Rapid River Arts and Culture Magazine March 2019 by Rapid River Magazine

U n i q u e l y W N C T h e a t e r a n d S h o w s to S e e

– n i n e p a g e g u id e i n s id e

R A P I D RI VER MAGAZINE’S

A R T S & C U LT U R E WWW.RAPIDRIVERMAGAZINE.COM

March 2019 • Vol. 22, Number 7

THE OLDEST AND MOST READ ARTS & CULTURE MAGAZINE IN WNC

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YA BOOK ‘New York Times’ bestselling author Brendan Reichs returns with a shocking conclusion in ‘Chrysalis’

BALLET HISPÁNICO

BY STAFF REPORTS • DOWNTOWN ASHEVILLE

April 9th & 10th at 8pm

This March, Brendan Reichs concludes the gripping

“...an example of what makes our country beautiful.” — Broadway World

and cut-throat world

Fire Lake with Chrysalis (on sale March 5). The 64 members of Fire Lake’s sophomore class have managed to survive the first two phases of the Program — and each other. Now, they alone have emerged into the dawn of a new era on Earth, into a Fire Lake valley that’s full of otherworldly dangers and challenges. Although staying alive in this broken world should force Min, Noah, Tack, and the others to form new alliances, old feuds die hard, and the brutality of the earlier Program phases cannot be forgotten. But being a team isn’t easy for the sophomores, and when they discover they may not be alone on the planet, after all, they’ll have to decide if they’re going to work together… or die together. Chrysalis is the high-octane

With funding support from:

in downtown Asheville

www.dwtheatre.com (828) 257-4530 Sponsors

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conclusion readers cannot wait to have in their hands. The fast-paced writing and accessible world building make this a great book to hand to reluctant readers of any age. The hallmark of Brendan’s writing is his lightning-fast pacing, compelling action, and dynamite tension. The distinct narrative style grips readers and doesn’t let go. Brendan Reichs was born and raised in Charlotte, NC. He graduated from Wake Forest University in 2000 and The George Washington University School of Law in 2006. After three long years working as a litigation attorney, he abandoned the trade to writing full time. He is the author of Nemesis, and co-author of the Virals series, written with Kathy Reichs. Brendan lives in Charlotte with his wife, son, daughter, and a herd of animals that tear up everything.

CONTENTS 6 7 8 9 12 10 11 14 16 20 21 24

Detail of the painting “Finding Your Way” by Olga Dorenko A 15-Year-Old Clarinetist in Concert of “American Favorites” Sunday, March 10 Asheville Symphony Announces 10-Day Lineup for 2019 Asheville Amadeus Ballet Hispanico arrives at Diana Wortham April 9-10 Cover: Olga Dorenko’s brilliant use of color captures redolent emotions Asheville River Arts District Second Saturday, March 9

310 Art: Finding your way with color – ‘Colorful RAD’

Art Classes Asheville Gallery of Art: Fresh Air with ‘en plein air’ artist Sue Dolamore Downtown Asheville: Asheville’s best-kept secret in live theater, 35below, offers “Lobby Hero” and ‘An Iliad’ this spring Health: What exactly is Macular Degeneration Bill Walz: The open vista of original mind Poetry Mary Oliver tribute

18 22 23 25 26 27 28 30 31

www.rapidrivermagazine.com Grovewood Gallery hosts annual Online NOW spring ‘Sip & Shop’ March 22 & 23 Food: WNCAP’s Dining Out For Life happens April 25

Kate Thayer welcomes spring through new works

Books: Malaprop’s presents ‘One Size Fits None’ and Works in Translation with Justin Souther this March Black Mountain: New photography exhibit opens at Mountain Gateway Museum Performing Arts: AmiciMusic’s ‘Mozart in the Mountains’ with the debut of Breaking Winds Theater: ‘Action Movie: The Play’ brings fun and excitement to the stage Rapid River Magazine’s Comics Theater: “Red” — a play about painter Mark Rothko comes to the Feichter Studio at HART

*Red # Performing Arts and Theater

Publisher/Layout and Design/Editor: Dennis Ray Poetry Editor: Carol Pearce Bjorlie CONTACT US: Rapid River’s Arts and Culture Magazine is a monthly publication in WNC. Mail: 85 N. Main St. Canton NC 28716 Email: Info@rapidrivermagazine.com Phone: (828) 712-4752

“A Part of the Whole” by Olga Dorenko

7 Asheville Amadeus begins March 15

NEXT MONTH

COLUMNS / DEPARTMENTS

ART AND MORE FEATURES

March 2019 • Volume 22, NO. 7

ON OUR COVER

Distribution: Dennis Ray/Rick Hills Marketing: Dennis Ray/Rick Hills ADVERTISING SALES: Downtown Asheville and other areas — Dennis Ray (828) 712-4752 Dining Guide, Hendersonville, Waynesville — Rick Hills (828) 452-0228 rick@rapidrivermagazine.com

Fleta Monaghan demonstrates for Second Saturdays in the RAD

APRIL: DINING OUT FOR LIFE, ART IN THESE MOUNTAINS AND OUR ANNUAL GUIDE TO LOCAL LIVE THEATER All Materials contained herein are owned and copyrighted © by Rapid River’s Arts & Culture Magazine and the individual contributors unless otherwise stated. Opinions expressed in this magazine do not necessarily reflect the opinions of Rapid River’s Arts and Culture Magazine or the advertisers herein. © ‘Rapid River’s Arts & Culture Magazine’ March 2018 • Vol. 22, No. 07

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PERFORMING ARTS

A 15-Year-Old Clarinetist in Concert of “American Favorites” Sunday, March 10 BY STAFF REPORTS • DOWNTOWN ASHEVILLE

Festival in 2017 and 2018. In 2017, he was the youngest is proud to present a concert of student enrolled “American Favorites,” featuring the and in 2018 was a music of George Gershwin, Benny BMC Scholar and Goodman, Scott Joplin and Artie a concerto compeShaw at The Cathedral of All tition semi-finalist. Souls on March 10, 3 pm. During his time at The concert will illustrate the evoThe concert features 15-year-old Aaron Lipsky on clarinet BMC, Lipsky played lution and incorporation of Klezmer (left) and Alex Watson on piano. principal clarinet unmusic into American Jazz, showing der Keith Lockhart, how many of the great Jazz artists of American the conductor of the Boston Pops Orchestra. history have strong Eastern European roots. The He is also a two-time recipient of the Ione M. concert will feature 15-year-old Aaron Lipsky on Allen Scholarship for musical study and currently clarinet and Alex Watson on piano. studies with Steve Loew, former solo clarinetist Clarinetist, Aaron Lipsky, founded Clarinet and of the US Marine Band. Lipsky was a featured Friends in 2018. Lipsky, a sophomore at AC musician in “The Next Generation” concerts Reynolds High School, attended the Brevard presented by Dan Weiser and AmiciMusic this Music Center’s (BMC) Summer Institute and The newly-founded chamber music organization, Clarinet & Friends,

past October. He is also the winner of the 2019 Hendersonville Symphony Concerto Competition. Alex Watson is one of the premier pianists of the southeast. He graduated from UNC at Chapel Hill with a BA in music, the US Armed Forces School of Music and studied for three years at Corso di Musica in Tuscania, Italy and Morges, Switzerland. Watson is an instructor at the Piano Lab Studios of Asheville and has also won four first-place gold medals in the National Veterans Creative Arts Festival Competition of 2015 and 2017 in categories for classical, jazz and sacred music. larinet & Friends C Tickets are $15 in advance and $18 at the door. Go to clarinetandfriends.com or call Alex Watson at (252) 236-5457tickets and more information.

IF YOU GO

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PERFORMING ARTS

Asheville Symphony Announces 10-Day Lineup for 2019 Asheville Amadeus BY STAFF REPORTS • DOWNTOWN ASHEVILLE

Warren Haynes, pianist Garrick Ohlsson join the Asheville Symphony for festival opening and its finale.

and part of three of the greatest rock groups in history — The Allman Brothers Band, Gov’t Mule, and The Dead. For this special Amadeus performance, Haynes is joined by Oteil Burbridge (Allman Brothers Band, Dead & Co., The Aquarium Rescue Unit), John Medeski (Medeski Martin & Wood, Phil Lesh & Friends), Jeff Sipe (Aquarium Rescue Unit, Leftover Salmon) and the Asheville Symphony Orchestra for a symphonic take on his classic, career-spanning material. Rich Daniels, the musical director of The City Lights Orchestra in Chicago, will conduct.

