The Special Art Issue '23 by TrooRa Magazine

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THE SPECIAL ART ISSUE

BELFAST

ISSUE 5 | VOLUME 6 | SPECIAL ’23

The Power of The Brush

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CRAFTED TO REFLECT THE NATURAL BEAUTY OF EACH FEATHER

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BLYTHE POCKET SQUARE The Blythe pheasant pocket square is named after Blythewood, South Carolina where Ben’s brother married the love of his life, Brandy Pope. Each pocket square measures 3.5” wide and 6.5” tall. Grosgrain fabric is used for the pocket square insert. Each feather used in production is all-natural and sustainably sourced. Feathers for each pocket square are hand-selected, giving each piece a unique coloring. Each pocket square is hand-crafted in Charleston, South Carolina.

WESA WIDE CUFF The Wesa feather bracelet cuff is crafted with thin black and white striped pheasant feathers that are laid in a braided technique. No dyes are used, giving each cuff a unique coloring. Wide cuffs are 1.5” wide and 7” in circumference. Cuffs are completely adjustable to fit any wrist size. Each cuff is crafted with 24k gold plated, nickel free hardware.

CRAFTED TO REFLECT THE NATURAL BEAUTY OF EACH FEATHER

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Stories with a Mysterious Past, Intriguing Present, and Reimagined Future

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EDITOR’S NOTE

ear Loyal Readers, As we unveil TrooRa Magazine’s Special Art Issue for 2023, centered on the vibrant city of Belfast, I find myself contemplating the true essence of art and its unparalleled power to change hearts, minds, and even the course of history. Our issue kicks off with an intimate feature of Kris Turnbull, the visionary behind some of the world’s most opulent interiors. As we talk art in the context of space, we see how modern luxury is both a canvas and a masterpiece in its own right.

For the food connoisseurs among us, prepare to indulge in “A Twist Along the Way” as we spend time with Chef Paul Cunningham. Here, we learn that a kitchen can be as much a studio as any painter’s den, and a dish can be a work of art worthy of admiration and contemplation. A highlight of our feature includes the inside scoop on Chef Paul Cunningham’s Secret Dining Experiences, an immersive epicurean affair that transcends traditional dining norms. In a teaser for what’s to come, we are thrilled to announce that TrooRa Magazine and Founders Club are working to bring this brilliant dining concept to the States through special events in 2024 and beyond. Imagine experiencing culinary artistry at a secret location, unveiled only to an exclusive list of attendees—a truly transformative affair for the senses. If that leaves you hungry for more, our #troofoodies guide walks you through Belfast’s gastronomic landscape, revealing top eateries where culinary arts meet extraordinary experiences. Hospitality reaches new heights in our #trooroom section, offering you a curation of Belfast’s most elite stays. The hotels we feature are far more than mere accommodations; they are settings where the art of welcoming and belonging are practiced to perfection. This edition also allows you to “Explore Like an Editor,” Through my discerning eyes, you’ll experience Belfast in a way you never imagined. Further expanding our artistic exploration, artist Dameon Priestly’s captivating work in “The Power of The Brush” and Gary Mansfield’s transformative narrative in “Art as Redemption,” illustrate the raw influence and redeeming power of art. We are thrilled to feature the evocative work of Belfast native son, artist Dameon Priestly, in his first-ever hometown exhibition, “Tripwire.” Priestly’s collection serves as a touching ode to Belfast, a city that molded him into the artist he is today. His new work not only elevates this special edition but also serves as a bridge connecting the past and the present, social struggles and artistic expression. The essence of art, as we explore in this issue, is not just about the creation but the impact it leaves—on individuals and communities alike. Priestly’s art exemplifies this transformative power. Born during Belfast’s tumultuous period known as “The Troubles,” Priestly’s art serves as a captivating narrative, highlighting the societal shifts and struggles that have often gone unnoticed. His unique perspective makes him a quintessential part of our mission to bridge societal divides and elevate voices that deserve to be heard. And last but not least, join us in celebrating visual storytelling with “Through the Lens: A Visual Odyssey at Belfast Exposed.” Each frame captures not just images but emotions, opinions, and sometimes even revolutions. From Kris Turnbull’s redefinition of modern luxury interiors to Chef Paul Cunningham’s culinary masterpieces, this special issue celebrates the various forms of art that touch our lives daily. As you delve into the pages ahead, you’ll find that each article, each feature, brings us closer to fulfilling our ambitious goals. Our cover feature on Dameon Priestly, aptly titled “The Power of The Brush,” sets the tone for what is a heartfelt journey through the multifaceted art scene of Belfast. As TrooRa Magazine evolves, we remain committed to our mission of bridging societal divides and elevating voices that need to be heard. Each article you read, each image you see, brings us one step closer to fulfilling that mission, and your continued support brings us one step closer to our ambitious goals for the future.

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Here’s to the transformative power of art, and here’s to you—our readers, who make all of this possible. Be Inspired, enjoy et A+!

Trystanne Cunningham Executive Editor Creative Director Founder Dontae Blinks

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STAND OUT FROM THE CROWD Beautiful Things that Last

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Breathing New Life Into Antique Fabrics A Sustainable Take On Luxury

contributing team IN THIS ISSUE

KEVIN JAMES JEFFERY Contributing Writer

F I L I PA A R A ÚJ O Travel and Ar t Contributing Writer

STELLA P O LY Z O I D O U Fashion and Beauty Contributing Writer

JESSE ADUMA Health and Fitness Contributing Writer

NIZIE LOKMAN Wellness and Travel Contributing Writer TROORA SPECIAL ART ISSUE 2023

CARY WONG Culinary Contributing Writer

editorial team IN THIS ISSUE

T R Y S TA N N E CUNNINGHAM Executive Editor

ZAIN A L- TAW E E L Photo Editor

ANDRES MALDONADO Creative Art Director ALAA AL-S AE E D Photo Editor

SAMMY C A M PA N E R Graphic Designer

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CRISTINA DEPTULA Contributing Writer Writing Consultant

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STORY BEHIND THE COVER:

The Special Art Issue’23 P H O T O G R A P H S B Y : M O R G A N O TA G B U R U A G U W R I T T E N B Y : T R Y S TA N N E C U N N I G H A M

Every issue of TrooRa Magazine is a labor of love, a carefully curated blend of art and narrative. However, it’s the cover that offers the first impression, an inviting window into the world we aim to share. The making of the cover for our Special Art Issue 23, Belfast, was nothing short of poetic—a confluence of talent, timing, and creative vision that resulted in our signature not one but three captivating covers. The journey began when I learned that Morgan Otagburuagu, an acclaimed photographer from Nigeria, was attending an event in London. Seizing the opportunity for international collaboration, Morgan immediately agreed to capture the talented Dameon Priestly for our Cover Feature. Otagburuagu, took a train to Rochester England in the UK, where he met artist Dameon Priestly for the first time. Despite being new acquaintances, their chemistry was instant, setting the stage for two days of inspired photography. One day was spent outdoors, capturing the rugged beauty of Rochester, and the other was devoted to the intimacy of Dameon’s studio, the epicenter of his creativity. When it came time to select the images for the cover, the task was a daunting one, given the multitude of exceptional shots. After much deliberation among myself, Trystanne

Cunningham, and our art director Andres Maldonado, we arrived at three distinct images. The first captures Dameon standing against a weathered brick wall, evoking the urban grit of Belfast. The second is an intimate black-and-white portrait, given depth through the selective coloring of Dameon’s blue eyes and red scarf. The third takes us into Damien’s studio, with his artwork showcased on the walls around him—a setting as intricate as the artist himself. These choices weren’t just about aesthetic appeal; they reflected the thematic scope of The Special Art Issue ‘23 Belfast—a city rich in both modern aspiration and cultural heritage. Like Dameon, Belfast has a compelling narrative of struggle and triumph. Our covers aim to encapsulate this duality, offering a multi-layered representation that resonates across different moods and seasons. In today’s digital age, where scrolling has replaced flipping pages, the importance of a physical cover can be underestimated. Yet, it remains a pivotal point of engagement, a tactile introduction to the ethos we champion. For this Issue, that ethos celebrates the symbiotic relationship between diverse forms of art, the transcendent power of collaborative effort, and the undeniable impact of stories that deserve a broad audience. So, as you hold this issue in your hands, know that the cover you chose is more than just an image—it’s a gateway into a world where art, culture, and storytelling intersect in compelling ways. We hope it captures your imagination as much as it has ours, inviting you to delve deeper into the rich mosaic of stories that await you within. 41

