Rdcv resumĂŠ Architecture
Personal information Name: Rui de Carvalho Vieira Address: Rua do Carril nº50 Quinta do Picado 3810 474 Aveiro (Portugal) Contacts: +351 964 728 616 ruipcvieira@gmail.com Sex: Male Date of birth: 20.04.1989 Nationality: Portuguese Website: http://cargocollective.com/rdcv
educational information High School: Escola Secundária Homem Cristo, Aveiro Portugal College: Architecture School of Oporto University (FAUP) Masters degree Portugal Final grade: 14 of 20 Politechnika Gdanska, Gdansk University of Technology Poland Elective year 2011 | 2012 as Erasmus Student (study abroad) Languages: Portuguese - primary language English - good oral and written skills French - A2.1 level Spanish - good oral and reading skills, basic written Swedish - basic level of oral and written, A1.2 level Informatics skills: Full command of Office™ AutoCAD™, Rhinoceros™, Adobe Photoshop™, Corel Draw™, Adobe Indesign™, Adobe Ilustrator™, 3D Studio Max™, Artlantis™. Command of Archicad™ 2D e 3D, Google SketchUp Pro™. Basic command of Revit Architecture™. Full command of Internet. Full command of O. S. Mac and Windows. Other skills: Drivers license type B.
Complement information Contests: 2nd classified - Wood You? 48hr Banema Design Challenge, 1st edition, 2014. Honorable mention - Challenge of ideas for the FAUP Bar for student festival “Queima das Fitas”, 2013, with Marta Alpuim and Ana Lourenço. [PACIFIC] Ocean Platform Prison, [AC-CA], 2013, with Ana Lourenço and João Castelões. CRVC - Camelot research & visitors center, ARCH Medium, 2013, with Ana Lourenço. The Hormuz Bridge - Gulf Architecture Biennal, 2014. Courses and workshops: Swedish language course, level A1 and A2, by Faculdade de Letras da Universidade do Porto (Oporto), 2010 and 2011. Workshop C+C+W, about public space, FAUP, Oporto 3D Studio Max, Centro de Formação Letras e Ciências, OPorto, 2013. Construction of an ephemeral shelter in Gdansk, Poland. Tutor: Gary Johnson (architect), 2012. Exhibitions: Changing patterns & transformations Gdansk University of Technology February, 2012
Aldoar - Colective Dwelling Project prepared under the course Project 3 , supervised by Prof. Arch. Marta Rocha. The proposal is the restructuring of the area that now includes the “garden� and the cemetery of Aldoar, in the urban area of Oporto. The surroundings have a strong residential character, varying in scale and socio -economic level, but a lack of services. The deployment plan tries to complete the stain built, in the transition to the garden, using a fluid and organic design and placing
service areas in strategic points. The delimitation of areas with public, semi-private and private uses aid the characterization and organization of the new place. Residential buildings were conjugated with different types of access as direct, gallery and multiple vertical (right and left). The latter was developed in more detail with the integral design of residence unit. In this study there was a special attention to the relationships between the route and domestic experiences .
K EDUCATIONAL PRODUCT
caleira tela drenante tela drenante capacete de chapa de zinco
capacete chapa de cobre
caixa de ar 4 cm
camada regularizadora pintura hidrofuga isolamento térmico poliestireno extrundido caixa de ar 4cm chapa de aço corten
isolamento termico tipo Roofmate 60mm pintura hidrofuga camada de regularizacao betao 200mm
p1
p2 caixilho technal oscilo batente
godo tela geo-textil
tela de pvc betão leve 2% de inclinacao lamina plástica pára-vapor
dobradiça
portada basculante
maçaneta lacada
p3
chapa de aço corten
porta de vidro
p4
anilha de fixação da portada
vidro duplo
carril da portada
soleira em aluminio lacado peça L de suporte da soleira
pavimento tipo sikafloor 1.2000 micro-cubo de granito betão leve
1.3000
caixa de brita 0.9600 alçado inetrior da janela escala 1.50
janela de uma folha, batente e projectante para o interior
sistema dimensao quantidade
120cmx130cm 18 modelo epure technal
serie
pormenor portada aberta escala 1.2
p6 tela drenante
material ferragens
8517, S8070D, T-230
fecho
KF037 muleta simples para batente, o.b. e projectante
aluminio
padieira e soleira
chapa de aluminio lacada a castanho chocolate
vidro
vidro duplo, 6mm de espessura
caixa de ar
1,2 cm
localizacao
todos os pisos, alcado sul
BY|AN AUTOD rui de carvalho vieira | ano 3 | turma c | exercício 3: ”edifício habitacional colectivo: desenho PRODUCED e construção folha 6 UCATIONAL PRODUCT
p5
aro de fixação
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
prumo de fixação da chapa
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
isolamento roofmate 6cm
isolamento térmico roofmate 6cm
cantoneira de arranque
camada de betão leve
p1
p2
betão p3 caixa de brita dreno
betão de limpeza tela betonitica 0.5cm
p5
p4
tela de impermeablizção tout-venant
p6
p7
p7
escala 1.10
caixilho technal oscilo batente
godo tela geo-textil isolamento roofmate 6cm tela de pvc betão leve 2% de inclinacao lamina plástica pára-vapor
dobradiça
portada basculante
maçaneta lacada
p3
chapa de aço corten
porta de vidro
p5
p4
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
prumo de fixação da chapa
pavimento tipo sikafloor micro-cubo de granito betão leve caixa de brita
p6 tela drenante isolamento térmico roofmate 6cm
cantoneira de arranque
camada de betão leve betão
caixa de brita dreno
betão de limpeza tela betonitica 0.5cm tela de impermeablizção tout-venant
p7
DESK EDUCATIONAL PRODUCT
escala 1.10 caleira tela drenante
