of the cult of iconographic object depends strictly on the existence of an observer | consumer, that searches the enchantment of a beautiful image, which has left classic standards. All that belongs to the pre-established canons is refused in favour of a new beauty. But the daily coexistence requires something more. Need more than an expression of power, the aesthetic experience of the silhouette, the visual challenges to gravity and stability, needs much more than the sight seduction, more than the image by the image. We talk about the social and cultural commitment of the architect, that when immersed in the star-system, he found himself constrained by political and economical forces, who want much more than a social strategy, aspiring it to be performing architectures, motivating events. Here resides the clash. Their success as catalysts, isn’t always guaranteed. However, when successful, they are able to demonstrate the strength of architecture as urban life engine, able to create outdoor spaces where various and different unplanned activities can mix themselves. If unsuccessful, they are destined to loneliness.
The growing need of cities to ask themselves about the action of these iconographies, that are references to the new society in construction of a new landscape, makes this subject relevant to the current discussion of the architecture for the city. A city that lives increasingly in urgency of the speed, the metamorphoses, the consumption and the fleeting, where the phenomenon fashionable, today, will certainly be different of tomorrow. What will remain? What perennial can we aspire to? In fact, it is a reflection about the iconic in architecture and the intelligentias that these landmarks lend to spaces, beyond all the delirium that will underlie them, in other words, the importance of iconography as an element capable of generating phenomena in urban space.
Truth is, it’s urgent that the production of significant buildings, that claim themselves as ex-libris spaces in the cities, which in general way host programs related with culture, go beyond the simple exercise of form by form, associating its intention to a social meaning. Therefore, it’s natural that some interventions seek to find osmosis between the city problems and of its inhabitants, with the creation of pleasure architecture, that use the image to respond to requests of this consumer society in a globalized era. Certainly a good architecture will know how to merge these two responses. What is to come, we cannot predict. Although we can be sure that we will continue to live together peacefully with the pleasure that the sublime of these architectures provide us.
The street will be assumed as a place of confluence of different interests and experiences, for a large diversity of audiences who can enjoy it, through different practices, that we call urban culture, using the architecture in order to be able to mediate this dialogue. Only then, will the icon take effect, promoting spatial structuring and referencing of an unnamed territory, in an attempt to return the urban relations that were interrupted by the growth of the city. By another words, that materialize integration spaces of different ways of life, from diverse cultures, able to provide a set of dynamics inside and around them, events planned or not, that transcend the usual programs, creating a link between them (building) and who enjoys it (people), claiming themselves as protagonists of new urban expressions and life. In this context, draw a landmark involves redesigning the urban mesh, re-qualifying degraded areas or peripheral in trying to define its limits, creating new promenades, public spaces, materializing a set of temporal, social, cultural, economic or politic dynamics that make the icon an element structuring the city language. Namely execute the architectural project as a way to think and criticize the city, providing the construction of new urban syntheses, able to involve new and different lifestyles.
work
in collaboration with R VDM ARQUIT ECTOS DECEMBER 2013 - JANUARY 2015
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NOVEMBER 2011 - JULY 2013
BOOK . RVDM 2012 MASTERPLAN . IN LUANDA SLAVERY MEMORIAL MUSEUM RETAIL . CASA DA BICICLETA URBAN FURNITURE BAR RESTAURANT . ARTE NOVA APARTAMENT . 25 DE ABRIL PRIVATE HOUSE . VILAR COMPETITION . SATAMALAHTI MIKKELI, FINLAND PRIVATE HOUSE . SEVER DO VOUGA MASTERPLAN . IN LUANDA 1 APARTMENT BUILDING . IN BEIRA MAR HOTEL - FERREIRINHA HOME CLINIC . IN AVEIRO BEACH AND CITY SEE FRONT RECONVERTION . FIGUEIRA DA FOZ
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SANTA CATARINA FORTIFICATION
concept design design development modelsZX 3D modelling detail design technical drawings
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www.rvdm.pt http://www.world-architects.com/en/rvdm/en/
TEDNEPEDNI TCETIHCRA SKROW
RAFAELA NAIA naiagoncalves@hotmail.com 00351 914382838
online portfolio http://issuu.com/rafaelanaia/docs/architect_portfolio
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