Design portfolio pages

Page 1


Ryan B. Lewandowski rblewandowski@gmail.com 434.610.8508


Project Index

1

13

23

29

35 43

51

Independent Thesis

building behavior

ARCH 8010

IXWXUH ハ集 GDWD IXUQDFH

ARCH 7020

FRQWH[W GLVWULEXWHG QHWZRUNLQJ

ARCH 7010

QHZ RUOHDQV URRWV RI PXVLF

ARCH 7230

design development

ARCH 402

peruvian transportation hub

Last Supper

aural garden installation

57

63

65

67

71

TEX-FAB : SKIN evaporative folding

Dripps+Phinney urban sensor kit

Casting Module concrete screen wall

Ennead Architects nyu langone medical center

Ennead Architects nyu langone medical center


7+(6,6 $5&+

BUILDING BEHAVIOR

$GYLVRUV -HDQD 5LSSOH DQG /XFLD 3KLQQH\ 6SULQJ

My thesis work originates from a greater interest in the implications of the virtual on our physical lives. Relationships, from the very personal to the larger social and cultural, have been vastly reshaped by constantly emerging means of communication and interaction. It is a trend that has occurred in generations past, but this time these aspects of our lives are becoming digital. A technological network that is entirely reliant on the modern advances of human civilization and largely irrespective of the physical spatial bounds that we live within. How have our physical lives and activities been translated into the digital realm, and vice versa? This emerging dialogue was explored through a series of responsive architectural installations in Campbell Hall, home to the architecture school, to create a renewed intrigue of our habituated surroundings.

1_


B


ȉ+HOOR :RUOG Ȋ ZDV WKH ʏUVW RI D VHULHV RI installations throughout the school building as a way to gain familiarity and physical characteristics RI YDULRXV GLJLWDO WHFKQRORJLHV 5HʏQLQJ WKH reactivity to the sensor input and the type of graphic output were the foci of this installation. Utilizing a sonar sensor and IR motion sensor, a projected visualization greeted students as they entered the stairwell. The program was written with Processing, allowing the sensor inputs to be easily translated into text-based messages, graphic lines and shapes, and even sounds.

A B

A. Projection of current distance reading from the sonar sensor. Formatted to show unit of measurement. B. Each measurement (multiple a second) is registered by an added line along the width of the screen. Its position is the inch value remapped as a percentage across the width of the projection. 3_

U\DQ E OHZDQGRZVNL DFDGHPLF


_4


‘Communicating Across Ends’ introduced the utilization of the school’s existing network infrastructure to connect two distant spaces. A two part system, the occupation of one space triggers the sensors, which is then communicated on the internet. This message is read by the second part located in a remote stairwell, which triggers a sound recording of footsteps as a way of communicating the presence in one space to another.

5_

U\DQ E OHZDQGRZVNL DFDGHPLF


_6


This resulted in the design and fabrication of Sound Cloud, an active acoustic installation made of 3D printed joints and conduit, in one of the school’s stairwells to experiment with sound and its different forms to heighten and/or modulate the experience of the space.

7_

U\DQ E OHZDQGRZVNL DFDGHPLF


this loops again and again and again....

play (music file) while... if (Sensor D is triggered)

takes the length of file

then {turn on channel D} if (Sensor U is triggered) then {turn on channel U} else {keep them turned off}

takes a couple of ms.

rewind (music file) variation 1 play (music file) while... if (Sensor D is triggered & U is not) then {turn volume +10} if (Sensor U is triggered & D is not) then {turn volume -10} if (Sensor U & D are triggered) then {turn volume +20} else {keep them turned off} rewind (music file)

variation 2 play (music file) while... if (Sensor D is triggered) then {turn on channel D} then if (Sensor U is triggered) then {modulate sound frequency +2} if (Sensor U is triggered) then {turn on channel U} then if (Sensor D is triggered) then {modulate sound frequency -4} else {keep them turned off} rewind (music file)

_8


A series of full scale physical mock-ups were created to test the joints that were to be 3D printed and various materials as the structural members In the end, typical conduit proved to be the strongest and most cost effective structure and the joints went through a series of optimizations for strength and total time to print. Once decided, a digital structural analysis was conducted using Karamba3D in Rhino and a VFDOHG SK\VLFDO PRGHO WR WHVW WKH Ę?QDO GHVLJQ before the installation was put in place.

