Ranjit Sehambi Portfolio by Ranjit Sehambi

Ranjit Sehambi

Portfolio

Personal Details Name Ranjit Sehambi Date of Birth 15th December 1968 Address 90 Park Road Hendon London NW4 3PE Mobile: +44 (0)7973 111 658 Email: ranj@sehambi.com Attitude • Professional • Commercial • Inspiring • Diplomatic • Creative • Experienced • Committed Skills & Competencies • Conventional and digital print • Managing production teams • Asset management • Project planning, costing and delivery • Production systems and process • Advanced CS3/CS5 knowledge • Expert retouching skills • Problem solving expertise • Liaising with clients and suppliers • Software training Media Experience • Advertising • Branding • Guidelines • Brand environments • Packaging • Direct marketing • Point-of-sale • Television Interests & Hobbies • Gadgets and technology • Computers, software and hardware • News and current affairs • Future trends and discovery • Science and the natural world • Sports, cars and movies • Next generation gaming • Theatre, music and eating out • Living life to the full

A highly motivated production and creative professional with over 17 years of industry leading experience from design and production to management and consultancy. Employment Freelance January 2010 – Present Design & Production Consultant Freelancing at various agencies as a Production Consultant. FutureBrand London April 2007 – November 2009 Production Director I started working for FutureBrand as a Senior Production Consultant on numerous branding and print projects. I was then asked to audit the existing processes and procedures and finally recommend ways to improve, streamline and make profitable the Production department as it stood. I joined the agency as Production Director in November 2007. I built a world class team that fully delivered the highest quality artwork and assets to clients, printers and suppliers, locally, regionally and globally. I employed staff, oversaw freelance resource, implemented new processes and procedures, increased the quality and speed of delivery, improved the profitability of the department and built solid foundations for future growth. FutureBrand Achievements • Built a robust and highly capable Production department. • Hired exceptional and experienced staff that complemented and expanded on the skills of the existing Production department. • Expanded the professional skills of the Production team. • Raised the technical knowledge and standards in all departments. • Mentored, inspired and lead the Production team by example. • Increased the revenue and value of the Production department. • Streamlined and developed systems and processes that increased profitability. • Increased quality of all production assets that were released to clients and partners. • Created new resilient and custom made artwork briefing and sign off procedures developed closely with other departments that would track costs from proposals and eliminate costly production mistakes prior to the release of assets. • Improved and built upon the existing Production IT systems. • Offered long term strategies for the naming, filing and archiving of work. • Promoted the Production department both internally and externally. • Created a roster of exceptional suppliers and partners thus reducing external costs for clients and internal costs for FutureBrand. • Technically specified, negotiated and costed all printed and production collateral from initial brief to final output and delivery. • Built a library of samples of both papers and printed collateral to be used as a starting point for creative research and costing purposes. • Dealt with day to day urgent unplanned scenarios by offering considered solutions that minimised disruption for the Production department, while still allowing all client deadlines to be met.

Ranjit Sehambi

Employment continued Freelance London July 1995 – April 2007 Production Consultant Freelancing allowed me to extend my experience across a wide range of disciplines and to enhance my problem solving expertise. I was often employed on a contract basis to deliver large projects on time and to budget, oversee design and production staff and to liaise with clients. Agencies I worked for included Nucleus, BCG Communications, Conran Design, Baber Smith, HHM and Start Creative. Burrows Bew & Moore London June 1994 – June 1995 Middleweight Designer

Education

I moved to London in 1994 to further my career. At BBM I designed, artworked and handled the print across a diverse range of disciplines including packaging, pos, literature and direct marketing. This was a constantly challenging role where I learnt and evolved as a designer, mainly serving London clients but working closely with our Bristol office.

BTEC National Diploma, HNC in Graphic Design, Awards from the Chartered Society of Designers and Society of

Picador Design Bristol September 1992 – May 1994 Junior Designer Working in this small but busy design studio on the outskirts of Bristol was a perfect start to my design career. The role involved producing a wide range of promotional literature enabling me to develop my creative skills as well as learning how to manage projects and communicate with clients directly.

Brunel Technical College Bristol September 1988 – August 1992

Typographic Designers. St. George Secondary Bristol O Levels Art, Geography, Physics, Maths, English, English Literature, General Paper, History. A Levels Art, Geography.

References Client List • ABInbev • Arcelor Mittal • Barclays Bank • BBC • Blockbuster • BSC • Cereal Partners Worldwide • Coca Cola • Disney • Dunlop • Edrington • Expresso • FCO • Hertz • ITF • Kinstellar • Lego • Megafon • Nestlé • Nokia • Okite • Parentline Plus

• Procter & Gamble • Royal Mail • Russian Standard • Team Origin • Toys “R” Us • Uefa • Unilever • US Army • Virgin Atlantic • Virgin Galactic • Virgin Media • Virgin Mobile • Virgin Money • Virgin Trains • Virgin US • Wasa • Wolseley group • Zain

Martin Muir – Start Creative Creative Director 2 Sheraton Street, Soho London W1F 8BH Telephone: 020 7269 0101 Mobile: 07971 165 437 Email: martin@startcreative.co.uk Omaid Hiwaizi – Chemistry Planning Director Melbray Mews, 158 Hurlingham Road London SW6 3NG Telephone: 020 7736 5355 Mobile: 07773 405 353 Email: omaidhiwaizi@gmail.com Glenn Farnham – FutureBrand Production Manager Fox Court, 14 Gray’s Inn Road London WC1X 8WS Telephone: 020 7067 0010 Mobile: 07515 919 574 Email: gfarnham@futurebrand.com

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Client List Over the last 17 years in the creative industry I have had the privilege of working on some of the UK’s and world’s biggest brands. From leaflets to brand identities and brochures to brand environments. I have a wealth of experience across the complete spectrum of creative and production disciplines at all levels from design and production to management and consultancy. • ABInbev • Arcelor Mittal • Barclays Bank • BBC • Blockbuster • BSC • Cereal Partners Worldwide • Coca Cola • Disney • Dunlop • Edrington • Expresso • FCO • Hertz • ITF • Kinstellar • Lego • Megafon • Nestlé • Nokia • Okite • Parentline Plus • Procter & Gamble • Royal Mail • Russian Standard • Team Origin • Toys “R” Us • Uefa • Unilever • US Army • Virgin Atlantic • Virgin Galactic • Virgin Media • Virgin Mobile • Virgin Money • Virgin Trains • Virgin US • Wasa • Wolseley group • Zain

Foreign & Commonwealth Office

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Start Creative | Virgin Media Brand Identity

Ranjit Sehambi

Virgin Media was born when the services of NTL:Telewest, Virgin.net and Virgin Mobile combined. Virgin Media was the first company to offer customers ‘Quad Play’ – Digital TV, Broadband, Fixed-Line Phone and Mobile Phone services. At Start Creative we set out to make the Virgin Media brand brilliant. We wanted to make it exciting, fun and vibrant. We wanted it to be welcoming, friendly and open and honest. To build its reputation, we had to clearly express its identity in a dynamic way.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Start Creative | Virgin Media Brand Identity

Portfolio

Identity guidelines

3D logos for print

Creating a brilliant identity

Typefaces

Shown below are the logos you use on a printed Virgin red, white and black background – These have been supplied as flattened tiff files in addition to the floating photoshop ones. They should never be converted for on-screen applications.

The Virgin Media promise is to make the digital world the brilliant place it should be. We want to make it exciting, fun and vibrant. We want it to be welcoming, friendly and easy to navigate. We want it to be open, fair and honest.

FS Albert font family The Virgin Media typeface is FS Albert. it should be used for all communications and is available in postscript and true type formats from www.fontsmith.com

On Virgin Red

On white

On black

4 colour process version File name: VMD_MD_3D_CMYK_RD_A6_HI.tif

4 colour process version File name: VMD_MD_3D_CMYK_WT_A6_HI.tif

4 colour process version File name: VMD_MD_3D_CMYK_BK_A6_HI.tif

Virgin Media logotype font A bespoke alphabet has been developed for Virgin Media which is used exclusively for the development of logotype names like TV, broadband, landline and mobile (Please remember, it shouldn’t be used as a typeface for regular copy).

To build our reputation, we’ve got to clearly express our identity. So whenever you need to represent the Virgin Media brand, these guidelines will help you get it absolutely right. That way, your message will be loud, clear and unmistakably Virgin.

Cyan

Magenta

Yellow

Black

Cyan

Spot colour version File name: VMD_MD_3D_SPOT_RD_A6_HI.eps

Magenta

Yellow

Black

Spot colour version File name: VMD_MD_3D_SPOT_WT_A6_HI.eps

Cyan

Magenta

Yellow

Black

light

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1 2 3 4 5 6 7 8 9 0 & ? ! £ $ (.,;:)@*

regular

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1 2 3 4 5 6 7 8 9 0 & ? ! £ $ (.,;:)@*

bold

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1 2 3 4 5 6 7 8 9 0 & ? ! £ $ (.,;:)@*

bold italics

Spot colour version File name: VMD_MD_3D_SPOT_BK_A6_HI.eps

Remember, being consistent with the brand identity multiplies the power of our communications — and gives our customers a clear view of who we are.

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1 2 3 4 5 6 7 8 9 0 & ? ! £ $ (.,;:)@*

Virgin Media Logotype font

Virgin Spot Red Black

Clearzones

This is the Virgin Media Infinity mark. Our preferred logo is the 3D version which can be used on a full colour Virgin red, white or black background. For brand impact and consistency, please use this version whenever possible. The relationship between the Virgin script and logotype should never be altered, nor should they appear independently of each other.

Aa Bb Cc Dd Ee Ff Gg Hh Ii Jj Kk Ll Mm Nn Oo Pp Qq Rr Ss Tt Uu Vv Ww Xx Yy Zz 1 2 3 4 5 6 7 8 9 0 & ? ! £ $ (.,;:)@*

Virgin Spot Red Black

The infinity mark

FS Albert

Please don’t place text or any other graphic elements near the logo. Where space permits, the ideal amount of room you should leave is shown by the clearzone. This space creates an invisible frame of ‘X’ width around the infinity logo, giving it space to stand out. This measurement of ‘X’ is based on the height of the logotype – see the ‘l’ of mobile.

Logo usage, scaling and sizes

Additional graphic elements

3D CMYK + GREY

Red filter

Logos have been provided in 3 sizes: A2/A4/A6. These are flattened Photoshop TIF files that should be placed into your publishing software @ 100% or smaller. These files are 300dpi HI Res and 100dpi LO Res. These high resolution flattened tif files exist only on white (WT), red (RD) and black (BK) backgrounds and cannot be altered.

A distinctive and important part of the Virgin Media identity is the red filter treatment. The red transparent stripe is applied where appropriate over a single or double page spread; its height is about one sixth of the vertical length of the page. It’s set at an angle of 3º to create tension with any headlines. You can create the red filter In In-design or Photoshop by setting a solid Virgin red panel to ‘Multiply in the transparency window,

However, the Virgin Media logo has also been provided as high resolution ‘layered’ Photoshop files at A2/A4/A6 sizes. These floating Photoshop files with transparent layers have been created to allow you to use the CMYK + GREY Logos on any other background of your choice (including photographic).

Broadband, TV homephone, mobile

The idea of the red filter is to:

Represent an interface

Unlike a clipped or vector generated logo, the new Virgin Media logo has ‘soft edges’ which blend into the background. Therefore, some simple Photoshop work is required to ‘drag’ the floating layers (Media logo with white type or black type) onto your preferred background. Always make sure you choose the right type colour and ensure it is always legible against your background.

The red symbolises Virgin — positioned between the viewer and content viewed. Virgin Media is the interface between content provision, technology and people.

Contain the messaging

3D SPOT

The filter is a clear and easy way to contain messages.

Logos have been provided in 3 sizes: A2/A4/A6. These are Photoshop EPS DCS files, that should be placed into your publishing software @ 100% or smaller. These files are 300dpi HI Res and 100dpi LO Res. These files separate out to VSPOT RED and Black only. They should only be used on White, Black and VSPOT RED and have NOT been provided as floating Photoshop files with transparent layers.

Own the content Applying the filter to third party supplied content places the image in context of a Virgin environment. football + red filter = football as introduced by Virgin Media.

3D RGB Logos These have been provided in 3 sizes: A4 tif (4134 x 2924 pixels), A6 tif (2067 x 1462 pixels) and A6 jpg (2067 x 1462 pixels), as flattened files on their relevant coloured backgrounds. 2 Master floating Photoshop files with transparent layers exist at the A4 and A6 size. These floating Photoshop files will allow for the RGB Logos to be placed on any background for Web usage.

