Redbrick - 11th November 2011

EST. 1936

Redbrick Friday 11th November 2011 | Volume 76 | Issue 1399 | redbrickpaper.co.uk

Thousands march against fee increase 4,000 police deployed on the day

Guild buses face insurance furore

Protests remain peaceful

An estimated 4,000-7,000 attended

Full coverage from Rhiannon Doyle-Maw on page 4

Policemen at Wednesday's student protest in London, with protesters in the background

Millie Guy

INSIDE Birmingham train prices investigation >> 4 | LMFAO gig reviewed >> 21 | Harry from TOWIE >> 18| The date doctor returns>> 14

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redbrickpaper.co.uk

Redbrick Editorial Editor Glen Moutrie Deputy Editors Victoria Bull James Phillips Online Editor Chris Hutchinson Art Director Beth Richardson Photography Editors Freddie Herzog Millie Guy chiefphotographer@redbrickonline.co.uk Technical Directors Jeremy Levett Dan Lesser News Editors Anna Hughes James Brilliant Kerrina Gray news@redbrickonline.co.uk Online News Editor Freddie Herzog Features Editors Ali Hendy Amanda Callaghan features@redbrickonline.co.uk Online Features Editor Owen Earwicker

Online Sport Editor Joel Lamy Crossword Editor John Rizkallah Senior Editorial Assistant Kate Selvaratnam

Music Editors Will Franklin Tamara Roper music@redbrickonline.co.uk

Online Editorial Assistants Rosie Pearce Josh Taylor Eimear Luddy

Film Editors Genevieve Taylor Isidore Sanders film@redbrickonline.co.uk Online TV and Film Editor Matthew Clemens Food Editors James Morrison Jordan Warner food@redbrickonline.co.uk

TRIAL

Italy's borrowing cost reaches high

Fireworks could be factor in M5 crash

Dr Conrad Murray found guilty

Italy’s borrowing cost has reached a record 7%, the highest since the euro was founded in 1999. It is said that this level is just ‘unsustainable’ for the country and Italy could become the next victim of the debt crisis.

There are beliefs that a nearby fireworks display may have contributed to the smoke across the motorway which was one of the causes of the crash last Friday. Seven people died, of which two were lorry drivers.

The personal physician, Dr Conrad Murray, has been found guilty of the involuntary manslaughter of Michael Jackson. The jury of ten took two days to deliberate over the verdict, of a trial that has lasted more than six weeks.

REMEMBRANCE DAY

EDUCATION

ENTERTAINMENT

FIFA agree compromise on poppies

West London school apologises for abuse

Rush Hour producer resigns

After David Cameron and Prince William wrote to Fifa asking that England footballers be allowed to wear poppies on their kit, the governing body have backed down and will now allow the Three Lions to wear poppies on their armbands.

The headmaster of St Benedict’s School in Ealing, West London has apologised for the ‘terrible legacy’ of sex abuse in its school. St Benedict’s has been run by Ealing Abbey where a total of 21 sex abuse cases have been reported.

Brett Ratner, producer of the 2012 Oscars, has resigned after using the term ‘fags’ in a Q&A session. Ratner said that if he did not step down he would be ‘a distraction from the Academy and the high ideals it represents.’

Technology Editors Joshua Lindsey Ruth Bradley technology@redbrickonline.co.uk

Editorial Assistants Oscar French Ellie Jarvis Isabel Mason Sarah Musgrove Elisha Owen

Television Editors Charlotte Lytton James Moore tv@redbrickonline.co.uk

UK

Travel Editors Emily Booth Louise Spratt travel@redbrickonline.co.uk

Sport Editors Sam Price Joseph Audley sport@redbrickonline.co.uk

Junior Art Directors Lauren Wheatley Sophie Rogers Kimberley Faria Online Junior Art Director Akhil Kothari Proofreaders Hannah Ennis Rachel Ashe Sana Hannan Ropa Rusere Jenna Kirby Community Manager Sophie MurrayMorris

Designed and typeset by Redbrick.

Copyright (C) Redbrick 2011 Redbrick strives to uphold the NUJ Code of Conduct. The views expressed in Redbrick do not necessarily reflect those of the editors, the Guild or the publishers.

If you find an error of fact in our pages, please write to the Editor. Our policy is to correct mistakes promptly in print and to apologise where appropriate. We reserve the right to edit any article, letter or email submitted for publication.

News shorts compiled by Amani Hughes

EUROZONE CRISIS

Online Food and Life&Style Editor Rosie Sharratt

Arts Editors Lexie Wilson Alexander Blanchard arts@redbrickonline.co.uk

Online Arts and Music Editor Mel Hunt

News feed

Life&Style Editors Sophie Cowling Lara Edwards lifestyle@redbrickonline.co.uk

Online Travel and Tech Editor Frank Mugomba

Redbrick

11th November 2011

UK

SPORT

Pilot dies after being ejected from aircraft

Pakistani cricketer Fans pay respects to appeals jail sentence Sir Jimmy Savile

A red arrows pilot of the RAF has been killed after being ejected from an aircraft while it was grounded. The Military Aviation Authority is carrying out an independent inquiry to investigate the cause of the accident.

Salman Butt, one of the three Pakistani cricket players, who was part of the conspiracy to deliberately bowl no balls, has appealed against his 30-month jail sentence. Three cricketers, including Butt, and their agent were found guilty last month.

Sir Jimmy Savile's funeral took place on Wednesday at Leeds Cathedral. Hundreds of fans gathered in the city to pay their respects. They had earlier gathered at the Queen's Hotel where his gold coloured coffin had been on public display.

EDUCATION

TELEVISION

Heads vote in favour of strikes

I'm A Celebrity lineup revealed

Thousands of headteachers in England and Wales have voted in favour of strike action over changes to pensions. Members of the National Association of Headteachers (NAHT) could strike with other public sector workers on 30 November.

The I'm A Celebrity lineup for 2011 has been revealed. It includes ten celebrities such as Anthony Cotton, from Coronation Street, Dougie Poynter, from McFly and TOWIE star Mark Wright. The eleventh series will start on Sunday.

Sabbs on the week

Compiled by Patrick McGhee

To contact us:

HEALTH

Redbrick Guild of Students Edgbaston Park Road Birmingham B15 2TU 0121 251 2462 editor@redbrickonline.co.uk www.redbrickpaper.co.uk

Theresa May says she 'won't resign'

Redbrick is printed through www.quotemeprint. com: 08451 300667.

Advertising: Contact Aimee Fitzpatrick in Guild Marketing on 0121 251 2524

Theresa May has told MPs she 'won't resign' over UK border agency row. The row emerged after May relaxed some checks on European travellers over a period of four months but could not say how many airports relaxed checks.

DEATH

Redbrick

redbrickpaper.co.uk

11th November 2011

Employment Special

Spotlight on Services

Careers and Employability Centre

What are internships, mentoring and bursaries all about?

Undertaking an internship or obtaining work experience, particularly in the summer vacation, is your way of obtaining valuable employability skills and gaining cru-

cial experience to go on your CV. The Careers and Employability Centre is continuously sourcing opportunities for you, including mentoring opportunities with University alumni in many different roles.

We also have a range of bursaries available to help fund oppor-

The team at the Careers and Employability Centre

tunities. Remember though that there are deadlines for these, starting in February so you need to be proactive!

campus to network and gain an insight into application processes – there are over 100 employer events on campus this term alone!

Where are the Career Internship Officers and when can I see them?

The five University Colleges each have a dedicated Internship Officer, operating from a range of locations. See online for details.

When can I visit the College Internship Officers?

Speak to us at a range of regular events including 1:2:1 drop-ins (see your college careers notice board and the Careers and Employability Centre web pages for details.)

How do I start?

Review the interactive careers service each week and talk to your college internship officer. Ensure your CV and cover letter are up-todate and have been checked by our CV clinic or Application Support Advisor. If you want to apply for a position and also a bursary, you need to give yourself time. Attend different employer events across

Upcoming events?

For all forthcoming events visit the Careers Centre web pages and click on the Events tab.

Any contact details?

Email us at internships@contacts. bham.ac.uk Visit our web page: http://www. birmingham.ac.uk/internships

Ashley Kirk Reporter

According to the Complete University Guide, the top 10 universities for graduate unemployment include Durham, Bristol and Imperial College. Buckingham reached first place, trumping Oxfod and Cambridge.

The University of Birmingham is performing relatively well for employability. 73% of its Law students have a job within 6 months of leaving University, and 57% of its Biosciences students are successful. Birmingham is in the Top 10 for several subjects, such as Classics, but it is usually around 20th for employability.

Towards the bottom of the ranks, 45% of Bolton University graduates secured jobs or places on further courses.

Scores were calculated by the number of graduates in employment or further study divided by the number of graduates with a known destination.

Worried about employment?

Top Ten: Birmingham Alumni

Lucy Suttle asked 100 students: Are you worried about getting a job after university?

Emily Brickell on the best of University of Birmingham alumni

64% of students at the University are worried about getting a job after university.

According to a poll, only 9% of the graduate Class of 2010 were unemployed six

Lest We Forget Victoria Bull Deputy Editor

Graduate employment rates around UK universities

months after leaving university, and vacancies were thought to rise by 2.6% in 2011, but many students still feel daunted by the prospect of leaving university and finding a job, especially when there is fierce competition in many sectors and high numbers of applicants for limited places.

Lately however, commentators have noticed signs of recovery in the struggling jobs market and according to statistics, London and the south-east offer 54% of graduate job opportunities.

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1

Sir Paul Nurse

6

Barbara Slater

2

David Lodge

7

Paul Manning

8

Ben Shephard

Received a Nobel Prize for research into cancer

Author, academic and honorary professor of Birmingham

3

Tim Curry

Famous in theatre, film and music including Dr Frank-N-Furter in Rocky Horror

4

Kenneth Murray

5

Tamsin Greig

Head of the team which invented a Hepatitis B vaccine Comedian and star of Black Books and Green Wing

Former gymnast and first female BBC Director of Sport Professional cyclist and winner of three Olympic medals

Best known for roles on ITV and Sky Sports

9 James Ratcliffe Financier, industrialist and 17th richest person in the UK

10 Simon Le Bon

Lead singer of 80s group Duran Duran

I vividly remember watching with sadness the 2008 Armistice Day commemoration on television, and thinking that, in the not too distant future, the three men whose faces stood out most amongst the crowd would no longer be present. Harry Patch, Henry Allingham and Bill Stone were of the last surviving veterans of the First World War, and as I heard the tragic news of their peaceful deaths – each within the following year – I was taken back to that poignant moment.

I was struck by the thought that those elderly gentlemen had once been painfully young soldiers, witnesses to things we could never begin to imagine – and yet an astounding 90 years after the Great War ended, they had made a concerted effort to thank their friends, comrades and those who had followed in their footsteps. At

'To me, wearing a poppy during Remembrance Week does not represent any kind of political or even national bias, but rather a personal obligation.' the risk of sounding clichéd, their incredible humility and majesty made me proud to be a British citizen, and grateful for the fortunate lives we are all now free to live. I feel no less lucky and indebted when I hear of other veterans (and, I regret to say, casualties) of conflicts that have occurred since then, even in my own lifetime.

Respecting and remembering those who have fallen for their country – in any war, anywhere in the world – is a right and a responsibility for everyone. The news that Fifa would not initially be allowing the symbolic poppy to appear on the England football kit in a friendly against Spain this Saturday was extremely sad, although the football governing body stated its reasons for the decision were that kits 'should not carry any political, religious or commercial messages'.

To me, wearing a poppy during Remembrance Week does not represent any kind of political or even national bias, but rather a personal obligation – the very least an individual can do to the thank the brave thousands who have ever lost their lives in the line of duty. Thankfully, this decision was partially overturned and the England players are now permitted to wear a poppy on an armband.

Although a minute's silence will still be observed before the game, I hope this attempt to ban the poppy on a simple football kit does not represent a move away from the tradition of poppy-wearing in this country. Just as we are now without any surviving veterans of the First World War, we will one day be relying solely on history books to learn about World War II, and every major conflict since.

For this reason alone we must maintain our Remembrance Day tradition and teach generations to come of the bravery of those who have ever given the ultimate sacrifice in war. I hope I speak for the majority of us in quoting Binyon's now famous line: 'We will remember them'.

4 News

Redbrick

11th November 2011 redbrickpaper.co.uk

Editors – Anna Hughes, James Brilliant & Kerrina Gray

Robyn Davies asks 'What are your plans for after university?'

I’m going to apply either for a PGCE so I can teach, or for an MA in Critical Discourse, Society and Communication at Birmingham

I plan to go travelling in the summer and then carry on in further education next year. I feel that now is not the time for me to enter the workforce!

Danielle Finch, 3rd year, Culture, Society and Communication

Eni Osonaike, 3rd year Economics

I plan on gaining work experience and then a job in the magazine industry, hopefully an editorial role

Rebecca Gelson, 3rd year Archaeology and Ancient History

Birmingham students march in protest against fees Rhiannon Doyle-Maw Reporter

On November the 9th an estimated 4000 police officers lined the streets of London as students marched for lower fees.

The march, organised by the National Campaign Against Fees and Cuts, and supported by the National Union of students, saw an estimated 4000 to 7000 people unite in organised, peaceful protest against what is seen as the government's drastic cuts affecting their future.

It was not just students that joined the crowds in London.

48-year-old Lorraine Murphy, a

social worker living in London, was also supporting the protest today, 'I think its disgusting what the government is doing. I am here for what is being done to students, for what they are doing to our health care, none of us voted for this. What I want to see is support from all organisations so that we can make a change. I hope that it goes well for you students because what they're [the government] doing isn't right.'

After the student protests of last year the police presence was heavy in London. Police lined all four sides of the protesters, boxing them into a controllable area.

The march was headed by police

Crowd of protesters lined the streets of London

Millie Guy

on horse-back and to prevent people within the protest straying from the designated route there were metal barricades in front of a number of officers blocking off roads and side streets. Riot police as well as police vans were also on the route as a precaution.

As of November the 9th there had only been a reported number of 20 arrests made however the protest did not go without disruption. At one point the crowd was made to remain at a standstill so that those at the back of the crowd could catch up and the police could continue with their strong presence at the perimeter maintaining safety. People began to get agitated and on two occasions counted down from ten to one and then charged at the police barrier, some even throwing things in the process.

The police remained in control of the protesters. At one point there was a disruption that broke out at the front of the crowd.

Police bellowed at the media to get back as police horses charged forward to regain control. Although the reason for the contained breakout is uncertain it highlighted the stringent policing of the protest.

During the course of the afternoon some of the participants of the protest broke away from the group setting up tents in Trafalgar Square. This was moved quickly on by police and it was emphasised that by braking away from the route authorised by the police that the people were liable to be arrested.

22-year-old postgraduate student Tori said on the protest, 'I think it went really well today. I think the whole fees with education is getting more and more excessive and there's less and less

Millie Guy ways to fund it, especially for postgraduate students' Rachel Ralph, 20-year-old student currently from the Royal Veterinary College said that 'I'm on a long course anyway and if I'd been in this situation all those years ago I wouldn't be on this course at all. Its a shame that other people may now not get that opportunity. I do think it went really well today, its nothing like it was last year so hopefully it will make a difference.'

The protest stayed largely peaceful as memories of the student protests of last year were reflected in large scale policing of public order. As protesters marched the streets onlookers, both from buildings and bridges, watched, some asking 'who is paying for this?', and one holding up a sign saying 'YOU'RE all in this together' showing an opposition to the demonstration.

Although builders at work on a building on the route showed their solidarity, to a cheer from the protesters, by holding up a

sign saying 'Unite the fights' and cheering.

There were originally questions over whether or not the Guild would provide coaches to the protest. Coaches were cancelled on Friday after NCAFC, the organisers of the protest, failed to provide a risk assessment, however tickets were back on sale by Monday.

Hugo Sumner, Vice President of Democracy and Resources, said, 'As of Friday at 5pm, with just two working days until the demonstration, the Guild had still not received a risk assessment from the organisers, NCAFC. Therefore, because NCAFC do not have public liability insurance, if something were to happen to our students when down in London, our own insurance would be void.

Fortunately we received the risk assessment later on in the evening, and Mark (Harrop) and I stayed late to ensure everything could continue as originally planned.

Our own insurers ratified the risk assessment on Monday and we were consequently able to put the coach back on.'

Nonetheless some were very frustrated by the decision.

Leander Jones, Non Sabbatical Community Action Officer commented on a post from Hugo Sumner explaining the coaches were cancelled in Guild of Students 'Better Guild Forum' group on Facebook saying the Guild 'seem to be all too keen to shut off avenues for people to go on this peaceful planned march that has police approval and a sufficient number of trained stewards according to NUS guidelines. You (Hugo Sumner) know there is no reason for this march to be any more dangerous than any other march has been in the past.'

Train fares from Birmingham New Street vary wildly James Phillips Deputy Editor

The prices of train tickets from Birmingham to other major towns and cities in the country fluctuate wildly, with trains to Bristol Temple Meads and Southampton Central being particularly expensive, an investigation by Redbrick has revealed.

In light of transport secretary Philip Hammond recently label-

ling the railway a 'rich man’s toy' ahead of proposed fare rises in January, it appears many of the routes across the country are already considerably overpriced. Based on buying anytime day return tickets, leaving on the first train after 8am on a weekday morning, it would cost £87 to get to Bristol Temple Meads and £138 to Southampton Central, 50p per mile and 51p per mile respectively.

In contrast it would only cost

£16.30 for an anytime day return to Leicester and £15.80 to Derby, that’s 17p and 18p per mile respectively. The estimated fuel cost to get to Bristol Temple Meads and back by car is just £32.28, considerably less than half the train fare, yet to get to Derby and back it is £16.86, slightly more than the train fare.

Laura Perry, 3rd year Physiotherapy student said, 'Trains do always seem expensive. It's meant

I've had to bring my car up so I can get to placement more cheaply.'

The train fare is only cheaper than estimated fuel price on the three journeys with the lowest cost per mile (Glasgow, Derby and Leicester).

Even local minor journeys can be relatively expensive, with the trip from New Street to Selly Oak at this time costing 38p per mile.

Karen Pickering, 2nd year Economics student said, 'It's shocking

that the price varies so randomly depending on where you're going.

I always find it so expensive to go home, which puts me off'.

The inconsistencies continue around the country, with none of the 16 destinations investigated costing the same per mile.

The following diagram symbolises the amount it costs per mile to get to various destinations.

For a full table of prices, see online at redbrickpaper.co.uk

How much does it cost per mile? Train journeys to various UK destinations from Birmingham

Graphic by Anna Hughes

Redbrick

I'd like to do a Masters in Modernism, and then hopefully go on to do a PhD and maybe lecturing after that.

Megan Wooldridge, 3rd year English with Creative Writing

News 5

11th November 2011 redbrickpaper.co.uk

Editors – Anna Hughes, James Brilliant & Kerrina Gray

I'd like to continue in some sort of programme of education which will help me get my foot in at a graduate-friendly company, whether that involves doing an MA or a grad scheme.

Alex Mills, 2nd year History

I'm going to work until October, and then I'm going to America for four months and hopefully I'll get some work over there

Terri Dell, 3rd year Psychology

National Education News Young people in Birmingham lack jobs, education and training Fees court challenge Judith Hawkins Reporter

Birmingham has been identified as one of the UK cities with the highest levels of 16 to 24-year-olds not in education, employment or training (Neet), while 97% of the UK has seen an increase in youth unemployment over the last year.

According to a report by The Work Foundation, over 20% of 16 to 24-year-olds are Neet in Birmingham, while the proportion of young people classed as Neet rises to almost 25% in Grimsby, Doncaster, Warrington and Wigan, the worst affected areas.

The report blames the difficult jobs market along with cuts to youth services and education, stating that, 'The combination of these two pressures means that unless urgent action is taken, the levels of young people who are Neet is likely to increase further still.'

In response, Skills Minister John Hayes said, 'We are acting to bring the numbers down. Government departments are working together to ensure that all those aged 16 to 24 are provided with the support they need to get the skills for work.'

The author of the report, Neil Lee, described the issue as, 'one of the UK's most serious social

problems. For a young person, being out of education, employment or training can have major ramifications, including long-term reductions in wages and increased chances of unemployment later in life, as well as social or psychological problems arising as a result of sustained unemployment.'

The report also highlighted how places with the highest Neet rates tended to be in the north of England, while cities in the south of England have the lowest, such as Oxford, Plymouth and Cambridge, all of which have Neet rates of less than 10%.

These findings coincide with figures provided by the Trades Union Congress (TUC) that youth unemployment has increased in 196 of 202, or 97%, of local authority areas in the UK over the last year. The only six UK local authorities which did not see a rise in youth unemployment in the last 12 months were Hillingdon, Kensington and Chelsea, Kingston upon Thames, Richmond upon Thames, Reading and Warwickshire, with the latter standing out as the only one not in the south-east. In contrast to Warwickshire, nearby Birmingham saw a rise in youth unemployment of 16% over the last year.

Commenting on these statis-

tics, TUC General Secretary Brendan Barber said, 'We're facing the biggest youth unemployment crisis in a generation with close to one million of our young people unable to find work.'

'With the economic outlook the gloomiest it's been since the end of the recession, the bleak prospects facing young jobseekers look set to be with us for some considerable time to come, unless the government changes course now and brings in immediate measures to support jobs and growth.'

News Editor

different lifts to Newcastle, we successfully raised over £150 for Carnival RAG who support local charities in the area.'

The police were good natured about the event but informed the two Vice Presidents that it's illegal to hitch on the motorway and they needed to move along.

Tom Petrie, Chair of Carnival RAG commented 'They were hitching up to Newcastle with Carnival RAG to raise money for charity

and had strayed just the other side of a blue motorway sign.

'I must stress they were no where near the actual motorway, they were right at the top of a slip road on a road opposite a roundabout. The police came along and just reminded them they needed to stay the correct side of the motorway sign.'

He added that the policeman who moved them along was 'a lovely chap'.