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AFFORDABLE LUXURY WINES WITH MINIMAL INTERVENTION

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CONTENTS Home Design & Decor 60

A N E W PA R A D I G M O F L U X U R Y

Culinary 72 84

A T W I S T A L O N G T H E W AY P L AT E & PA L AT E

Travel 96 110

EXPLORE LIKE AN EDITOR B E YO N D T H E LO B BY

A New Paradigm of Luxury THE INTERIOR WORLDS OF KRIS TURNBULL 48

Explore Like an Editor

A Twist Along the Way

Explore Like an Editor

HOW A CHANGE IN DIRECTION B R O U G H T C H E F PA U L C U N N I N G H A M FURTHER SUCCESS

B E L FA S T U N V E I L E D T H R O U G H THE LENS OF T R Y S TA N N E C U N N I N G H A M

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B E L FA S T U N V E I L E D THROUGH THE LENS OF T R Y S TA N N E C U N N I N G H A M

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Art, Music & Film 126 134 150

FRAMING THE UNSEEN THE POWER OF THE BRUSH ART AS REDEMPTION

Fashion 162

SEWING SEEDS OF STYLE

162

Sewing Seeds Of Style C R A F T I N G A L E G A C Y AT C O B B L E R ’ S LANE WHERE TIMELESS DESIGN M E E T S S U S TA I N A B L E E L E G A N C E

126 Framing the Unseen W E L C O M E T O T H E C A P T I V AT I N G WORLD OF VISUAL STORYTELLING, B E L FA S T E X P O S E D A V I S UA L O DYS S E Y

134

The Power of the Brush

CAPTURING REALITY: DAMEON P R I E S T LY ’ S A R T O F S O C I A L N A R R AT I V E

Plate & Palate C U L I N A R Y E X P E R I E N C E S T O S AV O R A #TROOFOODIES GUIDE, B E L FA S T E D I T I O N

P H OTOG R A PH E D BY M OR G A N OTAG B U R UAG U

Artist Dameon Priestly focuses on times and events of social and cultural change

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T H E

W O R L D ’ S

F I N E S T

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H I D E

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A N E W PA R A D I G M O F LUXURY B Y : T R Y S TA N N E CUNNINGHAM

A New Paradigm of Luxury The Interior Worlds of Kris Turnbull

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PHOTO CREDIT: KRIS TURNBULL STUDIOS, DONAL MCCANN W R I T T E N B Y : T R Y S TA N N E C U N N I N G H A M

Kris Turnbull

enowned as one of Ireland’s leading talents in interior design, Kris Turnbull has built a reputation that stretches far beyond the borders of the United Kingdom. His design firm, Kris Turnbull Studios, remains one of the most prestigious and coveted interior and architectural design studios in the UK, with a portfolio that spans Europe and the Middle East.

TROORA SPECIAL ART ISSUE 2023

THE BEGINNING Established in 2007, Kris Turnbull Studios has become a hallmark of exquisite taste, unparalleled service, and architectural prowess. The studio’s design team boasts a wide range of skills including architecture, interior architecture, interior design, and styling. This multi-disciplinary approach enables Turnbull and his team to take on an expansive array of projects, each infused with a unique blend of creativity and functionality. Nestled within a converted church on Lisburn Road in Belfast, the studio’s boutique-style showroom is a design wonderland, offering a kaleidoscope of luxurious furniture, fabrics, and lifestyle products from around the globe. It’s the only showroom of its kind in Ireland, showcasing a carefully curated selection from more than 200 celebrated suppliers, including but not limited to, Fendi Casa, Armani Casa, Christopher Guy, and Minotti.

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Kris Turnbull has also ventured into product design, unveiling an exclusive range of lifestyle products that includes furniture, textiles, candles, rugs, and accessories. Launched in tandem with the opening of his flagship interior design studio, this collection reflects Turnbull’s holistic approach to luxury living and is now exported to 15 countries across Europe and the Middle East.

“Every project we design reflects our client’s personality and signature style,” says Turnbull. The design philosophy is a testament to the studio’s commitment to creating spaces that are not only aesthetically pleasing but also deeply personal.

In a recently completed project in Portadown, Northern Ireland, Kris Turnbull Studios exhibited their knack for fusing the historical with the contemporary. The family residence seamlessly melds modern living with traditional elegance. The bespoke designs of all bathrooms, kitchen, and joinery epitomize multipurpose practicality without sacrificing style. The neutral color palette is elegantly disrupted by soft splashes of chartreuse, adorned with fine Irish fabrics that lend an air of timeless grace. For those interested in a more immersive experience, Kris Turnbull Studios offers an online concierge design service, providing worldwide access to their expertise. Kris Turnbull Studios continues to push the boundaries in the world of interior design, marrying artistic vision with functional design. Whether it’s a residential project or a grand commercial endeavor, the studio consistently delivers a product that is a unique blend of innovation and elegance. Visit Kris Turnbull Studios online to explore their extensive portfolio and to learn how you can bring their design magic into your own spaces.

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culinary

72 84

A T W I S T A L O N G T H E W AY BY: CARY WONG

P L AT E & PA L AT E B Y : F I L I PA A R A Ú J O

A Twist

Along the Way How a change in direction brought Chef Paul Cunningham further success PHOTOS COURTESY OF MOURNE L ARDER WRITTEN BY CARY WONG

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Chef Paul Cunningham

or all its renowned physical beauty and natural wonders, Northern Ireland is not quite as distinguished in the culinary world.

In fact, Northern Ireland is home to some world class produce thanks to the constant presence of rain as well as its rich soil. Its dishes are similar to British styles of cooking, featuring hearty and honest dishes but also boasting bold flavors. Not only that, great chefs are hidden in plain sight within this small region roughly the size of the state of Connecticut.

TROORA SPECIAL ART ISSUE 2023

One of those talents is Chef Paul Cunningham.

effect of supporting local businesses when one chooses seasonal products instead of those that come out from big factories or conglomerates. In that sense, his family has been ahead of the curve when it comes to the current healthy-eating trend! He started cooking professionally at thirteen years old. He loved the buzz of the kitchen so much that immediately after completing his GCSE (similar to the American highschool diploma), he divided his time between college and kitchen. His hard work paid off as he was offered the head chef position at The Round Tower before his 19th birthday, followed by managing the kitchen and co-owning Brunel’s, a modern European restaurant. Born in the North of Ireland and raised in a small village called Dundrum at the foot of the Mourne mountains, he fell in love with food at a young age. His grandfather Paddy, who ran a garden center and knew the way of the land, stoked his interest in all things related to food. “I have fond memories of helping him in the garden center and going on foraging adventures for mussels, flounder, sloe berries (among other ingredients),” Chef Cunningham says. Growing up, the food he ate was always fresh and tasty. And nothing was wasted as the family tried to use all parts of the ingredients in every possible way. In addition, seasonal eating has always been ingrained in his lifestyle. To him, the flavor is better and it plain makes sense. The freshness means that the final product is that much tastier. Not to mention the positive

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Chef Paul Cunningham

With his sharp skills and sensitive touch, he has won numerous awards; among them, the Yes Chef Magazine Chef of the Year 2018 for Ulster & Ireland, D.A.E.R.A. Chef of the Year 2018 and Institute of Hospitality Chef of the Year 2018. He has also competed in the Great British Menu twice: first in 2020, then in the following year of 2021. To him, the Great British Menu was a brilliant experience. It not only gave him time to be creative and to explore ideas that he would not otherwise have a chance to do, but also got to know great chefs as well as judges. Being a competitive person, he really enjoyed the excitement of the contest and was grateful to meet all the wonderful people around the program. “It was a highlight in my career so far,” he says “and one goal to be ticked off.”

“I’m still doing what I love while also making a difference and hopefully changing the way we think of fast food… (or as I like to call it) ‘slow food”

Despite all the success he had had at Brunel’s, something was gnawing at him. The idea of doing a proper takeaway spot, using local ingredients and fresh produce had been fermenting in his mind for a long time. He sensed a big opportunity in the market and could not understand why no one else was using all the wonderful produce at their doorstep to the fullest. Perhaps the memory of growing up with his grandfather inspired him but he could see the potential. A hot food bar that offered well-made home-cooked food in styles that were organic, local, seasonal, and sustainable: it would be a game changer. When the lockdown hit, it put things into perspective. Due to a number of different reasons, he knew that it was the right time to leave the fine dining restaurant which he co-directed. So, he struck out on his own.