The all-ages festival spans multiple Asheville venues, features collaborations with local favorites like Burial Beer Co. and joins forces with all-star musicians such as Gov’t Mule frontman and GRAMMY Award-winning vocalist, songwriter, producer, and guitarist Warren Haynes. First held in 2015, Asheville Amadeus has since become a much-anticipated biennial event — expanding in 2017 from a weeklong festival to a For the next week, Amadeus kicks grand 10-day celebration. In 2019, the Asheville Symphony continues this Amadeus Mozart into high gear with performances ranging from “Ballet with Bach and Rach” tradition, with a festival that includes with the Ballet Conservatory of Asheville more than 30 public and private to a rowdy evening of racy drinking songs at The events. Funkatorium with Asheville Choral Society featur“For Asheville Amadeus 2019, we’re pairing ing Tempus. rock’n’roll with Rachmaninoff,” says Asheville Symphony Executive Director David Whitehill. Tuesday, March 19 and Wednesday, March “And there’s no better way to celebrate than with 20, LaZoom revs its purple bus’s engine for an rock guitarist Warren Haynes and Rach pianist Amadeus-only musical history tour of Asheville, Garrick Ohlsson. hosted by local musician Andrew Fletcher. Friday, March 15, festival-goers should prepare to imbibe at Burial’s South Slope taproom for the release of The Righteous and Barbaric Souls Imperial Stout. With notes of apricot and scores of chocolate, the new Amadeus-inspired brew is an ode to all things lavish and profound — especially when paired with music, art and tasty treats from local chefs.

Other events include a fashion show with the Asheville Symphonettes, a progressive chamber concert walking tour with Pan Harmonia, a special screening of “Shine” at Grail Moviehouse, a flight night of Austrian wines at Burial Beer Co.’s new Forestry Camp Restaurant and Bar, a candid chat with music professionals and a series of interactive musical experiences for children.

Saturday, March 16, Asheville Amadeus jams on stage with Warren Haynes in a musical rock performance, “Warren Haynes Presents Dreams & Songs – A Symphonic Journey,” that’s sure to blow audiences away. Born and raised in Asheville, Warren Haynes is recognized as one of the most excellent guitar players in the world

Saturday, March 23, all-star pianist Garrick Ohlsson joins the Asheville Symphony Youth Orchestra for the 2019 finale eve concert, featuring Edvard Grieg’s Piano Concerto in A Minor, Mozart’s Overture to The Magic Flute and Arturo

‘Amadeus’ continued on page 29

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PERFORMING ARTS ‘ Ballet Hispanico arrives at Diana Wortham April 9-10 BY STAFF REPORTS • DOWNTOWN ASHEVILLE

What does it mean to be caught between two cultures? Ballet Hispánico choreographer Michelle Manzanales knows the feeling. “My parents are Mexican, and I grew up in America — I was born in America,” she said. “I’ve always felt suspended in between those two very distinct cultures. And I’m trying, as a choreographer, to stand in that place in the middle and be confident.” In her work, “Con Brazos Abiertos,” Manzanales explores this dual-cultured existence, intertwining the iconic Mexican symbols of her childhood, folkloric details and a distinctly contemporary voice in dance — all set to music that ranges from Julio Iglesias to rock en español. And Manzanales’s “Con Brazos Abiertos” isn’t the only Ballet Hispánico piece coming to downtown Asheville’s Diana Wortham Theatre

on Tuesday, April 9 and Wednesday, April 10. America’s premier Latino dance organization for more than 48 years, Ballet Hispánico’s Asheville performances will also include Annabelle Lopez Ochoa’s ode to flamenco, “Línea Recta,” and Tania Pérez-Salas’ 3. “Catorce Dieciséis,” inspired by the circular movement of life. Fusing Latin dance with classical and contemporary techniques, Ballet Hispánico brings these three highly Linea Recta acclaimed works to Asheville for a cultural residency that spans multiple traditions and generations. Lopez Ochoa is one of today’s most sought-after choreographers, and her work, “Línea Recta,” is a powerful and resonant work that explores an intriguing aspect of flamenco dance: the conspicuous absence of physical partnering. While maintaining the integrity and hallmark passion of the genre, Lopez Ochoa imagines an original and explosive language of motion through partnership, set to flamenco guitar performed by Eric Vaarzon Morel. “In flamenco,” said company dancer Melissa Fernandez, “there’s always a battle going on, and there’s always this tension. But yet there’s never any physical touch.” In “Línea Recta,” though, Lopez Ochoa introduces flamenco to the tactile sense. “I called it ‘Línea Recta’ because it’s an expression used in French — that when you go right to your goal, you say, ‘Línea recta,’” Lopez Ochoa said. “I feel that, in flamenco, it’s not right to the goal. The theme of how males and females communicate is very indirect, and

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MARCH COVER

(Above) “Morning Breeze” by Olga Dorenko, 24x18, oil on canvas (Left) “Hibiscus” by Olga Dorenko, 25x25 (Right) “Respect The Natural,” by Olga Dorenko, Oil On Canvas, 60x36

Olga Dorenko’s brilliant use of color captures redolent emotions BY DENNIS RAY • RIVER ARTS DISTRICT, ASHEVILLE

Born in 1966 in Uzbekistan in the former Soviet Union, Olga Dorenko spent much of her childhood moving around the Soviet Union. She lived in vastly different regions and climates, experiencing (perhaps subconsciously collecting the future color pallet she now uses)

many fascinating places of beauty. Dorenko arrived in North Carolina in 1998, becoming a US citizen ten years later. In 2009 she opened Olga Dorenko Fine Art Studio, and Dorenko has since become one of Asheville’s most loved and respected artists.

Olga Dorenko Fine Art Studio www.olgadorenko.com.Or contact the artist at Olga@OlgaDorenko.com • (828) 713-8362 • Wednesday – Saturday 12-5pm, or by appointments. 170 Lyman Street, Suit 5 (WAREHOUSE STUDIOS) Asheville IF YOU GO

“A Part of the Whole,” by Olga Dorenko, oil on canvas, 48x36 “Cabin Tree” by Olga Dorenko •SOLD• oil on canvas, – Giclee Print Available

See Olga Dorenko’s latest work on Second Saturdays in her studio in the RAD “A Relaxing Walk” by Olga Dorenko – Oil on Canvas,40x40

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310 ART

Colorful cog sculpture stands outside of 310 Art Gallery made by Foundation Woodworking

Finding your way with color – ‘Colorful RAD’

BY FLETA MONAGHAN • RIVER ARTS DISTRICT, ASHEVILLE

Everyone loves a splash of color. Artists use color as a means to communicate and move our inner spirits.

What better way to lead visitors on an exploration of the colorful River Arts District (RAD) than color banners that guide as well as brighten the day. In the late 19th century, the RAD was a booming industrial scene. Today, artists studios and galleries, restaurants, breweries, a winery, and other compatible small business occupy these historic buildings. It is a major destination for those who love to visit a unique art scene. There is activity every day, year-round with over 250 working artists. Last year colorful banners decorated with art images were installed throughout the district to help visitors find their way. While the RAD is only about a mile in length, there are distinct clusters of buildings now identified by a banner color that 10 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

corresponds with color coding in the Studio Guide. Be sure to get a free guide at your first stop in the district and flip over to the centerfold map to start your journey. For those who prefer to use their phones, go to riverartsdistrict.com and click on the “Plan Your Visit” tab. Be sure to bring your camera!! Not only is there art inside the buildings, but there is also colorful art outside to make for a visual feast for the eyes. When you visit the southern end (#radsouth), you can see the newly rebuilt cog sculpture conceived, designed and installed by Nadine Charlsen and painted by the 310 ARTists. This piece has a history too, originating as set pieces in a production of Peter Pan in NJ performed in 2015. Charlsen spotted the cogs in storage (also the cog logo of The River Arts District Artists Association). Through contact with

S h o p , L e a r n , E x p l o r e . . . E v e r y d a y , A l l Ye a r R o u n d Classes at 310 ART

Andrea Kulish banner near The Pink Dog galleries

Banners by The Wedge Gallery

former students, a prop house in Rahway and a 3-D printer, the first cogs were obtained. The original sculpture was made of thin wood and styrofoam, and it held up for three years! What started as a fun project became a landmark. Not only was it a signpost to help visitors find their way, but it was also a great place for photo ops. This year, with the help of Foundation Woodworking who donated time to cut new, sturdy cogs, a new and larger piece was built and installed. To find Rad South (Blue Banners), look for the cogs at Riverview Station on Lyman St.

