Portfolio IV

Page 1

Work Volume IV



MIAMI THEATER

INVADING KNOWN TERRITORY

UNITIZATION

MATERIAL STUDY

URBAN ACADEMY

NYC BLOCK DESIGN

PIER 11

PUSHING THE CITY’S EDGE

LATTICE

ADVANCED COMPUTER MEDIA

APPENDURBIA

HOUSING PROPOSAL

04-17

18-23

24-29

30-35

36-39

40-47


Miami Theater

Invading Known Territory Miami FL Critic: Kutan Ayata

In Museum Park there is an interesting dichotomy between a ourishing metropolitan lifestyle and a diverse cultural breath. As a result here in museum park exists an area surrounded by residential towers along with an arena and museums. The objective is to blend these to environments without interrupting natures course. This theater from an exterior point of view exits as an artifact for nature to grow and overcome. From an interior perspective nature begins to push and pull the boundaries of where it can inhabit. All this as it serves as a cultural hub and entertainment station for the multitudes of Miami. The concept, in essence, is an extrusion and a concave fold from a manipulated pattern. Wood, Concrete, Glass are the primary material choices.

04

INITIAL DIAGRAM PATTERNS


MUSEUM PARK MIAMI,FL

AERIAL VIEW OF EXISTING SITE

05


EAST ELEVATION

1

1/16" = 1'-0"

WEST ELEVATION

1

1/16" = 1'-0"

SOUTH ELEVATION

1

1

1/16" = 1'-0"

NORTH ELEVATION

1/16" = 1'-0"

06


Theater View

07


08


09


HABITABLE SEDUM ROOF SYSTEM • PROVIDING LEISURE SPACE WITH AN INTRICATE GARDEN SYSTEM • HELPS REDUCE HEAT GAIN AND COOL THE BUILDING REDUCING HUMIDITY LEVELS • DEVELOPS GROWTH ROUTES FOR PLANTS UNDERNEATH AND PROVIDES ROOM FOR MICRO ECOSYSTEMS • (SUCH AS FOR SMALLER LOCAL ANIMALS)

ADAPTABLE GARDEN SYSTEM (UNDERNEATH CONDITION) • PROVIDES PARKLIKE AREAS FOR LEISURE. • HELPS REDUCE HEAT GAIN AND COOL THE BUILDING REDUCING HUMIDITY LEVELS • DEVELOPS GROWTH ROUTES FOR THE PLANTS UNDERNEATH AND PROVIDES ROOM FOR MICRO ECOSYSTEMS • MICRO CLIMATES ARE KEY ELEMENTS OF THIS SYSTEM PROVIDING THE BUILDING WITH AN INTRICATE SUSTAINABLE STRATEGY

010


LIGHT PORTAL (FISH TANK) • HOLLOW LIGHT PORTAL OF GLASS AND STEEL MULLIONS. • CREATES A VERTICAL VISUAL AND PHYSICAL CONNECTION WITH THE SEDUM ROOF, AND GARDEN SYSTEM. • GIVES HABITANTS THE ABILITY TO EXPERIENCE THE EXTERIOR WHILE BEING IN A FULLY ENCLOSED SYSTEM

011


GROUND FLOOR PLAN

1/16" = 1'-0"

012


SECOND FLOOR PLAN

1/16" = 1'-0"

013


2

1

TRANSVERSE SECTION 1/16" = 1'-0"

1

LONGITUDINAL SECTION 1/16" = 1'-0"

014

2

3

4


3

4 5- ROOF FLOOR PLAN 45’-0” 4- REFLECTED CEILING PLAN 40’-0”

3- SECOND FLOOR PLAN 30’-0” 2- SEATING FLOOR PLAN 16’-0”

1- GROUND FLOOR PLAN 4’-0”

5- ROOF FLOOR PLAN 45’-0” 4- REFLECTED CEILING PLAN 40’-0”

3- SECOND FLOOR PLAN 30’-0” 2- SEATING FLOOR PLAN 16’-0”