9_

U\DQ E OHZDQGRZVNL DFDGHPLF


double catenary curve

cantilever reflex

_10


After relocating a Makerbot to my studio desk WR LPSURYH HIĘ?FLHQF\ RI SURGXFWLRQ HDFK VWHS of physically fabricating Sound Cloud became very public and at times in the way, generating a lot of interest and puzzled questions from fellow students and professors. A spreading of knowledge that I wanted my thesis project to impart. For myself, this project is just a beginning. The UHVXOWV DQG LWV VXFFHVV DUH GLIĘ?FXOW WR PHDVXUH but I was told that the Fabrications Manager and former Dean danced together throughout the space to enjoy the music that played as a result. An encounter like this is enough to know that there is much potential impact of these technologies in the realm of architecture.

11_

U\DQ E OHZDQGRZVNL DFDGHPLF


singing

conversation listening

intrigue

human behaviorr walking

enjoying

dancing

reacting customized activating

construction light-weight

reaching

programming modulating playing potential

spatial / materia al performance disperse

towering

recording

acoustics

this loops again and again and again....

SOLAR PANEL

PIR Sensor U

PIR SENSOR

0.5w

0.5w 0.5w

7w

PIR Sensor D A0 A1

Arduino Uno 8 7

0.5w 0.5w 0.5w PIR SENSOR

ARDUINO

sensing

listening

Speaker Channel U

play (music file) while... if (Sensor D is triggered)

takes the length of file

then {turn on channel D} if (Sensor U is triggered)

Speaker Channel D

then {turn on channel U} else {keep them turned off}

takes a couple of ms.

rewind (music file)

B


ARCH 8010

FUTURE FIT:

DATA FURNACE

3URIHVVRU 5RELQ 'ULSSV )DOO Washington D.C.

The internet is digital and not a physical thing. I believe this is a common misconception held by most of the population today. Unbeknownst to them, massive nondescript warehouses ʏOOHG ZLWK KXQGUHGV RI WKRXVDQGV RI FRPSXWHUV populate our industrial parks acting as the ‘magic box’ that makes your Google search work. They use huge loads of energy and these structures are largely designed to keep the computers cool. Instead of dissipating this heat, why not collect and re-use it? This project is a proposal for future urban development along South Capitol Blvd. in Washington DC to be designed around an on-site data center system acting as its heating source.

13_


_14


Data centers world-wide consume energy equal to the output of thirty nuclear power plants. Most don’t realize it, but each of those Google searches, or watching clips on Youtube are using more energy than just from your laptop. One thing that computers do produce is heat. This heat output, at the scale of a data center, is plentiful enough to heat neighboring spaces. This strategy has been used in limited cases, but my suggestion is to rethink the data center as a multi-purpose infrastructural core for future urban development, instead of its traditional placement LQ VXEXUEDQ RIĘ?FH SDUNV

VRXUFH JRRJOH FRP DERXW GDWDFHQWHUV

15_

U\DQ E OHZDQGRZVNL DFDGHPLF


data center

residential

existing suburban model

data center / commercial

data center / residential

data center / industrial

proposed urban model _16


South Capitol Blvd. extends from the Capitol on the National Mall south to the Nationals Ballpark along the Anacostia River. Between the large government buildings to the north and an LQFUHDVLQJO\ JHQWULĘ?HG UHVLGHQWLDO QHLJKERUKRRG lies a power/communications core cutoff by elevated highways and rail lines. Boundaries that create an opportunity for meaningful connections with the existing urban fabric.

RESIDENTIAL 17_

SERVICE

FEDERAL U\DQ E OHZDQGRZVNL DFDGHPLF


rail

metro

bus lines & stops

site connectivity _18


sectional gateways

Due to the sectional limitations created by the elevated highways and rail lines, a series of ‘gateways’ were drawn at important points along WKH VLWH WR H[SDQG DQG FRQVWUDLQ WKH ʐRZ DFURVV the site according to these constraints. A linear infrastructural system laid out along the site PL[HV ZLWK WKLV ʐRZ DQG LV H[WUXGHG DFFRUGLQJ WR WKH ʐRZ LQWHQVLW\ :LWK ȍ'DWD )XUQDFHVȎ serving as the infrastructural cores, the result is an expansive mixed-use development with an intimate relationship with it’s working parts.

JXLGHG ʐRZ OLQHV

trace ground lines

WUDFH ʐRZ FRPELQHG 19_

U\DQ E OHZDQGRZVNL DFDGHPLF


underground infrastructure

convert tele-switch building

networked data centers

B


Each ‘Data Furnace’ is a fully functional data center, whose air cooling system is closely tied into the heating of the neighboring spaces. They DOVR VHUYH DV D FRQQHFWRU ZLWK WKH JURXQG Ę?RRU serving as a pedestrian and bicycle corridor DQG YDULRXV FURVV EULGJHV DW PXOWLSOH Ę?RRUV The proximity introduces an awareness and thoughtfulness towards the physical infrastructure necessary for our digital lives.