4 colour process version File name: VMD_MD_3D_CMYK_WT_A6_HI.psd

Shown below is the CMYK, Spot, RGB and Hex references for the primary and secondary colours used in the Virgin Media identity. Virgin red is our principal colour, while yellow is a secondary colour used sparingly to highlight important information. Please note that Pantone update some of their CMYK breakdowns over time, however the CMYK breakdowns should be used in all instances.

4 colour process version File name: VMD_MD_3D_CMYK_WT_A6_HI.psd

Shown here are the logos you use on a full colour image background – they should never be converted for on-screen applications.

Some simple Photoshop work is required to ‘drag’ the floating layers onto your preferred background (Media logo with either black or white media logotype). Please make sure you always choose the right logotype colour and ensure it’s always legible against your background.

The CMYK, Spot, RGB and Hex references given for Virgin red, a key element within our identity, must be applied across all items and reproduced consistently. The CMYK and Spot references are taken from successful litho and screen printing tests. With a heavy ink film thickness the printed Virgin red should appear vibrant on most paper and card stocks, both coated and uncoated. Colour work in newspapers is usually produced differently to conventional litho and it can be hard to achieve a vibrant red, even using these formulas. The Virgin Little Red Book is a colour specification guide which details the use of Virgin red across various materials and is available from Virgin Enterprises. See page 2 for contact details.

How to use the floating Photoshop 3D logo These floating Photoshop files with transparent layers have been created to allow you the flexibility of using and placing the CMYK + Grey logos on any background of your choice. The ‘soft edges’ of the Virgin Media logo and glow of the infinity shape blend slightly into the background.

Red filter grid - Not to be printed

Colour palette

3D logos for print 3D colour & greyscale logos on full colour background

To clarify any points on how to create or use the red filter please contact: Adrian Spooner in the Virgin Media brand team on 0207 909 2063 or Adrian.Spooner@ntl.com

Primary colour: Virgin Red

Cyan

Magenta

Yellow

Black

3D 1 colour greyscale version File name: VMD_MD_3D_Grey_WT_A6_HI.psd

Cyan

Magenta

Yellow

Black

3D 1 colour greyscale version File name: VMD_MD_3D_Grey_WT_A6_HI.psd Secondary colours: Black and yellow

To clarify any points on how to use the floating Photoshop file please contact: Adrian Spooner in the Virgin Media brand team on 0207 909 2063 or Adrian.Spooner@ntl.com

Section intro page example

Black

The infinity mark should never be framed within a panel of colour before being positioned on a background.

4 Colour Process: 0% Cyan, 100% Magenta, 76% Yellow, 6% Black

4 Colour Process: 40% Cyan, 0% Magenta, 0% Yellow, 100% Black

4 Colour Process: 0% Cyan, 0% Magenta, 100% Yellow, 0% Black

Spot Colour: 6 parts Pantone Rubine Red, 5 parts Pantone Yellow

Spot Colour: Pantone Black

Spot Colour: Pantone Yellow

RGB: 0 Red, 0 Green, 0 Blue

RGB: 255 Red, 255 Green, 0 Blue

Hex: 000000

Hex: FFFF00

RGB: 204 Red, 0 Green, 0 Blue Hex: #CC0000

Virgin Mobile phone spread example

Ranjit Sehambi

VMD Layered RGB Bespoke file for Intro 31_01_07

Instructions Please find AW for an RGB Virgin Media TV Logo as requested. The file “VMD_TV_3D_RGB_MASTER_HI.psd” shown on the left has been created for your requirements only. Please note we do not generally send out a layered file even in this simple form, mainly to avoid parts of the logo being missed out or showing incorrectly. So make sure your completed work follows this logo faithfully. The top most layer “Flat Master Guide” shows you how a fully flattened VMD TV logo looks like in RGB. Please note that the layered file I have provided is for on-screen or web usage. No CMYK layered file has been provided. The layers in my Photoshop document are clearly labelled. When the VMD TV logo appears on RED or BLACK the TV type appears in white. When the VMD TV logo appears on WHITE the TV type appears in Black. I have also provided some basic identity guidelines which might be useful to you for background information. Please note these files MUST NOT under any circumstance be sent to anyone outside your company, and have been provided to you to be used and edited as necessary for your animation requirements. This AW SHOULD NOT be used for any other applications. Please also note, that for TV purposes the White colour in the TV and Virgin script has been changed to White 240r 240g 240b and the Black in the backround has been changed to Black 16r 16g 16b. These are the standard colours we have specified before. However, the glow has been kept pure White 255r 255g 255b so it ‘glows’ on screen. Please call me at Start on 0207 269 0101 or on my Mobile on 07973 111658 if you need any more help.

Artwork

Identity guidelines

Virgin_X_logoguide_2006_.pdf

Working with the senior Creative Director I crafted the ‘Infinity Mark’ in over 900 formats for every use imaginable. These formats included CMYK, SPOT, RGB, GREYCALE, 2D, 3D in all format sizes from A6 to billboard size usage. I also collaborated with the creative team to help establish the guidelines for the design and technical use of the brand and oversaw the release of many of the brand assets to Virgin Media’s partners.

Kind Regards, Ranj Sehambi

VMD_TV_3D_RGB_MASTER_HI.psd

The Virgin Media brand was developed after extensive creative and production research. Its usage had to cover Television, Print, Advertising, Direct Mail, Newsprint, Web, Multimedia, Livery, and Clothing use.

Identity guidelines

Virgin_X_identityguide_2006.pdf

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Start Creative | Virgin Media Catalogue

Ranjit Sehambi

The Virgin Media brand once developed was adapted to other areas of the Virgin group of companies including the well established and successful Virgin Mobile brand and products. This is an example of one of the product catalogues. Catalogues, direct mail, point of sale and press were all given the new Virgin Media makeover. Along side the new brand identity, a new image asset library was created. I was responsible for leading much of the retouching of these new images to be used on a complete range of promotional material.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Start Creative | Virgin Atlantic Brand Identity

Portfolio

Over a 3 year period I helped develop an extensive range of branding for Virginâ&#x20AC;&#x2122;s many airline brands and sub-brands with the Creative Director.

We also did a substantial amount of typographic development with Dalton Maag and detailing inhouse to ensure cohesion between the brands.

Type flightstore

Type cargo and scale 65%

Scale tailfin 65% from bottom right, to the top left.

Virgin Atlantic Basic Logo Guidelines

logo versions 3

Virgin Atlantic Basic Logo Guidelines

logo versions

logos for print

Preferred logo

3D logos on Virgin red

2D logos on Virgin red

Our preferred logo is the 3D version on a Virgin red background. For brand impact and consistency please use this whenever possible.

Shown below are the logos for use on a printed Virgin red background. These logos should never be used nor converted for on-screen applications.

Shown below is the logo for use on a printed Virgin red background. This logo should never be used nor converted for on-screen applications.

4 colour process version

1 colour version

Cyan

Magenta

Yellow

Black

VAA_3D_CMYK_NEG_220mm.eps

Spot colour version

basic logo guidelines version 1.0 June 2006

logos for print 4

The relationship between the Virgin script, tailfin and logotype should never be altered under any circumstances, nor should they appear independently of each other.

Virgin Spot Red

Black

VAA_3D_2COL_NEG_220mm_HI.eps

Virgin Spot Red

VAA_2D_1COL_NEG.eps

Ranjit Sehambi

Virgin Atlantic Basic Logo Guidelines

logos for print 5

logos for print

logos for print 6

2D logos on white

Shown below are the logos for use on a white background. These logos should never be used nor converted for on-screen applications.

Black and white logos on white

*Black

3D 1 colour greyscale version

4 colour process version

Cyan

Magenta

Yellow

Black

VAA_3D_CMYK_POS_220mm.eps

Spot colour version

Virgin Spot Red

and white logos on black

Virgin Spot Red

Virgin Spot Purple

VAA_3D_2COL_POS_220mm_HI.eps

Virgin Spot Red

VAA_3D_GREY_POS_220mm.eps

2D colour logo on black

Shown below are the logos for use on a printed black background. These logos should never be used nor converted for on-screen applications.

Shown below is the logo for use on a printed black background. This logo should never be used nor converted for on-screen applications.

4 colour process version

2 colour version

VAA_3D_GREY_NEG_220mm.eps

Black

VAA_2D_2COL_POS.eps

Cyan

1 colour version

Black

3D colour logos on black

3D 1 colour greyscale version

2 colour version

Black

2D 1 colour black version

This line version of the logo is for use, in exceptional circumstances, where the logo can only appear as solid black. This logo should never be used nor converted for on-screen applications.

This line version of the logo is for use, in exceptional circumstances, where the logo can only appear on a solid black background. This logo should never be used nor converted for on-screen applications.

VAA_2D_1COL_POS.eps

Magenta

VAA_2D_BK_POS.eps

Yellow

Black

VAA_3D_CMYK_NEG_220mm.eps

Virgin Spot Red

Spot colour version

Virgin Spot Red Black

Virgin Spot Purple

logos for print 8

logos for print

3D logos on white

Virgin Atlantic Basic Logo Guidelines

Black

VAA_2D_2COL_NEG.eps

1 colour version

VAA_3D_2COL_NEG_220mm_HI.eps

Black

VAA_2D_1COL_NEG.eps

Black

*The black panel above, in which the negative logo is placed, is only an indication of a background and NOT intended as a ‘box’ in which the logo should appear.

Virgin Atlantic Basic Logo Guidelines

logos for on-screen use 10

logos for on-screen use 3D logo on Virgin red Shown below is the logo for use on a Virgin red background. This logo should never be used nor converted for print.

clearzone 14

logo scaling

colour palette

You should always avoid placing text or any other graphic elements near the logo. Where space permits, the ideal amount of room you should leave is indicated by the clearzone – the black rules (which do not print). This measurement is based on the ‘X’ height of the logotype.

Please note that 3D CMYK + GREY Logos have been provided in 4 sizes: 220mm/440mm/880mm/1760mm. These are Illustrator EPS files, that should be placed into your publishing software @ 100% or smaller.They have an embedded HI RES 400dpi Tailfin, clipped within the file. (They can, if needed, be scaled to 130% in your publishing software, however use the appropriate file size for your requirements).

Shown below are the CMYK, Spot, RGB and Hex references for the principal colours used in our identity. Please note that Pantone update some of their CMYK breakdowns over time, however the CMYK breakdowns shown should be used in all instances.

The CMYK, Spot, RGB and Hex references given for Virgin red, a key element within our identity, must be applied across all items and reproduced consistently.

X Green

Blue

colour palette 15

clearzone

RGB version

Red

Virgin Atlantic Basic Logo Guidelines

VAA_3D_RGB_RD_HI.tif

X X

Please note that 3D SPOT Logos have been provided in 3 sizes: 220mm/440mm/880mm. These are Photoshop EPS files, that should be placed into your publishing software @ 100% or smaller. They have been CLIPPED within Photoshop so that the SPOT DCS Colours print correctly. (They can, if needed, be scaled to 130% in your publishing software, however use the appropriate file size for your requirements). Please note that 2D SPOT Logos have been provided in 1 size: 440mm. These are Illustrator EPS files, that can be placed into your publishing software @ any size and can be scaled without any loss of quality because they are completely vector generated. Please note that 3D RGB Logos have been provided in 2 sizes: 8016 x 2677 pixels (tif) and 4008 x 1339 pixels ( jpg), as flattened files on their relevant coloured backgrounds. However 2 Master floating Photoshop files exist at the 8016 x 2677 pixel size, for the Negative and Positive Logos. These floating Photoshop files will allow for the RGB Logos to be placed on any other background for Web usage.

The CMYK and Spot references are taken from successful litho and screen printing tests. With a heavy ink film thickness the printed Virgin red should appear vibrant on most paper and card stocks, both coated and uncoated. Colour work in newspapers is usually produced differently to conventional litho and it can be hard to achieve a vibrant red, even using these formulas.

Virgin Red

Pantone 269

4 Colour Process: 0% Cyan, 100% Magenta, 76% Yellow, 6% Black

4 Colour Process: 85% Cyan, 100% Magenta, 0% Yellow, 40% Black

Spot Colour: 6 parts Pantone Rubine Red, 5 parts Pantone Yellow

Spot Colour: Pantone 269

RGB: 204 Red, 0 Green, 0 Blue

RGB: 48 Red, 0 Green, 48 Blue

Hex: #CC0000

Hex: #300030

Pantone 877

Also, one newspaper rarely uses the same colour system as another, so it is important to liaise with each publication. The Virgin Little Red Book is a colour specification guide which details the use of Virgin red across various materials and is available from Virgin Enterprises Ltd.

