raluca desa portfolio graphisme & illustration
239 av. du président wilson la plaine saint denis 93210 paris france 0781516386 raluca.desa@yahoo.com
experiences professionelles
education 2012-2014
paris france
2013-2014
2009-2012
bucarest roumanie calarasi roumanie lycée Mihai Eminescu
paris france
création de l’identité visuelle de l’agence cartes de visite cartes de correspondance cartouches des planches textures mise en page des planches de concours présentation des pièces graphiques
université d’architecture Ion Mincu 2005-2009
p 2 ... 10
architecte assistante Atelier Herbez Architectes
école nationale supérieure d’architecture La Villette
2012
paris france stagiaire Fabrice Dusapin mise en page du portfolio de l’agence présentation individuelle de chaque projet mise à jour du site web et choix des images rétouche des pièces graphiques création tampon agence et cartes de voeux
workshops internationaux 02.2014
bizerte tunisie
2011
projet et chantier d’une salle de cinema/théatre 11.2013
la marche dans la ville 04.2013
el alto bolivie devéloppement d’une ville informelle
11.2012
valence espagne nouvelles spatialités
langues roumain anglais français espagnol italien
calarasi roumanie stagiaire Proiect Construct création des maquettes de présentation croquis et présentations graphiques
mersin turquie
sommaire
logiciels indesign photoshop illustrator autocad sketch up
aptitudes croquis dessin peinture maquettes p h o t o g r a p h i e mise en page et preséntations
p 11 ... 16 p 17 ... 24
illustrations photomontages présentations
illustrations
3
28 02 2014
medina de tunis tunisie ...en train de fumer une cigarette sur le troittoir d’une ruelle dans la medina de tunis...
...sous un passage du medina de tunis, donnant vers un cul-de-sac, en train de parler avec les ĂŠtudiants en architecture...
4
20 06 2013
canal de l’ourcq paris france
...le canal de l’ourcq comme un salon urbain...
5
16 04 2014
kiremithane mersin turquie ...petites histoires du quartier kiremithane...
6
18 11 2013
kiremithane mersin turquie
...petites histoires du quartier kiremithane...
7
19 11 2013
kiremithane mersin turquie
...la vie des chiffoniers...
8
15 11 2013
mersin turquie ...les ruines d’une eglise byzantine...
...en train de boir un café turc à l’ombre des orangiers...
9
18 02 2014
bizerte tunisie ...sur le toit du lycĂŠe farhat hached - comment transformer une salle de classe dans un thĂŠatre...
10
13 05 2014
mersin turquie ...scénarios d’évolution d’un quartier...
photomontages
13
16 04 2013
el alto bolivie ...renouvellement urbain des berges du fleuve seco...
14
16 04 2013
el alto bolivie ...renouvellement urbain des berges du fleuve seco...
15
14 11
2012
valence espagne ...amÊnagement d’un parc urbain...
16
17 01 2010
bucharest roumanie ...jardin d’enfants dans un site de patrimoine...
prĂŠsentations
19
02 06 2011
bucharest roumanie
...logements collectifs dans un contexte industriel...
20
02 06 2011
bucharest roumanie
...logements collectifs dans un contexte industriel...
Standard measurements when standing Measurements Measurements Forward reach Forward reach Elbow height Elbow height Shoulder height Shoulder Eye heightheight Eye height Stature Stature Over-head reach Over-head reach
1. 1. 2. 2. 3. 3. 4. 4. 5. 5. 6. 6.
Man(") Man(") 26 26 44 44 60 60 68 68 73 73 84 84
Female(") Female(") 25 25 41 41 55 55 63 63 67 67 78 78
Standard measurements when sitting Measurements Measurements Forward reach Forward reach seat) Elbow height(abv Elbow height(abv seat) Mid-shoulder height Mid-shoulder Mid-eye heightheight Mid-eye height Elbow width Elbow width
1. 1. 2. 2. 3. 3. 4. 4. 5. 5.
Man(") Man(") 26 26 12 12 26 26 32 32 36 36
Female(") Female(") 25 25 10 10 22 22 28 28 32 32
The planning of Navi Mumbai could begin, in the right earnest, only by 1971, and involved leading architects and urban planner like, Charles Correa (Chief Architect), Shirish Patel and Pravina Mehta. South Navi Mumbai is being developed rapidly with its class infrastructure and modern nodes of Kharghar, Kamothe, New Panvel and Kalamboli.
Kharghar, Navi Mumbai, Maharashtra +19° 2’ 27.75’’ / +73° 3’ 51.81’’ Navi Mumbai temperature varies from The Indian Meteorological Department (IMD) 22°C to 36°C. In winter temperature is has a station in Thane on the Belapur Indusbetween 12°C to 20°C while summer try Association (TBIA) premises which collects temperature ranges from 36°C to 41°C. meteorological data daily. Under theKöppen climate classification, the city has a tropical monsoon climate that bor- The maximum and minimum wind speed was 8.8 km/hr and 0.9 km/hr resders on a tropical wet and dry climate. pectively. The predominant wind diOverall climate is equable with high rainfall days and very few days of extreme tempera- rection was south-west to north-east. tures. Solar radiation zones as per The Energy and Research Institute (TERI) based on the India Meteorological Department (IMD
The maximum and minimum relative humidity values noted were 96% & 17% as per MPCB and 50% & 24% during their observation. Out of total rainfall, 80% rainfall is experienced during June to October. Average annual rainfall is 2000– 2500 mm and humidity is 61-86 %, making it a humid-perhumid zone. The driest days are in winter while the wettest days are experienced in July. The Kharghar hills bring a huge amount of rainwater, which is to be directed into the creek through the node as well as the Central Park area..
21 March
21 June
21 Dec. Kharghar Valley Golf Course
Kharghar is one of these 14 nodes of Navi Mumbai and is being developed by CIDCO for an estimated population of about 500,000.
Furthermore, Kharghar Hills is the famous tourist spots.Mostly enjoy the hills around Kharghar during the monsoon season when waterfalls and Kharghar is a node of Navi Mumbai, conceived and constructed by rivulets burst forth. CIDCO. It is developed and maintained by CIDCO. Kharghar is located on the Mumbai-Pune highway (NH 4) at a less-than-one hour drive from the heart of Mumbai city. The Area started developing The site of Kharghar adjoins the Central Business District of Navi Mumin 1995 and now it has of number of ready and under-construction bai and is bound by two major highways and the picturesque Kharprojects both in the commercial and residential segments. ghar Hills. Taloje industrial estate and the Taloje Creek are located on its east. Kharghar is primarily a residential township, but houses a part of Navi Mumbai’s Central Business District.