Guild sabbatical officers, Luke Reynolds and Zuki Majuqwana were asked to move along by police after disrupting traffic users on a Carnival RAG hitch to Newcastle.

The Vice President of Welfare and the Vice President of Housing and Community were dressed as polar bears for the hitch, which was raising money for local charities.

The pair made it from campus to Newcastle, about 230 miles, not spending any money and relying on seven lifts last week.

A BBC traffic report mentioned the disruption reporting 'M42 entry slip road partially blocked and heavy traffic northbound at J6, A45 (Birmingham Airport), because of pedestrians dressed as polar bears on the road.'

Luke Reynolds, Vice President (Welfare), commented: 'I can confirm that the Vice President (Housing & Community) and I were politely asked to move away from top of the slip road leading to the M42 during last week's Newcastle Hitchhike.

After almost twelve hours of travelling, and catching seven

Reporter

Two 17-year-old students mounted a challenge in the High Court this week against the increase in university tuition fees.

The students, Callum Hurley from Peterborough and Katy Moore from South London, argue that the decision by the current government to increase tuition fees to up to £9,000 breaches human rights and equality legislation.

The legal challenge comes as students are beginning to apply for 2012 entry to university.

Hurley and Moore are mounting the legal challenge in an effort to obtain a judicial review over the decision of the Business Secretary, Vince Cable, to remove the limit on tuition fees. However, the main

notion behind the challenge argues that the 'decision to increase the cap on university fees was unlawful, and should be quashed'. Especially, when as the students argue, it will impact upon those most likely to be put off by the higher fees; namely poorer students and those from ethnic minorities.

Both students are arguing that the increase in tuition fees breaches the right to education and the right to education without discrimination. In addition, they argue that the governmental assessment with regard to the impact upon equal opportunity has been insufficient.

The solicitor representing the students, Sam Jacobs, reiterates this sentiment, saying 'It is astonishing that it was thought appropriate to make such an important decision in such a rushed manner.'

Immigration lowered Rhiannon Doyle-Maw Reporter

Birmingham Council K Busch

Polar bear sabbatical officers cause traffic disruption Kerrina Gray

Ryan Jones

VPW and VPHC with other hitchers and the policeman Carnival RAG

In excess of 470 UK colleges have been prevented from accepting new foreign students from outside Europe. Earlier this year stricter rules were introduced on student visas; aimed principally at private colleges offering language or vocational courses.

The UK colleges have had their licenses revoked or have not signed up to partake in the new inspection system within which the government aims to control the manipulation of the immigration system.

The Home Office has stated that the 470 UK colleges that have been barred during the last six months could have brought in an estimated 11,000 students, representing approximately 4% of all

student visas granted. Immigration Minister Damian Green has said the changes to the system were 'beginning to bite'.

The changes were intended to highlight the colleges that could be involved in concealed attempts to get immigrants into the UK to work under the disguise of 'students'.

The government's new inspection system aimed to certify that the prospective students could speak English, that the courses offered were genuine and that colleges were meeting immigration and visa obligations.

Around 302 colleges have had licenses revoked. An additional 172 colleges are currently permitted to continue to teach current students, however officials say that the colleges cannot sponsor any new students from outside Europe.

Apprenticeships Rhiannon Doyle-Maw Reporter

The rise in tuition fees seems to have triggered a rise in students considering other options such as apprenticeships. Labour's new shadow secretary Stephen Twigg has said that parents should value their child securing a high-level practical course with the same prestige as a is placed on a university degree.

Twigg, within his first speech as shadow secretary, called for a cultural shift that would encourage people to view entry to practical courses on the same footing as degrees.

The former education minister has also admitted that the previous Labour government had not achieved what it should have for teenagers for whom university education was ill-suited.

Tony Blair, in 1999, set his government a goal of getting 50% of young people into university by 2010. Although ministers failed to meet that target by the end of the decade 43% of 18 to 30 year olds either had a degree or were studying for one in England. This had risen from the 14% in 1985.

As part of Labour's education reforms the diploma was introduced in 2008; a qualification that combines both practical and academic courses for 14 – 19 year olds.

Twigg has admitted that the take up of these courses had been disappointing with only 1,116 students' completing a foundation diploma last summer.

See the rest of these national education news stories online at www.redbrickpaper.co.uk

6 redbrickpaper.co.uk

11th November 2011

Comment & Features

Editorial Ali Hendy

Comment and Features Editor

As I suppose most of us have sensed (or are thoroughly bored of being reminded), we seem to have found ourselves on the edge of a tectonic shift in attitude. We are studying in the midst of a transition in the university system; a kind of limbo in which myriad forces attempt to preserve, economise, expand, minimise and change the role and shape of the university experience.

Holistic debates (how do we want to learn?) continue, but the more urgent, Geldofian concern ('give us your f**king money') dominates. Fees rise, employment opportunities dwindle and many of us find ourselves asking, and no longer in a moment of faux-exasperation: what is the point of my degree? And as many of us anticipate the ugly scramble for jobs only a few months or years away, sometimes a deeper and quieter voice asks: is my degree really going to help me stand out in any way?

The influence of New Labour on the educational syllabus dominant during our time in school, – based upon Blair's beautifully optimistic, and yet dangerously naive sentiment that everyone could be a winner – disregarded competition as a quality to engender in school children and placed a heavy emphasis on university education. Although it is not something that can be quantitatively measured, I'm sure many students in the 18-25 demographic felt an entirely different attitude to university only a few years ago.

It was a place most people could attend, in fact, most of our peers should and would attend. The atmosphere seems quite changed now, in a way that would have been unimaginable to the thousands of students filling in UCAS forms during the Nineties and Noughties.

The student protest against fees may have occurred on Wednesday, but media coverage increasingly pays attention to educational alternatives: raising the profile of apprenticeships and the importance of CV quality. The Guardian this week published the blog of Phillipa Young, in which she defends her decision to ditch a Masters at Oxford and instead concentrate on obtaining experience in the 'big, bad, clinically depressed world of work.'

The discarding of 'weaker' elements from administrative and economic systems can be found almost everywhere. The ejection of Berlusconi earlier this week and the enormous pressures faced

by Greece in order to meet the demands of the European Union represent a macro-model of an ongoing international pruning process. Few people now would smilingly state that we can all be winners, but for those of us living in the limbo, we can draw on the dregs of that high-school optimism.

Redbrick

The obsession with 'inclusive media'

Voxpops are a common feature of national and local news Oscar French Editorial Assistant

Tuning into the BBC News at six or any equivalent has been something of an arduous experience over the past few years. Viewers are now treated to an endless conveyor belt of public opinion: emails, phone calls and interviews that give ordinary people, you and me, the chance to broadcast our perspective on current affairs to the nation. The BBC are so enamoured with user-generated content that they opened an entire department dedicated to its production in 2006. Surely such a level of reverence is worthy of ridicule.

Consider the responsibility of news media: I suspect most would accord that it exists to provide an informative service to the public – something of fundamental importance to any democratic society.

Today, this duty has been nonchalantly cast aside in favour of inclusive reporting; the democratization of opinion has un-tethered the sanctity of information. Everybody can now be 'part' of the news, rendering it little more than a warped communication hub with a few facts thrown in.

The more cynical reader may remark upon the irony of writing this piece for the Comment section of a student paper, but that is

confusing opinion with argument.

Vox pops are not designed to give the interviewee time for anything more than vague concurrence or disagreement with the topic in question. To put it bluntly, this is because most of us do not have a complex and nuanced rationale behind every point of view. News broadcasters thus rely on a bizarre concoction of emotive sound bites and percentage based opinion in their quest for audience empowerment. If 87 per cent of viewers phone in to tell Bill Turnbull that the death penalty should be reinstated then they must be right; they are the majority after all. In the past, however, experts on the justice system or the psychology of crime prevention would have been brought onto the programme to debate this issue.

It is perhaps enticing to regard these sentiments as elitist, but to do so is an error of judgement. Of course, everyone is entitled to their own opinion, but it is a fallacy to presume that this should be given

'News media services of today are arguably more interested in the response to an event than the event itself'

equal importance in the national forum. An individual does not understand everything to the same extent as every other individual. In 1983, Margaret Thatcher was queried over the decision of the British Navy to sink an Argentine cruiser, the Belgrano, during the Falklands war. In a video call on Nationwide, a BBC news and current affairs programme, housewife Diana Gould proclaimed that the ship was sailing away from the conflict and so should not have been attacked.

On the surface this may appear democratic - a voter holding an elected leader to account - but tragically it is the antithesis. If a naval strategist had been on the programme in place of the exchange, they could have explained what is widely undisputed in the academic community: that the Belgrano was moving away as part of a tactical pincer movement. Instead, the public were robbed of a factual examination of events, deeply hindering their ability to make an informed judgement. Consequently, the issue remains a controversy.

News media services of today are arguably more interested in the response to an event than the event itself. If opinion on a story is now considered a story in itself then a vicious, self-serving circle has formed whereby producers create news in order to report on it. The time has arrived for them to realise that they are not there to provide a soapbox; we have the internet (and soapboxes) for that. People watch the news in order to understand and not to be understood.

Redbrick

11th November 2011 redbrickpaper.co.uk

Editors – Amanda Callaghan & Ali Hendy

Comment & Features 7

New housing policy: no room at the inn James Kinsey

medical reasons; separated parents who share care of their child who may have allocated an extra room for them; foster carers who are not counted as part of the household for benefit purposes; families with a son and daughter under 10 who will have to share (which begs the question what will happen once they get older, will the family be forced to move?). The Coalition's ignorance of the legitimate uses of spare rooms reveals a poorly thought out policy and once again demonstrates how out of touch the Government is with the real world.

The Government has also overlooked the availability of options for tenants forced to relocate. Wor-

ryingly, there is mismatch between available accommodation and the needs of tenants. In Manchester and many cities, the Registered Providers of housing have tended to build two bedroom properties which has contributed to the lack of one bedroom accommodation in the sector. The turnover of housing also reduces the relocating options.

Again in Manchester the turnover has reduced by 40% over the last decade, meaning tenants face cuts in Housing Benefit with no prospect of being able to move.

But the most disturbing impact of the policy is the hardship it will bring to those already in an economically perilous position. Inevitably those affected will have to meet the benefit shortfall with other income. Does this simply move the queue from the benefits office to the loan shark's shop?

A possible solution might be for tenants to move to the private sector, however as the cost of rents in the private sector are greater (as high as £1000 per month in London), occupiers will be thrown in to further debt and forced to demand higher benefits, thus bringing a devastating circularity to the proceedings.

Cameron's coalition should be congratulated on boldly attempting to tackle the budget deficit and trying to drag people out of a life of dependency on benefits. Solving the problem with an Underoccupation strategy is, however, undeniably simplistic. At a time of great political and economical unrest, crippling people economically through authoritarian intrusions into homes is a grotesquely bad plan.

Perhaps it won't be long before more and more economically disillusioned people relocate from their homes to the growing number of campsites outside Town Halls up and down the country.

screens will know that there is no sport involved in either.

First of all, many people approach gambling from entirely the wrong angle, the one cold-bloodedly presented to them by the casinos, that it is a form of career choice or a fast track to riches. You don't have to be an expert to know that casino gambling has been ingeniously perfected to ensure that at the end of the day only the bank will win. Of course a few will be allowed to beat the system and leave as millionaires but even this is engineered. The business is fully aware that if no one is seen to win then no one will put their money into it.

In doing this they have removed the whole concept of gambling from the industry. Casinos everywhere promote the myth that people win by being good at it, and that you yourself could also be good at it, while in reality they fix the system to make sure that only they can leave a winner, removing any element of chance.

But even in such a soulless industry there is hope for those who wish to keep up the sporting side of gambling. Based on my personal experience with casinos and on advice from fellow enthusiasts I can put forward a simple yet effective

way to beat the casinos. It is to never think you can beat the casinos!

An evening at a casino is one of entertainment not business.

We would approach a night in a bar as fun in exchange for money and casinos should be no different. My personal method is to enter with a small amount of money, expecting to leave without it. Thus the question of money is taken, if you will, off the table and I can concentrate on enjoying the game and the company which is almost entirely pleasant with the few exceptions of loudmouths and winos which any other venue will have in abundance.

If I win I always bear in mind that I got lucky, and if I can leave with double my original amount that would be very nice, as long as you remember the chance element.

Of course I know that not everyone has the self-control to not get sucked into the scheme. Therefore strong promotion of awareness and stricter control over how much people are allowed to gamble, like those imposed on smoking and alcohol, would seem the sensible option. To put the game back in gambling we must ensure, as with football, that it is presented as one.

Commentator

Whether your home is a tent outside Saint Paul's, a two bedroom flat in Selly Oak, or a semidetached in Sutton Coldfield, the government want you out.

We would all like to consider our home as our dominion, free from the intrusion of the establishment. Yet under the Coalition's latest attempt to cut Housing Benefit expenditure, through its Underoccupation agenda, our homes are under threat and it is the poorest who will suffer most.

In a new policy to be introduced in April 2012, the government revealed an unhealthy obsession with the number of bedrooms a household needs. If the Government believes you have too many bedrooms, your income could be slashed by up to 23 per cent. This is the latest idea to emerge from those looking down on to the world from the lofty heights of their Middlesex mansions.

The scheme coincides with a separate report entitled 'Hoarding and Housing' composed by the Intergenerational Fund. The Think Tank asserts the elderly are 'clinging' on to their homes long after it has outlived its 'usefulness', claiming 'the over 45's hold 83 per cent of the UK's property wealth, the over 65's 40 per cent and the Under 35's just 5 per cent'. To promote fairness between generations, the report suggests, the elderly should be given tax incentives to move to smaller homes in order to allow the young to get a foot on the housing ladder.

Predictably the connotations of social engineering have had the middle classes up in arms. If you bypass the crass choice of language; the Intergenerational Fund importantly highlight a growing housing crisis. For students who will hope

to buy their first homes in the near future this is a real problem: out of 8 million homes, 37 per cent have unoccupied rooms. Added to that the number of houses being built has been dropping each year. 2010 saw the lowest number of dwellings built, only 134,000, since World War Two. Perhaps the report has a point to make: our generation may never get a foot on the housing ladder – in the foreseeable future anyway. The homeless charity Shelter claims a fifth of 18-34 year olds are forced to live with parents as they can't afford to pay for or rent a property.

This is no surprise seeing as an average house price is now around £150,000 and most lenders, as a

result of the recession, now won't lend more than 70 per cent, meaning a deposit of around £45,000 in cash is needed by a buyer.

Clearly there needs to be a solution to this issue. Yet attempting to reduce Housing Benefit expenditure through an under occupation policy is flawed and will only exacerbate the problems it attempts to solve.

The policy does not take into account the purpose of the extra 'unused' rooms, instead ignorantly assuming they are surplus. Consequently, it will hit hard those whose separate bedroom has a legitimate function.

To list a few that will suffer: couples who sleep separately for

Putting the game back into gambling Giles Longley-Cook Commentator

Some sports fans reading this paper may be aware of the recent plight of footballer Michael Chopra who faces gambling debts of approximately £2 million. Although he is far from alone in incurring such problems through gambling addiction, I find it quite apt that a man who makes a living through one entertaining sport that has been transformed into a moneyfocussed business should lose his earnings to one that unfortunately has always been haunted by that same manipulation.

Gambling in the form of casino games has always suffered from an appalling reputation as a destructive, addictive and degenerate scam, an image that is avoidable but is constantly reinforced by those who run it. Like most modern sports gambling is altered from an exciting, if unproductive pastime, played solely for the pleasure of the game, into a faceless cash cow that openly exploits those who buy into it.

Anyone who's been to a big casino where players are ejected for knowing how to win, or dingy little places where lonely chronics stare soullessly into meaningless

Millie Guy

8 Comment & Features

11th November 2011 redbrickpaper.co.uk

Redbrick Editors – Amanda Callaghan & Ali Hendy

Is cyber warfare the new form of total war?

Alexander Balcombe Commentator

Earwicker In the last Owen century the populations Online Features Editor of national states became very familiar with economic hardship, mass mobilisation and death on a very large level. It can be argued that during the 20th century the populations of the world experienced the full effects of war on a scale never seen before. After the First and Second World War there was a feeling of optimism towards never seeing such actions with such devastating consequences taking place again.

Although, in the post-war period new and deadly weapons were created and a Cold War followed suit, Europe and the rest of the world on a more global level experienced a period of peace. In particular, the only wars fought by American and European armies were relati small-scale, for instance the conflicts in Kosovo and the Gulf. It could be argued that these conflicts never constituted what had previously In for particular acGracetaken Jones:place. known her body ademics and commentators would suggest that the period of total war has ceased to exist and regardless of nuclear weapons smaller and professional armies fought in wars without involving the entirety of the rest of the country. In essence the total war period had ended for the Western world.

So what is meant by total war?

Well whether something is a total war or not is governed by certain categories. In particular referring to historical thought and academic knowledge it can be argued that the definition of total war refers to a country’s resources and economy

being shaped and manipulated to the aid of fighting the war. In addition to this, the distinction between combatant and non-combatant is broken down; this can happen through mass mobilisation or the killing of civilians as if they were servicemen or women. In a nutshell that certain country is completely changed so the state and military are tied and only focused upon war. After going through two world wars and living through the toil in the aftermath many believed that this chapter in world history had become closed. In particular many with profound optimism saw this as the last time that a country in the western world would be involved in such a war as total war.

However as Hew Strachan prophesised in his article on Total War and Modern War, cyber warfare could be another possible total war scenario. In particular cyber terrorists could attack vital infrastructure such as hospitals and emergency services as well as defence targets. In addition to this, it can be argued that cyber warfare could attack financial and economic institutions as well as the National Grid or other vital support systems.

Subsequently cyber warfare, whether used by a country against another country or by a terrorist group could inflict damage that mirrors what was seen during the Second World War. Now whilst cyber warfare has often been the subject of science fiction nevertheless it is increasingly becoming part of our daily lives.

Recently a conference was held in London and attended by over 60 countries in an attempt to understand and discuss the threat of

cyber warfare. Additionally, GCHQ Cheltenham released information which stated that the amount of cyber terrorism attacks have increased dramatically over the past two years. In particular not only have these attacks being directed towards the government but also towards businesses. Only last year was Iran attacked by a military grade strike upon a developing nuclear power station. It can be argued that cyber warfare, as proven by numerous examples, has been able to demonstrate something which has only been seen in total war. In particular cyber warfare

has had the ability to target a country’s infrastructure and not just military resources and strength. In many respects cyber warfare has the potential to very much become the new total war.

Whilst the world has been used to watching small-scale conflicts and small professional armies taking on dictator states and terrorists, it has grown accustomed to the fact that these conflicts are happening far away and will have little effect on home populations.

However cyber warfare has the ability and potential to bring the fight closer to home.

We cannot continue to abuse the NHS Jeremy Crampin Commentator

You’ll at least know someone who’s needed to nurse more than their hangover after a night out. Well, last week the Beer Gods chose me, and I awoke the morning after with a sharp pain in my right hand.

The consequences of falling down drunk hardly constitute legitimate injury, but I did fracture a couple of bones, so permit me one pertinent observation. Slumped in the waiting room chairs of the practice I visited sat an overwhelming number of patients with evidently minor conditions or an acute form of hypochondria. Just past the entrance, indeed, a pre-emptive notice had been erected to the effect that symptoms x, y and z were manifestations of a prevalent flu going about at the moment, and not those of a nasty rare disease, so go home everyone and stop being paranoid.

Has the ease with which anyone can see a doctor nowadays cultivated a tendency, particularly among the poorly educated, to visit their GP for improper reason?

I think so. A self-confessed hypochondriac myself, there is quite a buzz to be had when your doctor reveals that your headache is not caused by a bulging tumour conjured by one’s mind to the point of despair, but instead the result of a poorly managed lifestyle. The question of why the NHS suffers misuse cannot be paid off merely in terms

of a confidence fix, however, as a popular basic grasp of nutrition and anatomy would surely trounce Britain’s tendency to see the doctor unjustifiably. There are clearly deeper societal causes at play.

At the heart of society (and often its problems), the education system must bear responsibility for this ‘cold calling’ suffered by doctors, and my limited experience of GCSE Biology has hardly left me impressed. In particular, a disproportionately large slice of the course concerned ethical reflection, or more revealingly, the study of politically contentious matters such as genetic research and ‘mat-

ters of life and death’. We should not be attempting to verse fourteen year olds in the im/morality[sic] of abortion in science lessons; as well as being the concern of a different discipline it is displacing learning of what is fundamental to everyday life, with shallow secondary opinion.

Even a rudimentary grasp of common ailments and disease would go a long way to eradicating the drain being put on the jewelin-the-crown of our welfare state, and more poignantly, the drain put on the medically savvy taxpayer.

Unfortunately absence of this basic understanding constitutes

fertile ground for sharp tabloid journalists to plant seeds of worry, and sell papers. One need only look at the empty scares of the past decade to demonstrate how easily sensationalization of various viruses has instilled fear into public consciousness.

The misuse of the NHS may have an additional, more sombre cause. Especially with Britain’s ageing population, all too often let down by ‘rat racing’ relatives, is it that the elderly and lonely come to regard their GP as a friend, a councillor whom they can turn to for company? We regularly hear of the inadequacies – and worse - of social services, so there’s definitely room for improvement here.

Besides improvement of education and social service, can more direct measures be taken? France’s answer is a €23 charge per doctor visit, which is reimbursed if diagnosis shows the patient was wise in consulting their doctor. Although the GP’s job nowadays is largely to check symptoms, particularly with the rise in cancer cases, a measure which encourages development of common sense can, in my opinion, only be a good thing.

I endorse no form of reversion to a private system whatsoever; one needs only to witness the poverty stricken limping about in California’s suburbs, having been denied healthcare, to disregard such alternatives. The NHS is a marvellous entity – let’s just try not to abuse it!

How do you solve a problem like...

dating your friend's ex

Adam Beach Commentator

A free market allows companies to trade freely with minimal intervention from the state. It permits companies to operate in different sectors and maximises the opportunity to generate higher revenues and profits.