Spot Colour: Pantone 877

Trademarks/Intellectual Property Dept. Virgin Enterprises Ltd. 120 Campden Hill Road London W8 7AR t: +44(0)207 313 2053 f: +44(0)207 313 2091

Please use the contact details on page 2 for more information.

• Virgin Atlantic • Virgin America • Virgin Nigeria • Virgin Flightstore • Virgin Flying Club

• Virgin Flyingco. • Virgin Blue • Upper Class • Premium Economy • Economy

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Virgin Atlantic commissioned Start Creative to design the livery for a special one-off Boeing 747-400 to commemorate and advertise its 21st Birthday. I was asked to develop new processes and systems that would enable the creative for this aircraft to be fully realised and implemented in the real commercial environment. Little did I know this would be the first of many aircraft I would work on over a 5 year period.

Start Creative | Virgin Atlantic 747-400 Livery Design

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Start Creative | Virgin Atlantic 747-400 Livery Production

Ranjit Sehambi

Working closely with Virgin Atlanticâ&#x20AC;&#x2122;s own internal engineering department, 3M, CGI Areo and the specialist plane spraying team based in at Schiphol, Amsterdamâ&#x20AC;&#x2122;s Airport, this was one of the most complex and demanding projects I have ever worked on.

This project stretched both my technical knowledge and the computing envelope at the same time. Working with scale models and venturing into the unknown on a daily basis, every detail and dot that was painstaking drawn to an accurate production process I had created had to be 100% accurate every time, otherwise even the smallest of mistakes would be seen on a jumbo scale... literally!

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

Start Creative | Virgin Atlantic 747-400 Livery Application

Ranjit Sehambi

I was lucky enough to travel to Schiphol, Amsterdam’s Airport to advise the spraying team about the creation of my production assets and to see the stencils and graphics that had been output by CGI Aero being applied to the Boeing 747-400 in a multitude of stages. All the stencils and graphics that had been output by CGI Aero would have to fit together seamlessly to ensure a flawless finish on the 747-400. These stages included: • Grey undercoat • Special white metallic paint • Red tail masking and spraying • Engine masking and spraying • Graphic application of dots • Application of Virgin Atlantic lettering • Application of Virgin on tailfin • Flying Lady graphic applied to body • Lacquer protection of plane • Detailing and finishing Once this project had been completed successfully Start Creative was commissioned to update the livery for the whole of the Virgin Atlantic fleet of aircraft including the Airbus A320-200, Airbus A340-600 and the new Boeing 787 Dreamliner.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Start Creative | Virgin Mobile Brand Identity

Portfolio

During my 7 year collaboration with Start Creative I was fortunate enough to help create, update and craft various well known UK and global Virgin Group brand identities including Virgin Mobile, Virgin Trains and Virgin Money. Virgin Mobile was the worldâ&#x20AC;&#x2122;s first Mobile Virtual Network Operator when it launched in the United Kingdom in 1998. It did not maintain its own network but instead contracted to use the existing networks of other providers.

Start Creative | Virgin Trains & Virgin Money Brand Identities

Ranjit Sehambi

Virgin Trains was formed in 2005 to take advantage of the privatisation of British Rail in the mid 1990s, and was initially successful in winning two: InterCity West Coast and InterCity Cross Country. The two franchises, although separate companies both legally and operationally, were marketed as a single brand – Virgin Trains. Virgin Money originally launched as Virgin Direct in partnership with Norwich Union during 1995 offering PEP’s and launched Virgin One, in a partnership with Royal Bank of Scotland, in 1997. In 2002, Virgin Direct merged with virginmoney.com to form the current company. I was heavily involved in the development and subsequent production of all of these prestigious and well known Virgin Brands for Print, Web and Multimedia use. As well as the release of assets to the Virgin Group and Virgin’s business partners.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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As well as the development of the Virgin Mobile brand identity I helped produce many of Virgin Mobileâ&#x20AC;&#x2122;s Catalogues for various business to business and business to consumer applications. This work included substantial hi-end retouching of images and building of asset libraries, a thorough knowledge of DCS (Desktop Colour Separation) image work with integration of spot and metallic inks as well as the full spectrum of production skills needed to produce this literature.

Start Creative | Virgin Mobile Catalogue

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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This visually creative ‘3D’ catalogue was designed to make the consumer ‘See things differently’ with Virgin Mobile. We collaborated with a specialised 3D image company to convert lifestyle photography into stunning 3d (Anaglyph) images that added depth to the consumers phone buying experience. I gleaned some of this specialist production knowledge for myself and set out applying the technical know how to graphic backgrounds that had been designed at Start Creative.

By working out how much ‘3D depth’ was required and which palette of colours would lend themselves to this process, I integrated these images into our inhouse produced 3D graphic backgrounds in RGB then converted them into CMYK for our printers for scatterproof testing. I then set about producing the catalogue itself, overseeing and producing it with the inhouse team.

Start Creative | Virgin Mobile Catalogue 3D

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Mobile Catalogue

Ranjit Sehambi

During my time at Start Creative we constantly strived to push the creative envelope with the Virgin Mobile brand. At Start the creative team never stood still. This meant I had to constantly look at ways to implement innovative creative ideas into real world applications. As well as producing the catalogues and high-end imagery, I became instrumental in the development of both the design and production team in all aspects of production, including training, problem solving, technical direction and planning of many projects working on a diverse range of clients.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Upper Class Brochure

I worked on many of Virgin Atlanticâ&#x20AC;&#x2122;s design and advertising campaigns from 2001â&#x20AC;&#x201C;2007 showcasing the many services that they offered across their fleet of aircraft and within their premium airport lounges. This set of brochures covered Upper Class, Premium Economy and Economy classes and were both stunning in their design and innovative in their use of printing techniques. I did all the hi-end retouching and production for all three brochures in parallel to ensure consistent quality of the finished collateral.

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Premium Economy Brochure

Ranjit Sehambi

WOW QUICK

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Economy Brochure

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Flying Facts Brochure

The Flying Facts Brochure covered many aspects of flying with Virgin Atlantic for the consumer and combined elements from the set of brochures that covered Upper Class, Premium Economy and Economy classes. Working closely with the Creative Director I combined assets from these brochures to produce this informative piece of literature. The brochure was designed to be used as a point of reference for the consumer in all things Virgin Atlantic. Other areas covered in this brochure included Group travel, Route network, Inflight tax free shopping, Checking in, Special assistance, The fleet, Airline alliances, flying club, Limited Edition by Virgin, Virgin associate companies, Virgin Holidays and Virgin Sun, Schedules and Awards.

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Upper Class Suite Brochure

This brochure for Virginâ&#x20AC;&#x2122;s Upper Class Suite was designed to showcase the extensive range of services you would benefit from if you were one of its Upper Class passengers. The expansive interior shot above was actually only half a mock-up cabin, shot in evening and morning lighting. I spliced 2 shots together and retouched seats, backseat video screens, buttons and rebuilt unfinished areas to create a seamless panoramic shot that grabbed the readers attention as soon as the page was opened.

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Upper Class Suite Brochure

Ranjit Sehambi

As well as producing the whole brochure I was solely responsible for retouching the location shots and montaging in the images from the model shoots. Working closely with the Creative Director, models were shot in front of a black screen in various positions performing tasks as customers and staff of Virgin Atlantic. The individual shots of models were then cutout in Photoshop, montaged together with retouched location shots in RGB and overlaid with each other to create a â&#x20AC;&#x2DC;luminousâ&#x20AC;&#x2122; glowing effect of motion and interaction. These fully montaged shots were then converted to CMYK, colour corrected and readied for printing and adding to the extensive Virgin Atlantic image library.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Imagery

Ranjit Sehambi

Over the course of many years I was responsible for hands on retouching and overseeing the retouching of literally hundreds of images for Virgin Atlanticâ&#x20AC;&#x2122;s image library to the highest standards possible. These images were used across every creative media promoting Virgin Atlanticâ&#x20AC;&#x2122;s core brand values. From building and extending aircraft cabin interiors, to retouching models and cabin crew showcasing Virgin Atlantic services, every shot had to be picture perfect every time and on time. This is just a very small selection of some of these finished retouched images.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Imagery

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Calender

Ranjit Sehambi

Every year Virgin Atlantic produced a calendar to showcase its services. Always very creative and technically challenging, these calendars included a high level of Photoshop spot DCS channel work, image creation and a thorough understanding of print and experimental techniques. In this instance, clever use of copy and finished images with metallic spot colour integration firmly delivered the Virgin Atlantic message of high quality service.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Calendar Retouching Example

Ranjit Sehambi

This limousine number plate illustration was created from scratch using a combination of Illustrator and Photoshop. Starting with an accurate line drawing in Illustrator, paths were exported to Photoshop and used to created the embossing effects and masking of textures to create a near photo realistic image for one of the Virgin Atlantic calendar pages.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Virgin Atlantic Calendar

Ranjit Sehambi

Every year Virgin Atlantic produced a calendar to showcase its services. Always very creative and technically challenging, these calendars included a high level of photoshop spot DCS channel work, image creation and a thorough understanding of print and experimental techniques.

SUPEERR! DUP

In this instance, clever use of copy and finished super hero illustrations with metallic spot colour integration firmly delivered the Virgin Atlantic message of high quality service.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Hertz Promotional Poster

ChannelHopTheEasyWay. Pick up a right-hand drive car in the UK. Swap it for aleft-handdrivecar in France. Take Le Shuttle there. And take Le Shuttle back.

Call 0800 48 48 00. www.hertz.co.uk

Ranjit Sehambi

Starting with a picture provided by Ford for Hertz, I had the enviable task of rebuilding the inside of the car to show two steering wheels. â&#x20AC;&#x2DC;Pick up a righthand drive car in the UK and swap it for a left-hand drive car in France.â&#x20AC;&#x2122;

Once this had been done I had the detailed job of colour correcting the Ford Ka to show its dual purpose, enhancing all the body work and rebuilding a new number plate. I was seeing double by the end!

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Royal Mail Respect Brochure

The butterflies on this cover came from one butterfly, which was morphed into many others to create the cover image.

Ranjit Sehambi

This brochure promoted how Royal Mail could help grow your business. With cost-effective mailing solutions for every size and type of company. No matter how you prepared, paid for and posted your mail, Royal Mail would always deliver the same world class service. All mail packages were shot separately and then montaged into the background library shot. Myself and another retoucher had to ensure the packages looked as realistic as possible... with only a little artistic license! Then the brochure was fully artworked for print.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Royal Mail Stamp Calendar

Ranjit Sehambi

Every year Royal Mail produces a simple but effective stamp calendar/brochure to show the release of upcoming special editions and collectable stamps. Loved by mum’s and dad’s, kid’s and grandparents alike, they are a veritable source of facts and interesting information for the stamp collecting fraternity. Eagerly awaited for on it’s annual release, the calendar is always sought after, so you as a budding collector can plan ahead for saving the pennies and then spending them on the latest and greatest stamp collection to be released.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | BBC Earth Concept Visuals

Ranjit Sehambi

These are some highly finished visuals I produced pitching for promotional material work for the BBC Earth TV series. Photoshop visual effects and retouching were employed for dynamic impact. Even though they were not used in any of the final printed material, the BBC were impressed enough to offer Start Creative other print and online work in due course.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Start Creative | Wolseley Annual Report

Ranjit Sehambi

This annual report was designed and produced for Wolseley, the worlds number one distributor of heating and plumbing products to the professional market and a leading supplier of building materials around the world. I was responsible for artworking the brochure and the retouching of the editorially styled, black and white shots that were printed in four colour black and white for contrast and impact.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Clarus Design | Parentline Plus Brand & Character Design

GOT A TEENAGER? I’M

FED UP! I’M CONFUSED!

I NEED

SOME SPACE!

Ranjit Sehambi

OVERCOMING BULLYING

THINKING ABOUT DISCIPLINE

GIVE ME YOUR

PHONE!

Parentline Plus is a leading national charity providing help and support to anyone caring for children – parents, grandparents, step-parents – for families living together as well as apart. As well as creating an easily recognisable brand, I had to design and create a library of adjustable characters that could be quickly applied to various forms of literature, point of sale and promotional material, cost effectively.