Kharghar, Navi Mumbai Latitude 139.7447
Sun path diagrams provide a broader overview of sun on a site as they map the path of the sun across the sky at different times during the day throughout the year. They can help establish the position of the sun relative to a site and can be used to determine the effect of shadows cast by buildings, trees and landforms on and around the site.
Kharghar Central Park
Date 21 March
21 June
Altitude is the angle of the sun’s rays compared with the horizon. At sunrise and sunset, the altitude is zero, and in the southern hemisphere, the maximum altitude of the sun at any specific location occurs at solar noon on 21/22 December (longest days of the year). Kharghar measures about 1700 ha. of area, 7 km long and 5 km wide. There are 12 village settlements located in Kharghar node having a combined population of 20,000. Kharghar is divided into 45 sectors. The general levels vary from 1.5 to 15.0 meters within the site. A third of the site is almost flat, but the areas close to the creek are low-lying.
115 degr.
Total area of the site: 18 acres
SET
RISE
21 Dec
The chosen site has an irregular shape with a total area of 18 acres. The largest side of it has a priviledged view of the Central Park of Kharghar.
11m wide road 35m wide road 40m wide road
The site is well provided in vehicular and pedestrian accessibility alike as it is bordered by two main roads, that measure 40 and 35m, and by two residential streets of aroun 11 m each.
Micrometeorological observations were noted by setting up station at CBD Belapur on 03-042002. The maximum and minimum relative humidity values noted were 96% & 17% as per MPCB and 50% & 24% during their observation. Out of total rainfall, 80% rainfall is experienced during June to October. Average annual rainfall is 2000– 2500 mm and humidity is 61-86 %, making it a humid-perhumid zone. The driest days are in winter while the wettest days are experienced in July.
Longitude 35.6544 Altitude 26.37 52.87 43.25 10.06 40.73 74.68 57.97 21.77 11.54 30.22 22.19 -17.49
Central Park is the perfect spot to relax, jog or even for a long walk to enjoy the mesmerizing beauty of the botanical gardens. This park is spread across 80 hectares and boasts of rich vegetation.
110.51 159.74 228.27 263.19 88.36 139.94 257.09 283.95 130.15 169.65 214.86 253.28
WIND DIRECTION AND INTENSITY
march 21 june 21
sun angle at 74 degr.
dec 21
june 21
sun angle at 30 degr.
SET
RISE
march 21
9:00
Pethapada st.
12:00 june 21
Utsav Chowk st.
march 21
Sector 11 st.
Bharati Vidyapeeth st.
15:00
dec 21
Sector 14 st.
18:00
site climate
Micrometeorological observations were noted by setting up station at CBD Belapur on 03-04-2002. The maximum and minimum wind speed was 8.8 km/hr and 0.9 km/hr respectively. The predominant wind direction was south-west to north-east. On the other hand, The Kharghar hills bring a huge amount of rainwater, which is to be directed into the creek through the node as well as the Central Park area..
Main Artery
KHARGHAR RAILWAY ST
Secondary Artery Proposed Railway Line PANVEL
However, for mass application the percentile values of a study population are usually required. A 95 th percentile value of a body dimension (e.g., body height) would indicate that 95% of the study population have the same or less body height, and only the remaining 5% of the population have greater heights. The 50 th percentile value represents closely the average, which divides the whole study population into two equal halves.
Joy around a tree Protection, shadow, ‘respiro’, peace. The green area as well as the built environment are organised around the halo of trees, that define and dictate the rythm of the walk. Going around a tree can be a pretext of meditation and slowing down.
LandLand area requirement in acres area requirements Chandigarh
Preparatory
no. years
st/class
1
50
Foundation
Painting Sculpture and Modelling Arts&Crafts (Ceramics/ Terracotta, Metal/Wood/Stone) Textile History of Art Graphics&Applied Arts
UG PG UG
4 2
30 10
4
30
no. total/year total/prgm class 5
250
1 1
30 10
1
30
TOTAL
250
250
120 20
140
City pop No. Art Institutions
NS
120
PG
2
10
1
10
20
UG PG UG PG UG PG
4 2 4 2 4 2
30 10 30 10 30 15
1 1 1 1 2 1
30 10 30 10 60 15
120 20 120 20 240 30
total UG total PG
140
140 140 270
1080
Total no. of students
#REF! #REF! Reading
Faculty 960,787 student ratio 1 Applied Arts&Crafts
UG PG Sqm per student
AICTE
360
NS
Santiniketan 65,659
Navi Mumbai 1,119,477
6
1
1
Case study 1Case study 2NS NS CCFA GCAC
200
1,5*
Kolkatta 4,486,679
A sitting area around a tree can bring students of different departments and teachers together, creating a welcoming athmospere.
01:20
16,9
5 101,2
200
1,58
200
32
Case study 3Visva NS Bharati 26**
Proposed
1160
18** 62
346
*total area including hostel facilities ** total area including hostel, leisure facilities and public art galleries
Sketch showing hypothesis of department and student facilities distribution
#REF! #REF!
Program Titles Volumes per NJ Edepartment Journals Room Proposed unitsDivdistribution a PCs seating Applied Arts&Crafts
28
100
14000
168
App 10
162
Multimedi 10
Classroom Studio _
UG
Preparatory
Workshop
Print room
1
_
5
Audio visual Room _
Computer Lab
Photo Lab
Library
1
1
Cafeteria Auditorium
_
PG UG
Painting
2
6
2
_
_
_
2
8
2
_
_
_
The layout of the departments and amenities is thought as a
PG
Sculpture and Modelling Arts&Crafts (Ceramics/ Terracotta, Metal/Wood/Stone)
UG PG UG
Textile
2
2
1
1
_
_
2
2
_
_
1
_
4
6
_
1
1
6
1
dialogue between series
1
of interdependent communities. Each of them is delimited by a higher platform on which
PG
History of Art
UG
Graphics&Applied Arts
UG
clusters of small units arise,
PG PG
AREA STATEMENTS
(considering 1100-1300 people/day)
UNITS
Area/ sq. m.
