10 minute read
Bibliography
from Lucha y Lucha: Change, Costume, and Character in El Paso's Lucha Libre Landscape from 1987-2021
by rca-issuu
1. primary sources
1.1 Printed Sources
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‘El Pasoans Will Fly to Mexico Ceremonies’, El Paso Evening Post (El Paso, Texas, 28 November 1928), p. 12, Newspapers.com <http://www.newspapers.com/ image/44351976/?terms=lutteroth&match=1> [accessed 28 August 2021]
Hammond, Alex, and Ian Markiewicz, Lucha Mexico, 2015
Medina, Elizabeth, ‘El lado oscuro de la Lucha Libre’, El Paso Times (El Paso, Texas, 2 April 1992), section Vecinos - Neighbors, pp. 1A, 4A <http://www. newspapers.com/image/430098532/> [accessed 2 October 2021]
‘Wrestling’s Odd Mr. Davis Must Have Something Anyway, Digest This Blurb “Coronet” Gave Him’, The Windsor Daily Star (Windsor, Ontario, Canada, 22 January 1944), p. 3 <http://www.newspapers.com/ image/501171007/?terms=salvador%20lutteroth&match=1> [accessed 19 July 2021]
1.2 Web Sources
AEW DARK Elevation Episode 19 19-07-21, 2021 <http://archive.org/details/aewdark-elevation-episode-19-19-07-21> [accessed 28 August 2021] Bidwell, Phillip, ‘STM Episode 9 - Cassandro El Exotico’, Slouching Towards Masculinity <https://philbedwell.podbean.com/e/ stm-episode-9-cassandro-el-exotico/>
Broaddus, Adrian, ‘A “New Era” of Lucha Libre Dawns in El Paso’, The Prospector <https://www.theprospectordaily.com/2017/03/21/a-new-era-of-luchalibre-dawns-in-el-paso/> [accessed 12 May 2021]
‘Celebration Honors El Paso Wrestler Cassandro El Exotico with Unveiling of Specialty Beer’ <https://www.elpasotimes.com/picture-gallery/news/ local/el-paso/2020/07/28/el-paso-wrestler-cassandro-el-exotico-honoredspecialty-beer/5524334002/> [accessed 4 May 2021]
Chaos Theory, ‘EPISODE 36 Sweet Storm AKA Dulce Tormenta’, Chaos Theory, 2021 <https://wrestlingwithjohners.com/chaos-theory/EPISODE-36-SweetStorm-AKA-Dulce-Tormenta/> [accessed 6 May 2021]
Chen, David ‘Panda’, ‘EP 84 | “Dulce Tormenta” Aka “Sweet Storm” Pro Wrestler’, Pandanomics Podcast <https://lnns.co/FEv9LaWGXzB> [accessed 27 August 2021]
Davids, Brian, and Brian Davids, ‘How “Birds of Prey” Writer Christina Hodson Crafted That Hair Tie Moment’, The Hollywood Reporter, 2020 <https:// www.hollywoodreporter.com/movies/movie-features/how-birds-preywriter-christina-hodson-crafted-hair-tie-moment-1278778/> [accessed 15 October 2021]
‘“Dulce Tormenta” Ft. Plainsalty Short Sleeve T-Shirt’, Plainsalty <https://plainsalty. com/products/dulce-tormenta-ft-plainsalty-short-sleeve-t-shirt> [accessed 7 November 2021]
Dunn, SB 670 Senate Bill - CHAPTERED, 2005 <http://www.leginfo.ca.gov/ pub/05-06/bill/sen/sb_0651-0700/sb_670_bill_20051007_chaptered. html> [accessed 7 October 2021]
El Hijo del Santo, ‘Experiencias con Cassandro, El Exótico’, Experiencias, 2011 ‘False Eyelashes Market Size | Global Industry Analysis Report, 2025’ <https:// www.grandviewresearch.com/industry-analysis/false-eyelashes-market> [accessed 25 October 2021]
Finnegan, William, ‘The Man Without a Mask’, The New Yorker <https://www. newyorker.com/magazine/2014/09/01/man-without-mask> [accessed 5 May 2021]