When you visit: Get a Studio guide and follow the path of color. From the Blue neighborhood in the south end (peace, confidence, and tranquility) to the next stop, Orange (creativity and energy). Other regions are marked by Red banners (motivation and love), Green banners (nature and harmony) and Purple (mystery and meditation). As you follow the color path, consider how bringing color and art into your environment will stimulate your mind and inner spirit.

IF YOU GO

310 ART AT RIVERVIEW STATION

Marvelous Mondays with Lorelle and Nadine

Watercolor Wednesday Evenings - 5:30-8:30, all levels, please preregister

Beginner and Up! Open art studios Mondays with instructor to guide you - start and continue year round in our Monday classes, 9:30-12:30pm and 1-4pm. Come the dates that work for you! See 310art.com for schedule and sign up. Beginners welcomed!

Workshops: Coming Soon

Beginning Oil Painting - Apr 6, 7 Wire Wrapping Mini - Apr 11 Dramatic Light, watercolor - Apr 27 Oil Stick Paining - May 4 Casts from Nature - May 11 Drawing on the Right Side of the Shadow - May 18 Watercolor and Wax Wonders - June 1 Intro to Eco Printing - June 8 Encaustic Pendants - June 13 Image Transfer and Mixed Media - June 15, 16

Most or all materials are provided in our workshops! 2019 Workshops now online at 310art.com Classes for adults at 310 ART, 191 Lyman Street, #310, Asheville, NC 28801

www.310art.com gallery@310art.com (828)776-2716 Adult classes, beginner and up, most materials provided. Register online or at the studio. VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 11

RAD ART WALK Second Saturdays in the River Arts District continues March 9 BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE

On the Second Saturday of each month, the River Arts District will be holding gallery walks with live demonstrations, live music, wine tastings, spreads of food, and more. Meander the mile-long district and discover all that the “RAD” has to offer. There are more than 200 artists in the 23 buildings throughout the district. Most of them will be on hand to describe or show you their techniques as well as share with you what inspires them. Starting in March ride the free trolley around the district: 11-4:30pm. The best time to swing over to your favorite studio and see demonstrations is noon-5pm. Most studios and galleries open from 10-6 pm. Special late night events too, see those listed. Riverview Station at 191 Lyman St, Asheville — In Rad South, the burgeoning neighborhood closest to Biltmore Village visit. Among the events you can see: 310 ART 10-6, Featured show “ATYPICAL DIMENSIONS: voLUMINOUS WATERCOLORS by Nadine Charlsen on exhibit EVERY DAY the month of March with a closing reception/

art talk March 29, 1-6:30pm. Resident artists Bridget Benton, Nadine Charlsen, Katrina Chenevert and Fleta Monaghan, will be demonstrating throughout the day March 9. See “Painting with Watercolor and Beer,” alcohol ink painting, Encaustic and Nature Printing, Oil painting and Fleta Monaghan owner of more. Enjoy refresh310 Art demonstrates for Second ments and see the Saturday work of 15 fine artists and three jewelry artisans. 310art.com Printmaking demonstrations in Studio #216 Asheville Print Studio. See the press in action! (2pm & 4pm) Master Series “Glazing Cone 6 Workshop & Discussion” with John Britt, March 9-10, 2-Day Discussion on Glazing, with over 2000 test tiles.

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RAD ART WALK Asheville. NorthLight Artists: Angela Alexander, Wendy Whitson, Bill George, Bernadette St. Pierre-George, Sandy Lear, Nan Davis Studio A - Pink Dog Creative 344 Depot St. Suite 100 — Noon - 5 pm Join Andrea Kulish for Ukrainian Easter egg- pysanky- demos, wine, and cookies

The beautiful and creative exterior of the Mark Bettis Studio

For Beginner to Intermediate potters. $265 (9am - 5pm). Contact thevillagepotters.com for details and to register Curve Studios and Garden 9 Riverside Dr. —10- 5pm Curve Studios, home to 12 working artists. This month they feature long-time Rada member, Pattiy Torno. Drawing from the foto exploration she calls “Fotopieicings,” Torno will construct an installation on an exterior wall entitled “SELF.”

Trackside Studios 375 Depot St — 2-5pm. Artist reception for Chalkley Matlack, abstract formalist. Exploring line and color theory with a twist. Sips & snacks. Mark Bettis Studios 123 Roberts St. — 105pm. Working Art Studio, talk with artists as they create their work. Tess Darling talks about her work while creating pieces that portray energetic, sketch-like paintings of animals observed in the wild.

The Wedge Studios 129 Roberts St. — Encaustic demos at Sarah St Laurent Studio, 1st Floor (all day) “How Much The Heart Can Hold,” Second Floor #2A. Featuring Artists from Aurora Studio & Gallery and other works, 362 Depot St. Studios some exploring the life 362 Depot St. — 2-5pm. Check out the many murals in the RAD. Photo above is on of Zelda Fitzgerald and Depot St Cindy Chenard will be the ’20s. Dawn Eareckson demonstrating her 3-dimenfrom Aurora Studio will be sional technique - “Art Des demonstrating her “expressionistic art” style in Couches De Bois.” Cindy Walton’s Studio. (11-4pm) NorthLight Studios 357 Depot St. —11-4pm. Odyssey Ceramic Art Studio 238 Clingman Their six artists are inspired as they acknowledge personal transitions that have brought them to this Ave — Featured artists at Odyssey co-op Gallery studio space. Personal transitions include two art- for March are Laura Peery and Reiko Miyagi. ists who moved from home studios to join NothLight Studios, an artist who changed to a very IF For more information, please contact: Becca YOU successful style due to health concerns, another GO Ward River Arts District Coordinator Email: transitioned from photography and abstract work info@riverartsdistrict.com to build a very recognizable body of work. Two Andrea Kulish marketing@riverartsdistrict.com www. artists left NYC to find a place for their talents in riverartsdistrict.com

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VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 13

Asheville’s Longest Established Fine Art Gallery with 31 Regional Artists

A s h ev i l l e G a l l e r y o f A r t ' s M a rc h A r t i s t s

“As The Crows Fly” by Sue Dolamore

“By the Peaceful Pond,” by Sue Dolamore

“Beau Catchers View,” by Sue Dolamore

Fresh Air with ‘en plein air’ artist Sue Dolamore BY STAFF REPORTS • DOWNTOWN ASHEVILLE

Asheville Gallery of Art’s March show, “Fresh Air,” will feature the work of Sue Dolamore whose plein air paintings show her love both of the process and the natural environment.

Dolamore’s studio is the wide-open world. Much of her work is painted en plein air within a 30-mile radius of Asheville. “I find the landscape deeply affecting and am fascinated with the diversity of mountains, skies, forests, farms, and fields that are unique to the region.” The artist brings her personality onto the canvas. “I can be impulsive,” she adds, “though most know me as a generous woman with a practical mind and energetic spirit. There has always been a bit of the wild in me.” Her well-structured compositions, rendered in a harmonious color palette with playful yet deliberate brush strokes, reaffirms this combination of

traits. The artist took up painting in 2014 by signing up for a class at A-B Tech. “I was willing to take risks, experiment with various media and techniques, and trust my instincts.” She heeded the advice of local masters and committed to regular practice. “It takes sincere desire to achieve this level of skill in plein air painting,” says Dolamore. “You have to love the process of painting as well as the natural environment, both of which can present many challenges.” Sue Dolamore is the director of the Asheville Urban Landscape Painters, one of the most active and largest en plein air painting groups in the Southeast. She is also a member of WNC Carolina Plein Air Painters (WNCPAP) and North Carolina Plein Air Painters (NCPAP). She lives with her husband, youngest daughter, and two cats on a ridge above the Ivy River.