Administration – Workstation Principal’s cabin Conference Staff room Common toilet
200 84 96 58 50
Art galleries
-Permanent -Temporary -College display
440 315 24
Library
1265
Multipurpose hall
1150
Cafeteria
560
(140 people at a time)
Student’s residence
60
Warden’s residence
110
Guest house(1 unit)
72
-I unit (for 72 students)
4 nos.
Stationary
80
Common Workshop
370
4 nos.
DEPARTMENTS
Area/ sq.m.
DEPARTMENTS
Painting
3530 150 88 280 46 60 30
Foundation
90 200 90 90 220 68 74 60 30
Studio 1 Studio 2 Classroom staffroom toilet
B.F.A . Studio( 4nos.) M.F.A. studio (2 nos.) Workshop Class room Staff room Toilet
Sculpture & Arts and crafts
Sculpture studios (4 nos.) Studio-Metal work Studio-wood work Studio-stone work Studio-pottery and terracotta Foundry Classroom (2 nos.) Staff room Toilet
Textile
B.F.A. studio-1 B.F.A. studio-2 M.F.A. studio Printing and fabrication Laboratory Display Staffroom Toilet
18 12 2013
68 90 42 130 68 68 60 50
Studios (5 nos.) Staffroom Toilet
History of art
Applied arts and graphics
B.F.A. Studio (4 nos.) M.F.A studio (2nos) Graphics studios + darkroom Review /audiovisual Workshop Staffroom Toilet
Area/ sq.m 56 60 50
60 84 56 60 50
68 40 56 60 120 60 50
mise en page d’un projet de fin d’études
Studies for a sustainable design of the classrooms and common student spaces
allowing space for relaxation, meditation and encounters. The ensemble of elements are brought together, at the scale of one department by a single roofing system, protecting them from the sun or from the heavy rain, while allowing the breeze to cool and freshen the premises. The platform itself is a reason
of joy, as it moulds into numerous meeting points and seating places, turning it into a public square for students to make acquaintance or express themselves. At a larger scale, the small
‘communities’ are closely tied and guided alike by the thick brick wall, which is intended to give identity, privacy and quietness from the buzz of the city, giving place to expression and soothing of one’s own inner buzz.
Harbour Railway Line Sion-Panvel Highway
BELAPUR
In designing for a known individual, one’s own body dimensions may be measured and used.
Proposed student intake
Water Reserve Main Roads Marine
Central Park st.
dec 21
1. Summer solstice sun path (month of june) 2. Winter solstice sun path (month of december)
Industry Docks Beach
Furthermore, an International Airport is under-construction, but until this airport becomes fully functional, the Chatrapati Shivaji International Airport is the closest airport located at a distance of 30km from Navi Mumbai.
dec 21
march 21
Urbanisation of Wetlands Crops
In Navi Mumbai, the most common form of transportation is either buses or trains. In order to reduce traffic blocks in the populated regions of the city, ‘Mumbai Suburban Railways’ was initiated. The railway network covers most of the populated region of the city. The closest station to the proposed site is Kharghar Station. In addition to that, Kharghar has numerous flyovers, parking spaces and broad roadways, as well as a pedestrian skywalk connection the train station to one of the most important junctions.
june 21
1
Preserved Wetlands
Azimuth
azimuth angle: north=0, east=90, south=180, west=270 degree
SUN ELEVATION ANGLE
2
65 degr.
Time 9:00 12:00 15:00 18:00 9:00 12:00 15:00 18:00 9:00 12:00 15:00 18:00
concept
The Kharghar hills bring a huge amount of rainwater, which is to be directed into the creek through the node as well as the Central Park area. Encircled by lush green mountains from all sides, Kharghar in Navi Mumbai is no less than a hill station in the rains . the site is located in immediate Kharghar is a nature lovers’ delight, vicinity of the Central Park and having loads of open space and greePandavkada hills. nery everywhere. A gargantuan fountain adorns the area, a stroll in the evening refreshes you, and the waterfall at Pandavkada is heaven for picnic lovers and is visited by people from all over Mumbai in the rainy season.
Tata Memorial Cancer Research Hospital
source: UDRI - Mumbai from Pre-planning to Post-planning
Location: Kharghar, Navi Mumbai, Maharashtra Satellite city of Mumbai Mumbai population in 2011: 13,830,884 Navi Mumbai population in 2011 : 1,119,477
RAINFALL AND DRAINAGE
Anway GAYEN _ fifth year b. arch.(I.D.) _ BVCOA NAVI MUMBAI
Anthropometric data is a collection of the dimensions of the human body and are useful for apparel sizing, forensics, physical anthropology and ergonomic design of the workplace (Ismaila 2009). School furniture is one of the important physical facilities provided in a classroom environment where the students spend most of their time. The design of workplace for students should ensure body comfort for effective learning process. The functional utility of the student’s classroom furniture is a result of its physical design in relationship to the physical structure and biomechanics of human body.
neighborhood
Metro Line (under construction)
infrastructure
STUDIO/ WORKSPACE The scale is kept quite nominal and usual in the working studios (2). The spaces in studios are Artists’ friendly, it’s the domain where Artist evolves and sustains. Hence the studio is required to be comfortable, where he feels secure to experiment. Height of Ceiling: usually kept at 12 feet, rest designer’s discretion.
Navi Mumbai, located in the eastern trans harbour of Mumbai, Maharashtra, is one of the world’s largest planned townships. Since independence, the decision to build a new city on the mainland across the harbour was for a specific purpose: to decongest Mumbai, an island city whose physical expansion had a limit. It was also earmarked as an alternate haven for the multitudes that thronged to Mumbai from all over India. This decision required the state government to exercise the matching, politically speaking, hard option to relocate its seat of governance along with all its important offices to this new city, and completely stop the backbay reclamation project in the island city. It did nothing of the sort. It continued with the reclamation and put brakes on the efforts of CIDCO.
design process
MUSEUM/ GALLERY It is usually observed that human scale in Art museum is kept considerably high (1). The spaces are so designed that the visitors are completely absorbed in the Art and the surroundings forgetting about themselves. Height of Ceiling : at least 15 feet.
