D R
SELECTED WORKS 2018 - 2022
DOSHI
ARCHITECTURAL PORTFOLIO
RAJ
RAJ DOSHI
Hello! My name is Raj Doshi and I am a 5th year student currently studying at Balwant Sheth School of Architecture, NMIMS in Mumbai, India. The following is a curated collection of my architectural design and practical work that reflect my design thinking and imagination.
Date of Birth: 17 May 2000 Nationality: Indian City: Bhuj, Kutch
LANGUAGE
EDUCATION
2018 - 2023 2014 - 2018 2006 - 2014
BACHELOR OF ARCHITECTURE
NMIMS Balwant Sheth School of Architecture, Mumbai CGPA: 3.47
SECONDARY + HIGHER SECONDARY EDUCATION
Chanakya Academy, Bhuj (GSEB + GHSEB) Class X - 83.66% Class XII - 72.47%
PRIMARY EDUCATION
Chanakya Academy, Bhuj
PROFESSIONAL WORK
2022 2022 2022 2021 +91 9825967980 doshirajmadhukant@gmail.com raj_doshi__ Raj Doshi
ACE TECH MUMBAI Public Seating Design October - November
English Hindi Gujarati
TEACHING ASSISTANT Allied Technical (M.Arch) Teaching Revit June - October
STUDENT INTERN sP+a (Sameep Padora and Associates) Setting up an exhibition named (De)Coding Mumbai
STUDENT INTERN Abhinav Engineers Pvt.Ltd. Ahmedabad
02
Annual Exhibition, Final Year BSSA SOLAR
INDIA Team Inferno Finalist - Category Multi Family Housing Winner - People’s Choice Movie Award KALA GHODA ART FESTIVAL Exhibition, Participation BSSA ESQUISEE COMPETITION Participation EMERGENT BEHAVIOUR IN NATURE Installation Exhibition at BSSA 2018 AURANGABAD (live sketches) 2018 JODHPUR (measure drawings) 2018 PUSHKAR (Ghats measured drawing) 2018 JAIPUR (measure drawings) 2019 GOA (Fontainhas street measured drawing) 2019 AHMEDABAD (Measured drawings) 2022 2022 2022 2020 2019 Physical Model Making Lazer Cutting Technical Drafting Pottery Wood Work Sketching Photography Videography 3D Modelling 3D Printing Travelling Gaming Cooking Cricket Technology Movies Softwares COMPETITIONS AND EXHIBITIONS SOFTWARE SKILLS SKILLS TRIP DOCUMENTATION INTERESTS 03
THESIS BAZAAR
DECATHLON,
04 THE INBETWEEN SPACE PUBLIC HEALTH CENTER 4TH YEAR DESIGN STUDIO SEM 8 4TH YEAR DESIGN STUDIO SEM 7 ONGOING THESIS pg 06 - 07 pg 40 - 41 pg 10 - 17 pg 42 - 47 pg 18 - 21 pg 48 - 51 FISHERIES RESEARCH CENTER INSTALLATION URBAN DESIGN (CBD) 4TH YEAR URBAN DESIGN STUDIO SEM 8 3RD & 4TH YEAR WD STUDIO SEM 5, 6 & 8 2ND YEAR DESIGN STUDIO SEM 3 WORKING DRAWING CONTENTS
05 3RD YEAR DESIGN STUDIO SEM 6 3RD YEAR DESIGN STUDIO SEM 5 2ND YEAR DESIGN STUDIO SEM 4 pg 22 - 27 pg 52 - 55 pg 28 - 35 pg 56 - 57 pg 36 - 39 pg 58 - 59 CULTURAL AND PROMOTIONAL HUB LEARNING ART CENTER COMMUNITY CENTER COMPETITION 2021-22 ACE TECH MUMBAI, 2022 EXHIBITION FREELANCING 3d rendering SOLAR DECATHLON INDIA PUBLIC SEATING (DESIGN) VISUALIZATION (LUMION RENDER)
THE INBETWEEN SPACE: A TRANSITION BETWEEN CITY AND FILM CITY
Design Dissertation
Year 5 - Semester 9
PROJECT: Thesis (On going)
LOCATION: Film City Road, Mumbai
MENTOR:
Ar. Rajeev Thakker
The present condition of a fast-paced urban society triggered a thought process, leading to new perspectives. This architecture thesis shows these points of view in the form of a story, weaving together theories, personal experiences, observations, and urban phenomena.
Everydayness serves as the basis on which this narrative is built, bringing forth the role spaces play within this current urban sphere. “Liminal Spaces” and “Parallel Reality” are explored as promising spatial conditions depart ing from the comfort-less urban structure. They emphasize on being, tran sition, and transformation. Cinema then steps in, not only connecting these dots but also offering a way forward. Under these conditions, the spatiality of the film is looked at, and the relationship between film and architecture is looked at through the study of literature and the use of montages.
Cinema is like a dream. People have dreams and aspirations in life, which keep them going. Life in Bombay is like a theatrical performance. The city’s urban context becomes the stage, and the people are characters perform ing their parts. So, the research is carried out by identifying characters and their stories about the imagination of their dreams and aspirations in the city. The research tries to make a correlation between the idea of how film creates a kind of imagination and how people’s stories become part of this imagination by putting together images of the people of the city. The idea is to somewhat resolve the relation between these things through some pro grams and architectural manipulation.
So, the intent is to revamp the film city and try to come up with an archi tectural script to engage the idea of transitioning between the real world and the idea of the imagination and fantasy of the film.
TOOLS:
06
01
07
02
THE PUBLIC HEALTH CENTRE (Promote, Prevent and Protect)
Architectural Design Studio
Year 4 - Semester 8
PROGRAM: Healthcare and Wellness Centre
LOCATION: Versova
MENTOR: Ar. Milind Merchant
BRIEF: The goal is to look at Public Health issues and come up with a solu tion.
Heart diseases, chronic respiratory illnesses and strokes are the top three causes of deaths in India. About 75 million people above 60 in India suffer from some chronic disease.
So there is need to have better public health. Public health means the sci ence and art of disease-preventing disease, prolonging life and promoting health, through the organised efforts of society.