B

U\DQ E OHZDQGRZVNL DFDGHPLF


B


IBM

Apple

~ 2 million sqft

~ 2.8 million sqft

(750,000 existing) (1.25 million new)

(future Cupertino headquarters)

$5&+

CONTEXT

DISTRIBUTED NETWORKING 9LVLWLQJ 3URIHVVRU 0LFKDHO %HDPDQ 6SULQJ Ossining, NY

How might our human scale spatial networks be informed by technological networks of a vastly different scale? This semester long project was an investigation of network topologies, from $53$1(7 WKH YHU\ Ę?UVW LQWHUQHW WR WKH ' WRUXV architecture of the supercomputer processor chip, and how this logic of connectivity and layered communication might be translated into an expansion of the IBM TJ Watson Research Center in upstate New York. Utilizing Grasshopper, the result is a parametrically generated design that strives to embody these concepts.

B


B


Designed by Eero Saarinen, the original campus is a formal arc three stories tall. A model that can and has been expanded on its ends. This JHVWXUH IRU D UHVHDUFK EXLOGLQJ VWLハ食V WKH RIWHQ interwoven and informal nature of the creative process. I conducted an investigation to create a new model of expansion that more appropriately ハ集V WKLV /RRNLQJ DW HDUO\ QHWZRUNLQJ PRGHOV IRU what would become the internet, a robust and distributed hexagonal model was designed to guide the proposed future expansion.

precedent networks - Paul Baran

distributed

hierarchy

regularity

B

network explorations U\DQ E OHZDQGRZVNL DFDGHPLF


existing building

expanding linear typology

completed ring network

pr ty er op lin e

saarinen model

site model implementation

reality

inscribe

adapt

overlay new model

B


program

corridors

vertical cores

sub surface program \ parking garage

B

$ VHULHV RI *UDVVKRSSHU GHĘ?QLWLRQV VLPXODWHG D more organic growth along this new framework. The result is an image of what the center may look like in twenty years after a series of expansions tailored to a multitude of research needs while creating a distributed network model of circulation for a richer creative environment.

U\DQ E OHZDQGRZVNL DFDGHPLF


generate

shuffle

boolean

program

= 3

3 2 1 3 2 1

3 1

3

2

1 2

2

1 3 1

2

3

2

B


ARCH 7010

ROOTS OF MUSIC

3URIHVVRU .DUHQ 9DQ /HQJHQ )DOO New Orleans, LA

Located within Armstrong Park, the new home for the Roots of Music marching band program serves as a new cultural focal point that aims to dissolve the physical and cultural boundaries present in this crucial section of New Orleans. Lying between the French Quarter and the historically African American neighborhood of Treme, the design reinterprets the billboard to engage its surrounding context through an interactive visualization of the cultural activities that occur within and around the building itself.

B


_30


In the 1960’s, Armstrong Park was created as a new cultural mecca for the city and nation. The proposed complex of theaters and buildings were modeled after the Lincoln Center of Performing Arts and aimed to be ‘greater’ than its predecessor. 8QIRUWXQDWHO\ GXH WR Ę?QDQFLDO IHDVLELOLW\ RQO\ WKH Municiple Auditorium was initially constructed and then in the 90’s, the Mahalia Jackson Theater was completed. The incorporation of the youth music program rejuvenates the spirit of the park, with the physical construction reinforcing the urban nature of Congo Square.

31_

U\DQ E OHZDQGRZVNL DFDGHPLF


B


Practicing every week night, the Roots of Music center would create a unique sonic experience in Congo Square for locals and tourists to enjoy. Even within their practice rooms, the sounds of the music will still reverberate and be heard. To accompany this, the building’s facade comes to life as a visual representation of the sounds and lessons happening within its walls.

33_

U\DQ E OHZDQGRZVNL DFDGHPLF


_34


$5&+

DESIGN DEVELOPMENT 3URIHVVRU &KDUOHV 0HQHIHH 6SULQJ Charlottesville, VA

Assigned a small lot along the edge of an abandoned big box store in Charlottesville, this course tests the effect of material choices on design and the design connection between building and site - experiential and environmental. This ‘classroom’ and surrounding spaces were designed to create two very distinct experiences. 7KH Ę?UVW D QDUURZ FDQ\RQ ZLWK DOO GLUHFW QDWXUDO light obscured, leaving only a strong glow from above. The second, a strong vertical line marked by the sun casting its rays into the space every day of the year. In choosing concrete and steel construction, an aged steel box is perched within a massive concrete vault contrasting a lightness with the very massive of the ground it sits off of.

