انذيـــى انٍاتاٍَـــــح انرقهٍذٌــــــح
يجًىعح
تًرحف كهٍح انفُىٌ انجًٍهح تانشيانك ٌانراتعح نجايعح حهىا
THE TRADITIONAL JAPANESE DOLLS COLLECTION In The Museum of Faculty of Fine Arts-Helwan University
ٌإهذاء يٍ يؤطظح انٍاتا
The collection is a generous grant from Japan Foundation
ٍخ١ّْ اٌغٕٛخاٌف١ٍ ثّزؾف وِٝػخ اٌذّٛاٌمبػخ اٌّخظظخ ٌؼشع ِغ بثبن١ٌ ِإعغخ اٚ ْاٍٛب ثّغبػذاد ِٓ عبِؼخ ؽٙغ١رُ رأع
Specific hall for doll’s collection was made possible in Faculty of Fine Arts Museum through the funds received from Helwan University and Japan Foundation
يقذيح : انٍاتــــاٌ" :يًهكـــــح انذيى"
ذِ– "ٝ رزّزغ اٌ١بثبْ – وّب ٘ٚ ٛاػؼ ِٓ اعّٙب "ٍِّىخ اٌُ ذِ ٝأ ٚاٌؼشائظ ،فىً ثضمبفخ غٕ١خ ٚرشاس ػظ ِٓ ُ١فٕ ْٛاٌُ دِ١خ ػٍ ٝؽذح ٌٙب اٌّؼٕٚ ٝاٌغشع اٌخبص ِٕٙب ٛ٘ٚفٔ ٟفظ اٌٛلذ
٠ؼجش
رؼج١شا
ٚص١مب
اٌّغزّغ
ػٓ
اٌ١ِٛ١خ
ٚاٌؾ١بح
اٌ١بثبٔ١خ. ٚلذ رجٕذ اٌزمبٌ١ذ اٌ١بثبٔ١خ اٌمذّ٠خ ِضً )ٕ٘١ب ِبرغٛس- ٞ " )"Hina Matsuriأِٙ" ٚشعبْ اٌفز١بد" ٘زا إٌٛع اٌفش٠ذ ِٓ صمبفخ
ذِٝ اٌُ
.
ٚ
لذ
أدٜ
اٌزمذ٠ش
ٌّضً
٘زٖ
إٌٛػ١خ
ِٓ
ذِ١ٌ ٝغذ ِغشد ٌؼت اٌضمبفبد ػجش اٌؼظٛس ئٌ ٝاالػزمبد ثأْ اٌُ خبطخ ثبألطفبي اٌظغبس ،ثً ٘ ٟأػّبي فٕ١خ ٠غت أْ رؼشع ثؼٕب٠خ ٚأْ رش ٜثؼ ٓ١االػزجبس ٚرمذس عّبٌ١ب ٚفٕ١ب. ذِ ٝاٌ١بثبٔ١خ ٚئٌٚ ٝلزٕب اٌّؼبطشِ ،بصاي اٌؾشف٠ ْٛ١ظٕؼ ْٛاٌُ ِغزخذِٓ١
اٌزمٍ١ذ٠خ ٚاٌزمذ٠ـــش. اٌّؼبطشٓ٠
ٚفٟ
ثٙزا
رطٛس
اٌّغبي
رغزخذَ ف ٟػبٌُ اٌذ٠ىٛس.