Gildan Brands, ‘1301 Adult Tee_en_US’, Gildan Activewear S.R.L. <https://www. gildanbrands.com/en-us/alstyle-1301> [accessed 7 November 2021] Losier, Marie, Cassandro, the Exotico!, 2018 <https://vimeo.com/ondemand/ cassandrotheexotico> [accessed 12 June 2021] Mattel, Inc., SEC Filing | Mattel, Inc. (Washington, D.C. 20549: UNITED STATES SECURITIES AND EXCHANGE COMMISSION, 19 October 2021) <https:// investors.mattel.com/node/33376/html> [accessed 7 November 2021]
McMahon, Vincent K., World Wrestling Entertainment, Inc. 2020 Annual Report (World Wrestling Entertainment, Inc., April 2021) <https://materials. proxyvote.com/Approved/98156Q/20200330/AR_464505/?page=12> [accessed 7 November 2021]
México, Secretaría de Cultura de la Ciudad de, ‘Declaran a la Lucha Libre Mexicana Patrimonio Cultural Intangible de la Ciudad de México’, Secretaría de Cultura de la Ciudad de México <https://www.cultura.cdmx.gob.mx/comunicacion/ nota/0667-18> [accessed 23 October 2021]
Ontiveros, Andres, TEAS Plus New Application for Plainsalty (El Paso, Texas: United States Patent and Trademark Office, 14 October 2020) <https:// uspto.report/TM/90255353/FTK20201017105825/> [accessed 5 November 2021]
Paz, Seguridad, Justicia y, ‘Boletín Ranking 2019 de las 50 ciudades más violentas del mundo’, Seguridad, Justicia y Paz <http://www.seguridadjusticiaypaz. org.mx/sala-de-prensa/1590-boletin-ranking-2019-de-las-50-ciudadesmas-violentas-del-mundo> [accessed 14 October 2021]
‘SCITEL’ <https://www.inegi.org.mx/app/scitel/Default?ev=9> [accessed 14 October 2021] SEC, ‘Ulta Beauty, Inc. 2008 Current Report 8-K’, SEC.Report <https://sec.report/ Document/0000950137-08-008176/> [accessed 4 November 2021]
Shapiro, Don, and Valentin Sandoval, ‘Power at the Podcast Featuring Cassandro El Exotico and Diego Martinez’, Power at the Podcast <https://open.spotify.com/episode/1AIbvvPrFiyt8JaQD3Bhtc?si=yl UI-fYUSKqBRTCVEv4r0w&dl_branch=1>
Tapp, Marjorie, and Jean Michel Berthiaume, ‘We Meet CASSANDRO EL EXOTICO’, Putes de Lutte <https://www.listennotes.com/podcasts/prise-de-lutte/ we-meet-cassandro-el-exotico-DdYjZwWLF-t/>
Title Match Wrestling, Jazmin Allure vs Dulce Tormenta (Women’s Wrestling) Mission
Pro Wrestling, 2021 <https://www.youtube.com/watch?v=XetBWYdlA28> [accessed 18 October 2021]
We Luv Wrestling, Sweet Storm (Dulce Tormenta) : Women On Wednesday <https://www.youtube.com/watch?v=41irEA2Slo8> [accessed 15 July 2021] World, Republic, ‘Sin Cara Reveals His New Name after His WWE Release, Posts a Picture with a New Mask’, Republic World <https://www.republicworld.com/ sports-news/wwe-news/sin-cara-new-name-cinta-de-oro-wwe-release-aaa. html> [accessed 2 September 2021]
‘World Wrestling Wear The Number One Boots’ <https://www.worldwrestlingwear. com/stock.html> [accessed 5 November 2021]
1.3 Object Sources
Hartell, Norma, Lucha Libre: Stories from the Ring (El Paso, Texas, 2021), El Paso Museum of History
2. secondary sources
2.1 Printed Sources
Ewan, Vanessa, and Debbie Green, Actor Movement: Expression of the Physical
Being, Methuen Drama (London New York: Bloomsbury Methuen Drama, 2017)