35_


75.4 degr ees summ er so lstice

Ę?UVW Ę?RRU SODQ

.4 28

es gre de

ce lsti so ter win

sun diagram

_36


STL. SHEET WP MEMBRANE PLYWOOD UNDERLAY RIGID INSULATION CORRUGATED MTL. METAL COPING

DOUBLE GLAZED ALUM. FRAME SKYLIGHT ST9x27.35 STL MEMBER 2.5” ANGLE IRON TRUSS

BENT METAL FLASHING RIGID INSULATION WP MEMBRANE ROOF DRAIN

LIGHT GAUGE STL. GYP. BOARD

7KH ʏQDO SURGXFW IRU WKLV VHPHVWHU ORQJ SURMHFW LV D VHULHV RI Ȏ Ȋ VFDOHG GHWDLOHG VHFWLRQV RI WKH design.

37_

U\DQ E OHZDQGRZVNL DFDGHPLF


Building Section Axon URRI FRQVWUXFWLRQ steel sheeting waterproof membrane ČŽ SOD\ZRRG VKHDWKLQJ ČŽ ULJLG LQVXODWLRQ corrugated metal sheating GRXEOH JOD]HG DOXPLQXP VN\OLJKW 3. metal coping 4. roof drain ČŽ LQVXODWHG FRQFUHWH IRUP ,&)

ČŽ UHLQIRUFHG FRQFUHWH YHQHHU ZDOO 7. concrete lateral reinforcing ČŽ SUH ZHDWKHUHG FRUWHQ VWHHO SDQHOV Z VHDODQW 9. light gauge steel framing 10. cast-in place concrete column 11. Ę?RRU FRQVWUXFWLRQ ČŽ SUH ZHDWKHUHG FRUWHQ VWHHO SDQHOV Z VHDODQW concrete topping slab corrugated metal sheeting S10 steel beam FRXUW\DUG FRQVWUXFWLRQ ČŽ FRQFUHWH SDYHUV adjustable height pedestal Ę?OWHU IDEULF rigid insulation waterproof membrane 13. ČŽ FRQFUHWH UHLQIRUFHG VODE tempered glass w/ extruded steel railing cap 14. EDVHPHQW Ę?RRU FRQVWUXFWLRQ ČŽ FRQFUHWH VODE waterproof membrane ČŽ ULJLG LQVXODWLRQ ČŽ JUDYHO EHG 15. structural steel column 16. concrete footing

3

4

5

6

7 1

2

8 9 12 10

11

13 14

15

14

16

_38


In addition, for our Environmental Systems and Analysis course, we were tasked to conduct a light study using Ecotect. The primary concern for this design was achieving appropriate levels RI GD\ OLJKWLQJ DW WKH SHULPHWHU JURXQG Ę?RRU walkways. While the measured levels at various time of the day/year were below suggested levels, alternative strategies like a lighter wall tone could increase the apparent brightness and visibility.