“My impressionistic paintings of the landscape strive to tap into our longing for a sense of place and the desire for a deeper understanding of the world around us.” Dolamore’s work, as well as the paintings of the other 30 gallery members, will be on display and for sale through March. For further information about this show, you can contact Asheville Gallery of Art at (828) 251-5796, visit the gallery website at www.ashevillegallery-of-art.com or go to the gallery Facebook page.

IF YOU GO

The show runs March 1-31 during gallery hours, 11-6 pm Monday through Saturday and 11-4 pm Sunday. The gallery, located at 82 Patton Avenue in Asheville, across from Pritchard Park, will host a reception for the artist on Friday, March 1, 5-8 pm. Everyone is cordially invited to stop by.

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PERFORMING ARTS

‘Ballet’ continued from page 8

that’s how tension is created.” zil, Argentina, and Colombia. The In the third Ballet Hispánico piece, company has offered more than inspired by the circular number Pi, 3 3,350 performances to audiences “Catorce Dieciséis” is a joyful feast of over two million throughout 11 for the senses, reflecting on the countries. circular movement of life with theatAs part of Ballet Hispánico’s Con Brazos Abiertos residency in Asheville, the comparically breathtaking imagery set to music by Antonio Vivaldi and other ny will bring three days of unique Baroque composers. discussions, workshops and events, including a “I’ve known about Tania and her work [since] Latin Social Dance class and party, a community the end of my dance career, and … her work class for families, master classes for experienced stuck in my mind for many years,” said Eduardo dancers and special performances and workVilaro, artistic director and CEO of Ballet Hisshops for local students. And company dancers pánico. “She uses very quick and sharp moves. and leaders will lead a discussion ahead of each She enjoys the line. It’s not the music; it’s these public performance. bodies that are developing the environment, and A special daytime show will also be available I think that’s fascinating to me. With our dancers for students at 10am, Wednesday, April 10. This who are so eloquent in their bodies, it’s a perfect performance is open to homeschoolers, school match.” groups, community groups, and families and is From its grassroots origins as a dance school recommended for grades 2-12. and community-based performing arts troupe, Ballet Hispánico has grown into a world-class To obtain more information on the Mainstage IF YOU institution. Under Vilaro’s artistic direction, the Series or to purchase tickets for the April 9 GO company performs a diverse repertory by the and 10 performances of Ballet Hispánico foremost choreographers of our time, as well as (Regular $48; Student $43; Child $20; Student emerging artists. The choreographers represent Rush, day-of-the-show with valid I.D. $10), call a multitude of nationalities including Venezuela, the theatre’s box office at (828) 257-4530 or visit Cuba, Trinidad, Puerto Rico, Mexico, Spain, Brawww.dwtheatre.com.

Show your

some love

224 Branner Ave. Waynesville 828-246-6868 Mon - Sat 10-6

Largest selection of Olive Oils & Balsamic Vinegar in WNC. VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 15

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Downtown Asheville

Asheville’s best-kept secret in live theater, 35below, offers “Lobby Hero” and ‘An Iliad’ this spring BY STAFF REPORTS • DOWNTOWN ASHEVILLE

At the back of the ACT building, is an entrance to 35below, another theatre venue that many people still aren’t aware exists.

35below is a small black box space that has only two rows and only 40 seats. It opened in December of 2002, and its debut performance was David Sedaris’ The Santaland Diaries. Over the years, the stage has hosted World Premieres, NC Premieres, and works by local playwrights, including productions by Waylon Wood, Tom Godleski, and Monica McDaniel. In this space,

improv performances, a storytelling series, The Autumn Players Readers Theatre Showcase Series, and a range of independently produced productions have found an artistic home. Two of those productions are scheduled for performances this spring. Lobby Hero, a provocative drama by Oscar Award-winning screenwriter Kenneth Lonergan will run for three weekends in March, and An Iliad, a captivating one-person show will run in April. Both shows are produced by local theatre groups who don’t have perma-

nent theatre space of their own. “Anyone in the community is welcome to propose a show for the 35below season,” said Jenny Bunn, Marketing Director of Asheville Community Theatre. “We’re specifically interested in proposals that feature scripts that offer a diversity of voices, perspectives, and experiences; scripts by women and people of color; and scripts that illuminate contemporary issues.” But also, she adds, “35below is a tiny space. With only 40 seats, the shows that work best in that performance space have smaller casts and sets.” Lobby Hero is produced by local troupe Ellipsis Theatre Company, headed by Chelsey Gaddy Mirheli, and is directed by Devyn Villarreal. In the show, a murder investigation brings together a pair of security guards, a cop, and his rookie to the lobby of a Manhattan apartment complex where loyalties and convictions are pushed to the limit. Sometimes between truth, justice, and doing the right thing, you can only pick two. Stay Safer & More Independent with a Jacuzzi® Luxury Walk-In Bathtub

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From last season’s “RED,” produced by John Hall / Mockingbird Theatre Productions. — Photo credit: Studio Misha Photography

Lobby Hero will be performed in 35below March 8-24, with performances Friday and Saturday evenings at 7:30 pm and Sunday afternoons at 2:30 pm. An Iliad is produced by Rarely Theatre Company, a collaboration between husband and wife team Trinity Smith Keel and Scott Keel. For An Iliad, Trinity Smith Keel will direct, and Scott Keel will star in the one-person show. Scott’s brother, the accomplished cellist, Franklin Keel, will provide live musical underscoring. In this show, a bare stage is transformed into a raging battlefield, bringing Homer’s epic tale of heroes and villains through the centuries and into the present day. An Iliad will be performed in 35below April 5-21, with performances Thursday, Friday and Saturday evenings at 7:30 pm and Sunday afternoons at 2:30 pm. In addition to these two productions, 35below hosts a range of other performances. Listen to This is a monthly storytelling series with stories and songs written on a specific theme. Somewhat similar to

NPR’s This American Life, Listen to This has been occurring on the last Thursday of each month for several years. Local comedian and actor Tom Chalmers plans, produces, and hosts each show. The Autumn Players also present their Readers Theatre Showcase Series in 35below. This series offers both classic and contemporary scripts as reader’s theatre, where rehearsed actors use only vocal expression to help the audience understand the story rather than visual storytelling such as sets, costumes, intricate blocking, and movement. Awake and Sing will be performed

‘35below’ cont on page 29

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VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 17

FOOD

WNCAP’s Dining Out For Life happens April 25 BY STAFF REPORTS • WNC

Dining Out For Life (DOFL) is an annual event benefiting HIV Prevention & Care that takes place in nearly 50 cities across the nation. This year, Dining Out For Life is on Thursday, April 25. In Asheville, DOFL will once again be underwritten by their longtime Presenting Sponsor, Prestige Subaru. On April 25 participat-

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ing restaurants will donate 20% of their gross sales to the local HIV/AIDS Service Organization. In WNC, that organization is WNCAP. “Dining Out For Life is WNCAP’s largest fundraiser. But the most important benefit is A group of Dining Out For Life how many people are educated Ambassadors and patrons gather at a about the ongoing crisis of HIV/ Participating Restaurant in Asheville. — Photo credit: Cathy Deweese AIDS,” said WNCAP Executive Director Antonio del Toro. Thousands of people in WNC are living with HIV, and many of them do not know their status. WNCAP helps your local community access HIV Prevention tools, including PrEP (pre-exposure prophylaxis) a daily pill to help prevent HIV. WNCAP also helps people living with HIV engage with medical care so that their viral load can become undetectable, creating effectively zero risks of transmitting HIV sexually. Resources generated by Dining Out For Life help people survive and thrive in a world where there remains ample stigma surrounding HIV. In 2018, thanks to the generosity of restaurants, diners, and volunteer Ambassadors, DOFL was honored with a “Best Of WNC” award by

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FOOD

Longtime DOFL Ambassadors Barbara Bell (right) and Betty Sharpless (left) engage diners at Avenue M on Merrimon Avenue. Ambassadors help raise resources for WNCAP and spread awareness about HIV/AIDS while entering diners into a raffle for three grand prizes.