FE IS I L ILY CATED M A F PLI COM

DIVORCED OR SEPARATED?

HELPING WITH HOMEWORK

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | Global Brochure

Ranjit Sehambi

The first project I ever produced for FutureBrand London was their own global brochure. This brochure was a self promotional piece given to clients and suppliers showcasing FutureBrand’s work. The brochure and 14 global case studies were translated into 5 languages, printed and distributed within the global network and given to prospective clients. • Management • Costing • Production • Retouching • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | ArcelorMittal Brandbook

ArcelorMittal is the world’s biggest steel company with over 320,000 employees. This prestigious book embodied the values of Sustainability, Quality and Leadership.

Working with my team, I oversaw all the production and planning of this project, from initial briefings, costing and print testing to final press passing, and distribution to ArcelorMittal’s offices and facilities around the world, as well as some of the hands on artworking of the brochure and high end retouching of the images. 10,000 casebound books were produced and distributed to specially selected staff throughout the ArcelorMittal organisation. • Management • Costing • Production • Retouching • Print

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | ArcelorMittal Awards Posters

Ranjit Sehambi

Working with my team, I oversaw all the production and planning of these ArcelorMittal posters. The background abstract images show the steel award that was specially commissioned for the winning facilities. • Management • Costing • Production • Retouching • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | ArcelorMittal Tubular Brochure

Ranjit Sehambi

The Tubular Products Division of ArcelorMittal is one of the world’s largest and most diversified producers of pipe and tube products, servicing markets around the world from 21 different locations in 11 different countries. Working with my team, I oversaw all the production and planning of this Tubular brochure and retouching of all the images. • Management • Costing • Production • Retouching • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | Barclays Premier Brand Identity

Imagine having more time to spend doing the things you really care about. Barclays Premier offers a priority banking service and a range of exclusive extras in one current account, freeing you up to do the things that matter most. The service is designed to do exactly that â&#x20AC;&#x201C; give you more of the quality time you want.

Ranjit Sehambi

FutureBrand launched the new Barclays Premier brand in 2008. Working closely with the creative team I oversaw all the production and printing of these and many other guidelines, and managed the collation and artworking of all assets that were released to Barclays and their partners.

• Management • Costing • Production • Retouching • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

FutureBrand | Barclays Latitude Club Brand Identity

Portfolio

Barclays Latitude Club is all about giving a selected tier of our business customers exclusive access to unique facilities that will help their business grow. The Latitude Club will supplement Barclays’ comprehensive commercial banking capability with a wide range of additional innovative services. FutureBrand launched the new Barclays Latitude Club brand in 2008. Working closely with the creative team I oversaw all the production of these guidelines and many other items including stationary, launch material, gift boxes and point of sale assets. • Management • Costing • Production • Retouching • Print

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | ABInbev Brand Identity

Anheuser-Busch InBev is the leading global brewer and one of the worldâ&#x20AC;&#x2122;s top five consumer products companies. For 2008, the combined company would have generated revenues of $39 billion.

With four of the top ten selling beers in the world, Anheuser-Busch InBev holds the number one or number two position in over 20 key markets. It has a key presence in both developed and developing markets.

Ranjit Sehambi

Working closely with the creative team I oversaw all the production and creation of the ABInbev brand mark and supporting assets with my production team and freelance support. • Management • Costing • Production • Illustration • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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The creation of Kinstellar, formed from the Bratislava, Bucharest, Budapest and Prague offices of Linklaters, heralded a new era in New Europe’s legal world. Working with my team, I oversaw all the planning of this new brand launch and brand assets, artworking of the casebound brochure and retouching of all the images, as well overseeing all aspects of the book proofing and printing. • Management • Costing • Production • Retouching • Print

FutureBrand | Kinstellar Brandbook & Brand Identity

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Portfolio

MegaFon was the first all-Russian mobile operator in the GSM 900/1800 frequency bands. The company was founded in May 2002 as a result of renaming and reorganisation of 10 smaller mobile operators and the new identity was launched in 2007. MegaFon develops its business based on the principles of maximum satisfaction for its subscribers, fair competition and information transparency.

FutureBrand | Megafon Brand Identity

Ranjit Sehambi

Working with my team, I oversaw all the production development of this brand identity as well overseeing all aspects of the master logo and literature template assets delivered to our client in Russia.

• Management • Costing • Production • Retouching • Print

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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Nokia Nseries was created with a specific group of people in mind... People who seek out new experiences, new connections, new places. People who are driven by an insatiable need to explore, to discover and to share what they find. These people share a spirit. The spirit of curiosity. That is what this book is about. Working with my team, I oversaw all the production and planning of this casebound book, poster and stationery, as well as the retouching of all the images and overseeing all aspects of the book proofing and printing. • Management • Costing • Production • Retouching • Print

FutureBrand | Nokia NSeries Curiosity Brochure

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | Nokia NSeries Quick Start Guide

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | UEFA Europa League Brand Identity

Ranjit Sehambi

The Primary Logo

UEFA EUROPA LEAGUE The Primary Logo

The UEFA Europa League logo has a defined colour palette and a recommended house font.

Don’t...

Font

The recommended primary typeface is Gotham, and should be used for headings, sub-headings and body copy respectively.

Don’t stretch it Don’t re-colour it Don’t violate the exclusion zone Don’t outline it Don’t add to it Don’t re-proportion it Don’t re-draw it Don’t apply onto similar colours Don’t rotate it Don’t use the 3D 4 Colour Logo on a burgundy background Don’t substitute the wordmark with any other typeface Don’t use the symbol as a repetitive graphic element of pattern device Don’t use as a watermark

M IL A N AC V AM HO

In order to acquire and use the font, you must purchase the font directly from:

30mm

H EN

less than 30mm*

When reproducing the logo any smaller than 30mm wide, the registration notice should be removed and be replaced with “TM”.

www.typography.com/fonts

Gotham Book

This is a licensed font, created by Hoefler & Frere Jones.

Sub heading

P TS

Gotham Medium

TOT T

Headline

* In addition where reproduction techniques do not allow the printing of a full legible legal notice, then it is replaced by the “TM” as per the example below and the provided alternative logos. The UEFA Europa League Official Logo is protected by trademarks, copyright and or design.

Body Copy

Colours & gradients To ensure the best possible visual impact, the logo itself should never be directly placed onto the two core colours shown, or onto similar colours or backgrounds. Pantone 202C 10c, 100m, 61y, 50k 130r, 36g, 51b

Pantone 130C 0c, 35m, 100y, 0k 240r, 171g, 0b

Gradient 10c, 100m, 61y, 50k to 10c, 100m, 66y, 95k

Gradient 10c, 100m, 61y, 50k to 0c, 72m, 100y, 32k

Logo versions

This new dynamic 3D UEFA Europa League logo was developed from the UEFA Europa League trophy itself.

Size reproduction

Gotham Bold

UEFA EUROPA LEAGUE Don’t...

...change or alter the UEFA Europa League logo in any way. please refer to the ‘dont’s’ below if you are unsure.

Working with the creative director and my team, I oversaw all the production development of this brand identity and proofing as well overseeing logo asset delivery to our UEFA client.

All uses must be approved by UEFA/TEAM before production

UEFA EUROPA LEAGUE Logo versions

The primary version of the UEFA Europa League logo is the 4 Colour 3D Render.

The Primary Logo

To ensure maximum visibility and stand out at all times, there are positive and negative versions to allow for use on light and dark backgrounds.

The symbol, The Legal notice, The UEFA arch, The logotype

3D 4 Colour Logo

Primary 3D 4 Colour Positive Light Background

UEFA EUROPA LEAGUE The Primary Logo

The UEFA Europa League logo consists of four separate elements:

• Management • Costing • Production • Retouching • Print

Origin The UEFA Europa League logo has evolved from the UEFA Europa League trophy itself.

Secondary 3D 4 Colour Logo Negative Dark Background

As such the logo is the primary visual element of the brand and should be used in all communications relating to the event.

The Symbol

The Legal notice

The UEFA arch

The Secondary Logo 3D 4 Colour Logo Landscape

Preferred use of 3D 4 Colour Positive logo on a white background

3D 4 Colour Positive logo used on mid-tone or image background with a ‘light effect’

The Logotype

3D 4 Colour Negative logo to be used if the positive versions cannot be accommodated

The secondary Landscape version should only be used when the 3D 4 Colour Portrait version cannot.

Exclusion zone The UEFA Europa League logo should always be surrounded by a prescribed exclusion zone.

Always ensure that the logo is prominent and clearly visible on all applications.

x x x

Logo versions

UEFA EUROPA LEAGUE Logo versions

To allow flexibility across a multitude of applications, 2 colour and 1 colour versions are available, but only for instances when it is not possible to use the Primary 3D 4 Colour Logo.

FW09 Q3

FOOTBALL HARDWARE

CONFIDENTIAL

2 Colour Positive Logo

2 Colour Positive logo use – Embroidered

1 Colour Positive Logo

1 Colour Negative Logo

1 Colour Positive logo use – Etched Metal

1 Colour Negative logo use

FW09 Q3

CONFIDENTIAL

B36MMJJ

art no

needle - humectez l´aiguille - moisten humed uchten ecer la vá qué en Thailande - fabricado em/en l anfe d - fabri Tailan lvul nade hailan dia a e in T mad

tee - garantía de forma por dos años guaran hape n - presión 0.8-1.0 bar / 11.6-14.5 ars s - pressio psi 2 ye essure k - pr druc

Independent symbol use

UEFA EUROPA LEAGUE Independent symbol use

For instances where it is not possible to use the full 3D 4 Colour Logo, it is possible to use the symbol independently.

3D 4 Colour Symbol with player patch application example

free space

BASE COLOR.

adidas Logo Back width: 45 mm

BASE COLOR.

met white

Pantone 202c metallic

Pantone 124c

...

DESIGN.............

WONO...........S09SB320

PM.................... Marc Makowski

RANGE.................UEFA Cup

PJM..................Stefan bichler

NAME...................OMB UEFA Cup

08|08|2007 02|12|2008

DES

PM..

met white

Pantone 202c metallic

Pantone 124c

...

Please note When choosing to use the 3D 4 Colour Symbol in isolation without the logotype, it may only be used if the 3D 4 Colour Logo is present on either the application itself, or in close proximity.

On images & backgrounds

Please note The examples below are not to be used as positional or size guides for logo placement onto applications.

When the UEFA Europa League logo is applied to photography or backgrounds, it must be placed correctly to ensure the best possible visibility.

Before

UEFA EUROPA LEAGUE On images & backgrounds

After

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

...

PJM

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FutureBrand | Zain Brand Identity & Guidelines

Zain is a leading pioneer of mobile telecommunications in the Middle East and now a major player on the African continent.

• Management • Costing • Production • Retouching • Print

Working with all creative departments, my team and global suppliers, I oversaw all the production development of this brand identity, guidelines, retail and environmental graphics.

FutureBrand | Zain Environmental Graphics

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

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FutureBrand | Wasa Packaging

WS_KN_BG_SesIKEA_13_A07

33% ain/Med % wholegr korn/ With 33 ed 33 % fuld Vollkorn

fulllkorn/Mviljaa/Mit 33 % complète/ ne 3Sis3 % täysjyvä % de farira 33% zbóż ältää 33 teil/Avec 33 wie /S 33 % ean ahu grali/Za im Getreid di cereali inte zrnného obs Cu 33% % Con 33 rnistych/33 % celolésű gabonával/ го зерна pełnozia 33% teljes kiőrт 33% цельно ржи celozrnnej/ grală/Соде făină inte

Bakery product with sesame/Bageriprodukt med sesamfrön/ Bakeriprodukt med sesamfrø/Bageriprodukt med sesamfrø/ Leipomotuote, jossa on seesaminsiemeniä/Backware mit Sesam/ Crackers croustillants au sésame/Gallette croccanti al sesamo/ Chrupiące krakersy z sezamem/Křehké chlebové krekry se sezamem/ Krekry z krehkého chleba so sezamom/Szezámmagos ropogós sós keksz/Crackers cu seminţe de susan/Хрустящие хлебцы с кунжутом. Store in a dry and dark place. Best before, see below./Lagras torrt och mörkt. Bäst före, se nedan./Oppbevares tørt og mørkt. Best før, se nedenfor./Opbevares tørt og mørkt. Mindst holdbar til, se nedenfor,/ Säilytetään kuivassa ja pimeässä paikassa. Parasta ennen, katso alle./Trocken und an einem dunklen Ort lagern. Mindestens haltbar bis, siehe unten./A conserver dans un endroit sec et à l'abri de la lumière. A consommer de préférence avant le, voir ci-dessous./Conservare in luogo fresco ed asciutto. Da consumarsi preferibilmente entro, vedere sotto./Przechowywać w suchym i ciemnym miejscu. Najlepiej spożyć przed: data minimalnej trwałości i numer serii, poniżej./Uschovejte na suchém a tmavém místě. Minimální trvanlivost do, viz dole./Skladujte v chlade a suchu. Minimálna trvanlivosť do, uvedené nižšie./Száraz, fénytől védett helyen tárolandó. Minőségét megőrzi a csomagoláson feltüntetett időpontig (nap/hónap/év), lásd alább./A se păstra întrun loc uscat şi întunecat. A se consuma, de preferinţă, înainte de, a se vedea mai jos./Хранить в сухом темном месте. Годен до см. на упаковке. Срок годности – 10 месяцев.