39_

U\DQ E OHZDQGRZVNL DFDGHPLF


25 5°

22 5°

21 0°

'HFHPEHU VW DP 21 0°

16

19 5°

15

14

18 0°

13

12

16 5°

11

14

15 0°

13

10

12

9

13 5°

11

8

10

ec

50

08

ct

300

250

1s tO

350

ep

450

400

1s tS

500+ 75 °

19 5°

18 0°

13

12

16 5°

15

11

14

30 0°

15 0°

13

tJ un 19

1s

15 0°

10

10

12

9

9

13 5°

13 5°

11

8

8

10

ec

ec

100

08

400

1s tN

09

ov 10 5°

300

200

ov 10 5°

1s tN

1s tO

ct

1s tO

ct

500

150

100

12 0°

1s tD

12 0°

1s tD

08

90 °

07

90 °

07

700

90 °

07

14

16

17

18

tM ay

1s

11

09

1s tS ep

1s tS ep

800

1s tN ov 10 5°

09

21 0°

15

tA pr

1s

16 5°

28 5°

12

10

75 °

1s tJ

75 °

06 1st Au g

ul

ul

Lux

ug

60 °

16

tF eb

tM ar

1s

70 °

18 0°

13

1s tJ 06 1st Au g

900

06 1st A

ul

Lux 1s tJ

22 5°

24 1s 0° t Ja n

1s

25 5°

19 5°

11

1000+

12 0°

1s tD

0

22 5°

100

15

ep

75 °

-XQH VW DP

24 1s 0° t Ja n

150

16

200

25 5°

ec

1s tD

250

12 0°

90 °

400 1s tS

12

0

17

13 5°

8

ct

300

1s tO

350 07

14

100

1s tN ov 10 5°

08

21 0°

200

30 0°

9

50 09

450 ug

60 °

300

Ju n 19

1s t

10

10

500+

06 1st A

ul

Lux 1s tJ

13

500

18

tM ay

1s

15 0°

11

15

14

400

tM ar

tA pr

1s

16 5°

11

12

22 5°

15

600

28 5°

12

13

16

tF eb

16

17

18

30 0° tJ un 19

1s

800

70 °

18 0°

13

14

24 1s 0° t Ja n

tA pr

tM ay

1s

700

1s

14

15

1s

25 5°

tM ar

1s

70 °

1s

28 5°

Lux

19 5°

15

16

17

18

tM ay

1s

30 0° 1s tJ un 19

900

1s tF eb

16

24 1s 0° t Ja n

1s tF eb

tM ar

1s

70 °

tA pr

1s

28 5°

1000+

600

0

-XQH VW 30

200

0

'HFHPEHU VW 30 _40

60 °

60 °


WALL + ROOF ASSEMBLY MATERIAL PROPERTIES WALL ASSEMBLY Material

Thickness Conductivity

ol s rs te -w in 28 .4 °

75.4° - su

mme r

sols

t ic

e

tice

outside air film concrete WP membrane polystyrene insulation concrete

8.0� 0.125�

15 NA

20.0� 8.0�

0.21 15

inside air film

Total Assembly R-value

ROOF ASSEMBLY 0.033 U-factor 30.71 R-value

R-value

0.17 0.53 NA 100 0.53 0.68

101.91

STL. SHEET WP MEMBRANE PLYWOOD UNDERLAY RIGID INSULATION CORRUGATED MTL.

METAL COPING

DOUBLE GLAZED ALUM. FRAME SKYLIGHT ST9x27.35 STL MEMBER 2.5� ANGLE IRON TRUSS

BENT METAL FLASHING RIGID INSULATION WP MEMBRANE ROOF DRAIN

LIGHT GAUGE STL. GYP. BOARD

Fig. 9

41_

Finally, a heat loss/gain study was conducted using TAS. The R-value for the construction assemblies were determined and a simulation was run to determine the expected heating and cooling loads for the spaces. Natural ventilation strategies were then implemented to test if the EXLOGLQJ GHVLJQ EHQHĘ?WHG DQG LQ WKLV FDVH LW GLG putting the expected energy loads well within recommended benchmarks.

U\DQ E OHZDQGRZVNL DFDGHPLF


-

TYPICAL SPRING DAY (120)

TEMPERATURE (°F)

TEMPERATURE (°F)

INDOOR TEMPERATURE COMPARISON 150°

150°

135°

MEAN TEMPERATURE - BASE MODEL

Attic First Floor Basement External

135°

120°

104.1 °F 79.5 °F 76.6 °F 64.1 °F

120°

105°

MEAN TEMPERATURE - VENTILATED

90°

90°

75°

Max Internal Temperature -Base Model 152.6 °F - Attic Space (unoccupied)

75°

60°

88.7 °F 77 °F 74.6 °F 64.1 °F

Attic First Floor Basement External

105°

Max Internal Temperature -Ventilated 117.2 °F - Attic Space (unoccupied)

60°

HOURS OF DAY

45°

45°

Non-Ventilated (base model)

Average Internal Temperature Change

HOURS OF DAY

-2.25 °F

- Occupied Spaces

Naturally Ventilated

150

APERTURE ZONE CONTROL TEMP

150

100

LOWER TEMP : 65°F UPPER TEMP: 72°F CUT OFF TEMP: 100°F

100

50

Jan

Feb

Mar

Apr

May June July

Aug

Sep

Oct

NON-VENTILATED BASE MODEL

Heating Load Cooling Load Total Load

44,062 kBTU 37,220 kBTU

81,282 kBTU

Nov

Dec

APERTURE ZONE CONTROL TEMP

150

LOWER TEMP : 70°F UPPER TEMP: 85°F CUT OFF TEMP: 100°F

100

50

MONTH OF YEAR

ENERGY LOAD (kBTU)

ENERGY LOAD (kBTU)

ENERGY LOAD (kBTU)