Grobet, Lourdes, Alfonso Morales, Gustavo Fuentes, and Juan Manuel Aurrecoechea, Espectacular De Lucha Libre (México, D.F.: Trilce Ediciones : Editorial Océano, 2009)
Horton, Aaron D., Identity in Professional Wrestling: Essays on Nationality, Race and Gender (McFarland, 2018) Knowles, Richard Paul, Reading the Material Theatre, Theatre and Performance Theory (Cambridge ; New York: Cambridge University Press, 2004) LaFevor, David C., Prizefighting and Civilization: A Cultural History of Boxing,
Race, and Masculinity in Mexico and Cuba, 1840-1940 (University of New Mexico Press, 2020)
Levi, Heather, Gilbert M. Joseph, and Emily S. Rosenberg, The World of Lucha
Libre: Secrets, Revelations, and Mexican National Identity (North Carolina, United States: Duke University Press, 2008)
Morawetz, Thomas, Making Faces, Playing God: Identity and the Art of
Transformational Makeup (Austin: University of Texas Press, 2001) Muñoz, José Esteban, Disidentifications: Queers of Color and the Performance of Politics, Cultural Studies of the Americas, v. 2 (Minneapolis: University of Minnesota Press, 1999)
Schechner, Richard, and Sarah Lucie, Performance Studies, Fourth (New York: Routledge, 2020) Schechner, Richard, and Victor Witter Turner, Between Theater & Anthropology (Philadelphia: University of Pennsylvania press, 1989) Woodward, Ian, Understanding Material Culture (London: SAGE Publications Ltd, 2007)
2.2 Web Sources
‘About Gran Luchito - Our Story - Authentic Mexican Made By You’, Gran Luchito <https://gran.luchito.com/our-story/> [accessed 10 August 2021] Acevedo, Monika, ‘“Cassandro” Biopic Taps El Paso Artist For New Downtown Mural’, 93.1 KISS FM, 2021 <https://kisselpaso.com/cassandro-biopic-tapsel-paso-artist-for-new-downtown-mural/> [accessed 11 October 2021]
Arce, B. Christine, México’s Nobodies: The Cultural Legacy of the Soldadera and
Afro-Mexican Women (Albany, UNITED STATES: State University of New York Press, 2017) <http://ebookcentral.proquest.com/lib/rcauk/detail. action?docID=4774210> [accessed 26 October 2021]
Barbieri, Donatella, ‘Performativity and the Historical Body: Detecting Performance through the Archived Costume’, Studies in Theatre & Performance, 33.3 (2013), 281–301 <https://doi.org/10.1386/stap.33.3.281_1>
Bennett, Susan, Theatre & Museums (Houndmills, Basingstoke, Hampshire ; New York: Palgrave Macmillan, 2013) Bielefeldt Bruun, Mette, and Michael A. Langkjær, ‘Sportswear: Between Fashion, Innovation and Sustainability’, Fashion Practice, 8.2 (2016), 181–88 <https:// doi.org/10.1080/17569370.2016.1221931>
‘Billy Dixon on the Cassandro Cup: “It’s Time to Prove We Are Athletes”’, Daily
DDT, 2021 <https://dailyddt.com/2021/03/22/billy-dixon-on-the-cassandrocup-and-the-importance-of-the-event/> [accessed 7 July 2021]
Bratton, Jacky, New Readings in Theatre History (Cambridge University Press, 2003) Brownie, Barbara, and Danny Graydon, The Superhero Costume: Identity and
Disguise in Fact and Fiction (Bloomsbury Publishing Plc, 2016) <https://doi. org/10.5040/9781474260114>
Byrne, Sebastian, ‘Actors Who Can’t Play in the Sports Film: Exploring the Cinematic Construction of Sports Performance’, Sport in Society, 20.11 (2017), 1565–79 <https://doi.org/10.1080/17430437.2017.1284806>