Wasa is a bakery company founded in 1919 in Sweden, and has been part of the Italian BARILLA Group since 1999. Wasa sells crispbread and other bakery products in 40 countries including many European countries (Scandinavia, Germany, Poland, Holland, France, Italy) but also the USA.

knäckis with spelt & sesame

Average nutritional values/Genomsnittligt näringsvärde/ Gjennomsnittlig næringsverdi/Gennemsnitlig næringsværdi/ Keskimääräinen ravintosisältö/Durchschnittliche Nährwerte/ Valeurs nutritionnelles moyennes/Valori medi informazioni nutrizionali/Średnie wartości odżywcze/Průměrné výživové hodnoty/Priemerné nutričné hodnoty/Tápérték (középérték)/ Valoarea nutritivă medie/Пищевая ценность: Energy/Energivärde/Energi/Energi/Energiasisältö/Brennwert/ Valeur énergétique/Valore energetico/Wartość energetyczna/ Energetická hodnota/Energetická hodnota/Energiatartalom/ Valoare energetică/Энергетическая ценность

1850 kJ/кДж (440 kcal/ккал)

Protein/Proteiinii/Eiweiß/Protéines/Proteine/Białko/Bílkoviny/ Bielkoviny/Fehérje/Proteine/Белки

14 g/г

Carbohydrate/Kolhydrater/Karbohydrater/Kulhydrater/Hiilihydraatteja/ Kohlenhydrate/Glucides/Carboidrati/Węglowodany/Sacharidy/ Uhľohydráty/Szénhidrátok/Glucide/Углеводы of which sugars/varav sockerarter/hvorav sukkerarter/heraf sukkerarter/joista sokereita/davon Zucker/dont sucres/di cui zuccheri/w tym cukry/z toho cukry/z ktorých cukor/ebből cukor/ din care zaharuri/в т.ч. сахароза

57 g/г

Fat/Fett/Fedt/Rasvaa/Lipides/Grassi/Tłuszcz/Tuky/Zsírok/Lipide/Жиры of which saturates/varav mättade fettsyror/hvorav mettede fettsyrer/ heraf mættede fedtsyrer/josta tyydyttyneitä rasvahappoja/davon gesättigte Fettsäuren/dont acides gras saturés/di cui saturi/w tym nasycone kwasy tłuszczowe/z toho nasycené tuky/z ktorých saturované tuky/ebből telített zsírsavak/din care lipide saturate/в т.ч. полиненасыщенные жирные кислоты

Serving suggestion/Serveringsförslag/ Serveringsforslag/Tarjoiluehdotus/ Serviervorschlag/Suggestion de présentation/ Suggerimento di presentazione/Propozycja podania/Návrh k servírování/Návrh na servírovanie/Tálalási javaslat/Sugestie de servire/Рекомендации по употреблению

Net weight/Nettovikt/Nettovekt/Nettovægt/ Nettopaino/Nettogewicht/Poids net/Peso netto/Masa netto/Čistá hmotnost/Čistá hmotnosť/Nettó tömeg/Greutate netă/ Масса нетто:

225 g/г

Per 100g/ Pro 100g/ Pour 100g/ Na 100g/ 100g-ban/ в 100 г

2,0 g/г 16 g/г

4,5 g/г

Fibre/Kostfiber/Kostfibre/Ravintokuituja/Ballaststoffe/Fibres alimentaires/Fibre alimentari/Błonnik pokarmowy/Potravinová vláknina/Dietetická vláknina/Élelmi rost/Fibre/Пищевая клетчатка

7 g/г

Sodium/Natrium*/Natrium*/Sodio/Sód/Sodík/Nátrium/Sodiu/Натрий

0,7 g/г

*Saltmängd: 1,8% av färdig produkt. Kraftigt saltad./*Suolapitoisuus: 1,8% valmiista tuotteesta. Voimakassuolainen. Produced by/Tillverkare/Valmistaja/Hersteller/Producteur/Produttore/ Producent/Výrobce/Výrobca/Gyártó/Producător/Производитель (Произведено в Германии): Barilla Wasa Deutschland GmbH, Postfach 1123, DE-29229 Celle, Germany/Tyskland/Saksa/Deutschland/ Allemagne/Germania/Niemcy/Německo/Nemecko/Németország/ Germania/Германия. Consumer contact/Konsumentkontakt/Kuluttajapalvelu/ Verbraucherkontakt/Contact consommateur/Contatto per i consumatori/Kontakt/Kontakt pro zákazníky/Kontakt pre zákazníkov/Vevőszolgálat/Relaţii cu clienţii/RU Дистрибьютор в России ООО «Харрис СНГ»: SE: Wasabröd AB, 682 82 Filipstad, Sverige, 020-758 081, www.wasabrod.se NO/DK/FI/DE/AT/CH/PL/CZ/ SK/HU/RO/RU/UK: Export Wasabröd AB, Box 6722, SE-113 82 Stockholm, Sverige/Ruotsi/Schweden/Suède/Svezia/Szwecja/Švédsko/ Svédország/Suedia/Sweden, +46 8 470 76 00, www.wasa.com RU: Дистрибьютор в России ООО «Харрис СНГ», Московская обл., г. Солнечногорск, Бутырский тупик, 1, т: +7(495) 937-6565.

Serving sugg Serveringsfo Serviervorsc présentation presentazion Návrh k serv servírovanie/ Sugestie de по употребл

Ingredients sesame see water, salt, m have been u Ingrediense (fullkorn), sp rågmjöl (fullk jäst/gjær, va emulgerings har använts Kan innehol Ingrediense sesamfrø (1 salt, bygmal er anvendt t Ainekset: V seesaminsie suola, malla 27 g täysjyv Voimakassu Zutaten: W Sesamsame Wasser, Sal von diesem verwendet. Ingrédients (16%), grain végétale, lev 27 g de céré de produit. P Ingredienti: di farro (16% grasso vege

At FutureBrand my role was to help the creative team win the pitch for the packaging work by promoting the high quality production procedures that I had implemented as Production Director and costing and planning the large amount of artwork with the Production Manager. Then working with my Production team I had to look at ways to improve the production process to deliver high quality packaging artwork faster, more efficiently and cost effectively over hundreds of products that Wasa needed produced for their various international markets.

Wasa 191610 Rounds Sesam 290g (SKA) WS_RD_PK_Ses290bS2_4_A05.ai

Wasa

191610

Rounds Sesam 290g (SKA)

05-08-09 Christian Smith

WS_RD_PK_Ses290bS2_4_A05.ai 08-09-09

open

N/A

Rotogravure – plastic – matt film

Cutter ref: 113752B Illustrator CS3

05-08-09

300 dpi (PRINTS 122 LPI)

Christian Smith

Avenir

7% Fiber/Kostfibre/ Kuitua

open

08-09-09 N/A

• Management • Costing • Production • Retouching • Press passing • Print

Rotogravure – plastic – matt film Cutter ref: 113752B Illustrator CS3 300 dpi (PRINTS 122 LPI) Avenir

sesam CYAN

MAGENTA

YELLOW

PMS 2738C

PMS 116C

PMS 1807C

BLACK

ALL COLOURS AND IMAGE OUTPUT TO BE CONFIRMED AT REPRO. SUBJECT TO PROOFING AND APPROVAL PRIOR TO PRINT.

SE: Det här knäckebrödet bakas på i stort sett samma vis idag som när vi startade 1919. Det innehåller fortfarande naturliga ingredienser och är bakat med massor av kärlek. Ät och njut!

sesam Frasigt/sprødt veteknäcke/hvedeknækbrød med rostade/ristede sesamfrön./Vehnänäkkileipä päällystetty seesaminsiemenillä.

DK/NO: Dette knækbrød/knekkebrødet bages på stort set samme måde i dag, som da vi startede tilbage i 1919. Det indeholder stadig/fortsatt naturlige ingredienser og er bagt med masser af kærlighed. Velbekomme! FI: Tämä näkkileipä leivotaan edelleen lähes samaan tapaan kuin vuonna 1919, jolloin aloitimme. Sen leipomiseen käytetään luonnollisia raaka-aineita ja runsaasti rakkautta. Nauti!

sesam CYAN

PMS 2738C

MAGENTA

PMS 116C

YELLOW

BLACK

PMS 1807C

ALL COLOURS AND IMAGE OUTPUT TO BE CONFIRMED AT REPRO. SUBJECT TO PROOFING AND APPROVAL PRIOR TO PRINT.

Tillverkare/Producent/Valmistaja: Wasabröd AB, S-682 82 Filipstad, Sweden. www.wasabrod.se Konsumentkontakt/Forbrugerkontakt/ Kuluttajapalvelu: SE: Wasabröd AB, S-682 82 Filipstad, Sverige. Tel 020-758 081, www.wasabrod.se NO: Ideal Wasa A/S, 2326 Hamar, www.wasa.no DK: Distributør: Valora Trade Denmark A/S, DK-2730 Herlev, www.wasa.dk FI: Valora Trade Finland Oy, Malmin kauppatie 18, 00700 Helsinki, info@valoratrade.fi

SE: Det här knäckebrödet bakas på i stort sett samma vis idag som när vi startade 1919. Det innehåller fortfarande naturliga ingredienser och är bakat med massor av kärlek. Ät och njut! DK/NO: Dette knækbrød/knekkebrødet bages på stort set samme måde i dag, som da vi startede tilbage i 1919. Det indeholder stadig/fortsatt naturlige ingredienser og er bagt med masser af kærlighed. Velbekomme! FI: Tämä näkkileipä leivotaan edelleen lähes samaan tapaan kuin vuonna 1919, jolloin aloitimme. Sen leipomiseen käytetään luonnollisia raaka-aineita ja runsaasti rakkautta. Nauti! Tillverkare/Producent/Valmistaja: Wasabröd AB, S-682 82 Filipstad, Sweden. www.wasabrod.se Konsumentkontakt/Forbrugerkontakt/ Kuluttajapalvelu: SE: Wasabröd AB, S-682 82 Filipstad, Sverige. Tel 020-758 081, www.wasabrod.se NO: Ideal Wasa A/S, 2326 Hamar, www.wasa.no DK: Distributør: Valora Trade Denmark A/S, DK-2730 Herlev, www.wasa.dk FI: Valora Trade Finland Oy, Malmin kauppatie 18, 00700 Helsinki, info@valoratrade.fi

sesam

B s ja

In v (1 (1

Frasigt/sprødt veteknäcke/hvedeknækbrø med rostade/ristede sesamfrön./Vehnänä 290 g päällystetty seesaminsiemenillä. Serveringsförslag/ Serveringsforslag/Tarjoiluehdotus

Ranjit Sehambi

Wasa 191610

TABLE PANELS: Prints 100% PMS 3125C.

Crispbread 230g Mlcezne Banderol

16 g 2,5 g 0,5 g 62 g 3,5 g

We˛glowodany w tym cukry

12 g

Białko

1,5 g 0,2 g <0,1 g 6,0 g 0,3 g 1,0 g

1450 kJ (350 kcal) 140 kJ (30 kcal) Na 100 g

Na kromke˛

Flexography, coated, shiny

S´rednie wartos´ci odz˙ywcze

TBC

Wartos´c´ energetyczna

<0,1 g

30-07-09

0,5 g

Tłuszcz w tym kwasy tłuszczowe nasycone

19-06-09

Sód

John Hurley

Błonnik pokarmowy

Pieczywo chrupkie Wasa jest dzis´ wypiekane w taki sam sposób, jak w roku 1919, kiedy zaczynalis´my nasza˛ działalnos´c´. Teraz tez˙ składa sie˛ ono z naturalnych składników i zawiera mnóstwo pełnego ziarna.

