Julia Wolfe
T
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PE © Copyright 2014 by Red Poppy Ltd. (ASCAP) Represented Worldwide by G. Ricordi & Co./ Universal Music Publishing Classical International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law, and subject to criminal prosecution.
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Commissioned by the Mendelssohn Club of Philadelphia with support from Meet the Composer's Commissioning Music/USA program, which is made possible by generous support from the Mary Flagler Cary Charitable Trust, New York City Department of Cultural Affairs, the William and Flora Hewlett Foundation, and the Helen F. Whitaker Fund. Additional support was made possible through the Mendelssohn Club of Philadelphia Alan Harler New Ventures Fund; the Presser Foundation; The Pew Center for Arts & Heritage through Philadelphia Music Project.
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Instrumentation SATB Choir
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Ensemble: clarinet/bass clarinet electric guitar/acoustic guitar/solo tenor voice percussion vibraphone, crotales, concert bass drum, tam tam, mounted drum stick, tambourine, tin can, drum set (bass drum, snare drum, low/med tom, hi-hat, low/med/high cymbals), 6 mounted bicycle wheels piano/synthesizer violoncello/solo alto voice contrabass/electric bass
all singers and instruments amplified
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the alto solo in Breaker Boys is sung by the cellist Ashley Bathgate and the tenor solo in Speech is sung by guitarist Mark Stewart
for Alan Harler
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PROGRAM NOTES: I grew up in a small town in Pennsylvania – Montgomeryville. When we first moved there the road was dirt and the woods surrounding the house offered an endless playground of natural forts and ice skating trails. At the end of the long country road you’d reach the highway – route 309. A right turn (which was the way we almost always turned) led to the city, Philadelphia. A left turn on route 309 (which we hardly ever took) lead to coal country, the anthracite field region. I remember hearing the names of the towns, and though my grandmother grew up in Scranton, everything in that direction, north of my small town, seemed like the wild west.
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When the Mendelssohn Club of Philadelphia commissioned me to write a new work for choir and the Bang on a Can All-Stars, I looked to the anthracite region. Anthracite is the diamond of coal – the purest form. At the turn of the century the anthracite fields of Pennsylvania became the power source for everything from railroads to industry to heating homes. But the life of the miner was difficult and dangerous. I had been immersed in issues of the American worker - composing Steel Hammer, an evening length art-ballad on the legend of John Henry. For Anthracite Fields I went deeper into American labor history – looking at both local and national issues that arose from coal mining. I went down into the coal mines, visited patch towns and the local museums where the life of the miners has been carefully depicted and commemorated. I interviewed retired miners and children of miners who grew up in the patch. The text is culled from oral histories and interviews, local rhymes, a coal advertisement, geological descriptions, a mining accident index, contemporary daily everyday activities that make use of coal power, and an impassioned political speech by John L. Lewis, the head of the United Mine Workers Union.
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My aim with Anthracite Fields is to honor the people who persevered and endured in the Pennsylvania Anthracite coal region during a time when the industry fueled the nation, and to reveal a bit about who we are as American workers.
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In the first movement, Foundation, the singers chant the names of miners that appeared on a Pennsylvania Mining Accident index 1869-1916. The list is sadly long. I chose only the Johns with one-syllable last names in alphabetical order. The piece ends with a setting of the very colorful multi-syllabic names. The miners were largely from immigrant families and the diversity of ethnicity is heard in the names. At the center of Foundation is text from geological descriptions of coal formation.
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Breaker Boys follows next. There were many boys working in the Pennsylvania coal mines. The younger ones worked in the breakers, which were large ominous structures. The coal would come running down shoots of the breakers. The boys had the painful job of removing debris from the rush of coal. The central rhyme of this movement, Mickey Pick-Slate, is from the anthracite region. Others were adapted from children’s street rhymes. In the center of this movement are the words of Anthony (Shorty) Slick who worked as a breaker boy. The interview is taken from the documentary film, America and Lewis Hine directed by Nina Rosenblum. Hine worked for the National Child labor Committee, and served as chief photographer for the WPA.
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Speech is the third movement. The text is adapted from an excerpt of a speech by John L. Lewis who served as president of the United Mine Workers of America. Lewis was an impassioned spokesperson for the miners and fought hard-won battles for safer working conditions and for compensation. The fourth movement Flowers was inspired by an interview with Barbara Powell, daughter and granddaughter of miners. She grew up in a Pennsylvania patch town and had many stories to tell about her family life. She never felt poor. She had an amazing sense of community. Barbara talked about how everyone helped each other. In one interview Barbara said, “We all had gardens” and then she began to list the names of flowers.
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The last movement Appliances ties the new to the old. I was struck by John L. Lewis’ line “those of us who benefit from that service because we live in comfort.” Our days are filled with activities that require power. Even today coal is fueling the nation, powering electricity. When we bake a cake or grind coffee beans we use coal. The closing words of Anthracite Fields are taken from an advertising campaign for the coal-powered railroad. In 1900 Ernest Elmo Calkins created a fictitious character, a New York socialite named Phoebe Snow, who rode the rails to Buffalo. It used to be a dirty business to ride a train. But with the diamond of coal her “gown stayed white from morn till night, on the road to Anthracite.”
ANTHRACITE FIELDS I. FOUNDATION
q = 106
Julia Wolfe (2014)
All singing should be done in a simple manner with as little vibrato
of words is important. as possible - a pure sound. Intelligibility Alto I
Alto II
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tons of reverb, strumming strings with wire kitchen whisk
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mp
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Copyright © 2014 Red Poppy Ltd. Administered exclusively worldwide by G. Ricordi & Co./ Universal Music Publishing Classical. International Copyright Secured. All Rights Reserved. Warning: Unauthorized reproduction of this publication is prohibited by Federal law, and subject to criminal prosecution.
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ppp
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Tam Tam (with big soft non attack mallets for rolling)
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mp
Contrabass
scratch note - rough sound in back of throat, cup hands around mouth and gradually open and close hands. Pitch can bend, fluctuate incrementally. Subtle, sneak into texture.
Electric Guitar
Piano
Bass Clarinet in Bb
Percussion
scratch note - rough sound in back of throat, cup hands around mouth and gradually open and close hands. Pitch can bend, fluctuate incrementally. Subtle, sneak into texture.
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John Coates John
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John
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John
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John Danks John Dash
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John
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Deck
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Derr
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John
Dunn
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Dice
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Eck
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3
Edge
John
3
Emes
John
Erb
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Emes
f
3
Erb
3
3
Edge
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Dykes
3
mp
3
John
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John Drake John Drew
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Dice
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3
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3
AN
M
E. Gtr.
Dean
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B II B. Cl.
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John Dowe John Doyle
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FO
172
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TI
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3
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PE
Cb.
R
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John
John Curns John Dale
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FO
3
Bass Drum
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Cross
f
Croll
Dawe
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3
Cresh John Croll
Cray
John Creech John
Crane
3
John Crush John Cull
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strum and let ring with natural decay
E. Gtr.
John Crook John
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B. Cl.
3
185
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3
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3
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like water 6 mp
Vc.
John
John Forbes John
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Flack
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John
Folk
AN
Perc.
Fitch p
E. Gtr.
John Frick John
B. Cl.
John Flute John 3
Finn
M
John
R
B II
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BI
John
Ford John Fox John
T II
Finn
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John
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FO
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R
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B
PE
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R
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3
3
Farr John Faust John
FO
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Fitch
T
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3
p
John
Fair
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O
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Fair
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BI
B II
John
T II
p
mp
TI
11
SI 190
S II
rose
AI
A II
rose
N
TI
John
Gaul
John
John
Gell
John
George
John
O
T II
Gantz
BI
T
B II
6
6
6
6
6
6
6
6
6
6
6
fell
John
Goff
John
Goff
John
Gold
6
John Grant
6
John
6
6
6
Good John Grant
6
John Grant
6
6
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Glump
AN
Perc.
fell
John
M
Gluke
R
FO
and
BI
John
R
T II
Cb.
and
TI
A II
Vc.
6
AI
Pno.
6
193
S II
B. Cl.
Glinn
John
SI
B II
Gish
PE
John
R
Cb.
George
Vc.
John
Perc.
Pno.
Gell
FO
B. Cl.
John
12
SI 196
S II
wide
AI
A II
N TI
John
Gwynne
John
Guy
John
John
Hane
John
Hawk
Hall
John
Hand
John
Hane
John
Hawk
6
6
6
Hayes
John
Head
3
John
Helm
6
John
6
Helm
John
6
6
John
6
E C
Hand
6
John
3
6
6
6
AN
John
Guy
John Gross John Grove
John
John
6
M
Cb.
Vc.
John Grim John Grimes John Grip John Groom
R
FO
AI
Pno.
seas
R
Perc.
S II
PE
202
llow
John Grass John
SI
B II
-
BI
sha
T II
TI
A II
R
Cb.
seas
John Grass John Gray John Green John Gregg John Grim John Grimes
Vc.
llow
Perc.
Pno.
-
FO
sha
T B II
John Grass John Gray John Green John Gregg John Grim John Grimes
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wide
O T II
6
6
6
13
SI 205
S II
the
AI
A II
N
John
O
T II
3
Hess
B II
Cb.
Hines
John
Hog
209
John
Holt
Hill
John
Hines
John
Hog
3
seas
John
Holt
3
6 6 6
AI
and
rose
BI
Perc.
Vc. Cb.
John
Howe
John
Hughes
John
Hunt
John
Hope
John
Howe
6
6
6
6
James
John
Jones
John
Hughes
John
Hunt
John
James
John
Jones
6
6
6
6
6
6
6
6
Pno.
E C
John
AN
T II
TI
B II
and
M
A II
6
6
R
Hood
rose
S II
FO
SI
6
3
John Homes John
3
John
R
John
PE
Vc.
Hill
R
Pno.
John
Heist
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John
Hess
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Heal
Perc.
bri
3
FO
seas
ny
T
BI
-
bri
the
TI
14
S I 212
fell
S II
thick
AI
thick
N TI
John
O T II
Joy
John
Judge
T
BI
John
Pno.
Cb.
John
Lair
John
Lake
John
Lamb
John
Lane
Joy
John
Judge
John
Lair
John
Lake
John
Lamb
John
Lane
6
6
6
swamps
John
Pno.
Vc. Cb.
6
co
- vered
co
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John
Leach
John
Lee
Lang
John
Lappe
John
Leach
John
Lee
John
Leach
John
Lee
John
Left
John
Link
6
6
6
6
John
6
Link
6
Left
Lappe
John
John
Lang
Perc.
E C
BI
B II
AN
John
6
6
swamps
T II
M
6
R
TI
FO
6
6
6
A II
6
6
215
AI
my
SI
S II
R
-
-
6
stea
PE
Vc.
R
my
Perc.
-
FO
B II
-
stea
fell
A II
6
6
6
6
6
15
S I 218
the
S II
AI
earth
the
N TI
O T
BI
John
B. Cl.
Linn
John
Lloyd
John
Lock
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John
Lord
John
Long
John
Lord
6
6
6
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6
6
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6
6
6
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AN
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M
Vc.
R
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John
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E. Gtr.
John
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R
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R
E. Gtr.
FO
B II
T II
earth
A II
16
C
227
SI
S II
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TI
N T II
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the
mp
mp
leaves
-
ches
and
bran
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-
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ried
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John
Lott
John
deep
deep
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John
Lutz
John
Lume
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6
6
3
3
3
3
mp
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3
3
6
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6
p
mp
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mp
M
-
R
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FO
bran
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and
mp
R
T II
TI
232
A II
deep
6
6
6
mp
6
E. Gtr.
Perc.
Cb.
6
PE
AI
Vc.
leaves
6
S II
Pno.
6
R
mp
SI
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6
FO
the
6
Perc.
Cb.
E. Gtr.
Vc.
mp
hammer
Pno.
B. Cl.
T
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Bass Drum, warm attack
p
mp
17
SI 237
bu
S II
thick
T
Lynch John Lynn John
Lynch
Mack
John
Mates
John
Maul
John
May
John
3
3
-
ried
-
Meck
John
Meese John
Mick
John
Miles
John
Mates
p
Maul
6
6
May
Meck
6
Meese
Mick
6
3
Miles
M
3
Mack
3
6
6
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AN
Perc.
Cb.
3
Vc.
E. Gtr.
Pno.
R
B. Cl.
FO
Lynn
trunks
R
B II
PE
and
ried
roots
-
trunks
R
BI
and
FO
p
T II
thick
TI
bu
A II
roots
O
N
AI
-
18
SI 242
deep
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the
John
Moore
Moss
John
Mott
John
Nash John Heil
-
-
ches
John
Ney
John
Nick
John
Moss
Mott
Nash
mp
ried
Niles
John
Noke
John
Heil
p
Ney
-
-
-
John
ried
3
Nick
Niles
Noke
3
M
3
3
6
6
6
3
6
p
f
p
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AN
Perc.
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bran
6
Vc.
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-
ches
FO
E. Gtr.
Pno.
-
and
leaves
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deep
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-
-
R
bran
PE
R
Mill
Mill
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the
FO
BI
and
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bu
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deep
A II
leaves
O
N
AI
19
S I 247
deep
S II
thick
T
thick
Noon
my
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John
Nye
John
Nutt
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Orr
John
-
Ortz John
ried
deep
Paff
John
Pap
John
Parks
John
Paul
John
-
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p
Pap
Parks
Paul
3
3
3
6
M
3
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p
3
6
6
6
6
f
p
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3
AN
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Cb.
deep
E. Gtr.
Vc.
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Paff
3
Pno.
Orr
FO
ried
swamps
deep
B. Cl.
-
R
mp
PE
-
-
bu
R
Noll
-
swamps
FO
BI
B II
stea
Noll John Noon John
T II
my
TI
-
deep
stea
A II
O
N
AI
bu
20
SI 252
co - vered
S II
the
bri
T the
bri
John
Peel
ny
Pierce
John
Pitz
John
p
3
John
Plum
John
Point
John
Plow
Please
3
3
Point
mp
Pluck
deep
3
3
3
3
Plum
3
M 6
6
6
6
p
f
p
E C
AN
Perc.
Cb.
3
and
E. Gtr.
Vc.
leaves
Plant
Pitz
Plant John Please John
R
the
FO
seas
and
earth
Plow John Pluck
leaves
Pierce
the
mp
3
Pno.
the
deep
B. Cl.
seas
R
PE
B II
Peace
-
earth
R
BI
FO
Peace John Peel
T II
ny
TI
A II
-
the
co - vered
O
N
AI
p
f
21
SI 257
bu
S II
bran
-
T bran
-
-
-
John
Pope
John
ried
BI
Pool
Pope
Posh
John
Pratt
John
Price
John
Prone
John
Posh
Pratt
Price
Prush John
Pine
John
Quinn
John
mp
p
Pine
Pyle
Quinn
3
p
3
luxurious rolling across the strings, catching doublestops on the way
3
E C
Cb.
AN
Perc.
Vc.
E. Gtr.
Pno.
M
3
John
deep
Pyle
R
Prone
Prush
B. Cl.
FO
trunks
and
roots
co - vered
thick
trunks
R
and
PE
roots
deep
R
T II
ches
co - vered
thick
FO
Pool
TI
B II
bu
deep
A II
ried
ches
O
N
AI
-
-
p
22
S I 262
the
earth
S II
bu
leaves
T
Rape
John
Ray
John
-
Read
Rand
Rape
Ray
Read
Reap
3
3
6
ches
John
Reese John Rhodes John
Reese
Rhodes
Rice
John
Rich
John
Rice
Rich
mp
Reap
6
co - vered
p
6
deep
M
3
co - vered
R
ches
FO
R
deep
-
John
PE
3
6
3
3
3
3
Perc.
f
p
p
E C
AN
E. Gtr.
Cb.
Rage
-
ried
B II
B. Cl.
-
-
bran
R
BI
-
and
FO
-
deep
bu
ried
leaves
T II
Vc.
Rage John Rand John
TI
Pno.
-
bran
earth
A II
-
and
the
O
N
AI
23
SI 267
bu
-
-
S II
the
bu
-
-
T
co - vered
earth
Ripp John
Rist
Ring
John
Roach
John
Ripp
3
John
John
Roots
John
Rose
John
deep
Rock
3
Roe
mp
3
6
Roe
Roots
Rose
M
3
deep
R
3
ried
earth
Robb
-
John
Rist
-
Rock
p
Roach
3
Robb
deep
3
ried
the
3
FO
B. Cl.
R
earth
PE
-
bu
co - vered
-
the
deep
Ridge
R
bu
FO
BI
6
6
6
6
f
p
p
f
E C
Perc.
AN
E. Gtr.
Cb.
T II
Vc.
ried
Ridge John Ring John
TI
Pno.
deep
the
B II
ried
A II
earth
O
N
AI
p
24
SI 272
the
S II
the
the
O
N
AI
A II
T
John
Rudd
-
-
-
-
-
sea sea sea
sea sea sea sea sea sea
3
3
sea sea sea sea sea sea
6
3
mp
6
6
ppp
legato pulse on each note
sim.
3
3
3
mp strumming, lots of reverb, unmeasured tremolo for a continuous flurry of sound
mf
High Cymbal
3
3
E C
sea sea sea sea sea sea
AN
3
sea sea sea
M
3
deep
3
3
R
3
FO
Perc.
sea sea sea sea sea sea
sea sea sea
E. Gtr.
sea sea sea
3
3
ny
3
ny
3
John
-
3
ny
-
ny
-
Rudd
3
Cb.
-
R
Rouse
Vc.
bri
-
B II
Pno.
PE
B. Cl.
bri
-
R
Rouse
BI
bri
-
T II
bri
FO
TI
the
25 276
SI
3
3
3
3
3
3
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
S II
AI
A II
3
N BI
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
3
3
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
sea
3
sea
sea
3
sea
sea
sea
sea
3
sea
sea
sea
3
3
sea
sea
3
sea
sea
sea
3
FO
3
3
To Cl.
ppp
Low Cymbal
R
ppp like water, with pedal
sea
3
mp
6
6
PE
6
6
6
3
sea
sea
sea
sea
sea
sea
sea
3
sea 3
sea
sea
sea
sea
sea
sea
sea
sea
3
3
3
sea
sea
sea
sea
sea
sea
sea
sea
3
sea
sea
3
sea
sea
sea
3
sea
sea
sea
sea
3
sea 3
sea
sea
sea
sea
3
sea
sea
sea
sea
sea
sea
sea
3
sea
sea
sea
sea
3
sea
sea
3
sea
sea
sea
sea
sea
3
sea
sea
sea
E C
6
Perc.
3
6
E. Gtr.
3
6
AN
B. Cl.
6
M
3
sea
T I+II
6
R
A II
6
FO
3
AI
R
279
S II
6
Pno.
sea
3
sea
SI
B I+II
3
T
3
Cb.
3
Perc.
Vc.
3
Med. Cymbal
Pno.
3
E. Gtr.
3
B. Cl.
3
O B II
3
sea
T I+II
3
ppp
Vc.
Cb.
6
6
6
6
6
6
legato pulse on each note
mp
3
6
6
3
6
6
3
6
sim.
6
3
26 282
B. Cl.
E. Gtr.
6
6
3
T
Cb.
285
6
3
6
3
3
6
3
3
3
6
6
3
3
6
3
3
6
6
6
3
3
6
6
3
3
6
6
3
3
Clarinet in Bb
mf
E C
AN
M
Cb.
R
6
3
Vc.
6
3
FO
Perc.
Pno.
6
p
288
E. Gtr.
6
3
B. Cl.
6
R
6
sim.
mp
PE
Cb.
3
legato pulse on each note
6
Vc.
3
Perc.
Pno.
6
R
E. Gtr.
6
FO
B. Cl.
mf
O
N Vc.
Perc.
Pno.
6
6
3
3
6
6
3
3
6
6
3
3
mf
6
6
3
3
6
6
3
3
6
6
3
3
27
291
Cl. E. Gtr.
Perc.
Pno.
N
Vc.
6
O Cb.
3
6
6
3
3
T
6
3
294
Cl.
Perc.
6
3
6
3
6
3
6
6
6
3
6
3
6
3
3
p
6
3
6
3
6
6
6
6
6
3
3
6
T I+II
6
3
3
-
-
-
-
-
-
ried
6
ried
6
6
3
3
3
3
6
ppp
deep
6
no reverb, clean sound
6
3
6
deep
p
6
pp
3
E C
Perc.
3
bu
E. Gtr.
-
Cl.
AN
M
A I+II
R
S II
-
p
3
bu
Cb.
3
3
FO
SI
Vc.
6
D
297
Pno.
B I+II
6
R
Cb.
PE
Vc.
3
R
FO
E. Gtr.
Pno.
6
legato bowing
6
6
6
6
6
6
6
6
28
SI 300
in
S II
O
N
T
side
the
-
p
-
bu
-
ried
deep
in
ried
deep
in
deep
-
-
side
-
-
side
p
-
bu
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
-
p
R
-
FO
AN
6
6
6
6
6
6
p
6
6
6
6
6
6
3
6
6
6
p
6
6
p
pp
p
6
E C
pp
Cb.
ried
Perc.
Vc.
Vibraphone
Pno.
p
deep
p
ried
-
R
E. Gtr.
-
-
bu
bu
bu
Cl.
-
PE
-
bu
earth
p
R
-
FO
B II
-
earth
BI
-
the
side
T II
-
bu
TI
-
A II
-
in
AI
29
SI 304
in
S II
-
the
T the
-
ried
deep
in
-
-
ried
deep
in
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ried
deep
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
M
-
-
side
bu
p
-
side
side
R
AN
-
deep
Perc.
6
6
Vc.
Cb.
6
6
6
6
6
6
6
6
6
6
6
6
6
6
E C
Pno.
-
in
bu
-
deep
FO
E. Gtr.
ried
ried
-
deep
-
-
-
ried
-
-
R
Cl.