األعبٌ١ت ِض١ش،
اٌمذّ٠خ ا٘زُ
٠ٚمِْٛٛ
اإلػغبة
فزٕبي
اٌؼذ٠ذ
ِٓ
دِٝ ُ
فبئمخ
ثظٕغ
اٌفٕبٔٓ١ اٌغّبي
يٍ أغزاض نهظحز األطىد إنى أنعاب نألطفال: ذارٌخ انذيـــى (انعزائـــض) انٍاتاٍَح ذِ ٝدائّب دٚسا أعبع١ب ف ٟاٌضمبفخ اٌ١بثبٔ١خ٠ .ؼٛد ٌؼجذ اٌُ ربس٠خ اٌذِ ٝاٌ١بثبٔ١خ ئٌ ٝرّبص ً١اٌط ٓ١ف ٟػظش عِْٛٛ ( 400 ~ 13،000ق ٚ )َ.رّبص ً١اٌذفٕبد ف ٟػٙذ وٛف~ 250( ْٛ ٚ .)َ 700رش١ش اٌذالئً اٌ ٝأْ ٘زٖ اٌّغغّبد وبٔذ رغزخذَ فٟ اٌطمٛط اٌذ١ٕ٠خ ٚاٌغؾش األعٛدٚ .خالي ػٙذ ٘١بْ (1185 - 794 َ) ،وبٔذ رزُ اٌزؼؾ١خ ثبٌذِٚ ٝغ١ش٘ب ِٓ األشىبي اٌجشش٠خ ِٓ أعً اٌزخٍض ِٓ اٌّشع ٚعٛء اٌؾظ. ٚئٌ ٝاٌ ،َٛ١ال٠ضاي رمٍ١ذ "ٔبعبش ٟثٕ١ب" ٛ٘ٚرؼ ُ٠ٛاٌذِٝ ّ٠بسط إٌِٛ٠ ٝب ٘زا اٌٛسل١خ ف ٟإٌٙش ثبرغبٖ عش٠بْ ِبئُٗ ، ف ٟثؼغ أٔؾبء اٌ١بثبْٚ ،رٌه ثغشع غغً اٌزٔٛة. ثبٌزذس٠ظ ،أفظٍذ ٘زٖ "اٌّغغّبد اٌجشش٠خ" ػٓ ػبداد ٚطمٛط طت اٌٍؼٕــبد ٚرؾٌٛذ اٌٌ ٝؼت ٌٍفز١بد اٌظغ١شاد. خالي ػظش ٘١بْ ( ،)َ 1185 - 794ػٕذِب ثذأد صمبفخ طبٌ ْٛاٌجالؽ ف ٟاٌظٛٙس ،أطجؼ اٌٍؼت ِغ اٌذِٔ ٝشبطب سائغــب ث ٓ١ثٕبد أعش إٌجالءٌ.زا وبٔذ اٌذِ ٝاٌّظٕٛػخ ِٓ لجً اٌؾشف ٓ١١اٌّٙشح – خبطخ ِٓ ِذٕ٠خ وٛ١رِ – ٛؾجٛثخ ِٓ أطفبي إٌجالء. ٚثمذ َٚػظش ئ٠ـــذ )َ 1868 – 1603( ٚأطجؼ طٕبع اٌذِٝ ٚؽشف٘ٛ١ب ِٛعٛد ْٚف ٟوً ِذٕ٠خ ٠بثبٔ١خ وج١شح .ؽ١ش وبٔذ اٌذِ ٝرؼشع ف ٟإٌّبصي وّب وبٔذ رغزخذَ ف ٟاالؽزفبالد ٚاٌّٙشعبٔبد ٚثؼغ اٌطمٛط ِضً ٕ٘١ب ٔبعبش ٟاٌز ٞرمذَ روشٖ.
Introduction JAPAN : “KINGDOM OF DOLLS” As its name “Kingdom of Dolls” suggests, Japan enjoys a rich culture of dolls. Each doll has its own distinct meaning and purpose, and is deeply connected to daily life. Old Japanese traditions such as Hina Matsuri (Girls’ Festival) have fostered this unique culture of dolls. This traditional appreciation for dolls has resulted in the belief that dolls are not only children’s toys but also works of art to be displayed and admired. Furthermore, familiar themes from Noh and Kabuki drama have been incorporated into the culture of dolls, thus creating unlimited styles. Even in these modern times, craftsmen using time-honored methods create traditional Japanese dolls that are cherished by their owners. In an exciting development, many contemporary artists have also emerged and are crafting unique Japanese dolls for the decorative art world.
From Objects of Black Magic to Children’s Toys A History of Japanese Dolls: Dolls have always played a basic role in the Japanese culture. The history of Japanese dolls dates back to the clay figures of the Jomon era (c. 13,000 ~ 400 BC) and burial-mound figures of the Kofun era (c. 250 ~ 700 AD). Evidences show that these figures were employed in religious rituals and black magic. During the Heian era (794 – 1185 AD), dolls and other forms of human figures were sacrificed as effigies in order to drive away disease and bad luck. The custom of Nagashi Bina, or floating paper dolls downriver in the hope of washing away impurities, continues today in some parts of Japan. Gradually, these “human figures” were dissociated with the customs and rituals of casting spells and became toys for young girls. During the Heian era (794 – 1185 AD), when the Culture of the Court Salon was emerging, playing with dolls became popular activity among the daughters of noble families. Hence the dolls made by skillful craftsmen particularly in Kyoto, were loved by noble children. During Edo-era (1603 – 1868), dolls’ makers and craftsmen could be found in every major Japanese city. Dolls were displayed in homes and used in celebrations, festivals, & rituals as Hina Nagashi, which has been mentioned above.