Mountain Xpress for Best Local mail campaign. Fundraising Event. Asheville also WNCAP assembles a team of ranked in the top over 250 10 DOFL cities in enthusiastic 2018 - outrankvolunteers to ing New York help support and Chicago. Dining Out For That is indeed Life. a testament to If you would the community like more spirit (and love WNCAP staff members Michael Harney (left) information and Devin Smith (right) thank the staff at Well about beof excellent local Bred Bakery in Biltmore Village for participating cuisine) that disin Dining Out For Life. Last year, participating coming an tinguishes their restaurants raised nearly $150,000 for HIV AmbassaPrevention & Care in our community. dor, please home. Inspired by email Chris at an exciting wncapvolunnew brand strategy from Dining teer@wncap.org or visit wncap.org/ Out For Life International, WNCAP DOFL. will embark on a forward-thinking and comprehensive marketing Mark your calendars for IF campaign for DOFL this year. New YOU Thursday, April 25th and GO colors, logos, and fonts will appear make your reservations today on 15,000 pieces of promotional for Dining Out For Life. Just dine out materials and over 350,000 copies for breakfast, lunch, or dinner (or all of print advertisements. three!), and you may save a life. To WNCAP is also heavily investing find out more about the event and in digital ads, radio, television, and to see the list of 2019 Participating billboards, and a targeted direct Restaurants, visit wncap.org/DOFL. VOL. 22, NO. 07 â&#x20AC;&#x201D; MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVERâ&#x20AC;&#x2122;S ARTS & CULTURE | 19

WHAT EXACTLY IS MACULAR DEGENERATION The back of the eye – the retina – receives light coming into the front of the eye. The retina is made up of numerous layers of cells. The very bottom layer is the cells that actually react to light, enabling us to see. These are the rod cells – which see black-and-white and motion vision – and the cone cells – which see color and sharply focused vision. Directly under the retina is a layer of darkly pigmented “nurse” cells which feed and maintain the visual cells. They sit on top of a membrane which separates the retina from the blood vessels which feed the covering of the eyeball and the retina. On the retina is a small circular place – the macula – where the inner most layers of the retina become quite thin, exposing the visual cells more clearly to light coming into the eye. The cone cells – which see color and sharply focused vision – are more numerous here. The macula is the place of sharpest vision, the place where we see clearly to read and to do close, detailed work. If we have certain genetic abnormalities (almost 60% of patients) and as we age, we develop small areas where the “trash” (normal metabolic waste – called drusen) accumulates in the membrane immediately below the retina

— Photo by Patrick Brinksma and is not carried away. These yellowish plaques cause an inflammatory reaction which leads to destruction of the pigmented “nurse” cells with spillage of the dark pigment into the membrane, scarring, and eventual destruction of the visual cells – age-related macular degeneration (AMD) – the leading cause of blindness in people over age 60. Although this process may occur in other parts of the retina, the effects are most noticeable in the macula. Smoking, hypertension, obesity, high cholesterol, high intake of saturated fat, trans-fat, and omega-6 fat (animal fat), and exposure to UVlight all increase (by 3-6x) the risk of developing AMD, even in those who are not genetically pre-

Your Health

By Max Hammonds, MD

disposed. Being female, having light skin color, and light-colored eyes also increase the risk. In the early stages of the disease, the drusen and the dark pigment are visible but usually there is little visual loss. Slowly larger areas are darkened in around the macula and the drusen are larger causing some “blurry or blank spots” in the middle of your vision. Gradually, in still later stages, the areas of visual loss become still larger and more noticeable (dry AMD). Visual loss is usually not complete, but sharp vision is severely decreased or lost all together. Sometimes the inflammation weakens the underlying membrane allowing “new” blood vessels to directly invade the retina through the weakened membrane from behind (wet AMD). These vessels are fragile and break easily, causing fluid to leak out and bleeding which creates more swelling and scarring, leading to rapid visual loss – sometimes to complete blindness. The early stages of AMD can only be found by having regular eye exams by an eye care specialist. Treatment of the early stages – usually before any obvious visual loss is noticed – can be modified by changes in lifestyle – control of blood pressure, stop smoking, weight loss, avoid

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‘Health’ continued on page 29

THE OPEN VISTA OF ORIGINAL MIND Look, and it can’t be seen. Listen, and it can’t be heard. Reach, and it can’t be grasped. Above, it isn’t bright. Below, it isn’t dark. Seamless, unnamable, it returns to the realm of nothing. Form that includes all forms, image without an image, subtle, beyond all conception. Approach it and there is no beginning; follow it and there is no end. You can’t know it, but you can be it, at ease in your own life. Just realize where you come from: this is the essence of wisdom. — #14 – The Tao Te Ching (Mitchell) We are a society and culture mesmerized by the objects of the world. We find value in and through objects like our possessions, and one of our strongest myths tells us that material wealth will lead to happiness and well-being when evidence proves this is not so. Likewise, we look to belonging to identity groups like our nationality, religion, race, political and interest group affiliations as well as our social status to give placement and meaning to our life. We accumulate things and affiliations, seeking to allay a haunting feeling of not being enough, and ultimately no matter how many things and affiliations we acquire, this feeling continues. We need to fill our lives in order to feel OK, and there just doesn’t ever seem to be enough, and we are seldom unequivocally OK. On a much subtler level, this is true with our relationship to mind itself. In Buddhism, thoughts, emotions and sensations are referred to as “mental forms” and we tend to define mind and our subjective sense of self through our thoughts and emotions. We seek pleasurable sensory experiences to enhance desirable emotions, as if this gives life special meaning. We look for ideas in the world that conform to, confirm and expand the ideas we already have so as to buttress our sense of self. Unfortunately all this seeking and accumulating of ideas and emotions can also entangle us in the contradictions of the contents of our mind and this can make life most uncomfortable, if not at times crazy. The mind can become like a rat’s nest of entangled ideas and emotions that plagues us. When all is done, we find that none of the forms, material or mental, can give us lasting happiness, peace and well-being. So, as “mental forms,” sensations, thoughts and emotions, are the stuff, the objects of the mind, just as material objects are the stuff of our lives, we tend to fixate on these mental objects and confuse them for the totality of mind when they are no more the totality of the mind then material objects are the totality of the world. In both cases, the space in which the objects occur is quite neglected, and this neglect causes us to miss the true value and meaning of existence. A world made only of objects is impossible, there must be space in which they occur, and too many objects in a limited space is rightly called

ZEN PHILOSOPHY WITH BILL WALZ

cramped. A compulsive hoarder’s home is an assault on the senses and we usually feel uncomfortable in cramped and cluttered places. In the opposite direction, we are drawn to the experience of open space, and it is why we climb to mountain tops and seek out places of vista, and why deserts have a mystical quality to them. So too, our cramped and cluttered minds are quite uncomfortable, particularly when it feels like the runaway contents of our minds are closing in on us and there is no escaping their suffocation. We have no cultural tradition for recognizing the spacious mind as the real source of comfort, peace, and well-being, and despite all evidence of how crazy and dangerous so many of our thoughts and emotions are, we invest the realm of thought with intelligence and our emotions with much of our sense of self. We neglect all our experience that shows us that it is the spacious silent mind that is the true source of intelligence and wisdom. We fail to give proper notice to how it is that when we are caught in swirling circles of thought and emotion, we might take a walk or a shower or bath, or play with the dog, or wash the dishes, and out of the silence the insight that had been eluding us emerges. But nothing in our culture validates this, so few give this insight the affirmation deserved. Even our psychologies, philosophies, and religions are filled with complicated ideas that seem to bring us no closer to peace and wisdom. That real happiness and well-being most often occur when NOTHING is happening, as during the quiet space of the moment in an experience in nature, with a treasured person, or when just sitting alone, gets completely overlooked. An equally valuable insight is that just as we seek open physical vistas for comfort and inspiration, so too it is wise to look to a spacious and quiet mind for happiness, insight, and well-being. Yet, since this is not an object in the mind - you cannot seek it, as many a frustrated seeker experiences - you can only allow it. As many an intellectual or spiritual seeker experiences, they may fill their mind with many esoteric ideas and engage in many elaborate spiritual practices, but it brings them no closer to peace. Just as space is the natural environment of a room before it is filled with objects, space is the natural quality of mind before it is filled with the objects of thoughts, emotions and sensations. This you can only relax into, breathe into, allow its natural presence. It is always there, for it is truly who we are, not the clutter with which that we compulsively fill it. This space of pure consciousness is what Buddhism refers to as “original mind” - mind before the clutter - and it is what all of Buddhism and its practices of meditation and mindfulness are meant to awaken. Mystic traditions of all cultures, including Judaism and Christianity, recognize the contemplative