-
-
-
-
PE
bu
R
B II
-
-
-
earth
BI
bu
bu
T II
earth
bu
the
FO
TI
side
earth
earth
A II
O
N
-
the
-
side
in
AI
-
30
SI 308
in
S II
-
the
T the
-
bu
earth
bu
ried
deep
in
in
-
-
-
ried
deep
in
-
-
-
side
-
-
side
-
bu
-
ried
deep
AN
6
6
-
M
deep
R
ried
FO
side
6
6
6
6
6
6
Perc.
6
Vc.
Cb.
6
6
6
6
6
6
E C
6
Pno.
-
R
in
E. Gtr.
deep
bu
- ried
Cl.
ried
deep
-
side
-
ried
-
-
-
-
PE
-
R
-
- ried
B II
-
BI
-
bu
T II
earth
bu
the
FO
TI
side
earth
earth
A II
O
N
-
the
-
side
in
AI
-
31
SI 312
in
S II
-
-
the
T the
-
ried
in
-
-
-
ried
-
ried
deep
in
side
-
ried
deep
deep
in
deep
in
-
-
-
bu
-
-
-
side
-
bu
PE
-
BI
-
R
T II
-
-
bu
earth
FO
TI
-
bu
earth
bu
the
side
earth
earth
A II
O
N
the
-
side
in
AI
-
-
ried
deep
deep
FO
R
B II
deep
Cb.
6
6
6
6
6
6
6
6
6
6
6
6
6
E C
Vc.
6
Perc.
Pno.
6
AN
6
M
E. Gtr.
R
Cl.
32
S I 316
bu
S II
bu
-
ried
-
-
-
in
-
-
-
-
ried
deep
-
PE
Cb.
6
6
-
ried
-
-
-
6
-
6
6
6
6
6
6
E C
Vc.
6
-
Perc.
Pno.
6
-
-
AN
6
-
-
M
E. Gtr.
-
R
-
FO
-
R
in
-
bu
-
side
-
in
in
Cl.
deep
ried
-
-
R
deep
bu
FO
B II
ried
bu
BI
-
deep
T II
ried
T bu
TI
-
deep
A II
-
O
N
AI
-
33
S I 319
bu
S II
bu
ried
deep
-
-
-
-
deep
bu
-
-
-
-
side
6
6
6
side
6
AN
6
deep
M
ried
R
ried
-
FO 6
6
6
6
6
E C
Cb.
ried
R
Vc.
bu
6
PE
6
-
-
Perc.
Pno.
-
deep
E. Gtr.
Cl.
R
deep
bu
FO
B II
ried
BI
-
deep
bu
T II
-
ried
T side
TI
-
deep
A II
-
O
N
AI
-
34
S I 322
S II
bu
-
-
ried
-
bu
-
ried
ried
deep
deep
deep
in
-
-
-
-
A II
-
O
N
AI
side
the
earth
T bu
-
bu
-
-
-
deep
-
-
ried
deeps
6
6
6
6
E C
-
bu
AN
6
bu -
M
6
R
FO
6
-
ried
R
-
Perc.
-
E. Gtr.
Cb.
-
PE
Cl.
Vc.
-
BI
Pno.
-
R
T II
B II
FO
TI
35
S I 325
p
lay - er
S II
p
p
lay - er
A II
lay - er
O
N
AI
T -
bu
ried
ried
deep
-
-
ried
lay - er
u - pon
p
lay - er
u - pon
u - pon
lay - er
lay - er
lay - er
u - pon
lay - er
u - pon
u - pon
u - pon
AN
M
R
E C
FO
Cb.
R
Vc.
u - pon
lay - er
deep
u - pon
lay - er
E. Gtr.
Pno.
u - pon
Cl.
earth
Perc.
lay - er
lay - er
u - pon
lay - er
PE
earth
B II
deep
BI
u - pon
R
T II
u - pon
FO
-
TI
u - pon
36
SI 331
lay - er
S II
lay - er
u - pon
lay - er
N
338
O
T lay - er
344
u - pon
lay - er
full choir, gradual cresc. to m.360
u - pon
lay - er
lay - er
u - pon
lay - er
full choir, gradual cresc. to m.360
lay - er
u - pon
lay - er
u - pon
u - pon
lay - er mf
u - pon
lay - er
u - pon
u - pon
lay - er
u - pon
lay - er
u - pon
lay - er
u - pon
lay - er
u - pon
u - pon
lay - er
u - pon
mf
lay
lay - er
lay - er
gradual cresc. to m.360
3
- er
u
-
pon
3
lay - er
lay - er
lay - er
u - pon
u - pon
u - pon
u - pon
u - pon
u - pon
lay - er
lay - er
u - pon
lay - er
lay - er
lay - er
u - pon
u - pon
u - pon
lay - er
u - pon
u - pon
u - pon
lay - er
u - pon
lay - er
gradual cresc. to m.360
u - pon
lay - er
u - pon
lay - er f
u - pon
lay - er
u - pon
u - pon
lay - er f
u -
u - pon
lay - er
u -
lay
lay - er
u - pon
u - pon
3
u
u - pon
lay - er
lay - er
lay - er
lay - er
lay - er
lay - er
u - pon
lay - er
f
u - pon
lay - er
lay - er
u - pon
up -
u - pon
lay - er
u - pon
u - pon
u - pon
lay - er
lay - er
lay - er
u - pon
lay - er
u - pon
lay - er
full choir, gradual cresc. to m.360
u - pon
u - pon
lay - er u - pon
lay - er
u - pon
u - pon
lay - er
Cb.
u - pon
mf
u - pon
-
lay - er
pon f
u - pon 3
lay - er
u - pon
lay
E C
lay - er
lay - er
u - pon
lay - er
lay - er
lay - er
u - pon
AN
Vc.
u - pon
lay - er
M
lay - er
mf
mf
T II
lay - er
R
u - pon
TI
u - pon
lay - er
lay - er
A II
lay - er mp
lay - er
u - pon
u - pon
lay - er
lay - er
lay - er mp
lay - er mp
u - pon
lay - er
lay - er
351 mf
AI
u - pon
lay - er
lay - er
u - pon
SI S II
u - pon
u - pon
mp
u - pon
FO
lay - er
lay - er
lay - er
u - pon
u - pon
u - pon
u - pon
full choir, gradual cresc. to m.360
R
lay - er
u - pon
lay - er
u - pon
u - pon
lay - er
lay - er
pon
TI
lay - er
lay - er
u - pon
A II
u - pon
pon
lay - er
AI
PE
lay - er
lay - er
lay - er
S II
R
SI
lay - er
u - pon
lay - er
u - pon
lay - er
FO
AI
u - pon
lay - er
u - pon
lay - er
SI
lay - er
u - pon
S II
A II
u - pon
lay - er
A II
u - pon
lay - er
AI
-
u
3
-
pon
lay -
er
u
-
f 3
u - pon
lay
-
er
3
u - pon
3
lay - er
f
u
-
pon
3
lay - er
u
f
3
-
pon
lay -
37
SI 359
lay - er
S II
lay - er
f
lay - er
A II
u - pon
O
N
AI
u - pon
3
er
u -
u - pon
lay - er
u - pon
T
u - pon
lay - er
lay
u -
-
pon
lay - er
3
er
u
3
pon
-
er
u
u
-
f
pon
-
lay -
Vc.
Cb.
mp
er
u
3
-
pon
lay
-
er
lay -
er
u
3
u
-
pon
lay
u
-
er
-
pon
lay
u - pon
3
-
u
-
-
er
u - pon
lay - er
u - pon
pon
-
er
pon
3
lay - er
lay
3
u - pon
lay - er
u - pon
u
-
pon
E C
Pno.
lay - er
er
AN
Perc.
u - pon
sim.
f Low Tom
M
E. Gtr.
lay - er
u - pon
3
u - pon
f
pon
lay - er
lay - er
-
lay - er
R
u - pon
lay
Cl.
u - pon
FO
B II
lay - er
R
PE
u - pon
lay - er
lay -
u - pon
er
BI
R
3
lay - er
lay -
FO
er
T II
pon
- pon
TI
f
38
SI 366
lay - er
S II
TI
-
er
-
-
-
er
-
pon
3
lay
-
3
u
lay
-
er
u
-
-
-
-
-
lay - er
pon
lay
3
-
pon
lay
3
-
-
-
pon
lay
-
pon
pon
u
u
er
u
-
pon
-
-
lay
3
3
3
-
-
er
u
-
u
er
u
pon
pon
-
-
-
-
u - pon
u - pon
3
lay
-
3
lay
lay
-
er
-
3
er
er
pon
pon
f
pon
u - pon
lay - er
-
lay - er
u - pon
er
lay - er
u - pon
lay - er
u
lay - er
-
pon
-
-
u
lay
u - pon
pon
3
-
3
er
u - pon
3
u - pon
er
lay
3
lay - er
u
u
er
u - pon
er
u
E C
AN
M
pon
lay - er
u - pon
-
u - pon
pon
u
Perc.
lay - er
-
E. Gtr.
R
FO
Cl.
Cb.
3
lay - er
lay - er
-
R
lay
Vc.
-
PE
lay
Pno.
u
f
BI
B II
er
R
lay
T II
u - pon
FO
u
u - pon
3
-
lay - er
T
lay
lay - er
A II
u - pon
O
N
u - pon
lay - er
AI
E
39 ff
372 S I+II
Heat
ff
A I+II
Heat
ff
Heat
T I+II
ff
N
B I+II
ff like an echo
T
E. Gtr.
ff
sfffzp
ff
ff
pp
pp
ff
Heat
ff
Heat
ff
B I+II
Heat
as before
Cl.
pp
sfffzp
Perc.
Pno.
Vc.
sfffzp
ff
Cb.
ff
pp
pp
E C
E. Gtr.
ff
AN
M
R
Heat ff
FO
376 S I+II
T I+II
R
A I+II
PE
Cb.
R
Vc.
sfffzp
Pno.
pp
FO
Perc.
like an echo
O
Cl.
Heat
40 ff
S I+II 380
ppp
Time
ff
A I+II
Time
T I+II
B I+II
ff
N
Cl.
Time ff
Time
O
E. Gtr.
ff
T
sfffzp
ff
ff
pp
Heat ff
Heat ff
Heat
Heat
Cl.
Perc.
ff
Vc.
Cb.
sfffzp
ff
ff
Time ff
Time ff
Time ff
Time ff
Time ff
Time
pp ff
sfffzp
sfffzp
Pno.
pp
ff
pp
ff
ff
E C
E. Gtr.
AN
M
ff
B I+II
R
Heat ff
T I+II
FO
ff
A II
R
Heat
AI
pp
384 ff SI
S II
PE
Cb.
pp
R
Vc.
FO
Pno.
sfffzp
Perc.
pp
pp
41
SI 388
ppp
A II
N T I+II
392
Heat ff
heat heat heat LIKE AN ECHO
heat
heat
Heat ff
heat
heat
heat
heat
Pno.
Vc.
Cb.
ff
pp
ff
pp
pp
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat pp
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
ff
sfffzp
pp
ff
heat
To B. Cl.
sfffzp
E C
Perc.
AN
sfffzp
M
E. Gtr.
ff
LIKE AN ECHO
Heat
pp
Heat ff
Cl.
sfffzp
Heat ff
R
B I+II
FO
T I+II
pp
ff
A II
S I+II AI
R
Cb.
PE
Vc.
ff
R
Pno.
Heat
Perc.
Heat ff
FO
E. Gtr.
Heat ff
T
Cl.
Heat
O B I+II
Heat ff
ppp
Heat ff
AI
S II
ff
pp
ff
pp
42 ff
S I+II 395
ff
Time
Heat heat
ff
AI
ff
Time
Time
Time ff
T I+II
N
ff
heat
heat
heat
heat
pp
-
Bass Clarinet in Bb
ssure
pre
-
ssure
pre
-
ssure
pp
ff
pp
heat
heat
heat
heat
heat
pp
heat
heat
heat
heat
heat
Time
ff
pp
Time
ff
pre - ssure
pre - ssure
pre - ssure
pre - ssure
p
pre - ssure
mf
p
pre - ssure
pre - ssure
pre - ssure
pre - ssure
f
pre - ssure
E C
Time
mf
AN
ff
M
ppp
R
ff
FO
R
pp
pp
PE
heat
R
Cb.
heat
pre - ssure
Vc.
Time
Pno.
heat
Perc.
E. Gtr.
heat
B. Cl.
398
S I+II
B I+II
heat
pp
T I+II
heat
ff
A II
heat
AI
heat
heat
mf sim.
Cb.
heat
Perc.
Vc.
sim.
Vibes
Pno.
pre
FO
E. Gtr.
Heat ff
T
ff
Time
Cl.
Heat
O
B I+II
Heat heat
ff
A II
as before
f
3
3
3
3
3
3
3
3
mf
p
f
mf
p
f
43 ff
S I+II 401
AI
A II
N B I+II
Heat ff
heat
heat
heat
heat
heat
heat
heat
Heat ff
heat
heat
heat
heat
heat
heat
heat
mp
3
pre -
ssure
pre
pre - ssure
3
3
3
3
R
FO
Time
ff
ssure
pre
3
3
-
ssure
pre
3
-
ssure
pre -
3
ssure
pre
3
-
ssure
3
3
3
3
3
3
3
3
3
mp
PE
mp
ff
Heat
heat
Heat
-
heat
heat
heat
heat
heat
heat
heat
heat
heat
pp
Time
ff
heat
Time
pp
ff
heat
Time
ff
f
ssure
pre
3
-
3
ssure
pre
-
pre
3
ssure
pre
-
3
3
3
ssure
pre
-
ssure
f
3
f
f
mp
f
-
3
ssure
mp
3
f
heat
E C
AN
pre
Perc.
heat
Time
3
E. Gtr.
Heat
B I+II B. Cl.
M
T II
ff
R
T I+II
heat
ff
pp
FO
ff
R
ppp
A I+II
Cb.
404
Vc.
-
3
mp
Pno.
Time
p
S I+II
Time ff
p
Cb.
T
Vc.
Perc.
Pno.
Heat
E. Gtr.
pre - ssure
B. Cl.
Heat ff
O
T I+II
ff
3
3
mp
mp
3
free trem.
free trem.
3
3
3
f
f
44
S I+II 407
ppp
A I+II
TI
T II
N B I+II
3
pre
O
B. Cl.
-
3
3
-
-
ssure
3
3
Time mf
Time mf
Time mf
Time mf
3
3
mf
pp
-
-
-
-
-
-
ssure
To Cl.
3
3
3
3
3
3
3
mp
E C
3
Perc.
Time
E. Gtr.
3
AN
B. Cl.
M
3
R
FO
3
pre
Cb.
-
R
T II
Vc.
-
TI
A II
AI
3
410
S II
SI
Pno.
-
PE
R
3
B I+II
-
FO
Cb.
T
Vc.
pre
Perc.
Pno.
ssure
3
E. Gtr.
ppp
45 414 SI
S II
AI
pp
N TI
F
3 3 Ma - ssi - mi - no San - ti
Cb.
- a - re - lli
3
3
Ni - cho - las Scal - go
Ed- ward Scu - tu - lis
3
3 3
Al - fred Sea - bu - ry
Jo - na - than Shoe ma - ker
dampen
dampen
3
mf
3
3
3
3
E C
Vc.
3
AN
Pno.
emotional - emphasize rhythms, clearly enunciate names f
M
R
A I+II
Perc.
E. Gtr.
B. Cl.
B I+II
S II
T I+II
SI 425
FO
R
PE
Cb.
R
Vc.
Pno.
Perc.
E. Gtr.
FO
B. Cl.
T
O B I+II
T II
pp
A II
pp
3
3
3
46
S I+II
432
A I+II
emotional - emphasize f rhythms, clearly enunciate names3
3
E - ma - nu - el Skid- more Mar - tin Sla - do- vick An - drew Sma- lley
Jo - si - ah Si - bley
T I+II
B I+II
N
B. Cl.
Tho- mas Sne- dden
f
3 3 3
Syl ves- ter So- kos - ki
O
T
3
mf
3 3
James Hen- ry Su - lli - van An - ton Sva - ne - vich
f emotional - emphasize rhythms, clearly enunciate names
Cha - rles St. Clair
Cha - rles St. Clair
A II
B. Cl.
3 3
Vc. Cb.
3
Au - gu - stus Swan - son
mf
mf
3
3
3
3
3 3
3
3 3
3
O - lif Sweed - bu - ry
3
O - lif Sweed - bu - ry
An - ton Sva - ne - vich
James Hen- ry Su - lli - van
mf
Pno.
An - ton Sva - ne - vich
tremolo between the two pitches, emphasize each chord change
Perc.
3
La - thrie 3
An - tho - ny Swee - ny
La - thrie
3
3
3
E C
E. Gtr.
Ig- natz Stan - che - ski
3
AN
B I+II
Ig- natz Stan - che - ski
Au - gu - stus Swan - son O - lif Sweed - bu - ry
3
M
Ig- natz Stan - che - ski
3
Cha - rles St. Clair
T I+II
R
AI
3
An - tho - ny Swee - ny
FO
3
f emotional - emphasize rhythms, clearly enunciate names
3
R
3
PE
440
3
R
FO
S II
Ben- ja - min Spade
Pno.
SI
Cb.
Perc.
Vc.
E. Gtr.
3
3
3
3
47
S I+II 448
very gradual cresc.to m.457
Li
AI
3
Sy mmons Ju - li - us
Ta - ma - ni - ni
N
Sy mmons Ju - li - us Ta - ma - ni - ni
O B I+II
3
Li
-
Ta - ri - lla
Li
-
no
Ta - ri - lla
no
Ta - ri - lla
f
Chris tian Ul - Rich
f
f
3
Perc.
3
3
f
I - saac
I - saac
- len - tine
I - saac
Van - Bla - ra - gan
Van - Bla - ra - gan
Van - Bla - ra - gan
f
Vc.
Cb.
3
Van - Bla - ra - gan
The - o - dore Va - len - tine
Clarinet in Bb
Pno.
3
I - saac
3
3
Ti - ron - ze - lli
An- tho - ny To - ne - ry
3
3
3
3
3
3
3
3
Ti - ron - ze - lli
An- tho - ny To - ne - ry
3
3
Ed - win Wag- staff
Ed - win Wag- staff
Ed - win Wag- staff
Ed - win Wag- staff
3
3 3 3
An- tho - ny To - ne - ry
3
Ti - ron - ze - lli
3
Con- stan tine Vi - cke- rell
An- tho - ny To - ne - ry
Con- stan tine Vi - cke- rell
Ti - ron - ze - lli
3
3
Ro - fe - llo
3
Con- stan tine Vi - cke- rell
3
3
Con- stan tine Vi - cke- rell
3
An- tho - ny To - ne - ry
Au - gust Yea - ger
Au - gust Yea - ger
Au - gust Yea - ger
3
3
3
3
3
3
3
3
3
3
Au - gust Yea - ger
Hen - ry Young court
Hen - ry Young court
Hen - ry Young court
Hen - ry Young court
E C
E. Gtr.
3
B. Cl.
3
Chris tian Ul - Rich
Ti - ron - ze - lli
AN
B I+II
3
The - o - dore Va - len - tine
Chris tian Ul - Rich The - o - dore Va
3
3
Ro - fe - llo
Bla - dis To - na - tis
The - o - dore Va - len - tine
sim.
Pre - mo To - ne - tti
M
3
Bla - dis To - na - tis
Ro - fe - llo
R
Chris tian Ul - Rich
Pre - mo To - ne - tti
3
-
Bla - dis To - na - tis
sim.
3
FO
456
S I+II
T I+II
Pre - mo To - ne - tti
A I+II
3
3
Ro - fe - llo
3
sim.
no
Bla - dis To - na - tis
R
3
Pre - mo To - ne - tti
3
3
3
Ta - ri - lla
Ro - fe - llo
3
sim.
3
PE
Cb.
no
Bla - dis To - na - tis
R
Vc.
-
FO
Pno.
Li
Perc.
Pre - mo To - ne - tti
3
E. Gtr.
Ta - ri - lla
f very gradual cresc.to m.457
T
B. Cl.
no
f very gradual cresc.to m.457
3
very gradual cresc.to m.457
T I+II
-
sim.
3
very gradual cresc.to m.457
Li
A II
3
48
S I+II 3
Mar - ti - an Yun - man
Mar - ti - an Yun - man 3
N
Mar - ti - an Yun - man
O
T 3
E. Gtr.
3
E
E
T I+II
Cl.
Perc.
Vc. Cb.
SATB
SATB
SATB
-
3
zi
-
ki
ki
zi
-
ki
zi
ki
3
3
3
-
-
-
-
-
-
E - ze - ki - el
Za - mo - co - nie
E - ze - ki ff
E - ze - ki - el
Za - mo - co - nie
el
E
el
E
el
E
el
E
-
-
ki
-
ze
-
ki
-
ki
-
el
3
ki
-
el
-
ki
-
el
clean rest
clean rest
clean rest
clean rest
let ring
rest, let ring
el
pp
-
rest, let ring
481 whistling
-
let ring
ki
E - zi
-
improvisation on Es and As with sparkly colors and harmonics
let ring
el
3
ff
el
el
-
-
el
ze
E - ze
ki
ff wildly arpeggiating on Es and As (improv.)
el
-
-
el
ze
3
-
wildly arpeggiating on Es and As (improv.)
-
ff
ki
E - zi
rapidly roll arpeggiated chord up and down
-
ff
ze
ff
-
-
el
E - ze - ki - el E - zi improvisation on Es and As with sparkly colors and overtones
-
3
3
ki
ze -
3
E -
-
-
-
-
3
zi
-
E C
Pno.