ٓ١ػ ِب ثٚ رزشاٟاٌزٚ اعٛٔخ ػذح أ٠ذ١ٍخ اٌزم١ٔبثب١ٌ اٌٍِٝذ بٙظٕؼ٠ ٟخ اٌز١سلٌٛ اٌؼشائظ اٝؽزٚ ٜٛؼخ اٌّغز١خ سف١ٕلطغ ف .األطفبي :ٝذِــ ٌُاع اٛٔش أٙٓ أش١ِٓ ثٚ
Traditional Japanese dolls come in several varieties and range from fine crafts to paper dolls crafted by children. Among the most famous categories of dolls are:
御所人形
GOSHO NINGYO
جىشى ٍَُجٍى ديى انقصز اإليثزاطىري
ٞٚٓ ر١ئخ أطفبي ِّزٍئ١٘ ٍٝخ ػ٠ذ١ٍخ اٌزم١ٔبثب١ٌ اِٝ اٌذٟ٘ ٗعٚ شح ِغ ِالِؼ١ط وجٚسؤٚ شح١ ثأطشاف طغ،ؼبء ٔبػّخ١ثششح ث ِٝخ ٘زٖ اٌذ٠د ربسٛؼ٠ .ً ٌألطفبي١ّش اٌغٙ٘بدئخ ٌٕمً اٌّظ اٌجالؽٟ اٌّفؼٍخ فِٝ فمذ وبٔذ اٌذ. عٕخ400 ِٓ أوضشٌٝئ ؼخ١ سفِٝذ ُب و١غ٠ اٌّغزّغ رذسٟرُ الزٕبؤ٘ب ف
.ٞسٛاإلِجشاط
.ذ٠اٌؼّش اٌّذٚ ذ١ب رغٍت اٌؾظ اٌغؼٙٔؼزمذ أ٠ ُ ٜٛاٌّغز
Imperial Palace Dolls Gosho Ningyo are traditional Japanese dolls in the form of cute chubby children with soft white skin, small limbs and big heads with serene facial features to convey the sweet appearance of children. Their history is dated back more than 400 years. They were favoured at the Imperial Court, and gradually obtained in the society as a high quality dolls believed to bring good luck and longevity.
暫
)ٛجبساو١أزظش ٌؾظخ! (ش
Wait a moment ! ) Shibaraku (
人形遣い
)ٜوبٛ رغٛ١ٕغ١ٔ(
ِؾشن اٌؼشائــــظ
. ٗز١ٍِؼت ثذ٠ ش١طفً طغ
Puppeteer (Ningyo Tsukai) A child is playing with his doll.
笛吹
)ٝوٛٗ ف٠ٛد (فٍٛ اٌفٍٝؼضف ػ٠ ًطف رؾذٝط ثزبط ر٘جٛ ِزٜسٛطفً ِٓ اٌمظش اإلِجشاط ٍٝؼضف ػ٠ ٚ ٍٗب أسع١ٔغ عبٌغب صب١شّظ اٌشث . دٍٛاٌف Playing a Flute ( Fue Fuki) A Court Child with a gold crown under the spring sunshine is sitting straight with his legs folded and playing the flute .
面持
) ٝرشِٛ ٗ١رِّٛغه لٕبػب (أ٠ ًطف ِغزّزغ ثبٌٍؼت ثمٕبعٚ ش ِغزغشق١طفً طغ .غ١ء شّظ اٌشثٛ ػٝ) فٛذ (رٕغ٠اٌؼفش Holding a Mask (Omote Mochi) A Child is happily playing with a mask of the long–nose goblin (Tengu)under the spring sunshine.