But I do not study economics and I have little interest in the ins and outs of Adam Smith’s theory.

What it does relate to, however, is an unofficial principle familiar to us all: the ‘you-cannot-get-withthis-person-because-I-got-withthem-once’ theory.

It is a common scenario: you are at Vodbull and your friend is dancing awkwardly close by. You slowly edge towards them but realise there is something holding you back. You can’t quite think what it is. But then it hits you. The friend had a ‘thing’ with someone you know when they were in first year.

It was nearly two years ago and the ‘thing’ lasted less than a month but of course this rules you out. Depressed and confused, you rejoin your group and attempt to dance to Nicki Minaj.

'Take each scenario on an individual basis.

Use your common sense' This unwritten rule needs to be scrapped, or at least ignored.

The grey area is too big for it to be feasible. They went out for six months but they were only Facebook official after three. Is it allowed? She said she was in love with him but they were only together for two weeks. Will everyone hate me if I get with him? We aren’t that friendly but I sat next to him in a lecture once. Can I go out for dinner with her?

Take each scenario on an individual basis. Use your common sense. If they stopped being together a year ago, chances are they have both moved on. If you have never seen the ex outside of Fab/ Cafe Go/Risa, you are not that friendly with them.

This does not condone obvious no-nos. If your best friend cries to you on the phone every night because they cannot get over their ex, it is probably best to go for someone else. Likewise, if you would be upset if the shoe was on the other foot, don’t do it.

But let’s not disrupt the free market. There are not an infinite number of eligible bachelors and bachelorettes. There is no point falling out with our friends because of stagnant feelings. If the unwritten rules are amended and applied uniformly, there is less room for controversy.

Redbrick

Comment & Features 9

11th November 2011

Editors – Amanda Callaghan & Ali Hendy

redbrickpaper.co.uk

Our attitude to drink will influence future generations Elisha Owen Editorial Assistant

In a recent report by the independent School’s Health Education Unit, 4 per cent of those questioned claimed they drank 28 units of alcohol, or more, a week. Such claims weren’t upheld by University students, or GCSE students, but were from the mouths of 12 to 13 year olds; children in essence. The data was collected from 1,100 primary and secondary schools across the UK, covering 83,724 youngsters between the ages of 10 and 15.

As well as alcohol intake, the survey raised issues about substance abuse, smoking and the harmful effects of playing computer games.

While one can question the reliability of such a survey, it nonetheless highlighted the government’s ineptitude at recognising the needs of the contemporary generation. Similar to David Cameron’s anxiety about the sexualisation of childhood, the government’s predictably ambiguous response was to declare it is cracking down on those who sell alcohol to children.

Yet in stating this, key issues were clumsily overlooked and disregarded. For how, in a society where children and adults are anything but segregated, is it possible to fully regulate the alcohol indus-

try? Indeed even with the required strapline, ‘Please drink responsibly’, the newly doubled maximum fine for under-age alcohol sales (£20,000), and the grotesque television adverts about the effects of binge-drinking, the problem’s faced are becoming increasingly more complex.

In a puritanically ideal state,

children could be sheltered and protected from the aggressive adult market.

However, we no longer live in a world where culture can simply be held back by 9pm watershed restrictions, or age-appropriate ratings. With the increasing popularity of Facebook, Twitter, and YouTube among the pre-teen so-

William Golding's contribution Eleanor Smallwood Commentator

Westminster recommends him, teachers implement his works.

For those of you who aren’t aware, we are currently in the centenary year of Nobel Prize winner, William Golding, or ‘Scruff’ as he was known as a schoolmaster; one of our most prominent 20th century authors. Many of you, like me, were guided (or possibly dragged) through Lord of the Flies during your school years. Almost six decades after its initial publication, the text, amongst the other works of Golding seem as prevalent as ever in the curriculum; but what is more unnerving is the reason, in my eyes, that so many see Golding’s works as having this ‘X factor’; the reason as to why academics and readers alike seem to come back to Golding’s writing time and time again. Golding has left us a legacy, but the message which we are taking away from his works, and the reason that his novels appear to be ever relevant is, in my opinion, an unsettling revelation.

On mere face-value, what is most striking about Golding’s works, and the idea which seems to be explored most often is the author’s acute examination of human nature which, in my opinion, has unfortunately transcended time.

In an interview for the 1980 Wordsworthian Magazine, Golding said that Lord of the Flies was written to say ‘Look! You think the war is over...but don’t deceive yourselves – it’s everywhere.’ It’s too easy to see how this translates to us today; we live in a world where too often war, disasters and general gloom seem to override our lives. We are still fighting abroad, schoolchildren wield offensive weapons.

Could it be that we are seeing a 21st century version of Golding’s vision? The fact that Golding

based the behaviour in his books on actions he witnessed whilst a schoolmaster in Salisbury suggests some sort of brutal reflection of the society the author saw. His works are provocative; he demands selfreflection which can leave anyone feeling uncomfortable.

As a reader, we are made inferior to the Neanderthal man. We, society, are stripped to our bare elements, which, in Golding’s eyes is very often a core of madness like in Pincher Martin or demonic as seen in The Inheritors. What seems most disturbing is this idea of man having a veneer of sophistication to cover basic instincts; an artificial civility.

Whether you enjoyed Lord of the Flies or not at sixteen, the children in the novel come from a background which I expect a lot of us can identify with; all educated and relatively cultured. It is this portrait, this common ground that we see which makes the boys in the novel a bit too close to home for my liking. This idea that there might be an unleashed animal inside the

best of us is definitely what made this book a frightening read, aside from the barbaric violence.

Yes, there are ways in which our world has moved on from Golding’s. The religious and mystical tones simply make the works Golding’s own, his works in some ways rising from the doctrines of the church. The overall effect of Golding’s writing can be chilling, however. Why would we choose to study this eccentric man who so often portrays what would seem to be an apocalyptic view of the world? ‘Would you call a doctor who diagnosed a disease a pessimist?’ demanded Golding. ‘The writer is trying to define a problem – the nature of man’.

Perhaps I acknowledge deep down that Golding was right about society. Whatever the reason and whatever you yourself may have taken from these works, regardless of your view of the world, we get the opportunity to see the works which are so familiar to us celebrated in a BBC documentary at the end of this year.

ciety, it is indeed impossible for children to be completely shielded.

Furthermore, if parents within the home are happy to provide alcohol, the government’s power to make any change in this regard is almost non-existent.

This leads me to question our responsibility as young adults. As the oldest of five children I am well

aware of the complexities of leading a certain lifestyle and at the same time attempting to encourage responsible behaviour.

Interestingly, in the 1950s the consumption of alcohol was just as prevalent and popular among young people. However, reaching an abhorrent state of being was not. Looking at the sixty years that have passed, it is hard to pinpoint the stage at which drinking to excess become not only cool, but the norm.

As a generation we are often blamed for corrupting a pleasant pastime. This is indeed an incredibly unfair and farcical accusation, I know. What we can be charged with, perhaps, is disregarding our influence, as we face becoming the shining examples for those younger than us. I do not think it is a case of sitting on a moral pedestal, or even impeding the fun we have as independent and carefree individuals.

But rather, is it really necessary to regale younger people with our ‘heroic’ tales of inebriation?

Indeed, next time your fourteenyear old brother or sister asks to sneak into Fab, maybe you should consider suspending their entrance into the adult world. Their time for drunken embarrassment and inane partying will come – when they are legal and aware of the consequences.

The right way to handle a protest Lucy Holligan Commentator

The right to protest in this country is something to be celebrated; it is the corner stone of democracy and allows views and opinions to be heard.

It can be anything from a static protest camp comprised of a few people to a moving mass of the outspoken brandishing placards.

Ironically there is usually more attention paid to the handling of the protest itself to the point where the issues raised are nearly eclipsed.

A protest that probably hasn’t failed to escape your attention is that of ‘The Occupy London Stock Exchange’, a group which has formed a protest camp outside of St Paul’s Cathedral since the 15th October and involves around two hundred people protesting against the inequality and corporate greed in the City.

However it is the handling of the protest which has attracted the most attention and divided opinion on what the appropriate response should be. It was initially agreed that the camp could stay by the church’s chancellor, Giles Fraser but days later the church had to close due to health and safety reasons caused by the camp.

Ever since the responses from the church have swung from one of facilitating the protesters, to trying to evict them and has led to the resignation of three high profile church figures, including the chancellor. The City of London Corporation has now offered the protesters the chance to stay until a mutually agreed date in early 2012.

One senior church figure was

quoted by the Guardian as describing the church’s handling of the protest as ‘a total and complete shambles’, and some see the church’s lack of consistency on handling the protest as part of the problem. But what is the right way to handle a protest?

Whilst the church may be accused of being ‘too soft’, clearly it’s hard to argue that the tactics employed by the Police for the G20 protests in London were a shining example on how to handle such situations.

So can a middle ground ever be reached? I would argue that the point of a protest is always to cause some disruption otherwise no one would be aware of it, however the point as to when a protest seems to cause too much disruption is one that is hard to agree upon and therefore the appropriate response and amount of force will be too.

10 redbrickpaper.co.uk

Redbrick

11th November 2011

Arts

'We've got rights, the right to starve We've got jobs waiting for work We're all brothers lousy and dirty We're all free and equal to die like dogs' – Peter Weiss

How far is too far?

night, walkouts per ty ir th f o e g ra ade With its ave n of Marat/S io ct u d ro p r 's the RSC ion of whethe st e u q ld o e g a dere-ignites the ed too far. We sh u p e b n ca e. s boundarie modern theatr in ty ri a rb a b f bate the use o

Ben Norris Critic

The production of Marat/Sade by the Royal Shakespeare Company came adorned with the tagline 'the play that changed British theatre forever'.

They certainly set themselves up to deliver hard-hitting theatre, and in this department, at least, no one could feasibly have been disappointed. In fact, it's hard to think of a way in which Anthony Neilson's production could have been more contentious.

There is a reason audience members were leaving the Swan Theatre in droves at the interval each night. Characters were raped, beaten, tortured and murdered on stage, all shown and narrated in graphic detail. At points the show is almost unbearable to watch, but that's not to say its violence or sexualisation was mindless – it was not. Indeed, it was one of the numerous reasons that I left thrilled and shaken, having had my mind systematically blown throughout the evening, and my faith in important, risk-taking British theatre restored.

Quentin Letts, theatre critic for the Daily Mail (that authority on arts and culture), begins his condemnation of the show with a comment on its perceived unpopularity with American tourists, who've apparently come to see frilly dresses, silly accents and sword fights. But why should it be the responsibility of British theatre to prostitute itself to the quaint ideals of a visiting foreigner? If Letts wants crowd-pleasing fun then he should get down to London's West End, where he'll be spoilt for choice.

Marat/Sade fits into the latter category – a German play from the '60s, written by Peter Weiss. In it, the inmates of a mental asylum perform a play about the execution of French revolutionary Jean Paul

Marat, under the direction of the Marquis de Sade. This third layer of reality naturally complicates things, and my one criticism of the production is that Neilson's conceptual wizardry is impenetrably dense for anyone not already familiar with the text.

But as someone who can claim some (and only some) familiarity, I found the whole experience electrifying. The 1808 setting is littered with anachronistic references to contemporary Britain – Marat writes his 'manuscripts' on a laptop; the inmates are controlled by hypnotic ringtones on their mobile phones – and here Neilson's risks pay off big time. His modernisation sharpens Weiss's already rapier social commentary.

At one point the Herald, a narrator figure played by restrictedgrowth actress Lisa Hammond,

At points, the show was almost unbearable, but it was not mindless steps out of role and asks an audience member for money. His response, whatever it may be, feeds back in to Sade's following lines and becomes part of a profound statement about fashionable fauxcompassion in the middle-classes.

There are countless other examples of where this production was spot on, with its remarks on mental health, violence, religion, tolerance, power, communism, capitalism and democracy at once sweeping and painfully precise.

If I was ever uncomfortable it was because of the innate truth of what was in front of me, and my part, however big or small, in perpetuating it.

The success of the piece is helped no end by miraculous performances from Hammond as the Herald, a deliberately indifferent Arsher Ali (Four Lions) as Marat, and especially Jasper Britton as Sade. His chameleon turn saw him portray several different women,

each markedly distinct, and a caricatured Texan; all facades of a hedonistic Englishman whose position of power within the hospital has rather consumed him.

Extraordinary lighting by Chahine Yavroyan at one point cast a nauseating mirage of grids and wires over the stage and the entire auditorium, and Khyam Allami's music was both exotic and evocative. I strongly believe that if theatre is to flourish in the 21st

century (and I mean real, modern, meaningful theatre, not jodhpurs and harpsichords) it must move, stimulate and provoke in ways that cinema cannot.

Marat/Sade gave you nowhere to hide – audience members were shocked, appalled, roared with laughter or stunned into silence, but few remained indifferent. In this and almost every other sense, this production is a bold and exciting success.

'I expected nothing but the worst, and I got it, in every sense.'

Lucy Hanks Critic

Nervous is an understatement when I describe my feelings as I cowered in my front row seat, waiting for the RSC's production of Marat/Sade to commence. I gazed longingly at the fire exit, planning my escape as I mulled over the cautious 'good luck' I had received from the stewardess.

The tittering and whispering of the neighbouring audience members did not placate me - I expected nothing but the worst; and I got it, in every sense.

Set in a mental asylum, the play was nothing but an awkward experience. The ethos was that the audience were visitors to the asylum, witnessing a performance put on by the patients. There was plenty of interaction, which had me instantly regretting my choice of seat.

A 'patient' gave me eye contact as he touched himself, which was unsettling to say the least. I tried desperately to follow the plot, if at all there was one, only latching onto the idea that Jean-Paul Marat, the main character, was surely going to die. Jasper Britton's performance, however, was fascinating. His unnerving depiction of 'de Sade' left me in awe of his impeccable acting skills, and concerned about his sanity; just who

can play insanity that perfectly?

Aside from this, I was totally mortified watching Midsomer Murders' actor Nicholas Day being savagely raped with sex toys, about two metres away from where I sat.

It was, in my opinion, a poor excuse for the actors to boast about what they were brave enough to perform. There were gasps all around when a dwarf performed a sex act on a bishop, shortly after he broke wind on each of the patient's heads. I was not surprised when a group of about twenty people left at the interval, eager to put an end to their discomfort.

I am all for the shock factor, but I think we have to draw the line when the actors almost sadistically intimidated the audience

with their 'brave' and 'experimental' acting. Audience interaction is good – but this should be verging upon asking a much bigger question; what are the acceptable boundaries of new and experimental theatre? Can directors take it too far?

What started out as an exciting trip to the theatre, ended in a headache and a sigh of relief as the actors took their final bow. Don't get me wrong, the acting was superb, but I couldn't help but feel disappointed at the thought that such a prestigious organisation, the Royal Shakespeare Company, would encourage such a degrading and sickening production.

Unfortunately, I'd have to say that the bad definitely outweighed the good.

Redbrick

Editors – Alexander Blanchard & Lexie Wilson

Arts 11

11th November 2011 redbrickpaper.co.uk

Previews

Living My Life at New Queen Elizabeth Hospital Ami Coxill-Moore Critic

The New Queen Elizabeth Hospital may not be considered your average setting for a visual art exhibition, but that is exactly what the outpatients waiting area has temporarily become for Living My Life, a photography display presenting images of people who culturally associate themselves as trans. SHOUT festival is working in partnership with several nationwide sexual health and trans organisations in this touring exhibition.

Living My Life aims to emphasise support networks and varieties of procedures available to those who consider themselves to be trans, as well as highlighting the importance of understanding and celebrating the trans lifestyle.

The collection of photographs in this exhibition specifically focuses on individuals at the New Queen Elizabeth Hospital.

At first glance, the seemingly cheerful models juxtaposed against surgically whitewash walls could easily be bypassed as generic hospital décor used to break up otherwise plain surroundings.

It is not until you look at the photos closely that you see an array of captions citing quotations such as, 'I never came out as a transsexual, I was born a transsexual' and 'I was always me, but didn't look like me'. It is then that you realise these pictures carry much more of a story.

Each of the 14 people featured in the vibrant and engaging photographs may all portray different stages and levels of transition, but they all share the same high levels

of confidence and happiness that clearly come as a result of individual acceptance and the overall feeling of being comfortable with themselves; undeniably something that is widely taken for granted amongst the wider population.

The exhibition moves the audience to reflect on what it must be like to be trapped inside a body

you feel is not a representation of your true self.

Despite this being done through the medium of photography, which in itself invites the audience to view a subject through its aesthetic qualities, it is the expressions, poses and captions that offer an insight into the deeper feelings of those featured.

was raw emotion.

Throughout the play, the audience was captivated by every word, and Bharti Patel (playing Mira, a character who described the day of her marriage as 'the day I died') gave a particularly striking performance. She was able to bring the

audience to laughter in one instant with her witty humour, and immediately turn the joke on its head the next, with a rapid reminder of the seriousness of the real issues that the play was seeking to address.

Fantastic performances by the whole cast did, however, lead to a feeling of disappointment when the play reached its somewhat abrupt ending. Sure, problems had been resolved and there was something of a happy ending, but it was difficult to suppress feeling somehow unfulfilled by the play as a whole.

It was not the lack of a good performance, but more the presence of the potential for the play to have been developed into something of a greater production, and it was frustrating that this had not happened.

The overall presentation of the play (performed at the MAC), how-

ever, was well executed. A simple set ensured that attention was not drawn from the performance itself, and the performance continued even with the changing of the set, as props were dramatically and enthusiastically passed across stage between the cast, who remained in character even throughout this.

The addition of dance and poetry added further elements to the production, breaking up the sometimes intense scenes and addressing the main issues in a different manner, but sometimes came across as somewhat out of place and even unnecessary.

The moving performance of the cast in character was perhaps enough to satisfy the audience artistically and emotionally.

Invisible made for a very moving and thought-provoking performance, but, I believe, it has great potential to be much more.

Invisible at MAC

Elizabeth Waind Critic

Something that was certainly visible in Hannah Phillips' interpretation of Sayan Kent's moving play, Invisible, about three women and their struggle with their sexuality,

Functions II at the Barber Institute

Ravina Khela Critic

Innovative, original and intensely thought-provoking, the young artists from the Birmingham Institute of Art and Design were set the task of 're-interpreting, reconstructing and reinventing' works which are already on display at the Barber.

Many old and iconic masterpieces have been transformed and updated, not through masterful strokes of a paintbrush, but rather via the piercing camera lens.

The talent and creativity exudes from the prints, culminating in some beautifully striking images.

There are two reinventions of Dyck's Ece Homo, which differ radically from one another; Lloyd choosing to explore the flamboyant themes of lust and sexual fantasy whereas Melhuish's piece sees a Christ figure immersed in shadow by the clever use of a single light.

The runners-up were Atkinson's interpretation of Turner's The Sun Rising Through Vapour and Collyer's take on Redon's Crucifixion.

The former captures a rare moment of calm and beauty in the unlikely location of the motorway with the sun's rays beaming through the clouds onto a lone lorry driver; the photographer's modern equivalent of the Turner scene containing ships and dockworkers on an idyllic morning.

The latter, by Collyer, reworks the religious tones of the original piece to produce an image that could easily be mistaken for a nude partier in a field, but to the well trained eye is symbolic of the resurrection.

The exhibition winner was Frost's reworking of Pellegrini's Judith and her Maidservant with the Head of Holofernes. From her work, one can sense the tones of female empowerment and the capability of the 'desperate, destructive housewife'.

Functions II is a testament to the fact that art does not have to be seen as removed from modern, everyday life.

It is a great starting point for those who are interested in art, but find the area somewhat daunting. It is one that is definitely worth popping in to see on your way back from lectures or on your way to Joe's.

Dave Gorman at Symphony Hall

Alice Young & Sophie Rogers Critics

What do you need to know about Dave Gorman? He's 40, he's married to Mrs Gorman, he's 5'9'' and, contrary to popular belief, he's not Jewish.

It's difficult to express in words how humorously Dave Gorman conveys the trials and tribulations of modernity through the ever popular medium of powerpoint presentation. Who ever said it was just for seminars and the boardroom?

Did you know: people are more likely to buy an analogue clock if it is set to about eight minutes past ten, because it looks happy? Apparently, Gorman has discovered, certain phone company advertisements believe that a digital 10.08 will have the same effect.

Warming up the audience was the little-known Jay Foreman. The comedian-cum-musician's mate-

rial fell a little flat in places and perhaps did not warrant his substantial 40 minute set.

Finally – post-interval – Gorman appeared. The smooth use of visual aids added a clever dimension to the night's proceedings, a refreshing change for those who are used to switching off when a projector screen switches on. Visiting magazine clippings where he was falsely mentioned as a successful Jewish author, to terrible lookalikes and tweets displaying his mischievous activities, Gorman managed to keep the audience laughing whilst simply recounting his day-to-day online antics.

If you haven't read the comments written by readers on newspaper websites, you probably should. Better yet, listen to Gorman's 'fan-poetry'. He scours the web for the very best comments on current (pointless) news stories (think 'Union Jacks for the 2012 Olympics – Made in France') and compiles them to form 'poetry' of the very best kind.

Gorman's material was fresh and funny, helped along considerably by power point, and by his genuine connection with the crowd.

He anticipated their reactions – so much so that he had slides prepared which acknowledged then surpassed all assumptions.

He is definitely one to watch – or at least follow on Twitter.

Sing Along Wizard of Oz The Lighthouse 11th November £8

Arthur Smith MAC 11th November £12

Mahim Junction The Drum 12 November £10

The Buddy Holly Story The Alexandra 14th November £15

3Bugs presents: Still Life The Victoria 14th-16th November £5

Correction In issue 1398 we incorrectly credited Lucy Mold's Macbeth review to Hollie Jones, whilst Hollie Jones' review of Don't be a Dickhead was incorrectly credited to Danny Murphy.