WS_CB_BA_Mle125_1_A02.ai

Prints 10% PMS 3125C. Tint values to be adjusted at repro to compensate for dot gain on press. CORPORATE TEXT: Reversed White Out of 100% PMS 3125C unless otherwise indicated.

125 x 390mm Illustrator CS3 300 dpi (PRINTS 122 LPI)

gestion/Serveringsförslag/ orslag/Tarjoiluehdotus/ chlag/Suggestion de n/ Suggerimento di ne/Propozycja podania/ vírování/Návrh na /Tálalási javaslat/ servire/Рекомендации лению

Avenir

s: Wheat flour, whole grain wheat flour, spelt flour (16%), ed (15%), whole grain rye flour, vegetable fat, yeast, maltextract, emulsifier (E 471). 27 g whole grain ingredients used to bake 100 g product. May contain traces of milk. er: Vetemjöl/hvetemel, vetemjöl (fullkorn)/hvetemel peltmjöl/speltmel (16%), sesamfrö/sesamfrø (15%), korn)/rugmel (fullkorn), vegetabiliskt fett/vegetabilsk fett, atten/vann, salt, maltextrakt/maltekstrakt (korn/bygg), smedel/emulgator (E471). 27 g fullkornsingredienser s för att baka 100 g produkt. Kan innehålla spår av mjölk. lde spor av melk. Kraftigt saltad. er: Hvedemel, fuldkorns hvedemel, speltmel (16%), 15%), fuldkorns rugmel, vegetabilsk fedtstof, gær, vand, ltekstrakt, emulgator (E471). 27 g fuldkornsingredienser til at bage 100 g produkt. Kan indeholde spor af mælk. Vehnäjauho, täysjyvävehnäjauho, spelttijauho (16%), emen (15%), täysjyväruisjauho, kasvirasva, hiiva, vesi, asuute, emulgointiaine (E471). 100 g tuotetta on käytetty väaineksia. Saattaa sisältää pieniä määriä maitoa. uolainen. Weizenmehl, Weizenvollkornmehl, Dinkelmehl (16%), en (15%), Roggenvollkornmehl, pflanzliches Fett, Hefe, alz, Gerstenmalzextrakt, Emulgator (E471). Um 100 g Produkt herzustellen, wurden 27 g Vollkornerzeugnisse Kann Spuren von Milch enthalten. s: Farine de blé, farine complète de blé, farine d’épeautre nes de sésame (15%), farine complète de seigle, graisse vure, eau, sel, extrait de malt d'orge, émulsifiant (E471). éales complètes sont utilisés pour la fabrication de 100 g Peut contenir des traces de lait. : Farina di frumento, farina di frumento integrale, farina %), semi di sesamo (15%), farina di segale integrale, etale, lievito, acqua, sale, estratto di malto d’orzo,

emulsionante (E471). 27 g ingredienti integrali sono stati usati per 100 g di prodotto. Può contenere tracce di latte. Składniki: Mąka pszenna, pełnoziarnista mąka pszenna, mąka z pszenicy orkisz (16%), nasiona sezamu (15%), pełnoziarnista mąka żytnia, tłuszcz roślinny, drożdże, woda, sól, ekstrakt słodowy, emulgator (E471). Do wypieku 100 g produktu użyto 27 g składników pełnoziarnistych. Może zawierać śladowe ilości mleka. Složení: Pšeničná mouka, celozrnná pšenicná mouka, špaldová mouka (16%), sezamové semínko (15%), celozrnná žitná mouka, rostlinný tuk, droždí, voda, sůl, sladový extrakt, emulgátor (E471). Na 100 g výrobku je použito 27 g celozrnných přísad. Může obsahovat stopy mléka. Zloženie: Pšeničná múka, celozrnná pšeničná muka, špaldová múka (16%), sezamové semeno (15%), celozrnná ražná múka, rastlinný tuk, droždie, voda, soľ, sladový výťažok, emulgátor (E471). Na výrobu 100 g výrobku bolo použitých 27 g celozrnných ingrediencií. Môže obsahovať stopy mlieka. Összetevők: Búzaliszt, teljes őrlésű búzaliszt, tönkölyliszt (16%), szezámmag (15%), teljes őrlésű rozsliszt, növényi zsír, élesztő, víz, só, malátakivonat, emulgeátor (E471). 100 g elkészítéséhez 27 g teljes kiőrlésű összetevő került felhasználásra. Tejmaradványt tartalmazhat. Ingrediente: Făină de grâu, făină integrală de grâu, făină de alac (16%), seminţe de susan (15%), făină de secară integrală, grăsime vegetală, drojdie, apă, sare, extract din malţ, emulsificator (E471). 27 g de ingrediente din făină integrală au fost utilizate pentru a coace 100 g de produs. Poate conţine urme de lapte. Состав: Пшеничная мука, Цельнозерновая пшеничная мука, Мука из пшеницы спельты (16%), кунжут (15%), цельнозерновая ржаная мука, растительный жир, дрожжи, вода, соль, солодовый экстракт, эмульгатор (E471). Для выпечки 100 г продукта использовано 27 г цельнозерновых ингредиентов. Возможно содержание молока.

WASA LOGOS: Print PMS 2738C & PMS 116C.

open łnoziarn

Pe 100% Błonnik 16%

CYAN

MAGENTA

YELLOW

PMS 2738C

PMS 116C

PMS 3125C

iste

BLACK

mleczne

ALL COLOURS AND IMAGE OUTPUT TO BE CONFIRMED AT REPRO.

open Propozycja podania

SUBJECT TO PROOFING AND APPROVAL PRIOR TO PRINT.

Pełnoziar

100% Błonnik 16%

CORPORATE TEXT: Reversed White Out of 100% PMS 1807C

niste

NUTRITIONAL CLAIMS ICONS: Print 100% PMS 3125C. Bird detail prints 65% PMS 3125C. Tint value to be adjusted at repro to compensate for dot gain on press.

WASA LOGO: Prints PMS 2738C & PMS 116C

PRODUCT NAME AND DESCRIPTOR TEXT: Reversed White Out of 100% PMS 1807C

WHEATFIELD ILLUSTRATION: Prints 100% PMS 3125C.

NUTRITIONAL CLAIMS ICON: Prints 100% PMS 1807C. Text reversed White Out

mleczne

PRODUCT PHOTOGRAPHY: Prints CMYK. Replacement of any plate to equivalent spot colour available to be designated at repro and matched to design intent proof.

WHEATFIELD ILLUSTRATION: Prints 100% PMS 1807C.

PHOTOGRAPHY SHADOW: Supplied as a greyscale PSD. Genomsnittligt näringsvärde/Gjennomsnittlig næringsverdi/Gennemsnitlig næringsværdi/ Keskimääräinen ravintosisältö Energivärde/Energi/Energiasisältö

Per 100 g

Per skiva/Per skive/ Per viipale

TABLE PANELS: Prints 100% PMS 1807C.

1700 kJ (410 kcal)

240 kJ (60 kcal)

Prints 10% PMS 1807C.

Protein/Proteiini

11 g

1,5 g

Kolhydrater/Karbohydrater/Kulhydrat/Hiilihydraatteja varav sockerarter/hvorav sukkerarter/heraf sukkerarter/josta sokeria

65 g

9,5 g

4,0 g

0,5 g

Fett/Fedt/Rasvaa varav mättade fettsyror/hvorav mettede fettsyrer/ heraf mættede fedtsyrer/josta tyydyttyneitä rasvahappoja

10 g 2,5 g

1,5 g

1,0 g <0,1 g f

Saltmängd: 1,3 % av färdig produkt./Suolapitoisuus: 1,3 % valmiista tuotteesta.

Bageriprodukt av vete med sesamfrön/Bakeriprodukt av hvete med sesamfrø/Bageriprodukt af hvede med sesamfrø/Vehnästä valmistettu a seesaminsiemeniä sisältävä leipomotuote

ngredienser: Vetemjöl/hvetemel (84%), sesamfrö/sesamfrø (10%), vegetabiliskt fett/ vegetabilsk fett, jäst/gjær, socker/sukker, salt. Ingredienser: Hvedemel (84%), sesamfrø 10%), vegetabilsk fedtstof, gær, sukker, salt. Ainekset: Vehnäjauho (84%), seesaminsiemen 10%), kasvirasva, hiiva, sokeri, suola.

PLEASE REPLACE WITH BARCODE 7 300400 107693

Antal skivor/Antal skiver/Viipalemäärä: ca 20 Förvaras torrt och mörkt. Bäst före, se förpackningens sida./ Opbevares tørt og mørkt. Mindst holdbar til, se pakkens side./Säilytetään kuivassa ja pimeässä paikassa. Parasta ennen: ks. pakkauksen reuna.

TEXT: Reversed White Out of 100% PMS 1807C

RECYCLE LOGO: Prints 100% Cyan, 100% Yellow.

PLEASE REPLACE WITH BARCODE 7 300400 126526

7,0 g 0,5f g

Nettovikt/ Nettovekt/ Nettovægt/ Nettopaino

230 g Propozycja podania

0,4 g

Kostfiber/Kostfibre/Ravintokuituja Natrium

290 g

Pieczywo chrupkie wypiekane z ziarna z˙yta z pełnego przemiału z dodatkiem mleka, jogurtu i serwatki.

Tint values to be adjusted at repro to compensate for dot gain on press.

Pieczywo z pełnoziarnistej ma˛ki z˙ytniej z odtłuszczonym mlekiem

Ilos´c´ kromek: ok. 24

Przechowywac´ w suchym i ciemnym miejscu. Najlepiej spoz˙yc´ przed: data Składniki: pełnoziarnista ma˛ka z˙ytnia minimalnej trwałos´ci i numer serii na (106 g*), odtłuszczone mleko (17 g*), boku opakowania. jogurt w proszku, serwatka w proszku, sól, droz˙dz˙e. Do wypieku 100 g produktu uz˙yto 106 g składników pełnoziarnistych. Moz˙e zawierac´ s´ladowe ilos´ci sezamu. *w g na 100 g produktu.

ROYAL CREST: Prints CMYK.

PLASTIC RECYCLING LOGO: Prints 100% PMS 116C. Text prints PMS 2738C. PAPER RECYCLING LOGO: 50% Cyan, 100% Yellow Text prints PMS 2738C. Repro to adjust these values to compensate for dot gain on press. TEXT: Reversed White Out of 100% PMS 1807C PRODUCT PHOTOGRAPHY: Prints CMYK. Replacement of any plate to equivalent spot colour available to be designated at repro and matched to design intent proof.

230 g Waga netto

Producent: Barilla Wasa Deutschland GmbH, Bereich Wasa, Wasastraße 10, D-29229 Celle Niemcy. www.wasa.de Kontakt: Wasa Barilla Poland Sp. z o.o., ul. Poleczki 23, 02-822 Warszawa, www.wasa.pl

TEXT: Reversed White Out of 100% PMS 3125C unless otherwise indicated. PRODUCT NAME AND DESCRIPTOR TEXT: Reversed White Out of 100% PMS 3125C unless otherwise indicated. BACK PANEL TEXT: Prints 100% PMS 3125C. RECYCLE LOGO: Prints 100% Cyan, 100% Yellow.

ENVIRONMENTAL LOGO: 50% Cyan, 100% Yellow Text prints PMS 2738C. Repro to adjust these values to compensate for dot gain on press. ROYAL CREST: Prints CMYK.

PHOTOGRAPHY SHADOW: Supplied as a greyscale PSD.

WS_CB_BA_Mle125_1_A02.indd 1

31/7/09 09:33:28

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

FutureBrand | Nestlé Fitness Müsli Packaging

Portfolio

TO OPEN SLIDE FINGER UNDER TAB AND BREAK SEAL TO LEFT AND RIGHT

Best before end

Nut Medley Store in a cool dry place A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, roasted hazlenuts and sliced almonds

Nestlé

A 45g serving contains Calories Sugar

WHOLE GRAIN Cereals

Fat

Saturates

Salt

X.Xg X.Xg X.Xg X.Xg X.Xg xx%

xx%

WHOLE GRAIN

Cereals

of an adult’s Guideline Daily Amount

Cereals

Good to know... Nestlé FITNESS is made with whole grain. Eating more whole grains as part of your diet provides you with a complete package of great nutrients. Plus, the complex carbohydrates, fibre and protein present in whole grain slows the release of energy into the body, keeping your family going throughout the whole morning.

