Orchard Tambourine – B
Woodcuts on paper, Edition of 35
Each signed and numbered verso
Sheet size: 37.3 cm x 37.3cm I Framed dimensions: 45 x 45 cm
Shown on the opposite page, are the eight woodcuts from the series that are available for viewing at Gloucester Room::
Top Row L – R: 1, 3, 2
Middle Row L – R: 13, 8, 15
Bottom Row L – R: 20, 22
Price each (framed): £1,450
Presented float mounted in hand-finished Lime wood frames, glazed with UV filtering, anti-reflective glass. The backs of the frames feature a cut-out protected with acrylic to reveal the signature and edition numbers inscribed on the reverse of the prints.
Orchard Tambourine I
Woodcut on paper, Edition of 35, signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
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Orchard Tambourine II
Woodcut on paper, Edition of 35, signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
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Orchard Tambourine III
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
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Orchard Tambourine VIII
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
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Orchard Tambourine XIII
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
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Orchard Tambourine XV
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
Enquire about this item
Orchard Tambourine XX
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
Enquire about this item
Orchard Tambourine XXII
Woodcut on paper, Edition of 35, Signed and numbered verso
Presented within a ‘Charcoal’ stained lime wood box frame
Float mounted and glazed with UV filtering anti-reflective glass
Sheet size: 37.3 cm x 37.3cm
Framed dimensions: 45 x 45 cm
£1,450
CURRENTLY RESERVED
Enquire about this item
Orchard Tambourine – B
Woodcuts on paper, Edition of 35
Each signed and numbered verso
Sheet size: 37.3 cm x 37.3cm I Framed dimensions: 45 x 45 cm
Shown on the opposite page, are the eight woodcuts displayed arranged horizontally in two rows of four
Top Row L – R: I, III, II, XIII
Bottom Row L – R: XV, XX, XXII, VIII
Price each (framed): £1,450
Presented float mounted in hand-finished Lime wood frames, glazed with UV filtering, anti-reflective glass. The backs of the frames feature a cut-out protected with acrylic to reveal the signature and edition numbers inscribed on the reverse of the prints.
See next page for an image of the eight displayed vertically in four rows of two
Orchard Tambourine – B
Woodcuts on paper, Edition of 35
Each signed and numbered verso
Sheet size: 37.3 cm x 37.3cm I Framed dimensions: 45 x 45 cm
Shown on the opposite page, are the eight woodcuts displayed arranged vertically in four rows of two:
Row 1: 1, 3
Row 2: 13, 2
Row 3: 20, 15
Row 4: 22, 8
Born in Leamington Spa, Warwickshire, England, Frost did not become an artist until he was in his 30s During his army service in World War II, he met and was taught by Adrian Heath while a prisoner of war. Subsequently, he attended Camberwell School of Art and the St. Ives School of Art. In 1951, he worked as an assistant to the sculptor Barbara Hepworth.
Frost was an abstract painter after beginning in the Euston Road Group Realist tradition He attended evening classes in art at the age of sixteen, then worked at various jobs mainly concerned with radio and electricity He started painting while a prisoner of war in Germany 1943, moved to St Ives in 1946 and studied under Leonard Fuller; then studied from 1947 at the Camberwell School of Art under Pasmore and Coldstream. He was a member of the Penwith Society, St Ives and had his first one-man exhibition in London at the Leicester Galleries in 1952 and in New York at the Bertha Schaefer Gallery 1960 Frost taught at Bath Academy, Corsham, 1952 was a Gregory Fellow at Leeds University 1954-6 and taught at Leeds College of Art 1956-9. He was a member of the London Group 1958, lived in St Ives 1959-63 and then moved to Banbury