ANNUAL HEATING + COOLING LOADS COMPARISON

50

MONTH OF YEAR Jan

Feb

Mar

Apr

May June July

Aug

Sep

Oct

NATURALLY VENTILATED 65 - 72

Heating Load Cooling Load Total Load

46,425 kBTU 35,497 kBTU

81,922 kBTU

Nov

Dec

MONTH OF YEAR Jan

Feb

Mar

Apr

May June July

Aug

Sep

Oct

Nov

Dec

NATURALLY VENTILATED 70 - 85

Heating Load Cooling Load Total Load

44,180 kBTU 33,586 kBTU

77,766 kBTU

B


$5&+

MASTER PLAN TRAIN + BUS STATION $VVRFLDWH 3URIHVVRU 'HDQ $EHUQDWK\ 6SULQJ w/ Scott Mitchell & Sebastijan Jemec Ollantaytambo, Peru

Working in collaboration with COPESCO, the World Bank, and the city of Ollantaytambo, our semester studio was the beginning of a multi-year effort towards studying the threats from increased tourism in the Sacred Valley. The ancient town of Ollantaytambo sits at a critical juncture between the bus and rail system for tourists en route to Machu Picchu and faces growing international economic pressures. Our work intended to propose a schematic master plan and new train station that accommodates international interests and local needs while preserving the town’s physical history and cultural ideals.

43_


M

M M M

M M

_4 _44 _ 44 44


machu picchu

enlarged ollantaytambo

sacred valley diagram

tourist route

calca urubamba

pisac

chinchero

cuzco

The devised master plan proposed relocating the rail line to the opposite side of the river, allowing D QHZ URDG IRU WKH KHDY\ WUDIĘ?F WR WDNH LWV SODFH With the new rail station located down river near WKH PRUH PRGHUQ WRZQ RI 5XPLUD WKH WUDIĘ?F FDQ be rerouted around Ollantaytambo instead of through it and encourages future growth to occur away from the historical town center. During our time in Ollantaytambo, we were encouraged to explore new methods of recording RXU H[SHULHQFH )RFXVLQJ RQ WKH VRXQGV RI WUDIĘ?F water, and music, I recorded numerous video clips throughout the town. This audio experience was then translated into a diagrammatic time lline of my trip, inspired by the quipu, a traditional Inc Incan method of record keeping with knots.

quipu street sound diagram

personal experience

45_

U\DQ E OHZDQGRZVNL DFDGHPLF


rumira

proposed station

ancient city center

existing rail line proposed train route existing bus route

existing station

proposed bus route proposed pedestrian

ollantaytambo master plan

_46


game 01

game 02

game 03

game 04

game 05

‘block game’ siting studies

Designed in collaboration with Scott Mitchell and Sebasitjan Jemec, we sited the train station down river from the town to establish a new QRGH IRU FRPPHUFLDO DFWLYLW\ DOOHYLDWLQJ WUDIĘ?F through the sensitive Incan sites. Reminiscent of Incan terracing and the local market vernacular, the station is spatially organized by a series of rammed earth walls and glu-lam structures to create a low impact design that integrates itself into the surrounding landscape. The addition of a wide cathedral like stair running the length of the station becomes a place of interaction and provides an open connection to the neighboring marketplace.

47_

U\DQ E OHZDQGRZVNL DFDGHPLF


broken roof

+ structure

+ public amenities

+ walls

+ terrace

_48


bus terminal

49_

U\DQ E OHZDQGRZVNL DFDGHPLF


train station

_50


Last Supper

Aural Garden Installation w/ Daria Supp & Lili Trenkova 1HZ <RUN 1HZ <RUN )DOO

Home to the outdoor music area and animated by YLVXDOL]DWLRQV IURP DQLPDWRUV DQG Ę?OPPDNHUV WKH Aural Garden featured an architectural installation designed and built by Ryan Lewandowski, Daria Supp, and Lili Trenkova. One of the new programs at the 5th annual Last Supper Festival, the canopy LQVWDOODWLRQ GHĘ?QHV D QHZ DQG PRUH LQWLPDWH \HW open space within the canyon-like alley of the outdoor area at the 3rd Ward. The black-lit 3000ft of cotton string weaves a net-like surface that VKLIWV LQ IRUP DQG GHĘ?QLWLRQ DV WKH SHUVSHFWLYH changes. While basing itself off the hyperbolic surface that is created with the spandex shapes VXVSHQGHG DERYH WKLV Ę?XFWXDWLRQ FUHDWHV DQ energy in the space that plays with the music and dance atmosphere, creating a synthesis of the mediums and demonstrating the transformative effects of architecture.