Kyo Ningyo
كٍـــى ٍَُجٍى
京人形
ديى كٍــىذـــــى فِ ٟذٕ٠خ و١ـــٛرِ –ٛذٕ٠خ اٌزمبٌ١ذ-
ذِ ٝاٌّظٕؼخ رزّ١ض اٌُ
ثّالثغٙب اٌفخّخ ٚصشائٙب ثأػّبي اٌزطش٠ض اٌّزٕب٘١خ اٌذلخ. ِٓ ث ٓ١األٔٛاع اٌّخزٍفخ ِٓ اٌذِ ٝاٌ١بثبٔ١خ ،رؼشف وٕ١ٔ ٛ١غٛ١ دِـــٝ (ُ
وٛ١رـــ)ٛ فٟ
اٌؾشفْٛ١
ثأٔٙب
ِذٕ٠خ
لطغ
وٛ١رٛ
فٕ١خ
فبئمخ
ثبعزخذاَ
اٌغٛدح
األعبٌ١ت
ٕ٠فز٘ب
اٌزمٍ١ذ٠خ
اٌّزٛاسصخ ف ٟإٌّطمخ. ئْ رطٛس اٌذِ ٝاٌ١بثبٔ١خ ٌٛص١ك اٌظٍخ ِغ وٛ١ر .ٛؽز ٝفٟ فزشح ئ٠ذ ،)َ1868 – 1603( ٚػٕذِب أزمٍذ اٌؾىِٛخ ِٓ وٛ١رٛ ئٌِ ٝذٕ٠خ ئ٠ذ( ٚطٛو ٛ١اٌؾبٌ١خ) ،ثم١ذ ِذٕ٠خ وٛ١رٛ
ِٛطٕب
ٌضمبفخ اٌذِ ٝاٌ١بثبٔ١خٚ ،اٌز ٟاعزّشد ف ٟاٌزطٛسٌ .زا فاْ اٌزبس٠خ اٌّغزٜٛ
اٌطً٠ٛ فٟ
ٌٍؾشف
وٛ١رٛ
دائّب
اٌ١ذ٠ٚخ ِب
ٚاٌّٙبساد
ػضصد
اٌغٛدح
اٌفٕ١خ اٌؼبٌ١خ
سف١ؼخ ٌذِــٝ
وٛ١رــــ.ٛ ٚرزى ْٛدِــ ٝوٛ١رــــ ٛف ٟاألعبط ِٓ سأط ٚشؼش ٠ٚذٚ ٓ٠عبل،ٓ١ ثبإلػبفخ اٌ ٝاٌّالثظ ٚاألدٚادٚ ،اٌز٠ ٟظٕغ وً ِٕٙب ؽشفِ ٟزخظض.
K
Kyoto Dolls (Traditional & Contemporary) Dolls made in Kyoto, the city of traditions. especially intricate embroidery has been lavished on the costumes. Among the various types of Japanese dolls , Kyo Ningyo (Kyoto dolls) , are known as premium-quality art pieces made by craftsmen in Kyoto city , using the traditional techniques handed down in the region . The evolution of Japanese dolls has a strong correlation to Kyoto . Even in the Edo period ( 1603-1868 AD) , when the government seat moved from Kyoto to the city of Edo (present Tokyo ) ,Kyoto remained the home of Japan’s dolls culture , which continued to evolve . Thus the long handicraft history of Kyoto and the sophisticated artisan skills available in the region have always supported the high quality of Kyo Ningyo .
A Kyo Ningyo primarily consists of a head, hair, hands and legs, clothes and gadgetry, each of which is made by specialized artisan.
春の宵
. )ٜٛ٠ ٛٔ ٚ ( ٘بسٟـؼـــــ١راد ِغبء سث
Once upon a Spring Evening( Haru no Yoi).
衣擦れ
)ٗ٠سٚصٕٛ١و
)ــــش٠ــــف اٌؾش١ؽف
ػذحٞ رشرذ،قِٛذح راد ِشوض ِش١خ ٌغ١ِد ٟ٘ٚ مب١فب سل١) رظذس ؽفّٛٔٛ١ش (و٠ػجبءاد ؽش .ٟرّشـــ
Silk Swish (Kinuzure) A doll depicts a high-ranking lady, wearing silk gowns swishing as she walks.