3
AN
E. Gtr.
Za - mo - co - nie
3
-
M
E
-
3
R
B I+II
3
Zai - me - ro - vich
3
E - ze - ki - el
E - ze - ki ff
FO
-
Za - mo - co - nie
R
S I+II 472
A I+II
E - ze - ki - el
Zai - me - ro - vich
E
3
ff
3
3
Cb.
3
PE
Vc.
R
Pno.
3
FO
Perc.
Vic - tor
3
Zai - me - ro - vich
3
Vic - tor
B I+II
ff
3
Zai - me - ro - vich
Vic - tor
3
Cl.
3
Mar - ti - an Yun - man
T I+II
Vic - tor
3
A I+II
3
464
new pitches in whistling should be added on with increase of number of whistlers and removed by those whistlers dropping out.
493
505
49
II. BREAKER BOYS q = 96
Alto Solo
f tough and sassy
3
Mi- ckey Pick - Slate
Electric Guitar
N
Clarinet in Bb
Piano
O
bouncing drum sticks against mounted drum stick, alternating hands
play wooden sticks on mounted wooden drum stick
f pizz. Violoncello
T
Percussion
FO
Contrabass
A. Solo 6
Ear- ly and late punchy
f
gritty gliss, deep into the string to make it edgy gliss.
11
Perc.
sh
sh
sh
sh
sh
as before
sh
sh
pizz.
3
Ear - ly and late
sh
gliss.
Vc. Cb.
sim.
arco
gliss.
E C
E. Gtr.
Pno.
Cl.
arco
AN
f f
Mi- ckey Pick- Slate as before
*)
*) descending alternating-hand gliss between black and white clusters
A. Solo A I+II
f
3
M
R
Cb.
Vc.
Perc.
FO
3
f
R
Pno.
PE
E. Gtr.
R
Cl.
50
A. Solo 14
A I+II
f
S I+II
Mi - ckey f
Mi - ckey
T I+II
N B I+II
O Pno.
sh sh
sh sh
sh sh
sh sh
sh
sh
sh
sh
sh
sh
17
B I+II
Mi - ckey Pick - Slate
Mi - ckey f
Mi - ckey
Pno.
Perc.
3
Cb.
3
3
3
Ear- ly and late
3
3
3
3
3
hm
f
f
hm
hm
mf
sh
sh
f
gliss.
Vc.
hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm
f
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
E C
E. Gtr.
gliss.
Mi - ckey
Cl.
Mi - ckey
mf
f
AN
T II
3
M
T I+II
R
A II
FO
A I+II
R
S I+II
A. Solo
f
PE
R
Cb.
Vc.
Perc.
FO
Mi - ckey
T
E. Gtr.
Cl.
mf
3 3 3 3 3 3 3
3
3
mf
3
3
3
3
3
3
3
3
3
3
51
A. Solo 21
S I+II
mf
Mi - ckey
N
AI
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
3
hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm
hm hm hm hm hm hm hm hm hm hm hm hm
O
T
A II
hm hm hm hm hm
hm
hm
hm
hm
hm
hm
FO
TI
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
hm
mf
3
3
3
3
3
3
3
3
sh sh
sh sh sh sh sh sh sh sh sh sh
sh sh sh sh sh sh sh sh sh sh sh sh
R
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
sh
AN
sh
3 3 3
E C
3
sh
sh
Vc.
sh
M
3 3 3 3 3 3
sh
mf
Perc.
Cb.
sh
R
E. Gtr.
Pno.
sh
FO
Cl.
R
B I+II
PE
T II
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
52
A
A. Solo 25
f
3
3
Mi - ckey Pick Slate Ear- ly and late
ff
S I+II
that was the poor li -ttle brea-ker boy's fate
f
Mi- ckey
N
3
3
3
3
3
3
3
3
ff
AI
Mi- ckey
T
O
hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm hm Mi- ckey
A II
hm hm
hm hm
hm
hm
hm
hm
hm hm
hm hm
hm
hm hm
hm
FO
ff
sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh Mi-ckey 3
TI
3
3
3
3
3
3
3
f
Mi- ckey
R
ff
R
PE
B I+II
sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh sh
T II
f
Mi- ckey
Mi- ckey
FO
honk
Cl.
ff
3 3
ff
improvised stick rhythm
3
f
3
gliss.
3
3
3
mf
3
3
Cb.
E C
AN
Vc.
Perc.
ff
M
Pno.
R
E. Gtr.
3
3
3
ff
ff
f
53
A. Solo 29
ff
SI
Mi - ckey
S II
ff
N
O
AI
3
was
the
poor
T that
3
li - ttle
3
brea - ker
FO
A II
that
was
the
li - ttle
3
brea - ker
mf
mi - cke - ty
f
3
3
Cb.
Slate
ff
Ear - ly and
late
that
was the
chromatic cluster
sim.
run drum stick across vibraphone resonators (like a stick across a picket fence) improvised stick rhythm
ff
-
E C
Vc.
AN
Perc.
3
M
kick
ff
ri -cke - ty ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty kick
R
pi - cke - ty
FO
6
R
mf
3
was the
Mi - ckey
6
ff
E. Gtr.
6
ff
Mi - ckey
Cl.
6
Mi - ckey Mi - ckey Pick
that
boy's
PE
poor
T II
3
R
TI
3
boy's fate
mf
Pno.
Mi - ckey
mf
B I+II
f
ff
mf
3
3
3
3
pizz.
3
3
3
3
3
3
54
A. Solo 32
f
3
SI
ckey Pick
Slate
Ear
Mi - ckey
Mi
ff
f
Mi - ckey
-
N
poor
li - ttle
brea - ker boy's
fate
O T kick
kick
kick
kick
kick
li - ttle
brea - ker boy's
fate
ff
f
Mi - ckey
Mi - ckey
ff
f
Mi - ckey
Mi - ckey
ff
f
ff
Perc.
Vc.
3
Cb.
3
Mi - ckey
mf
3
3
3
3
3
3
ki - cke - ty
Mi - ckey
f
ki - cke - ty
ff
f
pizz.
E C
Pno.
li - cke - ty spli - cke - ty
AN
ti - cke - ty
Mi - ckey
f
ri - cke - ty
kick
pi - cke - ty
M
E. Gtr.
6
R
Cl.
Mi - ckey
6
FO
R
6
PE
poor
T II
late
Mi - ckey
R
TI
B I+II
ly and
mi - cke - ty
-
Mi - ckey
6
FO
A II
Mi - ckey
AI
ff
S II
3
3
3
55
A. Solo 34
that
was the poor
li - ttle brea - ker boy's
fate
ff
S I+II
f
Mi - ckey
N
AI
O
kick
kick
kick
kick
T
Mi - ckey
Mi - ckey
kick
mf
6
6
6
6
mi - cke - ty
f
Mi - ckey
pi - cke - ty
ri - cke - ty
ti - cke - ty
li - cke - ty spli - cke - ty
Mi - ckey
Mi - ckey
Mi - ckey
ff
ki - cke - ty
ki - cke - ty
Mi - ckey
PE
Mi - ckey
R
B I+II
kick
FO
T I+II
kick
A II
Mi - ckey
ff
ff
3
3
mf
Cb.
f
3
3
3
3
bouncing sticks
ff
f
f
3
Vc.
ff
3
arco
arco
f
E C
Perc.
AN
Pno.
hammer
as before
M
f
R
FO
E. Gtr.
R
Cl.
56
A. Solo 36
S I+II
mf
Mi - ckey
Mi - ckey
6
6
ki - cke - ty ki - cke - ty ki - cke - ty ki - cke - ty kick
A II
Mi - ckey
N
Mi - ckey
3
Mi - ckey
ki - cke - ty kick
Mi - ckey
kick
kick
kick
Mi - ckey
Mi - ckey
Mi - ckey
3
That
was the poor
3
3
3
3
li - ttle brea - ker boy's
fate
Mi - ckey
3
improvised stick rhythm
Vc.
3
6
ff strum
let ring
E C
3
6
AN
3
3
E. Gtr.
3
Mi - ckey
Mi - ckey
Mi - ckey
ki - cke - ty
Mi - ckey
Mi - ckey
ki - cke - ty
- ckey
3
6
M
Mi
Mi - ckey
ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty
R
Cl.
Cb.
T I+II
6
Mi - ckey
A II
6
Mi - ckey
6
ki - cke - ty
Perc.
Mi - ckey
FO
mf
AI
mf
R
38
A. Solo
Pno.
kick
Mi - ckey
PE
B I+II
kick
3
Cb.
S I+II
kick
R
3
Vc.
Perc.
FO
3
Pno.
Mi - ckey
T E. Gtr.
Cl.
O B I+II
Mi - ckey
mi - cke - ty pi - cke - ty ri - cke - ty
f
T I+II
Mi - ckey
AI
ff
Sost.
57
A. Solo 40
f
S I+II
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
AI
Mi - ckey
mi - cke ty
N T I+II
f
O
Mi - ckey
T mf
3
Cb.
ki - cke - ty kick kick kick kick kick kick kick kick
ki cke - ty
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
pi - cke - ty
Mi - ckey
Mi - ckey
6
ri - cke - ty ti - cke - ty li - cke - ty
3
Mi - ckey
3
3
Mi - ckey
3
Mi - ckey
Mi - ckey 6
ki - cke - ty ki - cke - ty ki - cke- ty
6
spli - cke - ty
ki-cke - ty
3
Mi - ckey
Mi - ckey
ki - cke - ty kick
kick
kick
kick
ki - cke - ty
Mi - ckey
3
3
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
3
3
3
E. Gtr. Pno. Perc. Vc. Cb.
3
3
E C
AN
6
6
Mi - ckey
M
mi - cke - ty
R
6
T I+II
FO
A II
Mi - ckey
3 3 3 3 3 3 3 3 3 3
Mi - ckey
Cl.
ki cke - ty
Mi - ckey
42
AI
spli - cke - ty
f run drum stick across vibraphone resonators (like a stick across a picket fence)
S I+II
A. Solo
B I+II
ki - cke - ty
R
3
f
li - cke - ty
PE
Vc.
ki cke - ty
6
R
Perc.
ti - cke - ty
Mi - ckey
FO
E. Gtr.
Pno.
6
Mi - ckey
f hammer
Cl.
ri - cke ty
6
pi - cke - ty
6
A II
B I+II
Mi - ckey
6
ki - cke - ty
6
58
B
f
A. Solo 44
That was the poor li - ttle brea - ker boy's fate
mf simple and direct
AI
nine years
N T II
O
B I+II
E. Gtr.
48
f
years
Cl.
E. Gtr.
Pno.
Perc.
Vc.
twelve years
eight years
-
-
fif - teen
-
-
twelve years
teen
six years
mf simple and direct
se - ven years
mf
twelve years
twelve years
six years
teen
-
-
twelve years
nine years thir
fif - teen mf simple and direct
twelve years
twelve years
E C
B II
mf simple and direct
AN
BI
M
T II
nine years
TI
let ring
R
se - ven years
thir
let ring
se - ven years
years
FO
eight years mf simple and direct
eight
twelve years
p
years
catch in sostenuto pedal
twelve years
six
A II
ten
twelve years
R
AI
SI S II
ff ff
twelve years
mf Medium Cymbal Low Cymbal choke
PE
nine years
mf simple and direct
R
Vc.
strum
Perc.
mf simple and direct
FO
Pno.
six years
eight years
T
ten years
TI
mf simple and direct
A II
eight years
mf
Med. Cymbal
mf
Low Cymbal
59
SI 52
S II
se - ven years
AI
A II
nine
N BI
fif - teen
thir
-
-
ten years thir
-
twelve years
fif - teen
twelve years
-
-
se - ven years
Vc.
Med. Cymbal
56
SI
fif
BI
e - le - ven
E. Gtr.
Perc.
Vc.
eight
years
twelve years
six
years
six
years
-
twelve
-
years
ten
-
-
-
-
-
years
-
fif - teen
-
-
-
-
nine
years
-
-
ten
-
years
-
se - ven years
se - ven - teen
fif - teen
-
-
se-ven years
four
teen
fif - teen
four
Cl.
Pno.
years
six
years
E C
B II
twelve years
-
AN
teen
T II
M
ten
TI
-
six years
R
A II
-
se-ven years
teen
fif - teen
AI
-
twelve years
FO
fif - teen
S II
R
-
six years
eight years
-
ten years
ten years
PE
Perc.
-
R
-
E. Gtr.
Pno.
FO
-
four
six years
Cl.
four
nine years
nine years
teen
ten years
fif - teen
-
fif - teen
teen
fif - teen
T B II
twelve years
O
T II
se - ven years
years
TI
60
SI 59
cresc. poco a poco
e - le - ven
S II
e - le - ven
cresc. poco a poco
N
-
-
-
-
-
twelve
-
-
years
nine
years
-
-
-
-
-
se - ven - teen
six
years
eight
years
e-
years
fif
-
-
-
-
-
-
-
-
-
-
nine years
nine
years
cresc. poco a poco
cresc. poco a poco
five
six years
cresc. poco a poco
cresc. poco a poco
fif
teen
years
six
years
nine
years
six years
cresc. poco a poco to m.65
eight years
e - le - ven
AN
M
hammer
E. Gtr.
R
Cl.
thir - teen
-
cresc. poco a poco
twelve years
-
e - le - ven
FO
R
PE
BI
B II
cresc. poco a poco
R
T II
twelve years
eight
FO
years
five years
T twelve
six
teen
four
TI
years
O
A II
fif - teen
AI
cresc. poco a poco
Pno.
cresc. poco a poco
High Cymbal
Perc.
Vc.
Cb.
E C
61
SI 62
twelve years six years six years
S II
le - ven
N
AI
thir - teen e - le - ven
nine years
O
A II
twelve years
nine years
T
FO
e - le - ven
fif - teen
six
se - ven
four - teen
-
five six
five
Cb.
p
five
thir - teen
-
-
years
-
-
3
five
se - ven - teen
3
six - teen
f
3
se - ven - teen
3
eight nine ten e - le - ven twelve years
f
f
f
f
f
eigh - teen
years
f
eight nine ten e - le- ven twelve years
teen
six - teen
years
f
five years
teen e - le - ven eigh - teen
p
Tambourine
f
-
se - ven eight nine ten
years
teen
-
f
years
fif -
-
f
E C
Vc.
-
-
e-
AN
-
-
f
M
-
teen
e - le - ven four - teen fif - teen
-
-
f
five six se - ven eight nine
five
Perc.
eight years
five
R
E. Gtr.
Pno.
Cl.
FO
-
R
B II
eight
eight
eigh - teen five years
six-teen
PE
BI
R
six - teen
thir - teen nine
teen
T II
eight
teen
TI
f
62
SI
S II
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
p
p
e - le - ven four - teen fif - teen
p
le - ven four - teen fif - teen
AI
C
66
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
6
6
6
6
mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty
A II
N
five
TI
eigh - teen
six - teen
se ven - teen
Cl.
69
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
improvised stick rhythm
p
3
3
Mi - ckey
Mi - ckey
Mi - ckey
3
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
6
Mi - ckey
6
6
6
6
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
(chromatic cluster between F and C) ff
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
E C
Perc.
Mi - ckey 6
6
Mi - ckey
Pno.
Mi - ckey 6
mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty
Mi - ckey
3
AN
B I+II
3
Mi - ckey
p
3
mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty
T I+II
3
A II
M
p
AI
Mi - ckey
p 3
Mi - ckey
Mi - ckey
R
S II
Mi - ckey
SI
Mi - ckey
FO
R
nine ten e - le- ven twelve years Mi - ckey
Vc. Cb.
eight
p
six years
3
3
PE
Perc.
six - teen se ven - teen eigh - teen
3
3
Pno.
five years
eight nine ten e - le - ven twelve years
R
E. Gtr.
five years
p
FO
B II
five years
T BI
years
O T II
Mi - ckey
Vc. 3
let ring pizz.
Cb. ff
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
63
A. Solo 71
mf
Mi - ckey Pick Slate
SI
S II
Mi - ckey
Mi - ckey
Mi - ckey
thatwas the poor
li ttle brea - ker boy's fate
ff
Mi - ckey Mi - ckey
f
Mi - ckey
Mi - ckey
ff
Mi - ckey Mi - ckey
Mi - ckey
f
Mi - ckey
T 6
6
6
f
6
FO
A II
ear ly and late
f
AI
Mi - ckey
O
N
Mi - ckey
3
ri - cke - ty ti - cke - ty ri - cke - ty ti - cke - ty ri - cke - ty ti - cke - ty ri - cke - ty ti - cke - ty Mi - ckey
ff
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
f
Mi - ckey
f
ff
Mi - ckey
R
BI
PE
Mi - ckey
T II
R
TI
f
ff
FO Mi - ckey
B II
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
f
Mi - ckey
ff
ff
ff
E C
AN
Perc.
mf
ff
Mi - ckey
Pno.
M
E. Gtr.
R
Cl.
Mi - ckey
Vc. 3
Cb.
3
3
3
3
3
3
3
mf
ff
64
A. Solo
74
SI
ff
mp
Mi - ckey
N S II
O
3
3
T
that was the poor
mp
li - ttle
3
3
that was the poor
6
mp
brera - ker boy's fate
6
mi - cke - ty pi -cke - ty
mp
3
brera - ker boy's fate
ri - cke - ty ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty
6
6
mi - cke - ty pi - cke - ty
6
6
ri - cke - ty ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty
PE
li - ttle
6
R
Mi - ckey
R
B I+II
6
FO 3
T I+II
6
f
A II
mi - cke - ty pi -cke - ty
mi - cke - ty pi - cke - ty
f
AI
6
Mi - ckey
hammer 3 3 3 3 3 3 3 3 3 3
3
3
3
p
ff
Vc.
Perc.
3
3
3
3
3
3
3
Cb.
pizz.
ff
improvised stick rhythm
ff
arco
E C
AN
mp
M
Pno.
R
E. Gtr.
FO
Cl.
65
S I 77
ri
cke
-
ty
ti
-
cke
-
li
ty
S II
A II
N
ri
-
cke
-
6
ty
ti
-
cke
-
li
ty
T Cl.
3
3
3
78
Perc.
Vc.
Cb.
-
cke
-
ty
cke
-
6
ty
spli
-
cke
-
ty
ki
Mi f
-
Mi
-
3
-
cke
ckey
-
ckey
ty
3
3
3
3
3
-
Mi
-
(strum)
f
Mi - ckey
mi-cke - ty pi - cke - ty ri - cke - ty ti - cke - ty li - cke - ty spli -cke - ty ki - cke - ty 6
6
3
f arco
f
(back to m.74)
f
Mi - ckey f
ckey
f
ckey
3
Mi f
6
f
6
f
6
Mi - ckey
6
mi - cke - ty
pi - cke - ty
ri - cke - ty ti - cke - ty
li - cke - ty spli - cke - ty kick Mi - ckey f
Mi - ckey f
Mi - ckey
f mp
3
3
3
3
3
3
3
mp
3
3
gliss.
3
3
3
3
E C
Pno.
ki
AN
E. Gtr.
ty
M
Cl.
-
R
B I+II
-
mp
T I+II
cke
FO
S I+II
TI
-
A I+II
spli
R
Cb.
ty
PE
Vc.
-
R
Perc.
Pno.
3
FO
E. Gtr.
cke
f
3
O B I+II
-
6
AI
T I+II
-
6
3
f
66
D
f
S I+II 80
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
AI
6
6
Mi - ckey
6
N
O BI
f
T
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
6
6
6
ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
f hammer 3
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
3
Mi - ckey
Mi - ckey
Mi - ckey
3
FO
Cl.
Mi - ckey
6
T II
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty li - cke - ty spli - cke - ty ki - cke - ty ki - cke - ty f
TI
6
A II
3
3
3
3
3
3
Mi - ckey
Mi - ckey
Mi - ckey
3
3
3
3
3
3
3
E. Gtr.
bouncing sticks embellished
82
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
6
6
6
6
FO
R
Mi - ckey
AI
S I+II
PE
R
Vc.
Perc.
Cb.
f
mi - cke - ty pi - cke - ty ri - cke - ty
f
B II
mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty
6
6
6
6
A II
mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty mi - cke - ty pi - cke - ty
E. Gtr.
Pno.
Cb.
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
3
3
Mi - ckey
Mi - ckey
Mi - ckey
3
3
3
3
3
3
Mi - ckey
3
3
Mi - ckey
Mi - ckey
3
3
3
3
3
3
violent ff
Vc.
Perc.
Mi - ckey
E C
Cl.
AN
B II
M
BI
T II
R
Mi - ckey
TI
67
S I+II 84
Mi - ckey
Mi - ckey
6
N T II
6
pi - cke - ty
ri - cke - ty
O
Mi - ckey
3
3
Mi - ckey
3
3
3
Mi - ckey
Mi - ckey
Mi - ckey
6
6
3
ri - cke - ty
ti cke - ty
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
3
Mi - ckey
Mi - ckey
3
Mi - ckey
3
6
3
3
Mi - ckey
3
Mi - ckey
6
3
3
3
Mi - ckey
Mi - ckey
6
Mi - ckey
6
6
6
6
6
A II
Mi - ckey
AI
mi - cke - ty pi - cke - ty
ri - cke - ty
ti - cke - ty mi - cke - ty pi - cke - ty
R
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
6
6
ri - cke - ty
6
ti - cke - ty
6
T II
3
3
Mi - ckey
Mi - ckey
Mi - ckey
3
3
3
3
3
3
Mi - ckey
Mi - ckey
3
3
Vc. Cb.
Mi - ckey
Mi - ckey
3
3
3
E C
Mi - ckey
AN
BI
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
M
Mi - ckey Mi - ckey Mi - ckey Mi - ckey mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty 6 6 6 6 Mi - ckey Mi - ckey Mi - ckey Mi - ckey
TI
Perc.
pi - cke - ty
FO
Mi - ckey
Pno.
ti cke - ty mi - cke - ty
Mi - ckey
R
86
E. Gtr.
Mi - ckey 6
Mi - ckey
PE
S I+II
R
Vc. arco Cb.