51_


B


install day 1

LQVWDOO GD\

install day 3

I was the co-creator, lead designer, and coordinator for this project. The on-site fabrication of the installation occurred the few days leading up to the Last Supper event, with many co-workers and friends coming out after work to volunteer each night. As expected, the effort of weaving string WHQ WR ハ終WHHQ IHHW DERYH WKH JURXQG SURYHG WR EH an interesting challenge.

53_

U\DQ E OHZDQGRZVNL SHUVRQDO


_54


After the desired black light effect was conceived, D VHULHV RI PDWHULDO WHVWV ZHUH UHTXLUHG WR Ę?QG D string that reacted to black light. A surprisingly GLIĘ?FXOW HIIRUW ZH WHVWHG SRO\ WZLQH FORWKHVOLQH nylon rope, and others, until we discovered a locally made cotton mason line that reacted with the perfect glow. The installation has since become a permanent Ę?[WXUH DW WKH UG :DUG LQ %URRNO\Q DQG ZDV IHDWXUHG LQ WKH 'HFHPEHU LVVXH RI Specialty Fabrics Review.

55_

U\DQ E OHZDQGRZVNL SHUVRQDO


_56


7(; )$% 6.,1

Evaporative Folding

ZLWK -HDQD 5LSSOH 6XPPHU Based on observations of manufacturing capabilities of medium-scale local metal shops, evaporative folding is an evaporative cooling facade panel developed to maximize performance and variability while preserving IDEULFDWLRQ HIĘ?FLHQF\ (YDSRUDWLYH IROGLQJ exploits the unique advantages of aluminum as an evaporative cooling facade system. Unlike absorptive materials or plastics typically used for this purpose, aluminum is durable, moldresistant, and gains solar-heat, increasing the rate of evaporation on its surface. 7KH GHVLJQ ZDV VXEPLWWHG WR WKH 7(; FAB Skin digital fabrication competition and was awarded Honorable Mention by the jury.

57_


_58


Traditional Media Fills are made of cellulose or plastic material design for maximum dispersion and surface coverage of the water for the best cooling performance. A series of initial design studies were conducted to determine the practicality of such a system, the scale of the overall assembly, and the pattern / construction.

window unit

59_

double facade

double facade / occupiable

U\DQ E OHZDQGRZVNL DFDGHPLF


1’

12’

10’

ribbon unit system

1:1 regular

1:1 45° rotated

1:2 regular

1 : 1.2 regular

1.2 : 1.2 regular

‘truss’ system _60


Building off of the logic of the ribbon pattern and through discussion with local engineers and fabricators, the design was adjusted to a folded SDWWHUQ WR EHWWHU ハ集 WKH SURFHVV RI IDEULFDWLRQ using a CNC Press Brake. This provided a custom looking pattern with visual variance across its width, while also allowing for a more regularized pattern. It resulted in only two unique folded strips that are repeated and rotated to create the overall assembly.

plasma cut

rivet assembly

texturize

grid 61_

squish

taper

tweak

fold U\DQ E OHZDQGRZVNL DFDGHPLF


ZDWHU ʐRZ GLDJUDP

B


Dripps + Phinney Studio

SHERLOC SENSOR KIT %DWHVYLOOH 9$ 6XPPHU

test walk mapped in Google Earth

Fastened to a bike via a custom shock mount, Sherloc is a battery operated urban sensor device that records the temperature, humidity, light, and airborne particulate matter that is then geolocated with the onboard GPS device. 7KH GHYLFH ZLOO WDNH UHDGLQJV RQFH HYHU\ seconds. Once your trip has been completed, just press the power switch to end the recording. To retrieve the recording, unscrew the top of the box and remove the MicroSD card from the shield on the Arduino. Plug it into your computer and you KDYH D IRUPDWWHG &69 Ę?OH WKDW FDQ EH RSHQHG LQ Excel or read directly through Grasshopper!

Arduino Uno _1 /% 0LFUR6' PRGXOH B Power Switch _3 9V Battery _4 LB GPS module and antenna _5 Grove Dust Sensor _6 '+7 7HPS DQG +XPLGLW\ 6HQVRU B [ /&' 'LVSOD\ Z %DFNSDFN B Photoresistor Light Sensor _9 63_


_64


Casting Visualization Module

Concrete Screen Wall

&KDUORWWHVYLOOH 9$ )DOO

This seminar taught the fundamentals of concrete FDVWLQJ DQG IRU RXU Ę?QDO SURMHFW RI WKH VHPHVWHU we were challenged to design a 3’ x 6’ screen wall out of concrete. A series of scaled casts were made out of plaster and then ductal concrete to WHVW WKH GHVLJQ 7KH Ę?QDO FDVW LV RQO\ DV JRRG DV the craft and design of the mold and so a lot of effort was spent going back and forth between the design and fabrication of the wall and the individual molds. A balance was struck between the number of custom bricks and the amount of fabrication needed to create the molds. Two sets of six custom molds were routed out of MDF and edged with tongue and groove sides. With each brick interlocking with those around it, the wall was able to be assembled without the use of mortar.