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— C H E F PAU L CU N N I N GHA M

First, he started Mourne Larder, a company that offers secret dining, popups, events, private dining, foraging tours and more. As he would need to have his own premise to prepare for events, it became logical to use the space both as a prep kitchen and a hot food bar. He rented a great space in Dundrum at the right time. So,in one fell swoop, Scopers, the sustainable hot food bar that he had been dreaming of, also became a reality. One might imagine that the transition from fine dining to an elevated hot food bar would be rather difficult - with the different expectations and clientele, would it not be overwhelming? The answer, unexpectedly, was no. “The transition from fine dining was surprisingly easy, I’m still doing what I love while also making a difference and hopefully changing the way we think of fast food… (or as I like to call it) ‘slow food’,” he says. At the same time, Mourne Larder, the other half of the business, still allows him to refine his “fine dining and high-end cooking skills (for) private dining events, secret dining and supper clubs.” Speaking of Mourne Larder, Chef Cunningham is having a great time running it. It is especially apparent during his secret dinners. For these experiences, the destinations are unbeknownst to the guests. They are only told of the meeting point, and then whisked away to the secret dining location after they arrive. He thinks that traditional restaurants may have hit a certain peak as people nowadays want more of an experience for their money. More importantly, the region has a certain beauty and mystery. And these thrilling dinners serve to celebrate both the exquisite surroundings as well as the wonderful local culinary ingredients.

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These events do take a lot of pre-planning, he admits, but the team has gotten them down to a science. Whatever venue was chosen - it could be a teepee in a forest or a castle dungeon - they would communicate with the hosts to find out what type of (or if any) kitchen facilities are available. He also brings along a large custom-built barbecue with him, as a good portion of the menu is cooked over open fire. Most importantly, he adapts each menu to the site and the equipment at his disposal. “I’m never beat by any location!” he proudly proclaims.

— C H E F PAU L CU N N I N G H AM

TROORA SPECIAL ART ISSUE 2023

“I’m never beat by any location!”

Chef Paul Cunningham

When asked about his favorite local ingredient, he has a tough time picking just one as there are so many amazing things to choose from. One standout is the Dexter Cattle raised by their friends at Castlescreen Farm. Grassfed on pesticide-free land, the beef is outstanding with a noticeable improvement in flavor. He buys whole cows and butchers them himself, which allows him to use every part of the animal. For example, meat is for burgers, pies and roasts while bones are for stock and so on. This way, waste is minimized. Another of his favorites is foraged wild garlic. A versatile ingredient, the leaves can be made into pesto or added to a salad, the flowers can be used as a garnish and the seeds could be pickled as capers. Again, there are little to no unused parts.

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He told us that his favorite style of cuisine is classic French with Scandinavian influences. Appropriately, one of his favorite dishes over the years is the lamb and cockle dish served with foraged sea herbs.

Outside of the kitchen, Chef Cunningham has three daughters and all of them love being in the kitchen and sharing time with him. Whether it is chopping vegetables, stirring a pot of stew or baking delicious cakes, they are always up to the challenge. For his part, he generally teaches them to work cleanly as they go and to respect each ingredient. And true-to-form, the no waste mantra is closely followed!

When he finally gets some hard-to-come-by down time, he loves to get out on the mountain bike trails around the Mournes. The natural beauty clears his mind and helps generate new ideas after tough services in the kitchen. As for his future plans, he wants to keep pushing local produce and try to make a small difference in that part of the world. No doubt when the world becomes aware of how great the Northern Irish food scene is, Chef Cunningham’s name would be highlighted right next to it!

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Belfast Edition

The Muddlers Club

W The Muddlers Club

hen it comes to dining in Belfast, the culinary landscape is as diverse and vibrant as the city itself. Nestled within its charming streets you will find an abundance of eateries, each offering a unique dining experience, catering to every palate. While Belfast is undoubtedly known for its warm and welcoming pubs, there’s more to this city’s food scene than meets the eye. In this article, we showcase some of the city’s most innovative, and extraordinary restaurants that offer a distinctive experience, echoing the spirit of Northern Ireland with influences from around the world. So, the next time you find yourself in this charming city, don’t forget to explore these culinary gems for a dining experience like no other.

THE MUDDLERS CLUB: INDUSTRIAL ELEGANCE The Muddlers club lives in a beautiful historical building, tucked into the charming streets of the Cathedral quarter, and gets its name from a secret society that used to gather in this space, dating over 200 years ago. Awarded a Michelin star, the Muddlers Club is effortlessly elegant without being pretentious, set in a cozy, post-industrial space, and showcasing the best of locally-sourced ingredients in inventive and modern dishes. Chef Gareth McCaughey’s commitment to preserving the flavors of local ingredients while adding his innovative twist, and his refusal to be constrained in any dining experience box, is what makes their food so unique. With their seasonal tasting menus, you get to experience a rich tapestry of flavors throughout the year, with every visit. 85

EDO: VIBRANT TA PA S S T Y L E Prepare to step into the heart of Spain, right in the heart of Belfast. At EDO, the culinary experience is meant to be shared. In this eclectic atmosphere, prepare to be amazed by the colors and aromas of every dish, elevated using high quality ingredients from around Europe, curated in a way that will leave your taste buds asking for more. EDO is one of the few restaurants using Bertha Ovens, which allows a variety of slow cooking techniques that translate into a distinctive smokey flavor to your plate. Head Chef and owner, Jonny Elliott brings his vast experience and passion for food to every plate, promising an authentic European dining experience and bringing vibrant music and sunshine to Belfast, as soon as you step in.

DEANES LOVE FISH: A SEAFOOD LOVE A F FA I R

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Nestled on Howard Street, Deanes Love Fish celebrates the best that the Irish sea has to offer. The finest local seafood, Love Fish celebrates the simplicity and freshness of ingredients, using high-quality techniques that elevate every flavor. The atmosphere of the restaurant also instantly sets the mood, with is all-white interior design and a conservatory-style roof making this culinary experience a harmonious blend that will transport you to a beautiful summer day by the coast.

Famous Chef Michael Deane is the mastermind behind this ocean gem, and a revolutionary of the Belfast dining scene. With currently four outstanding restaurants in Belfast, he has held a Michelin Star for 13 years now, setting the record for the longest held Michelin Star in Ireland.

ROAM: E XPLORING UNCHARTED TERRITORY If you’re an adventurous foodie, Roam is your gateway to uncharted culinary territories. This concept-driven restaurant continually reinvents itself with an ever-evolving menu inspired by global flavors. Started as a pop up concept aiming to provide a unique dining experience, Roam has now found a home in central Belfast. Their menu will take you on a rollercoaster ride of flavors, pushing boundaries and introducing ingredients and combinations, in a very modern and clever way. Young Chef Ryan Jenkins brings a new fresh perspective to the Belfast dining scene, bringing creativity and avant-garde exploration to the city.

And if you want a break from the ordinary, consider paying a visit to A Peculiar Tea. A stepping stone way from Queen’s University, this quaint tea room offers an enchanting twist on the traditional afternoon tea. Expect quirky, thematic teas and whimsical decor, where Alice’s Adventures in Wonderland meets your teacup. A Peculiar Tea serves a delightful array of sweet and savory treats to make your tea-time experience truly memorable. Chef Gemma Austin is the creator of this culinary playground, and her main goal is to inspire playfulness and nostalgia in every bite. They serve themed tasting menus and afternoon tea menus that are focused on seasonal and locally-sourced sustainable ingredients.

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A PECULIAR TEA: YOUR WILDEST DREAMS ON A P L AT E

M E R C H A N T G R E AT R O O M : A T O U C H OF VICTORIAN ELEGANCE The Merchant Great Room, located in the historic Merchant Hotel, oozes elegance and refinement. This establishment marries the classic Victorian charm of the hotel with a contemporary culinary twist. Experience the best of fine dining in a stunning space that will transport you to the past as you take a seat, and bring you to the present as soon as you take a bite. With a comprehensive selection of menus for all tastes, and a fusion of classic and modern techniques, the two AA Rosettes award winning Merchant Great Room will take you on a journey through Northern Ireland’s culinary landscape, offering a unique and sophisticated experience for food connoisseurs.