Thus, we suggest a public health park that incorporates healthcare, therapy, wellness, and programmes to promote a healthy lifestyle for local communi ties, all while fostering a healing at mosphere through the use of nature.
TOOLS:
08
09
WHAT IS HEALTH?
According to World Health Organisation
“A state of complete physical, mental and so cial well being rather than the mere absence of disease or infirmity”
AND PUBLIC HEALTH?
“The science and art of disease-preventing disease, prolonging life and promoting health, through the organised efforts of society”
WHO IS RESPONSIBLE FOR PUBLIC HEALTH?
- All sectors of society
- Health Departments
- Coordinated efforts other stakeholders Other areas of government Private sector NGOs International Organizations Community
All united with a shared goal of improving the health of the public.
FORM DEVELOPMENT
THREE CORE AREAS OF PUBLIC HEALTH
Control of infectious disease
Managing Health Emergencies
Screening
Vacination
PROTECTION
Protecting the health of the pop ulation
PREVENTION
Preventing health issues before they occur
PROMOTION
Improving the health of the population
Environmental Hazards Healthy Workplaces Individual Promoting health be haviours
Improving the social de terminants of health
SITE NODES
SITE CONNECTING NODES
PUSH AND PULL SPLINE CREATED OFFSET TO CREATE A PATH ZONING MASSING ASSIGNING PROGRAMS CREATING COURTYARDS
EXISTING
CONNECTING TO
CREATING A LINE JOINING NODES FILLETING THE LINE FILLET
10
GROUND FLOOR PLAN FIRST FLOOR PLAN 11
SECTION CC’ 12
SECTION AA’ SECTION BB’
13
14
15
FISHERIES RESEARCH CENTER (Aimed for the future of fishing economy)
Architectural Design Studio
Year 4 - Semester 7
PROGRAM: Fisheries Research Centre
LOCATION: Versova Koliwada
MENTOR: Ar. Dipal Chhaya
BRIEF: To study the fringes of Mumbai and develop a sustainable insert.
The project intent was to come up with a system that will help replenish the ecology they depend on, reacti vate the area and its economy, create awareness of an ongoing problem in an educational way, to provide the tools and workspace for ongo ing research to fight the depletion of our oceans and hence rejuvenate the community is done by proposing a new architectural typology as a solution for the practice, research and devel opment of Aquaculture, by creating a Fishery Research Port that will hold all the necessary instruments and tools for this activity to be perfect for the future.
16
TOOLS: 03
17
UNIT
Ecological issues always have a direct relationship to human race and af fects us in one or more different ways. In this case depletion of marine or ganisms affects us in many ways. When we start running out of food supply and resources, fishing activities will slowly decrease until it reaches a point of port closure and abandonment. Then the economy starts to lose power in these areas, causing unemployment and forcing an economy change. But it doesn’t stop there; without wildlife, ocean acidic level goes up, the global water level rises, temperature changes and stronger weather issues start to emerge
FUNCTION + LANDSCAPE INTERWEAVING OF ARCHITECTURE AND LANDSCAPE
GROUND FLOOR PLAN
HYDROPONICS FARMIN FARMIN FARMING FARMING FARMING OFFICE ENTRY +0.6 +0.6 +0.6 +0.6 +0.6 M ANK LOADING UNLOADING LIFT LIFT TO ET TOIL +0.6 VEHICULAR ENTRY
AND SHADOW LOCAL MATERIALS RAMPS 18
LIGHT
0.6 ANK ANK ANK WATER SPAWNING CHANNELS UP DN SPAWNING CHANNELS PLAN FARMIN FARMIN FARMIN FARMIN FARMIN +5.0 +5.0 M CLASSROOM +5.0 M ANK STE GEMENT SYSTEM CROWDER) W SPAWNING CHANNELS 3.75 M ENCE ENCE SPAWNING CHANNELS TO ET TO ET +5.0 M FARMIN FARMING +9.0 +9.0 9.0 TANK SPAWNING CHANNELS +8.50 M ENCE ENCE SPAWNING CHANNELS TOILET LANDSCAPE MODULARITY OCEAN TECHNOLOGY TANKS FIRST FLOOR PLAN SECOND FLOOR PLAN 19
CULTURAL, PROMOTIONAL, AND RECREATIONAL HUB
Architectural Design Studio Year 3 - Semester 6
PROGRAM: Community Centre
LOCATION: Bhuj, Kutch
MENTOR: Ar. Tapan Deshpande
The project intent was to make a cultural, promotional and recreation al hub which will bridge the gap of the culture and will promote our local crafts and products and will give peo ple to experience nature and connect with others.