鏡獅子
) ٝش١ عِٝوبعب
) ػ األعذٚس
ً ٌشعٟوٛشح ِٓ ِغشػ اٌىبث١ٙخ ش١خ ٌشخظ١ِد .غ١ػ أعذ أثٚئزٗ س١ٙزمّض ث٠
A Lion’s Spirit (Kagami Jishi ) Famous Japanese Kabuki Theatre doll dressed as White Lion .
初詣で
))هاذظىيىدٌه
سٌارج انًعثــــذ فً رأص انظُــــح
بٙم٠ طشٟذ٘ب ف٠ ٟاِشأح شبثخ ِّغىخ ثّظٍخ ف .ذ٠خ اٌؼبَ اٌغذ٠ ثذاٟ فٌٍّٞٛؼجذ اٌشٕز
New Year's Visit to Shrine (Hatsumōde) This doll depicts a beautiful young woman with an umbrella in her hand on her way to the Shinto temple in the new year.
ئرشّ١برغٕ١ٔ ٛغٛ١
ICHIMATSU NINGYO
市松人形
ديى إذـشًٍاذظـــى
ذِ ٝاألطفبي اٌ١بثبٔ ٓ١١رظ٠ٛشا رظٛس ٘زٖ اٌُ فؼٍ١ب ِشرذ ٓ٠اٌّالثظ اٌشعّ١خ.
Ichimatsu Dolls
Dolls realistically depicting Japanese children, wearing formal costumes.
移し市松人形
أوذظىشـــً إذشًٍاذظى-(ذـــىرٌه ٍَُجٍـــى )ٍَُجٍى بد٠الٌٛاٚ ٍٝػ
ْبثب١ٌا
وؼالِخ
رجبدٌذ
بد١ِاٌذ
1927
خ١ى٠األِش
َػب
ٟف
اٌّزؾذح
ٟ٘ خ١ِ٘زٖ اٌذٚ .ّبٕٙ١اٌظذالخ اٌّشزشوخ ث ٟ اٌزّٛبرغ١بد ئرـش١ِ دٜٔغخخ طجك األطً إلؽذ .ىب٠بثبْ ألِش١ٌب اٙأ٘ذر
Ichimatsu Doll copied from an Exchange Doll （Tōrei Ningyo - Utsushi Ichimatsu Ningyo） In 1927, Japan and the U.S.A. exchanged dolls as a sign of friendship between the two countries. This is a copy of an Ichimatsu doll that was given to the U.S by Japan.
َـــى ٍَُجٍـــى
NOH NINGYO
能人形
ديـــى يظزح انـُـــى ٠ؼذ ِغشػ اٌـ"ٔـــ– "ٛ
ٚاٌز ٞرشعغ ثذا٠برٗ
ٌفزشح " ِٛسِٚبرشـــ1400 ِٓ( )Muromachi( "ٟ ئٌٚ – )َ1600 ٝاؽذا ِٓ أػظُ أشىبي اٌفْٕٛ اٌزمٍ١ذ٠خ ٌٍ١بثبْٚ ،ف٠ ٗ١م َٛاٌّّضٍْٛ ثبسرذاء األلٕؼخ ٚاٌّالثظ اٌفبخشح أصٕبء اٌؼشع. ذِـــ ٝاٌشخظ١بد اٌش١ٙشح فٟ ٚرغغذ ٘زٖ اٌُ ػشٚع ِغشػ "إٌــــ."ٛ
Noh Dolls Noh theater, which had its beginning in the Muromachi period (1400-1600), is one of Japan’s great traditional art forms. In Noh, actors wear masks and elaborate costumes as they dance. The Noh ningyo (dolls) are depicting famous characters of the noh theatre.
花筐 )طهح انشهـــىر)هاَاجاذايى ،"ٛ"ٔـــ ٟ٘ٚ
سٛ٘ص
اٌـ عٍخ
ِغشػ ًّرؾ
ِٓ
دساِب
شبثخ
ٓػ
فزبح
ِمزجغخ شٙرظ
ٟ٘ٚ
بٙ١فٚ
.بٙج١رالؽــك ؽج
Flower Basket（Hanagatami）
From Noh drama, this figure of a young lady holding a flower basket is pursuing her lover.