Kharghar, Navi Mumbai, Maharashtra
vegetation
The comfort, physical health, well-being, and performance of people can be increased by designing equipment, goods, furniture, and other devices according to the needs of the human body. One of the conditions to support productivity is to ensure that the work spaces and equipment that people use conform to the anthropometric and biomechanical characteristics of the users.(Metin Tunay 2008).
site location
dimensions
HUMAN SCALE Human scale is related to proportion, and deals with relative sizes of things. It refers to the feeling of bigness something gives us.
Standards : involve the set benchmarks defining the Human Scale Anthropometrics and Ergonomics Basic requirements and sizes of furniture
HARD DATA Site Location / Site Dimensions and Contours / On site features / Climate and vegetation SOFT DATA Views to/from the site / Human activities / Type of neighborhood / Relevance of the chosen programme / Best approach to the site
ANTHROPOMETRY &NORMS
site analysis
21
We may define the ideal outcome of architecture as being that a building should serve as an instrument which meditates all the positive influences and intercepts all the negative influences affecting man... a building cannot carry out this task unless it is itslef as finely nuanced as the surrounding in which it stand. Alvar Aalto, Sense of place
In fact, as Europe has increasingly distanced itself from religion over the last two centuries, the primordial has become a fecund source of the mythic. This is why Picasso and Matisse in their paintings, Stravinsky in his music, and Le Corbusier in his architecture, intuitively searched out the primitive. They wanted to find the Sacred. Charles Correa, A place in the shade I think we don’t speak about symbolism in architecture because we lost the sense for it. But looking at houses as a complex of built symbols allows a deep insights into the mind of the community that created it. In Hindu philosophy, it is the point from which creation began. It is, metaphorically speaking, the cosmic ‘egg’. The priority in the design is the idea of a walk of discovery of the world, of one’s ideas and of one’s inner self. Consequently, a series of atmospheres and sequences that quietly wait to be discovered. The spine of the design is a thick wall made of handmade brick used as an opportunity for creating different atmospheres for both student gathering, relaxation or meditation.
1. Chandigarh College of Architecture and Chandigarh Fine Arts College
STUDIOS AROUND A COURTYARD
G O V E R N M E N T C H A N D I G A R H JAWAHAR KALA KENDRA VISTA BHARATI KALA BHAVAN nothing that is something’ (Charles _organic design developped through COLLEGE ART&CRAFT COLLEGE OF FINE ART _’the Correa) time and following the activitis and
VOLUMETRY
THE VOID AS SOURCE OF ENERGY
2. Jawahar Kala Kendra
_design of the college developed by multipl dditions troughout time surrounding the central green area _open green courtyard continues to a garden and a pond _multiple levels of permeability _exterior workshops and outdoor performance stage
SYMBOLISM OLD AND NEW
3. Kolkata Government College of Arts&Crafts
EXTENSION
NATURE AND CREATIVITY
4. Kala Bhavana, Visva Bharati
OUTDOOR-INDOOR
_introvert design, giving permeability and visual references to the kund throughout the modules _mostly mineral courtyard provided with sitting places and performance platform _only connection to the surroundings and the city made by the entrance
1
LE CORBUSIER/1965-1969/Chandigarh, Haryana
WHAT?
CCA Sector 12 College of Fine Arts Sector 10
Chandigarh College of Architecture Government College of Fine Arts
0
needs of the school _open spaces dominate the building cluster _multiple possibilities of exterior workshops and outdoor meeting places encouraging a dynamic campus life _shadowed performance stage used also for lectures and workshops
2
0
1 entrance porch 2 courtyard 3 library 4 teacher 5 lecture 6 studio 7 principal 8 office 9 store 10 art room 11 clasroom 12 student’s common room 13 workshop 14 material bureau 15 future extension
CONSIDERATIONS +sustainability
7
Shilpgram Village Complex
Jawahar Kala Kendra
1
The 3.3m high concrete ceiling is supported by a series of brick covered pillars that provide more intimate sitting and meeting places for students as well as ensuring the rythm of this long corridor.
4
4
2
In the case of the Government College of Fine Arts, the same design of corridor is left open, reminding us of a ancient roman portico, to the first interior courtyard, which is also used for exhibiting students’ work. The space thus receives natural ventilation all year round and offers a special relationship between the indoor and outdoor activities.
The acces and connection between the two almost symmetrical sides of the building is made by a large corridor
In addition to this fist module, the design of the Chandigarh College of Architecture provides a fifth row of studios, as well as a students’ canteen placed as an annexe on the eastern side of the school and a library on the opposite side. A stage is provided for performances in the interior courtyard,
The various possibilities of evolution this kind of design provides is shown by the two-courtyard layout of the Government College of Fine Arts. The long entrance corridor is conserved and kept open-air
0
sitting and meeting spaces
16 14
A century old library of immense resource, it has about 12 thousand books, some antique and some out of print. You can find, for instance, a copy of the Baker?s Album in our library. Around 2,500 periodicals and hundreds of rare volumes of art journals have been preserved in our library with great care, among which you’ll come across issues of the Penrose Annual. The library is used regularly by the students and teachers of GCAC, and is maintained by the librarian, the library assistant and three other service and maintenance staff. Visitors from foreign countries and research workers who are not a part of GCAC are often given permission to use the library for special studies.
50m
11 10
15
1.
9. Canteen 10. Garden Pond Sculpture exhibition Temporary outdoor workshop
16
1 12
9
13 9 2
3
8 7
6
5 4
0. Auditorium
14
1. Administration and Nandan Art Gallery&Museum 2. Outdoor stage 3. Canteen 4. Kalo Bari 5. Graphics Dpt & Artists’ Forum 6. Graphics and Mural Dpt and Staff 7. Sculpture Dpt 8. Sculpture Studios 9. Ceramics Dpt 10. Textile Dpt 11. Design Dpt 12. Painting Dpt 13. History of Art Dpt 14. MFA Painting studios 15. Hostel 16. Art wall
outdoor stage
foundation sculpture dpt. painting dpt. wood&leather dpt. textile dpt. ceramic dpt. applied art dpt.
guest house
Obervation: The Painting Department offers a series of naturally lit studios, that provides sufficient light during daytime and can be support by an artificial system when needed. The studios were designed to communicate to each other, as partitions ar mostly made by wooden boards connected to the corridor and sometimes include additional storage space and little natural light.