Cl.
E. Gtr.
B II
ti cke - ty
3
6
mi - cke - ty pi - cke - ty ri - cke - ty
Mi - ckey
FO
Cl.
Mi - ckey
T
mi - cke - ty pi - cke - ty ri - cke - ty ti cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti cke - ty
BI
Mi - ckey
6
ti cke - ty mi - cke - ty
Mi - ckey Mi - ckey Mi - ckey Mi - ckey 6 6 6 6
TI
Perc.
Mi - ckey
6
mi - cke - ty pi - cke - ty ri - cke - ty
Pno.
A II
B II
AI
3
3
3
68
S I+II 88
Mi - ckey
Mi - ckey
Mi - ckey
6
6
Mi - ckey
TI
6
N
O BI
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey 6
6
6
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
3
3
3
3
3
3
3
3
Mi - ckey
Mi - ckey
6
6
3
3
3
6
3
3
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
6
6
6
6
mi - cke - ty pi - cke - ty
6
ri - cke - ty
ti - cke - ty mi - cke - ty pi - cke - ty
R
A II
Mi - ckey
AI
FO
R
PE
Mi - ckey
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
6
6
ri - cke - ty
6
ti - cke - ty
6
Mi - ckey Mi - ckey Mi - ckey Mi - ckey mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty 6 6 6 6 mi - cke -ty pi - cke -ty ri - cke -ty ti - cke - ty mi - cke - ty pi - cke- ty ri - cke - ty ti - cke - ty Mi - ckey Mi - ckey Mi - ckey Mi - ckey
TI
BI
Cl.
3
Mi - ckey
Mi - ckey
3
3
3
Mi - ckey
3
3
Mi - ckey
Mi - ckey
Vc.
3
3
3
3
Mi - ckey
Mi - ckey
E. Gtr.
E C
Mi - ckey
AN
M
T II
Cb.
Mi - ckey
3
90
Perc.
Mi - ckey
R
S I+II
Pno.
6
3
Vc.
B II
6
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
3
Mi - ckey 6
E. Gtr.
Cb.
Mi - ckey 6
FO
Cl.
Perc.
Mi - ckey 6
T
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
6
T II
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
Pno.
A II
B II
Mi - ckey
AI
3
3
3
3
3
3
69
E f A. Solo 92
Mi - ckey
Mi - ckey
A I+II
N
O
Cl.
f
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
f
f
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Snare Drum
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Perc. Vc.
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi -
Low Tom
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
f
Mi - ckey
Mi - ckey
Mi -
Mi -
E C
Mi - ckey
Mi - ckey
Mi - ckey Mi - ckey
AN
E. Gtr.
Mi - ckey
M
Mi - ckey
Mi - ckey
R
FO
R
Mi - ckey Mi - ckey Mi - ckey Mi - ckey
Cl.
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Cb.
Mi - ckey
Mi - ckey
Mi - ckey
Pno.
Mi - ckey
Mi - ckey
B II
Mi - ckey
Mi - ckey
Mi - ckey
BI
Mi - ckey
Mi - ckey
95
T I+II
Mi - ckey
A. Solo
Mi - ckey
A I+II
Mi - ckey
Mi - ckey
PE
Cb.
Mi - ckey
Mi - ckey
Vc.
S I+II
Mi - ckey
Mi - ckey
Mi - ckey
R
Perc.
Mi - ckey
FO
Pno.
Mi - ckey
T
E. Gtr.
Mi - ckey
Mi - ckey
B I+II
S I+II
T I+II
70
S I+II 98
A I+II
cresc. poco a poco to m.103
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey Mi - ckey Mi - ckey cresc. poco a poco to m.103
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
BI
N
Mi - ckey
B II
O
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Cl.
Pno.
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi -
Vc.
cresc. poco a poco to m.103 cresc. poco a poco to m.103
B II
Mi - ckey
Mi -
E. Gtr.
Pno.
Perc. Vc. Cb.
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi -
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
f cresc. poco a poco to m.103
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi -
Mi -
E C
Cl.
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
AN
Mi - ckey
M
BI
Mi - ckey
Mi - ckey
T I+II
R
cresc. poco a poco to m.103
Mi - ckey
A I+II
Mi - ckey
Mi - ckey
FO
101
cresc. poco a poco to m.103
S I+II
Mi - ckey
Mi - ckey
Mi -
R
Cb.
Mi - ckey
PE
Perc.
Mi - ckey
Mi -
R
Mi - ckey
cresc. poco a poco
FO
E. Gtr.
Mi - ckey
Mi - ckey Mi - ckey Mi - ckey cresc. poco a poco to m.103
Mi Mi Mi Mi clarinet goes crazy, spazing out, rising in pitch
cresc. poco a poco to m.103
T
Mi - ckey
cresc. poco a poco to m.103
Mi - ckey Mi - ckey Mi - ckey Mi - ckey
T I+II
71 ff
S I+II 103
Mi - ckey ff
A I+II
Mi - ckey
Mi - ckey
T I+II
BI
N B II
Mi - ckey ff
Mi -
Cl.
E. Gtr.
Pno.
ff
Perc.
Mi - ckey
Mi - ckey
Mi -
Mi -
Mi - ckey
Mi - ckey
Mi -
Mi - ckey
Mi -
Mi -
dig deep into the string for a gritty sound
like speaking, even 3
Oh what a place
p like speaking, even 3
p
gradually move to sul tasto
p
E C
3
AN
gradually move to sul tasto
112
Cb.
3
M
p
Oh what a place
TI
F small group
Vc.
dig deep into the string for a gritty sound
Cb.
T II
Mi - ckey
Mi - ckey
Mi - ckey
Vc.
R
T II
Mi - ckey
FO
TI
q=80
Mi - ckey
Mi - ckey
Mi - ckey
105
Mi - ckey
ff
R
Mi -
ff
Cb.
Mi - ckey
Mi - ckey
PE
ff
Vc.
Mi - ckey
R
ff
FO
Mi - ckey
Mi -
T
Mi - ckey
Mi - ckey
Mi - ckey
O
Mi - ckey
Mi - ckey
Mi - ckey
Mi - ckey
ff
Mi - ckey
Mi - ckey
ff
3 3
3
you sat on 3
you sat on
a hard seat 3
3
you
3
a hard seat
di - dn't dare
you
di - dn't dare
cu - shion
it
3
cu - shion
it
no
no
ma - tter
ma - tter
72
TI
118
T II
Vc.
Cb.
N
You had
129
3
feet
3
with
your
feet
like
like
be - lieve
me
o - ver
like
this
did - n't
did - n't
it
was
don't know how in
the
don't know how in
the
world I
dare say
dare say
world I
to
a
job
at
eight cents an
3
3
job
at
eight cents an
in
the
go there
in
You
me
3
the
3
first place
di - dn't
dare
di - dn't
dare
quit
quit
first place
3
got the nerve to
E C
go there
a - ny - thing
3
me 3
be - lieve
got the nerve to
You
a
a - ny - thing
have
to
3
3
be - lieve
sca - ry
have
sca - ry
ve - ry
3
ve - ry
- thing
was
3
it
3
3
AN
3
M
you
3
- thing
this
o - ver
R
3
I
bent
like
3
3
tell
I
be - cause it was some
you
145
tell
Well I'll
3 3 TI be - cause it was some
plank
Well I'll
plain
a
You
Cb.
on
bent
ma - tter
this
me
plank
no
be - lieve
plain
a
shute
this
3
on
ma - tter
You
Vc.
FO
R
shute
plank
no
plank
139
TI
Cb.
the
3
in
Cb.
Vc.
plain
3
PE
134
TI
T II
the
plank
R
Vc.
bent o - ver Vc. Cb.
T II
3
in
T II
that plain
your
3 TI bent o - ver
T II
on
plain
with
3
sit
FO
Cb.
to
plank
T
that plain
O
Vc.
on
124
sit
to
You had
TI
T II
ho - ur
ho - ur
73
3 TI You di 152
T II
Vc.
Cb.
N
You
- n't
di - n't
-
Your
fin
-
fin
ger
ger
-
nails
-
nails
the
ends
of
the
ends
of
them
would
be
them
would
be
blee
-
blee
ding
-
e - very
day
from
work
day
e
3
ding
e
-
3
q = 96
very
very
3
from
work
day
3
day
To Elec. Bass
none
3
3
ding
3
Mi - ckey Pick Slate
To B. Cl.
ppp
E C
e - very
none
AN
-
mp
mp
3
ear - ly and late
Perc.
blee
had
ding
-
had
p
A. Solo 183
M
you
Tin Can even
Perc.
you
Cb.
Cl.
gloves
wear
A. Solo
to
blee
G
177
gloves
wear
Vc.
a - llowed
to
weren't
Cl.
you
R
a - llowed
FO
T II
R
weren't
PE
you
Your
TI
dare
170
did - n't
dare
you
R
Cb.
did - n't
158
164
Vc.
TI T II
you
FO
wear gloves
T Cb.
O Vc.
wear gloves
3
TI
T II
3
that was the poor
li
-
ttle
brea
-
ker
boy's
fate
74 sub-group 188 p
SI
A
poor
sim
-
ple
Perc.
3
wo - man
at
the
brea
-
ker
still
waits
N
193 q = 160 SI
T II
200
li
li
-
H
-
ttle
-
-
f
S I+II
eggs
to bring sub-group mp
to
bring
bu- tter cheese
sassy and tough
i - nor mi - nor mo - na mai
eggs
bu- tter cheese
sassy and tough
pas - cor lah - ra
f
f
Vc.
bread
stick
stock
stone
bread
stick
stock
stone
f
bo - nor bai
-
*
-
-
Slate
*
-
Slate
dead
dead eggs f sassy and tough
bu - tter cheese
bread
bread
bread
f sassy and tough
dead
Electric Bass tough groove
E. Bass
dead
Drum Set hard-hitting groove (embellished over time)
Perc.
* put the "t" on the fourth beat
bo - nor bai
sassy and tough
pas - cor lah - ra
Bass Clarinet tough groove
tough groove
E. Gtr.
E C
her
f
AN
her
f
B. Cl.
Pick
home
M
Pick
home
R
f
f sassy and tough
B I+II
Mi - ckey
sassy and tough
i - nor mi - nor mo - na mai
T I+II
sub-group mp
Mi - ckey
ttle
f
207 sassy and tough
A I+II
FO
poor
R
poor
PE
R
TI
Perc.
FO
T II
NOTICE TEMPO CHANGE Perc.
T
O
TI
75
S I+II 212
dead
AI
A II
dead
N T II
O
B I+II
E. Gtr.
Pno.
dead
stock
stone
dead
stick 'em in the
come out - a your hole,
or
snail
come out - a your hole,
or
crown
old man's crown
snail
snail
snail
f sassy and tough
FO
dead
stick 'em up and stick 'em down
T
B. Cl.
stick
stick 'em up and stick 'em down
dead
TI
stick 'em up and stick 'em down
f
216
SI
AI
else
I'll
beat
you
black
as
coal
black
as
coal
as
I'll
beat
you
black
as
coal
black mf
as
coal
cheese
bread
stick
stock
stone
cheese
bread
stick
stock
stone
coal
black
as
coal
black
as
coal
black
as
black
as
coal
black
as
coal
mf
black
as
coal
mf
as
coal
black
f
black
dead f
dead
as
coal
f
dead
f
dead
E C
coal
AN
coal
Pno.
M
else
T II
E. Gtr.
bu - tter
TI
B. Cl.
f
R
black
B I+II
mf
A II
bu - tter
mf
FO
eggs
R
eggs
S II
PE
E. Bass
R
Vc.
Perc.
Vc. E. Bass Perc.
76
SI 219
S II
A I+II
mf
black
as
eggs
TI
coal
black
bu - tter
N
eggs
T II
bu - tter
as
coal
black
cheese
B I+II
black
stone
dead
stock
stone
black
bread
stick
stock
cheese
bread
stick mf
FO
Pno.
as
coal
black
stone
dead
stone
dead
as
coal
dead
as
coal
dead
dead
coal
E. Gtr.
as
T
B. Cl.
coal
O
R
Vc. E. Bass 222 SI Perc.
eggs
S II
eggs
black
black
dead
stone
dead
as
coal
dead
dead
bread
stick
stock
stone
bu - tter
cheese
bread
stick
stock
stone
dead
coal
black as
black as
black
as
coal
black as
coal
black as
E. Gtr.
Pno.
Vc. E. Bass Perc.
coal
coal
E C
B. Cl.
noisy note
as
coal
coal
black
black as
coal
dead
AN
T II
coal
cheese
M
stone
TI
B I+II
as
bu - tter
R
A I+II
FO
R
PE
77
S I+II 225
A I+II
black
coal
N
as
coal
bread
stick
stock
stone
black
as coal
dead
stone
dead
dead
dead
black
as
coal
dead
legato tongue
dead
dead
stone
black
as
coal
black
as
coal
black
as
coal
dead
stone
dead
as
coal
black
as
coal
black mf
as
coal
black
as
coal
black
as
coal
black
as
coal
black mf
stone
dead
E. Bass Vc.
dead
E C
Perc.
stone
dead
coal
AN
Pno.
stone
M
E. Gtr.
as
R
B. Cl.
black as coal
T II
B I+II
stone
TI
FO
stone
dead
black
coal
dead
R
228
S I+II
A I+II
as
PE
E. Bass
black
R
Vc.
coal
coal
Perc.
as
FO
T Pno.
black
O
coal
bu - tter cheese
E. Gtr.
as
B. Cl.
black
eggs
T II
black
TI
B I+II
as
78
S I+II 231
stone
A I+II
black
as
dead
stone
coal
black as coal
TI
black as coal
T II
N
BI
E. Gtr.
dead
stone
coal
black
as
coal
black
as
coal
black
as
coal
black
coal
black
as
coal
as
black
as
coal
black
as
black
coal
black
as
as
coal
black
as
as
coal
once
a
man
coal
black
black
as
coal
and
twice
a
boy
as
coal
as
coal
f
coal
once
a
man
and
twice
a
boy
once
a
man
and
twice
a
boy
f
black f
dead
as
black
FO
B. Cl.
stone
dead
T
O B II
black
f
Pno.
Vc.
E. Bass
f
234
oh
you
are
black mf
as
coal
Pno.
E. Bass
black
as
coal
black
black
as
coal
black
black
as
coal
black
my
as
coal
as
coal
as
coal
pride
black
as
black
coal
black
as
coal
black
black
as
coal
black
as
coal
as
coal
as
coal
as
coal
black
black
as
coal
black
black
as
coal
black
oh f
you
are
my
pride
oh
you
are
my
pride
and
Low Tom
and
as
coal
as
coal
as
coal
black
as
coal
black
as
coal
black
as
coal
joy
joy
f
joy
black
and
f
Vc.
Perc.
f
E. Gtr.
E C
B. Cl.
AN
BI
M
black as coal
T II
R
black as coal
TI
B II
FO
S I+II
A I+II
R
PE
Perc.
R
79
S I+II 238
AI
black
as
coal
black
twice
a
boy
and
once
a
man
catch
me
catch
me
if
you
as
coal
black
A II
as
coal
black
black
black as coal
TI
N
black as coal
T II
black
as
coal
black
black
as
coal
O
BI
Perc. Vc. E. Bass
a
boy
and
once
a
man
catch
me
catch
me
if
twice
a
boy
and
once
a
man
catch
me
catch
me
if
you
can
you
can
catch me catch me catch me catch me
catch me catch me catch me catch me
catch me catch me catch me catch me
catch me catch me catch me catch me
catch me catch me catch me catch me
catch me catch me catch me catch me
pp
pp
mf
3
3
3
pp
3
3
3
3
3
mi - cke - ty pi - cke - ty ri - cke - ty
ti - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty
ti - cke - ty
E C
pp
mf
twice
Perc. Vc. E. Bass
AN
Pno.
M
E. Gtr.
R
coal
FO
B II
as
BI
black
T II
coal
coal
pp
242
TI
as
as
coal
S I+II
A II
black
roll on rim of snare drum
AI
as
R
black
PE
coal
R
Pno.
black
FO
E. Gtr.
coal
B. Cl.
as
as
can
coal
T B II
as
bounce sticks on wood
mf 3
3
3
3
3
3
3
3
80
S I+II 246
f
slate
AI
catch
me
A II
me
catch
N
me
catch
3
me
catch
me
catch
me
catch
me
catch
me
catch
catch
catch
catch
me
3
3
3
me
3
3
me
3
3
me
3
3
me
3
3
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
3
3
legato tongue
mf
3
3
3
3
3
3
3
3
3
3
3
3
3
R
alternate hands cymbals to stick bounce
3
3
3
mf
250
si - cker
thi - cker make you
3
3
si - cker make you
3
si - cker
black as coal
black as coal
3
3
3
3
si - cker
si - cker
si - cker
si - cker
si - cker
si - cker
catch me catch me catch me catch me
3
black as
3
3
black as
black as
black as
coal
3
3
3
3
3
coal
black as
coal
black as
coal
black as
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
coal
coal
3
mi - cke - ty pi - cke - ty ri - cke - ty ti - cke - ty 3
coal
3
coal 3
3
si - cker
coal
coal
black as
coal
coal
coal
black as
coal
black as
black as
coal
coal
black as
coal
3
3
3
3
3
3
3
3
3
E C
hammer
B. Cl.
3
catch me catch me catch me catch me
coal
black as coal
3
3
black as coal mf
AN
BI
3
M
mf
3
mi-cke - ty pi -cke - ty ri -cke - ty ti - cke - ty mi-cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
T II
catch me catch me catch me catch me
coal 3
3
catch me catch me catch me catch me
coal 3
3
R
TI
catch me catch me catch me catch me
catch me catch me catch me catch me
3
FO
A II
3
air
AI
R
S I+II
3
PE
3
legato bowing
3
3
3
E. Gtr.
mf
Pno.
thi - cker make you
Perc.
B II
ki - cker air
catch
catch
3
FO
pi - cker mule
3
me
T
E. Gtr.
Vc.
me
3
3
O
B. Cl.
Pno.
catch
mi -cke - ty pi - cke - ty ri - cke - ty ti - cke - ty
T II
B I+II
me
3
catch
catch
TI
3
3
3
3
3
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 Vc.
Perc.
E. Bass
mf
81 mp small sub-group
254
S I+II
si - cker si - cker si - cker si - cker
si - cker si - cker si - cker si - cker
si - cker si - cker si - cker si - cker
si - cker si - cker si - cker si - cker
si - cker si - cker si - cker si - cker
259
S I+II si
N TI
-
cker
si
small sub-group mp 3
O
mi
- cke - ty
pi
T
Perc.
p
S I+II 261
si
3
-
cke - ty
li
-
cker
si
3
- cke - ty
si
3
-
cke - ty
cker
si
3
spli - cke - ty
ri
-
3
bu - tter
f
3
-
cke
ty
ri
3
-
cke
3
- ty
ti - cke
- ty
bu - tter
cheese
bread
cheese
bread
stick
as
coal
as
coal
mf
-
cke - ty
ki
cker
si
3
-
kick
kick
kick
cke - ty
ki
kick
stick
stock
stone
dead!
eggs
bu - tter
stock
eggs
bu - tter
stone
dead!
black
as
coal
black
as
coal
black
-
cker
3
-
cke - ty
kick
kick
kick
as
coal
black
as
coal
black
as
f
coal
mf
mf
f
black
as
coal
bread
cheese
black
bread
as
coal
black
as
coal
black
as
cheese
black
as
coal
coal
as
coal
as
coal
cheese
black
black
dead
coal
black
as
E C
black as coal
bread
E. Bass
3
-
AN
black
Perc.
ti
si
kick
mf
cker
M
black
Pno.
- ty
mf
-
R
eggs
B I+II
si
FO
eggs
T I+II
cker
R
263 f
S I
A II
I
AI
S II
-
cker
pi - cke -
cker
-
-
PE
mi
Perc.
cker
R
si
TI
FO
-
82
SI
telling a story
266
stick
S II
stick
stock
stone
stock
stone
black
li -
telling a story
dead!
ten
as coal
N
black as coal
O
T
ten
E. Gtr.
li -
black
as coal
mf
dead
hea
ttle
an
ttle
an
ttle
an
-
-
-
A II
B I+II
B. Cl.
E. Gtr.
Perc.
gels
dressed
in
white
gels
dressed
in
white
gels
dressed
in
white
-
-
-
-
-
-
-
-
-
-
hammer
mf
but
the
kite
string
broke
and
a
kite
but
the
kite
string
broke
and
tail
of
a
kite
but
the
kite
the
tail
of
a
kite
but
the
kite
to
get
to
hea - ven
on
the
tail
of
a
kite
to
get
to
hea - ven
on
the
tail
of
to
get
to
hea - ven
on
the
to
get
to
hea - ven
on
T I+II
white
string
broke
and
string
broke
- ven
E C
tryin'
in
mp
-
AN
tryin'
dressed
M
AI
gels
R
tryin'
FO
S II
-
mf
269
tryin'
-
SI
-
R
li -
an
PE
ttle
R
Perc.
telling a story
FO
B. Cl.
li -
ten
B I+II
E. Bass
ten
T I+II
Pno.
dead!
black as coal
A II
telling a story
AI
and
83
SI 272
down
S II
down
AI
down
A II
N
down
they
fell
they
fell
they
fell
they
fell
T I+II
O B I+II
in -
in -
in -
in -
stead
of
goin'
to
hea - ven
stead
of
goin'
to
hea - ven
stead
of
goin'
to
hea - ven
stead
of
goin'
to
hea - ven
mf
they
hea
they
went
to
-
mf
-
hea
they
went
to
ven
they
ven
T
E. Gtr.
FO
Perc.