Calderón-Douglass, Barbara, ‘The Folk Feminist Struggle Behind the Chola Fashion Trend’, 2015 <https://www.vice.com/en/article/wd4w99/the-history-of-thechola-456> [accessed 7 October 2021]
Carlson, Marvin, The Haunted Stage: The Theatre as Memory Machine, Theater-Theory/Text/Performance (Ann Arbor: University of Michigan Press, 2001) <http://hdl.handle.net/2027/mdp.39015049624524>
Chow, Broderick, Eero J Laine, and Claire Warden, Performance and Professional
Wrestling (New York: Routledge, 2017) ‘Cinema, Wrestling and Gender Violence in Ciudad Juárez - A Talk With “Luchadoras” Co-Director Paola Calvo’, Shuffle Online, 2021 <https:// shuffleonline.net/2021/03/18/a-talk-with-luchadoras-co-director-paolacalvo/> [accessed 10 May 2021]
Cotter, Bobb, The Mexican Masked Wrestler and Monster Filmography (Jefferson, N.C. : McFarland & Co., 2005) <http://archive.org/details/ mexicanmaskedwre0000cott> [accessed 19 July 2021]
‘Danskin Active Apparel Brand Dropped By Walmart’, 2017 <https://www.pymnts. com/news/retail/2017/walmart-danskin-apparel-iconix/> [accessed 26 October 2021]
Delucio, Kevin, Melissa L. Morgan-Consoli, and Tania Israel, ‘Lo Que Se ve No Se Pregunta: Exploring Nonverbal Gay Identity Disclosure among Mexican American Gay Men.’, Journal of Latinx Psychology, 8.1 (2020), 21–40 <https:// doi.org/10.1037/lat0000139>
Edward, Mark, Stephen Farrier, Enoch Brater, and Mark Taylor-Batty, Drag Histories,
Herstories and Hairstories: Drag in a Changing Scene Volume 2 (London, United Kingdom: Bloomsbury Publishing PLC, 2021) <http://ebookcentral. proquest.com/lib/rcauk/detail.action?docID=6458981> [accessed 23 June 2021]
Gonzalez, Layla P. Suleiman, ‘Mirada de Mujer: Negotiating Latina Identities and the Telenovela’, Counterpoints, 169 (2002), 84–96 <https://www.jstor.org/ stable/42977475> [accessed 3 November 2021]
Hall, Edith, and Henry Stead, A People’s History of Classics: Class and GrecoRoman Antiquity in Britain and Ireland 1689 To 1939 (Milton, UNITED KINGDOM: Taylor & Francis Group, 2020) <http://ebookcentral.proquest. com/lib/rcauk/detail.action?docID=6124700> [accessed 7 November 2021]
Haslem, Wendy, Angela Ndalianis, and C. J. Mackie, eds., Super/Heroes: From
Hercules to Superman (Washington, DC: New Academia Pub, 2007) Heffernan, Conor, ‘“A Strong Woman’s Troubles”: Victorina and the Strong Woman in Victorian Britain’, Women’s History Review, 30.3 (2021), 354–74 <https:// doi.org/10.1080/09612025.2021.1875606>
Hodgdon, Barbara, ‘Material Remains at Play’, Theatre Journal, 64.3 (2012), 373–88 <https://www.jstor.org/stable/41679615> [accessed 16 April 2021]
Isaac, Veronica, ‘Towards a New Methodology for Working with Historic Theatre Costume: A Biographical Approach Focussing on Ellen Terry’s “Beetlewing Dress”’, Studies in Costume & Performance, 2.2 (2017), 115–35 <https://doi. org/10.1386/scp.2.2.115_1>
Kurennaya, Anya, ‘Look What the Cat Dragged In: Analysing Gender and Sexuality in the Hot Metal Centerfolds of 1980s Glam Metal’, Critical Studies in Men’s
Fashion, 2.2–3 (2015), 163–211 <https://doi.org/10.1386/csmf.2.2-3.199_1>
