+ Trisakti University (Cum Laude GPA 3.69)
Bachelor of Architecture
2019
Jan 2019 - Feb 2019 studio@studiodasar.com
+ PSPKK FTSP Trisakti University (Urban Kampoeng Forum Usakti) Children playground park at Kampung Cihuni, Tangerang | Preliminary
+ Internship at Studio Dasar
Uluan Nughik Urban Masterplan Concept Exhibition | Built
5/5 Autocad 3/5 Archicad 2/5 Revit 5/5 Sketchup 3/5 Rhinoceros
+ Participant Designer at Bintaro Design District
Instalation named Sekat Nirmala | Built
Nov 2020 - Mar 2021 mail.labwrksarchitect@gmail.com
Jan 2022 - Jul 2022 admin@andramatin.com
2019 2018 - 2019 2018 - 2020 2019 - 2020 2022 - Current
+ Internship at LABWORKS
Uluan Nughik Cultutral Plaza | Preliminary Nusa Penida Resort | Preliminary SA House | Development Drawing Laboan Bajo Cultural Landmark | Competition Submission | On Going
+ Internship at Andramatin
MR Residence | Preliminary | GA Houses Publication
Kopi Manyar Extention | Development Drawing | Built
Manyar Park Furniture | Development Drawing | Built
Asih Meternity Hospital | Preliminary
Andramatin Houses Exibition | Design Development Mandailing Natal Air Port | Preliminary
AGZ House | Preliminary Pepper Farm Factory | Development Drawing
Tubaba Public Toilet | Preliminary
Sudimara Town House | Construction Drawing
YVE5 Limo Club House | Development Drawing - Construction Drawing | On Going
Canggu Villa | Preliminary Sitobondo House | Preliminary MRT Glodok | Preliminary - Development Drawing
Sibolangit Riverside Resort, Restaurant, Spa, Chapel | Design Development
+ Architecture Student Association (HMA Adhisthana)
Staff at the Division of Studies & Strategy
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Head of Content Division in Selasar Arsitektur Seminar for Two Period (2 Years)
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Head of an organization in the student architecture association Trisakti University
+ IAI Jakarta (Ikatan Arsitek Indonesia / Indonesian Architect Association) A member of Organizational, Institutional & International
5/5 Lumion 5/5 Enscape
5/5 Photoshop 4/5 Illustrator 5/5 InDesign 4/5 Premiere 2/5 After Effect
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2017 - 2021 2020 2022
+ 2nd Winner at Prof. Gagoek Hardiman Sketch Competition Trisakti University
+ Academic Scholarship Faculty of FTSP Trisakti University
+ Faculty of FTSP Most Oustanding Student Award Faculty of Civil Engineering & Planning, Trisakti University
+ 4th Winner Godean Tradtional Market
Professional IAI DIY Award
+ 3rd Winner Laboan Bajo Cultural Landmark
Professional IAI NTT Award
+ Best Final Project Award
Trisakti University & external panelists
+ 2nd Best Architecture Graduate Award
Trisakti University architecture student graduate 2020/2021
+ Top 7 Winner “15 Minute City Design”
ARCASIA Award
+ 2nd Winner Pekanbaru Monument & Museum Of Languange
Professional IAI RIAU Award
+ 2nd Winner “Amplifying Empathy Through Design”
AYDA Asian Young Designer Award
+ Architecture Fair University of Indonesia
5th semester project presented at Gallery National, curated by APTARI x UI
+ GA Houses 182 Magazine
MR Residence, Andramatin
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Status : Final Project
Name : Mangulosi Silaban
Typology : Culture (Museum & Monement Area)
It is impossible to talk about Indonesian architecture without the work of Friedrich Silaban” (Sopandi, 2018). His name is engraved in Indonesian history regarding the issue of seeking national identity through architecture.
The idea is to create a monument representing his life story and serve as a symbol of respect for his services. The proposed site is located in the district where Friedrich Silaban was born. The local demographics are dominant with the Batak community (his origin), which still lie on the wealth of ancestral heritage philosophical life. The high social-cultural values become an essential factor for presenting “respect” for Friedrich Silaban in the design.
The diagram shows the highs and lows of Silaban’s life and his built and unbuilt works. These findings are applied for chronological order and narrative spaces seeking poetic value in experiencing Silaban’s life history through the spatial structure.
Mangulosi is an important Batak community ritual that symbolizes blessing, sorrow, and respect by giving Ulos (traditional fabric/shawl) to the person. The philosophical meaning and shape of ulos are tangibly transformed to define the building’s symbolic form and spatial quality.