3
0
50
250m
3. The first addition to the college hosts: Ceramics Department Wood&Leather Department Textile Departement History of Art Department
trees provide structure and protection 0
10
50m
OBS Students’ works of art that are dispalyed throughout the campus give it a sense of uniqueness and introduce the visitors and locals alike to its purpose and activity. Consequently, the campus becomes a large scale exhibition space where students learn, live and explore.
The two-winged building also includes office space for the Ceramic Dpt, as well as an urban gallery and a material store for students. The circulation is done through a corridor open towards the interior courtyard.
4.
Double-height spaces welcome and interesting exhibition of works of art, with the use of a curved wall that gives a sense of continuity to
The central square signifies the creative energy of the sun, marked by the circular stone stage in the center of the couartyard and houses an open-air theater.
OBS Inspite of the great aestethic and symbolic qualities of this open-air theatre, it has been shown over the years that the 8 m tall walls provide poor acoustic quality during performances. Furthermore, the natural ventilation created by the gateway openings in these walls do not ensure comfortable ventilation when it comes to big crowds.
the space, The entrance lead to foyer, which is accentuated with neatly paintedallowing dome- the visitor in to
taking about the movement planets and the path.
=
Classrooms and studios surrounding this void that is the interior courtyard seems to be the main idea of the design of these two introvert art and architecture complexes. In both cases, they have been treated without much interest, maybe in the idea of students transforming it to their needs. Nevertheless, both of the schools lack an appropriate space for cultural activities, that cannot be replaced by the mere addition of an open sky stage, especially in the extreme conditions of Indian climate, that must render the space unusable during both arid and humid season.
On the other hand, the width of the library doesn’t seem to provide sufficient light for reading activities, so an artificial lighting system has been set in place, to be used even during daytime.
a series of new single height areas.
Observation: Huge fenetrations are employed to bring inenormous quantities of light which are enhanced by the use of high polished black granite flooring, in contrast with the white walls. This, unfortunately, distracts the visitors from the works of art, making it hard to concentrate on them. Furthermore, the large and tall steel framed fixed windows leave little room for exhibiting art and do not provide much flexibility to the space. Observation: The inefficient lighting system, due to the orientation , material choices and the size of its’ opening alike, makes the museum almost totally dependent on artificial lighting. On the other hand, the open space provides flexibility for different formes of art to be displayed, such as recreating vernacular interior and exterior spaces.
Obervation: Sandarbh Library is designed with a huge fenestration giving towards a small curve-shaped mineral courtyard and a pond. Although natural light is not designed to penetrate dirrectly the space of the interior library through this curved glazing, it is powerfully reflected in the bright colored walls that surround this courtyard.
Its’ floor is treated with polished Kota stone, whose darker color comes in contrast with the whitewashed walls and gives a sense of heaviness to the floor. In addition, the dramatic use of light and shade seems unappropriate for the function of a library and this can also bee seen in the additional furniture that has been placed to provide some privacy for the reader.
Observation: The interior courtyard represents the green core of this cluster of building that compose the college campus. In addition to providing fresh air and a very agreable recreational space, the centre of the coutyard is occupied by an outdoor stage for school performances and ceremonies, equiped with a strcuture that allows its covering. Behind the stage, and facing the newest addition, the ceramic and applied art department, an outdoor sculpture workshop has been installed, even if, at the moment of the visit, August 2013, the building process was still going on. Furthermore, the garden gives space for exhibiting students works of art and also statues that pay tribute to the schools most renowned students and principals. The courtyard is also used by its students for outdoor activities, such as team sports.
EXHIBITION SPACE
THE CENTER VOID = THE NOTHING THAT IS EVERYTHING
The chosen roof form for the two school complexes ensures good light incidence as well as optimum ventilation. The height of the shed roof goes from 5m, on the south side, to 7.5m on the northern side. This kind of structure allows different divisions of the space using temporary walls and partitions to suit the students needs.
Observation :The ceiling of the library has been provided, probably by the administration of the arts centre, with a rhombus shaped web of exposed fluorescent tubes. The height they’ve been installed at varies with the heights dictated by the achitecture of the library, showing that a proper study has not been done so that it would allow the optimal quantity of lighting appropriate for a library space. It is difficult to understand the architects’ lack of interest in a zenithal light that, due to the ground level design, would have enriched the space with an all day round source of diffuse lighting.
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openness leads to the feeling of being lost sometime.
x The ceiling is elaborately done in exposed florescent light tubes.
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another forming rhombus.
x The connection is formed by plastic caps and runners.
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x The tubes are hung by the means of steel wires and are connected to one
mise en page d’un projet de fin d’études
Observation: The entrance to the college is dominated by a monumental timber staircase, that is transformed from a mere circulation to a sculptural objet that provides meeting and exhibition spaces alike. Furthermore, it provides a general view of the interior and helps orientate the visitor throughout the main body of the college.
On the ground floor, the staircase is surrounded by waiting spaces, as well as the reception. It is naturally ventilated , as it offers the possibility to cross the building towards the interior courtyard, and takes advantage of its double orientation for wind and also for light.
5. Ceramic Department
«... the house around a courtyard. As you move around such a house, instead of the courtyard becoming repetitious and tedious, quite the opposite happends. It becomes the void that energises all the surrounding rooms. And far from being monotonous, looking at the same courtyard again and again from different angles becomes more and more meaningful.»
The space planning is so done, that no function feels obstructed, yet the
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administration canteen outdoor stage library
The squares are defined by 8m high walls, symbolic for the fortification wall surrounding the Jaipur old city.
The external walls of the arts centre, including the ones defining the central kund, are ‘clad in red Agra sandstone, with a coping of beige Dholpur stone, the same material used for the Jantar Mantar Observatory, Fatehpur Sikri and the Red Fort in Agra’.
As opposed to the the architecture college, the fine arts one is part of a larger complex designed by Le Corbusier himself, including the Government Museum and Art Gallery, with its adjoining cinema hall.
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Its academic programme is broad-based; it introduces the students to a vast repertoire of techniques and art forms backed by the knowledge of history of art. The studio practice, lectures, discussions and exhibitions keep the artatmosphere of the faculty alive, where the students get ample opportunity to sharpen their individual sensibilities and future prospects.