20
TOOLS: 04
21
HAMIRSAR LAKE ACTIVITIES LANDMARKS MUSEUM AND LIBRARY PARKS AND GARDENS CARTS SWIM WALKING PATH SITTINGS KIDS OPEN GAME ZONE LAUNDRY MELAS, SEMINARS AND KUTCH CARNIVAL TEMPLES SCHOOL CONNECTING NODES PATHWAY CONNECTING NODES PUSH, PULL , FILLETING ASSIGNING AMPHITHEATRE CONCENTRIC ZONING LIBRARY WALKING PATH, SEATING SPACES, COVERED SPACES ACTIVITIES AROUND SITE DESIGN DEVELOPMENT 22 WALKWAY/SEATING TEMPLES DADA DADI PARK Spiritual Happiness Hope Calmness Happiness Excited Relaxed Fear Nostalgia Happiness Calmness Sadness SEATING SPACES, FOOD
CIRCLES FOR ZONING
LAKE WALKWAY/SEATING SAAT OTLA
ROAD KHENGAR PARK/RAJENDRA BAUGH
HAMIRSAR
HAMIRSAR
PROMENADE NEAR IDGAH Happiness Excited Excited Interest Confusion Happiness Excited Happiness Relaxed Sadness Fear Nostalgia Happiness Relaxed Active Excited Active Excited Happy Relaxed Calm Active Excited Fear Active Excited Excited Peace Nostalgia Angry Happy Relaxed Hope Spirituality They got to meet their friends ZONING EMOTIONS FOOD CARTS, WORSHIPPING KID GAMES, SEMINARS, COMPETITIONS CAMEL RIDES, LOCAL ARTS & CRAFTS, MELAS, LAUNDARY, KUTCH CARNIVAL EMOTION MAPPING CONCENTRIC CIRCLE FOR MASSING MASSING DIVIDING MASSING FROM CENTER 23
KUTCH MUSEUM
UP UP PLAN AT -2.0 M 16 M WORKSHOP +0.75M ENTRY OPEN DISPLAY +0.75M FOOD CART (FOOD MELA) 0.6M CATCHMENT AREA PLAN AT +1.5 M 0 1 2 4 8 16 M PLAN AT -2.0 M PLAN AT +1.5 M 24 ENTRY CATCHMENT AREA PLAN AT
OPEN DISPLAY +0.75M FOOD CART (FOOD MELA) 0.6M SEMINAR ROOM +7.05M PLANTATION BOX PLANTATION BOX UP PLAN AT +8.5 M 4 8 ENTRY OPEN DISPLAY +0.75M FOOD CART (FOOD MELA) 0.6M CATCHMENT AREA PLANTATIONBOX PLANTATION ENTRY OPEN DISPLAY +0.75M FOOD CART (FOOD MELA) 0.6M CATCHMENT AREA PLAN AT +17.5 M 16 M +8.5 M PLAN AT +14.5 M PLAN AT +17.5 M 25
LEARNING ART CENTER
(Experiential + Educational center for Indian Art)
Architectural Design Studio Year 3 - Semester 5
PROGRAM:
Art Center
LOCATION: Bandra (West) - Bombay Art Society
MENTOR: Ar. Prashant Prabhu
BRIEF: To conceptualize and design a center for the learning, exhibition and propagation of Indian art rang ing from miniature to the modern progressives and also encompassing the tribal and local art forms such as Gond, Madhubani, Pichwai etc. The center will be an educational and experiential facility that will focus on the awareness of Indian art, sculpture and painting mainly amongst children of different age and economic groups. This will also be a place of exhibition for local and travelling artists.
TOOLS:
26
05
27
RHYTHM CONCENTRICITY
The concept is inspired from the paintings of SH Raza. The pavilion gives the experi ence of the motion which pulls you in, a sense of rhythm by having concentric modules with different colours which are repeated to create an experience. The pavilion can be configured in various patterns. There are different walking paths that move in and out of the pavilion that one can discover. You can enter and leave the pavilion at any time. There are LED screens that displays the artworks. The pavilion can be dismantled and can reassemble at any site. It contains modular components that can be stacked inside one another to reduce the transport area.
GRID GEOMETRY
LedS creen
GEOMETRY RHYTHM
ELEVATION ELEVATION ISOMETRIC
PLAN CIRCULATION
MOTION MODULARITY
OFFSET
VIEW ISOMETRIC VIEW TOP VIEW
INDIAN
28
ART PAVILION
CENTRALISED SPACES LINKED BY A COMMON SPACE ADJACENT SPACES INTERLOCKING SPACES SPACE WITHIN A SPACE HOW SPACES CAN BE LINKED SPATIAL ORGANISATION SPATIAL ORGANISATION SPATIAL ORGANISATION CLUSTER RADIAL LINEAR WORKSHOP SPACE LIBRARY TOILET CONFERENCE ROOM SEMINAR SPACE WELCOME SPACE ADMINISTRATION GIFT SHOP CAFETERIA TOILET ART GALLERY ART STORAGE LIFT AUDITORIUM 29
SECTION AA’ LVL 1 +5.45M 01 24 81 6 LVL 1 +9.95M SEMINAR ROOM WORKSHOP LIBRARY ART GALLERY AUDITORIUM RECEPTION/WELCOME SPACE SECTION BB’ 01 24 81 6M LVL 1 +5.45M LVL 1 +9.95M CONFERENCE ROOM ART GALLERY TOILET CAFETERIA A A’ A A’ 12 MAIN ENTRY VEHICULAR ENTRY K C ROAD K C ROAD SPASTIC SOCIETY AUDITORIUM RANGSHARDA HOTEL FOOTBALL TURF ENTRY ENTRY 1. ADMINISTRATION (45 SQ M) 2. RECEPTION/WELCOME SPACE (72 SQ M) 3. CAFETERIA (81 SQ M) 4. GIFT SHOP (27 SQ M) 5.ART GALLERY (2 X 72 SQ M) 6. ART STORAGE (2 X 18 SQ M) 7. AUDITORIUM (135 SQ M) 8. OUTDOOR AMPHITHEATRE (144 SQ M) 9. WATER BODY 10. LIFT 11. PARKING 12. INDIAN MODERN ART PAVILION (45 SQ M) GROUND FLOOR PLAN 2 3 4 5 5 7 8 9 6 6 M 1. LIBRARY (127 SQ M) 2. CONFERENCE ROOM (36 SQ M) 3. SEMINAR ROOM (63 SQ M) 4. OUTDOOR AMPHITHEATRE 5. LIFT 6. INDIAN MODERN ART PAVILION 7. PARKING 8. WATER BODY 9. TOILET (6 SQ M) 1. WORKSHOP (90 SQ M) 2. AMPHITHEATRE 2. INDIAN MODERN ART PAVILION 4. PARKING 9 8 5 6 7 0 12 48 16 0 12 4 816 01 24 8 16 M M FIRST FLOOR PLAN SECOND FLOOR PLAN 4 3 PLANS SECTIONS 30 SECTION CC’ 01 24 CONFERENCE ROOM ART GALLERY SECTION DD’ 01 24 TOILET
2 3 81 6M LIBRARY WORKSHOP LIBRARY ART STORAGE ART STORAGE 81 6M GIFT SHOP EXPLODED AXONOMETRIC 31
LUMION RENDERS 32
REVIT BIM PORTFOLIO
33
06 COMMUNITY CENTRE (Rhythm)
Architectural Design Studio Year 2 - Semester 4
PROGRAM: Community Centre
LOCATION: Fontainhas, Goa
MENTOR: Ar. Dipal Chhaya
BRIEF: To explore and study the fab ric of Fontainhas and formulating a design for a community centre on the basis of the study.