PRODUCED BY AN AUTODESK E tela drenante capacete de chapa de zinco
capacete chapa de cobre
caixa de ar 4 cm
camada regularizadora pintura hidrofuga isolamento térmico poliestireno extrundido caixa de ar 4cm chapa de aço corten
isolamento termico tipo Roofmate 60mm pintura hidrofuga camada de regularizacao betao 200mm
Knowledge Center - UP Project prepared under the Course Project 5, supervised by Prof. Arch. João Pedro Serôdio . The solution proposed is based on a unique piece that carries in it shape the curves of the terrain. This unique piece is “anchored” in the both extremes of place where it reveals as a building. The main entrance is done by a huge down ramp which flows into the foyer with a large panoramic of Arrábida Bridge and south bank of the Douro. The foyer is organized in a large space connecting with the remainder program at both ends of the
building. The administration, the archive and reading room are located in the east side over the cafeteria, art room and service area. The West part of the foyer serves the auditorium and studios. The studios are located on top of the auditorium and have a separate entrance directly related to FAUP. It is intentionally to become the exterior as a permeable space that links the high and low levels and serves not only visitors but all adjacent community to the building. Maintaining the natural topography provides to evidence the rigid and monolithic form of the building.
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AEFAUP TEmporary bar - 2013 The proposal for the exterior bar of AEFAUP for the 2013 Oporto student festival explores the soap as raw material for the whole building . The materiality and tectonic expression of the SOAP were strong factors for the choice of this material as the base for all architectural creation. Basically, the
soap acts as a brick, but with undeniable aesthetic qualities: it combines the best of handmade universe - each bar of soap has a unique texture chromatic tones, which gives the whole a peculiar tectonic and iconographic singularity, is a sturdy material does not melt, and with a progressive drying, it becomes increasingly resistant.
The soap bars are drilled vertically by iron rods that have approximately 1.50 meters long. This material was chosen because it is durable and economical. In turn, the rods will be attached to the metal frame of the tent using wire.
U-boat artyard, Gdansk artistic centre This intervention takes the three upper levels of the building Uboat. The ground floor will remain with the same function that has now as a nightclub space. The program contemplates the existence of individual and collective spaces of work composed of cells, a space for workshops and artistic
performances and a central space, triple ceiling height, that receive exhibitions. In the remaining two floors are reserved space for corporate offices and ateliers/studios. This organization may, therefore the flexibility of the intervention, be modified depending on the ARTyard uses and needs.
A prison without limits - Pacific Ocean The proposal intends to explore the contrast of the idea of freedom within a prison. The goal is to increase the autonomy of each individual in a space which is meant to be limited physically and controlled psychologically. The huge platform, combined with the solid tower, is a way of controlling the immensity of ocean and simultaneously providing the prisoners with vast views of surroundings. Internally, there is a clear sense of hierarchy created by the organisation of the program: the upper levels for administration, staff, middle for controlled areas, and lower levels are used almost exclusively by the prisoners. “Surveiller et Punir: Naissance de la prison�, written by M. Foucault, as a reference for this project. Inside each cell, there is a precise sense of control made by some security galleries that overlook the cells, providing the inmates with almost no privacy. Despite this, the cells have large windows to emphasize the relationship between the interior and exterior space.
Between walls - Camelot centre The main aim of the proposal is to create a path which unites the two closest villages – South Cadbury and Sutton Montis – dividing the original site into two parts but without destroying the hill. We divide to unify. The project is based on the design of a path that excavates the hill: the buildings are only visible to people as they walk along the route or from a distance when approaching the hill. As the program includes two different cores – the research and the visitors’ centre – we thought it would be appropriate to design two separate buildings. Though these spaces evolve independently, they are united by the path which generates an uninterrupted route. There is a single access to the research centre due to the
more private nature of the program, but the visitors’ centre is provided with several entrances to produce movement and fluidity of people. The path is meant to work simultaneously as a distribution space that allows people to access the two centres and as a common space, waiting area. Although there is no intention to recreate the original castle, we thought it would be interesting to give the path a medieval appearance through the choice of materials without diminishing its contemporaneity. The path walls are inclined at different angles that originate diverse ways in which the natural light enters the path giving it various ambiances.
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