R
PE
275
SI
AI
-
-
-
3
-
-
ven
hea
- cke - ty
pi - cke - ty
3
3
ri - cke - ty
hea
B. Cl.
Pno.
Perc.
-
-
-
-
-
-
-
-
mf
mf
Vc. mf
E. Bass
-
mf
mf
3
3
3
3
3
3
-
-
-
ti - cke - ty
-
-
-
-
-
-
-
3
3
3
3
ri - cke - ty
ven
pi - cke - ty
-
E C
E. Gtr.
-
AN
B I+II
3
ti - cke - ty
mf
hea
ven
mi - cke - ty
mf
-
M
ven
-
-
ven
ven
-
3
-
-
R
T II
mi
hea
hea
hea
FO
TI
ven
hea mf
-
ven
mf
A II
-
R
hea
hea
mf
S II
3
84
SI 277
S II
hea
-
AI
A II
hea
hea
ven
hea
-
N
hea
ven
-
-
hea
ven
hea
ri - cke - ty
hea
ven
hea
3
-
-
-
hea
ven
-
3
ven
pi - cke - ty
3
ri - cke - ty
-
ven
-
ven
mi - cke - ty 3
ti - cke - ty
hea
pi - cke - ty
-
3
3
3
ti - cke - ty
ri - cke - ty
-
-
ven
mi - cke - ty
-
3
ven
-
3
3
-
hea
ti - cke - ty
-
-
-
-
-
-
-
ven
3
3
3
-
nine
ven
nine
ven
nine
li - ttle
an
li - ttle
an
li - ttle
an
li - ttle
an
3
ri - cke - ty
Perc. Vc.
3
3
ti - cke - ty
3
-
-
3
3
gels
eight
gels
eight
gels
eight
gels
3
eight
3
-
li - ttle
an
li - ttle
an
li - ttle
an
li - ttle
an
3
3
-
gels
-
gels
-
gels
-
gels
3
E C
-
3
E. Gtr.
B. Cl.
3
AN
B I+II
3
T II
3
nine
mi - cke - ty pi - cke - ty
TI
M
3
3
R
hea
ven
hea
A II
AI
-
ven
FO
hea
-
3
hea
R
280
SI
3
S II
PE
Perc. Vc.
R
FO
E. Gtr.
E. Bass
3
T
B. Cl.
Pno.
ven
O
T II
E. Bass
-
ven
mi - cke - ty pi - cke - ty
TI
Pno.
-
3
B I+II
3
3
3
3
3
3
85
SI 283
hea
-
S II
AI
hea
-
A II
ven
hea
ven
mi - cke - ty
TI
N
T II
Perc.
-
-
-
-
ven
hea
-
ven
hea
ven
-
ven
ti - cke - ty
ven
3
ri - cke - ty
-
3
pi - cke - ty
-
hea
3
3
3
pi - cke - ty
ri - cke - ty
ti - cke - ty
-
-
-
-
-
-
-
-
-
-
hea
ven
hea
-
-
ven
hea
ven
-
hea
ven
hea
-
-
-
ven
-
-
-
hea
-
3
ri - cke - ty
-
ti - cke - ty
-
ven
hea
-
-
ven
-
ven
ven
ti - cke - ty
3
3
ri - cke - ty
ti - cke - ty
E C
hea
3
ri - cke - ty
-
-
3
3
-
-
ven
ven
ti - cke - ty
-
hea
ti - cke - ty
AN
ri - cke - ty
-
3
-
3
ri - cke - ty
-
3
-
-
3
hea
3
-
ven
M
-
R
E. Bass
FO
Vc.
ri - cke - ty ti - cke - ty
E. Gtr.
Perc.
-
mi - cket - y
hea
3
pi - cke - ty
3
Pno.
-
ven
3
R
-
B. Cl.
hea
3
3
PE
hea
B I+II
ven
-
as before
hea
T II
hea
TI
mi - cke - ty
-
286
A II
SI
AI
-
E. Bass
S II
hea
ven
ven
Vc.
pi - cke - ty
mf
-
R
Pno.
ven
FO
E. Gtr.
hea
3
hea
B. Cl.
-
mi - cket - y
T
hea
3
O B I+II
-
3
86
SI 289
S II
hea
-
hea
ven
A II
hea
-
hea
-
hea
ven
3
FO
six
li - ttle
an
-
gels
li - ttle
an
-
gels
li - ttle
an
-
gels
se - ven
li - ttle
an
li - ttle
an
ti - cke - ty
-
gels
-
gels
-
-
-
3
hea
-
-
-
3
hea
ven
-
ven
3
mi - cket - y
3
pi - cke - ty
-
-
ven
3
mi - cke - ty
3
3
ven
3
-
-
hea
pi - cke - ty
-
-
pi - cke - ty
-
-
-
-
E C
3
3
mi - cket - y
3
3
ven
pi - cke - ty
hea
-
hea
ven
3
mi - cke - ty
mf
gels
-
hea 3
hea
ven
-
3
gels
AN
3
ven
-
ven
hea
-
hea
-
M
gels
Perc.
E. Bass
-
Vc.
an
E. Gtr.
Pno.
li - ttle
six
B. Cl.
R
six
B I+II
an
FO
T II
li - ttle
R
six
TI
an
PE
292
A II
li - ttle
se - ven
3
ri - cke - ty
R
SI
AI
se - ven
T
S II
se - ven
ti - cke - ty
Vc. E. Bass Perc.
3
O Pno.
ven
N
-
3
ri - cke - ty
ven
hea
ven
E. Gtr.
ven
-
-
hea
ri - cke - ty ti - cke - ty 3 3 T II ri - cke - ty ti - cke - ty B I+II B. Cl.
-
hea
TI
ven
3
ven
-
AI
3
3
3
3
3
3
3
3
3
drums gradually get crazier
87 cresc. poco a poco
SI 295
hea
-
ven
hea
cresc. poco a poco
S II
hea
-
-
ven
hea
ven
hea
-
-
ven
ven
hea
-
ven
f
N
AI
I
am
of
the
ca
-
stle
I
-
am
king
I
am
O
king
f
T
A II
am
I
of
FO
3
mi - cke - ty
TI
the
3
3
mi - cke - ty
R
3
3
pi - cke - ty
I
3
3
mi - cke - ty
-
-
-
-
-
-
-
cresc. poco a poco
pi - cke - ty
-
ri - cke - ty
3
mi - cke - ty
-
-
FO
-
pi - cke - ty
3
ri - cke - ty
R
-
am
3
3
-
I
3
mi - cke - ty
3
pi - cke - ty
king
ri - cke - ty
pi - cke - ty
am
3
pi - cke - ty
3
B. Cl.
stle
PE
ca
mi - cket - y
T II
B I+II
king
3
ri - cke - ty
-
-
-
ven
R
E. Gtr.
3
3
3
cresc. poco a poco
Pno.
cresc. poco a poco
3
3
3
3
3
3
3
3
3
3
3
cresc. poco a poco
cresc. poco a poco
3
3
E C
cresc. poco a poco
E. Bass
3
Perc.
Vc.
3
AN
M
88
J
A. Solo 298
ff shouting (non-pitch), nasty (the All-Stars)
3
I
SI
hea
-
ven
hea
S II
N
hea
O
AI
king
T
king
-
of
the
ca
-
-
FO
mi - cke - ty
3
ca
of
the
3
f
3
pi - cke - ty
ri - cke - ty
mi - cke - ty
stle
I
3
ri - cke - ty
3
pi - cke - ty
3
ri - cke - ty
3
I
am
king
3
3
3
3
AN
ff cresc. poco a poco
3
E C
3
cresc. poco a poco 3
am
3
pi - cke - ty
M
3
ff shouting (non-pitch), nasty
f 3
R
3
am
I
f
stle
3
FO
3
3
3
mi - cke - ty
3
ven
3
ri - cke - ty
3
-
-
3
pi - cke - ty
-
ca
R 3
3
Perc.
3
Vc.
E. Bass
the
of
3
Pno.
king
E. Gtr.
stle
mi - cke - ty
B II
B. Cl.
PE
BI
king
hea
stle
ven
ven
3
R
T II
3
-
-
king
mi - cke - ty
ri - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty 3
f
3
pi - cke - ty
f
TI
hea
hea
ca
3
ven
the
3
-
ven
of
A II
f
am
3
3
f
3
3
3
cresc. poco a poco
dig deep into the string
3
ff
f
f
cresc. poco a poco
89
A. Solo 301
3
I
SI
3
am
hea
-
ven
N
O king
hea
king
of
the
ca
king
king
of
the
ca
FO
3 3 3
TI
mi - cke - ty
pi - cke - ty
3
3
-
stle
I
am
king
I
am
king
-
stle
3
I
am
3
3
ri - cke - ty
3
mi - cke - ty
3
ri - cke - ty
mi - cke - ty
pi - cke - ty
ri - cke - ty
3
I
am
king
of
the
ca
3
3
am
king
of
the
ca
I
am
king
I
3
3
3
3
ti - cke - ty
-
-
3
3
3
3
3
AN
3
3
3
E C
E. Bass
3
Perc.
Vc.
3
ti - cke - ty
M
Pno.
3
3
ri - cke - ty
3
E. Gtr.
3
pi - cke - ty
3
3
king
3
am
3
mi - cke - ty
3
pi - cke - ty
I
3
pi - cke - ty
3
3
king
3
ven
R
B. Cl.
-
FO
hea
R
B II
ven
PE
BI
ff shouting (non-pitch), nasty
ven
mi - cke - ty
R
3
-
-
-
ri - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty
T II
ca
hea
the
ven
ven
of
T
A II
-
-
king
hea
am
hea
AI
I
S II
king
3
90
A. Solo 304
3
stle
SI
3
I
hea
-
ven
N
-
hea
ven
hea
-
ven
I
am
king
I
am
king
I
am
king
I
am
king
O
T
FO
am
king
I
am
ri - cke - ty
3
3
mi - cke - ty
3
3
pi - cke - ty
3
pi - cke - ty
ri - cke - ty
3
I
am
king
of
the
3
I
am
king
I
am
king
of
the
3
FO
stle
3
3
3
3
M
3
3
R
3
ff
3
mi - cke - ty
3
king
king
3
3
ti - cke - ty
am
3
ri - cke - ty
I
3
king
ff shouting (non-pitch), nasty
3
3
am
R
I
PE
3
king
R
pi - cke - ty
mi - cke - ty pi - cke - ty ri - cke - ty
E. Gtr.
-
ven
3
B. Cl.
-
mi - cke - ty
hea
ven
3 3 3
T II
ven
the
of
I
TI
king
A II
B I+II
-
am
hea
I
hea
AI
king
S II
am
3
3
3
3
3
AN
Pno.
Perc.
ff
ff
Vc.
E. Bass
ff
3
3
3
E C
91
A. Solo 307
3
ca
-
hea
-
stle
SI
3
N A II
ven
I
am
king
of
the
ca
king
T -
ca
-
you
stle
you
3
3
am
king
I
am
king
I
am
I
3
I
a
dir
dir
3
3
fff
fff
am
king
of
-
3
the
ca
-
stle
you
are
A I+II
I
Ensemble I
am
king
I
am
king
of
the
ca
am
king
I
3
am
am
king
of
3
king
I
am
king
3
the
ca
of
the
ra
ty
ra
3
3 3
scal
-
scal
3
a
-
-
ca
-
dir
stle
you
are
a
dir
stle
3
you
are
a
stle
you
ty
ra
-
scal
3
-
3
dir
-
ty
ty
ra
ra
-
are
a
dir
3
-
3
scal 3
-
ty
Ensemble
*) spin bicycle wheels freely for about 30", followed by natural decay of sound. Let the wheels stop naturally on their own
scal
ra
-
scal
316
3
3
-
3
3
3
ti - cke - ty
-
3
3
ty
3
3
3
ri - cke - ty
E C
B I+II
3
3
3
pi - cke - ty
AN
I
3
mi - cke - ty
3
3
am
3
-
3
ff shouting, nasty
-
3
-
3 3
I
3
king
3
ti - cke - ty
S I+II
T I+II
am
3
ri - cke - ty
are
3
stle
M
I
3
ven
3
-
R
310
hea
3
a
A. Solo
ven
scal
ven
are
3
-
-
3
pi - cke - ty
ra
FO
-
R
3
stle
PE
-
3
3
mi - cke - ty
R
ca
3
3 3
-
ty
hea
ri - cke - ty
stle
E. Gtr.
E. Bass
the
FO
ca
3
Vc.
of
-
hea
O
B. Cl.
Perc.
ven
-
pi - cke - ty
dir
ven
am
a
3 3 3
T II
Pno.
-
-
mi - cke - ty
B I+II
hea
I
TI
hea
AI
are
S II
you
3
*)
92
III. SPEECH
Tenor Solo Tenor I+II
Bass I+II
N
mf
3
hu - man
3
flesh and
bones
3
in
this
3
3
3
3
3
in - du - stri - al
FO
dig deep into the string for a scratch sound but with pitch
R
Violoncello
up
we must grind
3
gliss - natural drop, approximate arrival
3
ma -
pitch plus static/ scratch sample
Drum Set
If
T
Synthesizer
blues picking note bending
electric organ sound
O
Electric Guitar
mf
Clarinet in Bb
q = 60
mf dig deep into the string for a scratch sound but with pitch
mf
5
3
-
Vc. Cb.
mo - dern
-
me
ri
ca
mf
3
If mf
we
must
grind
If mf
we
must
grind
If mf
we
must
grind
If
we
must
grind
-
-
3
A
3
3
3
3
3
3
mf
spray of rim rolls
ord.
3
3
up
3
3
up
3
hu - man 3
hu - man
up
3
hu - man
3
up
3
3
hu - man
3
mf
p ord.
flesh
and
flesh
and
flesh
and
3
bones
3
bones
3
flesh
3
and
bones
bones
3
E C
AN
E. Gtr.
call
Cl.
we
M
that
R
BI
A
FO
T II
Dr.
chine
TI
Synth.
3
R
T. Solo
B II
PE
Contrabass
3
3
3
3
3
93 3 3 TI in this in - du - stri
10
3
T II
BI
B II
in 3
this in - du - stri - al
in
this in - du - stri - al
3
N
3
3
O
3
E. Gtr.
Cb.
16
21
Vc. Cb.
chine
that we call
3
3
sim.
3
3
3
3
be - fore
God
me - ri
-
me - ri
I
a - ssert
-
ca
Then
be - fore
Then
be - fore
I who be - ne - fit from that
ser - vice
God
God
I
3
I
-
a
-
we
a
be - cause
and you and
ca
3
-
ca
rim roll
-
ca
-
That those who con - sume the coal
me - ri
-
A
mo - dern
3
live
in
E C
T. Solo TI - ssert T II - ssert E. Gtr. Dr.
A
-
AN
Cb.
mo - dern
3
me - ri
M
Dr. Vc.
that we call
R
chine
3
Then
3
A
-
FO
R
E. Gtr.
Synth.
TI
mf
3 3
A
3
T. Solo
T II
mo - dern
mo - dern
3
-
that we call
3
ma
PE
-
3
3
R
Vc.
ma
3
Dr.
that we call
chine
FO
Synth.
-
3 3
T
chine
3
ma
this in - du - stri - al
-
3
ma
in
3
- al
3
3 3
Cl.
94
27 T. Solo com
-
T II
BI
3
in
com
-
fort
in
com
3
in
com
-
fort
in
com
mf
com
-
3
-
-
That
fort
in
com
in
com
mp
coal and
coal and
you
you
fort
mf
p
Bass Drum
those who con - sume the
-
fort
f
-
those who con - sume the
That
- ne - fit
you and
I
and
I
you and
I
and
you and
you and
be - ne - fit
be - ne - fit
from that
from that
ser - vice
mp
I
who
I
who
I
who
be - ne - fit
be - ne - fit
from
from
from
that
who
you and
from
you and
ser - vice
I
I
be - ne - fit
you and
Cb.
who
I
and you and
be - ne - fit
you and
Cl.
who
I
ser
that
ser
f
that
ser
ser
-
that
-
-
E C
and you and
AN
BI
- ne - fit
M
T II
R
and I who be and I who be
TI
FO
32
Vc.
R
T. Solo
Dr.
fort
Synth.
-
fort
PE
B II
fort
mp
Vc. Cb.
3
R
Dr.
mf
FO
Synth.
T
E. Gtr.
mf
Cl.
com
O
mf
N B II
fort
TI
-
p
95
B TI vice T II vice 36
We owe pro
BI
N
B II
vice
O
Cb. Vc.
se - cu - ri - ty
to
if
their
fa - milies
they
die
if
they
die
if
they
die
p
men
those
men
sim.
if
they
die
sim.
if
they
die
sim.
those
men
men
if
they
die
if
they
die
those
those
men
those
if
they
die
if
they
men
they
die
those
men
they
those
die
men
Bass Drum anticipation
men
E C
Dr.
those
AN
sim.
M
mf
men
R
mf
those
FO
those
sim.
men
E. Gtr.
Cl.
men
BI
R
those
T II
Cb.
owe the
44
Vc.
we
3
PE
T. Solo TI those
Synth.
and
B II
men
R
those
FO
Dr.
to
T Synth.
tec - tion
mp
vice
E. Gtr.
-
Cl.
T. Solo
96
T. Solo 50
TI
BI
- tec
-
tion
die
if
they
die
O
those
men
E. Gtr.
-
Dr.
if
they
die
-
tion
pro
if
they
die
if
they
die
those
men
sim.
men
-
tec
-
tion
if
they
die
they
die
say
it
emphatic
those
men
those
men
I
say
it
I
say
it
I
say
it
sim.
I
voice
it
f
Vc.
emphatic
f
ff
emphatic
f
sim.
claim
it
I
voice
it
I
voice
it
sim.
I
voice
it
sim.
I
voice
it
ff
-
pro
I
sim.
p
sim.
E C
p
sim.
Cb.
f
say it I expressive, emphatic
f
f emphatic
f emphatic
f emphatic
f emphatic
men
AN
Dr.
tec
those
M
Synth.
-
R
E. Gtr.
men
FO
Cl.
f
those
men
those
R
T. Solo I
BI
p
C
T II
55
B II
TI
PE
Cb.
pro
those
Low Tom
R
Vc.
tec - tion
men
FO
Synth.
those
T
pro
Cl.
men
N B II
those
pro
T II
97
T. Solo 60
I
TI
pro
I
T II
BI
pro
I
pro
claim
it
-
claim
it
-
claim
it
O
pro
-
claim
Vc.
ff
say
it
I
say
it
say
I
pro
I
pro
claim
it
-
claim
-
claim
p
p
it
voice
it
voice
it
voice
it
ff
it
it
static sound on keyboard
I
E C
-
pro
it
p
I pro claim gradually getting dirtier, messier, crazier, bending down the pitch
voice
I
I
it
I
ff
I
I
Vc.
Cb.
it
claim
p
-
it
it
voice
AN
Dr.
pro
Synth.
say
I
M
E. Gtr.
I
R
Cl.
I
FO
B II
R
BI
65 T. Solo I
T II
it
TI
it
PE
Cb.
say
p
I
R
Dr.
FO
Synth.
T
E. Gtr.
I
Cl.
-
N B II
gradually dig into the string to get a deep gritty sound
gradually dig into the string to get a deep gritty sound
98
68
Cl.
E. Gtr.
Synth.
N Dr.
FO
I
care
T. Solo That
what
I
ff
what
I
what
I
is
what
I
is Insistent
3
That is ff Insistent
B II
That
3
who
in
hea - ven
or
hell
o
3
be
-
-
ppo
be
-
lieve
3
be
-
lieve
3
be
-
be
-
3
is
what
I
is
what
I
is
what
I
is
what
I
is
what
I
3
That
3
3
That
lieve
3
That
it
3
That
flutter/noise ad lib.
3
be - lieve
3
Dr.
3
6
6
6
Med. Tom
Vc. ff
Cb. ff
be - lieve
3
be - lieve
3
be - lieve
f
f
be - lieve
6
6
E C
ff violent
Synth.
violent
E. Gtr.
That
lieve
3
3
ses
-
lieve
3
AN
Cl.
3
M
3
R
3
3
ff
ff
FO
I
R
what
is ff Insistent
That
is ff Insistent
That
3
PE
ff Insistent
not
D 77
R
BI
ff
72
T II
T
T. Solo and
TI
ff
E. Gtr.
O
Vc.
Cb.
ff
6
3
6
6
3 3
3
6
6
6
6
3
3 3
3
99
3
T. Solo That 79
is
3
That
TI
3
That
3
N
That
O B II
what
3
That
I
what
I
I
be - lieve
what
I
be - lieve
be - lieve
be - lieve
6
3
what
I
be - lieve
is
what
I
I
be - lieve
3
be - lieve
I
3
be - lieve
I
3
be - lieve
I
3
be - lieve
I
3
3
3
3
I
be
-
be
lieve
-
be
lieve
-
be
lieve
-
be
lieve
-
lieve
4
4
what
I
is
what
I
is
what
I
is
what
I
is
what
I
3
3
3
be
-
lieve
I
be
-
be
-
be
-
be
-
lieve
I
3
lieve
I
3
lieve
I
3
lieve
I
3
3
lieve
I
3
be
-
be
-
be
-
be
-
be
-
be
-
lieve
I
3
be
-
lieve
I
3
3
be
-
lieve
I
3
be
-
lieve
I
be
-
3
I
I
6
3
6
3 3
6
3 3
6
I
I
be - lieve
be - lieve
I
I
be - lieve
3
be - lieve
I
I
3
be - lieve
I
be - lieve
I
be - lieve
I
be - lieve
I
be - lieve
be - lieve
3
I
3
be - lieve
be - lieve
I
be - lieve
3
I
be - lieve
3 3
lieve
I
3
be - lieve 3
be - lieve
I
be - lieve
3
I
be - lieve
3
I
be - lieve
3
3
I
3
3
lieve
3
3 3
be - lieve
3
lieve
3
3
lieve
3
3
3 3 3 3
lieve
3
3 3
3
E C
3 3
3
3
3 3
3
AN
is
3
3
M
3
R
FO
3
6
Vc. Cb.