and meditative mind, the quiet mind that is not seeking, but rather sitting in receptive reflection, as essential for higher levels of inspiration, understanding and spiritual realization. Even higher levels of scientific inquiry as well as artistic inspiration depend on quiet, intuitive receptivity for breakthroughs. Instead of focusing on the contracted mental energy of thoughts, this receptivity requires expanded openness of the energy of consciousness. “It returns to the realm of nothing.” An open outdoor vista is a good place to encourage and support this allowing, yet it is important to realize that your own true nature already IS the infinitely vast open vista of pure uncluttered consciousness. As this spacious consciousness is what makes experiences in the world meaningful, when space is experienced as a connecting energetic force rather than a source of separation, so too, it is this spacious consciousness energy prior to thoughts, sensations and emotions that is what creates the sense of connection within us. When we train ourselves to abide in this quiet stillness, this openness, even amidst the clutter and noise of the world, this intuitive connection and sense of well-being remain. In the mystical language of Taoism and Zen, rather than striving to be somebody looking for something, we become nobody abiding in the realm of nothing while everything swirls around us. The open vista of original mind is felt as our source and stability. I encourage you into this allowing and finding of that which is not objects in the mind, but rather the vastness of Being, the space of consciousness prior to its energy contracting into objects of sensation, thought and emotion. Just relax, breathe, allow, and expand into the space that is within and all around - and then - the objects that arise within and out of the space will be imbued with the beauty and wisdom of Reality. You will no longer experience yourself as a separate object looking to the accumulation of objects, whether material or mental, to validate you. You will know yourself as the consciousness energy that is the space, which can value what is natural and true without needing anything, and this is happiness, peace and well-being. There is no need to seek it, for you already are it. Just learn to relax into it. Bill Walz has taught meditation and mindfulness in university and public forums and is a private-practice meditation teacher and guide for individuals in mindfulness, personal growth and consciousness. Information on classes, talks, personal growth and healing instruction, or phone consultations at (828)258-3241, e-mail at healing@billwalz.com Learn more, see past columns, video and audio programs at www. billwalz.com

VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 21

MARCH ART

Andrea Kulish demonstrates the ancient Ukranian art of pysanky, a wax-resistant method of decorating Easter eggs

The Grovewood Gallery is located in historic Grovewood Village adjacent to The Omni Grove Park Inn.

Grovewood Gallery hosts annual spring ‘Sip & Shop’ March 22 & 23 BY STAFF REPORTS • NORTH ASHEVILLE

Grovewood Gallery celebrates spring with their annual Sip & Shop event, which will take place from 10-5:30 pm on Friday, March 22 and Saturday, March 23. Enjoy complimentary wine and treats, craft demonstrations by local artisans, and a 10% discount on gallery merchandise. Visitors can shop two expansive floors of finely crafted furniture, ceramics, jewelry and much more, contributed by over 400 artists and craftspeople from across the US. “Our Spring Sip & Shop presents a rare opportunity to get deals on our new offerings for 2019, and it’s also a chance to support our local economy and connect with a couple of our talented Asheville makers,” says Ashley Van Matre, Marketing Manager at Grovewood Gallery. During the event, Andrea Kulish will demonstrate the ancient Ukranian art of pysanky, a wax-resistant method of decorating Easter eggs.

Each egg is designed as a wish, with symbols and colors intended to bring the person who receives it love, health, success, or whatever attribute the artist selects. A first-generation Ukrainian-American, Kulish learned the intricate art of pysanky, which translates to “written eggs,” as a young girl. Now, she not only creates them, using unique folk-inspired designs, but she also teaches classes in the art. Also demonstrating on March 22 and 23 is fiber artist Karen Kennedy, a graduate of Haywood Community College’s Professional Craft Program. Kennedy will be needle felting decorative bird nests using locally dyed wool. Both demonstrating artists will have original works for sale. The 10% discount does not apply to demonstrators’ artwork, custom/special orders, or Lyman Whitaker Wind Sculptures.

About Grovewood Gallery Established in 1992, Grovewood Gallery is nationally recognized for its dedication to fine American art and craft. Located in historic Grovewood Village adjacent to The Omni Grove Park Inn, the gallery is noted for its charming, old-world setting and rich craft heritage. This site once housed the weaving and woodworking operations of Biltmore Industries, an Arts and Crafts enterprise - originally backed by Edith Vanderbilt - that played a significant role in the Appalachian Craft Revival during the early 20th century. Hours are Monday through Saturday from 10-5:30 pm, and Sunday, 11-5 pm. Free parking is available on-site. For more information on Grovewood Gallery, visit www.grovewood.com or call (828) 253-7651. IF YOU GO

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IN ARTIST'S WORDS

“Softly Greening” by Kate Thayer

“Thinking Green” by Kate Thayer

“Water Flowin’, Trees Growin’” by Kate Thayer

Kate Thayer welcomes spring through new works BY KATE THAYER • RIVER ARTS DISTRICT, ASHEVILLE, BLACK MOUNTAIN

Spring is beginning, presenting the leaves, buds, and flowers awakening to celebrate the new season.

My oil and pastel paintings reflect the colors

and textures of Spring that reveal themselves to me. Each day and time of Spring are exciting to see the many changes in our mountains.

Kate Thayer katethayer.com Asheville Gallery Of Art, Downtown Seven Sisters Gallery, Black Mountain

WHEN YOU GO

Seasons of Art

“When we have positive energy we create light and color in our art.” — Olga Olga Dorenko Fine Art Studio • Asheville River Art District • Warehouse Studios • 2nd Floor, 170 Lyman Street • Wed-Sat 12-5pm or by appt • (828) 713-8362 VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 23

THE POET'S VOICE

By Carol Bjorlie — “THE POET BEHIND THE CELLO”

March poetry and Mary Oliver We received a poem from a “local” poet. Read on! And Mary Oliver died in late January. This poem is for her. I’m certain of it. “The Shuttle” Back of a pickup Crushed bodies down low Catching a ride to the top, sometimes below Why I love the shuttle? Wind in your hair, a river coming into view Sometimes an old one, sometimes new Laughter; nerves for some if bigger water than before Butterflies fluttering in their core Companionship of kindred spirits, encouragement from your crew Anticipation builds and excitement brews By the time the shuttle is complete, reassurances to the nervous ones replete Why I love the shuttle? I get to know the driver too Like being invited into someone’s home You can learn a lot about who transports you What music plays on their radio, how crazy they drive, fast or slow The route and way they prefer to go What tools or odds and ends are lying on their floor All the little clues that helps me get to know them

The Swan.

So much more than just a shuttle~ A time to bond and learn names and faces For when we finally get on that river We are no longer strangers but forever river friends from all over places ©️JoAndra P. Proia 1/21/18 I must include Mary Oliver’s poem, . It is from her final book, Thirst. “Praying” It doesn’t have to be the blue iris, it could be weeds in a vacant lot, or a few small stones; just pay attention, then patch a few words together and don’t try to make them elaborate, this isn’t a contest but the doorway into thanks, and a silence in which another voice may speak. This poem could also be titltled “Writing.” Writing is a lot like praying. You need to pay attention, and listen. Another poem by Mary Oliver is “Today,” from

“Today” today is a day of dark clouds and slow rain. The little blades of corn are so happy. You know I can’t get enough of Mary Oliver. Here’s another from Why I Wake Early “Look and See” This moring, at waterside, a sparrow flew to a water rock and landed, by error, on the back of an eider duck; lightly it fluttered off, amused. The duck, too, was not provoked, but, you might say, was Works In laughing. Translation This afternoon a gull sailing over Book Club our house was casually scratching its stomach of white feathers with one pink foot as it flew. Oh Lord, how shining and festive is your gift to us, if we only look, and see. To me, Mary was the Saint of Observing, and capable of letting us in on the view. ‘Til April. You will hear from me then. SEND POEMS!!

