Caminhos de Lug Rafael Fraga (n. 1978)
Molto lontano
e=120
sul pont., legatissimo
4
ppp
10
Mand.
Tremolando ad lib.
mp
mp
27
Mand.
Gtr.
* Small noteheads: create random accents within the chord notes, very ad. lib
3
3
B4
mp 4
mp
3
3
Arpeggiando sempre, un poco ad. lib
1/2
Gtr.
L.v. * RA
pos. nat., un poco meno legato
22
Mand.
mf
Gtr.
17
Mand.
Fragile
p
Gtr.
Rall....................
Guitar
1
Mandolin
2
A
34
Mand.
A Tempo
Sul D, Marcato
pp
Gtr.
42
Mand.
Gtr.
mp
mf
B Molto rubato and ad lib. 3 3 49
mf
Sul G
B4
Gtr.
pp
2
2
4
pp
4
3 2 1
fp
mp
f
f
1
Trem. as fast as poss.sempre, gradually sul pont.
mf
4
54
Mand.
Gtr.
Molto rubato and ad lib.
mfp
Mand.
p
pp
3
C
59
Mand.
e = 152
Sul pont.
mp
p
i
m
1
a
63
Gtr.
Mand.
mp
Tremolando ad lib.
3 3
on the tr. signaled notes
3
3
72
3
3
m
1
2
a
i
a
4
i
m
3
p
p
75
Gtr.
mp
i p
Mand.
mp
Gtr.
Gradually pos. nat.
Molto cantabile e espressivo, senza rub., legato
67
Mand.
al niente
2
3
Gtr.
ppp p
Mand.
pp
Metalico e mecanico. Sul pont. Lontanissimo e legatissimo
Gtr.
3
4
3 3
77
Mand.
3
p i
Gtr.
m i
a
82
Mand.
Gtr.
Mand.
Gtr.
85 D
mf simile as b. 77
1
3
2
3
3
88
Mand.
f
Gtr.
90
Mand.
p
p
B4 3
p
3
1/2
i
3 2
f
B6
ff
1/2
Gtr.
mf
4
3
3
3
3
3
5
94
Gtr.
97
Mand.
Gtr.
f
Mand.
pp
Gtr.
mf
Gtr.
pp
108
Mand.
Como un eco
f
pp
104
mp
Como un eco
f
Gtr.
E
100
Mand.
Mand.
6
Mand.
pp
1/2 B1
Gtr.
116
Mand.
112
4
1
121
Mand.
1/2 B2 mp 1/2 B4
Gtr.
4
pp
VIII-IX
Crossed bar
Gtr.
Gtr.
4
3
4
1
1
2
1
rall.
125
Mand.
4
4
1
Como un tango andaluzo
Mand.
130 F
Molto espressivo, dramatico e rubato, de vigoroso a dolce con lo rall.
q=72
f
Gtr.
Quasi gliss.
q=64
Rall........
liss. Rall........
g
7
Mand. Gtr.
q=72
134
Mand.
Gtr.
Tempo primo
gliss.
q=64
Rall........
132
f
q=72
Rall........
f
136 pp
Rall..... Rall..... A Tempo A Tempo 6 6 mp f mp f f
mp . gliss
f
Mand.
138
mf
Gtr.
Gtr.
f
140
Mand.
f
f
f
6 f pp
Simile fingerings 3 2 1 4
6
1/2 B4
2 1 4 3
6
6 p
Gtr.
Lontano, but coming closer every time
Mand.
p
8
144
Mand.
p
mf
Build tension
Gtr.
A bit improvised, very ad lib.
Add E ad lib, random accents
Add E ad lib, random accents
f
148
Mand.
Simile fingerings
Gtr.
Add E ad lib, random accents
3 2 1 4
f
f
152
Mand.
Random accents
Improvise on the A string, keep ostinato on E.
On cue
p
Keep ostinato on E, on cue go to B. 157
Gtr.
p
accel.
G q=92 156
Mand.
Gtr.
gliss.
pp
perdendosi, al niente
mp pp
161
Gtr.
Mand.
q=112
mf
4
4
1 2 4
mp 4
3
165
Gtr.
mf f p
mp
Mand.
9
4
4
1 42 4
3
169
Mand.
Gtr.
H
h=54
Tremolando ad lib. on the longer notes
Sul tasto
p
Arp. sempre, con polegar solo
177
Mand.
B2
Gtr.
3
4 2
Gtr.
1
4 3
2
4
3 2
4
3
Mute the A string with finger 3
3
1
2
4 2 1
3
181
Mand.
Doloroso, como un Fado
Gtr.
173
Mand.
mf
3
10
189
Mand. Gtr.
2
I 195
p 1
Mand.
Gtr.
Mand.
pp
Gtr.
4
2 3
202
200
Mand.
B7
Sul G
pp
B7 1/2
4
2 3
1
un poco gliss.
4
Gtr.
197
1 3
B8
Simile fingerings
4
1/2
3
Gtr.
3
2
Mand.
Gtr.
Mand.
185
11
Mand.
Vivace, like a dance
J 205
q.=124
Simile fingerings 3
Gtr.
2
4
p
1
Lontano, coming closer gradually. Accent different notes on the arp., very ad lib.. Create subtle textures, group chor notes randomly, etc.
207
Mand.
Gtr.
209
Mand.
Gtr.
q.=118
K mp
Mand.
Very ad lib and improvisatory; intercale with occasional silence. On normal noteheads play as written, tremolando ad lib.
Mecanico but with groove;
Gtr.
mf
Gtr.
mf
213
Mand.
On small noteheads: help to build the groove, mute ad lib.. Create different ternary grooves based on the accents and examples of bars 214-5.
211
12
215
Mand.
Gtr.
217
Mand.
(Theme)
f
Gtr.
mf
219
Mand.
Gtr.
Gtr.
Mand.
Gtr.
222
Mand.
fp
223 a p p i m
13
226
Mand. Gtr.
229
Mand. Gtr.
Gtr.
232
Mand.
Releasing some tension
3
234
Mand.
4
Gtr.
3
236
Mand. Gtr.
238
Mand. Gtr.
Muted, improvising with the rhythm
14
240
Mand.
Rasgueando
Gtr.
242
Mand. Gtr.
Mand. Gtr.
Optional repetitions
244
ff
Gtr.
ff
Mand.
246 B7 2
4 3
fff
Mand. Gtr.
248
250
Mand. Gtr.
Rafael Fraga - April 2012 rafaelfraga.com
rafaelfragamusic@gmail.com