If you enjoyed this great tasting müsli why not try our other delicious flavours

e it off, keep it off, whole grain cereal

• Management • Costing • Production • Retouching • Print

Chocolate Heaven and Fruit Fusion!

NUTRITION INFORMATION Per 30g with 25ml TYPICAL VALUES Semi Skimmed Milk Energy 171 kcal 723 kJ Protein 6.7g Carbohydrate 28.7g of which sugars 12.4g Fat 3.2g of which saturates 1.5g Fibre 2.0g Sodium 0.1g

NEW

Salt

Vitamins & Minerals

Nut Medley

Per 100g

369 kcal 1562 kJ 8.1g 75.2g 21.6g 3.9g 1.1g 6.6g 0.5g

0.3g

%RDA*

1.2g

%RDA*

Vitamin C 17.5 mg 25% 51 mg Thiamin (B1) 0.4 mg 25% Riboflavin (B2) 0.6 mg 35% Niacin 4.7 mg 25% 1.2 mg Vitamin B6 0.5 mg 25% 51 µg 25% 1.4 mg Folic Acid (folacin) Vitamin B12 0.75 µg 75% Pantothenic acid 1.9 mg 30% 15.3 mg Iron 3.6 mg 25% Calcium 000 mg 00% 1.7 mg

A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, roasted hazlenuts and sliced almonds

85% 85% 85% 85% 85% 85% 85% 85% 85% 00%

Calcium 000 mg 00% 000 mg 00%

*Recommended Daily Allowance (RDA) according to the EC Nutrition Labelling Directive 90/496/EEC. A 30g serving of Nestlé Cini Mini provides 25% of the Recommended Daily Allowance of eight vitamins and iron.

Lower Fat Lighter Texture

350g

Whole Grain Goodness

INGREDIENT LIST: Cereal Grains (Rice, Maize Semolina), Sugar, Cocoa Powder, Starch, Partially Hydrogenated Vegetable Oil, Fructose, Salt, Lecithin, Flavouring: Vanillin, Trisodium Phosphate. VITAMINS AND MINERALS: Vitamin C, Niacin, Pantothenic Acid, Vitamin B6, Riboflavin (B2), Thiamin (B1), Folic Acid (Folacin), Vitamin B12 and Iron. May contain traces of nuts and milk. This pack contains at least twelve 30g servings and is sold by weight not volume. Some settling of contents may have occured during transit.

Good to talk

00800 XXX XXX www.Nestlé.country

NESTLÉ CONSUMER SERVICES

* than other müslis

Ranjit Sehambi

TO OPEN SLIDE FINGER UNDER TAB AND BREAK SEAL TO LEFT AND RIGHT

Best before end

Chocolate Heaven

Store in a cool dry place A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, roasted hazlenuts and sliced almonds

200 mm - DO NOT SCALE THIS MEDIA BOX

CPW

Job No:

146422

Project Name:

Nestlé Fitness

File Name:

Musli_Nut_350g_Cart.ai

ARTWORK VERSION NUMBER:

Originator:

Date:

25/09/07

Amended By:

N/A

Date Of Amends:

00/00/00

Printer:

Print Process:

Litho

Dimensions/Size:

See Illustrator File

Software Format:

CS2

Image Output:

300 dpi

Fonts Used:

Frutiger TBC

MAGENTA

Take it off, keep it off, with Fitness whole grain cereal

Calories Sugar

WHOLE GRAIN Cereals

Fat

Saturates

Salt

X.Xg X.Xg X.Xg X.Xg X.Xg xx%

xx%

YELLOW

BLACK

PMS 274 C

WHOLE GRAIN

Cereals

of an adult’s Guideline Daily Amount

Cereals

If you’re really passionate about your müsli with its deliciously tasty mix of oats, flakes and clusters. You’ll just have to try new FITNESS müsli.

If you enjoyed this great tasting müsli why not try our other delicious flavours Fruit Fusion and

Nut Medley!

NEW

Chocolate Heaven is a delicious combination of all that you love in a müsli - FITNESS flakes, oats, wheat flakes, crunchy clusters with chocolate pieces and chocolate rolls… Heaven

COLOUR LIST:

CYAN

Cereals

Client:

Nestlé WHOLE GRAIN

FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Nestlé

A 45g serving contains

Salt

1.2g

%RDA*

A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, chocolate pieces and rolls.

And still good for your line!

0.3g

Vitamins & Minerals

Chocolate Heaven

Per 100g

369 kcal 1562 kJ 8.1g 75.2g 21.6g 3.9g 1.1g 6.6g 0.5g

85% 85% 85% 85% 85% 85% 85% 85% 85% 00%

Calcium 000 mg 00% 000 mg 00%

CUTTER GUIDE (DOES NOT PRINT) SIGN OFF Design:

FITNESS müslis are made with wholegrain, are lower in fat and lighter in texture than other müslis helping you take it off and keep it off longer*

Account Manager:

Production:

Lower Fat Lighter Texture

* Independent studies show that women FutureBrand Consumer cannot accept responsibility for any errors or omissions in Technical drawings and finished Artworks reviewed by the client or the clients agent. Please check this document thoroughly and clearly mark any changes required. Please approve sign and return a copy to the Production department.

who eat whole grain tend to weigh less than women who don’t, and are less likely to gain it over time.

Whole Grain Goodness

350g

Good to talk

00800 XXX XXX www.Nestlé.country

NESTLÉ CONSUMER SERVICES

* than other müslis

TO OPEN SLIDE FINGER UNDER TAB AND BREAK SEAL TO LEFT AND RIGHT

Best before end

Fruit Fusion Store in a cool dry place A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, roasted hazlenuts and sliced almonds

200 mm - DO NOT SCALE THIS MEDIA BOX

CPW

Job No:

146422

Project Name:

Nestlé Fitness

File Name:

Musli_Fruit_350g_Cart.ai

ARTWORK VERSION NUMBER:

Originator:

Date:

25/09/07

Amended By:

N/A

Date Of Amends:

00/00/00

Printer:

Print Process:

Litho

Dimensions/Size:

See Illustrator File

Software Format:

CS2

Image Output:

300 dpi

Fonts Used:

Frutiger TBC

MAGENTA

YELLOW

BLACK

PMS 274 C CUTTER GUIDE (DOES NOT PRINT) SIGN OFF Design:

Account Manager:

Production:

Nestlé

A 45g serving contains

Take it off, keep it off, with Fitness whole grain cereal

Calories Sugar

WHOLE GRAIN Cereals

Fat

Saturates

Salt

X.Xg X.Xg X.Xg X.Xg X.Xg xx%

xx%

WHOLE GRAIN

Cereals

of an adult’s Guideline Daily Amount

Cereals

If you’re really passionate about your müsli with its deliciously tasty mix of oats, flakes and clusters. You’ll just have to try new FITNESS müsli.

If you enjoyed this great tasting müsli why not try our other delicious flavours

Chocolate Heaven and Nut Medley!

Fruit Fusion is a delicious combination of all that you love in a müsli - FITNESS flakes, oats, wheat flakes, crunchy clusters with raspberry infused apple, raspberry barley flakes and dried apples… Heaven

COLOUR LIST:

CYAN

Cereals

Client:

Nestlé WHOLE GRAIN

NEW

Salt

Vitamins & Minerals

Fruit Fusion

Per 100g

369 kcal 1562 kJ 8.1g 75.2g 21.6g 3.9g 1.1g 6.6g 0.5g

0.3g

%RDA*

1.2g

%RDA*

A delicious combination of FITNESS flakes, oats, wheat flakes, crunchy clusters, raspberry infused apple, raspberry barley flakes and dried apples.

And still good for your line!

85% 85% 85% 85% 85% 85% 85% 85% 85% 00%

Calcium 000 mg 00% 000 mg 00%

FITNESS müslis are made with wholegrain, are lower in fat and lighter in texture than other müslis helping you take it off and keep it off longer* who eat whole grain tend to weigh less than women who don’t, and are less likely to gain it over time.

Lower Fat Lighter Texture

FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

350g

Whole Grain Goodness

Good to talk

00800 XXX XXX www.Nestlé.country

NESTLÉ CONSUMER SERVICES

* than other müslis

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

FutureBrand | P&G Silvikrin Packaging

Portfolio

Product Name: Silvikrin Shampoo Olive 400ml Front Label Dual Language Artwork Version 00 (TBC) Trident

ALL TYPE TO BE FINALISED AT REPRO BY TRIDENT

200 mm - DO NOT SCALE THIS MEDIA BOX

FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Client:

P&G

Job No:

166783

Project Name:

Silvikrin 400ML Labels

File Name:

166783_SiS_OL400FDu_A00.ai

ARTWORK VERSION NUMBER:

Originator:

Anthony Lacey

Date:

04/04/08

Amended By:

XXXXX

Date Of Amends:

XXXXX

Printer:

Trident

Print Process:

TBC

Dimensions/Size:

See Illustrator File

Software Format:

CS3

Image Output:

300 dpi

Fonts Used:

Trade Gothic, Dax

Prints P&G 0237 100% WHITE underpin (TBC) Trident Knock out to WHITE

SUBSTRATE Do not print

CMYK image to be printed P&G 1391 (Dark Green) and P&G 1765 (Light Gr (to be updated at repro stage by Trident) 100% WHITE underpin

CMYK image (to be updated at repro stage by Trident) 100% WHITE underpin

COLOUR LIST:

SILVIKRIN logo prints WHITE CYAN

MAGENTA

YELLOW

P&G 126 P&G 1391 P&G 1765 (WHITE) CUTTER GUIDE (DOES NOT PRINT)

BLACK

Sham Shampoo mpoo

P&G 0237

Copy prints WHITE

Full & Thick k llooking ooking gh hair air

SIGN OFF Design:

Copy prints WHITE

Account Manager:

Copy prints WHITE Production:

95654522 FutureBrand Consumer cannot accept responsibility for any errors or omissions in Technical drawings and finished Artworks reviewed by the client or the clients agent. Please check this document thoroughly and clearly mark any changes required. Please approve sign and return a copy to the Production department.

• Management • Costing • Production • Retouching • Print

Key Cutter/Print Area

Print to cut

Bleed

Print to crease/crimp

Perforation

Eyemark (Colour TBC)

Text free area

Print free area

Varnish free

Varnish and Print free

Please note: All artwork and print specification provided is provisional and is subject to change at Trident during print tria

Ranjit Sehambi

Product Name: Silvikrin Shampoo Citrus 400ml Front Label Dual Language Artwork Version 00 (TBC) Trident

Product Name: Silvikrin Shampoo Aloe 400ml Front Label Dual Language Artwork Version 00 (TBC) Trident

ALL TYPE TO BE FINALISED AT REPRO BY TRIDENT

ALL TYPE TO BE FINALISED AT REPRO BY TRIDENT FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Client:

P&G

Client:

P&G

Job No:

166783

Job No:

166783

Project Name:

Silvikrin 400ML Labels

Project Name:

Silvikrin 400ML Labels

File Name:

166783_SiS_CI400FDu_A00.ai

File Name:

166783_SiS_AL400FDu_A00.ai

ARTWORK VERSION NUMBER:

Originator:

Anthony Lacey

Originator:

Anthony Lacey

Date:

04/04/08

Date:

04/04/08

Amended By:

XXXXX

Amended By:

XXXXX

Date Of Amends:

XXXXX

Date Of Amends:

XXXXX

Printer:

Trident

Printer:

Trident

Print Process:

TBC

Print Process:

TBC

Dimensions/Size:

See Illustrator File

Dimensions/Size:

See Illustrator File

Software Format:

CS3

Software Format:

CS3

Image Output:

300 dpi

Image Output:

300 dpi

Fonts Used:

Trade Gothic, Dax

Fonts Used: COLOUR LIST:

Trade Gothic, Dax

Prints P&G 0237 100% WHITE underpin (TBC) Trident Knock out to WHITE

SUBSTRATE Do not print

CMYK image to be printed P&G 1242 (Dark Yellow) and P&G 0051 (Light Yellow) (to be updated at repro stage by Trident) 100% WHITE underpin

CMYK image (to be updated at repro stage by Trident) 100% WHITE underpin

COLOUR LIST:

CYAN

MAGENTA

YELLOW

P&G 126 P&G 1242 P&G 0051 (WHITE) CUTTER GUIDE (DOES NOT PRINT)

200 mm - DO NOT SCALE THIS MEDIA BOX

FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Prints P&G 0237 100% WHITE underpin (TBC) Trident Knock out to WHITE

SUBSTRATE Do not print

CMYK image to be printed P&G 1487 (Dark Green), P&G 1765 (mid Green) and P&G 1791 50% (Light Green) (to be updated at repro stage by Trident) 100% WHITE underpin CMYK image (to be updated at repro stage by Trident) 100% WHITE underpin

CYAN

MAGENTA

YELLOW

BLACK

P&G 126 (WHITE)

P&G 1487

P&G 1765

P&G 1791 (Used 50%)

SILVIKRIN logo prints P&G 0237 100% WHITE underpin

BLACK

Sham Shampoo mpoo

P&G 0237

Clean & Fresh Fressh up to 4 48-hrs 8-hrs

SIGN OFF Design:

SILVIKRIN logo prints P&G 0237 100% WHITE underpin

Sham Shampoo mpoo

Copy prints P&G 0237 100% WHITE underpin P&G 0237 CUTTER GUIDE (DOES NOT PRINT) SIGN OFF Design:

Copy prints P&G 0237 100% WHITE underpin

Account Manager:

Copy prints P&G 0237 100% WHITE underpin

Volume w without ithout ffrizz rizz

Copy prints P&G 0237 100% WHITE underpin

Account Manager:

Copy prints P&G 0237 100% WHITE underpin

Production:

95654522

FutureBrand Consumer cannot accept responsibility for any errors or omissions in Technical drawings and finished Artworks reviewed by the client or the clients agent. Please check this document thoroughly and clearly mark any changes required. Please approve sign and return a copy to the Production department.