1- GROUND FLOOR PLAN 4’-0”

015


1

TYPICAL WALL SECTION 1/8” = 1’-0”

016


12” DIAMETER COLUMN REINFORCED REBAR

FOOTING FOR COLUMN

1

BERM CONNECTION TO FACADE 1/4” = 1’-0”

CONCRETE RETAINING PARTITION FOOTING FOR PARTITIONS

2

BERM PLANTER DETAIL 1/4” = 1’-0”

CONCRETE PANEL

WATER BARRIER

CONCRETE SLAB

12” DIAMETER COLUMN

2

017


Unitization

Material Study Manhattan NY Critic: Alex Barker

018


019


020


021


Interior Perspective

Material Study (a)

Material Study (c) 022

Material Study (b)


Area: Manhattan Material Study Unitization

The units demonstrate a high level of cohesiveness along the surfaces as they begin to merger and at some points separate completely. Allowing space to be noticed and deďŹ ned. At some areas of the object the units begin to develop aspects of columns. Highly structural columns that were generated from a single use of material. At the other end of the object the top surface of the units widen and then shrink along a path giving very original forms of apertures. And more importantly very signiďŹ cant spatial relationships are formulated along the dimensions of the object being of different sizes.

Surface Manipulation

023


024


025


026


027


028


029


Pier 11

Pushing the City’s Edge Manhattan NY/ Wall Street Critic: Alex Barker

When dealing with transportation a key factor to understand is direction and access. This project began to understand the paths of communal and gathering spot of pedestrians in the wall street area. This helped to guide the construction of major and minor entrances to the Pier. As fluid as the navigation design was the construction and shape of the pier needed to be as fluid. The Unit arrived as a organizational tool to define the programmatic needs of communities and ferry dock-age. As an addition the pier also offers recreational parking for outside boating, and retail spaces. The project resulted in an agglomeration of demographic pools. Where communities of different areas from the city would gather and share.

3D Perspective

Sectional View

Aerial View

030

Site Plan

Conceptual Sketches Units


Interior Perspective Pier 11

Model Image (a)

Model Image (b)

Model Image (c) 031


Plan A

Boat Station View

Transverse Section

032


Plan Mezzanine

Program Distribution

Surface Manipulation These modules are used as methods to distinguish different forms for different spatial relationships.

Roof & Floor Plan

Retail & OfďŹ ce

Storage & Seating

033


Overall Perspective

Longitudinal Section

034


Area: Wall Street

Running along East River Manhattan NY/ Pier 11 FDR Highway

Look at the city through blind eyes as the landscape begins to change from point to point. The walkway serves as entrance points for greater activities within the city, pushing you pace longer and faster into the chaotic world of Wall Street. As you reach the midpoint of the machine you notice the infrastructure of its living. How it actually slows down the pace for then to simply spit you out once again. You realize the necessity of activity in this space once huge walls limit your walk, and make you view the city with a wider perspective. Nothing has limits for the pier as it ushes water along the essentials of the street.

035


Lattice

Advanced Computer Media Manhattan NY Critic: Hart Marlow

The Unit here is set up through a series of transformations. It expanded width suggests a strong base or core that is carried through horizontal and vertical extremities. As the Unit is multiplied connections are made through these extremities to the ending of each module. Much of the intention for this project was to push the limits of form ďŹ nding. Developing a certain form with manipulation in all its dimensions, then duplicating and twisting its DNA in order to produce new form. This gave a great attempt at a structural network of what seems to be an inďŹ nite place of connections. An interdisciplinary series of units that change in size and shape to accomplish a cohesive system.