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24 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

— Carol Bjorlie

BOOKS Malaprop’s presents ‘One Size Fits None’ and Works in Translation with Justin Souther this March BY STAFF REPORTS • DOWNTOWN ASHEVILLE

STEPHANIE ANDERSON PRESENTS ONE SIZE FITS NONE: A FARM GIRL’S SEARCH FOR THE PROMISE OF REGENERATIVE AGRICULTURE IN CONVERSATION WITH MARY SAUNDERS BULAN, PH.D. Thomas Jefferson thought of farmers as the nation’s MVPs. He called them “the most vigorous, the most independent, the most virtuous” of our citizens. But Jefferson didn’t live in this time, when 95% of the food and commodities grown in the US come from hightech growers who plant, tend, and harvest their massive fields without ever touching soil, and Jefferson could never have anticipated that the use of insecticides and fertilizers would deplete that soil to near infertility. Let’s play fair and acknowledge that modern farms produce far more food per acre than their predecessors, and global levels of poverty and starvation are at the lowest levels ever. But the methods they use aren’t sustainable. For reasons of public health and in the interest of a healthy planet, our corporate food system badly needs to be repaired. In One Size Fits None, Anderson crisscrosses the country, visiting the intrepid farmers who practice precisely the sort of farming techniques that will serve as models for that needed reform. Raised on a ranch in South Dakota, she knows all the arguments that conventional farmers use to convince themselves

that a switch to more enlightened techniques would be too difficult, too expensive, and too little too late. At first, Anderson was skeptical herself. But then she discovered farms with soil that regenerates each season and farmers revitalized by newfound success. In the Dakotas, Anderson met Phil and Jill Jerde and learned how their Great Plains Buffalo Company succeeds without the brutal practices of an industrial feedlot. With a herd of one thousand bison and 10 children under their keep, the Jerdes are prime examples of farmers actively pursuing a regenerative agricultural ideal. — Previously published in Forward Magazine. Stephanie Anderson is an instructor of English at Florida Atlantic University. She grew up on a ranch, has worked as a writer and photographer for the humanitarian aid organization Cross International, and served as an editor for the agricultural newspaper Tri-State Neighbor in South Dakota. Anderson’s work has appeared in Grist Journal, Sweet, The Chronicle Review, The Rumpus, and Kudzu House Quarterly.

Stephanie Anderson will be in conversation with Mary Saunders Bulan, Ph.D., Professor of Environmental Studies and Sustainable Agriculture Programs Director at Warren Wilson College.

Works In Translation Book Club Join host and Malaprop’s Bookstore Manager Justin Souther to discuss writers—and their literature—in translation, and the cultural, political and artistic influences that shape them. This month’s pick is False Calm: A Journey Through the Ghost Towns of Patagonia by Maria Sonia Cristoff, translated by Katherine Silver.

IF YOU GO

One Size Fits None by Stephanie Anderson Book signing and reading Wednesday, March 6, 6pm

Works In Translation Book Club False Calm: A Journey Through the Ghost Towns of Patagonia Thursday, March 28, 7pm

MARCH 2019

PARTIAL LISTING

We host numerous Readings & Book clubs, as well as Salons! Visit www.malaprops.com

READINGS & BOOK SIGNINGS

“How Much The Heart Can Hold” - Zelda Fitzgerald Readings and Trivia 3/10 - 3pm Omari Scott Simmons presents Potential on the Periphery: College Access from the Ground Up 3/12 - 6pm Jessica Wilkerson presents To Live Here, You Have to Fight, in conversation with Ronni Lundy and Erica Locklear 3/13 - 7pm Jessica Salfia and Emily Hilliard present 55 Strong: Inside the West Virginia Teachers’ Strike 3/15 - 7pm Allan Wolf presents The Day the Universe Exploded My Head: Poems to Take You into Space and Back Again 03/16 - 4pm Frances Mayes presents See You in the Piazza 3/20 - 6pm HAPPY ST. PATRICK’S DAY

55 Haywood St.

(828) 254-6734 • 800-441-9829 Monday-Saturday 9AM to 9PM Sunday 9AM to 7PM

Malaprop’s Bookstore/Café 55 Haywood St. Downtown Asheville (828) 254-6734 www.malaprops.com

VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 25

New photography exhibit opens at Mountain Gateway Museum BY ROANN BISHOP • OLD FORT

The free exhibition Two friends—both clad in Civil runs through Sunday, War uniforms—pose together May 5. for the camera. One wears ConThe introduction of federate gray; the other, Union photography in the blue. mid-1800s forever In a 1928 snapshot, a dead changed the way we sperm whale that washed ashore record and remember at Wrightsville beach lies surour personal lives, as rounded by spectators. well as our comA larger, more professional Eric Blevins, chief photographer at the North Carolina munity’s, state’s photograph of about the same Museum of History in Raleigh, will present a free and nation’s history. vintage shows a snowy view of program at Mountain Gateway Museum (MGM) in Old Fort on Sunday, March 17. Blevins will discuss Some images in Morganton’s Broughton Hospital, images in the state history museum’s collection, some of “Look Again” show part of it still under construction. which are featured in its traveling exhibit, Look Again: Discovering Historical Photos, now open at MGM. changes over These images and more than Registration is required for the program. time—in fashion, 30 others are part of “Look Again: architecture, landDiscovering Historical Photos,” scapes, technology, and society. Other photos a traveling photography exhibit from the NC show faces, some well-known, others not known Museum of History in Raleigh that is now open at all. at the Mountain Gateway Museum in Old Fort.

The large-scale reprints in the exhibit represent a variety of photographic processes, dating from the mid-1800s through the 1970s. Some of the original images were 19th-century daguerreotypes, ambrotypes, and tintypes. Others were first printed from turn-of-the-twentieth-century glass-plate negatives. Many were taken on blackand-white roll film of the early 1900s while still others were captured on the new color film of the 1950s and later. The photographs in “Look Again” are divided into four thematic sections: Telling Stories, Taking a Closer Look, Remembering Faces, and Capturing Moments. Each section focuses on stories and interesting details associated with each photo. On Sunday, March 17, 2 pm, Eric Blevins, chief photographer at the NC Museum of History, will present a program at Mountain Gateway Muse-

26 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

‘Photos’ continued on page 29

PERFORMING ARTS AmiciMusic’s ‘Mozart in the Mountains’ with the debut of Breaking Winds BY STAFF REPORTS • DOWNTOWN ASHEVILLE