Laine, Eero, Professional Wrestling and the Commercial Stage (Milton, UNITED KINGDOM: Taylor & Francis Group, 2019) <http://ebookcentral.proquest. com/lib/rcauk/detail.action?docID=5981742> [accessed 13 May 2021]
‘Lucha Libre’, Roundhouse <https://www.roundhouse.org.uk/whats-on/2019/ lucha-libre/> [accessed 5 November 2021] Mahoney, James, ‘Comparative-Historical Methodology’, Annual Review of
Sociology, 30 (2004), 81–101 <https://www.jstor.org/stable/29737686> [accessed 8 September 2021]
Mani, Senthilkumar, and N. Anbumani, ‘Dynamic Elastic Behavior of Cotton and Cotton / Spandex Knitted Fabrics’, Journal of Engineered
Fibers and Fabrics, 9.1 (2014), 155892501400900100 <https://doi. org/10.1177/155892501400900111>
‘Masked Republic Reveals the “Project: Mask” Video Game at Comic-Con@Home’,
Lucha Central, 2021 <https://luchacentral.com/masked-republic-revealsthe-project-mask-video-game-at-comic-conhome/> [accessed 10 August 2021]
McCRACKEN, ANGELA, ‘Beauty and the Quinceañera: Reproductive, Productive, and Virtual Dimensions of the Global Political Economy of Beauty: Angela McCracken’, in Feminism and International Relations (Routledge, 2011)
Monks, Aoife, The Actor in Costume (London, UNITED KINGDOM: Bloomsbury Publishing Plc, 2009) <http://ebookcentral.proquest.com/lib/rcauk/detail. action?docID=4763180> [accessed 31 October 2021]
Mun, Jung Mee, Kristy A. Janigo, and Kim K. P. Johnson, ‘Tattoo and the Self’,
Clothing and Textiles Research Journal, 30.2 (2012), 134–48 <https://doi. org/10.1177/0887302X12449200>
Nast, Condé, ‘Meet the Women Revolutionaries Who Shaped Mexican History’,
Teen Vogue, 2019 <https://www.teenvogue.com/story/the-real-history-oflas-soldaderas> [accessed 26 October 2021]
Newbold, Alice, ‘The Real Story Behind Princess Diana’s “Amazing, Completely OTT” Wedding Dress’, British Vogue, 2020 <https://www.vogue.co.uk/ fashion/article/princess-diana-wedding-dress> [accessed 5 November 2021]
de Orellana, Margarita, Michelle Suderman, Orlando Jimēnez Ruiz, Clara Marín, Christian Cymet, Paige Mitchell, and others, ‘Lucha Libre: Stories with No Time Limit’, Artes de México, 119, 2015, 65–80 <https://www.jstor.org/ stable/45228163> [accessed 9 May 2021]
Pantouvaki, Sofia, Donatella Barbieri, and Veronica Isaac, ‘Costume as an Agent for Ethical Praxis’, Studies in Costume & Performance, 5.2 (2020), 145–52 <https://doi.org/10.1386/scp_00022_2>
Pointon, Marcia, ‘Materializing Mourning: Hair, Jewellery and the Body’, in Classic and Modern Writings on Fashion, ed. by Peter McNeil (Berg, 2009), pp. 39–57 <https://doi.org/10.5040/9781847887153>
Roberto José Andrade Franco, ‘How Lucha Libre’s Mexican Style of Wrestling Unites Two Countries’, Texas Highways, March 2021 <https://texashighways. com/culture/how-lucha-libre-mexican-style-wrestling-unites-twocountries/> [accessed 5 August 2021]
Ruy-Sánchez, Alberto, ‘Traditional Arts and Artes De México’, Print, 51.1 (1997), 116–21 <https://search.ebscohost.com/login.aspx?direct=true&db=buh&AN =9702093555&authtype=shib&site=ehost-live&authtype=ip,shib&custid= ns010826> [accessed 26 October 2021]