Top View

Perspective View

Lateral View

036

Interior Close Up

Conceptual Sketches Unit


Sequential Sketches

037


Overall Aggregation 038


Lattice: Advanced Media Accelerated Aggregation

Within the depths of chaos we ďŹ nd order and structure. It takes time to understand the repetitive form of nature. But once this system is deconstructed and studied there lies a beautiful constulation of data and form never before seen. Here the project wants to immerse itself to discover the pathology of a network. Looking at how literal connections work with each other. Also how the size of these branches matter wthin the network in relation to space. It has been dissected into its speciďŹ c contingencies. They separate them self with different orientation, size, programmatic use, and even shape.

Diagrammatical Sequence 039


Appendurbia

Low Income Housing Brooklyn NY/ Shore Rd Critic: Maria Sierra

This project attempts a method to low income housing in a site with speciďŹ c Urban qualities. An interstitial quality is found within this suburban/very urban location that triggers very different scales of living. Much of the architectural language of the project is repeated throughout at different scales giving very unique spatial qualities for the parameters of the site. The project was designed mainly through the plan. The diagrams show a thorough site analysis of the intersecting street and there relationship with the site. 3rd ave being more pedestrian driven. 4th ave being more trafďŹ c heavy driven, and shore rd having direct access to park and highway becoming a medium between the urban and suburban environment. Form Taxonomy

Initial Unit Aggregation

Unit Base

Unit Sequence 040


W 3rd ave & W 4th Ave Shore Rd Brooklyn NY

Site Analysis

4th Av A e

A e 3rd Av

John Jones Park

Sho re R oad

Shore

101st

Rd Pa rk

041


Interior Lounge

Level

~

135’-0”

Level

~

120’-0”

Level

~

105’-0”

Level

~

90’-0”

Level

~

75’-0”

Level

~

60’-0”

Level

~

45’-0”

Level

~

30’-0”

Longitudinal Section 1/8”=1’-0” 20’ 16’ 042

40’ 32’


Interior Living Unit

043


METAL FLASHING WOOD BLOCKING

0'-6"

4” RIGID INSULATION WATER BARRIER SHEATHING LAYER 6” METAL STUD BATTE/LOOSE INSULATION CONCRETE SLAB 8”

2'-10"

W21X66

1

PARAPET WALL DETAIL Scale: 1-1/2" = 1'-0"

0'-4"

WINDOW FRAME BACKER ROD & SEALANT ZINC FLASHING & DRIP

1'-6"

WATER BARRIER 4” RIGID INSULATION

1

WINDOW SILL DETAIL Scale: 1-1/2" = 1'-0"

WOOD FLOORING

0'-2"

CONCRETE SLAB 8” 4” RIGID INSULATION WATER BARRIER

1'-9"

SHEATHING LAYER DENS GLASS (GOLD BOND) W21X66

6” METAL STUD BATTE/LOOSE INSULATION

1

FLOOR SLAB DETAIL Scale: 1-1/2" = 1'-0"

044


1

6'-2"

T.O.PP ROOF +120'-11"

2'-10"

B.O.F LEVEL 7 +105'-11"

2'-6"

W21X66

1

15'-1"

T.O.MULLION +19'-11" 1

BONDING PAD

2” GFRC PANEL

STEEL FLEX ANCHOR

4” RIGID INSULATION

14'-2"

WATER BARRIER 3/4” SHEATHING LAYER (DENS GLASS) BATT/LOOS FILL INSULATION 6” METAL STUD

T.O.F.F LEVEL 1 +0'-0"

GRAVEL VAPOR BARRIER

SECTION AT WEST WALL Scale: 1/2" = 1'-0"

045


A

A

Diagrammatical Section of Underground Condition

Level @ +30’-0” 1/8”=1’-0” 20’ 16’

40’ 32’

Housing

Housing Housing

Mixed Use

Housing

Mixed Use

Parking Parking

046

Mixed Use


Area: Bay Ridge

Running along Verrazano Bridge Brooklyn NY/ Shore Rd W 3rd ave & W 4th ave

Axonometric Floor Plans Level 120’-0”

Level 105’-0”

Level 90’-0”

Theater

Level 60’-0”

RestRoom

A Level 30’-0”

N

Apartment

Parking Level

047


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