GINGER BISTRO: YOUR LOCAL CULINARY H AV E N Located near the Opera House, this cozy Bistro will surely become your go-to comfort restaurant. The charming Ginger Bistro offers a sample seasonal menu that evolves to reflect the freshest ingredients available, and allows you to taste a little of everything. With a strong emphasis on local produce and creative execution of your favorite classics, The Ginger Bistro is a testament to Belfast’s dedication to sustainability and innovation in dining. Chef Simon McCance’s goal was to create quality food in a relaxing atmosphere, and that is exactly what you get at the Ginger Bistro, food that feeds your soul, in a cozy, familiar space.

Y Ü G O : T H E FA C E O F MODERN FUSION Yügo, a culinary gem located in the Cathedral Quarter, is the epitome of fusion dining. This restaurant seamlessly blends fresh Japanese flavors with a Northern Irish attitude, creating an exciting and unique dining adventure. The traditional Asian style of cooking, a symphony of distinct flavors and a modern, exclusive aesthetic, make this restaurant one of Belfast’s best kept secrets. The open kitchen, and the classic Asian style bar seating, brings diners to the cooking process and transforms cooking into a sort of performative art. With a menu that’s as eclectic as its atmosphere, Yügo is perfect for those seeking an innovative fusion experience in an artsy setting.

T H E D I R T Y O N I O N A N D YA R D B I R D : NOT YOUR ORDINARY IRISH PUB Also in the heart of Cathedral Quarter, you can find the oldest building in Belfast, dated back to 1680, a space full of history and wander, that is now home to one of the best authentic Irish Pubs with a modern twist. The Dirty Onion and Yardbird is a gastropub that will give you all your classic pub-style favorites, elevated with a gourmet touch. From their classic chicken roast to smokey bbq ribs, comfort food has never looked and tasted so exciting. The live music, rustic charm and craft whiskey and beer, also make it the perfect place to enjoy a unique night out. This multipurpose space offers entertainment seven nights a week, with a vast range of events, contemporary live bands and acoustic music, with one of the biggest beer gardens in Belfast.

OX Belfast, located on Oxford Street and overlooking the River Lagan stands as an exemplar of culinary excellence and modern gastronomy. Led by talented chefs Stephen Toman and Alain Kerloc’h, the restaurant’s commitment to seasonal, locally-sourced produce shines through in every aspect of their menu. OX’s ever-evolving tasting menu is a captivating journey through flavors and textures, guided by the chefs’ innovative interpretations of classic recipes. Each dish tells a story of Northern Ireland’s rich agricultural heritage, transformed into modern culinary masterpieces, making it a must-visit for those passionate about the farm-to-table movement. T H E M U D D L E RS C LU B B E L FA ST.CO M / E D O R ESTAU R A N T.CO.U K / M I C HA E L D E A N E .CO.U K / LOV E-FI S H / R O A M B E L FA ST.CO M/ A-P E CU L I A R-T E A .CO M/ T H E M E R C HA N T H OT E L .CO M/ T H E- G R E AT-R O O M GI N GE R B I ST R O.CO M/ Y U G O B E L FA ST.CO M/ T H E D I RT Y O N I O N .CO M/ OX B E L FA ST.CO M/

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EXPLORE LIKE AN EDITOR B Y : T R Y S TA N N E C U N N I G H A M

B E YO N D T H E LO B BY B Y : F I L I PA A R A Ú J O

Explore Like an Editor Belfast Unveiled Through the Lens of Trystanne Cunningham PHOTOGRAPHED BY PROVIDED WITHIN THE NAME OF THE IMAGE W R I T T E N B Y : T R Y S TA N N E C U N N I N G H A M

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Aerial photo of Belfast Cityscape Northern Ireland_ BallyGallyViewImages iStock

n Belfast, the dynamic capital of Northern Ireland, age-old traditions and cutting-edge modernity coalesce into a vibrant cultural mosaic. This city, stitched into the coastline’s rugged beauty, buzzes with an eclectic energy that permeates its historic streets, effervescent art scene, and culinary masterpieces.

With its cobblestone streets, maritime legacy, and thriving creative hubs, Belfast is a metropolis of history, culture, and innovation—a sprawling canvas where every brushstroke represents an element of its multifaceted identity. As you traverse through the heart of Northern Ireland’s capital, you’ll find yourself navigating not just a city but an experience, a pulsating blend of the past and present that resonates through its architecture, art, gastronomy, and beyond.

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Belfast Jaffe Memorial fountain Angelo D Amico iStock

Belfast Pubs

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Ulster murals depicting scenes In The 50s Manuel Velasco iStock

The Titanic Belfast Museum exterior by the River Lagan Thomas Faull iStock

Duke of York

The Cathedral Quarter, Belfast’s arts and cultural district, serves as an appetizing starter to this feast for the senses. Enveloped by intricate Victorian structures, you’re greeted by art galleries as diverse as the city’s history. While the traditional Irish craft stores beckon you with handwoven textiles and pottery, the avant-garde MAC—Metropolitan Arts Centre—stands as a beacon for contemporary artists and enthusiasts. Encased in an edifice of gleaming glass and steel, the MAC isn’t merely a building; it’s a statement, challenging and inspiring with exhibits that span painting to digital art. From there, venture toward the Golden Thread Gallery’s future location. Renowned for its thoughtprovoking exhibitions that delve

into socio-political themes through the lens of Northern Ireland’s intricate history, the gallery is on the cusp of a transformative move. After 16 enriching years on Great Patrick Street, it will be reopening in a dynamic new city-center location in Spring/Summer 2024, promising a fresh canvas for its already compelling narrative. Art in Belfast isn’t limited to galleries; it spills onto the streets. The city’s political murals are iconic, but newer forms of street art have started to claim space on Belfast’s walls. Works from international and local artists contribute to an open-air gallery that serves as the city’s everchanging backdrop, a testament to a community that has turned the hardships of the past into inspiring visions of the future. But to delve into Belfast’s most iconic contribution to history, one must visit the Titanic Belfast museum. Rising from the very dockyards where the ill-fated liner was built, the museum is an architectural marvel mirroring the ship’s bow. As you explore its nine galleries, each unfolds like a chapter in an epic tale, from the Titanic’s conception to its first—and last—voyage. The museum even extends beyond the Titanic, providing fascinating insights into Belfast’s maritime legacy, adding another dimension to the city’s cultural tapestry. When it comes to music, Belfast pulsates to its own beat, a medley of the traditional and contemporary. Whether it’s the rousing Irish anthems emanating from storied pubs like The Duke of York or cutting-edge performances at the Limelight, music here is both heritage and future. The Oh Yeah Music Centre serves as the city’s musical archive, tracing the roots of Belfast’s sonic contributions, including world-renowned artists like Van Morrison and Snow Patrol. The centre functions as a mecca for music aficionados, offering a compelling narrative of how Belfast has strummed its way into global playlists. 99

Aerial shot The rope bridge connecting the two cliffs Carrick-aRede Rope Bridge Nordic Moonlight iStock

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And then, there are the natural landmarks, fantastical landscapes that seem to have been plucked straight out of legend. Venture north to the Giant’s Causeway, a geological marvel featuring thousands of hexagonal basalt columns. These mesmerizing formations invite you to ponder whether they were the result of ancient volcanic activity or, as local lore would have it, the handiwork of the Irish giant Finn McCool. Further along the coast, the Carrick-a-Rede Rope Bridge sways high above the waters, offering both a heart-pounding journey and panoramic vistas of the surrounding landscape. Inland, the Dark Hedges’ serpentine rows of beech trees create an eerily beautiful pathway, made famous by its cameo in “Game of Thrones.”

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On the cinematic front, Belfast has emerged as a formidable player. Not only has it served as a backdrop for notable films and television series, but it’s also home to the Belfast Film Festival, an annual celebration showcasing both homegrown and international talent.