هاكاذـــا ٍَُجٍـــى
HAKATA NINGYO
博多人形
ديــــى هاكاذــا دِ ٝاٌـٙبوبرب ف ٟإٌّطمخ اٌّغّبح ثٕفظ رظٕغ ُ االعُ
–
٘بوبرـــب
–
فٟ
عض٠شح
وٛ١شـــٛ
فٟ
اٌ١بثبْٚ ،رشزٙش ثأٔٙب اٌّّضٍخ ٌذِ ٝاٌطّ ٟأٚ اٌظٍظبي
فٟ
اٌ١بثـــبْ،
ٚرؼشف
ثأٌٛأٙب اٌغٍّ١ـــخ اٌجشالــــخ.
ثٛعٗ
خبص
Hakata Dolls Hakata ningyo, which are made in the Hakata area of Kyushu Island in Japan, are representative of clay dolls in Japan, are known particularly for their bright & beautiful colours.
芳し
)غُــــذور (كاجىواشى .مخ ػطشح١ٔخ ٌشعً ِٓ إٌجالء ثّالثظ أ١ِد
Dandy man (Kaguwashi) Figure depicting an elegant fragrant nobleman
黒多武士
( ً(كىرودا تىشــــ
انظايـــىراي كىرودا
ْسح سعً اعزطبع أٛ أعطٍٝخ ػ١ٕخ ٕ٘ب ِج١ِلظخ اٌذ ففبص ثشِؼ عضاءٟخ ٘بئٍخ ِٓ خّش اٌغبو١ّزغشع و٠ .بئٍخٌِٙمذسرٗ ا
Samurai of Kuroda （Kurodabushi） This doll is based on legend about a man who gulped down sake in a large cup and obtained a spear as a prize.
GOGATSU NINGYO
جىجاذظى ٍَُجٍى
五月人形
ديى يهزجاٌ انصثٍاٌ ٚوّب أْ ٕ٘بن ِٙشعبْ "ٕ٘١ب ِبرغٛسٌٍ "ٞفز١بد ٠ؼمذ ف ٟاٌضبٌش ِٓ ِبسط ِٓ وً ػبَ٠ ،مبَ أ٠ؼب ِٙشعبْ ٌٍظج١بْ – أٚ
ّ – "ٛفٟ "ربٔغ ٛٔ ٛع١ى
َٛ٠اٌخبِظ ِٓ شٙش ِب ِٓ ٛ٠وً ػبَ. االؽزفبي ِغّٛػبد
رمَٛ سائؼخ
األعش ِٓ
راد
األثٕبء
أشىبي
ف٘ ٟزا
اٌزوٛس
اٌذسٚع
ثؼشع
اٌؾشث١خ
اٌّظغشح ِٚالثظ اٌّؾبسث ٓ١اٌ١بثبٔ ٓ١١اٌزمٍ١ذ٠خ اٌمذّ٠خ٠ٚ ،زمذِ ْٛفٙ١ب ثبٌذػبء ألعً فز١بُٔٙ ؽز٠ ٝشجٛا أل٠ٛبء ٚأطؾبء.
Dolls for the Boys’ Festival It is the festival for boys that corresponds to 3rd March Hina Matsuri festival for girls, it is called Tango no Sekku, or simply the “Boys’ Festival”, and is held on 5th May; fifth day of the fifth month each year. Families with sons display splendid sets of miniature armor and figures of costumed warriors, and offer prayers that their sons will grow up strong and healthy.
鐘馗
)ً(شىك
انزوح انصٍٍُح انحارطح
،خ١ٕ١سح طٛ) ِٓ أعطٟوٛخ (ش١ِخ د١عبءد شخظ عٍت األِشاعٞطبْ اٌز١) اٌشٟوٛب (شٙ١لزً ف ػٚ اٌشٛ٘ ْٛى٠ زاٙ ثٚ ،ٖئ ٌجالد١اٌؾظ اٌغٚ .سٚاٌؾبسعخ ٌٍجالد ِٓ اٌشش
Chinese Guardian Spirit
（Shōki）
The Shōki doll is from a Chinese myth in which Shōki killed a devil who brought disease and misfortune.