Concept: Fontainhas has a range of streets that shows rhythm through ele ments and produce visual movements. The study is based on how these re peatation of lines , shapes, colours, or elements affect the overall experience of a space.
TOOLS:
34
35
Rhythm can help unify a work of art by replacing lines, shapes, co lours, or other elements of art. An element may repeat once or multi ple times to create rhythm or pattern.
Elements by repeating itself which creates a visual movement for the viewer’s eye to follow through lines, shapes, and creates a pattern or a rhythm.
Diagrams showing how visual movement is produced through ele ments and it seems like there exists a formation of grid pattern
Process Models showing sense of repeatation and creating layers of different elements and creating a rhythm or a pattern
PLANS AND VIEWS
36
PROCESS MODELS GROUND FLOOR PLAN SECTION AA’ SECTION BB’ SECTION CC’ FIRST FLOOR PLAN SECOND FLOOR PLAN 37
EMERGENT BEHAVIOUR IN NATURE (ARMY ANTS - MOTORISED INSTALLATION)
Architectural Design Studio Year 2 - Semester3
PROGRAM: Canopy
LOCATION: BSSA, Mumbai
MENTOR: Mr. Atrey Chhaya, Ms Disha Saigal, Ms. Anu sha Nanavati, Mr. Harsh Shah, Mr. Kartik Gala, Mr. Mahek Lalan, Mr. Shishir Sawaant, Ms Vidhi Jobanputra
TEAM: Takshan Panchasara, Raj Doshi, Akanksha Chhajed, Shreeya Agrawal
BRIEF: Explore the emergent behaviour of organism in na ture and create a kinetic human scale installation.
This installation is inspired by the behaviour of Army Ants (Eciton Burchelli) which form structures of a swarm and a bridge. This project explore how each individual ant in a colony acts, communicates, forms extraordinary structures out of their bodies.
PROCESS MODELS
PROCESS MODELS
38 INSTALLATION
07
PROCESS
PROCESS 39
URBAN DESIGN WADALA
Academics
Year 4 - Semester 8
PROGRAM: CBD
LOCATION: Wadala, Mumbai
MENTOR: Ar. Ritu Mohanty and Nishant Modi
TEAM: Raj Doshi, Shashvat Thakershy, Sutirtha Das Gupta, Vanshaj Mehrota, Ayushi Mistry, Shruti Pandey, Stuti Garg
As the new CBD is coming up in Wadala Truck Terminal, the poor residents will be evacuated from their houses for the development. To prevent gentrification, we need to design housing in such a way that the poor residents are not evacuated and there is proper interventions for both the CBD and the existing residents.
TOOLS:
S W O T
40
08
41
PROBLEMS
01
Defining Module
problem faced by each housing MHADA block inclusive of sizing, absence of private toilets, open dumping, unpleasant interiors & flooding problems.
02
Defining a set describing the interaction between two house modules due to the close proximity.
03
Defining cluster problems on a cluster level and the ill usage of the ground present amids the cluster.
04
Defining basti placed nearby the MHADA lowcost residencial block the basti mohola is a dense slum fabric ifest ed with the problems of over-pop ulation.
05
Defining mono newly constructed mono rail fails to deliver.
06
Defining streets problems face at the street level in the site due to lack of discipline and over population.
42
GENTRIFICATION
01
Defining Concept
the process whereby the charac ter of a poor area is altered by attracting new businesses, often distracting current inhabitants.
02 Defining
Context
due to the upcoming CBD most of the inhabitants be evicted because of higher and prices.
03
Defining Similar erandwadi slum, a slum falling un der same circumstances as of the wadala MHADA L.C.H and the basti mahola.
04
Defining Highline redefining the decaing mailroad tracks into an social, environmental and economical rejuvenation.
05
Defining CBD situation faced by a typical CBD and its monotonousness
06
Defining streets problems face at the street level in the site due to lack of discipline and over population.
43
HOUSING
01
Defining Module
defining a single module replacing MHADA low cost housing and its construction timeline.
02
Defining outdoor
using the same module to incorpo rate outdoor activities.
03 Defining space
same typology offering community areas. The program may not be re lated to community spaces but they do act as one.
04 Defining space
same typology offering community areas. The program may not be re lated to community spaces but they do act as one.
05
Defining production
multiplication of the single module at a personal level.
06
Defining production
multiplication of the single module at a personal level.
44
INTERVENTION
01
Green-roofing
green roofing can be done all around to make urban life look human scale along with elements of softscape and comfort.
02 Stop points
a bus stop which offers much more to the commuters than just a wait ing space.
03 Primary Street
a 10 meter wide street with fo cus on walkability and community health by well defined pedestrian paths and cycling lanes.
04 Secondary Street
a 6 meter wide street with pedes trian safety and comfort along with casual seating acting as buffer spaces to increase community in teraction.
05 Tertiary Street
a 3 meter wide street with focus on social interaction and community spaces which is clubbed with casu al seating zones.
06 Combining ideas
stiching all ideas together to cre ate a new street design which is more inclusive and adaptive for the community.