Asheville Clarinet Choir, comprised of 12 to 20 clarinetists of all shapes and sizes. The “BREAKING WINDS” program can be heard on Friday, March 15, 7:30 pm at the Unitarian Universalist Congregation of Asheville. It will be repeated on Saturday, March 16, 7:30 pm at a fantastic private home in Hendersonville and then again on Sunday, March 17, 2 pm at St. Philip’s AmiciMusic will present a fantasEpiscopal Church in Brevard. tic weekend of music by Mozart and AmiciMusic will also bring back “A more with two different programs in five NIGHT IN VIENNA,” a wonderful program venues. The first program, “BREAKof operatic scenes and arias by Mozart, ING WINDS” will feature the debut of Lehar, and Strauss, featuring soprano “A NIGHT IN VIENNA,” an excellent program of operatic scenes and arias by Breaking Winds, a new and exciting Mozart, Lehar, and Strauss, featuring soprano Amanda Horton, baritone Jonathan Ross Amanda Horton, baritone Jonathan Ross, Asheville-based Wind Ensemble directand pianist Daniel Weiser. These Asheville Symphony, Greenville Symphony, and the Knoxfavorites will present great scenes from Moville Symphony orchestras. zart’s “Marriage of Figaro,” “Don Giovanni,” and Wind Music was a favorite genre in the 18th “The Magic Flute” as well as Lehar’s “The Merry and 19th centuries and was performed at many Widow” and Strauss’ “Die Fledermaus. They will social occasions and in the streets of cities perform on Saturday, March 16, 3 pm at the First throughout Europe. Unfortunately, the expense Presbyterian Church in Asheville and then again of financing these groups became prohibitive, on Sunday, March 17, 4:30 at St. Philip’s Episcoand this music is rarely heard in concert today. pal Church in Brevard. Breaking Winds plans to bring back this cherished music and have it performed by the most Artistic Director Daniel Weiser For more information about AmiciMuIF accomplished musicians in Asheville. This proYOU sic’s Mozart in the Mountains Festival and to GO gram will feature Mozart’s Octet in E Flat Major buy tickets for all the in advance, visit www. ed by clarinetist Steve Loew. Breaking Winds is as well as his wonderful woodwind Piano Quintet amicimusic.org and click on the link to “Asheville comprised of top musicians from the Asheville with AmiciMusic Artistic Director Daniel Weiser Concerts.” Symphony, Brevard Philharmonic, Hendersonville joining the group. Also on the program will be the AmiciMusic presents their first annual “MOZART in the MOUNTAINS” Festival featuring the debut of BREAKING WINDS, an exciting new Wind Ensemble in the region, as well as a “NIGHT in VIENNA” with two great singers performing scenes from Mozart operas and more.

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VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 27

LIVE THEATER ‘Action Movie: The Play’ brings fun and excitement to the stage BY STAFF REPORTS • RIVER ARTS DISTRICT, ASHEVILLE

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Direction: Andrew Gall. Lighting Design: Abby Auman. Sound Design: Rodney Smith. Costume Design: Samantha LeBrocq. Fight Choreography: Jered Shults and Andrew Gall. Puppets and Props Design: Jim Julien and Katie Jones. Stage Management: Jessica Johnson

MARKET PLACE 2019

The Magnetic Theatre is delighted to produce ACTION MOVIE: THE PLAY: a loving satire of ‘80s action movies, written by Joe Faust and Richard Ragsdale. ACTION MOVIE: THE PLAY was initially produced by The Defiant Theatre in Chicago, Illinois in 1998, a company that included Faust and Ragsdale. The play The cast of ‘‘Action Movie: The Play’ in what looks to be one of the most quickly gained notoriety for its inventive original staging, skillful combat, and subtle nods to sequences.and fun plays of the spring with epic fight scenes and gratuitous dance the audience in this sophisticated parody excited to undertake this of the beloved trope. deliciously fun, action-packed event that will put The Magnetic Theatre could not be more other summer blockbusters to the test!

Synopsis: A diabolical villain threatens to take over the world, and this motley crew of misfit heroes is the only ones who can stop him. Will they be able to save the world from his evil clutches? Only time, some epic fight scenes and gratuitous dance sequences will tell. Featuring: Jered Shults, Mike Yow, Michael Lilly, Samantha LeBrocq, Alexa Edelman, Brooks Wallace, Tippin, Daniel Moore, Chris Young, and Zoey Laird

28 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

‘Action’ continued next page

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‘Health’ continued from page 20 animal fat, wear sun glasses. Recent studies confirmed that a combination of vitamin C and E, beta-carotene, zinc, copper, lutein, and zeaxanthin was helpful in slowing the progression of the disease in the intermediate stages. The late stages of dry AMD have no know treatment. Wet AMD (new, but malformed, blood vessels) can be treated with medicines injected directly into the eye or with medicine that is given intravenously and activated by laser in the eye. Again,

‘35below’ continued from page 17 March 28-29, 2019 and The Constant Wife will follow April 26-27, in 35below. “Though people are very aware of what ACT offers on our Mainstage, 35below is still the bestkept secret in the WNC theatre world,” said Bunn. “It’s such an intimate space that the audience becomes very connected to the energy of the performers. It is a terrific space to see a show.” IF YOU GO

For more information about 35below, the Readers Theatre Showcase Series, or Listen to This, visit www.ashevilletheatre.org.

these and several other more experimental therapies can slow but not stop wet AMD. Considering that this is a disastrous disease with serious, irreversible consequences, have your eyes examined regularly and make effective lifestyle changes to decrease your risk. Many who have the genetic abnormalities, but excellent lifestyle habits are avoiding this problem. Join them.

‘Action’ continued from pg 28

ACTION MOVIE: THE PLAY opens Friday, March 8 and runs through Sunday, March 31 at The Magnetic Theatre, located at 375 Depot Street in the River Arts District. Performances are Fridays and Saturdays at 7:30pm and Sundays at 3pm. Tickets are $18 for General Admission and $10 for students. For tickets and information, visit www.themagnetictheatre.org.

IF YOU GO

‘Amadeus’ continued from page 7 Márquez’s Danzón No. 2. This concert features all five orchestras of the ASYO: the Youth Orchestra, Philharmonia, Prelude Orchestra, Chamber Orchestra, and the Percussion Ensemble. For the big finale, Rach the night away with Mozart’s Symphony No. 25 and a powerhouse performance of two masterful Rachmaninoff compositions: Rhapsody on a Theme of Paganini and Piano Concerto No. 2 — with expert Rachmaninoff interpreter Ohlsson on the piano. Asheville Symphony Music Director Darko Butorac will join the orchestra on the Thomas Wolfe Auditorium’s giant stage, complete with a 32-foot stage

extension that thrusts the Symphony into the audience. “Doing two Rachmaninoff pieces is almost unheard of,” Whitehill says. “It’s absolute gluttony. It’s an embarrassment of musical riches — and a rare opportunity to see two of the most beloved, virtuosic, difficult concertos in one evening.” Asheville Symphony Tickets are on sale now, with event prices ranging from free to $93. www.ashevilleamadeus.org. Monday-Friday, 10-4 pm (828) 2547046, 27 College Pl., Suite 100. IF YOU GO

‘Photos’ continued from page 26 um about images in the state history museum’s collection that didn’t make the “cut” for the Look Again exhibition. Having worked at the state history museum for 30 years, Blevins is very familiar with its photographic collection and well prepared to discuss its contents and examine why photographs are not only pieces of history but some of our most priceless possessions. While the program is free, registration is required, as the number of seats is limited. For more information about the Look Again exhibit or to register for the program, contact RoAnn Bishop at the Mountain Gateway Museum at (828) 668-9259 or roann.bishop@ncdcr.gov. IF YOU GO

Mountain Gateway Museum & Heritage Center

24 Water Street, Old Fort, NC 28762 Phone: 828-

668-9259 Fax: 828-668-0041 • www.mgmnc. org

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VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 29

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30 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

LIVE THEATER

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Coming next to the Feichter Studio at HART, the drama “Red” about painter Mark Rothko with performances March 1 & 2 at 7:30 and Sunday, March 3 at 2 pm. Patrons can also make reservations for opening night to dine on the stage before the show. HART’s chef, Christy Bishop is serving up soups and panini on the HART Main Stage. The play concerns Rothko in his New York studio in 1958/59, having been commissioned to paint a group of murals for the expensive and exclusive Four Seasons Restaurant. He gives orders to his assistant, Ken, as he mixes the paints, makes the frames, and paints the canvases. Ken, however, brashly questions Rothko’s theories of art and his acceding to work on

such a commercial project. The resulting decision by Rothko became one of the art worlds significant events of the time. HART’s production is directed by Jeff Messer and features Dakota Mann and Marc Cameron. The play does contain adult language Though seating for the Studio is general admission reservations are strongly recommended as productions regularly sell out. There is also no late seating as the intimate nature of the Studio makes it impossible to seat latecomers without disrupting the performance. To make a reservation for the show and café call the HART Box Office at (828) 456 6322 or go online to harttheatre.org. HART is located at 250 Pigeon St. in Waynesville.

IF YOU GO

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VOL. 22, NO. 07 — MARCH 2019 | RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | 31

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32 |RAPIDRIVERMAGAZINE.COM | RAPID RIVER’S ARTS & CULTURE | VOL. 22, NO. 07 — MARCH 2019

Rapid River Arts and Culture Magazine March 2019

Articles inside

Performing Arts in WNC Spring 2019