و١ّ١ىٕ١ٔ ِٟٛغ١ـــٛ
木目込人形
KIMEKOMI NINGYO
دِــــ ٝاٌى١ّ١ى/ ِٟٛدِ ٝخشج١خ رشرذ ٞوّٛٔٛ١ ُ ٠ش١ش
اعُ
"و١ّ١ى"ِٟٛ
ئٌٝ
طش٠مخ
طٕغ
٘زٖ
اٌذِٝ
ؽ١ش
اٌخشت ٘ ٛاٌّبدح األعبع١خ٠ .ؼٛد أطً دِ ٝاٌـ"و١ّ١ى"ِٟٛ اٌ ٝدِــ" ٝوبِ( "ٛخشت شغش اٌظفظبف) ،اٌز ٟوبٔذ دِٝ طغ١شح رٕؾذ ِٓ اٌظفظبف ٚرض ٓ٠ثمظبطبد اٌمّبػ٠ .جذأ طبٔغ اٌذِ١خ ثمبػذح ِٕؾٛرخ /ٚأِ ٚمٌٛجخ ِٓ اٌخشت ا ٚعض خشج ٟأ – ٚف ٟثؼغ اٌذِ ٝاٌؾذ٠ضخ – ف َٛثالعز١ه٠ .زُ ثؼذ رٌه ٌظك لظبطبد اٌمّبػ إٌّمٛشخ ػٍ ٝاٌمبػذح اٌّخذدح ثؾ١ش ّ٠ىٓ دط ٚط ٟؽٛاف اٌمّبػ ف ٟاألخبد٠ذ .لذ ٠ىْٛ اٌشؼش
عضءا
ِٕفظٍخ.
ِٓ
اٌشأط
اٌّظجٛة
أٚ
لذ
٠ىْٛ
ثبسٚوخ
Wooden Dolls Dressed in Kimono Kimekomi refers to a method of making dolls where wood is the main material. The ancestors of Kimekomi dolls are the Kamo (willow-wood) dolls; small dolls carved of willow and decorated with cloth scraps. Doll-maker starts with a carved and/or molded base of wood, wood compo, or (in some modern dolls) plastic foam. Then
patterned
cloth
scraps
are
added
to
the
grooved base so that the cloth is glued on, and the edges of the cloth can be tucked inside the grooves. The hair could be part of the molded head or a separate wig.
秋色
( (أكً إرو
دخـــــىل انخزٌــــف
.فراج صغٍزج ذًظك تعزوطح
Beginning of Autumn (Akiiro) A young girl holding a doll.
春近く
اقرزب انزتٍـــــع ( هارو
ذشٍكاكـــى(
)Spring is close (Haru Chikaku
春障子
)( هارو شىجى
َافــــــذج فً انزتٍـــــع
.ً١ّ اٌفظً اٌغٟٓ ف٠اِشأح شبثخ رزض
Window in Spring (Haru Shouji) Young woman applying makeup in the beautiful season.
ひねもす
(طـــىال انٍــــىو (هٍٍُه يىطى َٛب اْ رمٙ١ٍ ػٟخ اٌز١ٌ اٌؾشوخ اٌزبٟمخ رفىش ف١ٔ ِالثظ اٞفزبح رشرذ ."ٛغــــ٠ ٌؼجــــخ اٌـ"ئٟب فٙث
All Day Long
(Hinemoso)
A young lady with elegant attires thinking of her next move for the Igo game.