The walls are decorated with age old Jaipuri fresco and become a visual reference of this void.
6. Open-air Sculpture Workshop 7. Interior courtyard 8. Outdoor stage
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Kala Bhavana of Visva Bharati is well-known as a distinguised centre for Visual Art practice and research in India. This institute which gave shape to a culture-specific modernism initiated by Rabindranath Tagore and carried forward by the commitment and wisdon of Nandalal Bose, Benodebehari Mukhopadhyay, Ramkinkar Baij and their contemporaries, has richly contributed in giving a valid direction to individual art activity in contemporary social space. More recently, several eminent artists and scholars attached to Kala-Bhavana have been keeping the tradition alive by their personal visual experience, fresh exposure and openness for experiments.
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Correa’s plan dirrectly invokes the original Navagraha. One square is pivoted to recall the original city plan and also to create the entrance. Although the 9 squares may form the basis for architectural plans, Charles Correa also noted that mandalas are “not plans; but that they represent energy fields.”
As in most of Le Corbusier’s designs, espacially the ones proposed for Chandigarh and other Indian cities, the concrete is left apparent, concrete framing and relief rough boards being employed. By contrast, the lower part of the walls is whitewashed, with provides a light feel of the structure and a diffused dispersion of light, indispensable to the art and architecture related workspaces.
3. Government College of Fine Arts
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Ground plan of Nat-Mandir in Konarak, corresponding to the divisions of the Yantra of the Nine Planets or Navagraha. The symbols of the yantra are : square = Venus, bow=Mercury, snake= ketu, triangle= Mars, lotus= the sun - at the centre, sword= Rahu, crescent= the moon, circle= Jupiter, man= Saturn, based on the Mandala Sarvasva.
THE LIBRARY
The studios and classrooms are organised around an interior courtyard. They are oriented north-south so that the students can enjoy most the northern diffuse light.
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Observation: The central kund offers a visual reference that allows the visitors to orientate himself, as well as offering a variety of frames towards its’ bright red center.
Not having any kind of protection for the sun and rain and inspite of being designed as a meeting and sitting place through its beautifully employed stone steps, this space becomes uncomfortable to cross and sometimes unusable during arid and rainy seasons alike.
2. Chandigarh College of Architecture
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2. Main body Reception and Administration Library Painting Dpt 3. First addition I Textile Department Wood&Leather Dpt Urban Gallery 4. First addition II Wood&Leather Dpt. Ceramic Dpt. Staff
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The analogical connection between the design and the center of the city of Jaipur
The southern ligth is brought into the building through a concretecased glass wall which alternates fixed and flexible windows that allow a natural ventilation of this space,creating in the same time a dramatical effect of light and shade.
The connection between the shed roofed studios is made by semi-circular arches that rythm the facades and ensure natural east-west lighting as well as natural ventilation of the working spaces.
1. Possible base module
0. Indian Museum
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Maharaja Jai Singh, who built the fabled pink city of Jaipur, was moved by two seemingly conflicting sets of mythic ideas and images. On the one hand there was the ancient Navgraha (the mandala of the nine planets) and on the other, the newest myths of Science and Progress. Thus the city of Jaipur, double-coded like Jai Singh himself, is truly astonishing for its synthesis of past and future, of the material and metaphysical worlds. In this, Jai Singh is indeed analogous of another man, born more than 2 centuries later; India’s first Prime Minister Jawaharlal Nehru. Thus this Art Centre, dedicated to Nehru, is really a metaphor for both men - and for Jaipur itself. Like them and like the city, it’s double-coded: a contemporary building based on an archaic notion of the Cosmos; the very same Navgaraha mandala, with one of the squares moved aside, to recall the gesture that created the original plan for Jaipur.
On the other hand, one can easily notice the visual barrier that has been laid between the school and its natural and urban surroundings and its’ lack of exterior workspace or of any possibility of openin towards it.
+facilities provided
1. Central courtyard 2. Theatre 3. Library 4. Documentation and research 5. Studios 6. Museum 7. Exhibitions 8. Cafeteria 9. Entrance
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Kala Bhavana Institute of Fine Arts
The Governement College of Art&Craft in Calcutta (GCAC) is the oldest art institution in India, being the pioneer among the few art institutions that can boast of celebrating the one hundred and forty fourth year of excellence in the art of painting and craft education in India. The college is dedicated to culture creative minds & produce artists for the future, reflecting the evolving needs of the industry. In 1892, the school gets, after it was first opened towards the promotion of Industrial Art in 1854, its own location on in an adjacent building of the Indian Museum, on Chowringhee ( 28 Jawaharlal Nehru Road, Kolkata 700016 ), its present location. The location is well-connected by public transport: bus, taxi and metro. The landmarks of central Kolkata: Indian Museum, Asiatic Society, Victoria Memorial, Academy of Fine Arts, Rabindra Sadan, St Paul’s Cathedral, Birla Planetarium, Maidan, Park Street and New Market all are in a walking distance.
The plan of the Old City of Jaipur the nine square Yantra where one square is displaced while two central ones are combined, due to the presence of a hill and to the vast teritory occupied by the City Palace.
Different view of the interior space of the studios showing their flexibility when it comes to organizing its space in function of the activities that are being held within.
Ground floor plan
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Government College of Art&Craft
3 The almost 7m large corridor ensures the transition with the outdoor spaces of the two school complexes and provides in the same time a very interesting art exhibition space for students’ work.
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VISVA BHARATI KALA BHAVAN _Acces from main road _Pedestrian and cyclist circulation _Parking provided at the entrance to Visva Bharati
GOVERNMENT COLLEGE ART&CRAFT _Occupies an additional bulding to the Indian Museum _Acces from main road _Pedestrian circulation
1. Entrance from the main street
Jawahar Kala Kendra
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250m
Ground Plan of Jawahar Kala Kendra
OLD CITY OF JAIPUR
The corridor becomes this way a gallery that can, in need, acquaint the visitors to the quality of the work its’ students are creating and also allow visiting this part of the school without disturbing the educational activities taking place.