Superimposing both values with a metaphoric approach will combine two parallel subjects as symbolic narratives. The objective is to represent respect for Friedrich Silaban by weaving ulos into his life story.
glory optimistic struggle
contemplating oppressed
low point museum museum high point museum childhood Entrance (life stage monument)
honor monument & museum manifesto contemplation space the death of f. silaban (end of life monument)
1. The site has three areas with moderate terrain slopes (ideal for the primary function’s activities) and an existing road connecting with the artery highway.
2. The site is divided into three hierarchies based on the narrative studies of Friedrich Silaban’s life story
3. The primary program is placed based on the content that accordance with the hierarchy narrative and the moderate terrain slopes.
4. Three museum masses from each hierarchy narrative are being raised to create a monumental scale to represent monuments of the life stage, the end of life, and the manifesto of Friedrich Silaban.
5. The axis is pulled from the monument towards the birthplace, death place, and project locations of Friedrich Silaban to form facade openings of the monument.
6. The ulos metaphor defines the floor plate and roof with a form that weaves the three monuments as a philosophy of respect for the three narrative segments of Friedrich Silaban’s life story.
In many Yogyakarta traditional markets, the importance of tangible cultural symbolism overlooks the essential intangible aspects of building comfort. Ignorance of natural air circulation and natural lighting creates discomfort for activities other than buying and selling, leading to a traditional market that only performs as a transaction place rather than a placemaking area.
The Godean market is one of Yogyakarta’s sacred and most significant traditional markets. In renewing the Godean market, the design aims to restore the social-cultural spirit by enhancing a climate-responsive strategy that symbiotically also represents Yogyakarta’s cultural identity.
The design is inspired by two significant cultural entities, Yogyakarta’s woven craftsmanship, as a noticeable local wisdom, and Yogyakarta’s traditional roof element, which has a specific roof that symbolizes a particular social hierarchy. Both cultural aspects are utilized metaphorically and actually to create breathable and dynamic forms and spaces that synergize with traditional cultural traits. The woven craftsmanship inspired the cross-layered and woven programs that make multi-level visual connections and social spaces. Panggang pe roof, a traditional Yogyakarta roof that symbolizes all social strata, is woven to create cavities for air and sun penetration.
Godean Woven
Panggang Pe
1. Cavity Study
The inner layout is divided into three zonings. The ground floor is the shopping center for crops of the local harvest yield. The second floor is for household goods and other objects, and the third floor is for craftsmanship products and souvenirs.
To create an extroverted space and embeds natural and social components, each floor level is separated horizontally by corridors and vertically by voids.
Corridors are designed for sudden occasions like workshops and cultural performances, while voids give broader viewing sightlines for more visual conversation and natural ventilation.
We have disconnected ourselves from the natural world and forget that nature remains the giver, even as it vanishes bit by bit. Skyscrapers in the middle of the city always focus on the capitalist objective, giving inadequate precedent on how architecture interacts with nature in the shared environment. However, as the space that occupies people’s lives, architecture has the power to drive behaviors. Conventional skyscrapers commonly radiate ignorance other than commercial values, which influences people to lose their social sense between nature and architecture. Resulting the built environment overcoming nature and leading to the unbalanced green urban ratio.
Scalescraper is about rethinking the relationship between humans and nature. One of the project’s main goals is to stimulate the social sense of the city’s inhabitants and re-bond it with nature. It invites people from 2022 until 2070 to plant trees (give to nature) to create a future skyscraper and green landscape in the middle of the city (nature will give us back).
The goal can be achieved by adopting the libra scale idea as the structural principle. The fundamental libra law states that when two objects are scaled, the lighter object will be lifted while the heavier object touches the ground. Although in this project, the intention is not to evenly balance both sides but rather to bring balance contextually.
On one side of the scale is the community program pocket, and the other is nature’s pocket. Transaction currency in the building is changed by planting trees, and in years of planting trees, the mass of the old-grown trees will be heavier than humans. The community pocket will raise 65 meters above the ground with the libra scale structure, creating a low-footprint skyscraper. Nature’s pocket will eventually touch and stay on the ground, radiating a wider vegetation-covered area, thus maximizing the green landscape for the low urban green ratio.
The load cross of the libra scale is supported by a grocery baglike structure that can lift a certain mass with the tension of the plastic bag by a holding hand. The concept is articulated using cables connected to the column attached to the main structure joint hand and arm.