Key

Cutter/Print Area

Print to cut

Bleed

Print to crease/crimp

Cutter/Print Area

Print to cut

Bleed

Print to crease/crimp

Perforation

Eyemark (Colour TBC)

Text free area

Print free area

Perforation

Eyemark (Colour TBC)

Text free area

Print free area

Varnish free

Varnish and Print free

Varnish free

Varnish and Print free

Please note: All artwork and print specification provided is provisional and is subject to change at Trident during print trials.

Product Name: Silvikrin Shampoo Green Tea 400ml Front Label Dual Language Artwork Version 00 (TBC) Trident

Product Name: Silvikrin Shampoo Henna 400ml Front Label Dual Language Artwork Version 00 (TBC) Trident

ALL TYPE TO BE FINALISED AT REPRO BY TRIDENT

ALL TYPE TO BE FINALISED AT REPRO BY TRIDENT FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Client:

P&G

Client:

P&G

Job No:

166783

Job No:

166783

Project Name:

Silvikrin 400ML Labels

Project Name:

Silvikrin 400ML Labels

File Name:

166783_SiS_GT400FDu_A00.ai

File Name:

166783_SiS_HE400FDu_A00.ai

ARTWORK VERSION NUMBER:

Originator:

Anthony Lacey

Originator:

Anthony Lacey

Date:

04/04/08

Date:

04/04/08

Amended By:

XXXXX

Amended By:

XXXXX

Date Of Amends:

XXXXX

Date Of Amends:

XXXXX

Printer:

Trident

Printer:

Trident

Print Process:

TBC

Print Process:

TBC

Dimensions/Size:

See Illustrator File

Dimensions/Size:

See Illustrator File

Software Format:

CS3

Software Format:

CS3

Image Output:

300 dpi

Image Output:

300 dpi

Fonts Used:

Trade Gothic, Dax

Fonts Used:

Trade Gothic, Dax

Prints P&G 0237 100% WHITE underpin (TBC) Trident Knock out to WHITE

SUBSTRATE Do not print

CMYK image to be printed P&G 1066 (Dark Green), P&G 1765 (mid Green) (to be updated at repro stage by Trident) 100% WHITE underpin

CMYK image (to be updated at repro stage by Trident) 100% WHITE underpin

COLOUR LIST:

CYAN

MAGENTA

YELLOW

P&G 126 P&G 1066 P&G 1765 (WHITE) CUTTER GUIDE (DOES NOT PRINT)

SILVIKRIN logo prints P&G 0237 100% WHITE underpin

BLACK

Sham Shampoo mpoo

P&G 0237

Copy prints P&G 0237 100% WHITE underpin

For normall tto o gr greasy reasy h hair air

SIGN OFF Design:

Copy prints P&G 0237 100% WHITE underpin

Account Manager:

200 mm - DO NOT SCALE THIS MEDIA BOX

FutureBrand Fox Court 14 Gray’s Inn Road London WC1X 8WS +44 (0)20 7067 0010 Telephone +44 (0) 870 990 5467 Facsimile

Prints P&G 0237 100% WHITE underpin (TBC) Trident Knock out to WHITE

SUBSTRATE Do not print

CMYK image to be printed P&G 0387 (Dark Red) and P&G 0223 (Light Red) (to be updated at repro stage by Trident) 100% WHITE underpin

CMYK image (to be updated at repro stage by Trident) 100% WHITE underpin

COLOUR LIST:

SILVIKRIN logo prints WHITE CYAN

MAGENTA

YELLOW

P&G 126 P&G 0387 P&G 0223 (WHITE) CUTTER GUIDE (DOES NOT PRINT)

BLACK

Sham Shampoo mpoo

P&G 0237

Copy prints WHITE

Volume u up p tto o4 48-hrs 8-hrs

SIGN OFF Design:

Copy prints WHITE

Account Manager:

Copy prints P&G 0237 100% WHITE underpin Production:

Copy prints WHITE Production:

95654522

Key

Cutter/Print Area

Print to cut

Bleed

Print to crease/crimp

Cutter/Print Area

Print to cut

Bleed

Print to crease/crimp

Perforation

Eyemark (Colour TBC)

Text free area

Print free area

Perforation

Eyemark (Colour TBC)

Text free area

Print free area

Varnish free

Varnish and Print free

Varnish free

Varnish and Print free

Please note: All artwork and print specification provided is provisional and is subject to change at Trident during print trials.

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

• Management • Costing • Production • Retouching • Print

www.nseries.com/n81

Nokia N81 Nokia N81 STICKER GOES HERE

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Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

purus. Nulla ligullaa est, auctor nec, pellentesque in, interdum i id, leo. Fusce neque. Praaesent esent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorrper vulputate.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

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FPO

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N81

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Vestibulum vulputate diam in lorem. Ut tortor eros, vestibulum sit amet, tincidunt vel, ornare et,. purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate. Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat. *Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

Nokia N81

Life moves pretty fast. That’s why we’ve incorporated video capture at up to 30 frames per second and hours of storage space – so you don’t have to miss a moment. Live life up close and personal on the Nokia N81 multimedia device. Store videos, photos and music with 8GB of internal memory. Capture your memories on a 5 megapixel camera with Carl Zeiss optics. Access content with Nokia Video Centre and enjoy it on a luminous 2.8” QVGA screen. Plan your route with built-in GPS. Get online quickly and surf the internet in portrait or landscape view.

Jump into action with your Nokia N81

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

- x

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

x xxxxxxx - x

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

©2007 Nokia. All rights reserved. Nokia, Nseries and N95 8GB are trademarks or registered trademarks of Nokia Corporation. Other product and company names mentioned herein may be trademarks or trade names of their respective owners.

K CMY MY Y

CM M C

© 2007 Nokia. Tous droits réservés. Nokia, Nseries et N95 8GB sont des marques déposées de Nokia Corporation. Les autres noms de produits et de sociétés mentionnés dans le présent document sont des marques déposées ou des noms commerciaux appartenant à leurs propriétaires respectifs.

Jump into action with your Nokia N81.

Nokia N81 150583 Nokia N81 Box AW00.ai

8/10/07

17:03:00

Portfolio

FutureBrand | Nokia Packaging

STICKER GOES HERE

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Vestibulum vulputate diam in lorem. Ut tortor eros, vestibulum sit amet, tincidunt vel, ornare et,.

FPO

purus. Nulla ligullaa est, auctor nec, pellentesque in, interdum i id, leo. Fusce neque. Praaesent esent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorrper vulputate. Donec et mi. Vestibulum tibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat. *Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

purus. Nulla ligul ligulaa est, auctor nec, pellentesque in, in nterdum id, leo. Fusce neque. Praeesent ut nibh et lectus ctus ultricies aliq quam. Sed et urna et tellus ullamcorp per vulputate. Donec ec et mi mi. Ve Vestibulum Vesti auctor varius nulla. Vivamus eget neque sdapibus non, erat. *Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

N73

Nokia N73

Life moves pretty fast. That’s why we’ve incorporated video capture at up to 30 frames per second and hours of storage space – so you don’t have to miss a moment. Live life up close and personal on the Nokia N73 multimedia device. Store videos, photos and music with 8GB of internal memory. Capture your memories on a 5 megapixel camera with Carl Zeiss optics. Access content with Nokia Video Centre and enjoy it on a luminous 2.8” QVGA screen. Plan your route with built-in GPS. Get online quickly and surf the internet in portrait or landscape view.

Jump into action with your Nokia N73

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

- x

www.nseries.com/n73

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

x xxxxxxx - x

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com www.nseries.com/n73

Nokia N73

Nokia N73 *Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

Y M C

K CMY CY MY CM

STICKER GOES HERE Jump into action with your Nokia N73.

Nokia N73

Donec et mi. Vestibulum tibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

purus. Nulla ligullaa est, auctor nec, pellentesque in, interdum i id, leo. Fusce neque. Praaesent esent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorrper vulputate.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

Lorem ipsum dolor sit amet, consectetuer adipiscing elit. Vestibulum vulputate diam in lorem. Ut tortor eros, vestibulum sit amet, tincidunt vel, ornare et,.

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N73

Nokia N73

Life moves pretty fast. That’s why we’ve incorporated video capture at up to 30 frames per second and hours of storage space – so you don’t have to miss a moment. Live life up close and personal on the Nokia N73 multimedia device. Store videos, photos and music with 8GB of internal memory. Capture your memories on a 5 megapixel camera with Carl Zeiss optics. Access content with Nokia Video Centre and enjoy it on a luminous 2.8” QVGA screen. Plan your route with built-in GPS. Get online quickly and surf the internet in portrait or landscape view.

Jump into action with your Nokia N73

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

- x

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

x xxxxxxx - x

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

11:44:54

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

CY 9/10/07

K CMY MY 150583 Nokia White Box AW01.ai

M www.nseries.com/n958gb

Nokia N95 8GB Nokia N95 8GB

STICKER GOES HERE

N95-2

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Donec et mi. Vestibulum tibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

purus. Nulla ligul ligulaa est, auctor nec, pellentesque in, in nterdum id, leo. Fusce neque. Praeesent ut nibh et lectus ctus ultricies aliq quam. Sed et urna et tellus ullamcorp per vulputate.

purus. Nulla ligullaa est, auctor nec, pellentesque in, interdum i id, leo. Fusce neque. Praaesent esent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorrper vulputate.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

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*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

Nokia N95 8GB

Life moves pretty fast. That’s why we’ve incorporated video capture at up to 30 frames per second and hours of storage space – so you don’t have to miss a moment. Live life up close and personal on the Nokia N95 8GB multimedia device. Store videos, photos and music with 8GB of internal memory. Capture your memories on a 5 megapixel camera with Carl Zeiss optics. Access content with Nokia Video Centre and enjoy it on a luminous 2.8” QVGA screen. Plan your route with built-in GPS. Get online quickly and surf the internet in portrait or landscape view.

Jump into action with your Nokia N95 8GB

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

purus. Nulla ligula est, auctor nec, pellentesque in, interdum id, leo. Fusce neque. Praesent ut nibh et lectus ultricies aliquam. Sed et urna et tellus ullamcorper vulputate.

- x

Donec et mi. Vestibulum auctor varius nulla. Vivamus eget neque sdapibus non, erat.

x xxxxxxx - x

*Nulla ligula est, auctor nec, ellentesque in, interdum id, leo.

CY Y M

Jump into action with your Nokia N73.

K CMY MY CM C

Nokia N73

Jump into action with your Nokia N95 8GB.

Nokia N95 8GB 150583 Nokia N95 Box AW01.ai

8/10/07

17:09:33

150583 Nokia N73 Box AW01.ai

9/10/07

11:52:46

Ranjit Sehambi

Portfolio

FutureBrand | ABInbev Packaging

Ranjit Sehambi

ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com

Ranjit Sehambi Portfolio ranj@sehambi.com +44 (0)7973 111 658 www.sehambi.com 90 Park Road, Hendon, London NW4 3PE