كىكٍشـــً ٍَُجٍـــى
KOKESHI Ningyo
こけし 人形
ديـــى انكىكٍشـــً/انذيــــى انخشثٍــــح
٘ ٟدِ ٝخشج١خ رشزٙش ثجغبطزٙب ٚأٌٛأٙب اٌجشالخ ،رظٕغ ثبألعبٌ١ت اٌ١بثبٔ١خ ٌخشاطخ اٌخشت ٟ٘ٚ ،رٕمغُ ثٛعٗ ػبَ ئٌٛٔ ٝػ" :ٓ١اٌىٛو١شٟ اٌزمٍ١ذ٠خ" "ٚاٌىٛو١ش ٟاٌؾذ٠ضخ" أ" ٚاٌّجزىشح": دِ" ٝاٌىٛو١ش ٟاٌزمٍ١ذ٠خ" ٘ٛٔ ٟع ِٓ اٌفٓ اٌّؾٍ٠ ٟظٕغ ف ٟاألٔؾبء ُ اٌشّبٌ١خ اٌششل١خ ِٓ اٌ١بثبْٚ ،لذ ٔشأ ف ٟأٚاخش فزشح اٌـ"ئ٠ـــذ."ٚ ذِ ٝأ٠ؼب رجؼب ٌّٕطمخ اٌٛسشخ اٌز ٟطٕؼذ فٙ١ب (ِضال ٘زا ٚرظٕف ٘زٖ اٌُ "عّٛػخ "ٔبسٚوٌ ،) Naruko-series – "ٛىً ِغّٛػخ طفبرٙب ٚرظّّ١برٙب اٌز ٟرّ١ض٘ب ٚ .لذ رُ رٛس٠ش رمٕ١بد ٚخظبئض ٘زا اٌفٓ ِٓ اٌّؼٍُ ئٌٝ اٌزٍّ١ز ِٓٚع ً١ئٌ ٝع ً١ؽزٚ ٝلزٕب ٘زا. دِ" ٝاٌىٛو١ش ٟاٌّجزىشح" ٟ٘ :فٓ ِٓ فٕ ْٛاٌؾشف اٌ١ذ٠ٚخ ٠طٍك طبٔؼٗ ُ اٌؼٕبْ ٌخ١بٌٗ ف ٟرشى ً١اٌذِ١خ وّب ٠ؾٍٚ .ٌٗ ٛثؼذ اٌؾشة اٌؼبٌّ١خ اٌضبٔ١خ ،اعزخذِذ رمٕ١بد عذ٠ذح ِٓ إٌؾذ ٚاٌؾشق ف٘ ٟزا اٌّغبي األِش اٌز ٞعؼً ٘زا اٌفٓ ٠ؾٛص ػٍ ٝػظ ُ١اإلػغبة ٚاٌزمذ٠ش.
KOKESHI DOLLS /The wooden dolls
Wooden dolls known for their simplicity and brilliant colours. They are made using Japanese wood turnery techniques, and are divided into two general types: “Traditional Kokeshi” and “Creative Kokeshi.”
“Traditional Kokeshi” are a local art form practiced in the northeast regions of Japan. They originated in the latter part of the Edo period. Traditional Kokeshi dolls are further classified according to the location of the workshop where they are made (as the Naruko-series of dolls). The dolls of each series have their own special features and designs. The techniques used in the making of these dolls have been handed down from master to pupil to the present day. “Creative Kokeshi” is a handicraft that exercises the free and unrestrained imagination of an individual artist. After World War II, these dolls are crafted using original techniques of engraving and baking, and are appreciated as unique works of art.
ديى ذصىر عاداخ انٍاتـــاٌ: و هً ديى ذصىر انٍاتاٍٍٍَ أثُاء أَشطرهى انًرُىعح.
Dolls Depicting Activities and Customs in Japan
.
ことろ
)نعثح انشـــارج (كىذىرو . ـــخ اٌظف٠بٙٔ ٟ فٞي اإلِغبن ثبٌطفً اٌزٚؾب٠ ًطف
Playing Tag
（Kotoro）
A child is trying to catch another child who is at the end of the line .
元禄花見踊り
( رقص انشهىر (هاَايً اودوري .س اٌىشصٛسلــض أصٕبء سؽٍـــخ ِشب٘ذح ص٘ـــ
Dancing For Flowers （Hanami Odori） A woman dancing in her outing to enjoy the view of cherry blossoms .
يجًىعح انذيى انٍاتاٍَح يعزوضح تشكم دائى فى قاعح يخصصح نها تًرحف كهٍح انفُىٌ انجًٍهح تانشيانك انعُىاٌ ٤ :أ شارع يحًذ انثاقة – انشيانك
-انقاهزج
.
انًرحف يفرىح نهجًاهٍز ٌىيٍا يٍ انظاعح انراطعح و انُصف صثاحا حرى انظاعح انثاٍَح ظهزا ،ياعذا أٌاو انجًعح و انظثد و انعطالخ انزطًٍح . Japanese Dolls is a permanent collection in Faculty of Fine Arts Museum Address: 4a Mohamed El Thakeb st. Zamalek . Cairo . Open to public everyday from 9:30 am to 2 pm Closed on Fridays and Saturdays and national holidays
The Traditional Japanese Dolls Collection Japan : Kingdom of Dolls
Written & edited by : The Japan Foundation Cairo Office Photography : Rania Fouad Š 2017