The Scalescraper is the catalyst that accommodates lives, creating a sustainable ecosystem between the city’s components (people, nature, and skyscraper). Positively changing people’s mindset toward nature, recovering the lost natural space in the city and the architecture will witness the change.
A. City Park B. TOD C. Shop House, D. Apartment, E. Office, F. Housing
Cities with high needs but narrowing create conditions for more exclusive build areas, resulting in vertical block buildings that are often massive and uniform. This is due to the procession of commercial hegemony, which tends to ignore social values, identity, and communal diversity in the community. Co-living space is here to reach affordability in the city by encouraging users to share rent areas, which can promote social interaction while still being proportional to the commercial value.
Rethinking co-living typology on an urban scale can be the strategy to create an exclusive vertical block into a city’s social infrastructure. Sharing space is no longer just residential and office space but becomes communal voids that support socioeconomic and quality of life.
Escalating the concept of shared space co-living to interact with the urban context by connecting City Park, TOD, pedestrian paths, shop houses, commercial centres, and housing with continuous circulation as a vertical extension of the city public node.
Overlapping social pockets with private zone creates multi-level and public terraces as upper-ground outdoor spaces without sacrificing efficiency. Aim to create a neighbourly social phenomena and spatial experience of horizontal in a vertical structure.
The building expression carved by the community’s diversity and the city’s morphology creates a sculptural form that shelters the public’s daily activities.
The initial mass is to maximize the area of space based on regulations, with 5-layer buildings and 3 meters setbacks.
Subtracting the mass to create a centre void for vertical communication on all floors
To avoid being introverted, vista withdrew from the park and the city lifted the floors to create openings, multi-levels, and shaded areas by the elevated mass.
The open space between the elevated mass becomes a public space extension of the park. Creating a sandwich effect blends the public with the private zone without collision of circulation.
The in-between space also extends the greeneries from the park for a continuous landscape and an inner court view of the interior spaces.
Stacking negative and positive space creates a buffer zone as wind chimnies, a noise buffer area by vegetation insulation and refracting area for natural light.
This design aims to create dynamic circulation by having split levels in each layer. Each layer is stacked with another layer and attached in continuous order, thus merging the top and bottom levels into a double-volume interior space and creating a gap for the exterior space rooftop.
The structure consists of two 6 x 7.5-meter grid system towers with an elevation difference of +1.60 as a split level. It is connected by a 9.5-meter bridge.
The split-level structure gives more economical and sustainable benefits than a conventional building. The overlapping rooftop functions as a market, and green space brings commercial value, natural ventilation, and light that raise economic income while reducing electrical costs.
Bitumen Roofing
Triplex Board 6mm
Canal C Alumunium 50x50mm Batten/Purlin Frame
Canal C Alumunium 70x50mm Rafter Frame
Gymsum 9mm + Canal C 50x50mm
Plafond Structure
Glass Block Clear 200x200mm
+ Deformed Bar Support
Brick Railing Fin. Mortar
Concrete Floor Slab 120mm
Screed 30mm
Alumunium Frame + Glass 8mm
Homogenous Tile 1000x1000mm Concrete Color
Gymsum 9mm + Canal C 50x50mm Plafond Structure
Glass Block Sun Blast 200x200mm
+ Deformed Bar Support
Concrete Beam 200x300mm
Iron Plate Profile 2mm
Plywood 15mm + Alumunium Frame Integrated Funiture
Concrete Strair Slab 120mm
Brick Planter Box 500x500mm
Glass Block Clear 200x200mm
Structural Steel Hollow 20x80mm
Brick Wall 15mm
Para Nusa is the entity created by a semiotic approach to narrate Labuan Bajo’s formation based on the elements’ diversity. Para Nusa is a gateway to convey messages about the value of coexistence, “to exist and live together in differences” from Labuan Bajo.
1. Located at the west Flores and East Nusa Tenggara, Labuan Bajo is geographically between the sea and the mountain, giving rich natural components that need to be embraced.
2. Labuan Bajo is the gateway to the Komodo National Park, one of the UNESCO cultural heritage. Komodo and humans cannot be historically separated, as the legend of Putri Naga states that Komodo is the ancestor of humans living on the island.
3. Labuan Bajo was formed by the Bajo tribe and the Flores tribe, which experienced acculturation in social background and culture but eventually united.
These values are the starting point for a semiotic approach to describe Labuan Bajo and its diversity to the design.
Two masses are divided by an axial orientation toward the sea and the hill, creating a platform for activities that merge its open space with both natural components.
Extruding the two masses with different scales by mimicking the silhouette of humans as a vertical entity and the komodo dragon as a horizontal entity narrates the historical relationship between humans and komodo.