I
3
That
Dr.
be - lieve
3
3 3
B II
Synth.
I
6
That
E. Gtr.
I
I
3
81 T. Solo That TI That T II That BI
Cl.
what
is
R
be - lieve
be - lieve
PE
I
6
Vc. Cb.
I
3
R
Dr.
be - lieve
3
3
That
FO
Synth.
what
is
I
3
3
That Rant
T
is
what
3
3
3
That Rant
E. Gtr.
Cl.
is
That Rant
3 is
3
3
That Rant
3 what
be - lieve
3
is
I
Rant
3
is
BI
what
is
T II
3
3
3
3
3
3
3
3
100 83 T. Solo I TI I
T II
BI
be
-
be
lieve
I
-
lieve
I
lieve
I
3
be
-
lieve
I
3
I
be
-
lieve
I
3
O I
Cl.
3
I
N B II
3
be
-
3
be
-
3
be
-
3
be
-
3
be
-
3
be
-
lieve
I
lieve
I
lieve
I
lieve
I
lieve
I
3
be
-
3
be
-
3
be
-
3
be
-
3
be
-
lieve
I
lieve
I
lieve
I
lieve
I
lieve
I
3
be
-
lieve
3
be
-
-
-
lieve
3
be
lieve
3
be
lieve
3
be
-
lieve
T
E. Gtr.
Cb.
6
6
TI
be - lieve I
be - lieve I
be - lieve I
be - lieve
3
3
3
3
be - lieve I
be - lieve I
be - lieve I
3
3
3
Synth.
Dr. Vc. Cb.
3
3
and
the
mi
-
ners
3
3 3
3 3 3 3
3
-
lieve
that
3
mp
6
be - lieve
6
be
be - lieve
be - lieve I
3
be - lieve I
3 3
be - lieve I
3
3
be - lieve I
3
be - lieve I
3
3
spare mp
be - lieve I
6
E C
E. Gtr.
6
AN
Cl.
3 B II I
be - lieve
3 I be - lieve I be - lieve I be - lieve I be - lieve 3 3 3 3
I
M
BI
I
R
T II
3
3 3 3 3 I
6
FO
6
R
T. Solo
3
3
84
3
PE
Vc.
R
Dr.
FO
Synth.
101
IV. FLOWERS q = 70
Soprano I
Soprano II
mp natural, like a folk song
Alto I
3
We
N
O
rolling, folk picking
T
Acoustic Guitar
Piano
Contrabass
SI 7
We all had
p
-
dens
natural decay
sim.
f
p
f
3
We
all
had
flo
-
-
wers
f
p
We
all
had
flo
-
-
wers
-
wers
wers
f
mp natural, like a folk song
E C
AI
AN
M
R
flo
3
all
had
gar
Gtr.
-
dens
Perc.
Cb.
wers
p
12
S II
Vc.
had
flo
A II
all
mp natural, like a folk song
-
gar
4
We all had
Perc.
SI
wers
Gtr.
-
FO
A II
flo
We
Bowed Vibes
flo
AI
mp natural, like a folk song
R
S II
wers
PE
R
Violoncello
-
FO
Percussion
mp
flo
Clarinet in Bb
all had
Alto II
We
p
f
pp
pp
f
f
102
SI 17
flo
S II
AI
N
gar
-
O
Perc.
22
p
f
-
We
wers
-
-
all
had
gar
-
dens
dens
gar
-
f
-
wers
-
flo - wers
flo
-
wers mf
-
flo -
gar
had
wers
flo
all
f
f
p
pp
flo
dens
-
pp
gar
dens
dens
gar
-
-
dens
dens
mf
flo
-
wers
27
mf
flo - wers
AI
wers mf
flo - wers
flo - wers
gar
Gtr.
Perc.
-
flo -
Cl.
-
wers
dens
flo- wers
pp
flo - wers
gar
-
flo- wers
flo- wers
f
pp
f
flo- wers
pp
f
flo- wers
pp
p
flo- wers
-
dens
flo - wers
We
flo - wers
all
had
gar
pp
f
We
3
flo- wers
all
had
E C
pp
AN
-
flo - wers
S II
M
S I
mf
R
FO
Perc.
R
Gtr.
Cb.
PE
gar
Vc.
We
A II
wers
wers
AI
-
gar
flo
Cb.
flo
R
S II
Vc.
dens
S I
A II
FO
flo
-wers
T
Cb.
Gtr.
Vc.
wers
-
flo
A II
-
dens
p
f
f
f
pp
pp
pp
p
f
f
f
103
SI 32
S II
AI
flo
A II
flo - wers
flo - wers
flo
-
-
flo
wers
N
gar -
-
wers
Cl.
-
-
wers
pp
T
S II
35
A
- wers
f
pp
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
-
-
dens
-
pp
f
-
flo
-
-
gar
-
flo - wers
flo - wers
flo - wers
flo - wers
-
-
-
-
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
-
-
-
-
gar
dens
-
-
flo - wers
-
-
-
flo - wers
4
f
pp
Vc. pp
-
wers
flo - wers
dens
flo - wers
flo - wers
pp
pp
-
4
Pno.
flo - wers
flo
wers
E C
flo
f
AN
f
M
flo- wers
dens
pp
R
wers
flo - wers
pp
-
flo - wers
mallets
-
pp
-
f
pp
Perc.
flo
gar
Gtr.
f
flo - wers
Cl.
wers
flo - wers
A II
-
Vc. 37 SI
AI
pp
pp
Pno.
S II
flo
FO
Perc.
wers
wers
R
Gtr.
gar
Cl.
-
-
PE
A II
pp
flo - wers
AI
R
SI
FO
Cb.
wers
- wers
O Vc.
-
flo
flo
flo
flo
mp
Gtr.
Pno.
flo - wers
flo - wers
dens
f
pp
104
SI 39
S II
A II
gar
flo - wers
flo - wers
flo - wers
flo - wers
flo
flo - wers
flo - wers
flo
-
-
flo - wers
flo - wers
flo - wers
flo - wers
-
-
-
-
flo - wers
flo - wers
flo - wers
flo - wers
dens
-
-
-
-
N
f
O
FO
pp
p
slight pulse on each note
flo - wers
flau
flau
flau
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
flo - wers
-
-
-
3
3
3
pp
-
3
3
3
gar
-
dens
-
-
-
dens
flo - wers
3
8
flo - wers
flo - wers
flo - wers
3
3
3
3
3
3
3
3
slight pulse on each note
sim.
p
f p
as before
sim.
flau
flau
flau
-
p
-
-
-
flo - wers
flo - wers
flo - wers
-
-
-
-
p f
flau p
flau flau
flau flau mf
flau flau
-
-
flo- wers
-
-
f 3
3
3
3
as before
dens slight pulse p on each note
sim.
3
3
3
pp
p
pp
Perc.
flo - wers
flau flau
dens
pp 3
flo - wers
Cl.
gar
E C
-
flo - wers
gar
dens
flo - wers
-
AN
M
AI
f
R
gar
Cb.
flau
FO
S II
Vc.
flau
flau
Pno.
flau
43
A II
SI
flau
R
Vc.
Perc.
Pno.
flau
3
8
Gtr.
flau
-
gar
flau
PE
A II
flau
AI
R
p
f sim.
flau
S II
pp
pp
T
dens
Vc.
SI
-
Pno.
41
wers
gar
pp
f
-
f
-
Perc.
wers
Gtr.
-
Cl.
flo - wers
flo - wers
AI
f
slight pulse on each note p
sim.
105
SI 45
flau flau
S II
flo
flau flau
p
-
flo - wers
-
-
47
p
flau
3
3
3
p
f
flau
flau p
flau
flau
flau
flau f
flau
flau
flau
flo - wers
flo - wers p
flau
flau
flau
flau
f
flo - wers
flo - wers p
flo - wers
flau
flau
Perc.
3
flau
flau
flau
flau
flau
flau
3
flau p
flau
flau
flau
flau
3
3
3
3
3
Vc. Cb.
f
as before
flau f
flau
flo - wers
flo - wers
flo- wers
flo - wers p
flau
flau
3
3
3
flau
flau
flau
flau
pp
pp
p
p
f
3
16
flau
flau
flo - wers
f
p
flo - wers
3
pp
f
Pno.
3
flau p
pp
3
flau
flau
flau
flau p
flau f
flau
f
p
flo - wers
flau
flau
flau
flau
flau
flau
flau
flau
E C
AN
flau
flo - wers
f
flo - wers
M
flau
pp
p
flo - wers
R
sim.
3
flo - wers
flau
p
pp
FO
3
3
flau
3
flau
3
3
flau
R
flau
flau
flau
flau
flo - wers
flau
f
flau
flau
3
flau
pp
3
flau
flo - wers
flau
flo - wers
flau
flau
3
flau
Cl.
12
flo - wers
A II
flau
f 3
slight pulse on each note
Vc. Cb. 49 p SI
AI
flau
Pno.
S II
flau
3
Perc.
flau
Cl.
flau
PE
A II
flo - wers
flau
R
flau
AI
f
SI
S II
f
FO
flau
3
pp
wers
pp
T
Cb.
-
flo - wers
flau
3
O Vc.
flau
N Pno.
-
flo - wers
Perc.
-
flau flau
-
mf
flo - wers
flau flau
Cl.
f
p
AI
A II
p
p
106 p
SI 51
flau
flau
S II
flau
flau
flau
flo - wers
A II
flau
flau
flau
flau
AI
flau
flo - wers
N
flau
flau flau flau flau flau flau flau flau p
flo - wers
p
flau flau flau
f
flau
flau
flau flau flau flau flau flau flau flau
wer wer
wer wer
wer wer wer
wer wer wer wer wer wer wer wer
flo- wers
wer wer
wer wer
wer wer
p
wer wer wer
mf
f
flau flau flau flau
3
3
3
3
flau flau flau flau flau flau flau flau
sim.
wer wer wer wer flau flau flau flau
sim.
wer wer
f
wer wer wer wer
wer wer wer wer wer wer wer wer
sim.
flau flau flau flau flau flau flau flau
flau flau flau flau
wer wer wer wer flau flau flau flau
p
3
3
3
3
wer wer wer wer wer wer wer wer sim.
wer
p
f
E C
AN
flau flau flau flau flau wer wer wer
p
f
Perc.
sim.
wer
Gtr.
M
p
p
flo- wers
Cl.
flau flau flau flau flau wer wer wer p
R
wer
FO
mf
mf
R
AI
flo- wers
f
p
PE
p
p S II
R
wer
flau flau
f
Hi-hat should not be tightly closed, leave slightly open to get a beefy sound
FO
wer wer wer
p
p
pp
T
54
Cb.
flau
p
flau flau flau flau flau flau flau
f
O
SI
Vc.
flau
Pno.
flau
p
flo - wers
A II
flau
Perc.
Cb.
flau
Gtr.
Vc.
B q = 100
Cl.
Pno.
f
3
3
3
3
107
SI 58
flau flau flau flau
S II
flau flau flau flau flau flau flau flau
AI
flau flau flau flau flau flau
3
3
3
3
3
wer wer wer wer wer wer wer wer
3
3
3
wer wer wer wer wer
wer wer
wer wer wer wer wer wer wer wer
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
FO
R
wer wer wer wer
wer wer wer wer wer wer wer wer
wer wer wer wer wer wer wer wer
flau flau flau flau flau flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
wer wer flau flau flau flau flau flau
Gtr.
Perc.
3
3
3
3
3
3
3
3
3
flau
flau
3
3
flau
f
flau
all
3
p
had
flau
Low Cym.
3
3
flau
flau
mp
flau
E C
f
3
We
flau flau flau flau
f bring out this line
wer wer flau flau
wer wer wer wer wer wer wer wer
Cl.
AN
M
AI
R
S II
Cb.
wer wer wer wer wer wer
wer wer wer wer wer wer
PE
R
3
flau flau flau flau flau flau wer wer
FO
62
Vc.
SI
Pno.
wer wer wer wer wer wer wer wer
flau flau flau flau flau flau wer wer
A II
wer wer wer wer wer wer wer wer
flau flau flau flau
Perc.
Cb.
wer wer
T
Gtr.
Vc.
flau flau flau flau flau flau flau flau
O Cl.
Pno.
N
A II
3
3
3
3
3
3
3
108
SI 65
flau flau flau flau flau flau flau flau flau flau flau flau flau
S II
flau
flau flau flau flau flau flau flau flau flau flau flau flau flau flau
AI
flo
A II
-
-
N
O
flau
flau
flau
flau
flau
flau flau flau flau
flau
flau
flau
flau
flau
flau
flau flau flau flau flau flau flau flau
flau
flau
flau
flau
flau
High Cym.
3
3
3
3
3
3
3
3
R
flau flau flau flau flau flau
Med. Cym.
PE
Cb.
R
Vc.
FO
Pno.
flau
T
Perc.
flau flau flau flau flau flau flau flau flau flau
Gtr.
flau flau flau flau
wers
Cl.
SI 69
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
flau
and
-
-
3
3
mf Low and Med. Cym.
3
3
3
3
3
3
3
3
-
-
mf
and
li
-
lies
and
ses
3
3
mf
lies
3
E C
ses
-
li
f
ro
and
AN
ses
M
-
ro
-
Perc.
ro f
Gtr.
Cb.
Cl.
Vc.
flau
flau
Pno.
AI
A II
f
R
S II
FO
C q = 116
3
Expressive, legato bowing, can have slight fluctuations in dynamics
mf 3
mf
3
3
3
109
SI 72
vio - lets
S II
and
a
-
and
-
li
-
and
-
N
Cl.
O
mf
Gtr.
3
and
3
-
-
and
lies
3
3
sies
and
dai
-
sies
and
3
3
-
3
dai
dah - lias
-
and
-
3
dah - lias
lips
3
3
3
3
3
3
3
PE
3
3
3
3
3
3
3
po
-
po
-
ppies
and
and
pan - sies
and
-
-
-
blue
bells
-
bells
and
and
fox
-
fox
-
lets
glove
and
-
glove
and
-
hea - ther
and
hea - ther
and
lark
-
lark
and
-
spur
and
spur
AN
blue
-
M
vio
pan - sies
Cl.
AI
and
R
S II
ppies
FO
R
78
mf
Perc.
Pno.
E C
3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3
Gtr.
Cb.
and
3
SI
Vc.
-
A II
3
mf
3
Cb.
3
-
R
Vc.
3
lips
tu
FO
Pno.
-
Crotales
Perc.
-
3
T
3
and
-
lacs
tu
li
A II
and
li f
lacs
sters
and
a
sters
vio - lets
AI
3
3
3
3
3
3
3
3
3
3
3
3
3
3
110
SI 84
dog - wood
S II
AI
N
-
and
-
-
3
3
-
-
ven
3
3
der
3
-
-
3
ses
i
-
ri
da
-
-
ffo
-
-
ses
dils
da
-
ffo
-
-
dils
-
o
-
nies
3
3
nies
3 3 3 3 3 3 3
-
pe
3
o
sters
-
-
-
pe
-
3
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
S II
cu
-
cro
-
cu
-
ses
sun - flo - wers
ses
hy
-
-
cinth
touch
-
-
3
3
3
3
3
me
-
ba
not
ba
-
-
3
3
lacs
3
Perc.
-
3
3
by's
breath
3
breath
p
3
by's
3
3
Gtr.
-
mf 3
-
-
me
E C
p
not
-
-
-
ho - lly - hocks
touch
AN
M
li
Cl.
ho - lly - hocks
a
cinth
hy
a
sun - flo - wers
AI
R
-
FO
R
cro
Cb.
ri
PE 90
Vc.
-
SI
Pno.
i
-
A II
der
-
3
-
la
3
Cb.
and
R
Vc.
ven
FO
Pno.
-
T
la
Perc.
and
zi - nnias
O
Gtr.
Cl.
zi - nnias
a
A II
and
dog - wood
3
3
3
3 3 3 3 3 3 3
3
3
3
3
111
SI 96
a
-
S II
a
za
-
za
-
leas
pe
-
leas
pe
-
tu - nias
na
tu - nias
AI
-
-
na
-
N
3
3
3
3
T
3
3
-
-
ri
-
dra
-
golds
-
gons
snap
-
dra
-
gons
-
-
-
-
-
lips
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
wi - lliams
sweet
blee
-
wi - lliams
blee
-
mag
-
chry
no - lias
chry
-
-
-
3
-
-
-
the
-
wi
mums
sies
3
3
-
ste
-
-
-
mf
spin two bicycle wheels, freely re-spinning each to create a continuous overlap of sound
3
mums
po
3
-
E C
san
p 3
the
lias
p 3
-
3
-
AN
san
-
M
3
hearts
no - lias
dai
Perc.
-
ding
dah
Gtr.
mag
Cl.
hearts
AI
ding
R
S II
FO
R
sweet
Cb.
snap
102
Vc.
golds
SI
Pno.
-
mf
3
A II
-
PE
Cb.
ri
-
3
R
Vc.
-
-
ma
3
FO
Pno.
-
p
O
nar - ci - ssus
Perc.
3
Gtr.
ma
Cl.
stur - tium
nar - ci - ssus
tu
A II
stur - tium
mf
3
3
3
3
3
3
3
3
3
3
3
112
SI 108
ri
-
a
S II
-
pan
A II
N
Cl.
p
3
3
ums
-
-
-
-
bells
p
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
PE -
-
-
a
-
-
-
-
Gtr.
Perc.
-
not
gla
gla
mf
-
-
ther
-
di
-
o
-
las
-
di
-
o
-
las
p
E C
me
hea
Cl.
-
glove
get
AN
fox
thi
-
M
sy
R
FO
R -
for
for
AI
S II
Cb.
-
113
Vc.
ni
S I
Pno.
-
R
-
sies
A II
-
ra
drons
-
3
Cb.
-
den
FO
Vc.
-
-
-
blue
T
Pno.
do
ppies
Perc.
O
Gtr.
ge
rho
AI
3 3 3 3 3 3 3 3 3 3 3 3
3
3
113
SI 119
por
-
tu
-
la
-
flo
moun
AI
-
moun
A II
N
por
-
tu
-
la
O
Cl.
T
Gtr.
Pno.
Cb.
tain
-
-
-
-
-
-
-
rel
flo
lau
-
rel
bring out these words through the end
-
-
get
-
-
mf
-
3 3 3 3 3 3
3
3
PE
3
-
-
-
-
-
-
-
-
-
wers
-
-
get
-
me
-
-
not
not
for
-
-
get
-
-
p
Perc.
-
E C
Gtr.
-
AN
Cl.
-
M
for
me
bring out these words through the end
wers
R
-
AI
-
-
FO
R -
S II
-
Cb.
lau
-
124
Vc.
tain
for
SI
Pno.
cas
A II
R
Vc.
-
FO
Perc.
-
cas
S II
D
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
114
SI
128
flo
S II
for
A II
N
Cb.
-
-
3
3
3
3
3
3
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
PE -
-
-
-
wers
-
-
-
-
-
wers
flo
for
-
-
-
-
-
-
-
-
-
-
flo
-
-
E C
Perc.
-
get
Gtr.
Cl.
-
AN
-
M
AI
R
S II
FO
R -
Cb.
-
132
Vc.
-
SI
Pno.
-
A II
-
me
R
Vc.
FO
Pno.
-
-
for
T
Perc.
-
-
me
O Gtr.
-
Cl.
-
get
-
flo
AI
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
115
SI
136
-
-
-
-
-
S II
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
wers
-
-
-
AI
-
-
-
-
-
-
wers
- get
A II
N
Cl.
O T
Pno.
Cb.
mf
-
-
-
get
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
140 SI
FO
R
3
PE
R
Vc.
FO
Perc.
for
free, expressive, breath whenever
Gtr.
S II
AI
-
Gtr.
Perc.
Pno.
Vc.
Cb.
-
-
-
-
-
-
-
-
-
-
-
-
-
wers
me
for
wers
-
-
-
-
get
E C
Cl.
-
AN
-
flo
A II
M
flo
R
wers
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
116
SI 144
wers
S II
flo
-
-
-
-
-
-
-
T
3
3
3
3
R
3
3
3
3
3
3
3
-
-
-
get
-
-
-
3
3
3
3
3
3
3
3
3
3
3
3
3
PE -
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Gtr.
get
-
-
get
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
E C
-
get
me
-
AN
-
-
-
Cl.
Perc.
-
-
-
M
-
AI
-
-
R
S II
-
FO
R -
Cb.
148
Vc.
-
SI
Pno.
-
A II
FO
Cb.
O Vc.
for
-
wers
for
N Pno.
-
for
-
wers
Perc.
-
Gtr.
-
flo
Cl.
-
AI
A II
-
for
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
117
SI -
-
-
-
-
-
-
-
-
N
for
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
-
3
3
3
3
3
3
3
3
3
3
3
3
3
-
-
-
-
-
-
-
-
-
-
not
-
-
-
-
-
-
-
-
-
not
-
-
-
-
-
not
-
mf
Perc.
E C
freely hammer out a pattern something like this
Gtr.
AN
-
M
-
-
-
Cl.
-
R
-
AI
-
FO
R
S II
3
Cb.
-
PE
R
3
-
Vc.
-
-
me
-
156 SI
Pno.
-
A II
-
3
Cb.
me
FO
-
-
T
-
O
Perc.
-
me
get
Gtr.
-
-
Cl.
-
-
Vc.
-
AI
Pno.
-
-
A II
-
S II
152
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
118
SI
160
S II
AI
A II
N
Cl.
for
-
-
-
O Cb.
