Red Online Series-Rosanna Eid
1. Man Like Me 2013, 120 x 100cm
2008-2014 1
Index Image 1, Man Like Me 08 – 13.
Cover Image
Index
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Image 2, Strathfield Car Radio
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Image 3, I Only Wear Bonds
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Image 4, Voyeur/Exhibitionist
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Image 5, Prefer Real/No Red Online
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Image 6, No Cock Shots
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Image 7, Strathfield Car Radio
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Image 8, Time Eclipse Ring
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Image 9, Power Plant
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Image 10, 6 x Red Online Sketch
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Image 11, 6 Slides from Read Da Vinci Brain
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Artist Statement
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List of Works
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Artist Curriculum Vitae
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2. Strathfield Car Radio
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3. I Only Wear Bonds 2012, 120 x 100cm
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4. Voyeur/Exhibitionist 2013, 120 x 100cm
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5. Prefer Real/No Red Online 2013, 120 x 100cm
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6. No Cock Shots 2014, 120 x 100cm
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7. Strathfield Car Radio
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8. Time Eclipse Ring 2014 125cm X 125cm framed.
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9. Power Plant 2014
130 x 120cm
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I Only Wear Bonds 2008
Passion Fruits 2009
No Cock Shots 2009
Unattached 2009
Prefer Real 2009
Equal Mutual Respectful 2010
10. Red Online Sketch 2008-10
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11. Read Da Vinci Brain - A Point Of Light 12. 6 Slides from animation. Link to Full animation and text;
Read Da Vinci Brain – A Point Of Light 12 www.youtube.com/watch?v=uEYQ5RKyTaQ
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Artist Statement My practice involves reads of beyond 4 Dimensional [READ>4D] interpretations that experiment without notions of fixed time, geographical location or dimensional size and spatial boundaries. The current series Red Online 08-14, explores multi gendered, adult online, sexual communications as one with fluid foundational profiles of architectural frameworks. Aesthetically I aim to surface narratives from different times simultaneously, reflecting varieties of physical, analogue and digital representations beyond 4D. The work builds ‘reads’ upon architectural background, influenced by photographic studies taken of a nearby construction site. Multiple studies of the site’s adaptation convey solid as fluid and subjectively representative of past, present and future circumstances. The Strathfield Car Radio series therefore does not identify to various titles, sizes or times and each study is considered, for the purpose of my work, the same READ>4D. The Red Online series reflects the similarity between the construction site and online profiles. All identities are related, visualised and developed by adapting architectural frameworks with conflicting boundaries. Read Da Vinci Brain – A Point Of Light aimed to further illustrate with communications across time and space with ‘Da Vinci’. This concerned a point of uninterrupted light and the impossibility of a single fixed focus. I have used three of Da Vinci’s translated quotes that appear in the animation, written text and voice over as well I have used a copy of a ‘Virtuous Man’ image that circulates as a background against sections from the Red Online art series. These were Photoshoped, animated in PowerPoint, edited and converted with AVS. I love that Da Vinci’s work can be assumed a print, devoiding importance of an original which only identifies to a time and place. Even if an original is possibly sighted, it would portray after the copy and hence a form of print. Multi-Media options and availabilities show constant uses that recognise beyond 4D negotiations in general practice. The practical and effortless ways we can view, hear, see, create, send and copy simultaneously, to multiples time zones and spaces, with multiple options, transforms the way we consider up to 4D to ‘beyond’ and ‘more then’ (>) dimensions. I believe these ways of knowing moves us away from Leonardo Da Vinci’s, ‘point of light’ and single focus into relationships of interfocus and less single definitive answers, also towards a changing array of answers displayed in patterns of use. Informing interpretations of >4D practice, on and offline, real and unreal simultaneously. To limit up to 4D is an impossibility and so I aim to develop discourse and practice to be READ>4D. Currently I am in the process of obtaining a certified trademark for READ>4D with IP Australia. It is hoped that it will be available not-for-profit, informing creative arts, methodology and dialogue. REid. July, 2014 13