Bearing structure
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Volumetry
the green space reduces work pressure increases the productivity control co2 emmision noise buffer prevents air pollution natural regulation of the temperature and air conditions helps enhancing the creative mind reduces the tireness encourages human bonding go green, don’t be dinasours
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JAWAHAR KALA KENDRA _Shares the plot and provides acces to Shilpa Gram _Acces from main road _Pedestrian circulation
Jawahar Kala Kendra
The city of Chandigarh was started by Albert Mayer and Matthew Nowicki, redesigned by Le Corbusier and, finally, planned and carried out in detail by Pierre Jeanneret, Maxwell Fry and Jane Drew, a leading architecture and urban design of a high quality. Since 1951, Le Corbusier comes in relation to India. A relationship that allows you to design and make images and monuments of the city, especially in the case of Chandigarh, a laboratory for experimentation in form that is at once a political speech and rhetoric. The intentions of some of the utopian planning proposals raised by Le Corbusier in the twenties seemed to finally become a reality. It reserved the construction of political and symbolic center of power, the Capitol in Chandigarh, where he also thought to include a symbol Finally, the Open Hand: a monument to the new era of harmony. Hand also appears that a relaxation of tensions before. A gesture of calm that can not detract from, but to accentuate the sculptural character of the formal definition of the architecture, like a sort of skyscraper tended to think of the Secretariat building, which appears symbolic distribution abroad eloquently expressed by the different dimensions of his famous brise-soleil.
_The 3.3m high concrete ceiling is supported by a series of brick covered pillars that provide more intimate sitting and meeting places for students as well as ensuring the rythm of this long corridor. _The southern ligth is brought into the building through a concrete-cased glass wall which alternates fixed and flexible windows that allow a natural ventilation of this space,creating in the same time a dramatical effect of light and shade.
meeting the optimum daylight requirements use of local materials intelligent energy efficiency
+effects of green space in human nature and considerations
250m
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250m
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CHANDIGARH COLLEGE OF FINE ART _Designed as part of a complex including Chandigarh Museum and Cinema _Acces from secondary road _Pedestrian circulation _Parking provided in the complex
_The almost 7m large corridor ensures the transition with the outdoor spaces of the two school complexes and provides in the same time a very interesting art exhibition space for students’ work.
To identify the scale of space and to resolve the complex functional circulation and orientation is taken under primary considerations. factors like optimum daylight , wind direction,sun movements,tree shades and gentle level differences along with a serene environment and serendipity are approached to the concept background. Identify different workspaces but beyond all the functional requirements and symbolic dimensions its an attempt to connect nature and human being
student amenities complete programme for undergradute and postgraduate students student residence guest houses for artists and lecturers public amenities art galleries and sculpture garden multi-purpose hall (cinema, seminar) cafeteria
_introvert design, with studios and classrooms organised around a green courtyard, including performance stage _only relationship with the surrounding is made by the entrance design
Chandigarh College of Architecture Government College of Fine Arts High Court
Artists, students and people to come together to work and create is taken ino consideration as the primary function of the project. To inject the arts, the forgotten soul of arts and culture in mechanical, robotic urban lifestyle. A shy moment of educational relief in modern, competitive educational rat race. To remember the importance of rich vedic educational system of ancient civilizations with modern mind. To provide a complete scope of exploring creativity imagination and developping new ideas and concepts. Encouraging the genius madness of creativity. Trying to be part of the nature again. design background
Anway GAYEN _ fifth year b. arch.(I.D.) _ BVCOA NAVI MUMBAI
VISVA BHARATI KALA BHAVAN
KOLKATA GOVERNMENT COLLEGE ART&CRAFT
Furthermore, it was the occasion to observe the existant and potential connection between art institutes or colleges with the urban fabric and lifestyle alike. Accesibility, means of orientations and events that bring together students, as well as artists and locals were also among my interests. For this, the focus was made on the facilities provided for this sort of encounters, such as performance stages, common spaces and exhibition areas.
THE STUDIOS
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The walls have small opening that protect the studios from the burning sun as well as providing natural ventilation. The interior walls are are painted with plastered mixed with pigment and earth. The treatment is done every 6 months to ensure the good finish. The thick plaster keeps the interiors cool.
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OThe are studios are mostly organised in small building units, giving the posibility of multiple openings orientation and good natural ventilation. Furthermore, as a particularity of this establishement, many of the classes are being held outdoor,. Reflection caused on high polished flooring. • Inefficient lighting system
• Podiums in board – ¾” thick and painted
The reddish paint chosen for this part of the arts centre seems to invoke the dynamism of the activities taking place. The flooring is treated with red sandstone, that as been burnt to ensure toughness for heavy traffic and carrying materials.
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• Iron sheet clad pillar causing high reflection
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As all the major art galleries are in mumbai,navi mummbaikars have no other options but to go to mumbai.For all the local artist and painters have
A main interest has been the indoor-outdoor relationships provided by the four institutions, as i strongly believe that the presence of nature and the multiple opportunities of working in and surrounded by it greatly enhances the artistical creativity as well as being a very powerful source of serendipity and inspiration alike.
Special Linkage Comparison
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if we look at the statistics,there are 11 Engineering Colleges, three Medical Colleges, three Architectural colleges and a National Institute of Fashion Technology(NIFT). There are 128 primary schools, 80 secondary schools, and 25 colleges in the NMMC area. Navi Mumbai has become self sufficient in higher education facilities— only 4% students go to Mumbai for higher studies. On the other hand, there are no art institutions provided in Navi Mumbai.
Documentation Observation Analysis
Case study form an integral part of design analysis. The case studies form the background for any design problem.Case-studies have led me to aprehend the complexity of the requirements of this kind a project. Visits on site are very important as they allow one to interact with both the students and the staff and to put themselves in the same time in the shoes of a visitor trying to orientate himself inside the school premises.
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As I always felt the energetic vibrancy of the city,and It’s culture and tradition has marked its significance in my life as I’m an outsider to navi mumbai. be it warli painting or koli music.art has always played a important role stage to come people together as well as in develpoment in any cities.be it in form of entertainment or hobby or profession and even identity.but i also felt the absence of a proper platform to express one’s inner creativity.
CASE-STUDY FOCUS
introduction and case studies
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WHY?