The in-between platform metaphorically represents the unified Bajo tribe and the Flores tribe. As it integrates the tower, which is transformed from the traditional manggarai Flores roof, and the horizontal mass, which is transformed from the Bajo gable roof.
Name : Situ Ciledug Green Belt
Typology : Public Realm
Status : The Architects Regional Council Asia (ARCASIA) Competition 2021 7th Winner Award
Situ ciledug plays an essential role as a reservoir and an integrator between the natural and artificial environment of Pamulang City. The reservoir has the potential to become an ecotourism element and a recreational linkage to the surrounding fabric. But since 1950, setback regulation has been violated caused of urban sprawl, which shrank the reservoir up to 1300000m2 from its original form, leading to a vanishing city reservoir, natural waterfront component, and increasing the lake’s vulnerability to pollution, flood, and poor connectivity to the surrounding city area.
To prevent further area loss, the design overlay the 20+ m setback with a buffer that functions as a generous neighborhood landscape to the waterfront. The buffer forms a green belt canvas that improves accessibility and amenities for enhancing social and environmental benefits to communities and the city life cycle.
connecting above the lake and land use with a 0,13 km pathway to directly integrate the MRT terminal for corresponding to the TOD.
repurposing the existing gondola route to provide quicker mobility access to each program under 10 minutes of mileage.
an urban promenade that provides a better spatial experience through parks and activity zone..
a 7.7 km continuous perimeter pedestrian and cycling path for efficient mileage to the entire site and surrounding fabric.
an overlaying landscape that performs as a canvas for the designed pathways and amenities.
A. Figure Ground (existing)
the organic morphology has indecent access from the residential to the waterfront. It diminishes community engagement in social activities.
C. Artery Ring Road
F. Protocol Bridge
E. Gondola Circulation
Green Buffer Community Linkage
The potential alignment of the lake’s perimeter surrounded by residential gives versatility for the waterfront to act as the neighborhood’s green corridor.
perimeter surrounded by residential gives versatility to the setback border to perform as the neighbourhood’s green
Utilizing the buffer as a canvas for social programs enhances community activities and generates urban nodes in the neighborhood.
buffer an urban node in the bourhood.
1. 2. 3. 4. 5.
2.
The nodes are connected with paths that loop across the amenities, which allows various walk experiences throughout each zoning.
Each node is connected a path that loops through amenities and allows a diverse walk experience based on community and nature.
3. pedestrian
6.
4. aminities
6
1. 5. settlement water purify
6. landscape
1. Informing historical, present, future development of situ ciledug.
Integrating humans with biodiversity for recreational experience.
Hydroponic harvest yield as self sustains food resources in residential areas.
Drop off point for the gondola circulation.
Urban Forest
Location : South Jakarta, Indonesia
Job Title : Architectural Intern
Duration : Jan 2019 - Feb 2019 | 1 Month
Task : Image & Drawing Production, Graphic Design, Architectural Writter, Team Coordinator
Perspective Road & Intersection
Uluan Nughik Masterplan Exhibition | Graphic - Content - Instalation Design
Name : Sekat Nirmala (Bintaro Design District 2019)
Location : South Jakarta, Indonesia
Job Title : Installation Designer, Construction Coordinator
Duration : 28 Nov - 08 Dec 2019 | 09.00 - 18.00
This installation focuses on two correlated problematic subjects: smoking issues in a public space and plastic bottle waste. The site is chosen in Menteng Bintaro, a child playground park. It is a high demographic place of smokers surrounded by local restaurants and street vendors that produce at least fifty to sixty plastic bottle waste daily. As no such infrastructure on the site can accommodate smokers and massive plastic bottle usage, these circumstances caused many passive smokers, scattered cigarette butts, and built-up trash that undermines the park’s condition.
Sekat Nirmala is a 3 x 2.5 x 2.1-meter installation in Menteng Bintaro Park. The intention is not to restrict smokers (because the government has not regulated the issue) but to give an immediate solution by utilizing potential material resources on the site.
The function of the installation is a smoking area at the park, where plastic bottles are crafted into a facade that pressures the wind breeze to push the smoke directly to the Sirih Gading plant, a type of plant that can filter cigarette smoke. This way, the installation is an art crafted from recycled objects that also performs as an air purifying chamber.
The narrative that the occupant can value within the installation is to increase awareness of the social and environmental solutions that may come from our surroundings. Hopefully, each individual could positively impact their environment and create a reciprocal action towards a better standard of living in communities.
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