45
2 3 1 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 UP UP UP +0.0 M BLDG LINE ABOVE RECREATIONAL AREA +0.6 M TOILET +0.6 M BLDG LINE ABOVE BLDG LINE ABOVE D4 D5 W1 F1 C1 S C1 C2 C3 C4 C5 C6 C7 C8 C9 C11 C12 C13 C14 C15 C16 C17 C18 C19 C20 C21 C22 C23 C24 F1 F2 F3 F4 F5 F6 F7 F10 F11 F14 F15 F18 F19 F21 F22 F8 F9 F12 F16 F20 F17 F13 PB 1 PB 2 PB 3 PB 4 PB 5 PB 6 PB 7 PB 8 PB 9 PB 10 PB 11 PB 12 PB 13 PB 14 PB 15 PB 16 PB 17 PB 19 PB 20 PB 21 PB 22 PB 23 PB 26 PB 24 PB 25 PB 27 PB 28 PB 29 PB 31 PB 30 PB 32 PB 33 PB 34 PB 35 PB 36 PB 37 PB 38 PB 39 PB 40 PB 41 PB1, PB9, PB10, Working Drawing and Advanced Working Drawing Year 3 - Semester 5 & 6 Year 4 - Semester 8 PROJECT: Semester 4 (Goa) & Semester 7 (Versova Koliwada) LOCATION: Bhuj, Kutch MENTOR: Ajit Prabhu & Nilambaree Vaidya Semester 5 & 6 Setting Out Plan Foundation Plan Site Development Plan Floor Plans with center lines Structural Plans Terrace Plan Sections Elevations Design Details Door Detail Semester 8 Toilet Drawings Staircase Details 46 FOUNDATION PLAN 75 75 75 75 1200 3650 4000 75 75 227 75 4985 2327 2295 15006 1 3 6 8 10 13 15 5 TOOLS: 09 WORKING DRAWING
WINDOW SHEDULE
SR. NO. SYMBOL DESCRIPTION DIMENSION SILL HGT LINTEL HGT SPECIFICATION TOTAL
1 W1 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 250 X 2075 925 3000
CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 1
2 W2 75 MM ALUMINIUM FRAME WITH 5MM THK LOUVERED GLASS PANELS 300 X 900 1200 2100 FROSTED GLASS (TOUGHENED) 2
3 W3 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 340 X 2075 925 3000
CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 4
4 W4 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 360 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
5 W5 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 375 X 2075 925 3000
CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 1
6 W6 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 400 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 4
LIBRARY +5.7 M
7 W7 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 475 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
8 W8 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 495 X 2075 925 3000
CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
9 W9 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 630 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
LIBRARY +5.7 M
10 W10 75 MM ALUMINIUM FRAME WITH 5MM THK LOUVERED GLASS PANELS 715 X 900 1200 2100 FROSTED GLASS (TOUGHENED) 1
11 W11 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 775 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 1
LIBRARY +5.7 M
12 W12 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 850 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 3
LIBRARY +5.7 M
13 W13 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 970 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 1
14 W14 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 1250 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
15 W15 75 MM ALUMINIUM FRAME WITH 8MM THK CLEAR GLASS, TOP HUNG 1500 X 2075 925 3000 CLEAR GLASS (TOUGHENED) WITH UV PROTECTING FILM 2
16 W16 75 MM ALUMINIUM FRAME WITH 5MM THK LOUVERED GLASS PANELS 340 X 900 1200 2100 FROSTED GLASS (TOUGHENED) 2
17 W17 75 MM ALUMINIUM FRAME WITH 5MM THK LOUVERED GLASS PANELS 360 X 900 1200 2100 FROSTED GLASS (TOUGHENED) 1
DOOR SCHEDULE
+4.75 M CAFE
D3 UP +7.05 M
C1 C2 C3 C4 C5 C6 C7 C8 C9 C10 C11 C12 C13 C14 C15 C16 C17 C18 C19 C20
C22 C23 C24 PB 1 PB 2 PB 3 PB 4 PB 5 PB 6 PB 7 PB 8 PB 9 PB 13 PB 10 PB 11 PB 12 PB 14 PB 15 PB 16 PB 17 PB 18 PB 20 PB 19 PB 21 PB 22 PB 23 PB 24 PB 25 PB 26 PB 27 PB 28 PB 29 PB 30 PB 31 PB 32 PB 33 PB 34 PB 35 PB 37 PB 38 PB 39 PB 40 PB 36 PB 41 PB 42 PB 43 PB 45 PB 44 PB 46 PB 47 PB 48 PB 49 PB 50 PB 51 3932 5359 4880 2225 3125 3120 3120 1480 2295 2327 4985 4950 3650 5019 BEAMS PB2, PB4, PB7, PB20, PB21, PB24, 2 3 1 4 5 6 7 8 10 11 12 13 14 15 16 17 18 19 20 21 22 23 UP +0.0 MAIN ENTRANCE UP UP +0.0 M BLDG LINE ABOVE +0.6 M RECEPTION +0.6 M WAITING ROOM +0.6 M +0.75 M +0.9 M SHOP 1 +0.6 M SHOP 2 +0.6 M SHOP 3 +0.6 M RECREATIONAL AREA +0.6 M MULTIPURPOSE ROOM +0.6 M TOILET +0.6 M BLDG LINE ABOVE BLDG LINE ABOVE D1 D1 D2 D4 D5 D6 D4 230 708 1250 3350 1250 3350 7950 1250 708 632 632 3120 1480 3120 1500 1695 450 75 75 3925 1010 1240 450 75 630 75 1250 75 495 75 450 75 1155 75 395 75 450 1250 75 850 75 1250 75 775 75 450 75 475 75 1250 75 475 75 375 75 400 75 1350 121 450 5359 4880 2225 2970 16039 230 75 2120 75 1357 75