The Giants Causeway the result of an ancient volcanic fissure eruption in County Antrim Northern Ireland Dark Eni iStock

Illuminated Belfast City Hall at evening Benkrut iStock

Ulster murals depicting scenes In The 50s Manuel Velasco iStock

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The Dark Hedges 300 Year Old Beech Tree Lined County Antrim Northern Ireland iStock

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MAC Metropolitan Arts Centre Belfast Christian Richters

Modern Urban Riverside Cityscape of Belfast Mlenny iStock

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Oh Yeah Music Center

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Christmas Market Outside Belfast City Hall Haoliang iStock

BFF Belfast Film Festival

No exploration of Belfast would be complete without savoring its culinary scene. For the epicurean, the Michelin-starred Deanes Eipic promises a gastronomic ballet. Here, each dish is a work of art, marrying seasonal produce with unparalleled creativity. Here, each dish is a work of art, marrying seasonal produce with unparalleled creativity, perfectly complemented by an exquisite wine pairing. Yet the culinary adventure isn’t confined to high-end dining. From cozy gastropubs to bustling food markets, the city offers a myriad of flavors that are sure to satisfy every palate. To touch down in Belfast is to immerse yourself in a living tapestry, woven from the threads of history, culture, and an indomitable spirit of innovation. It’s a city that invites you to become part of its narrative, to add your own nuances to its everevolving story. Like a masterpiece that refuses to remain static, Belfast perpetually reinvents itself, adding fresh hues, intricate layers, and depth to an already captivating tableau.

Every journey through Belfast is a voyage across time, culture, and the breathtaking beauty of one of the world’s most intriguing cities. There’s an innate magic here, an alchemy that transforms each visit into something more than just travel—it becomes part of your own story, your own masterpiece. @ T R YSTA N N E

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This vibrant event typifies the city’s dedication to the arts, offering a platform for creators and spectators to explore new narratives and perspectives.

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#trooroom The Ultimate Guide to Remarkable stays W R I T T E N B Y F I L I PA A R A ÚJ O

Belfast

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oised elegantly within Northern Ireland’s rich landscape, Belfast is a city where history, culture, and contemporary meet. From the historic streets of the Titanic Quarter to the vibrant ambiance of the Cathedral Quarter, Belfast offers an array of experiences for the curious traveler. As you embark on your journey to this enchanting city and its scenic surroundings, your accommodation is where you set the tone of your visit. Belfast’s hotels are a diverse collection of old-world charm, contemporary elegance, and unique character, promising to transform your visit into an unforgettable experience. In this article, we reveal the top 10 hotels that stand out in Belfast and Northern Ireland, each with its own personalities, that will make your stay truly exceptional. Whether you seek the timeless luxury of The Merchant, the history-rich Europa Hotel, or the waterside wonder of Titanic Hotel, you’re about to embark on a journey that promises nothing less than pure hospitality excellence.

THE MERCHANT

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The Merchant hotel needs no introduction. An icon of luxury and opulence in Belfast, the historical building is a meticulously restored former bank that has now transformed into a lavish hotel, with a fantastic central location. As soon as you step in through the door, you enter a world of timeless sophistication, where antique charm meets modern elegance, and you’ll likely won’t want to leave. Pick your favorite sleeping fantasy: the Victorian Splendour or the Art Deco Decadence. Each room is unique, and will make you feel like you just stepped into a page of the history books. At the Merchant, you will also find one of the best restaurants in Belfast, the Great Room, and an award winning cocktail bar, that will leave you feeling inspired. And if you want to experience some of the best views of the city in style, make sure to make your way to the exquisite rooftop, where you can relax in the jacuzzi while enjoying a glass of champagne.

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E U R O PA The Europa hotel, another iconic landmark in Belfast, holds a significant place in the city’s history. It was originally built in 1971, and is known as the “most bombed hotel in Europe” after it suffered 36 bomb attacks during the Troubles. Its resilience and enduring presence are remarkable, having hosted numerous world leaders and famous artists throughout time. The classical architecture, beautiful views of the city from your room, a variety of outstanding dining options, along with a selection of exclusive events and live music performances, the Europa has everything you need. The Europa hotel is not just a beautiful place to stay but a testament to Belfast’s journey through adversity to prosperity, making it a unique and unforgettable destination.

T I TA N I C H O T E L B E L FA S T

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If you want to travel back in time and go even further in history, you can spend the night at the Titanic Hotel Belfast, in the iconic Titanic Quarter. Prepare to immerse yourself in the maritime heritage that defined Belfast. Housed in the historic headquarters of Harland & Wolff shipyard, where the RMS Titanic first took shape, each room effortlessly transports you on board a ship, embracing the essence of maritime elegance. This hotel also provides spectacular venues, such as The Drawing Office Two, a jaw-dropping cathedral-like space, making it the perfect place for any large event or conference. The Titanic Hotel Belfast is a captivating fusion of history and modernity, making it a must-visit destination for anyone exploring Belfast’s rich heritage.

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BULLIT T HOTEL

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If you are more into fresh and hip spaces, the Bullitt is the embodiment of cool, redefining what it means to stay in style. This boutique hotel is all about vibrant vibes and edgy elegance. Located right in the heart of Belfast, conveniently located so that you can explore what Belfast has to offer, the Bullitt is not just about quality accommodation, it’s here to show you how to have a good time. The rooms are the perfect mix of simple modern design and comfort, giving you that chic and cozy feel, without all the extras and non-sense. But what sets Bullitt apart is its dedication to enjoying life - the rooftop bar is a hotspot for locals and travelers, offering killer cocktails, panoramic city views and vibrant music events.

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GRAND CENTRAL H O T E L B E L FA S T If, on the other hand, what you are looking for is modern glamour and panoramic views from your bed, the Grand Central Hotel is the place for you. This impressive building extends beyond what your eyes can see, boasting 23 floors that offer you the chance to rest high above the city’s lively streets. At the top of the building you will find The Observatory, the tallest cocktail bar in Belfast, providing breathtaking city views and handcrafted cocktails in a luxuriously sublime setting. Enjoy an exclusive dining experience at the Grand Café or the Seahorse Restaurant, and prepare to be wowed, because this hotel delivers a level of luxury that’s simply unmatched. The Grand Central Hotel Belfast promises an exquisite, upscale experience, where each guest is treated to the finest in grandeur and sophistication. 114

THE HARRISON CHAMBERS OF DISTINCTION Experience the ultimate blend of history and bohemian luxury at Chambers of Distinction. Housed in a magnificent Victorian building, in the arts and theater district, this boutique hotel will captivate you with its quirky vintage charm. Each room is a performative piece of art, with its own story and personality. Featuring freestanding bathtubs in the room, huge bay windows and pieces of living history wherever your eyes gaze, The Harrison promises a truly eccentric and once in a lifetime aristocratic experience. Located in the Queens Quarter, you will be staying in the heart of culturejammed south Belfast, and just a stone’s throw away from the Botanic Garden and Ulster Hall, as well as the city’s coolest bars and restaurants.

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A stay here is like a journey back in time, making it perfect for the culturally curious and history enthusiasts seeking an elegant, nostalgic escape.

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CLANDEBOYE LODGE If you are looking to stay away from the bustling city life, you might want to take a quick trip to the Clandeboye Lodge, located just 20 minutes away from the city center. Clandeboye Lodge is where nature and elegance converge in a serene retreat tucked away in lush woodlands. Surrounded by picturesque gardens, this hotel boasts a harmonious blend of modern comfort and natural beauty, making it the perfect place to unwind from the loud, vibrant energy of the city and just immerse yourself in peaceful relaxation. The beautiful courtyard dining area offers an alfresco dining experience, where you can enjoy locally sourced ingredients, from the farm to your table. Ideal for those seeking tranquility, it’s a getaway that reconnects you with the peaceful serenity of the countryside.

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THE OLD INN

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For a truly enchanting countryside escape, the Old Inn emerges as a timeless haven, where history and charm intertwine effortlessly. Situated in the picturesque village of Crawfordsburn, just a 20 minute drive from Belfast’s city center, this historic establishment takes guests on a journey to the past while providing all the modern comforts one could desire. The rooms are a delightful blend of antique elegance and contemporary amenities, ensuring a cozy and romantic stay. What sets The Old Inn apart is its legendary and intimate ambiance. The hotel’s charming, candlelit dining room presents an exquisite setting for culinary experiences that range from traditional to gourmet. This is the place for those seeking an escape filled with nostalgia, where you can savor fine dining, stroll through beautiful gardens, recharge at the beautiful spa and simply absorb the tranquility of this historic gem.