12 redbrickpaper.co.uk

Technology

Redbrick

11th November 2011

The life and impact of Dennis Ritchie 1941 – 2011 www.redbrickpaper.co.uk/technology

Riddle me this, Batman: Arkham City an ace game or a Joker?

Sam Atkins Writer

The average sequel to a comic book game will hope to achieve a similar goal to its predecessor, providing a fun way to kick some bad guys about as your favourite costumed hero. Spiderman, X-Men and most recently Captain America have all had the videogame treatment, but each suffered from their attachment to their respective movie franchise. Batman: Arkham City is no average sequel. It's a follow up to a game that not only exceeded expectations, but made you feel like its hero in an unprecedented way.

Batman: Arkham Asylum was fantastic, and undoubtedly one of 2009's best games. Developers Rocksteady have been feeling the pressure to live up to the lofty expectations. With comparisons to Bioshock and the Metal Gear franchise, the focused story-driven world of Arkham Asylum became one of the generation's defining experiences. While this aspect remains, the world you explore has expanded a great deal in the sequel.

With the asylum replaced by a huge city-size complex for inmates to reside in, just about every villain in Batman's long history now has a place to call home. Still on the hunt for Joker from the first game, Batman finds himself abducted by Dr Strange, one of the many new vil-

31.1 MB/S

Procrastination Aid of the week Each week we provide you with the best ways to get your tech fix. This week Dan Lesser presents 'TV Tropes'.

Ever watched a TV show or a movie and thought 'that seems familiar' or 'that was predictable'? Congratulations, you may have just spotted a trope. A trope is a convention, some sort of recognizable pattern, and whether it's a plot twist or a character type, you know it when you see it.

TV Tropes is a website that documents all sorts of different tropes, and lists the films, TV shows, and even comics and books that use them. Just search for your favourite series, start reading, and you'll be clicking for hours. Some of our personal favourite tropes include 'A Wizard Did It', 'Chekhov's Gun', and the classic 'All Just a Dream'.

If you need to kill some time, head to http://www. tvtropes.org or search for 'TV Tropes'

lains to make an appearance here.

Arkham City turns out to be even more dangerous than the Asylum ever was. With villains like Penguin and Two Face taking control of small armies, nowhere is safe.

Batman however finds unlikely allies in Catwoman and Mr Freeze.

The list of characters from the comics is near endless, for instance the Riddler and Bane appear in optional side missions.

Optional is the key word here.

The main story arc follows a similar linear path as the first game but the rest of Arkham City is open for you to explore. There are hundreds of Riddler trophies to find, as well as optional equipment, upgrades and missions to complete.

To put things in perspective, a playthrough that only included the main s t o r y w o u l d give you 25-30 per cent completion. There's a whole lot of

content on offer here. These aren't your average side missions as they reveal new secrets, characters and great story arcs. It really goes a long way to extend the experience past the six or seven hours of play that the main story offers.

That said, at times the world can seem a little too open. The game is split up into several distinct linear sections.

Review: Battlefield 3

Though at first tasks like finding the coldest point in the city to locate Mr Freeze are interesting, they soon become a way of distracting from the main story arc. Some may find this appealing on paper, but in practice it gives the game a stop and start pace. One of the things that Arkham Asylum did well was to keep things moving forward.

Here, it's like a set of individual comics that only have the Joker to keep you interested between gaps.

Compared to the speeds of other campaigns like Uncharted and Call of Duty, Arkham City lacks flow.

What doesn't lack flow is the revolutionary combat system which was first seen in Arkham Asylum. The system came out of nowhere and few expected such an innovative system from a licensed title. Commands are kept to a bare minimum but somehow you still feel like the Bat himself as you fight.

Throw in enemies with shields, knives or guns and the skill comes from knowing which attack to use at any given moment.

The rest of the game lives up to this high quality, and for those who played the first game the gameplay will feel familiar.

Arkham City looks phenomenal, the views when you're perched atop the city are as breathtaking as those in Assassin's Creed. Us-

ing your equipment feels less like Zelda this time too, as last time each section required the use of the last tool you acquired. Very few times does the game tell you how to proceed and you are often left to discover the path forward and what equipment to use for yourself. While this can often leave you scratching your head it does make Arkham City feel like a thinking man's game.

Being positive about Arkham City is very easy. When compared to just about any other game this year, it has one of the most detailed and intricate worlds to explore. The game stays faithful to the original vision of Batman as a superhero without the super. That said, on completing the game there was a feeling that something was missing, something that held the game back from its true potential.

Underwhelming appearances from certain characters, for instance Catwoman's much anticipated gameplay section, fail to truly connect to the main story. Couple this with the sudden shift during the halfway point and Arkham City fails to achieve greatness.

It was obvious that Batman: Arkham City was going to be a fantastic game, but perhaps expectations were just too high. Still, it remains one of the best experiences of the holiday season. For fans of the franchise it is certainly one for the Christmas list.

is genuinely rewarding.

The vehicles are also a lot of fun with tanks feeling heavy and powerful. The helicopters are satisfying to master and the jets will have you shrieking lines from Top Gun at the screen as you frantically try to shoot down enemies and evade heat-seeking missiles. It can be a bit overwhelming and frustrating at times, especially if the enemy team is particularly snipey or your own teammates are useless, but when it all comes together the multi-player offers something that is simply unparalleled in scope, scale and sheer cinematic experience.

The sound design is also excellent throughout and the voice acting is superb. The screams of the soldiers, the sound of bullets narrowly missing you and the crunch of caterpillar-tread as tanks roll by are well put together. These details really add to the overall experience.

All in all, the single-player is disappointing and instantly forgettable. That said, Battlefield 3 offers one of the most exciting, varied and full multi-player experiences on the market today.

Tom Armstrong Writer

Battlefield 3 arrived at the end of last month in a tidal wave of hype and lofty expectations. The periodic release of trailers and teasers over the last six months certainly gave the impression that there was a lot to be excited about, but now it's finally here, does it live up to the hype and is it worth £40 of your hard-earned drinkin' money?

Well, bad news first. Battlefield 3 is probably not worth your money if you're only interested in the single player. Although it looks good, sounds brilliant and has some real stand out moments, it's often incoherent and fairly daft, especially in the final sections. The single player works best when it makes you feel like part of a much wider conflict beyond your control, for example fighting through Tehran at night accompanied by 30 other soldiers.

Sadly, these standout missions are overshadowed by the ones in which the game decides to go fullon Rambo, at which point it just feels hollow and silly. The actual narrative fails to build up much suspense and ends up feeling like a bad action movie. If you were hoping for Band of Brothers as opposed to The Expendables then prepare to be a bit disappointed.

The multi-player, on the other hand, is absolutely phenomenal.

The nine maps range from tight, claustrophobic urban scuffles with frantic infantry combat, to huge open environments with the full range of tanks, jets and helicopters. There are five game modes

to choose from, including the objective orientated 'Rush and Conquest' and the classic 'Team Deathmatch'. The four character classes: Assault, Recon, Engineer, and Support are easy to customise to your style of play and the game has a large range of unlockable gadgets and weapon accessories to mess around with. So, if you want to be a sniper, blow up tanks with a rocket launcher, or grab a shotgun and charge around like a lunatic, then you can. Rewards are gained with points earned from a huge number of actions and they are unlocked at a pace that keeps you engaged and

Redbrick

Life&Style

11th November 2011

redbrickpaper.co.uk

How to get into magazines with Marie Claire This might not sound like homework, but when applying for work experience, study your magazine carefully. Engage in the subject matter, work out the audience and the magazine's competition, and, crucially, make sure to reference specific articles in your cover letter. Editors will love that you actually know what you're talking about – make it personal!

Sarah Musgrove Editorial Assistant

As fellow Life&Style writer April Shadlock and I held our flutes of champagne, admiring the jawdropping view of the Thames, we both quietly wondered the same thing – how many of the girls in this room would make it into the magazine industry?

We waited on the tenth floor of the IPC Media building for the biggest and best journalists at Marie Claire to impart their wisdom.

Plucked out of the office as part of their 'Inspire and Mentor' series, the five speakers from Marie

marieclaire.com Claire made an ominous line-up, and 80 or so girls of all ages and professions hung eagerly upon every word.

If you've done your research, some of their tips may have seemed old hat to you. But hearing it from the mouths of those who've been there, done that really struck home how much hard work was put into these prestigious positions. 'Well, I think that's put me off going into magazines!', gossiped one of the girls in the lift down at the end of the night. Step out of the way, ladies… Here are some of the golden nuggets we gathered that evening: TEACH YOURSELF

DON'T BE AFRAID OF ALTERNATIVE ROUTES There's more than one pathway into magazines – Editor-inChief, Trish Halpin, started out in publishing and production (fishing magazines, anyone?), before getting spotted and becoming an editor. 'Aim at a publishing company you admire,' she recommended us, where you can start low and work your way up. Online Editor Helen Russell echoed this sentiment – 'make connections wherever you work.'

GO ABOVE AND BEYOND 'Say yes to everything,' advised Beauty Assistant Jessica Hough, 'even if it means working out how to do it afterwards.' The unanimous rule: don't be afraid to work hard, for free. Treat any internship like a full-time, paid position, recommended Junior Fashion Editor Lucia Debieux, and do it with a smile on your face. If you work with the

Writer

Anyone who has watched Britain and Ireland's Next Top Model for the last two years knows about the Live Exhibition in London.

An opportunity to see the girls from the competition up close, the event boasts catwalk shows, live performances and a huge array of stalls selling anything from vintage jewellery to the latest beauty products. Having been last year, I couldn't refuse the chance to go again this October on behalf of Redbrick.

The day began with a photo call, with the girls plus judges Charley Speed and Grace Woodward striking their best poses for the press. Winner Jade Thompson rocked an on-trend vamp look

with a black strapless leotard tucked into a full leather skirt, killer heels and blood red lipstick.

Grace followed suit with a tight leather dress, black feather coat and statement Alexander McQueen heels.

Cupcakes and cocktails in the VIP lounge were a must before the main event of the day: the official BINTM 2011 Catwalk.

The show featured all the girls from the competition as well as some well sculpted male model/ dancers and performances from new singer Bluey Robinson and upcoming band Luminites. A very well staged and choreographed catwalk, the fashion ranged from bridal-wear to 1960s inspired psychedelic colours and shapes, to a gothic, grungy leather collection.

The boutique stalls were a vintage magpie's dream, and

BE OPEN TO DIRECTION When you finally get something published (whether it's a professional piece you've pitched to a magazine, or something appearing in Redbrick's pages), don't be afraid of criticism. 'Don't be precious with your writing', advised Kasie for writing a feature.

'When I got my first piece back, it looked like the paper was bleeding, there was so much red ink', cringed Jessica. Everything gets edited, and we were all advised to learn from our criticism rather than feel crushed.

DON'T LEAVE 'Once you've got in, don't leave – even if they have to get the security to kick you out!' Jessica Hough recounted her enthusiastic attempts to hang around when she was an intern – offering to cover colleagues' holiday leave for free, and proving indispensable until a job opportunity arose. Once your foot is in the door, make sure you keep it there!

To tan or not to tan?

Backstage at BINTM Live

Eleanor Pitt

right attitude, you'll be noticed for all the right reasons – as Features Editor Kasie Davies said, 'Be nice to everyone!' If you're struggling to get a placement, don't be afraid to pick up the phone – you can make sure to get put in touch with the right person, and most will be happy to help you out.

boasted gorgeous furs, silk scarves, chunky knits and trinkets.

The beauty section was bursting with new companies wanting to demonstrate everything from their latest nail varnishes, hair styling tools, exfoliators and brow definers. Revlon had its own Powder Room where you could pop in for a makeover before visiting the 'Massage Cloud' if you wanted to relax and take five from the hustle and bustle of the exhibition.

If you were after a modelling master-class, industry experts were showing visitors the techniques needed to be queen of the catwalk, and even gave a select few girls the chance to strut their stuff in front of the crowd. The 'Models' Training Area' got tense when judges Charley and Grace paid personal visits to check out the talent, reminding wannabe models that winner Jade was spotted at this event last year.

If you're a fan of the show but haven't been to BINTM Live yet, do; it's girly, it's fun and it's definitely worth a visit.

Amy Childs, star of The Only Way is Essex, unveiled her new collection of dresses at the show.

Clearly close to Amy's own style, the collection is a mixture of curve defining shapes, sequins and lace, bringing Essex glam to anyone who wants a slice. Dresses range in price from £45-£75, and can be bought online at Amy's official website. Amy wasn't the only Essex face promoting her new line, Lauren Goodger came to publicise 'Lauren's Way', a brand dedicated to fake tan, false eyelashes, hair extensions, and a soon-to-be revealed clothing collection.

Lily Black Writer

Now that winter is fast approaching and the summer tans are beginning to desert us – many are faced with the question: to fake or not to fake? There are those who are baffled with the concept of spending time slathering mousses all over their bodies, as there are also those religious followers who dedicate hours to it every week.

With The Only Way is Essex girls never seen without layers of fake tan, the concept of 'fake beauty' is growing rapidly. The introduction of 'Fake Bake At-Home Parties' with their mantra of 'never tan without P.A.M (preparation, application, maintenance) are spreading fast as they seek to re-educate the masses in the art of 'tasteful' fake tanning.

Fake tanning used to be seen as trashy and paleness indicated 'class' on the red carpet, however now it is instead becoming a beauty staple - with Vogue itself playing host to fake tan pampering sessions for valued contributors and hosting 'Fake Tan Friday'.

When Nicola Roberts ditched her usual fake tan at the Brits in 2011 and appeared au natural, she caused quite a stir – for a good reason. With her red hair and pale skin she looked glamorous and sophisticated showing to the world that pale is in.

So what's the verdict? Is fake tan or natural paleness pushing ahead in the on-going debate?

This winter many will be reaching for the fake tan bottle, but maybe one or two readers will brave it and face the winter bare!

13

Fierce & Finished Fierce Charlotte Lytton Television Editor

Reliving the 90s – With a Steps reunion well underway, is it only me wishing that 5ive, S Club 7 and the like would follow suit?

Starbucks' Christmas cups – Red is the new cream, as our favourite coffee company welcome the festive season in style.

Streaking – Whether it's through the library or around the Guild, one natty nudist was happy to bare all at the European Music Awards.

Forget the cold and drop your crackers!

A new Dawn – French has gone from fatty to fittie, unveiling her new, svelte(r) figure at a recent awards do.

Turning the heating on – Blow the budget and the six pairs of leggings you're wearing to bed every night, it's time to put those rusty radiators to good use.

Spar organic sandwiches – Greek Holiday, Cheeky Cheese and Totally Tuna have to be the best named butties on campus, and they taste great too! Lunch win.

Raspberry Caipirinha – Brazil's national cocktail is a tasty treat to warm your cockles on a cold winter's night.

Finished Reading week being over – Deadlines are looming and we're wishing we hadn't spent the past week in bed/clubbing/back in bed.

Online shopping – Stop taking my money. Just stop it.

Bieber's lovechild – Just out of nappies himself, the Biebz has landed himself in hot milk after a 30 second tryst with a fan supposedly culminating in an unwanted pregnancy. Who's the daddy?

Awkward.

Guy Fawkes' Night – Fireworks are over and for us third years, that means no more free displays courtesy of the uni. Boo. Briefly behind bars – La Lohan has been behaving badly yet again, but managed to get away with just four and a half hours in custody.

The Littlewoods Christmas ad – Featuring 'ghetto' children rapping about Jen, Ben and Ken's Christmas presents. Let's hope these brats find their stockings empty this yuletide. That'll teach 'em.

Double trouble – Frankenstein co stars Benedict Cumberbatch and Johnny Lee Miller are going head to head for the Best Actor gong at this year's Evening Standard Theatre Awards. No doubt both are hoping the other actually does break a leg.

14 Life&Style

11th November 2011 redbrickpaper.co.uk

Redbrick

Editors – Sophie Cowling & Lara Edwards

Super Celebs: ANOTHER autobiography Katie?

selebspy.com Victoria Gardiner Writer

Last week, whilst doing a shop at Sainsbury's, I passed by the magazine section and was struck by a new title on the shelves. The sight of the magazine in question intrigued me, so I moved in for more and began to flick though the pages.

What I found could only be described as hard-hitting journalism at its best. The feature to which I felt particularly moved and titillated was headed 'Facts you might not know about me'.

This particular article listed the following fascinating facts: 'I like

to clean and sweep the kitchen after cooking', 'I really hate being cold,' and 'I hate having my car's petrol warning light on'. Truly compelling.

Yes, it seems that the reality shows, autobiographies and countless exclusives to gossip magazines just didn't reveal quite enough of Katie Price, prompting her to release a magazine, finally giving her side of the story.

The publication is named Katie... creative as always, Miss Price.

Jordan either deserves a hearty round of applause for her uncompromising wit, sarcasm and ability to mock herself or, well, a slap. Whilst it is true that Katie won't be receiving the Pulitzer Prize any time soon, it does raise questions about the multi-million pound business she has created around her brand. It might be speculated that her talent is limited but I would argue that, in fact, her talent lies in the clever marketing of her one com-

Pampering for a pound

modity: herself.

One thing that cannot be escaped is that Katie Price is everywhere we look: in print, on the radio and on our TV screens.

However, Katie is not the only one. As the world of celebrity, and more importantly, our obsession with celebrity becomes more and more acute, the degree of the presence of famous people increases. No longer does it suffice to find success and expand exposure in their respective fields, celebrities now feel the need to conquer many others as well.

Television presenters, chat show hosts, singers, actors, models, radio DJ, columnists, journalists, authors, fashion designers, perfume designers, chefs, directors and stars of their own documentaries: these celebrities are leaving no media avenue untouched.

Beat those winter blues Paloma Hinojosa Writer

lastestinbeauty.com April Shacklock Writer

Do you want to try top brand products for just £1 a month? If you do, log yourself onto www.latestinbeauty.com where you can choose from a range of skin-care, hair, beauty and fragrance samples and receive them in a beautiful box through the post for just £1!

As a student on a budget, I often find that I have to limit myself to the lower brands of make-up such as Rimmel, and rely on Santa bringing me a year's supply of fragrances. But latestinbeauty.com is giving us the opportunity to inject some luxury into our economical beauty regime.

As a beginner you get the opportunity to choose one of six different products from each category, skin-care, make-up & fragrances, and hair & body, from brands such as Skin Doctors, BOSS, and Nicky Clarke - or you could go for the mystery sample if you're feeling daring. The options available are suited towards the information you give about yourself when you sign up. As the months go on and you order more samples, your choices become more diverse.

This service is also a fantastic way of narrowing down the extensive choices there are on the beauty product market these days.

It also stops us wasting money on expensive organic skin-care products which reduce oily patches to the point of desert-ification.

Even if you pick a sample you decide you're not a fan of, there is no pressure to buy it, you can simply move on and find something else which suits you. However, if you do find a product you love, you can buy it off the website at a discount price!

Latestinbeauty.com also offers luxury boxes, which include larger samples from more prestigious brands such as ARK and Realhair. These boxes range from £2.50 – £10, so buy wisely!

Now it's time to start thinking about Christmas presents. The themed box which includes six samples from brands such as This Works, Richard Ward and Orla Kiely, could be the perfect stocking filler for your mum, sister or aunt.

There is no commitment to buy more than one box, so for £1 give yourself a sample sized pampering!

Do we long for the days when models were models and writers were writers, or do we still crave more of our favourite celebrities?

Perhaps a more pressing question is whether these celebrity products are as high quality as the pros or are they, in fact, tarnishing the profession?

Back in 2007, Katie Price's second novel, Angel, outsold the entire Man Booker Shortlist put together and this year, Kanye West broke into the fiercely competitive high fashion world by showing his collection at Paris Fashion Week. In regards to Angel, this might just be my opinion, but her writing (if indeed it is her own) isn't quite up to the standard of other novelists, yet she still managed to outsell them all.

Whether the driving force behind their success is business-savvy, clever marketing or a talented PR team behind them, there is no denying that celebrities really are everywhere.

In this celebrity obsessed culture, will we ever have the courage to say enough is enough? Will the amount of celebrity exposure ever be enough to quench our curiosity or stave our ferocious appetites?

Time will tell but perhaps, by the time 'Peter Andre: Becoming a Great-Granddad' comes to our ITV screens, the lesson will finally be learnt.

It has now reached the point in the year where it is tempting to hibernate away in fear of the approaching arctic months. The classic winter cold has taken over and the amount of coughing and sneezing in lectures has dramatically increased.

Winter tends to leave us feeling down and 7% of the population suffer from SAD (seasonal affective disorder) during the months between September and April.

Here are some top tips to help you embrace winter this year – 'tis the season to be jolly after all!

Bask in the winter rays Research studies show that seasonal depression is caused by a lack of light. Items such as light boxes or high spectrum light bulbs can be purchased for extreme cases. You can easily fight these long spells of darkness by going for a little walk outside during the day.

Boost your mood through exercise Exercise is known to combat depression as it releases all those feel good hormones known as en-

dorphins. It's easy to want to stay cooped up in bed when the cold weather makes us feel tired and sluggish, but just 30 minutes exercise a day will get rid of that lethargy in no time.

Eat well All we seem to want is stodgy foods at this time of year, but this is the last thing you need. Step away from the processed, fatty foods which call to your cravings and stock up on healthier options.

Oily fish, fruit, vegetables, brown rice and lots of water will help you avoid illness and give you energy.

Treat yourself Meeting up with friends and being sociable always helps to lift a person's mood. Embrace the winter season by going ice skating or skiing with friends. We have all suffered from scaly skin and chapped lips, so buy some nice moisturisers to keep you feeling fresh. You may as well treat yourself to some retail therapy whilst you're at the shops!

Rest and relaxation Snuggle up in bed with a hot chocolate, relax and watch a Christmas film. Eight hours of sleep will leave you feeling refreshed and ready to fight another winter day.

eightsandweights.com

The Date Doctor

Anonymous Columnist

It's date number three this week and that means it is time to step it up and venture beyond the urban jungle that Birmingham offers.