W15 W7
W5 W1 F1 C1 S W1 F2 C1 W1 F1 C1 S W1 F1 C1 S W1 F1 C1 S W1 F1 C1 S W1 F1 C1 S 2 4 7
11
B E F H A C D G J W15
W14 W14 W7
LIBRARY +5.7 M LIBRARY +5.7 M LIBRARY +5.7 M TOILET +5.7 M
+4.75 M LIBRARY +5.7 M LOBBY D1 D1 D2
COURTYARD +0.9 M
C21
230 350 1050 362 1500 350 3850 3200 3200 3850 2350 4012 4575 1250 2175 1255 2350 3100 2350 5659 3857 450 1695 450 227 1250 75 250 75 450 90 75 340 1250 75 340 75 375 75 340 75 1250 176 450 75 164 75 340 75 155 75 75 340 75 375 75 279 75 1154 75 450 4950 2446 2439 2850 1020 1400 1020 1400 1925 75 2620 75 230 5000 4162 2822 3702 COURTYARD +0.9 M 300 2407 5000 3495 3932 110 3120 1480 2090 1030 5209 150 3125 3770
W6
9
12 14
1250
W3 W3 W3 W1 W16 W16 75 340 75 155 75 265 W11
SR. NO. SYMBOL DESCRIPTION DIMENSION TOTAL 1 D1 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING 750 X 2100 6 2 D2 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING 800 X 5850 3 3 D3 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING 945 X 5850 1 4 D4 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING 1050 X 3075 2 5 D5 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING 1250 X 6150 1 6 D6 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING (DOUBLE SWING 1250 X 3075 1 7 D7 12 MM THK TOUGHEN GLASS FIXED ON FLOOR SPRING (DOUBLE SWING) 1200 X 5100 1
C1 NEERU FINISHED PLASTERED AND PAINTED F1 300 X 600 X 20 VITRIFIED TILES F2 300 X 300 X 20 ANTI SKID CERAMIC TILES F3 600 X 600 X 20 CERAMIC TILES W1 TOUGHEN GLASS OPENABLE SHUTTER 47 FLOOR PLAN WITH CENTER LINES STRUCTURAL PLAN
TABLE OF FINISHES
L1 L2 L3 L12 L4 L5 L13 L16 L15 L14 L7 L6 L8 L9 L10 L11 TILING PLAN SCALE 1:25 1 JOHNSON TILESHRJ2076 CERAMIC TILE SIZE: 600 X 600 MM FLOOR TILE SCHEDULE SR. NO. IMAGE DESCRIPTION 1 FLUSH MOUNT LIGHT LED COLOR WARM DIMENSION CEILING LIGHT SCHEDULE SR. NO. IMAGE DESCRIPTION 1000 1010 1200 1200 835 835 835 835 1200 835 835 1200 835 1500 1500 1335 1100 535 410 420 420 1195 1195 1195 1195 1195 1195 740 740 740 725 725 725 725 1735 1735 535 535 1490 1490 1490 W1 W1 W1 W1 ENTRY WOMEN'S TOILET TOILET FOR PHY. DISABLED W1 W1 W1 W1 D1 D1 D1 D2 D2 D2 A D C 450 150 3000 450 440 440 440 440 440 1000 1000 750 750 1500 600 1000 750 750 750 850 1500 850 870 1500 2200 1500 1500 1970 2270 450 450 1770 4230 1770 4230 1770 1770 4230 1000 1010 1585 1085 425 1050 500 800 680 360 1.ALL DIMENSIONS ARE IN MILLIMETERS. 2.DO NOT SCALE THE DRAWINGS. 3.FOLLOW WRITTEN DIMENSIONS ONLY. 4.THIS DRAWING IS THE PROPERTY OF THE ARCHITECT AND SHOULD NOT BE COPIED WITHOUT HIS PERMISSION. THIS DRAWING IS THE COPYRIGHT PROPERTY OF THE ARCHITECT. 5.ALL STRUCTURAL DIMENSIONS ARE TO BE REFERRED FROM THE STRUCTURAL ENGINEER'S DRAWINGS. 6.ALL SERVICES TO BE REFERRED FROM THE SERVICES CONSULTANT DRAWINGS. 7.FOR ALL OTHER DETAILS REFER TO OTHER RELEVANT DRAWINGS. 8.ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCEMENT OF WORK. 9.IN CASE OF ANY DISCREPANCY SHOULD BE IMMEDIATELY BROUGHT TO NOTICE OF ARCHITECT/CONSULTANT.
: SPECIFIC NOTES : KEY PLAN : REVISION TABLE SR. NO. DATE DESCRIPTION REMARKS COMMUNITY CENTER SITE : FONTAINHAS, GOA LIBRARY +5.7 M LIBRARY +5.7 M LIBRARY +5.7 M +9.75 M GALLERY +9.75 M GALLERY +9.75 M GALLERY RECREATIONAL AREA +0.6 M MULTIPURPOSE ROOM +0.6 M TOILET +0.6 M TOILET +5.7 M TOILET +5.7 M + 5.7 M + 9.75 M + 12.75 M + 0.6 M + 0.0 M A A' A' A' A' WATER PROOFING LAYER 100 150 MM BRICK BAT COBA 15 MM INTERNAL PLASTER IN CM 1:6 (NEERU FINISH) 25 MM EXTERNAL PLASTER IN CM 1:4 (SAND FACE FINISH) 150 MM PCC BED RUBBLE SOILING AND SPALLS RAMMED EARTH RCC PLINTH BEAM KEY PLAN : REVISION TABLE SR. NO.DATE DESCRIPTION REMARKS COMMUNITY CENTER SITE : FONTAINHAS, GOA BSSA ALL DIMENSIONS ARE IN MM YEAR 3RD YEAR B.ARCH DATE : 08/10/2020 ROLL NO : A014 SCALE : 1:50 SHEET : 13 ELEVATIONS NORTH STAMP AND SIGN : NAME : RAJ DOSHI SOUTH ELEVATION + 0.6 M + 0.0 M NORTH ELEVATION + 5.7 M + 0.6 M + 0.0 M + 9.75 M + 12.75 M + 4.75 M +0.6 +0.6 + 10.75 M + 8.7 M + 6.375 M + 6.7 M + 7.2 M + 8.025 M + 3.75 M + 2.925 M + 2.1 M + 1.425 M + 1.65 M 48 ELEVATION SECTION TOILET
NOTES