Sammond, Nicholas, Lucia Rahilly, Roland Barthes, Henry Jenkins III, Sharon Mazer, Carlos Monsivais, and others, Steel Chair to the Head: The Pleasure and Pain of Professional Wrestling (Durham, UNITED STATES: Duke University Press, 2005) <http://ebookcentral.proquest.com/lib/rcauk/detail. action?docID=1168442> [accessed 13 May 2021]
Singha, Kunal, ‘Analysis of Spandex/Cotton Elastomeric Properties: Spinning and Applications’, International Journal of Composite Materials, 2.2 (2012), 11–16 <https://doi.org/10.5923/j.cmaterials.20120202.03>
Sladen, Simon, ‘From Mother Goose to Master: Training Networks and Knowledge Transfer in Contemporary British Pantomime’, Theatre, Dance and
Performance Training, 8.2 (2017), 206–24 <https://doi.org/10.1080/194439 27.2017.1316306>
Sladen, Simon, ‘“Hiya Fans!”: Celebrity Performance and Reception in Modern British Pantomime’, in Popular Performance, ed. by Adam Ainsworth, Oliver Double, and Louise Peacock (London, UK: Bloomsbury Methuen Drama, an imprint of Bloomsbury Publishing Plc, 2017), pp. 179–201
Staples, Louis, ‘The Queer Mourning of Princess Diana’, Harper’s BAZAAR, 2021 <https://www.harpersbazaar.com/culture/film-tv/a38092562/the-queermourning-of-princess-diana/> [accessed 5 November 2021]
Steele, Valerie, Encyclopedia of Clothing and Fashion (New York : Scribner/ Thomson, 2004) <http://archive.org/details/encyclopediaofcl03stee> [accessed 23 March 2021]
Stephenson, Luke, and Helen Champion, The Clown Egg Register, 2017 <https://www.overdrive.com/search?q=379A3C14-E6D1-49C5-BD04F886E71A154C> [accessed 6 November 2021]
Sutherland, Lucie, George Alexander and the Work of the Actor-Manager (Cham, SWITZERLAND: Springer International Publishing AG, 2020) <http:// ebookcentral.proquest.com/lib/rcauk/detail.action?docID=6270535> [accessed 17 October 2021]
Trimarchi, Michele, ‘Regulation, Integration and Sustainability in the Cultural Sector’, International Journal of Heritage Studies, 10.5 (2004), 401–15 <https://doi.org/10.1080/1352725042000299027>
Van Bavel, Marjolein, ‘Morbo, Lucha Libre, and Television: The Ban of Women Wrestlers from Mexico City in the 1950s’, Mexican Studies/Estudios
Mexicanos, 37.1 (2021), 9–34 <https://doi.org/10.1525/msem.2021.37.1.9>
Winship, Lyndsey, ‘“The Bikini Line Is Still a No-No”: Why Does Dance Have a Problem with Body Hair?’, The Guardian, 3 November 2021, section Stage <https://www.theguardian.com/stage/2021/nov/03/bikini-line-danceproblem-body-hair-chests-armpits-legs-waxed-diverse-performers> [accessed 4 November 2021]
Yale, Elizabeth, ‘The History of Archives: The State of the Discipline’, Book History, 18 (2015), 332–59 <https://www.jstor.org/stable/43956377> [accessed 3 November 2021]
2.3 Unpublished Secondary Sources
Hoechtl, Nina, ‘If Only for the Length of a Lucha: Queer/Ing, Mask/Ing, Gender/Ing and Gesture in Lucha Libre’ (unpublished doctoral, Goldsmiths, University of London, 2012) <http://research.gold.ac.uk/id/eprint/8056/> [accessed 3 May 2021]
Ortega, Marcela Montoya, ‘Resituating the Cultural Meanings of Lucha Libre Mexicana: A Practice Based Exploration of Diasporic Mexicanness’ (University of the Arts London, 2015) <http://ualresearchonline.arts.ac.uk/8728/>