This next idea works well as a date but is also equally as fun with just a couple of friends, so if your loved one doesn't actually like you or you're trying to slim-line Christmas this year by rocking the single life, then grab a couple of friends and head to Moor Street.

In less time than a Kim Kardashian marriage, and at about a millionth of the cost, you can find yourself in the quiet little village of Lapworth. For those of you used to the daily grind of crossing Bristol Road, the pleasant autumnal leaves, quaint bird-song and a welcoming wave from the old lady tending to her garden should come as a nice change of pace. A slow and refreshing ramble towards the nearby village of Baddesley Clinton will allow you to sample the delights of the Orange Tree pub.

Whilst on an ill-fated and mildly intoxicated trip to Cornwall this summer I bought a book about the best family pubs in Britain. When I awoke the next day, I searched high and low for the West Midlands section only to realise that of the 1,000 or so pubs they recommended, only one was anywhere near Birmingham. However, the little gem they suggested did not disappoint and was well worth the trip. Booking is recommended, and there are cheaper places, but as third date venues go, it should help secure that magical fourth date and let you experience a bit of countryside life, if only for a few hours. It also has a great beer garden but due to the looming winter it is probably best to settle somewhere near one of the fireplaces and order some mulled wine (the great season is almost upon us).

Nearby there is a classic National Trust house and gardens, allowing you to live the retiree's dream if that tickles your fancy, and there's even a couple of nearby canals to boot. If this sounds too far afield, then just stay in and watch Frozen Planet on repeat, attempting to suss out what the point in the narwhal's tusk is and why penguins don't just live nearer the sea. Next week we will stay much closer to home and see what this year's winter German market has to offer.

Will things heat up in Date 4? Find out next week from Life&Style's favourite Doctor...

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Redbrick

11th November 2011

Film

'I do not like the cone of shame'

Up (2009)

Justified existence: pre-release spoilers

Film News

Luke Jones loves a tease but David Gluckstein thinks they spoil the fun... fight!

Justified Luke Jones Critic

The age of the Internet has made film-making far more open. The secrecy of Hollywood productions has given way to set photos, behind-the-scenes features and viral campaigns that reveal far more about the content and craftsmanship of films than ever before (although craftsmanship seems like a lofty word to use for the recent The Three Musketeers update).

As a result films have become more than the two hour experience you enjoy in your local world of cine with a bucket of popcorn and an oversized coke. They are 12-month plus media events, with everything from the cast to the design of the lead's red underpants (see the upcoming Superman film) being revealed way in advance.

When film-makers embrace this it can lead to the creation of a level of excitement and anticipation for their film that spills over into a nice big juicy opening weekend.

Take Peter Jackson's upcoming film version of The Hobbit.

Excitement for the film is already

high, coming after one of the most critically acclaimed and loved adaptations of all time, The Lord of the Rings trilogy. Rather than having grainy spy-taken photos leaked, the production released photos of Martin Freeman as Bilbo (the main Hobbit, keep up at the back) in advance of filming.

Then there are the nonofficial avenues. Before filming had begun on Terminator: Salvation the script was leaked to an internet already stung by a l a c kluster third film. The major twist in the script, that John Connor would turn out to be a Terminator himself, was rightly derided by everyone with a brain and the script was re-written, without twist.

In a time where going to the cinema leaves little change from a tenner, pre-release material represents added value for film lovers and should be embraced wholeheartedly.

Unjustified David Gluckstein Critic

Ladies and gentlemen of the jury, pre-release material has systematically destroyed the magical event of a trip to the cinema. The increased failure of modern media to contain movie spoilers and the reveal of behind the scenes shots; all culminate in sapping the excitement and enjoyment of the film experience. Being against pre-release material may appear a hard task; however anticipation for a film can still be established by understanding that less is more.

As the saying goes, 'why buy the cow when you can get the milk for free?' The same is true of many trailers a n d film r e -

views, why so many give away so much of a plot is shocking. The One Day trailer is a perfect example, a 'will they won't they' film in which the trailer shows the leading male getting married and then in seconds is divorced, as if the audience would decide against a movie in which a Hollywood ending is threatened. By exposing too much, reviews and trailers diminish the tension and devalue the viewing experience.

Furthermore, the film world is meant to produce dreams or at the very least provide a place of escapism. Release of behind the scenes footage, is like looking up the skirt of a mannequin at Marks & Spencer and discovering that there is nothing there. By knowing which scenes are filmed in front of green screens and which are not, inhibits the full level of wonderment and immersion. Behind the scenes footage should be saved for the DVD, or perhaps the DVD rereleases, in order to boost sales.

As appealing as pre-release material might appear to be to some, more often than not it detracts from the true artistry of a movie and reveals too much of a film's plot.

Lucy Steiner Critic

Perfect Casting Emma Stone looks likely to be playing the lead in He's F*****' Perfect, a new film which Will Ferrell is co-producing. The story centres on a young woman who uses Facebook to stalk the men that her friends are dating, and surprise surprise she stumbles upon her perfect man. The only problem is he is already dating her best friend. There is no confirmed date when this film will start shooting but it looks set to be another strong comic performance from Stone. Maybe the new Bridesmaids?

Five of the Best: Potential sequels

Matthew Clemens adds some numbers to the titles of the top 5 films with franchise potential

The Incredibles 2

#2

1

Considering that Monsters Inc is set to get a prequel, and after the teasing ending of the first movie, we hope this sequel comes to fruition. The Incredibles was an action packed, hilarious superhero romp that's undeniably up there with Pixar's greatest creations. And considering that the ground-breaking animators rarely produce anything less than sensational, The Incredibles 2 should be pretty special.

#4

Moon 2

(Spoiler Alert) At the end of Moon, one of the many clones of Sam escapes on a pod 'back' to Earth. There have been rumors of a possible sequel, documenting his 'return' and the ensuing battle against the company and the discussion of clone rights would certainly be very interesting. The problem is that Moon has been slapped with the title of 'cult classic', so it probably won't ever see the light of day.

Sam on a Ledge The trailer for Sam Worthington's new film Man on a Ledge has been released. This sees the Aussie actor spend the entirety of the film on the edge of a New York tower block. But he is not there to throw himself off but rather to seek revenge for serving time for a crime he did not commit. Starring alongside Worthington is Elizabeth Banks who plays a psychologist trying to talk the supposed jumper down, and Ed Harris as the bad guy he is coming after.

The film will be out in January 2012.

Constantine 2

#

The Hulk is Elvis Certainly not for everyone, Constantine was a visually stunning experience with a unique supernatural flare, and Keanu Reeves' unexpectedly rich portrayal of the breathless antihero of the same name really brought the character to life. At its core, Constantine really is just one of those films that gets better with each watch, and a sequel certainly wouldn't go a miss, even if it's about as likely as hell freezing over.

#3

Hellboy 3

Its first outing unfairly bombed at the box office, meaning Guillermo Del Toro practically had to beg studios to get the second one made.

The first sequel enjoyed a little more success but it was heavily overshadowed by The Dark Knight. A third then may appear unlikely, but based on the depth of the Hellboy universe, we're certain that the franchise has more to offer.

Space Jam 2

may seem like a #5 This joke, but in a world where

Total Recall is being remade, this ridiculously obscure suggestion seems entirely plausible. After all, wouldn't it be nice to see MJ, Bugs and crew spring their way out of retirement? God knows what it'd be about –maybe some aliens have grown discontent with being little dweebs, and decide to take over the Earth.

Sound familiar?

The Hulk actor Eric Bana has been cast as Elvis Presley in a forthcoming film from actor/director Cary Elwes. Currently titled Elvis & Nixon, the film centres on the meeting between 'The King' and former US President Richard Nixon (Danny Huston) in the 1970s when Elvis paid a visit to Washington DC after writing to Tricky Dicky. This will not be the first time either of the famous figures have been portrayed on screen, most recently Nixon was played by Frank Langella in Frost/ Nixon in 2008.

Redbrick

Film 17

11th November 2011 redbrickpaper.co.uk

Editors – Genevieve Taylor & Isidore Sanders

Reviews

UNMISSABLE

We Need To Talk About Kevin

EXCELLENT

GOOD

Critic

Critic

Director: Lynne Ramsay Cast: Tilda Swinton, Ezra Miller, John C. Reilly Cert: 15 First of all, I must confess that I haven't actually read We Need To Talk About Kevin. This did, however, put me at a slight advantage, as I came to Kevin unblemished by my inherent literary adaptation snobbishness. And, novel aside, this is a perfect film. It looks and sounds fabulous, there are twists, turns and stunning performances that all combine to leave you amazed, drained, and walking home with a weight around your lungs and a head full of thoughts.

The film follows Eva (Tilda Swinton) and husband Franklin (John C. Reilly) through the first 16 years of their son Kevin's life before a high school shooting, whilst crosscutting with Eva's life after the tragedy, creating questions and jigsaw pieces of plot that build suspense superbly. Kevin explores ideas about motherhood and love, as Eva battles to bond with a child that seems to increasingly despise and torture her as he grows up.

The debate of 'nature vs. nurture' is very obviously at the centre, yet it is never wrapped up, leaving the viewer toying with the decision of whether Eva is to blame for the shooting, or whether Kevin was born psychopathic.

It's nice to see John C. Reilly in a non-comedic role and he pulls it off well, but Swinton really is in

TRAGIC

Jack Goes Boating

Seth Twigg

Kayte Ferris

POOR

another league. Always utterly believable she never overacts but isn't understated, her actions and reactions set the tone perfectly. Also worth a mention are the Kevins: Ezra Miller plays the sadist teen Kevin brilliantly, but young Jasper Newell puts in all the ground work playing the calculating child Kevin with terrifying sophistication and realism – his performance has to be seen to be believed.

Kevin isn't a light-hearted date movie, and avoid it if you're looking for a good laugh. But if you really want to feel something, then you won't find a better film all year.

Overall it's not quite up there with The Tree of Life or Melancholia, but it is definitely nipping at their ankles and is an absolute must-see as one of the top films of 2011.

Director: Philip Seymour Hoffman Cast: Philip Seymour Hoffman Cert: 15 Jack Goes Boating is Philip Seymour Hoffman's first film as a director. It is an adaptation of Robert Glaudini's 2007 play of the same name, in which Hoffman, and many of the film's cast, performed. This accounts for the impeccable acting, and credit should not only be given to Hoffman; Daphne Rubin-Vega and John Ortiz both give excellent performances as Lucy and Clyde, the dysfunctional couple whose marriage disintegrates over the course of the film.

Hoffman plays Jack, a socially-awkward limousine driver in search of companionship, which he finds with Connie, a kindred spirit, delicately played by Amy Ryan.

Ultimately, the film is suc-

cessful in its understanding of the complexities of relationships, and consequent exploration of the anatomy of destructive pairings.

On one side, it is a film fraught with paranoia and the corrosion of a relationship, whilst on the other, it's an uncomplicated love story.

Seymour engages intimately with the true nature of the rom-com genre, masterfully illustrating the two opposing sides of love, where other films only choose to explore the positive.

The soundtrack is good but somewhat predictable and occasionally music is poorly-timed.

Furthermore, the music seems incongruous with the personality of reggae-lover Jack.

The success of this film lies in its layers, which the faultless acting delightfully constructs. Indeed, without the outstanding performance of the cast, the film would immediately lack depth and thus lose its greatest quality. Jack Goes Boating is a very strong directorial debut for Hoffman and a masterclass in acting.

The Beginner's Guide to... Pixar Natasha Lavender paints a picture of Pixar's past and present Bought by the late Steve Jobs and home to the world's most famous lamp, Pixar have won over both children and adults with their loveable characters, unique humour and sparkling imagination.

Origins

After signing a deal with Disney, Pixar released the highlight of every nineties childhood that is Toy Story (1995).

The colourful characters, cheerful country music and groundbreaki n g

technology saw them nominated for three Oscars while also scooping the Special Achievement Oscar for their animation – the last time this was awarded.

Having followed Toy Story with A Bug's Life (1998), the tale of an aspirational ant and a sinister grasshopper, Pixar produced a hat-trick with the imaginatively-named sequel Toy Story 2. The combination of a tight plot, lovable characters and side-splitting humour confirmed Pixar's appeal to both children and adults, and earned them a sixth Oscar nomination.

Still focusing on the dreams and dramas of childhood, Pixar released Monsters, Inc. (2001), an original look at the monsters under the bed. Although child-fearing monster mates Scully and Mike missed out on the newly-invented Best Animated Feature Oscar, Randy Newman (of 'You've Got a Friend in Me' fame) received the award for Best Original Song.

with children and parents alike, Pixar dove into new territory with Finding Nemo (2003), a fun and moving father-son adventure. When adorable clownfish Nemo is kidnapped, his father Marlin must brave the Great Barrier Reef to get him back. The mix of humour and pathos resulted in Pixar's first Best Animated Feature Oscar.

Pixar followed this up with another look at dysfunctional family life in The Incredibles (2004).

Featuring superhero parents, giant robot spiders and a frankly terrifying baby, the ultimate force known as Pixar had produced another refreshingly funny story. They collected another Best Animated Feature Oscar and a handy worldwide grossing of $631, 442, 092.

In 2007 Pixar took the odd step of combining rats and fine dining in Paris-based treat Ratatouille. Despite the strange ingredients, audiences lapped it up and Pixar were served with yet another Best Animated Feature Oscar.

With eight critically acclaimed movies behind them, Pixar had found the recipe for success.

Now Family After WALL-E (2008), favourites a love story between Having become a firm favourite

two robots, Pixar confused everyone with the trailer for the concisely-

named Up (2009). An old man taking flight in a house suspended by balloons? What the devil could it mean? It meant a beautifully animated 3D colourfest, the

best ever talking dog and an opening that could make the coldest, stoniest stone in history weep. It also meant yet another well-deserved Best Animated Feature Oscar, and a nomination for Best Picture, only the second time that an animation had been up for this award.

To the delight of millions of nineties children, Pixar released Toy Story 3 in 2010 as a final adventure for Woody, Buzz and the rest of the gang.

After a dangerously close call with an incinerator, young adults everywhere could be heard snivelling into their popcorn as Andy said farewell to

his loyal toys and hello to the debauchery of college life. The howls of laughter and sorrow secured another nomination for Best Picture, and a Best Animated Feature Oscar.

With Scottish-based Brave out next year and a Monsters, Inc. sequel in the works, the light bulb moments just keep coming from the studio that lit the way for computer animation.

18 redbrickpaper.co.uk

11th November 2011

Television

Redbrick

Read our exclusive interview with Pete versus Life star Pippa Duffy online www.redbrickpaper.co.uk

Harry from TOWIE tells all Eleanor Pitt meets up with The Only Way is Essex favourite Harry Derbidge to talk reality and regrets

Top TV tweets

What is the best thing about being on TOWIE? People accepting me for being me.

Is the drama the same off screen as it is on screen?

Totally. They are real people, what you see is what you get. It's all real.

Do you think you've changed since you've been on the show?

Not one bit. I'm exactly the same Harry Derbidge. My family and the amazing support they give me help me to stay grounded. I understand how people can change after becoming famous, but I haven't. My life has changed so much since the show started – I had to give up college, and now I get recognised when I'm out.

Do you have any regrets from being on the show?

No, not one. Don't live life with regrets. People either love me or hate me and I just let any negative comments wash over me.

Compiled by Charlotte Lytton

Stephen Fry 'It's at times like this a man considers taking up smoking again. Possibly with heroin, crack and MDMA mixed in & all washed down with vodka'

Ollie Locke

Now that Amy and Mark have left the show and Sam is rumoured to be leaving, do you think you'll be staying on?

'Does anyone else get random stray head hairs in a certain crevice..

Uncomfortable to pull out to say the least!!'

Well I don't know about Sam and I can't speak for anyone else but I'm happy and I want to stick with it.

Joan Rivers

What's one of your favourite memories from the show?

All my scenes with Amy, they were the funniest, all our banter was funny. I miss her a lot.

Top five Blackadder moments Eliott Rhodes takes a look back at the wacky histori-comedy that took the nation by storm

'Justin Bieber's allegedly going to be a father? What a happy milestone! Lesbians

Ricky Gervais

Learning to punch

#5

Stephen Fry always delighted in arriving on the Blackadder scene alongside comedy partner Hugh Laurie, but it was the deliberation on what really constitutes a 'hard punch' that made for comedy gold. After Laurie makes the mistake of stepping out of line, he is struck by Fry, who exclaims he 'hardly touched the man', before demonstrating what a 'hard' punch would look like.

1 #

#3

Woof

Rik Mayall's character Flashheart was responsible for the greatest entrances known to man, and appeared in various incarnations across the series. It was in the second series where he brilliantly crashed through the ceiling in style, complete with fireworks as special effects. He walks pompously into the room with his catchphrase, 'flash by name, flash by nature'.

The end of Blackadder provided a climactic finale to the series, with the last 10 minutes dedicated to the characters reactions to knowing they would go over the top.

In a solemn moment that was all too real many were genuinely saddened. Particularly sad is the moment that the guns stop firing and the characters are excited at the possibility of peace. It falls to Blackadder to announce that the guns have stopped only because even their side aren't stupid enough to shoot their own men. Filmed in one take, it was terribly shot, but the producers worked some magic and slowed it down to create the masterpiece that we see today. The poppyfields in the end made this comedy a true dedication to the servicemen who fought for our country. And what better day than today to remember this wonderful show.

The dictionary

#4

Robbie Coltrane guest stars in this great moment as Blackadder completely ruins Dr Johnson (Coltrane)'s first incantation of the dictionary. Blackadder uses long and complicated 'words' that Johnson has seemingly omitted. Blackadder extends his contrafibularities to the esteemed gentleman, in the most beautifully annoying way.

Baldrick's poetry

#2

In the fourth series, the show landed in the trenches of World War One. Baldrick, not really understanding why he was there, was perfectly played and akin to the actual situation. But it was his poem 'Boom boom boom boom' that raised a smile in spite of the serious overtones of the episodes in the final series.

'Ok. Saddest thing EVER in a film is when Dumbo's mum rocks him to sleep when she's locked up.

Watch it again before you judge me people.'

Jonathan Ross 'Hello Twitter. I am writing comics this afternoon and trying to stick to my new, crazy strict diet. Just googled 'delicious cake'. Bad idea.'

Bill Bailey 'Well this falafel isn't going to eat itself...'

Steve Jones

The final scene

'Just saw Yeardley Smith the voice of Bart Simpson at the supermarket..she was buying bananas and cheese which are both yellow...coincidence?'

Redbrick

Editors – Charlotte Lytton & James Moore

Nancy Dell'Olio is considering legal action against Alesha Dixon and Bruno Tonioli over their Strictly comments

Television 19

11th November 2011 redbrickpaper.co.uk

Family Guy creator Seth MacFarlane has announced he is working on a new animated series with co-star Alex Borstein

The stars of The Only Way is Essex are releasing a charity cover of Wham's Last Christmas for the festive season

Reviews: Our look at the week's hottest shows Live at the Apollo Matthew Clemens Online TV and Film Editor

As everyone probably expected, the first of the new season of Live at the Apollo supplied plenty of offensive anecdotes and boasted a tone of general vulgarity that host Micky Flanagan provided from the off. He told a distasteful gag involving glitter, glue and a region that, at its least offensive, can only be described as that dangly pack-

Big Bang Theory Russell Webb Critic

After a year away from our screens, the geekiest characters on TV are back for a much anticipated fifth series. Like the best US sitcoms, the last episode of the previous series ended on a terrific cliffhanger leaving fans with whetted appetites to find out what happened after Raj and Penny woke up naked together

Tamara Ecclestone: Billion $$ Girl Anna Hughes News Editor

Tamara Ecclestone's website describes her as a 'model, TV presenter and entrepreneur' and after watching the first episode of Tamara Ecclestone: Billion $$ Girl, it is clear to see what that translates as. Between getting her five dogs' nails painted and spraying them

age towards the lower part of the male anatomy.

Still, this perhaps wasn't as unpleasant as Jason Byrne, who spent his entire routine graphically recalling a sexual encounter with his good lady wife, acting out the unsightly performance as he went, whilst simultaneously imagining himself fiddling with various musical instruments, including a set of maracas, a tuba and a well-oiled trombone. The result was crass, but undeniably entertaining.

Fortunately though, such moments of overt sleaze were generously supported by tamer offerings in between. Flanagan for instance

provided light hearted and highly amusing observational comedy about the obligation to say hello to your neighbours, and the awkwardness that ensues from bumping into people multiple times in one day.

The best contribution of the night came from energetic newcomer Seann Walsh, who brought a welcome touch of class, providing hilarious observational and interactive stick about the habits of Londoners and Tube travel etiquette, making him one to watch closely for the future. Overall it was a good start to what will hopefully be a great season of comedy.

and Leonard found out that Priya was moving back to India.

Mercifully creators Chuck Lorre and Bill Prady resolved the issues that they gave to their characters with an ever comical twist.

Despite relying on the drama of these characters' lives, the comedy always comes first, and it shows.

This first episode, though, focused mainly on following on from the previous season and has a fantastic side attraction in star of the show Jim Parsons who plays Dr. Sheldon Cooper, the series' socially awkward and completely tactless star. Despite not being the centre

of this episode he is still the funniest part, particularly his sacrificial paintball scene, reminiscent of any epic war film. The Big Bang Theory has most definitely found a unique concept for a sitcom that is executed to perfection by cast and crew, attracting a much more varied audience than critics expected.

The show is undoubtedly the cornerstone of Thursday nights for the foreseeable future.

Socially awkward geeks + beautiful girls = award winning comedy; an experiment that's changed the small screen universe for the better.

with glitter, parading around a shop in Cannes buying dresses for 'only £5,000' and paying £25,000 for a VIP booth that she storms out of after half an hour, Tamara manages to fit in several spa treatments per week. These include a 'presenting job' (stumbling over one factually incorrect sentence from a clipboard before a catwalk show in Monaco) and a failed attempt to launch a shampoo for shopping channel QVC. The programme's purpose seems to be to prove Tamara is more than just Bernie Ecclestone's daughter. With a deeply sarcastic narrator in the shape of Gavin

and Stacey star Matt Horne, he doesn't hold back when Tamara books herself in for state of the art skin treatments after discovering a near-invisible spot. Episodes like this make it difficult to take her seriously.