1. THIS DRAWING IS A PROPERTY OF RAJ DOSHI AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION 2. THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES. NOTES : EXECUTION NOTES : REVISION TABLE SR. NO.DATE DESCRIPTION REMARKS WORKING DRAWING TOILET ALL DIMENSIONS ARE IN MM YEAR : 4TH YEAR B.ARCH DATE : 07/03/2022 ROLL NO : A014 SCALE : SHEET : 1B NORTH STAMP AND SIGN BSSA NAME : RAJ DOSHI 1. ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK. 2. ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE. 3. DISCREPANCY IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK. 4. DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. 5. THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS. 6. INTERNAL PLASTER 15MM EXTERNAL PLASTER 25MM 7. FOR DOORS AND WINDOWS REFER RESPECTIVE DOOR WINDOW SCHEDULE DRAWINGS. 8. ALL BRICK WORK IS ENGLISH BOND. 9. ALL ANGLES ARE AT 90 UNLESS SPECIFIED. L17 L18 L19 L20 L21 L23 L22 L24 L25 L26 L27 L28 CEILING PLAN SCALE 1:25 MOUNT CEILING LIGHT COLOR 3000K WHITE 24W DIMENSION 12 INCH SCHEDULE DESCRIPTION 420 1010 1000 410 1200 1200 1200 955 710 820 820 820 820 820 820 355 740 740 740 1195 1195 1195 1195 1195 1195 1195 535 1490 1490 1490 KEY PLAN : 1. THIS DRAWING IS A PROPERTY OF RAJ DOSHI AND SHALL NOT BE REPRODUCED WITHOUT WRITTEN PERMISSION 2. THE COMMENCEMENT OF CONSTRUCTION SUBJECT TO APPROVALS FROM ALL COMPETENT AUTHORITIES. NOTES : EXECUTION NOTES : REVISION TABLE SR. NO.DATE DESCRIPTION REMARKS WORKING DRAWING BATHROOM DETAILS ALL DIMENSIONS ARE IN MM YEAR : 4TH YEAR B.ARCH DATE 07/03/2022 ROLL NO : A014 SCALE : SHEET 1C NORTH STAMP AND SIGN : BSSA NAME : RAJ DOSHI 1. ALL EXISTING GROUND LEVELS TO BE VERIFIED BY THE CONTRACTOR BEFORE COMMENCING THE WORK. 2. ALL DIMENSIONS ARE UNFINISHED AND ARE IN MM UNLESS OTHERWISE SPECIFIED. ALL DIMENSIONS SHOULD BE VERIFIED AT SITE. 3. DISCREPANCY IF ANY SHOULD BE BROUGHT TO THE ARCHITECTS NOTICE BEFORE COMMENCING THE WORK. 4. DO NOT SCALE THE DRAWING. ONLY WRITTEN DIMENSIONS TO BE FOLLOWED. 5. THIS DRAWING TO BE READ IN CONJUNCTION WITH RELEVANT ARCHITECTURAL, STRUCTURAL AND SERVICES DRAWINGS. 6. INTERNAL PLASTER 15MM EXTERNAL PLASTER 25MM 7. FOR DOORS AND WINDOWS REFER RESPECTIVE DOOR WINDOW SCHEDULE DRAWINGS. 8. ALL BRICK WORK IS ENGLISH BOND. 9. ALL ANGLES ARE AT 90 UNLESS SPECIFIED. 450 MM DEEP BEAM GYPSUM BOARD FALSE CEILING 230 MM THK BRICK WALL EXHAUST FAN LOUVERED WINDOW BRICK BAT COBA 150 PCC SLAB 50 MM SCREEDING 600 X 600 MM TILES WATER CLOSET HEALTH FAUCET W1 W1 W1 SECTION AA' SCALE 1:25 MEN'S TOILET 425 820 W1 W1 W1 D1 D1 D1 COLUMN SERVICE DUCT WATER CLOSET URINAL A' D' C' B B' 1 JOHNSON TILESHRJ2023 MOSAIC CERAMIC TILE SIZE: 600 X 600 MM WALL TILE SCHEDULE SR. NO. IMAGE DESCRIPTION 2 KAJARIA WALL RILES KA546 SIZE: 300 X 600 MM 1 SIZE: 600 X 1000 MM ANNODIZED ALUMINIUM FRAMED LOUVERED WINDOW WITH 8 MM THK FLOAT GLASS PANEL INFILL WINDOW SCHEDULE SR. NO. DRAWING DESCRIPTION LABEL W1 1 SIZE: 750 X 2100 MM TYPE: FLUSHED 40MM THK GRANITE FRAME FLUSHED DOOR WITH BOTH SIDE LAMINATE, SINGLE SWING DOOR SCHEDULE SR. NO. DRAWING DESCRIPTION LABEL 2 SIZE: 1000 X 2100 MM TYPE: FLUSHED 40MM THK GRANITE FRAME FLUSHED DOOR WITH BOTH SIDE LAMINATE, SINGLE SWING D1 D2 440 440 1100 750 600 770 1500 1500 870 850 0 1620 2270 425 425 1770 1770 1770 4230 1770 425 1010 1000 425 3150 KEY PLAN : 125 EQ EQ EQ EQ EQ EQ EQ EQ 125 125 EQ EQ EQ EQ EQ EQ EQ EQ 125 125 EQ EQ EQ EQ EQ EQ EQ EQ 125 EQ EQ EQ SECTION AA' SCALE 1:25 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 80 81 82 83 84 85 86 87 88 89 90 54 55 69 70 71 72 73 74 75 76 77 78 79 90 21 22 23 24 25 26 27 28 29 LANDING AT +3.75 M 30 56 57 58 59 60 61 62 63 64 65 66 67 68 LANDING AT +8.525 M LANDING AT +12.9 M 91 92 93 94 95 96 97 98 99 100 101 102 2495 1615 1500 2875 3125 4750 3775 4375 900 75 X 50 TEAKWOOD HANDRAIL 30 MM DIA SS CIRCULAR TUBE AS BALUSTER 6 MM DIA SS ROUND ROD ANCHOR BOLT 1 MM THK ABRO ANTI SKID LAYER 250 X 100 X 8 M.S. CHANNEL SECTION (STRINGER BEAM) 40 X 40 X 6 M.S. ANGLE SECTION 25 MM THK TIMBER TREAD 10 MM THK M.S. PLATE AS TREAD 15 MM THK WOODEN FLOORING 20 MM THK SCREEDING 150 MM THK RCC SLAB IN CC 1:2:4 40 85 40 85 40 85 40 85 40 50 100 185 185 185 185 900 900 900 49 STAIRCASE SECTION
SOLAR DECATHLON, INDIA TEAM INFERNO (FINALIST)
Competition (2022)
DIVISION: Multi-Family Housing LOCATION: Kandivali, Mumbai
FACULTY ADVISORS: Ms. Shriya Bha tia, Mr. Dhruv Sheth
TEAM: 12 people
The intent of the project was to de sign a sustainable, net zero energy and net zero water residential build ing. Through the mediums of various softwares such as ladybug (grasshop per). Climate Studio, Autodesk CFD. We were aele to find the radiation, EPI and wind simulation. The existing buildings which comprises of 3 individ ual buildings of varying sizes and flat types has been converted.