-
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
PE
AI
3
3
3
3
3
3
3
3
3
3
3
3
3
3
-
get
3
3
3
3
3
3
-
me
-
not
sudden rest
sudden rest
sudden rest
sudden rest
sudden rest
sudden rest
3
3
3
for
3
E C
Perc.
8
Gtr.
AN
Cl.
M
R
S II
FO
R
Cb.
3
164
Vc.
-
SI
Pno.
-
A II
-
me
R
Vc.
-
FO
Pno.
-
4
T
Perc.
get
Gtr.
119
V. APPLIANCES q = 132
Soprano I+II
Slight emphasis on each word, clean rests
f
bake
N
O
Bass I+II
Slight emphasis on each word, clean rests
Slight emphasis on each word, clean rests
Slight emphasis on each note, clean rests
T
Clarinet in Bb
Tenor I+II
Alto I+II
Slight emphasis on each word, clean rests
5
FO
like electricity, short sharp attacks
Piano
Percussion
4
5
5
5
5
5
5
5
sim.
f
p
f
FO
S I+II
R
5
PE
5
sim.
Hi-hat slightly open, choke with foot pedal before each rest
Violoncello Contrabass
R
f
f
p
like electricity, short sharp attacks, with an edge
Electric Guitar
like a voice
5
a
Cl.
E. Gtr.
Pno.
5
7
5
5
E. Gtr.
Pno.
Perc.
6
6
6
5
short sharp attacks
drill sim.
5
5
5
sim.
cake
Cl.
5 5
6
6
legato
5
5
5
5
E C
S I+II
AN
Perc.
5
5
M
5
R
5
5
120
S I+II 10
a
Cl.
N
O Perc.
5
hole
5 5
E. Gtr.
Pno.
5
5
5
5
5 5
5
5
5
5
5
5 5
T
14
S I+II
f
A I+II
go
E. Gtr.
5
5
the
5
6
6
legato
mp
mp
R
heat
Cl.
E. Gtr.
5
as before
6 6 6 Perc. Vc. 6
6
6
your
house
5
5
5
5
5
6
ff
5
5
6
ff 6
E C
AN
M
sim.
5
5
5
17
Cb.
5
S I+II
Pno.
5 5
gym
A I+II
FO
Cb.
R
5
5
Vc.
PE
Perc.
to
5
Pno.
R
Cl.
FO
121
S I+II 20
blend
A I+II
N Pno.
Vc.
5
23
6
5
gui
-
R
Cb.
5
5
5
5
5
5
5
5
5
5
5
on
5
5
5
the
5 5
6
E C
5
turn
5
your
AN
E. Gtr.
M
clothes
Cl.
R
5
5
5
tar
26
-
FO
5
Vc.
-
R
-
dry
-
PE
S I+II
Perc.
Pno.
A I+II
5
5
Cb.
6
E. Gtr.
Vc.
5
Cl.
Perc.
5
your
Pno.
blast
S I+II
A I+II
FO
Cb.
5 5
T
Perc.
O
drink
5 5
E. Gtr.
a
Cl.
as before 6
6
5
mp cresc.
mp cresc.
122
S I+II 29
A I+II
light
Cl.
5
E. Gtr.
N Pno.
O
6
Vc.
Perc.
T
5
5
6
6
6
6
6
6
FO
6 6 6 6 6 6 6 ff Cb. 6
S I+II
34
Pno.
Perc.
5
Vc.
Cb.
5
5
5
5
blow
slice
5
out
your
5
5
6
6
5
5
5
hair
5
3
5
5
5
E C
5
E. Gtr.
Cl.
5
AN
S I+II
A I+II
M
5
a
R
Cb.
toast
FO
Vc.
5
up
ff
6
R
Perc.
6
me
PE
Pno.
6
ring
E. Gtr.
6
Cl.
6
R
A I+II
31
6
6
6
5
mp cresc.
mp cresc.
6 6
6 6
123
S I+II 37
lock
A I+II
E. Gtr.
the
safe
Cl.
5
N
Pno.
O
6
6
6
5
6
T
Perc.
6
6
6
6
6
6
3
Cb.
FO
Vc. 6
6
6
6
6
6
6
6
6
6
6
ff
6
6
6
6
6
6
6
6
6
6
6
ff
R PE
40
SI
f
grind
the
f
beans
as before
f
Pno.
Perc.
Vc. Cb.
f
5
6
5
f
6
5
shave
your
5
5
face
run
face
5
5
run
your
E C
5 5
shave
f
E. Gtr.
the
grind
Cl.
AN
the
grind
A II
grind
f
beans
M
A I+II
the
f
R
S II
FO
R
A
5
sim.
5
124
SI 44
the
dish
N
O
5
5 5
5
Cb.
5
5
6
5
6
6
6
f
card
my
5
card
to
my
5
5
5
to
5
6
5
E C
Perc.
Vc.
5
it
to
5
AN
Pno.
5
M
5
it
charge
E. Gtr.
5
it
to
book
R
a
5
FO
book
it
charge
Cl.
charge
A II
R
charge
5
der
-
3
a
PE
48
-
der
5
5
5
-
SI
AI
-
sher
R
S II
-
3
FO
wa
Vc. Cb.
T Perc.
-
sher
3
dish
Pno.
-
or
E. Gtr.
wa
Cl.
-
or
the
A II
AI
3
S II
6
6
6
6
6
125
SI 50
pu
S II
-
my
A II
N
my
Cl.
O
5
-
FO 6
6
6
R 6
the
fy
5
5
5
6
-
li
sten
-
to
-
li
E. Gtr.
Perc.
5 5
5
5
5
5
-
5
sten
5
5
to
to
-
-
5
your
your
sten
sten
5
5 6 6
your
li
5
li
5
your
sten
E C
Cl.
sten
AN
to
li
M
li
air
AI
air
the
Cb.
-
R
S II
Vc.
FO
52
SI
Pno.
-
R
A II
-
PE
6
ri
Cb.
-
fy
Vc.
-
Perc.
-
-
-
T
ri
card
Pno.
-
card
E. Gtr.
-
pu
AI
5
126
SI
56
S II
fa
-
-
-
vorite
song
AI
-
song
A II
N
Cl.
O
5
E. Gtr.
f
T
Pno.
Perc.
Cb.
6
5
6
6
6
6
5
6
6
6
6
6
6
6
6
PE
SI 58
AI
Cl.
f
Pno.
Perc.
Vc.
Cb.
f
E C
E. Gtr.
AN
M
R
S II
FO
R
A II
3
R
Vc.
FO
6
6
6
6
6
6
6
6
ff 6
6
6
6
6
6
6
6
ff
127
ff
call
your
SI 60
ff
S II
O
your
call
your
6
6
-
-
-
-
girl
-
-
-
-
girl
-
-
-
-
f
6
6
A II
on
the
-
-
friend
on
-
-
friend
-
-
friend
on
the
on
the
the
E C
E. Gtr.
Cl.
6
AN
6
M
friend
6
R
AI
-
6
FO
6
f
62
T I+II
6
R
S II
Vc.
Perc.
Cb.
girl
PE
-
Pno.
f
SI
B I+II
call ff
R
Perc.
-
Cb.
-
FO
E. Gtr.
Vc.
your
Cl.
Pno.
call ff
T
N B I+II
-
ff
T I+II
-
A II
girl
ff
AI
6
6
6
6
6
6
6
6
128 64 SI
phone
S II
AI
A II
phone
N
T I+II
O
phone
BI
T phone
B II
phone
E. Gtr.
R
Pno.
FO
Cl.
B
f
an
f
6
6
3
orange
an
f
orange
set
your
f
Pno.
Perc.
Vc.
5
f
Cb.
mf
5
5
Vibes
pizz.
5
5
f
f
f
p
p
f
p
5
5
5
f pizz.
5
5
p
E C
E. Gtr.
your
set
Cl.
AN
juice
juice
6
M
BI
6
R
TI T II
6
FO
66
6
R
6
PE
Perc. Vc. Cb.
B II
129
TI 70
sim.
5
5
sim.
-
-
corn
5
5
5
5
your
Cb.
6
blood
arco
arco
6
5
E C
blood
5
5
your
AN
Vc.
M
Perc.
-
R
BI
Pno.
test
T II
E. Gtr.
corn
FO
73
TI
Cl.
-
R
B II
PE
5
R
pop
FO
Cb.
sim.
T
Vc.
-
clock
O Perc.
-
some
5
Pno.
pop
test
E. Gtr.
Cl.
clock
N
some
make
B II
BI
make
T II
sim.
6
6
6
130
AI 75
watch f
A II
f
Vc.
5
79
your
Pno.
wash
-
-
-
vie
vie
clothes
5
5 5
the
5
sub
-
-
sub
-
5
5
5
mf
-
way
some
boil
boil
some
5
5
5
slightly open (as before)
way
5
5
wash
Hi-hat
5
the
5
clothes
ride f
5
5
clothes
Perc. Vc. Cb.
vie
5
5
5
E C
E. Gtr.
-
mo
f
clothes
your
Cl.
your
-
AN
BI
ride
T II
wash sim.
M
vie
R
TI
a
5
your
A II
mo
FO
AI
-
-
R
S II
SI
B II
5
PE
Cb.
R
Perc.
a
-
mo
watch
FO
Pno.
T
E. Gtr.
Cl.
mo
wash
O B II
watch
N
BI
a
T II
a
watch
TI
sim.
5
5
131
SI 83
S II
TI
Cl.
T
E. Gtr.
5
5
-
-
zzer
Cb.
f
5
6
di
get
get
5 5
5
5
Vibes
6
di
rec
-
rec
-
tions
re
-
-
-
-
5 5
-
tions
5
a
knee
a
knee
6
5
6
place
place
rec
5 5
re
-
di
tions
-
tions
rec
-
5
di
-
5
5
-
6
E C
Vc.
Perc.
-
AN
Pno.
M
E. Gtr.
bu
R
get
Cl.
the
ter
push
FO
B II
-
BI
zzer
T II
-
ter
5
get
TI
R
A II
bu
6
-
-
86
AI
-
6
S I
S II
the
PE
push sim.
Vc. Cb.
wa
R
Perc.
-
FO
Pno.
-
O
wa
N T II
B I+II
A I+II
sim.
Hi-hat
5
5
5
5
5
132
SI 90
va
-
va
T II
N BI
-
-
cuum
the
va
-
-
-
-
T f
rug
take
a
take
a
take
a
5
-
wer
send
5
5
5
5
ming
stea
-
-
ming
5 5
5
5
a
a
a
send
a
send
a
5
E C
send
AN
5
M
a
Cb.
5
a
5 5
5 5
R
5 5
5
E. Gtr. 6 5 6 6 Pno. 6 6 5 5 5 5 5 5 5 5 5 Perc. Vc. 5
-
send
-
5 5
a
ming
stea
hot
-
send
5
send
wer
rug
hot
-
FO
sho
R
stea
PE
send
-
rug
sho
hot
5
wer
Cl.
5
-
sho
BI
the
T II
cuum
TI
94
A II
5
S I
AI
the
Perc. Vc.
S II
cuum
R
FO
E. Gtr.
rug
O
Cl.
B II
va
the
TI
Cb.
cuum
A II
Pno.
S II
B II
-
5
6
6
133
SI 97
me
S II
me
O
A II
T
me
me
me
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
ssage
-
-
-
-
-
-
-
-
-
ssage
bake
ssage
f
ssage
bake
-
ssage
-
-
ssage
5
6
p
f
p
6
6
Vc.
Cb.
f
6
bake
6
6
E C
Perc.
ssage
AN
6
M
f
R
bake
FO
ssage
Pno.
-
E. Gtr.
-
me
Cl.
-
R
-
me
B II
-
PE
BI
-
R
T II
-
FO
TI
-
N
AI
-
me
f
134
C 99
SI
a
S II
cake
N
O
f
R
f
5
5
f
Vc.
Cb.
a
hole
a
5
5
hole
5 5
6 6 5
E C
AN
Perc.
f
f
Vibes
M
5 5
5
R
Pno.
hole
FO
drill
E. Gtr.
hole
PE
cake
Cl.
a
drill
R
drill
B II
a
f
a
cake
FO
BI
T
T II
f
a
TI
drill
A II
cake
drill
a
AI
135
S I 103
go
S II
go
to
the
gym
to
the
N
O
gym
to
the
gym
to
5
gym
your
6
6
heat
your
heat
5
5
your
heat
p
your
f
p
5
6
5
E C
your
AN
Cb.
heat
Perc.
Vc.
M
Pno.
R
the
f
E. Gtr.
FO
R
Cl.
PE
the
R
go
BI
B II
to
FO
go
T II
T
go
TI
heat
A II
gym
AI
136
SI 106
blend
S II
N
AI
O
house
a
drink
blast
your
your
blast
5
5
your
5
gui
-
-
-
-
-
tar
tar
tar
5 5
5
tar
-
tar
tar
-
5 5
-
gui
-
gui
your
-
gui
-
gui
blast
5
Vc.
Cb.
-
E C
Perc.
your
gui
AN
your
M
blast
blast
5 5
E. Gtr.
Pno.
R
house
Cl.
blast
FO
drink
R
B II
house
PE
a
blend
drink
R
BI
blend
T II
FO
TI
a
drink
blend
drink
a
T
blend
house
A II
a
house
137
S I 110
dry
dry
dry
dry
dry
your
5
on
the
on
the
turn
turn
turn
Cb.
5
the
on
the
on
the
5 5
on
5
6
6
E C
Vc.
5
Perc.
5
the
on
AN
Pno.
M
E. Gtr.
R
the
turn
Cl.
on
turn
clothes
FO
the
clothes
on
your
clothes
R
turn
PE
B II
your
dry
clothes
R
BI
your
turn
clothes
FO
T II
turn
clothes
T
TI
your
dry
clothes
O
N A II
your
AI
your
S II
138 113
SI
light
S II
light
AI
A II
N
O BI
light
ring
light
ring
light
ring
me
me
T
B II
up
up
me
up
up
toast
toast
light
me
ring
T II
light
TI
toast
light
E. Gtr.
116
a
slice
a
A II
B II
a
Pno.
Perc.
Vc.
Cb.
blow
slice
out
5
6
6
your
f
5 5
out
slice
blow
5 5 5
5
E C
E. Gtr.
slice
a
Cl.
AN
BI
5
M
T I+II
R
AI
5
6
5
FO
SI
S II
R
6
PE
5
6
R
Cb.
Vc.
Perc.
Pno.
FO
Cl.
toast
5
5
139
SI 119
S II
your
AI
your
A II
your
your
TI
N
O BI
T
B II
E. Gtr.
lock
B I+II
Pno.
Perc.
Vc.
Cb.
the
5
5
the
hair
your
hair
hair
safe
safe
safe
5
safe
5
safe
safe
out
the
5
your
lock
E. Gtr.
the
hair
E C
Cl.
out
your
the
AN
T II
out
lock
TI
5 5 5 5 5 5
the
your
M
lock
out
R
FO
A II
lock
AI
lock
5
122
S II
S I
blow
5
R
Cb.
blow
PE
Vc.
Perc.
R
Pno.
blow
FO
Cl.
blow
T II
140
D ff with intensity (don't let up)
SI 125
grind
grind
grind
grind
N
grind
O
T
grind
grind
grind
grind
sim.
f
ff
shave
sim.
shave
sim.
sim.
shave
shave
shave
shave
shave
shave
shave
shave
shave
shave
wildly bowing, catching doublestops in rolling across the strings, noisy and violent
ff
shave
wildly switch off rolling on different drums, can follow shape of voices but should be fluid and making swells. Gradually add in cymbal rolls as well
f
Cb.
sim.
ff
Vc.
shave
glissing wildly across the range of the piano, hand over hand
Drums
Perc.
shave
shave
sim.
E C
Pno.
shave
AN
M
R
ff
E. Gtr.
shave
shave
shave
shave
grind
shave
grind
shave
shave
shave
shave
shave
grind
grind
grind
grind
sim.
shave
shave
grind
grind
grind
grind
Cl.
grind
sim.
shave
shave
FO
R
sim.
shave
PE
ff with intensity (don't let up)
grind
ff with intensity (don't let up)
grind
R
ff with intensity (don't let up)
grind
grind
grind
B II
grind
grind
BI
FO
T II
ff with intensity (don't let up)
grind
ff with intensity (don't let up)
TI
grind
grind
grind
A II
ff with intensity (don't let up)
AI
grind
ff with intensity (don't let up)
S II
141
S I 129
run
run
S II
run
T
run
run
run
run
blow
blow
blow
blow
blow
blow
blow
blow
blow
blow
blow
blow
blow
E C
Cb.
blow
Perc.
Vc.
blow
blow
Pno.
blow
blow
blow
blow
blow
blow
blow
blow
blow
run
run
blow
blow
run
run
run
run
run
blow
blow
run
AN
blow
run
blow
M
E. Gtr.
R
run
run
run
Cl.
blow
run
run
FO
run
R
run
run
B II
PE
BI
run
run
R
T II
run
run
FO
TI
run
O
N
run
A II
run
run
AI
142
SI 133
heat
heat
T
heat
heat
heat
heat
heat
heat
heat
drill
drill
drill
drill
drill
drill
drill
drill
drill
drill
E C
Cb.
drill
drill
Perc.
Vc.
drill
drill
drill
drill
drill
drill
Pno.
drill
heat
drill
drill
drill
drill
drill
drill
AN
heat
heat
drill
heat
heat
drill
drill
drill
M
heat
drill
drill
R
E. Gtr.
heat
heat
heat
heat
heat
heat
drill
FO
Cl.
R
heat
heat
heat
heat
B II
PE
BI
R
T II
heat
heat
FO
TI
heat
O
N
heat
A II
heat
heat
AI
heat
S II
143
S I 137
blast
blast
S II
blast
T
blast
blast
blast
blast
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
E C
Cb.
turn
Perc.
Vc.
turn
turn
Pno.
turn
turn
turn
turn
turn
turn
turn
turn
turn
blast
blast
turn
turn
blast
blast
blast
blast
blast
turn
turn
blast
AN
turn
blast
turn
M
E. Gtr.
R
blast
blast
blast
Cl.
turn
blast
blast
FO
blast
R
blast
blast
B II
PE
BI
blast
blast
R
T II
blast
blast
FO
TI
blast
O
N
blast
A II
blast
blast
AI
144
SI 141
ring
S II
ring
T
ring
ring
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
E C
Cb.
blend
blend
blend
blend
blend
Perc.
Vc.
blend
blend
blend
Pno.
blend
blend
blend
ring
blend
blend
blend
blend
ring
ring
ring
ring
ring
ring
ring
blend
blend
ring
ring
ring
blend
AN
blend
M
E. Gtr.
blend
R
ring
ring
Cl.
FO
blend
ring
ring
ring
R
ring
ring
B II
ring
ring
ring
PE
BI
R
T II
ring
FO
ring
ring
TI
ring
ring
O
N
A II
ring
ring
AI
145
SI
145
lock
S II
lock
lock
lock
lock
lock
lock
Cb.
dry
dry
dry
dry
dry
dry
dry
dry
f
dry
E C
Vc.
lock
Perc.
lock
dry
lock
Pno.
AN
M
dry
lock
lock
R
E. Gtr.
dry
lock
Cl.
lock
lock
dry
lock
lock
dry
FO
dry
R
B II
lock
lock
lock
dry
lock
PE
BI
R
T II
lock
lock
FO
lock
lock
TI
lock
lock
T
lock
lock
lock
O
N
A II
lock
lock
AI
146
SI
148
dry
S II
dry
dry
dry
dry
dry
dry
dry
dry
grind
grind
grind
grind
grind
grind
grind
grind
f
grind
E C
ff
Cb.
grind
AN
E. Gtr.
grind
M
Vc.
R
grind
gradually let pitches get noisy
Perc.
grind
grind
grind
Cl.
Pno.
grind
dry
grind
FO
grind
grind
grind
R
dry
grind
grind
grind
dry
dry
B II
dry
grind
grind
grind
PE
BI
R
T II
grind
FO
TI
grind
grind
grind
grind
dry
T
A II
grind
dry
O
N
AI
147
SI 151
shave
shave
T
shave
shave
shave
shave
shave
shave
run
run
run
run
run
run
run
run
run
run
run
run
E C
Cb.
run
run
Perc.
Vc.
run
run
Pno.
run
shave
run
run
run
AN
run
run
run
shave
run
run
shave
shave
run
run
shave
M
shave
run
run
R
E. Gtr.
shave
shave
shave
shave
run
run
shave
shave
run
shave
FO
Cl.
R
shave
shave
shave
shave
B II
PE
BI
R
T II
shave
shave
FO
TI
shave
O
N
shave
A II
shave
shave
AI
shave
S II
148
SI 155
blow
blow
blow
T
blow
blow
blow
heat
Vc.
Cb.
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
heat
E C
Perc.
heat
heat
heat
heat
heat
heat
Pno.
heat
blow
heat
heat
heat
heat
heat
heat
AN
heat
blow
blow
blow
blow
blow
blow
blow
heat
heat
blow
heat
heat
blow
heat
M
R
E. Gtr.
blow
blow
blow
blow
blow
blow
heat
FO
Cl.
R
blow
blow
blow
blow
B II
blow
blow
PE
BI
R
T II
FO
TI
blow
blow
O
N
A II
blow
AI
blow
S II
149
S I 159
drill
drill
T
drill
drill
drill
drill
drill
blast
blast
blast
blast
blast
blast
blast
blast
blast
blast
E C
Cb.
blast
blast
blast
Perc.
Vc.
blast
blast
Pno.
blast
blast
blast
drill
blast
blast
blast
blast
drill
drill
blast
blast
blast
blast
AN
blast
blast
blast
drill
drill
drill
blast
drill
blast
M
R
E. Gtr.
drill
drill
drill
drill
drill
drill
blast
drill
FO
Cl.