At 26, Tamara is a grown woman, but after watching her, boyfriend Omar, sister Petra and her boyfriend James discuss the 'important' people at a party in Cannes, and the meltdown caused

by Omar sitting beside his ex-girlfriend, it's hard to believe they are anything else but spoilt, whinging teenagers. Trash it may be, but this is still poor quality TV at its best.

Profile: We take a look at the life of James Corden Jenna Kirby Critic

The life of British comedian James Corden was played out in painstaking detail recently on Piers Morgan's Life Stories. It told the story of Corden's journey from lazy schoolboy to comic superstar, and all of the thrilling highs and crashing lows along the way.

Corden knew what he wanted to be from an early age and never stopped pursuing his dream. During his teenage years in High Wycombe, he formed a band with three friends and spent the rest of his time relentlessly attending auditions in pursuit of his ultimate dream: fame. 'I was just desperate to perform, in any capacity' he told Morgan.

His first taste of success came

in the form of ITV drama Fat Friends. From 2000 - 2005, Corden played overweight schoolboy Jamie Rymer, and also dabbled with other television shows, playing small parts in Little Britain and Hollyoaks. But its the role in Alan Bennett’s play The History Boys that Corden describes as life-changing. After this – and on the advice of future co-star Rob Brydon – he began to write comedy, and hit lucky with Gavin and Stacey, which he co-wrote with his former Fat Friends co-star Ruth Jones.

Gavin and Stacey became hugely popular, pulling in audiences of over 10 million, and Corden charmed viewers with his sweet, funny portrayal of Gavin’s best friend Smithy. Being large was part of Smithy’s charm, allowing Cord-

en to put a proverbial finger up at all the people who had shunned him because of his weight in the past.

As well as being hugely popular with the public, Gavin and Stacey scooped up several awards, most notably at the BAFTAs in 2008. But it was his acceptance speech at the ceremony that nearly destroyed his career and indicated how much his ego had been inflated. As the cast of Gavin and Stacey accepted the Best Comedy Award, Corden's arrogant speech made

his co-stars cringe and the critics turn against him.

Following this slip, his further career ventures failed to live up to his former success: his sketch show with M a t

Elin Stone

Horne, Horne and Corden, was panned by critics and cancelled after one series. Their film Lesbian Vampire Killers got a similar reaction, and even hosting the Brits with Horne and Kylie Minogue in 2009 couldn't stop him plummeting into depression at his faltering fame.

Slowly, his career began to recover and with recent cameo appearances in Doctor Who, a celebrated stage performance in One Man Two Guvnors, and a starring role in upcoming film The Three Musketeers, it appears that Corden has reclaimed his title as British golden boy. Add that to the fact that he has settled down with 'the woman of his dreams', with whom he has a seven-month old son, it seems that everything has finally fallen into place for him.

20 redbrickpaper.co.uk

11th November 2011

Music

Redbrick

Lady Gaga picks up four awards at EMAs www.guardian.co.uk/music

Covers Jukebox

Redbrick Meets... Yann Tiersen Sivan Lavie Critic

Beth Richardson

Tamara Roper Music Editor

Anya Marina – 'Whatever You Like' (T.I.) Oooft this is sexy. Anya Marina (her from the Twilight soundtrack) has managed to make T.I's borderline sleazy original into a seductive, lilting call to the bedroom. There's not even hint of irony as she croons 'shorty you're the hottest/love the way you drop it/ brains so good coulda swear you went to college'. This girl means business. You tell them other broke brothers' be quiet.

Reel Big Fish – 'Take on Me' (A-Ha) How do you make 80s synth-pop more humorous than it already is? Put it in the hands' of a troupe of seven nigh on middle-aged men with brass instruments. Reel Big Fish, one of the best loved ska bands of the last twenty years managed to put A-Ha back on the map for a decade more than their sell by date.

With the release of his newest album, Skyline, in October, the inspiring French artist, best known for writing the songs in the soundtrack for Amelie, Yann Tiersen has decided to tour the world, bringing us the freshest of his new sounds.

Tiersen is known for focusing on the instrumental rather than the vocal, and often experiments with an array of instruments. His performance at the O2 Academy consisted of electric guitars, synthesizers, xylophones, melodicas and a violin.

When asked about his incredible ability to play numerous instruments, he responded, 'I don't play a lot of instruments. It is not a question of skill, it is a question of using whatever I can use, what

I want to use.' He went on to point out, with a humorous air, that the most radical object he has experimented with as an instrument is a chair.

The anticipating audience of the night consisted largely of middle-aged fans, who undoubtedly showed surprise at the invariable change of style from his first to his most recent collaborations. The classical, folky, French style of music that made up his first albums, including that found in Amelie, is replaced by heavier and more experimental minimalistic rock, in which the accordion and violin are swiftly replaced by a synthesizer, electric guitars, and futuristicspace sounds. I asked him how he composes from scratch, to which he answered, 'I don't like the term composing. I just put a mic there and try stuff; it's really easy and

Album Reviews 8 Rizzle Kicks

simple. And after a while there is a song, a track that appears. I really like not knowing where I'm going when I'm working; it's what I enjoy the most.'

'I don't like the term composing. I just put a mic there and try stuff' Yann explained his drastic change in style simply as being an artist's development, and seemed fairly frustrated that some people may solely associate him with his old style of music. It was also quite surprising to discover that

5 Professor Green

this development is a regression, as he used to play in a heavy rock band for ten years in the 90s. His new bleached and shaved-on-thesides haircut, skinny jeans and chequered shirt revealed to a large extent that his new compilation is something more generic and somewhat disappointing, like that I might expect of a young indie band playing in Reading Festival.

However, it seems that this is the goal he was hoping to achieve, telling me that this progression was actually slow, taking him 15 years since his first album, that this new album is his favourite, and that now he finds it boring to play his old songs. To conclude I asked him to describe his music, which he refused to do, and simply said 'I just want to play it, that's what music is meant to be. Something to listen to and that's it.'

At Your Inconvenience

Stereo Typical

Amy Winehouse – 'Valerie' (The Zutons) Way back when Mark Ronson was busy angering Radiohead fans and Winehouse was still, ahem, alive, came The Zutons' biggest hit. No point even bothering looking up statistics, this song made the original above and beyond the amount of money it made on first release. The video of looky-likey Amys is also worth watching.

Bombay Bicycle Club – 'Whatcha Say' (Jason Derulo) We could have done a playlist full of Live Lounge classics, but there are several albums worth of those on the shelves. From BBC's first live lounge appearance, this is an underappreciated classic. Skinny white boys' covering R'n'B can go one of two ways, but Jack Steadman manages to turn Derulo's pop hit into an endearing, little bit awkward three minutes. The laughing at the start is golden.

Contact us: music@redbrickpaper.co.uk Twitter – @redbrickmusic Facebook – Redbrick Music

Josh Carvell Critic

Rizzle Kicks are a band that divide opinion, with as many cynics as fans, however they are proving to be quite the buzz word around the music industry at the moment, and with the release of their debut studio album Stereo Typical, this hype looks set to be transferred into mainstream success. But Rizzle Kicks are no strangers to the charts, with singles 'Miss Cigarette' and 'Down With The Trumpets' both peaking at 8th in the UK. In Stereo Typical, Rizzle kicks demonstrate a unique sound: Jordan 'Rizzle' Stevens' rapping combines with Harvey 'Sylvester Alexander-Sule's slick vocals over idiosyncratic hip-hop beats, infusing trumpets, quick beats and on occasion, jazz piano in songs bursting with infectious energy.

Listeners are kept on their toes throughout this album, with each song vastly different to the others, from the piano-led 'Trouble', to the indie dance track 'Mama Do

The Hump', which is produced by legendary DJ Fatboy Slim.

What's particularly striking and refreshing about Rizzle Kicks however, is the blunt yet cheeky nature of the duo's lyrics. Lines such as 'I gotta learn that everyone isn't ok that you encounter, try explaining to a bouncer that his name isn't Bowser', epitomise this style.

These catchy, tongue-in-cheek references to popular culture are bound to resonate with listeners and add to the pair's charm.

In Rizzle Kicks, we have a cheeky, loveable duo, presenting fun, catchy tunes. With Stereo Typical set to be a release which will see the boys propelled into the forefront of UK hip-hop. This seems to only be the beginning however, with the album showing all the potential and promise needed for the duo to remain hit makers for years to come.

Sounds like: De La Soul

Josh Holder Critic

Professor Green has always had a charming humour that stems from his roots as a pro in the underground rap battle scene, where he used his wit to take down the opposition. His commercially successful debut album Alive Till I'm Dead saw Green incorporate humorous put-downs into his songs, with the star using his track 'Monster' to hurl some much-deserved abuse at Katie Price. Now Green returns with his second album At Your Inconvenience, which sees him substituting many of his lighthearted raps for a reflective glance back at his life so far.

Green opens the album with an egotistical rap, claiming that he is the antithesis to the dance music craze that's topping the charts currently. Ironically, the opening track 'At Your Inconvenience' and following track 'D.P.M.O' are two of the only pure rap moments on the album, jumping in just before the album breaks into an odd genre jumping mix of tracks. Lead single

'Read All About It' is a heartfelt pop ballad where he clears the skeletons out of his closet, taking punts at the music press and discussing his painful relationship with his late father. Green then ventures into drum and bass on 'Trouble', before unleashing his first dubstep track 'How Many Moons'. Whilst neither track will be considered exemplary in their respective genres, they do demonstrate the full breadth of Green's talent.

The album has a distinct feeling of compromise, with Green appearing scared to completely shake off his light-hearted image, whilst feeling pressured to move into more lyrically-mature territory.

One minute he is disclosing the sad story of an innocent rape victim turned drug addict; next minute he's rapping 'give me a Tic-Tac, I just had a pack of Nik Naks'. It's an odd combination and we only hope that Green makes a bolder move on his next album.

Sounds like: Eminem

Redbrick

Music 21

11th November 2011 redbrickpaper.co.uk

Editors – Tamara Roper & William Franklin

Live Reviews

Party Rock ers.

LMFAO

..

O2 Academy 02/11/2011

Arctic Monkeys

HMV Institute 04/11/2011

Grace Haworth Critic

Olly Owen Pieter Colpaert Critic

When LMFAO first released the aptly titled 'Party Rock Anthem' upon the world, it caused a sonic earthquake with no precedent. The song was musically revolutionary, textually complex and brilliantly accomplished as a whole. LMFAO are the new avant-garde musicians – only time will be the true judge of their artistic genius.

This introduction is only to sketch the excitement and anticipation for their concert at the 02 Academy. Without giving too much away already, we were not disappointed. In a glorious one hour spectacle, the Californian electro-hop outfit massaged our ears, hearts and souls. Through musical inventiveness and subtle parody, these gentlemen brought

us one of the most piercing and powerful social commentaries we have seen in years. In songs like 'Shots' and 'Champagne Showers' they strongly satirize our contemporary culture of hedonism and relentless binge drinking. This was also represented in the visual performance – wearing flashy clothing with empty slogans and drinking from beer bongs on stage – which strongly denounced the superficiality of our current generation.

The completely superfluous guitarist and drummer who were positioned in a dark corner of the stage and the continuous sampling of other people's songs, making a statement about the lack of craftmanship and originiality in present-day pop music, are just some of many example of their cleverness.

In times where feminism has to struggle to be taken seriously, they

categorically dismiss all notions of sexism in contemporary music.

During one of their songs, they kept repeating the line 'put that ass to work', as if it were a Buddhist mantra, effectively decrying the modern mantra of misogyny. They did not hesitate to take on all the plagues of our modern age, critically addressing themes ranging from adultery ('In the club, party rock, looking for yo girl? She on my jock') to our exaggerated attention for body culture ('Girl look at that body, aha, I work out), visually rendered by the gentlemen's banana hammocks.

LMFAO are the funniest, most talented and intelligent performers we have come across in the last few years and their show was a subtle but perceptive parody of our current day and age. They should not be sorry for party-rocking.

Essential Albums

A roaring stadium greeted me on arrival at the Arctic Monkey's gig at the LG Arena. The boys strolled on stage with an air of lazy confidence; a striking contrast to days when the lads couldn't lift their eyes from the ground. Alex Turner's appearance provoked the excitement of the crowd as a sea of people surged forward towards him.

The band began their set with the sinister 'Don't Sit Down Cos I've Moved Your Chair', followed by the jerky 'Teddy Picker' – a treat for the fans who showed their commitment singing the lyrics with accuracy. Classics 'I Bet That You Look Good on the Dance Floor' and 'Fluorescent Adolescent' boosted the atmosphere as one grown man completely let go whilst a girl next to me burst into tears.

Each album has its own ambiance demonstrated well by the lighting. For the darker tones of Humbug, the atmosphere altered as a result of the red lights whilst

Single Review Paper Crows

'When Friends Survive'

yellow and pink tones evoked an ambiance to go with the '60s/'70s vibe incorporated in Suck it and See. I would like to say I was surprised, but this is what I expected of a band with four successful albums. Yet this leads on perfectly to what disappoints me about a band once prided on their individuality. What happened to the literal and detailed lyrics of nights out in Sheffield? It now all seems a bit pretentious, but is proof that the band have come far. In a sense, this transformation doesn't really matter.

The band – reminiscent of the start of the gig – strolled back ready to do their encore: title track of new album Suck It and See, and an acoustic version of classic 'Mardy Bum' from their debut album. An unusual last song, '505' concluded the sell out gig.

The crowd were not disappointed, yet resentment lingered at the absence of early Monkeys' classics.

Music Diary 11th – 17th Friday 11th Friendly Fires O2 Academy

The Complete Stone Roses O2 Academy Amy Davidson Critic

Arctic Monkeys

Whatever People Say I Am, That's What I'm Not (2006) Laura Schofield Critic

This has to be one the most highly anticipated albums of our generation, from arguably on of the most influential bands of the past decade. What Ever People Say I Am, That's What I'm Not was released in 2006 and is the fastest selling debut album in UK chart history.

Over the past few years (and albums) fans of the band have turned away from the Arctic Monkeys, possibly because they have become so widely popular, however returning to listen to their first album will undoubtedly remind anyone just why the band has risen so high.

Although there are many things that make Alex Turner and co's first album an Essential, there are three main reasons. Number

one, it's an album without B-sides.

This means that, unlike many albums, no songs have been included to fill space or kill time; each song stands alone as a carefully crafted tune, yet the album as a whole flows together in perfect harmony.

And, even though there is a powerfully recognisable sound to the album, you can listen to every song without thinking 'I've heard this before'. What's more, even some of the B-sides included on the singles are just as worthy of your ear time as many of the songs that made the final cut.

The second reason has to be Alex Turner's lyrics. What Ever People Say... introduced a poetic lyricism to the Indie genre that had been missing, and is arguably still missing from the wider music world. Alex's words manage to be witty and poetic, yet honest and colloquial all at the same time.

#19

Finally, and definitely most importantly, it's an album full of modern social commentary, which is merely a pretentious way of saying that you know exactly what all the songs are about. Whether it's going to see a crap band, trying to pull someone in a club or even wondering what that dodgy bloke, driving very slowly around the streets late at night is actually up to. You can listen to the album and chuckle quietly to yourself as Turner cleverly describes a night out you could easily have had yourself the night before, all to catchy, melodious tunes.

So the Arctic Monkey's debut album Whatever People Say I Am, That's What I'm Not is an Essential album and should feature on any iPod or in any CD, vinyl or tape (if it has ever been put on to tape) collection. Because it's funny, insightful and just very good.

Remember messing around in music class at school, hitting the demo button on the keyboard as an amalgamation of shoddily put together notes clung to each other in a desperate attempt at artistic innovation? Well, this song is like that. Except devoid of a humorously dated funky hook, and replaced with a dull vacuum of empty beats.

If you're thinking the vocals may make up for it, they don't.

'When Friends Survive' is muttered at random intervals throughout. When friends survive what exactly? Listening to the duration of the song without convulsing from boredom? If so, then that is something worth singing about.

Redbrick's Turkey of the Week

Saturday 12th Madina Lake O2 Academy

King Charles HMV Institute J Cole HMV Institute

Sunday 13th Yuck HMV Institute Evanescence O2 Academy

Monday 14th Beady Eye O2 Academy

Exit Ten HMV Institute

Tuesday 15th

The Pigeon Deectives O2 Academy

Wednesday 16th Doom O2 Academy

Thursday 17th Paper Crows – When Friends Survive

Chase and Status O2 Academy

22

redbrickpaper.co.uk

Travel

Redbrick

11th November 2011

For advice on travel careers, check out our podcast online, interviewing Neil Maxwell-Keys from www.careersfortravel.com

Travel heaven and hells: Destinations we love, and love to hate Matt Sims, Anya Deane and Liz Crump tell us their unforgettable experiences in their 'must return' and 'never again' countries

Gibraltar vs Barcelona

Matt Sims If you want to visit England with sunshine, then Gibraltar is the place for you. I went on a Mediterranean cruise with my family and this was our first stop. I went with an open mind, only with the knowledge that it is a British territory. However, upon arrival it seemed more like a time warp; going through the centre of town was like walking along a dodgy 1980s high street with a dated Marks and Spencer being the main focal point.

Singapore vs Malia Singapore is not just another SouthEast Asian 'gap yah' country. Due to its size, the tourist attractions really are packed in amongst the locals' favourite haunts. You'll find a non-English speaking Chinese food canteen next to a Starbucks, and traditional Chinese medicine markets two metres from stalls selling 'Singapore' engraved Zippo lighters.

Singapore city's eclectic mix of old and new is never more obvious than at Clarke Quay, with its large selection of contemporary bars; here you can catch a creaky wooden tug-boat to take you on a trip down the river past the skyscrapers of the business district.

I was born there, which probably means I am biased, but I know I will return to Singapore for years

We were only there for a few days and so, in order to see as much as possible in a limited time, we opted to take a cable car to the pinnacle of the territory, where a bizarre tourist attraction of wild monkeys await. The Gibraltar monkeys, Barbary Macaques, are actually considered to be the country's main tourist attraction, yet I can only describe it as an uncomfortable experience.

The views were undoubtedly spectacular, as in one direction was mainland Spain and, in the other, the tip of North Africa. Yet these wild monkeys were clearly being exploited for a quick buck and, at the same time, were vicious towards unsuspecting groups of tourists. Maybe this proves I have a pathetic fear of small animals, but it firmly cemented my opinion of Gibraltar as a highly unappealing travel destination.

Our next stop was the city of Barcelona, a destination I cannot speak highly enough of. Although it was once again a whistle stop visit of a few days, it left a lasting impression on me. The main cen-

tral road where most of the bar and restaurant action is, Las Ramblas, served as a great introduction to the city on our first night.

The street artists are eclectic and entertaining. One major drawback of Las Ramblas is the high rate of theft, pick-pocketing is rife due to the high density of tourists, but being sensible and aware should prevent problems.

Taking an open-top bus, while a tourist stereotype, allowed us to see huge amounts of the city within a short space of time. We stopped off at La Sagrada Familia, the iconic cathedral in the centre of the city and, while the inside was breathtaking, the exterior was experiencing some construction work, adding another incentive to go back in order to see it in its full glory.

Exploring the nightlife further is a huge motivation to return. A Pacha club night was an insane experience; getting a bus from Las Ramblas we ended up on a locals' night, the place was heaving with interesting characters, the music was amazing and drinks reasonably priced. Bring on round two!

to come.

It is a city full of things you will want to do again and again, such as the Night Safari, where I witnessed a pride of lions roaring at 10pm at night, or shopping on the famous Orchard Road. But it also promises places to discover every time you visit, and the cultural diversity within the city means that exploring Singapore is a unique experience you will always remember.

I visited Malia, on the Greek island of Crete, when I was 18. For many students, the post-A-Level lads' or girls' holiday has become a rite of passage, and nobody is in denial that the explicit aim is getting drunk and dancing every night. It was fun at the time but gone are the days of six nights raving on the beach until 5am.

I have since revisited the Greek islands and discovered that I

much prefer the tiny, whitewashed streets of Mykonos and the clifftop towns of Santorini to the alcoholdrenched clubs of Malia's main strip. Although a visit to a town like Malia is one that will probably be remembered for a long time, unlike Singapore it is not a place that draws me back.

Anya Deane

World Happenings: Remember November Chloe Osborne Reporter

Venson Kuchipudi, Flickr

Surin Elephant Round Up, Thailand, 19th-20th November Football, tug-of-war, log pulling... the general commodities of worldwide festivals, but with one slight difference: they are all enacted by elephants! Each year the Sri Narong Stadium in northeast Thailand holds the “elephant games”. Dressed in traditional war gear, elephants and their mahouts engage in games and shows for the amazed onlookers.

Ottery St Mary Tar Barrels, 5th November

The small Devonshire town of Ottery St Mary hosts this annual festival of light in celebration of Bonfire Night. The townsfolk carry barrels of paper and woodchips covered in slow-burning tar through the village, culminating in a spectacular bonfire lit from the last remaining hot barrels. This 17th century tradition was thought to rid the streets of evil spirits, and still today attracts thousands of spectators.

Remembrance Sunday, 13th November Held on the second Sunday in November, Remembrance Sunday commemorates the end of hostilities of the First World War, which ended on the 11th November 1918.

Soldiers who died or were injured in battle are thought of during a minute's silence and wreathes of poppies are left on memorials all over the country.

New York Perhaps not practical, but we can at least dream of a week spent in New York! Early November is widely considered the best time to

visit the Big Apple, before the frost gets too biting but when the first glimmers of a magical winter are on their way. November this year sees the Macy's Day Parade, Rockefeller Tree Lighting, the New York marathon and, of course, Thanksgiving celebrations.