List of Works Man Like Me – Red Online Series 08 – 13. Oil, stencil and multi-media on canvas, 120 x 100cm (Cover Image) ………………………………………. 1 Strathfield Car Radio – Red Online series 08 -12. Photograph……………………………… 2 I Only Wear Bonds – Red Online Series 08 – 12. Oil, stencil and multi-media on canvas, 120 x 100cm …………………………………………………... 3 Voyeur/Exhibitionist – Red Online series 08 -12 Oil, stencil and multi-media on canvas, 120 x 100cm ……………………………………………….…. 4 Prefer Real/No Red Online - Red Online series 08 -13 Oil, stencil and multi-media on canvas, 120 x 100cm ………………………………………………….. 5 No Cock Shots - Red Online series 08 -14 Oil, stencil and multi-media on canvas, 120 x 100cm ………………………………………………….. 6 Strathfield Car Radio – Red Online series 08 -12. Photograph ……………………………………………………………………………………………………….….. 7 Time Eclipse Ring – Red Online Series 08-14. Oil, stencil and multi-media on canvas, 125 X 125cm …………………………………………………… 8 Power Plant – Red Online series 08 – 13. 7 Hand Sewn and ink on canvas window panels inside oak cabinet frame …………………………………………………… 9 Red Online Sketch –6 pages from journals 08-10, A3 graphite pencil sketched studies for Red Online Series 08-14 ………………………………………………………. 10 Read Da Vinci Brain - A Point Of Light 12. 6 Slides from animation ………………………………………………………………………………….…… 11 Link to Full animation and text Read Da Vinci Brain – A Point OfLight12 http://www.youtube.com/watch?v=uEYQ5RKyTaQ
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Curriculum Vitae Rosanna Eid-READV4D readv4d@outlook.com Education/Qualification 2008 Graduate Diploma of Education (Secondary), Visual Arts and Design, Charles Sturt University 2000 Design Fundamentals – Applied Studies, Certificate IV, TAFE Design Centre Enmore (digital & studio) 1999 Bachelor of Arts with Honours (Painting and Photo Media), Southern Cross University 1998 Bachelor of Arts –(Painting, minor Photography and Gallery Studies) Visual Arts, Southern Cross University 1991 Diploma of Arts – Fine Arts (Photography & minor painting) East Sydney TAFE Arts Exhibitions and Representations 2014 Red Rattler Theatre Inc. Artist Studio Manager 2014 Red Rattler Theatre Coordinator for MOST13 - 14(Marrickville Council Open Studio Trail) 2013 Queering The Body, Verge Gallery group show, non-university guest artist 2012 Brain Art Project, Sydney University http://www.brainartproject.com/entry/rosanna-eid/#.U7PLaJSSxIE 2011 Red Rattler Theatre artist resident 2010 Readbeards Profiler Exhibition- Alpha House Artist Coop, 31st March 2010 till 5th of April 2010. Co-Curator and artist , as part of Sheila Autonomista 2010. 1999- Scooter Collective Member, providing a platform for women’s music with 2008 monthly gigs, radio show, art exhibitions, zenes, media release, CD covers, venue bookings and venue hire consultations. 2007 Matricidal Tendencies Exhibition – Gallery 22, Head Curator and artist, as part of Sheila Autonomista 2007. 2007 Mad Project, Walgett Council Installation of community art with digital big screen onsite gallery, Art In Shop Fronts and post project documentation. 2006 Dolls and Their Gurlz Exhibition as part of Sheila Autonomist 2006. Head Curator and artist 2005 Exposed Exhibition – Space 3, as part of Sheila Autonomista 2005. Head Curator and artist 2005 Brutal (Slit Artist Exhibition) First Draft 2004 Sheila Na Gig Exhibition- Space 3, Artist & Co-curator with Penelope Benton, as part of Sheila Autonomist 2004. 2004 Slit Artist Exhibition, Space 3 Publications 2008 Cherry November 2008, Photograph REid p. 14. 2007 The Forgotten 29 May-2 June flyer, Fairfield City Writers Festival 07, Alejandra Canales photograph. 2006 SX issue 12, October 2006 p.15 Interviewer Katrina Fox article on Matracidal Tendencies 2006 Free Range – Documentary photography of Alejandra Canales, Front cover, Inside Cover & page 19 Egg Bites. Where Covers Come From. 2002 Slit Magazine Issue 1, Ani Set and The Haggard Live Shots. Issue 2, Dee Dee Vamp p.19, 2006 Issue 3, Me TV p. 25 & Issue 4, Miller Set pp. 42 -45. Acquisitions 1989 Liverpool College Of TAFE, View From the Verandah 1989 – oil paint on stretched canvas.
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The artwork and text is created by Rosanna Eid and is the sole copyright owner of the work. July 2014. Sydney, Australia. 16
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