JAWAHAR KALA KENDRA
Tagore ‘ s practical aspect of education also includes a description of organization of daily activities in which freedom, games and sports, art, and entertainments at night are emphasized. Tagore ‘s organization of curriculum was not narrowed down to only textbook learning, but it provided a fullness of experiences for children from multiple sources. He intepreted the curriculum not in terms of certain sujects to be learned but in terms of certain activities to be undertaken.
CHANDIGARH COLLEGE OF ARCHITECTURE
The moment we utter the word education, you get an idea of it..like transfer of knowledge..for me it was different as i had a different school days...the idea of my education to enjoy...if you miss that sense of joy and love in it then the the education is incomplete. The joy will be ensured when there is no rigidity in the curriculum and instead there is flexibility in daily activites,enough space to breathe so that students don’t feel they are caged ... and as long it offers a platform to express one’s inner strength.
The requirements of a space can only be formulated on the basis of study of the similar spaces or the study of user behavior and psychology derived from one-on-one interaction. Live case studies and Literature study involve learning of various aspects required to build an aesthetically pleasing and functional space for the artist and the visitors.
PRELUDE
case studies
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Obervation: The buildings themselves are used as a screen for art dispaying and also as a pretext for keeping alive traditions and craftsmanship, as the mural paintings are redone periodically. These art forms make each departement recognizable for visitors and as well as for students.
« L‛architecture est pour moi plus qu‛un métier; elle est plutôt un état d‛esprit et un mode de vie » Un voyage d’étude, une découverte, ont fait naître en moi un amour envers un village qui ne m’appartient pas, mais dont l’architecture assez spécifique nous a réunis pour élaborer ce travail. Amen Allah CHEIKH AMOR / 24 ans / étudiant en architecture à l’École Nationale d’Architecture et d’Urbanisme de Tunis ( ENAU)
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couverture d’un mémoire de fin d’études
Mémoire de fin d'études
LE MUSEE DES BARRAGES
2013/2014
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LE MUSÉE DES BARRAGES Ministère de l’Enseignement Supérieur et de la Recherche Scientifique Université de Carthage École Nationale d’Architecture et d’Urbanisme (ENAU)
Atelier thématique Architecture et Environnement Encadré par Ayed Sriha Hayet Badrani Safwen Yahyaoui Travail élaboré par Amen Allah CHEIKH AMOR Directeur du mémoire Ayed SRIHA
mise en valeur des r e s s o u r c e s hydrauliques & du village de Béni M'tir
24 jour 1
collection
avant enlever le revetement du sol les chaises et le garde corps creation du 1er prototype
jour 2 avant enlever le revetement du sol les chaises et le garde corps creation du 1er prototype
jour 3 avant enlever le revetement du sol les chaises et le garde corps creation du 1er prototype
entre ciel et terrasse créer pour oser rêver
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© Equipe NAT NAUM | Bizerte | 15.02.2014
jour 4
Suite à une rencontre de multiples partenaires-forces (École Nationale Supérieure d’Architecture de Paris La
enlever les persiennes
Villette + École Nationale d’Architecture et d’Urbanisme
peintre les persiennes
de Sidi Bou Saïd (Tunis) + Institut des Beaux-Arts de Tunis
chercher du tissu
(Tunisie) + World Freight Services, Ripolin (Tunisie) + Cité de l’Architecture et du Patrimoine / IFA-Paris (France) + Amicale des Anciens Élèves des Lycées de Bizerte...), ce projet pilote « AGIRARCHITECTURE » est initié afin d’engager des chantiers partagés portant sur le thème : « ARCHITECTURE & PARTAGE. ENTRE CIEL & TERRASSE. CRÉER POUR OSER RÊVER » - et s’inscrivant dans le cadre d’un
partenariat
pédagogique,
professionnel-créatif,
jour 5
culturel et humanitaire, depuis plus de dix ans de travail collectif. Il a pour but de développer des actions concrètes
les palletts arrivent sur chantier
et professionnelles, ici, ailleurs et autrement ... Là où le
tests de lumière
partage est une source de vivre-ensemble, là où les lieux
première couche de mastique
peuvent se transformer et deviennent appropriables
blackout
avec un enchantement commun. Grâce à cette ambition
jour 6
commune, toutes les équipes partenaires de ce projet
avant
pilote se sont mobilisées et engagées envers le besoin et
enlever le revetement du sol
la demande sociale en matière de transformation des lieux
agirarchitecture école nationale supérieure d'architecture de paris la villette école nationale d’architecture et d’urbanisme de sidi bou said institut supérieur des beaux-arts de tunis cité de l’architecture et du patrimoine amicale des anciens élèves des lycées de bizerte world freight services ripolin
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consommés par la banalité, réduits à des usages d’appoint
et le garde corps
et sans un imaginaire qui témoigne de la richesse de leur
creation du 1er prototype
histoire. Le lycée Farhat Hached à Bizerte, fondé à l’origine
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les chaises
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© Equipe NAT NAUM | Bizerte | 15.02.2014
horizons & matières
Suite à une rencontre de multiples partenaires-forces (École Nationale Supérieure d’Architecture de Paris La Villette + École Nationale d’Architecture et d’Urbanisme de Sidi Bou Saïd (Tunis) + Institut des Beaux-Arts de Tunis
« Je suis très fasciné par les villes. On ne peut être contre une ville.
(Tunisie) + World Freight Services, Ripolin (Tunisie) + Cité de l’Architecture
Quand je vais dans une ville inconnue, j’ai la tentation, qui doit être
et du Patrimoine / IFA-Paris (France) + Amicale des Anciens Élèves des
infantile, de grimper sur les immeubles les plus hauts et de regarder
Lycées de Bizerte...), ce projet pilote « AGIRARCHITECTURE » est initié afin
la ville dans son ensemble pour essayer de comprendre ce qui est cet ensemble de maisons, de rues, d’êtres et de vies . » J. M. G. LE CLEZIO
d’engager des chantiers partagés portant sur le thème : « ARCHITECTURE &
matières à penser philosophie agirarchitecture | genèse du chantier lieu à projet lycée farhat hached projet lauréat être en plein ciel nous en tout emporter le lieu | s'approprier le projet appareillages révéler | dessiner | transformer | créer | exécuter temps d'agir libertés d'ensemble affuts d'expériences la cherche créative autrement empreintes aspirations créatives | construisons demain avec vous 6
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collection
26 03 2014
mise en page du travail d’un workshop en Tunisie pour une association