The Day of the Dead Festival, Mexico, 1st and 2nd November Originating in pre-Hispanic Mexico, the festival of remembrance El Día de los Muertos is celebrated in a similar way to the Western Halloween. Graves are decorated with flowers, huge feasts of traditional food are prepared and colourful skeleton parades fill the streets.

Loren Javier, Flickr

Costa Rica Vs Panama Costa Rica can't help but put you under its spell. Whether it be the flourishing landscape with its white beaches, rushing waterfalls and abundant wildlife, or the enchanting and welcoming people, it will hook you and make you want to return over and over again.

I first went to Costa Rica in 2008, for an 'escape' at the tender age of 17. Some may call it naivety, or perhaps stupidity, but it proved to be the country that taught me how to grow up. That year I fell in love; with the country and a particular Costa Rican.

I spent six weeks doing a Spanish language course and travelled a lot in that time. The activities that Costa Rica offers are endless, a holiday can include any or all of the ecological, wildlife, adrenaline, beach, fishing and trekking options.

Returning to Costa Rica that Christmas and again in 2010, I couldn't believe how much it had changed, mostly due to its North American neighbours infiltrating every aspect of the country, not necessarily for the best. However, despite these negative changes, and the fact I had now fallen out of love, the country and its people remained as spell-binding as ever and have not let change bring them down. Costa Rica remains a destination I will always be happy to return to.

Panama, Costa Rica's neighbour is, however, a questionable paradise. In 2010 I went to the north-eastern town of Bocas del Toro, in the Caribbean archipelago. As pretty as the colonial town was, and as delicious as Panamanian food tasted, it maintained little of its originality. I was severely disappointed by the 'past its sell by date' feel. Run by a large American population, the town has succumbed to overpriced and cliched day trips, restaurants and accom-

modation options.

Bocas is renowned for its opportunities to snorkel or obtain a PADI diving licence, but don't bother; the corals are dying, the colours and sealife diminished by constant unsustainable use of the area.

Optimistic, I returned to Panama City in 2011 with an open mind, having read articles and heard about Panama's economic boom. I expected sky-scrapers and a more developed capital city but I was not ready for such a great disappointment.

Panama City is awash with ugly infrastructure, few activities (once you've done the Panama Canal there's not much else to hang around for) and a poor level of secure accommodation. Shoddy buildings, tacky restaurants and snobby nightlife and all with an extortionate price-tag. Even the 'historical centre' is tainted by dilapidated buildings, an impoverished community and suspect police leaving you on edge, night and day.

I can firmly say I will not be returning to Panama – best leave it to the Americans!

Liz Crump

Read these stories and more in full on www.redbrickpaper.co.uk/travel

Travelling back in time Joseph Li Reporter

Leaving my native city to study abroad, I travelled thousands of miles to start a new life in England. As Hong Kong was one of the British colonies when I was young, this was also an expedition to my previous home country.

On a cold, sunny morning, I decided to visit Warwick Castle. As I arrived at Warwick train station, there was a strong, peaceful feeling in my mind – that a boy from Hong Kong, leaving a city with six million citizens and full of modern commercial buildings, could finally get away from his busy urban life into an old English town.

I let the time pass slowly, rambling around the town as if I were back in the medieval age. After approaching the castle town entrance, I looked up to the top of the tower and saw a waving flag of England.

This was Warwick Castle.

The ancient English castle, despite its 940 years of history, did not seem old to me. On the contrary, the architecture was totally different and novel for a Chinese boy. Roaming around the castle

Joseph Li under lovely sunshine, lying on the soft green grass, people were enjoying their weekend with families. But how many of them would think about the bloody histories this castle contained? As an international student, I am not really familiar with English history. After visiting the castle, I learned more about it. The castle traditionally belonged to the Earl of Warwick from 1088 and for hundreds of years, it played a key role in The War of the Roses and The Hundred Years' War. However, now it offers a restful place for everyone. Warwick Castle continues to live and breathe history, its status remaining as Britain's Ultimate Castle.

Entrance fee: £21 Birmingham New Street to Warwick: from £6.50 return with a Railcard. Prices accurate on 4/11/11.

Redbrick

Travel 23

11th November 2011 redbrickpaper.co.uk

Editors – Louise Spratt & Emily Booth

Tokyo's Golden Hour: Celebrations for the Emperor Adam Watkin looks back on avoiding Chinese extradition by heading East for a spontaneous trip to Tokyo

photo by Adam Watkin Late April last year, yours truly was sitting in a rooftop bath in central Tokyo surrounded by around 30 Japanese men, bare as the day they were born, relaxing watching baseball; all quite normal apparently.

The article that follows is based on my two weeks in Tokyo, where celebrations were in full swing for the Golden Week – Japan's public holiday commemorating the former Emperor's birthday.

After a day traipsing round Beijing visiting three of the wrong police stations, I gave up. My visa was due to run out the next day and unless I could deposit $3000 in a Chinese bank account as a condition of a visa extension then I'd be left on the nearest border.

Not quite, but it was time to jump ship.

Hong Kong would be the obvious place but stories of travellers waiting weeks for a Chinese visa are not uncommon. On Saturday afternoon searching for a way out, I

stumbled upon some cheap return flights to Tokyo. 24 hours later I was on the United flight from Beijing to San Francisco with a stop in Tokyo. Just glad to be safe from extradition, I had an in-flight celebratory drink followed by a mild panic attack about going into the unknown.

Unlike other cities where there are a number of must-see sights to feel as if you've 'done' a city, Tokyo is too vast to get to know in a limited time. Each district has its own identity and is a city in itself. A ride on the high-speed circular JR line can demonstrate how large just the central areas are.

Spending time in one district is recommended therefore as you can get to know more than if you tried to visit each corner of the city.

Asakusa was a good place to start; a traditional Tokyo neighbourhood with low-rise buildings, many of Tokyo's historical sites are situated here, including the main

sumo temple, which unfortunately only holds bouts once a year.

Asakusa also offers the highest concentration of 'budget' traveller accommodation in Tokyo. There are only a handful of hostels in Tokyo as most Japanese visitors go for capsule hotels.

The Asakusa Smile hostel I stayed at for a few nights was £13 a night for a dorm, so a bit of a shock to the Flex account, which had got used to a few pounds a night in China. However, this was worth it for simply getting the chance to sample Japanese toilet culture; elaborate lavatories with heated seats, remote flushing and little pop out jets that get in all the right places.

During Golden Week the city was packed with Japanese tourists visiting the city, so accommodation was at a premium. It was at quite a desperate stage that I opted for a capsule hotel and this was when I first realised just how different Japan was.

Here's how the evening panned out; I arrive and am given a pair of pyjamas and asked to keep all my other possessions in a locker, starting to sound like prison. This was a male-only hotel, so everyone was now walking round in the same beige pair of pyjamas and the top floor was entirely devoted to bathing: big communal baths with TVs showing baseball; a huge steam and sauna room; and an outside Jacuzzi. What more could you want?

Well, yes, but everyone is naked, and the towelling actions reminded me of the Michael McIntyre sketch in the gym. Next was the second floor, which was sort of

On your bike, Amsterdam!

Rhianna Smith offers alternative highs in Europe as Dutch capital and tourists face a comedown

Amsterdam is a city that, for many, conjures up images of a hedonistic pleasure paradise but aside from the glowing windows of the Red Light District, it is a city with very little glitter. Since the use of marijuana was decriminalized in 1976, there is no denying that Amsterdam has held the title of Party Capital of Europe, especially in the case of students.

We have flocked there in our millions, drawn by the liberal atmosphere, the availability and legality of drugs and the charms of the Red Light District. However, in light of recent new laws that plan to ban tourists from the infamous 'coffee shops', is Amsterdam about to lose its crown?

Though we may be able to fool our parents that the reason we are travelling to Amsterdam is for canals, clogs or Anne Frank's House for a 'history trip', the reality is

photo by Rhianna Smith

most students are far more interested in its greener aspects, and I'm not talking about Vondelpark.

One only has to wander the streets of Amsterdam to realize how important the drugs economy is to the city. It is littered with souvenirs and slogan T-shirts emblazoned with the words 'Thank you for pot smoking' and it is hard to believe that the laws will not have a huge impact on the entire city.

Despite this, the new government appear intent on banning tourists from buying and using the drug due to their bad behaviour which, after watching one episode of Boozed Up Brits Abroad, you'll find you can hardly blame them for. It appears many of the Dutch are sick of having tourists throwing up on their streets, knocking them off their bicycles and engaging in infinitely worse antics.

The government is also responding to pressure from Germany and France, who claim that hundreds of people smuggle drugs into their countries from Amsterdam and, after travelling the European rails myself, I can say that with the lack of security it wouldn't take a criminal mastermind to do so. Many are claiming that this act will simply push the market underground, but this will make Amsterdam no different from any other city, so why should students make the effort to travel there?

Culturally the city is severely lacking when it is compared to Paris, Berlin, Barcelona and endless other European cities and it is certainly no cheaper. So where should a student on a budget head to for

a lounge restaurant. Half the floor was given up to Manga comics and the other was a room full of single tables all facing the same way towards the TV. A tall Asahi after a bath is quite incredible on any other day, but when you're surrounded by silent people bent over comics or wolfing down soup it's quite unsettling.

Lastly was my capsule, or room to most people, itself; one of many along a single corridor. It had its own TV and plethora of lights but I was ready for bed. I slept fine but the whole evening had been really quite odd.

Aside from these slightly wacky experiences there was a lot to do in Tokyo. Art historians take note; Tokyo is a bit of a gem.

Thanks to a lot of private funding, there are hundreds of galleries on the street or above shops where you can wander in and often speak to the artists.

There's also a real appetite for

photo by Adam Watkin

International internship CV boost Gemma Fottles Reporter

Liber, Flickr the best nights out in Europe?

As a general rule I would suggest heading to the East - think Budapest, Ljubljana and Warsaw, as most capital cities there can be relied on for some epic nights out with incredibly cheap alcohol and hostels. Berlin and Prague are slightly more expensive, but a trip to Europe wouldn't be complete without visiting them. During my time in Europe, everyone I spoke to wanted to know if I had been to Berlin as, with its incredibly diverse nightlife, there is something for everybody. Prague claims to host the biggest club in central Europe and is a city too beautiful not to be seen.

These are just a few of the many cities that are definitely worth a visit, perhaps more so than Amsterdam.

However, if you do decide to make the trip, do it sooner rather than later as, although the laws have not yet been implemented, they could be very soon and will undoubtedly change the face of Amsterdam forever.

western art as well; Bridgestone Tyres were sponsoring a Picasso exhibition and, as part of an exhibition on the potter Lucy Rie, there happened to be a David Attenborough documentary being played, which was slightly surreal.

When you're not buffing up on art, Tokyo offers endless shopping, eating experiences and some very good nightlife – all night Karaoke is a must: £20 all you can drink and all you can sing.

A stroll in the park on the equivalent of Bank Holiday Monday brought together a very different couple of weeks; there were fully grown adults playing tag, elderly people making huge soap bubbles, exhibitionists, kite flyers, Cosplay gangs and a lot of picnickers.

To visit the biggest metropolis in the world has surely got to be high on the list of any traveller, so I'm only thankful that my Chinese visa ran out.

Many professions require some form of work experience in order to get a foot in the door. Whether that be one day or six months, paid or unpaid, many popular graduate jobs just won't look twice without that little bit extra on your CV. Yet, with so many of the most prestigious internships and placements in the UK being based in London, it leaves a lot of students and graduates not from the capital in frustrating situations.

As we all know, London is one of the most expensive cities in the entire world to live and work in. A four-week placement could end up costing well over £1,000 if you're not lucky enough to have friends to stay with or find a paid placement.

One alternative that more and more students are opting for each year is to travel and gain that valuable work experience abroad.

Many companies, such as i-to-i Travel, Projects Abroad and Travellers Worldwide, offer placements all over the world in a range of different fields, including journalism, business, medicine, archaeology and law.

Most are unpaid, and you do in fact have to pay to take part in them, but if the cost of gaining work experience in a completely different environment is only around £500 more than the same thing in the UK, then why not?

This summer I travelled to Honduras in Central America to work for a newspaper for four weeks. Altogether with flights and the cost of the internship (including accommodation and food), the

total cost was around £1,700. This may sound steep, but the experience of being in such a different country and the various activities I got involved in was priceless – and ten times more exciting than staying in the big city for a month.

As well as all the amazing things I was lucky enough to see, such as idyllic Caribbean islands, Mayan ruins and breathtaking mountainous countryside, it is also an experience that will, in many ways, make me stand out when I finally get round to applying for jobs. Four weeks on your own, half way across the world, immersed in an entirely different culture is certainly more interesting than two weeks spent in London at a generic, 'big' company.

The University of Birmingham is also geared up for supporting and encouraging trips like mine.

The Student Development Scholarship is open to all non-final year students who plan to participate in a worthwhile project, and is provided to help with various costs. I, for instance, applied and received £1,500 to help me with the costs of my internship, which covered the majority of expenses. This meant that I could afford to travel around once my internship had finished, and it turned out to be one of the best summers of my life.

Travelling is an amazing way of broadening your horizons, whether it be to gain experiences to help you in your career, to attempt to learn another language, or just to have fun and see the world.

Whatever the reason, it is one of the most worthwhile experiences anyone could ever undertake.

24

Redbrick

11th November 2011

redbrickpaper.co.uk

Sport Try your hand at Dodgeball Netball

Find out how Birmingham fared against Newcastle in the Cup p26

At the University of Birmingham a new sports club is rapidly taking roots – the dodgeball club.

Redbrick writer Tom Williamson caught up with founding member Jack Jenkins to find out more...

Dodgeball

Rules and Skills

The Grab

The game begins with six balls placed on the centre line. When the starting signal is given, the players rush to get the balls and run back to the edge of the attack line.

The Throw

The Dodge The dodgeball team pose after a training session (left), where they practice the key skills involved (labelled, right)

CLUB SET-UP 'We have got two weekly training

sessions under way. The first is on Saturdays at 5.30pm in the old gym in the Munrow Centre. This is a session which is a more for people who want to play the game more seriously. We also have a session in the building that used to be a gym, due to the popularity of the club.

This session begins at 9pm and goes on for two hours, and is more for people looking for a fun activity and a chance to meet new people.

We have already got three teams, one male and two mixed and are already doing tournaments, for example on the 19th we travel to a tournament in Warwick. We have four certified and fully qualified coaches and the help of a Scotland

The Week In Numbers

3 -74 2.47

Former Liverpool midfielder Didi Hamann managed just three league wins in 19 games as manager of Blue Square Premier side Stockport County before resigning this week Wales' points difference after two fixtures of Rugby League's Four Nations.

29 12

New Zealand cricketer Chris Martin's career Test batting average after he was out for a duck against Zimbabwe in his 90th innings. He has hit only 15 boundaries in those 90 knocks.

The number of shots Martin Kaymer hit in his back nine as he overturned a five shot deficit to win the WGC Champions Tournament in Shanghai, shooting a nine-underpar 63 in his final round.

Cristiano Ronaldo hit his 12th Real Madrid hat-trick in their 7-1 win over Osasuna.

dodgeball international. So you can see that we are really taking off as a club, and luckily our president is at the start of his course, so he will be around for a while to see this through to fruition. ' CLUB ETHOS 'We very much want this to be a fun club, where people can socialise and meet new friends. We want people to feel welcome when they come for the first time. We are a club who do not ask anything from you when you first come. An ability to dodge is enough, with different roles for different people. All of our members really enjoy the sport because it's not too competi-

Freddie Herzog

tive but great fun and a good way to get some exercise. You do not even have to be in great physical condition, and this sport is great exercise, although having said that if you are not sweating by the end of the warm up drills you will have to do it again!'

This is very much a sport which is still taking roots in this country, having first gained notice from the American comedy starring Ben Stiller and Vince Vaughan. There is now a national association, which has given the club funding, and Birmingham's squad has a bright future.

The Week In Quotes 'The image and integrity of what was once a game but is now a business is damaged in the eyes of all.'

Mr Justice Cook when sentencing the four Pakistanis for their involvement in the spot-fixing scandal which has blighted cricket.

'I felt really honoured and emotional when I saw my name on that stand. I must say thank you to the club for that. My assistant didn't tell me – so he's sacked!'

On his 25th anniversary managing Manchester United, Alex Ferguson was surprised to find out that the whole club kept secret plans to name a stand after him.

'Steve's not a racist. His stupid comment became news – he probably regrets it. I guarantee there were heavier things said that night.'

Greg Norman on caddy Steve Williams, who apologised for making a remark about his former employer Tiger Woods which was construed by many as racist.

'Well well well!!!! Disappointed is an understatement!!'

Micah Richards reacts on Twitter to his controversial exclusion from Fabio Capello's latest England squad, from which he hopes to identify his team for the Euros.

Opposition players are eliminated when the ball hits them below the shoulder. The ball making the contact with the player has to be a 'live' ball, which means it has not touched the ground or rebounded from a surface or player.

A player can choose to dodge or catch the ball – if they catch it, the person who threw it is eliminated.

In a frenetic, fast-paced environment, the team that first eliminates all the opposition players win the match-up.

The Redbrick Sport Quiz 1) In which city will the Euro 2012 final be played?

2) Which agent did Northern Irish golfer Rory McIlroy part company with last month?

3) Three Pakistan cricketers were last week found guilty of match-fixing, but which former South African captain received a life-ban from cricket for it in 2000?

4) In which year did Man United win their first Premier League title under Sir Alex Ferguson?

5) Who was the last non-European to win the Formula One drivers championship?

1, Kiev 2, Andrew 'Chubby' Chandler 3, Hanse Cronje 4, 1993 5, Jacques Villeneuve

CLUB BEGINNINGS 'Last year, Birmingham hosted the national dodgeball tournament, and our President Murray Walker decided he wanted to start a Birmingham team after that. We decided to start a club as soon as we returned to Birmingham. We got it going at freshers fair, and got 200 people turning up at the opening session, and 50 signing up as members. It was clear from that moment on that there was a market for this sport at Birmingham – our hope is to expand the club again at the January sports fair.'

Dodgeball is contested by two teams of six players, who aim to elimate opposition players by striking them with the ball.

Redbrick

Sport Thoughts Redbrick Sport Editor Sam Price looks into cricket's recently resolved spot-fixing scandal, and why the naivety of youth has created a tragedy for the sport...

Sport 25

11th November 2011 redbrickpaper.co.uk

Editors – Sam Price & Joseph Audley

Bigger tests await confident Brum Women's Rugby

Birmingham 1sts

24

Manchester 1sts

0

James Newbon Sport Reporter

There are not many cases in sport that have saddened me as much as the spot-fixing scandal involving three Pakistani cricketers, that was last week resolved with the handing out of prison sentences.

Foolish, immoral, greedy. All these words are accurate representations of the actions of Salman Butt, Mohammad Asif and Mohammad Amir, who cooperated with an illegal betting syndicate to fix aspects of the Test series in England last summer by organising when to bowl deliberate no-balls.

In countries with deep social and economic problems, such as Pakistan and India, cricket players are the superstars and figureheads of disjointed societies, shining light into local communities. As such ambassadors for their countries, the players have a sporting duty to perform to the best of their ability and a moral duty to act with dignity and responsibility. Former captain Butt completely lost sight of this duty when orchestrating the spot-fixing, and by roping in colleagues Asif and Amir, the collateral damage has been severe.

Butt, 27 and Asif, 28 have already had distinguished careers and high earnings; the real tragedy of this case is that Amir is the brightest talent of them all and at the tender age of 18 at the time of the scandal, had not yet had his.

He put in a bowling performance during that four-match test series that defied his years, showing superb discipline and maturity to trouble every England batsman.

He adapted to the English conditions with a remarkable display of left-arm swing bowling, taking 19 wickets at an average 18.3, and showed considerable promise as a sturdy lower order batsman.

Young, supremely talented, goodlooking and regarded as the next Wasim Akram, at the age of 18, the world was Amir's oyster. Now ostracised in Pakistan, banned from cricket for five years and sentenced to six months in a young offenders institute, his world has been turned upside down.

While his actions are impossible to condone, a degree of sympathy must be felt for the young man. Just breaking into the side at the age of 18, under pressure from his more experienced captain and keen to provide for his family, he fell into a naĂŻve trap. A career that promised so much has been permanently blighted. Even if Amir comes back at the age of 23 and sets the world alight with his bowling, his career will always be remembered for this act of corruption. What a great pity for the sport.

Victory over Manchester firsts gave Birmingham their third win in four matches as they continued their impressive start to their Premier North campaign. Tries from Jay Stephens and Sophie Staniforth along with two from captain Garnet Mackinder helped the hosts to a comfortable 24-0 win.

Birmingham took the lead in the opening minute as Mackinder went over under the posts following smart work from scrum half Mel McKirdle and fly half Ash Aiston. And the skipper added the conversion to her try to put Brum 7-0 ahead.

14 minutes later, following a spell in which neither side had dominated, Manchester suffered a further setback. Captain Sophie Rogers suffered ligament damage to her ankle and had to be taken to hospital by ambulance, while the game was delayed by 30 min-

Magic Number

10

Minutes for the ambulance to reach Bournbrook after the injury to Manchester's Sophie Rogers

utes. The injury was described as 'pivotal' by the Manchester coach as he explained 'obviously we had to rearrange and the player's heads went down'.

But if Manchester were rocked by this setback they didn't show it and their reorganised team began to exert some pressure on the hosts, as Birmingham became stuck in their own 22 for the five

Birmingham were on the end of some tough tackling, but held the line at the back Michael Drury minutes following the restart.

And they nearly conceded a try as Mackinder saw her kick charged down in the try zone, only for the ball to fall out of bounds.

Mackinder then came to Birmingham's rescue on two almost identical occasions. Manchester's Claire Henshaw burst through the Birmingham lines, having intercepted a pass from Aiston, and seemed destined to score only to be hauled back in by the Birmingham captain. And barely a minute later Henshaw again bore down on the try line, this time having intercepted a pass from Mackinder, only for the captain to make amends by again chasing down the Manchester number 18.