T H E C U L L O D E N E S TAT E A N D S PA A hotel stay fit for a king is what you can expect at The Culloden Estate and Spa. Originally built as an official palace for the Bishops of Down, the Culloden stands in twelve acres of beautiful secluded gardens and woodland. Located majestically on the slopes of the Holywood Hills, the Culloden Estate and Spa offers an unrivaled combination of grandeur and contemporary luxury. This stately hotel commands sweeping panoramic views of Belfast Lough and the stunning Antrim coastline, embracing you in its natural beauty. Their five star spa is a sanctuary of wellness and relaxation where you may indulge in a collection of luxurious treatments that will leave you feeling like a brand new person. Pair this with a wine-tasting and fine-dining experience and you will probably never want to leave. After exploring the vibrant streets of Belfast, this is the perfect place to unwind in a regal ambiance. T H E M E R C HA N T H OT E L .CO M/ EU R O PA H OT E LB E LFA ST.CO M/ T I TA N I C H OT E LB E LFA ST.CO M/ B U LLI T T H OT E L .CO M/ GR A N D C E N T R A LH OT E LB E LFA ST.CO M/ C HAM B E RSO FD IST I N C T I O N .CO M/ C L A N D E B OY E LO D G E .CO M/ T H E O LD I N N.CO M/ C U LLO D E N ESTAT E A N DS PA .CO M/

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FRAMING THE UNSEEN BY: JESSE ADUMA

ART AS REDEMPTION BY: KEVIN JAMES JEFFERY

Framing the

Unseen

Welcome to the captivating world of visual storytelling, Belfast Exposed A Visual Odyssey

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P H OTOS CO U R T E SY O F B ELFA ST E X P O SED WRITTEN BY: JESSE ADUMA

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n the heart of Belfast, a city steeped in history and culture, emerges a beacon of artistic expression and social documentation – Belfast Exposed. Nestled within the vibrant fabric of Northern Ireland’s capital, Belfast Exposed is more than an organization; it is a dynamic hub of photography, a catalyst for change, and a celebration of the power of imagery. Join us as we embark on a journey to unravel the layers of Belfast Exposed, an institution that has devoted decades to capturing the essence of Belfast and its people through the art of photography.

Belfast Exposed is an independent, non-profit organization located in the vibrant Cathedral Quarter of Belfast.

now a flourishing visual arts institution, began representing photographers from diverse backgrounds.

Its origins trace back to 1983, in the wake of the profound social upheaval and the harrowing experiences during the 1980-1981 Hunger Strikes, educator, trade union advocate, and community activist Danny Burke rallied a group of local photographers to launch a photography exhibition that would unveil a perspective of Belfast from within its very heart.

Simultaneously, it formed a cross-community steering committee and extended its reach by staging exhibitions across various neighborhoods of Belfast. In the ensuing years, new photographic techniques and approaches blossomed in Northern Ireland, offering invaluable tools for documenting and reimagining a rapidly evolving region.

“One of the most rewarding aspects of leading Nevertheless, the principles and This groundbreaking exhibition, aptly named an art gallery is aspirations set forth in the original 1983 ‘Belfast Exposed,’ featured an impressive exhibitions have remained the guiding collection of over 200 photographs that continues to define its work to the opportunity ethos and slides, offering a comprehensive this day. documentation of the daily life within the As a highly recognized pillar of the to contribute city, primarily from the vantage point of the community, Belfast Exposed aims to working-class community. keep its vision alive by adapting to to the cultural Making its debut in October of 1983 at contemporary culture, growing with the Conway Mill, strategically located on the community, and catering to the needs of enrichment of nationalist side of Belfast’s prominent ‘Peace the new generation. Wall,’ the exhibition quickly garnered attention asked about what themes or our community When from every corner of the city. Its later concepts the gallery aimed to highlight relocation to the Bank of Ireland Gallery in through its curated exhibitions and their Dublin received praise from Seamus Heaney, and beyond….” significance to today’s art scene, Deirdre —D E I R D R E R O B B ( C E O ) .

The photographs vividly portrayed a shared experience of unemployment, substandard housing, and economic hardship, all of which were exacerbated by sectarian tensions yet tempered by the resilient humor of working-class Belfast. Following the exhibition’s resounding success and with a commitment to bridging divides within the city, Belfast Exposed,

Robb, CEO of Belfast Exposed, was very clear about the gallery’s aspirations.

“While community and global experience of conflict remain an important focus of our work, the ongoing challenge is to keep our exhibition program relevant and accessible for a new generation of audiences and photographers” – Deirdre Robb (CEO)

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who noted the “powerful, democratic feel” embedded within these photographs.

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Since relocating to the Cathedral Quarter in 2003, Belfast Exposed has actively connected with numerous individuals annually, encompassing photographers, artists, activists, local communities, tourists, students, schoolkids, and the wider public. Each of these groups has played a pivotal role in building a substantial collection of exhibitions, portfolios, and projects.

thinking, fostering creativity, and cultivating cultural awareness within the academic framework, the role of Belfast Exposed as a guardian of art in the society is indisputable.

Quite often, these initiatives have been shaped by inquiries that deeply resonate with the local context: themes of representation, identity, history, memory, commemoration, and a profound sense of connection to place. More recently, the spotlight has expanded to encompass pressing concerns surrounding the environment and issues related to gender.

With a reach extending to various organizations, spanning across a very diverse spectrum, including individuals of all ages, backgrounds and interests, Belfast Exposed strives to address issues of exclusion, unemployment and mental health challenges, while also promoting access, nurturing creativity, and fostering critical thinking. All channeled through the medium of the camera, which serves as a powerful tool for both effecting and documenting societal change.

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Acknowledging the significance and relevance of art to human lives as an instrument of self-reflection and its profound influence on the society, Belfast Exposed, have taken the charge to foster this relationship by wielding photography as a tool to reflect and express contemporary cultural values by provoking emotion and empathy in the exhibitions it presents.

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“We use it to create a common language to transcend linguistic, cultural, and political barriers by bringing people together and facilitate communication and understanding. Many of Belfast Exposed artists use their work to comment on social issues… This can raise awareness and encourage dialogue about topics that are challenging and otherwise difficult to talk about” – Deirdre Robb (CEO). Belfast Exposed has assumed the pivotal role of safeguarding the community’s cultural heritage and upholding a profound cultural identity, particularly in light of the forces of globalization and cultural uniformity. With an overachieving objective to empower its audiences to cultivate a more comprehensive and insightful view of the world, while also serving as a catalyst for nurturing critical

Adding to its already long list of achievements, Belfast Exposed is also a recognized charity deeply committed to fostering community engagement and photography initiatives throughout Belfast and Northern Ireland.

Collaborating annually with healthcare providers and various groups, Belfast Exposed shows regard and concern for the wellbeing of the community by striving to mitigate the impact of life struggles, illnesses, and a myriad of conditions on individuals and communities. As the CEO of an art gallery, Deirdre Robb, has experienced her fair share of unique challenges, however, the position does come with its rewards, as she reveals. “One of the most rewarding aspects of leading an art gallery is the opportunity to contribute to the cultural enrichment of our community and beyond… Nurturing artists and helping them gain recognition can be incredibly satisfying, knowing that you played a role in their artistic journey” – Deirdre Robb (CEO). At the top of Robbs memorable success stories stood the tale of a Dutch photographer who formed a bond with Imperial Courts residents over a 20-year period. “…Dana Lixenberg’s “Imperial Courts” exhibition is a

remarkable photographic journey that originated in 1993 when the Dutch photographer was assigned by Vrij Nederland magazine to document the restoration of the Imperial Courts neighborhood” Robb went on. Utilizing this opportunity, Lixenberg embarked on a project that would capture the multifaceted human experience and the palpable frustration of the community within the resilient yet tempestuous streets. Looking into the future with hope, Belfast Exposed shares its prospects for another major exhibition to be presented in 2024, the Vivien Maier Double Portrait exhibition. The talented artist, Vivian Miaher’s innovative approach to portraiture elevates the genre, pushing boundaries and encouraging audiences to forge profoundly intimate connections with her subjects. Belfast Exposed strives to remind us of the timeless power of imagery to transcend boundaries, evoke emotions, and spark our imagination. In the midst of every photograph lies a world of narrative, expression, and wonder, waiting to be explored anew with each visit. We are therefore left with a newfound appreciation for the art of photography and the stories it unfolds.