STACK PARKING
50 10
Raj Doshi INFERNO NMIMS Balwant Sheth School of Architecture
GROUND
CHILDREN PLAYSCAPE
PODIUM 51
SOLAR PANELS AND GEYSERS
UNIT PLANS SYSTEM INTERDEPENDANCE
SINGLE TOWER SINGLE CORE DUAL CORE DUAL TOWER SCOUP OUT MASS POSITIONING ROTATE DUCTS FINAL MASSING MODULARITY, FLEXIBILITY & ADAPTABILITY LIVABILITY 1 BHK 2 BHK 52
FORM DEVELOPMENT
Solar panels on rooftop for energy generation
Overhead watertank storage Green wall
WINDOWS
WINDOWS
WINDOWS
WINDOWS
We have 4 di erent types of windows as shown in the diagram below. Combination of louvered, casement, sliding and pivoting windows to cater to di erent location and function
We have 4 di erent types of windows as shown in the diagram below. Combination of louvered, casement, sliding and pivoting windows to cater to di erent location and function
We have 4 di erent types of windows as shown in the diagram below. Combination of louvered, casement, sliding and pivoting windows to cater to di erent location and function
We have 4 di erent types of windows as shown in the diagram below. Combination of louvered, casement, sliding and pivoting windows to cater to di erent location and function
Refuge area on every alternate floor
Landscaping on podium
Solar trees on podium
Existing trees on site Building and podium is elevated
Community gathering spaces
Multi purpose hall as community break out spaces
Landscaping on site
Rainwater storage tank Sewage treatment plant
INNOVATION & COMMUNICATION
The app also has functions such as polling booths, community chatrooms and bulletin boards that help bring the com munity closer
- The residents can see real time energy and water data through sub metering.
- It’s seen through graphic displays that show daily, monthly and yearly usage.
1 BHK 1 BHK 2 BHK 3 BHK 3 BHK
Problems faced : rain,safety, light, heat, gain, ventilation, mosquito
Problems faced : rain,safety, light, heat, gain, ventilation, mosquito
Problems faced : rain,safety, light, heat, gain, ventilation, mosquito
Problems faced : rain,safety, light, heat, gain, ventilation, mosquito
WINDOW DESIGN
Bene ts of these windows - reduces use of arti cial light and cooling systems, allows for safety without hampering visual connectivity, allows light but also reduces heat gain, Allows for ventilation but also blocks rain and mosquitos.
Bene ts of these windows - reduces use of arti cial light and cooling systems, allows for safety without hampering visual connectivity, allows light but also reduces heat gain,
Bene ts of these windows - reduces use of arti cial light and cooling systems, allows for safety without hampering visual connectivity, allows light but also reduces heat gain,
Bene ts of these windows - reduces use of arti cial light and cooling systems, allows for safety without hampering visual connectivity, allows light but also reduces heat gain,
We can scale, size and use the window needed as per the climate and region, so it can also be locally aquired and easily found.
- It also has features where you can see how many washing machines are being used in the shared washing room so as to help the residents
- It’s connected to a point based system which is based on savings from each residents usage.
INNOVATION AND COMMUNICATION
- The points can be translated to usage for community developement
- The car pooling feature allows residents to car pool to places together such as grocery store, religious places or work places, it helps reduce the carbon footprint
- The reuse icon allows people in the building share / borrow equipment and clothes so that it reduces the need of buying multiple similar items which helps promote sustainability -
items which aren’t being used to people in the building second hand makes it economically viable as well as reduces the need for over manufac turing which is more sustainable in the
- The security app is for residents to know who is entering the building at all times and have an electronic register
- The hotline icon has all the numbers of the plumbers and various services, so that people in the building can acll for it together.
- Based on how much each house recyles increases their points
FIRST FLOORPLANS RESILIENCE
SCAN FOR MOVIE
Window 1.0 Window 2.0 Window 3.0 Window 4.0
Louvred Wall
Window 1.0 Window 2.0 Window 3.0 Window 4.0
Window 1.0 Window 2.0 Window 3.0 Window 4.0
Window 1.0 Window 2.0 Window 3.0 Window 4.0
long run Fig : 15.01 access to bills Points for lowest usage Daily water & electricty usage Monthly water & electricty usage Electricity & Water Security register Hotline for number of various services Security CarFeaturePooling Borrowing / lending items Sharing Polling booth communitybookingspace Bulletin board Community chatroom Community Window 1 Window 1.0 Window 2.0 Window 3.0 Window 4.0 AXONOMETRIC VIEW Window 2 Window 3 Extended walls as vertical projection Chhaja Wind analysis Daylight analysis Lux Level 53
Selling
THE FROZEN WAVE ACE TECH MUMBAI
Exhibition (Ace Tech Mumbai)
TYPE: Public Seating
LOCATION: NESCO Ground, Mumbai
TEAM: Rohit Anchan, Raj Doshi, Shashvat Thakershy, Siddhant Kothari, Aniruddh Sah ani, Vanshaj Mehrota
An extraordinary piece of transportable and compact furniture ergonomically de signed for universal age groups.
Inspired from the natural form of waves makes its form free flowing. Its multifunc tionality gives it an edge over other ele ments of public space.
A conscious approach was taken while de signing this element to make it environmen tally and economically sustainable.
54 11
WORKING
SEATING
CANOPY
SPACE
SPACES
TEAM ON SITE PLACEMENT
WORK IN PROGRESS AT EXHIBITION
55
Professional Work (Freelancing) Lumion Render PROGRAM: Bus Terminal (Academic Project) LOCATION: Navi Mumbai Client: Mr. Manjot Singh Narula 56 12 VISUALIZATION LUMION RENDER
57
RAJ DOSHI +91 9825967980 doshirajmadhukant@gmail.com