Mackinder's heroics seemed to galvanise Birmingham who began to gain control of the game and saw out the first half still 7-0 in the lead.

Prospect of BUCS points for Ultimate Frisbee team Richard Hounsome

Ultimate Frisbee Correspondent

Last weekend, Birmingham's Ultimate Frisbee team (uBu) travelled to Nottingham and competed against all of the other universities in the Midlands in hopes of qualifying for a place at University Open Indoor Nationals.

After only one loss on the Saturday against close rivals and tournament favourites Warwick Bears, the team finished the day seeded eighth and with a mountain to climb on the Sunday.

A strong start on the Sunday

The Ultimate Frisbee team

earned a pivotal 3v4 game, against Warwick once more, who had lost their 1v2 game against Oxford and their following 2v3 game against Loughborough. Birmingham went on to beat the Bears 7-5 and clinch the last place for Division One Nationals, to compete against the other 15 best teams in the country, where a top eight finish would be rewarded with BUCS points.

Coach Dom Norton was delighted with the team's performance. 'We'd trained harder than ever this year to prepare ourselves for Indoor Regionals, putting in hours on the track and lots of early morning training sessions. The team relished the opportunity at another shot at Warwick and that showed in the way we played. We put in the best performance I've seen from a Birmingham team indoors in my time at University, cutting out our mistakes on offence and shutting them down with our defence. We're now looking towards nationals and the possibility of earning BUCS points for the first time in the history of our club.'

The second half saw a more dominant home side emerge. Early Brum pressure was rewarded 10 minutes into the half with a try from Jay Stephens as she jinked in from the left wing to put her side 12-0 ahead.

And Birmingham continued to pile on the pressure with a further try two minutes later. Mackinder powered through from her own half and then used her speed to cut in from the right wing and score under the posts despite being pushed all the way by the chasing Francesca Burilari. Also putting over the simple conversion put her side 19-0 ahead.

This score was to be added to one more time as Voyle and Aiston, both impressive throughout, combined to give Sophie Staniforth the chance to score under the posts. And that try was to be the last major action of the second half

as Birmingham saw out the game to win 24-0.

Coach Jon Critchlow was left satisfied with his team's performance. 'Obviously we would like to put more over them but, given the injury and disruption, we'll settle for that' explained the coach. And he can be left happy also with his side's performance so far in Premier North following their promotion last year. 'With three wins and one loss so far, a win next week will put us in a good place. We could challenge for second or even first.'

With strong teams from Loughborough and Leeds Met ahead of them in the table prior to this game, this is a bold prediction from the optimistic coach. But on this performance his team certainly stand a chance and they'll be looking to keep up their good run of form away to Durham next week.

Golfers keep nerve to beat Loughborough Men's Golf

Birmingham 1sts

3.5

Loughborough 1sts

2.5

Daniel Beattie Golf Correspondent

The University of Birmingham golf first team narrowly triumphed over Loughborough 3.5-2.5 on Wednesday morning in a tight contest. The match was played under heavy ground conditions at Edgbaston Golf Club, but despite this the course was in great order, particularly the greens.

Out first was Gareth Jenkins for Birmingham, who played a very tight match. Gareth was two up after the front nine, but then ran into 4 birdies in a row without reply.

Despite this he managed to birdie 16 and 17 and take the game down the last hole, where he narrowly missed from 15 feet for birdie and lost one down. Matt Jones, a newcomer to the first team put on a bit of a show, managing to win on the par three 14th hole and closing his

game out with birdie for a 6 and 4 win. Dan Beattie coincidentally repeated the feat moments later and also won 6 and 4.

Rob Harmsworth, playing in his second match for the first team showed his maturity; leading by two holes he drove the 15th par four green and closed out his match on the short par four 16th to win 3 and 2. It was mixed fortunes for Tom Jessamine; he had a minor car accident on route to the course.

Perhaps distracted by this, Jessamine fell to defeat, losing 4 and 3. Everything was riding on the sixth game, and Owen Edwards pulled out a birdie on 15 to square the match and another on the par five 17th to secure the 3.5 – 2.5 home win for Birmingham.

Victory over such formidable opponents as Loughborough continues the great progress Birmingham have been making, illustrated by their unbeaten record so far.

Following the result, the firsts retain their position at the top of the premier league.

26 Sport

Redbrick

11th November 2011 redbrickpaper.co.uk

Editors – Sam Price & Joseph Audley

Doubles dominate as Brum progress

West Brom tickets

Men's Badminton

Birmingham 2nds

5

Brunel 1sts

3

Fancy winning two free tickets in the press area to see West Brom v. Wigan on December 10, including complimentary food, drinks and a tour around the tunnel and media facilities? Redbrick Sport has teamed up with West Brom to give two lucky people a great day out at the Hawthorns. Simply 'Like' the Redbrick Sport page on Facebook to be entered into the prize draw. Go onto our website for more details.

James Campbell Sport Reporter

On Wednesday afternoon in the Munrow Sports Hall, the men's badminton second team won a hard fought victory against Brunel University firsts, five games to three.

Speaking before the match, Birmingham coach Lorraine Cole speculated on how she thought the afternoon was going to play out, 'It should be a close match today.

Brunel have some very good players, especially in the singles. We've had some encouraging results so far this season with wins against UEA and Warwick and I expect we'll be quite close to the top of the table by the end of the year.'

Lorraine's prediction was almost spot on as out of the four singles matches, Brunel won three of them. Star player Nathan D'Cruz, ranked number six in England, comfortably won both of his matches in straight games.

Birmingham's only singles victory came from Sean Courden.

Despite losing the first game 12-21, Courden dug deep and won the last two games 21-16 and 21-19, proving to be too good for

Trampolining

The singles struggled against Brunel but the doubles took firm control Brunel's Andy Robinson. Courden explained his triumph wasn't easy, 'It was a very tough match for me today, Andy is a very strong player and after losing the first game pretty badly I was pleased to come back and win the match.'

In the doubles however it was a very different story for Birmingham. In the first round of matches Birmingham pairing of Paul Scott and Avanish Chandarra brushed aside Brunel's Chris Luscombe and Callum Phair in straight games 21-5 and 21-10. Their second match proved to be a bit tougher against the Brunel pairing of

Richard Ralph and Dean Martin.

The match finished 21-18, 21-16, clinching an overall victory for the Birmingham side.

The last match and perhaps the highlight of the day was the showdown between Birmingham's Jamie Roberton and Brunel's Robinson. In the first game, Roberton got off to a strong start opening up a four-point lead over his opponent.

Locked in long rallies, Robinson won 22-20 in a game that seemed to be never ending. Despite the setback, Roberton showed resilience in the second game, win-

Mathis Baumert ing it comfortably 21-13.

At 1-1, all everything was in the balance going into the final game.

Both players looked exhausted and too many unforced errors by the Birmingham player proved to be his downfall as he lost the game 14-21.

With a smile on her face after the match, coach Cole gave her analysis of the day's match. 'I am extremely happy with the result today. We played a very strong team and in the three very close matches we won two of them. This will give us confidence going into the rest of the season.'

Price injury takes gloss off victory Netball

Birmingham 1sts

30

Newcastle 1sts

27

Frankie Conway Sport Reporter

Some incisive passing moves and clinical finishing enabled Birmingham to book their place in round two of the BUCS trophy after a hard earned 30-27 win over Newcastle. Anticipation was at fever pitch in the build up to this crucial encounter as the two sets of players warmed up in a steely silence.

Both sides were yet to be beaten this season and Birmingham captain Laura Price was aware of the danger Newcastle posed. 'Newcastle are unbeaten this year. We expect a tough game.'

It was evident from the early goings that the two teams both meant business. Birmingham found their groove straight away and having conceded an early goal, were able to strike a triple blow to record a 3-1 lead. The speed of the Birmingham interchanges had the Newcastle defence in all sorts of trouble and both shooters, Hannah Kennedy and Laura Brocklebank, were able to apply the finishing touches to some fine Birmingham moves. Despite this early pressure, Newcastle quickly found their feet and started to deliver some threatening attacks of their own. An evenly matched first quarter ended with the hosts just edging their noses in front at 8-7.

The visitors continued to apply serious pressure to the Birmingham back line and Newcastle soon levelled matters at 12-all mid-way through the second quarter. Clear-

Sport Shorts

ly spurred into action, the hosts were able to reverse this Newcastle surge and wrestle control of the tie.

Birmingham's influential captain, Price, orchestrated all of Birmingham's best attacks, and combined particularly well with wing-attack, Laura Wilson. It was this combination that provided one of the moves of the match. A devastating six pass move unlocked the Newcastle defence and Kennedy was on hand to convert the shot. Birmingham ended the second quarter 1814 to the good.

The match really came alive in the third quarter. Roared on by a partisan home crowd, the visitors fought back to level at 22-all.

The dip in the concentration of the home side had been fractional, but they were made to pay the penalty. Requiring another sterling response, Birmingham were once again able to shift through the gears and raise their levels when challenged. A decisive seven goal surge without reply really killed the contest, and a 28-22 deficit going into the fourth quarter was always going to be very difficult for Newcastle to overturn.

Successful Interceptions

Birmingham

26

Newcastle

13

A cruel twist of fate for Price saw the inspirational Birmingham skipper carried off court after turning her ankle. Despite this disadvantage, the hosts were able to weather a late Newcastle riposte and hold on to beat their opponents 30-27.

Speaking whilst retrieving

Birmingham were extremely well represented in the competition last week at Loughborough, and performed brilliantly, winning the competition overall which leaves them top of the Northern League. Everyone made it through their routines, highlights including a first place for Nathan Combes in Elite, a first place for Rachel Jones in Intermediate, while Nat Caughtry and Holly Hutchins gained second place finishes in Elite Synchro.

Other Results and Next Week's Fixtures This week's results:

Women's Hockey 4ths won 7-0 against Anglia Ruskin 1sts Men's Rugby 3rds won 79-7 against Anglia Ruskin 1sts Men's Football 2nds won 6-2 against Northampton 2nds Men's Badminton 1sts lost 8-0 against Leeds Met 1sts Men's Squash 2nds won 4-1 against Cambridge 1sts Women's Tennis 1sts won 8-4 against Oxford 1sts Men's Table Tennis 1sts won 11-6 against Lancaster 1sts

Next week's fixtures: Game of the week: Men's Badminton 1sts vs Loughborough 1sts Munrow Sports Hall 1pm

Brum were far more clinical than their opponents treatment to her right ankle, Price hoped to be back for a key league clash with Loughborough in two weeks time. Regarding the side's display, Price was very satisfied.

'We played well under pressure.

We always have dips in our play, but we are close as a squad. As soon as heads start dropping, the other players rally to pick people up.' Price was especially pleased with the shooters, commenting, 'they hardly missed anything.' The injury to their captain is a blow for Birmingham, but their season was given a further boost as they advanced to the second round of the cup.

Freddie Herzog

Shot Conversion Goals (30)

Birmingham

Total shots (62)

Men's Rugby 1sts vs Loughborough 2nds Bournbrook 3pm Women's Football 1sts vs Bedford 1sts Metchley 2pm

Total shots (44)

Goals (27)

Women's Netball 1sts vs Cambridge 1sts Munrow Sports Hall 4.30pm

Newcastle

Men's Volleyball 1sts vs Aston 1sts Munrow New Gym 7.30pm Men's Table Tennis 1sts vs Nottingam 2nds Munrow New Gym 7.30pm

Redbrick

This week in...

2006

Five years ago, West Ham United began serious negotiations about a £75 million takeover of the Olympic stadium. The Hammers now have to start this process all over again if they still want to play there after their bid fell through last week.

2008 Just weeks after losing to him in straight sets in the US Open, Andy Murray beat Roger Federer in the Madrid masters semi-final and then went on to beat Gilles Simon in the final to take his second Masters title.

Couldn't make it up It took Fauja Singh eight hours, 25 minutes and 16 seconds to finish the Toronto Waterfront Marathon, to become the world’s oldest marathon runner at the age of 100. Living in Britain, Singh runs ten miles a day and puts his stamina down to curry and tea.

Mario Balotelli has stepped forward and offered to organise Manchester City’s Christmas party.

Let’s hope that the Italian uses a board to throw his darts at this time rather than youth team players.

Sport 27

21st October 2011 redbrickpaper.co.uk

Editors – Sam Price & Joseph Audley

Heroes...

This week on the Redbrick website...

The tennis calendar The Wednesday debate this week discusses the rigours of the tennis calendar, and whether demands placed on the top players are too much. Seth Armstrong-Twigg argues that the demands are too heavy, while Frankie Conway defends the system.

Wayne Rooney

David Haye Raphael Sheridan discusses the legacy of boxer David Haye after he called time on a career that contained some notable highs, but will ultimately be remembered for his inability to turn words into action against Wladimir Klitschko.

The incident on everyone's lips at the moment is Wayne Rooney's red card against Montenegro to rule him out of the Euro 2012 group stage, and Josh Reynolds argues that this should mean he shouldn't be taken on the plane.

Where are they now?

Robin van Persie

Classic Goal...

Weekend Wager Wigan to be relegated

A brute of a batsman, Matthew Hayden has been active since retiring. The former Aussie opener has had two cookbooks published in his homeland, has hosted a sixepisode lifestyle TV show and has started his own company which encourages people to choose an outdoor life.

Without a league win since August, and playing Chelsea, Liverpool and Manchester United in that crucial christmas period, things are looking extremely bleak for Wigan.

Roberto Martinez won't be able to keep this poor squad up, lay them now at evens with some bookies, your money should be safe.

Youtube search: Rivaldo vs Valencia 2001 In 2001, Rivaldo scored a hattrick on the last day of the season against Valencia. He saved his best until last as the Brazilian controlled the ball on his chest on the edge of the box and then smashed it into the bottom corner with an incredible bicycle kick. This gave Barcelona a last minute 3-2 win to secure a Champions League place.

A Hero Remembered

Club in Focus... Birmingham University Racing Society

Dan Wheldon died at the young age of 33 on lap 11 of the Indy 500 in Las Vegas last weekend.

After concerns were raised about the safety of the track, 15 out of the 34 cars were involved in the crash which lead to the death of the British driver. Have a read of Blayne Pereira's tribute to Wheldon's career on our website.

A new society formed this year, the Racing Society organises trips to the races for students at discounted prices, as well as other events such as tipster competitions and stable tours. The launch trip to Cheltenham last week was a great success, and the society met and had a picture with superstar jockey Tony McCoy (right).

Contact: http://www.facebook.com/#!/ groups/birminghamracingsoc/ Twitter: @BURacingSoc

The Redbrick Crossword

Mordo Nahum Puzzles Editor

This week's prize is a £5 Waterstones Gift Voucher Completed crosswords to be submitted to the Redbrick office by 24/10/11.

(Redbrick Office located in the basement of the Guild)

Please complete this form before you hand in your completed crossword into the Redbrick office.

Name:

Course:

Year: Email Address:

Phone Number:

Across

1. I wondered (anag.) (9) 8. Molten rock (4) 9. Soft drink, often served with alcohol (6, 3) 10. See 19 13. Negative; drawback (5) 15. River; online retailer (6) 16. Remember (6) 17. Plant which has an intoxicating effect on felines (6) 19/10. Part of a clock; previously used (6, 4) 20. See 21 21/20. British band who wrote The Dark Side of the Moon (4, 5) 24. Advice column author (5, 4) 25. Hiding place (4) 26. To quench one's thirst (9)

Down

2. Wading bird which was wor-

shipped in Ancient Egypt (4) 3. Brink (4) 4. Scientist who first proposed a theory of evolution by natural selection (6) 5. Name of main character in Charlotte's Web (6) 6. Pacific islands which helped inspire the work of 4 down (9) 7. Natural disaster; overwhelming electoral victory (9) 11. 13th century explorer (5, 4) 12. The ____ _____ Company, historic international traders (4, 5) 13. Recurring theme (5) 14. Embroidered; planted seeds (5) 18. Disease; harass (6) 19. Australian city (6) 22. Impartial; carnival (4) 23. Unit of speed (nautical) (4)

A brace in Arsenal’s weekend game against Sunderland gave his team a timely boost.

The captain scored a goal after just 29 seconds, hit the post with an audacious chip and won the game with a superb late free-kick.

Tom Lewis

On only his third tournament since turning professional, Tom Lewis won his maiden title at the Portugal Masters. It took Tiger Woods five attempts and Rory McIlroy 38 for their first wins.

Frankel

Superhorse Frankel confirmed his reputation with an imperious display at Ascot last weekend to win the Queen Elizabeth II. The horse of legendary trainer Sir Henry Cecil kicked clear of the field and the result never looked in doubt, marking a fifth group win for the unbeaten colt.

and Villains...

Alain Rolland

Referee Alain Rolland sent Wales captain Sam Warburton off for what was deemed a dangerous tackle in their semi-final tie against France. The tackle was no more than a sin-bin offence, and playing with a man less for three quarters of the match ultimately proved too difficult a task for the plucky Welsh.

Francois Modesto

In an attempt to detract attention from himself after faking a dive, the Olympiakos defender pulled his opponents shorts down. AEK Athens' centre-half Cala was on the receiving end of Modesto's unusual diversion tactics, but the defender eventually got sent off later in the game.

12_3_4_5_=6=7 =_=_=_=_=8___ 9________=_=_ =_=_=_=_=0___ a=b=c___d=_=_ e_____=f_____ _=_=_===_=_=_ g____h=i_____ _=_=j____=_=_ k___=_=_=l=m= _=_=n________ o___=_=_=_=_= _=_=p________

28 Sport

Sport

Redbrick

11th November 2011 redbrickpaper.co.uk

Editors – Sam Price & Joseph Audley

Dodgeball Feature Turn to p24 to read an exclusive feature about the University's newly-formed Dodgeball club

Renegades retreat as Lions pounce American Football

Birmingham Lions

25

Nottingham Trent Renegades

6

Josh Hunt Sport Reporter

An estimated 2000-3000 spectators were in attendance as the Birmingham Lions beat the Nottingham Trent Renegades 25-6 at xpLosION to kick off their American football season in style over an outfit renowned for their physicality. A strong running game and polished defensive effort were the highlights of a game the Lions dominated every aspect of.

The Renegades won the toss and elected to kick to the Lions, who punished the visitors as quarterback Jonny Glover led a touchdown drive on Birmingham's first possession. Running back Dan Conroy was instrumental as Birmingham advanced deep into Renegades territory, running for first down yardage and more on third and ten just past halfway. Birmingham's progress was interrupted by a nasty looking injury to Craig Harris who had to be helped from the field, but once play resumed the Lions continued as they had started, Conroy running the ball once more before Glover found Ben Brown in the end zone for the first touchdown.

The Renegades were unable to match the Lions' success on offence throughout the fixture, regularly being forced to punt the ball away, although on their second possession of the game running back Alex Fodor put the visitors into field goal range, but the kick sailed wide of the right hand post as time ran out in the first quarter.

After a brief interval where the crowd were entertained by Brum's Dance Society, the Lions proceeded to dominate the second quarter. Their first possession resulted in a three and out with a 15-yard penalty for a personal foul giving them negative yardage for the drive. Nottingham Trent looked set to take advantage with quarterback Adam Grant converting on a third and five with a quick pass to Jerome Edwards and taking the away side well within 20 yards of Birmingham's goal line. On the next play, however, Birmingham's defence sprang to life as Greg Freeman intercepted the ball and ran it back for a touchdown sure to have grabbed the attention of the Sky Sports cameras on the sidelines to put Birmingham into a 14-point lead.

After quickly stopping the travelling team on their next drive, Conroy again picked up big yards on the ground, but Birmingham had to settle for a 26 yard field goal to make it 17-0 as the clock ran down at the end of the first half.

The two sides then proceeded to give away possession, as Glover threw his first interception of the game to Andrew Wilkins and Greg Pearson forced a Danny Miller fumble, which Kyle Burrows gratefully recovered. Glover then threw his second pick, Chris O'Dea making the interception. With only a second left on the clock the away side tried to run the ball to reach the half, but Miller was hit in his own end zone and Birmingham grabbed a two point safety to close out the half 19-0 up.

Half time entertainment was provided by spectacular performances by the Birmingham Pussycats and Nottingham Trent Tigers cheerleading squads, as well as a magnificent fireworks display. The third quarter was a less entertaining affair, with neither team able to put any more points on the scoreboard. Sope Dirisu replaced Glover for the second half, completing 5/8 passes compared to Glover's disappointing 4/14 and also provided one of the highlights of the fourth and final quarter on a 12 yard quarterback scramble under heavy Renegades pressure.

The fourth quarter's first drive resulted in the Renegades' second field goal miss, giving the Lions good field position for their first possession of the quarter. Wide receiver Andrew Newiss, excellent on punt return duties, showed his worth as a receiver picking up two first downs, both off lateral passes and picking up yardage after the catch with an array of cuts and tackle breaking moves on display. In the end it was Conroy who picked up a thoroughly deserved touchdown, as he capped off a superb individual performance.

The Renegades did manage to get on the scoreboard and prevent a Birmingham shutout; Danny Miller running in for a touchdown late on after a roughing the passer penalty allowed the visitors to move the chains on fourth down, although the extra point attempt again went wide of the posts.

Despite the late score it was a comfortable win and coach Wayne Hill was understandably happy with his team's performance, although he suggested that on such a big occasion 'the pressure got to one or two guys' and that time in the film room will be required to iron out some of the errors of judgment certain players made. There were few complaints though, Conroy summing it up as 'a good start' for what looks set to be a big year for the Lions.

Lions/Renagades run-pass play percentages

56% pass

49% pass 44% run

Third Down Conversions

10 Attempts

11 Attempts

51% run 4 Conversions

2 Conversions

Magic Number

92

There were 92 players in the Lions' squad for the game

The Renegades couldn't get close to the Lions (above, left) who stepped out with pride (below) (Tom Flathers) while the half time entertainment didn't fail to impress (above, right) (Zoe Posnette)

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