65_


_66


over

fold

in

fold

House of Cards fold in

fold over

top row

1HZ <RUN 1HZ <RUN 6XPPHU ,Q DQ RIĘ?FH ZLGH FKDOOHQJH WR UH XVH UH SXUSRVH recycle the now obsolete Polshek Partnership business cards in a creative way, this lamp is made of 75 business cards with a small plexi bracket. The folded design utilizes the single orange side of the cards to produce a warm glow over the white exterior. A modular system of folding was used and by modifying the angle or direction of the folds, each of the three rows became unique.

fold over

middle row

The design was awarded First Place by the partners.

fold in

bottom row 67_

2x3.5 Lamp Shade


_68


Ennead Architects

NYU Langone Medical Center 1HZ <RUN 1HZ <RUN )DOO SUHVHQW

The NYU Langone Medical Center exists on a superblock located between First Ave and the East River in Manhattan. Originally planned and designed by SOM in the 40’s and 50’s, it has been continually added upon throughout its existence. For the past three years, Ennead Architects has been working to map out a thirty year development plan to add a fully integrated center for acute clinical care and the design of the Kimmel Pavilion hospital, which will act as its centerpiece. My role in this project was very multi-faceted, although mostly focusing on design. My duties ranged from completing the master plan study, concept design for an elevator tower, and up through design development of the Kimmel Pavilion.

69_


NYU Langone Medical Center concept riverfront

_70


OTHER FUT RENYULMC FUTURENYULMC NYULMC NYULMC DESIGN OFF OPTIONS

EXISTING EXISTING

MASTER FILE

UHYLW Ę?OH VWUXFWXUH

the ‘kit’ of parts

Tasked with mapping the 30 year development plan, we worked in conjunction with CASE Design to utilize Revit’s BIM capabilities to construct a 3D spatial/programming model that in real time could accurately calculate the program of the current conditions, as well as play through the various building options for each of the seven proposed phases. Existing buildings and conceptual growth make up a kit of parts that can be plugged into the SRWHQWLDO VLWHV RI GHYHORSPHQW FUHDWLQJ D Ę?H[LEOH tool to be used by the architect and the client to fully understand the medical center’s growth potential. I was one of two employees working full time on this master plan and among many other aspects was in charge of working with CASE Design to create and manage the Revit Model.

71_

U\DQ E OHZDQGRZVNL SURIHVVLRQDO


+800,000 GSF ACUTE CARE

+340,000 GSF RESEARCH

+100,000 SF

COGEN PLANT

+350,000 GSF RESEARCH

+350,000 GSF ACUTE CARE

+350,000 GSF RESEARCH

+300,000 GSF

ACUTE CARE

+240,000 GSF RESEARCH

B


solar shadow study completed by Atelier 10

facade concept sketch by thomas wong

NYULMC ELEVATOR TOWER

design option study completed by myself

This project will add four new elevators to the RXWGDWHG 7LVFK +RVSLWDO WR LPSURYH WKH Ę?RZ DQG quality of experience for patients and visitors. Sited in the central courtyard of the complex, the elevator cabs will include windows that provide a view of the city and river during the ride. My role involved doing a series of facade studies during the concept design phase. Working one on one with a design associate, we discussed the idea of a pixilated pattern of glass that responded to a need for increased shading at the top. From here I investigated panel sizes/ratios and surface patterns through creating elevation drawings, 3D renderings, and elevator cab animations so that each aspect of overall identity and user experience was fully considered. frit glass _ 1

73_

frit glass _ 2

frit glass _ 3

alt solid _ 1

DOW VROLG B

alt solid _ 3

U\DQ E OHZDQGRZVNL SURIHVVLRQDO


ʏQDO IDFDGH SL[HODWLRQ GHVLJQ

exterior view from above courtyard _74


:LWK DQ H[SHFWHG FRPSOHWLRQ RI WKH .LPPHO Pavilion is an 800,000 sqft acute care hospital WKDW ZLOO EH LQ DGGLWLRQ WR DQ DOUHDG\ PLOOLRQ square foot medical campus.

75_

U\DQ E OHZDQGRZVNL SURIHVVLRQDO


_76



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.