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Capturing Reality: Dameon Priestly’s Art of Social Narrative

ameon Priestly isn’t just another artist. Rather, he is a storyteller who defies the constraints of time. Through the strokes of his brush, he weaves tales that connect history to the present, the visible to the invisible, and the art to the viewer. To look at a painting by Priestly is to look at our world through a different lens—a lens that challenges us, confronts us, and begs us to question the status quo. Born in the uneasy climate of Belfast in the 1970s, Priestly has come a long way, both geographically and artistically. Dameon Priestly came of age during one of Northern Ireland’s most tumultuous periods of conflict between Catholic and Protestant political interests, known as “The Troubles.” The impression left by the social unrest during his formative years was inevitable.

C H R O N I C L E S O N C A N VA S It is perhaps no surprise that Priestly’s art “focuses on times and events of social and cultural change, often set in an historical context, but with direct relevance to the present.” His art tells stories—of the marginalized, the forgotten, the heroes, and the villains—always with an eye toward justice. “What interests me is social justice and movements born of social upheaval,” he shares. Priestly takes a journalistic approach to his painting, considering cultural history as the most critical aspect of his art.

“Even though I haven’t lived in Belfast since 1998, growing up there during those turbulent times shaped me for sure,” he confides.

“The thing that interests me most is getting the facts of the story or subject as accurate as possible, in a visually striking or engaging way. It’s always all about the narrative.”

He knew he was meant to be an artist ever since he was very young, and even as chaos unfolded around him, his connection to art provided a constant sense of purpose and escape.

Priestly’s rise to international fame—he counts Spike Lee among his collectors and has created artwork for three of Van Morrison’s albums—hasn’t changed his fundamental approach to his craft. His back catalog, stretching to 2001, bears testament to this consistency. “What I have learned is the confidence of not having to prove my techniques to myself or my audience in order to create a successful piece. I’ve nothing to prove other than my commitment to the subject. My abilities are stronger, simply through constant hard work,” says Priestly. He claims renowned American author John Steinbeck’s gritty aesthetic as an inspiration. Quotes from Steinbeck’s novel “Cannery Row” grace his website, drawing a literary parallel to his visual work. “Cannery Row is simply one of my favorite novels. The beautiful language is something I aspire to create in my visuals. It’s real. Real life and oftentimes, too real. Which I’m naturally drawn to,” he explains.

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Like Steinbeck, Priestly isn’t one to shy away from difficult or controversial topics.

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“Not all art can or should be purely decorative. Some art should ask the viewers to fully engage with it…even if it’s about things you’d rather not think about,” he says.

Dameon Priestly

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“The thing that interests me most is getting the facts of the story or subject as accurate as possible, in a visually striking or engaging way. It’s always all about the narrative.”

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CRAFT DRIVEN BY E M PAT H Y In his “Missing” collection, for instance, involving American women who disappeared, and were likely murdered, at truck stops and train stations, Priestly chooses to focus on the victims rather than the perpetrators, challenging the news and entertainment media’s fascination with criminals over victims.

In collections such as “Die Kleinen Geister,” which looks at prostitution in 19th-century Vienna, or “I Am Not,” focusing on the American civil rights movement, he engages with topics often ignored or sidelined in fine art. The paintings embody the struggles and victories of his subjects.

He reflects on how growing up in Belfast, in a neighborhood that has seen so many horrific acts of violence during the Troubles, gave him empathy for the victims of murder and assault. “If something unspeakable has happened to someone in a place, does it seep into the soil? Can people who come by feel it?” he speculates.

In his “I Am Not” series, Priestly captures iconic images from the fight for equal rights for Black Americans. “The images depicted are of peaceful protest, segregation, death, despair, defiance and belief,” he points out.

He presents these stories in a way that exposes the biases of law enforcement and society based on race, class, gender, and occupation. These pieces also serve as an implicit critique of the consumerist American Dream for a better life: criminals who come to believe they are entitled to “consume” and possess other people kidnap and kill women who are often traveling out of small towns for greater opportunities.

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One of the more stirring aspects of Priestly’s work is his ability to empathize deeply with his subjects, particularly those who have suffered historical injustices. In his collection “The Shopgirl,” he tackles the bleak existence of Victorian London’s store clerks, whose lives were fraught with health problems and societal limitations. Priestly also explores the lives of women imprisoned in the infamous Magdalen Laundry asylums.

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His “Harlem” collection extends this visual narrative, and his “Crossing the Line” series offers a poignant look at the bitter-sweet story of Jesse Owens, the Olympic gold medalist, who defeated Nazi Germany’s athletes on the field only to face discrimination and poverty at home. Yet, Priestly brings a sense of beauty to these works of social documentary through his rigorous dedication to craft. In “Die Kleinen Geister,” he evokes the atmosphere of the interiors of Vienna’s newly opened department stores through using gold and silver leaf, continental peacock blues, rich ochres, and regal purples. In ‘I Am Not,’ he incorporates text into his pieces printed in typefaces of the period.

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“Not all art can or should be purely decorative. Some art should ask the viewers to fully engage with it… even if it’s about things you’d rather not think about,” he says.

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“Even though I haven’t lived in Belfast since 1998, growing up there during those awful times shaped me for sure,” says Priestly.

T U R N I N G H I S L E N S I N WA R D His upcoming exhibition at the Belfast Exposed Gallery, Tripwire, will feature his most personal work yet, focusing on his childhood memories during “The Troubles.” It is a brave and unusual step for the artist, offering a first-person perspective that promises to be as raw and authentic as all his preceding works. “There are plenty of fabulous photographers, filmmakers, writers, poets, journalists, and musicians who have told their story of growing up in the Northern Irish conflict. However, there are precious few artists or painters of note out there who have approached this subject. Certainly, in respect to telling their own story, or experiences and feelings from a first-person approach,” he notes. Priestly rarely paints self-portraits, but has created 22 new ones for Tripwire and incorporated lyrics from popular songs of the time into the pieces.

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“The hook of the song lyric or a childhood naïve comment in the form of a diary account, lulls the unwitting viewer into a place of familiarity and comfort before waking them up sharply with the realisation that all is not well in the picture and the story being told,” he says.

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A JOURNEY OF CEASELESS INQUIRY What’s next for Dameon Priestly? “I will be looking at women artists and designers who have been largely looked over or forgotten about, from the 20th century,” he reveals. And so, Dameon Priestly’s journey as an artist and a historian continues. His art, however, remains a timeless record—each piece a chapter in the ever-unfolding story that connects us all to our shared human experience. Dameon Priestly is a conduit for the echoes of change that reverberate through the annals of history. Through his art, he invites us into a dialogue with our past, challenges us to confront our present, and in doing so, allows us to shape our future. As his pieces hang on the walls of galleries, homes, and album covers, Priestly continues to write history, one brushstroke at a time. The tale of Dameon Priestly is far from over, but its chapters already form an anthology of resilience, exploration, and ceaseless inquiry. It’s a story well worth being part of, one that speaks volumes even in the silent confines of a canvas.

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AS REDEMPTION

Gary Mansfield’s Journey from Prison to the Heart of the Art World PHOTOS COURTESY OF GAR Y MANSFIELD WRIT TEN BY KEVIN JAMES JEFFERY

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n the world of art, some stories transcend the canvas, brush strokes, and galleries. They are tales of transformation, redemption, and an unshakable belief in the power of creativity to change lives. The remarkable journey of Gary Mansfield is one such story – a story that weaves through prison bars, brushes with greatness, and ultimately, a triumphant return to society through art. As Gary Mansfield recalled on The Curator’s Salon Podcast by host Gita Joshi, his journey began in a place he describes as “one of those prisons you see on the telly.” It was an environment marked by violence and strife. “It wasn’t a very nice place,” he confessed.

Mansfield’s life took a fateful turn when he found himself behind bars, serving a 14-year prison sentence for a crime he didn’t commit. The environment he describes as harsh and unforgiving was far from what one would associate with art. Yet, it was in the most unlikely of places that his journey to redemption began.

This enthusiastic tutor ignited a spark in Mansfield, showing him the fundamentals of drawing and painting. Despite initially viewing his own art as amateurish, he realized there was something inside him that “got it.”

He spoke of the unexpected start of his artistic journey, saying, “The only class that was vacant was the art class, and I was never into art. At school, it was always the class where you could kind of mess around. It was a bit relaxed. You didn’t have to learn too much.”

The turning point in Mansfield’s journey came when he watched a television program featuring renowned British painter Ray Richardson. What struck him was that Richardson spoke like someone from Mansfield’s own working-class background.

“He was like a really fun person,” Mansfield remembered, “and when you’re living around a lot of craziness, to see someone like him (was a breath of fresh air).”

“I was convinced that as much as I fell in love with art, people like me weren’t in the art world,” he shared. “I was convinced that artists were all middle-class, and spoke like poets, and I wouldn’t be able to be a part of that.”

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Mansfield’s initial venture into art was born out of necessity, not passion. The prison’s art class, initially a placeholder until a spot opened in a computer class, introduced him to a world he had never considered. It was a revelation brought about by an inspiring art tutor.

“I didn’t want to do computer anymore. I had fallen in love with art at this point, thanks to (my teacher),” he explained.

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Yet, Richardson’s presence shattered these misconceptions and showed Mansfield that he too could be an artist. It was a revelation that would shape the rest of his life. “I was convinced that I would spend the next few years learning to hone my abilities in drawing, painting, and hopefully sculpture,” he said. Mansfield threw himself into his newfound passion, despite the limitations of his prison environment. He couldn’t use tools; he even had to ask for a pencil to be sharpened. But he persevered, and his dedication impressed an assessor who declared that his art was the best they had ever seen, not just in prisons but anywhere. It was a moment of transformation. “That’s when I left my old life behind, and my new life started,” he recounted. “I genuinely felt a weight lifted off my shoulders. I walked back to my cell and I felt two or three pounds lighter.” Mansfield’s journey was marked by remarkable correspondence with acclaimed artists like Sarah Lucas, Gavin Turk, and Angus Fairhurst. Their packages and support were like lifelines, connecting him to a world he could barely grasp from behind bars.

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“It wasn’t until a few months down the line that I realized these people (who are sending me packages) are really important people in the art world,” he reflected.

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As he continued his art studies within the prison walls, he received invitations from these artists to meet them after his release. This fueled his determination to make a fresh start, and he embarked on a degree at the University of East London just before his release in 2001. “I was the happiest person that university had ever seen,” he recalled. “I was released from one institution and straight into another.”

Gary Mansfield

The transformation was evident in photographs taken on the day of his release and the same day at the university. His joy and enthusiasm were palpable, and he looked a decade younger on his university card, a testament to the profound change he had undergone. However, life outside the prison walls was a stark contrast to the testosterone-filled environment he had left behind. The liberal atmosphere of the university was a culture shock, and he had to adjust to a world where men and women freely mixed, a world that had evolved during his incarceration. “I was like a little puppy,” he chuckled. “I was running around everywhere with a big smile on my face, wagging my tail no matter where I was.” Mansfield’s journey was a series of extraordinary twists and turns. After graduation, he unexpectedly gave up art for seven years, convinced that he had no time, money, or space for it. However, a chance encounter with the influential artist Tracy Emin changed everything. She said to him, “Look at the route you took to get into the art world, and you’ve

turned your back on it. All you’ve done to become an artist. How can someone like you turn your back on art?” That’s all it took to get Mansfield back in the world he loved so much. “She got me back into art,” he acknowledged. “Yeah, brilliant.” With Emin’s encouragement, he approached his workplace for permission to paint a massive 12x30-foot wall. This marked the rekindling of his artistic career and his return to the art world. “As a person, whenever I feel a bit embarrassed about something, my instinct is to not show it,” he admitted. “And then something inside me says, ‘No, fuck it. Go for it.’” Today, Gary Mansfield is not only an accomplished artist and curator but also the host of the “Ministry of Arts Podcast,” possibly the world’s most inclusive art podcast. He engages with artists in his unique, authentic style, breaking down the barriers of art elitism, proving that art is for everyone. His journey from prison bars to art galleries, from rejection to redemption, is a testament to the transformative power of art in reshaping one’s life. Gary Mansfield’s story is an inspiration for all, reminding us that no matter where life takes us, we have the power to change, to rediscover our passions, and to reclaim our identities.

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SEWING SEEDS OF STYLE Crafting a Legacy at Cobbler’s Lane Where Timeless Design Meets Sustainable Elegance PHOTOGRAPHED BY COBBLERS L ANE

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n the realm of fashion, the road from farming to haute couture is rarely, if ever, traveled. Yet, for Monica Walsh, founder of Cobbler’s Lane, this unique journey informs every stitch, seam, and silhouette she creates. Straddling the worlds of rustic heritage and modern elegance, Walsh has carved out a niche that is as authentic as it is aspirational.

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Born with an intuitive knack for design and an innate understanding of quality, Walsh traded the pastoral landscapes of farming for the artful realms of fashion. Yet, she didn’t leave behind the values instilled by her agrarian roots. She brought them with her, weaving them into the very fabric of Cobbler’s Lane. It’s a brand born out of respect—for craftsmanship, for nature, and above all, for the confident, contemporary woman.

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Walsh’s designs are deeply influenced by the bygone eras of the ‘60s and ‘70s, decades renowned for their freespirited bohemian flair. But don’t mistake this for mere nostalgia. Her creations are timeless capsules that echo the past while resonating profoundly with the present. They encapsulate an ethos—be it the romanticism of a flowing gown or the modernity of a sharply cut blazer— that transcends trends and seasons. Each piece is designed not just to be worn, but to be loved, cherished, and eventually passed on, like treasured heirlooms that accrue emotional value with every wear.

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Cobbler’s Lane is not just another fashion label. It’s a manifesto for mindful creation and conscientious consumption. Every product is ethically crafted, a testament to the brand’s unwavering commitment to sustainability. Quality and craftsmanship are not mere buzzwords here; they form the cornerstone of Cobbler’s Lane, manifesting in each article as if a work of art unto itself. Monica Walsh has taken the concept of everyday luxury and redefined it, offering meticulously crafted designs that suffuse your wardrobe with rich hues, intricate prints, and transformative silhouettes. Like many creators who defy norms and forge their own path, Walsh admits to grappling with ‘imposter syndrome,’ a self-doubt that often plagues those who dare to dream differently. Yet, as Cobbler’s Lane continues to gain momentum, resonating with women who seek statements, not just garments—they seek statements—the designer is ever more convinced of her brand’s singular mission and her unique place in the fashion ecosystem.

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In an industry often criticized for its ephemerality and its sometimes-wasteful opulence, Cobbler’s Lane stands as a testament to what can be achieved when passion meets purpose. For Monica Walsh, fashion isn’t merely about creating beautiful clothes; it’s about crafting an enduring legacy that celebrates femininity in all its myriad forms.

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For those who encounter Cobbler’s Lane, whether through a pop-up store, an online boutique, or a runway show, the experience is transformative. It’s akin to stumbling upon a secret garden—an intimate space where vintage nostalgia meets modern sophistication, where quality supersedes quantity, and where, in the words of Monica Walsh, “style isn’t just what you wear; it’s what you project.” With Cobbler’s Lane, Monica Walsh invites us all to be a part of this vision—a vision that elevates fashion from mere vanity to an exquisite form of self-expression. In a delightful twist, Monica Walsh is next to embark on a new chapter in her personal life, one that beautifully dovetails with her professional journey. As she counts down to becoming Mrs. Peacock, her latest collection turns inward for inspiration, drawing from the vibrant plumage of the bird that shares her fiancé’s name. The “Peacock Collection” bursts forth in a kaleidoscope of colors, evoking the majesty and spectacle of a peacock in full display. Yet, this isn’t a departure from Cobbler’s Lane’s core philosophy of enduring style; it’s an extension of it. The collection offers both show-stopping and casually elegant pieces that are designed not only to stand alone but to blend seamlessly with past and future Cobbler’s Lane collections. By allowing clients to mix and match, Monica aims to help them continually renew their wardrobe with pieces that are both new and familiar. With photography by Anaelizabeth Aguila and modeling by Melissa Elliot, all under Monica’s stylistic direction, the Peacock Collection is a sublime marriage of personal resonance and universal appeal.

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