R
drill
drill
drill
drill
B II
drill
drill
PE
BI
R
T II
FO
TI
drill
drill
O
N
drill
A II
drill
AI
drill
S II
150
SI 163
turn
turn
turn
T
turn
turn
turn
turn
turn
turn
Cb.
ring
ring
ring
ring
ring
ring
ring
ring
ring
ring
E C
Vc.
ring
ring
Perc.
ring
ring
ring
Pno.
ring
ring
ring
ring
turn
ring
ring
ring
ring
ring
ring
ring
turn
turn
ring
ring
ring
AN
turn
turn
ring
turn
ring
M
R
E. Gtr.
turn
turn
turn
turn
turn
turn
ring
turn
FO
Cl.
R
turn
turn
turn
turn
B II
turn
turn
PE
BI
R
T II
FO
TI
turn
turn
O
N
A II
turn
AI
turn
S II
151
SI 167
blend
S II
T
blend
blend
blend
blend
blend
blend
blend
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
E C
Cb.
lock
lock
Perc.
Vc.
lock
lock
Pno.
lock
blend
lock
lock
lock
lock
blend
blend
lock
lock
blend
blend
lock
blend
lock
lock
lock
AN
blend
lock
lock
lock
M
E. Gtr.
lock
R
blend
blend
blend
blend
Cl.
lock
FO
R
blend
blend
B II
blend
blend
blend
blend
PE
BI
R
T II
blend
FO
TI
blend
O
N
blend
blend
blend
A II
blend
blend
AI
152
SI
171
dry
S II
dry
dry
dry
dry
dry
Perc.
Vc.
dry
dry
grind
grind
grind
grind
dry
grind
dry
grind
grind
dry
dry
grind
dry
dry
dry
grind
dry
grind
grind
grind
grind
gritty
getting wilder and higher
f
ff
ff
E C
Pno.
grind
dry
AN
E. Gtr.
grind
M
R
Cl.
grind
dry
dry
dry
FO
dry
R
dry
dry
B II
dry
dry
dry
PE
BI
R
T II
dry
FO
TI
dry
T
dry
dry
O
N
A II
dry
dry
AI
Cb.
153
SI 174
grind
grind
grind
grind
grind
Cb.
grind
shave
shave
shave
run
run
shave
shave
run
run
run
run
run
f
run
run
shave
run
shave
run
run
run
shave
shave
shave
shave
shave
run
shave
shave
shave
shave
Perc.
Vc.
run
shave
E C
Pno.
shave
grind
shave
shave
shave
shave
run
AN
shave
shave
shave
M
E. Gtr.
R
grind
grind
Cl.
FO
shave
shave
shave
R
grind
grind
B II
PE
BI
R
T II
FO
TI
shave
shave
T
shave
grind
O
N
grind
A II
grind
shave
grind
AI
grind
S II
154
SI 178
run
S II
run
run
run
run
blow
run
blow
blow
Vc.
Cb.
heat
heat
heat
heat
heat
heat
heat
blow
heat
heat
heat
E C
Perc.
blow
heat
Pno.
heat
heat
blow
blow
blow
blow
heat
heat
blow
blow
blow
blow
blow
blow
blow
heat
blow
blow
blow
blow
AN
M
E. Gtr.
blow
blow
blow
R
blow
blow
run
run
run
Cl.
blow
FO
R
blow
blow
run
run
B II
PE
BI
R
T II
FO
TI
blow
blow
T
blow
run
O
N
blow
run
run
A II
run
run
AI
155
SI 182
heat
heat
heat
heat
heat
drill
drill
drill
drill
blast
blast
blast
blast
blast
blast
drill
E C
Cb.
blast
Perc.
Vc.
blast
Pno.
blast
drill
blast
blast
drill
blast
blast
drill
drill
drill
drill
drill
drill
blast
AN
drill
heat
drill
blast
drill
drill
drill
drill
drill
blast
M
E. Gtr.
R
heat
heat
Cl.
drill
FO
R
drill
heat
heat
B II
drill
PE
BI
heat
drill
R
T II
drill
drill
drill
drill
FO
TI
drill
drill
T
drill
heat
O
N
heat
A II
heat
drill
heat
AI
heat
S II
156
S I 186
blast
S II
blast
blast
blast
blast
blast
blast
blast
turn
turn
ring
turn
ring
turn
ring
ring
ring
ring
ring
ring
ring
turn
E C
Cb.
ring
Perc.
Vc.
ring
ring
Pno.
ring
turn
turn
ring
ring
turn
turn
turn
turn
turn
turn
turn
ring
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
AN
turn
M
E. Gtr.
R
blast
blast
Cl.
turn
FO
R
turn
turn
blast
blast
B II
PE
BI
R
T II
FO
TI
turn
turn
T
turn
O
N
turn
blast
blast
A II
blast
blast
AI
157
SI 190
ring
S II
ring
ring
ring
ring
ring
ring
ring
ring
blend
blend
lock
lock
lock
blend
lock
lock
lock
lock
E C
Cb.
blend
lock
Perc.
Vc.
blend
lock
Pno.
lock
lock
blend
blend
lock
lock
blend
lock
lock
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
blend
lock
AN
blend
M
E. Gtr.
blend
blend
blend
R
ring
ring
Cl.
blend
FO
R
ring
ring
B II
blend
PE
BI
blend
R
T II
FO
TI
blend
T
A II
blend
ring
O
N
ring
ring
AI
158
SI 194
lock
lock
lock
lock
lock
lock
lock
Vc.
dry
dry
dry
dry
dry
dry
dry
dry
f
dry
dry
dry
dry
dry
dry
dry
Cb.
dry
dry
dry
E C
Perc.
lock
dry
lock
Pno.
dry
dry
AN
M
E. Gtr.
dry
R
dry
dry
dry
lock
lock
Cl.
FO
dry
dry
dry
R
lock
lock
B II
dry
dry
PE
BI
R
T II
dry
FO
TI
dry
lock
T
A II
lock
O
N
AI
lock
S II
159
S I 197
grind
grind
T
grind
grind
grind
grind
Vc.
Cb.
grind
grind
grind
grind
shave
grind
shave
shave
shave
shave
shave
shave
shave
shave
shave
shave
shave
shave
shave
grind
shave
shave
shave
grind
shave
grind
grind
shave
wilder still
ff
Perc.
shave
shave
shave
shave
shave
shave
shave
f
E C
grind
shave
shave
AN
Pno.
shave
M
grind
shave
shave
wildly improvised noise across the range of the instrument, gradually narrowing in to higher register
E. Gtr.
R
Cl.
grind
FO
shave
grind
grind
grind
R
grind
grind
B II
PE
BI
grind
grind
grind
R
T II
FO
TI
grind
grind
O
N
grind
A II
grind
AI
grind
grind
S II
160
SI 201
run
run
S II
run
T
run
run
run
run
run
run
run
blow
blow
blow
blow
blow
blow
blow
blow
blow
blow
E C
AN
blow
blow
blow
blow
blow
M
Cb.
blow
blow
Perc.
Vc.
blow
blow
blow
blow
Pno.
blow
blow
blow
blow
run
blow
blow
blow
R
E. Gtr.
blow
run
run
run
Cl.
run
blow
blow
run
run
run
run
blow
run
run
FO
run
R
run
run
B II
PE
BI
run
run
R
T II
run
run
FO
TI
run
O
N
run
A II
run
run
AI
161
SI 205
heat
heat
T
heat
heat
heat
heat
heat
heat
drill
drill
heat
drill
drill
drill
drill
drill
drill
drill
drill
drill
E C
AN
drill
drill
drill
drill
drill
drill
drill
drill
drill
drill
M
Cb.
drill
Perc.
Vc.
Pno.
drill
drill
drill
drill
heat
drill
drill
heat
heat
heat
heat
drill
R
E. Gtr.
drill
drill
heat
Cl.
heat
heat
heat
FO
heat
drill
heat
heat
R
heat
heat
heat
heat
B II
PE
BI
R
T II
heat
heat
FO
TI
heat
O
N
heat
A II
heat
heat
AI
heat
S II
162
S I 209
blast
blast
S II
blast
T
blast
blast
blast
blast
blast
blast
blast
turn
turn
turn
turn
turn
turn
turn
turn
turn
turn
E C
AN
turn
turn
turn
turn
turn
M
Cb.
turn
turn
Perc.
Vc.
turn
turn
turn
turn
Pno.
turn
turn
turn
turn
blast
turn
turn
turn
R
E. Gtr.
turn
blast
blast
blast
Cl.
blast
turn
turn
blast
blast
blast
blast
turn
blast
blast
FO
blast
R
blast
blast
B II
PE
BI
blast
blast
R
T II
blast
blast
FO
TI
blast
O
N
blast
A II
blast
blast
AI
163
S I 213
ring
S II
ring
ring
ring
ring
ring
ring
ring
blend
ring
blend
blend
blend
blend
blend
blend
blend
blend
blend
E C
AN
blend
blend
M
Cb.
blend
blend
blend
blend
blend
Perc.
Vc.
blend
blend
blend
Pno.
blend
blend
ring
blend
blend
blend
blend
blend
blend
blend
ring
R
E. Gtr.
ring
ring
blend
blend
ring
Cl.
ring
ring
ring
ring
blend
ring
ring
FO
ring
R
ring
ring
B II
ring
ring
ring
PE
BI
R
T II
ring
FO
TI
ring
T
ring
ring
O
N
A II
ring
ring
AI
164
SI
217
lock
S II
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
lock
dry
dry
dry
dry
dry
dry
dry
dry
dry
dry
dry
dry
E C
dry
dry
AN
M
Cb.
dry
Perc.
Vc.
dry
dry
dry
Pno.
dry
dry
dry
dry
dry
dry
dry
lock
dry
dry
R
E. Gtr.
lock
dry
Cl.
dry
dry
lock
lock
dry
dry
lock
lock
lock
FO
R
lock
lock
lock
lock
lock
B II
PE
BI
lock
R
T II
FO
TI
lock
T
lock
lock
O
N
A II
lock
lock
AI
165
a trance-like drive SI 221
bake
bake
bake
bake
N
bake
bake
O
T
bake
bake
a trance-like drive
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
bake
E C
wildly strumming
AN
wildly improvised noise at the top end of the register, out of control
f
Vc.
Cb.
bake
bake
bake
bake
Perc.
M
R
Pno.
bake
bake
bake
bake
bake
E. Gtr.
FO
R
bake
Cl.
bake
a trance-like drive
bake
PE
bake
a trance-like drive
R
bake
bake
B II
FO
BI
bake
bake
a trance-like drive
T II
bake
TI
bake
a trance-like drive
A II
bake
bake
a trance-like drive
AI
bake
a trance-like drive
S II
glis s.
glis s.
glis s.
glis s.
sim.
sim.
166
SI 225
bake
S II
bake
bake
bake
bake
a
a
bake
cake
bake
cake
bake
cake
cake
cake
a
a
a
bake
a
bake
a
bake
a
E C
AN
M
cake
a
bake
R
Vc.
Cb.
a
bake
cake
bake
Perc.
a
bake
Pno.
bake
cake
a
bake
cake
a
a
cake
a
a
bake
cake
a
E. Gtr.
cake
a
bake
Cl.
bake
cake
a
bake
FO
R
a
cake
a
bake
B II
bake
cake
PE
BI
R
T II
FO
TI
a
T
cake
a
O
N
A II
a
bake
AI
ff
167
SI 229
cake
cake
f glorious and beautiful
AI
cake
f glorious and beautiful
S II
f glorious and beautiful
cake
cake
cake
cake
f glorious and beautiful
A II
N
cake
f glorious and beautiful
O
T cake
SI 238
p
cake
FO
cake
f glorious and beautiful
T II
cake
cake
TI
cake
A II
PE
AI
R
S II
cake
cake
cake
E
q = 120
FO
T II
R
cake
TI
cake
AI
A II
S II
T II
B I+II
Vc.
mf lyrical, feel the rhythm
3
3
a - bout
3
3
slurred, lyrical, feel the rhythm
mf
3
3
to
go
3
3
lyrical, feel the rhythm
mf
Phoe - be Snow
E. Gtr.
ppp
3
on
a
3
trip
3
to 3
3 3
3
E C
TI
AN
M
SI
R
248
3
Bu - ffa - lo 3
3
on
3
a
3
3
trip
3 to
Bu -
3
3
168
SI
S II
AI
255
A II
N
O B I+II
3
E. Gtr.
3
3
3
3
ppp
ppp
3
to go Phoe - be 3
Snow
3
3
3
3
a - bout to 3
3
3
go
3
on 3
3 3
3 3 3 3 3
3
a trip to Bu - ffa - lo Phoe - be Snow a - bout
3
3
3
3
to go on
3
a 3
3
3 3 3 3 3
3
3
to
Bu - ffa - lo
on
a
3
3
trip
to
Bu
3
-
3
3
3
3
3
Phoe - be
angelic mf 3
Phoe - be
3
Snow a - bout
to
go
Phoe be
3 3
3
ffa - lo Phoe - be
3
3
mf
Snow
3
3
3
3 3
a - bout to
on
sweet
mf
3
go
E C
3
AN
M
angelic mf
R
3
let ring
3
3
Vibes
trip
E. Gtr.
3
Phoe - be
B I+II
Cl.
FO
T I+II
R
A II
AI
angelic mf
PE
S II
Cb.
R 262
Vc.
3 3 3 3
SI
Perc.
3 3
ffa - lo Phoe - be Snow a - bout
Pno.
FO
Vc.
T
-
ppp
T I+II
ppp
3
3
3
3
3
3
3
3
3
3
mf
let ring until naturally decays
3
3 3
169
S I+II 268
A I+II
T I+II
3 3 3 3 3 3 B I+II
a trip to Bu - ffa - lo
N
Cl.
Phoe - be Snow a - bout
O
3
3
3
3
Vc.
Cb.
3
3
sim.
3
3
a trip to Bu - ffa - lo
3
sim.
3
3
3
3
3
3
3
3
3
3
to go on
a
3
angelic
3
trip
3
3
3
3
my
3
to Bu - ffa - lo
on
3
3
3
3
3
3
3
3
a trip to
Bu-
3
mf
3
3 3
angelic mf
my
3
Phoe - be Snow a - bout
3
Phoe - be
3
Phoe - be
3
3
E C
Perc.
3
3
on
AN
Pno.
go
3
mf
3
M
3
E. Gtr.
a - bout to
3 3
3
R
Snow
3
3
Phoe - be
3
FO
Cl.
3
mf
3
Phoe be
3
R
3
3
3
PE
B I+II
3
T II
3
TI
3
3
Phoe - be
A II
3
to go
Phoe - be
AI
ffa - lo Phoe - be Snow a - bout
Phoe - be
S II
-
Bu
275
a trip to
SI
on
3 3 3 3
R
to Bu - ffa - lo
3
3 3 3 3 3 3 Vc.
Cb.
3 3 3
FO
Perc.
trip
3
T
Pno.
a
3
p
3
E. Gtr.
to go on
3
3
3
3
3
p
3
170
S I+II 282
A I+II
gown gown
TI
T II
3
white
Snow a - bout
3
to
go
3
3
Phoe be
Snow
3
3
3 3
my
gown
my
gown
3
3
3
trip
3
3
3
stays
to
Bu - ffa - lo
on
3
3
3
a
trip
to
Bu
3
-
3
3
mf
3
3
3
3
3
3
Phoe - be
white
3 3
Snow a - bout
to
go
ffa - lo Phoe - be
3
3
3
white
3
Phoe - be
3
3
3
3
stays
3
3 3
3
3
3
3
3
3
Phoe - be
3
Snow
a -
3
3
E C
Cb.
a
AN
on
mf
3
night
3
Phoe - be Snow a - bout
M
3
3
3
R
3
go
Bu - ffa - lo
to
3
3
FO
Vc.
to
R
Perc.
trip
3
a
till 3
3
Pno.
E. Gtr.
3
3
Cl.
on
night
go
till
Phoe - be
B I+II
3
3
T II
a - bout to
3
Phoe - be
TI
morn 3
288
A II
from
PE
SI
AI
3
S II
3
morn
R
3
from
3
3 Vc.
Cb.
FO
Perc.
white
T
Pno.
p
E. Gtr.
ffa - lo Phoe - be
O
Cl.
3
stays 3
-
stays
N B I+II
3
3
3
3
3 3
3
3
171
SI 294
3
Phoe - be
3
S II
Phoe - be 3
AI
Phoe - be
A II
3
Phoe - be
N
TI
O
T II
3
bout to
3
E. Gtr.
Perc.
3
SI
trip
to
3
3
3
3
3
3
gown
white
gown
stays
3
3
3
3
stays
3
3
to
go
Bu - ffa - lo
3
on
a
3
3
trip
3
3 to
Bu -
3
3
3
3
p 3
Phoe - be 3
FO
3
3
3 3
3
white
to
trip
3
a
3
3
on
3
Phoe - be Snow a - bout
3
my
3
Bu - ffa - lo
300
S II
a
3
R
PE
3 Vc.
Cb.
on
3
my
R
Pno.
go
FO
Cl.
T
B I+II
Phoe - be
AI
morn
from
morn
from
3 -
E. Gtr.
Pno.
Perc.
3
ffa - lo Phoe - be
till
night
till
3 3
Snow a - bout
to
go
3
Phoe - be
Phoe - be
night
3
Snow
my 3
a - bout to
3
go
on
3
3
3
3
3
3
3
3
3 3
a
3
trip to
3
Bu - ffa - lo
mf 3
3
3
3
mf
3
3
3
3
3
3
3
3
Phoe - be Snow a - bout
3
gown
3
3
3
p
3 Vc.
Cb.
E C
Cl.
Phoe - be
AN
3
M
T II
R
TI
A II
B I+II
3
3
172
SI 306
3
Phoe - be
S II
3
Phoe - be
AI
N
O
stays
T II
3
white
3
E. Gtr.
on
3
to Bu - ffa - lo
3
3
3
-
3
3
3
3
3
gown
my
my
gown
white
my
gown
stays
stays
ffa - lo Phoe - be Snow a - bout
to go Phoe- be
white 3
Snow
3 a - bout to
3
3
3
go
on
mf
p
gown
3 3 3 3 3
Bu
my
a trip to
3
313
3
3
3
3
3
3
3
3 3 3 3 3 3 3 3 3
3
p
FO
SI
3
R
3 Vc.
Cb.
3
3
PE
Perc.
trip
3
R
Pno.
a
3
FO
Phoe - be
to go on
Cl.
3
T
B I+II
Phoe - be
TI
3
A II
p
p
Phoe - be
S II
T II
morn
3
B I+II
3
Pno.
Perc.
till
night
3
3
Phoe - be Snow a - bout
3
3
3
to
go
3
3
3
on
a
3
3
till
3
3
white
3 3 Vc. Cb.
trip to Bu - ffa - lo
3
E. Gtr.
morn
Cl.
stays
3
my
gown
Phoe - be
my
3
3
trip
3
3 3
3
3
3
mf
gown
p
stays
stays
p 3
to Bu - ffa - lo
E C
a
AN
from from
TI
white
M
Phoe - be
stays
A II
R
AI
3
173
SI 321
S II
AI
3
mf
3
3
Phoe - be
N TI
white
O
T II
mf
on mf
E. Gtr.
on
-
the
Vc. Cb.
-
to
An
to
An
road
-
F
the
the
3
Phoe be
Snow
3
road
3
a - bout to
3
go
on
3
3
3
3
p mf
3
3
3
mf
3
3
to
An
to
An
3 3
a trip to Bu - ffa - lo
-
thra
-
3
thra
3
Phoe - be Snow a - bout
-
-
-
-
3
cite
3
to go on
3
3
3
a
3
my
gown
cite
3
3
trip
3
to
Bu - ffa - lo
3
3
3
3
3
3
3
3
3
3 3 3 3
3
3
3
3
3
3
3
p 3
road
on
on
E C
Cb.
AN
Vc.
M
Perc.
R
cite
FO
Pno.
Phoe - be
E. Gtr.
3
-
Cl.
-
Phoe - be
thra
cite
3
B I+II
-
T II
-
Phoe - be
TI
thra
329
A I+II
-
3 SI
S II
-
-
R
road
PE
Perc.
R
Pno.
FO
Cl.
the
T
B I+II
Phoe - be mf
white
A II
Phoe - be mf
3
3
3
3 3
174
3 SI
336
Phoe - be
Phoe
3
S II
N
O
3 B I+II Phoe be
Snow
3
a - bout to
T
Cl.
3
3 Vc. Cb.
3
343
a trip to Bu - ffa - lo
3
3
3
3
3
3
3
3
3 3
3
3 3
3
stays
3
go
on
white
3
to go on
a
gown 3
trip
3 to
Bu - ffa - lo
3
Phoe be
Bu - ffa - lo
3
3
3
3
-
3 3 3 3
3
Snow
a-
3
3
-
-
-
-
-
3 to
3
3
3
3 3
3
3
sim.
3
3
3 3
go on
trip
3
3 3 3
3
3
gown
3
3
3
stays
3
sim.
3
3
be
a
be
3
3
my
3
3
3
3 3
-
3
3
-
3
3
3
let ring until naturally decays
Phoe - be Snow a - bout
3
3
3
3
p
E C
3
3
a trip to
3
white
white
3
AN
3 Vc. Cb.
3
let ring
stays
3
Perc.
M
3
3
mf
Pno.
E. Gtr.
3
gown
bout to
Cl.
stays
R
3
my
my
B I+II
gown
3
Phoe
T II
p
TI
Phoe - be Snow a - bout
Phoe
A I+II
FO
SI
S II
my
R
3
PE
R
Perc.
on
3
FO
Pno.
go
3
be
3
mf
3 3 3
E. Gtr.
-
3
white
T II
stays
-
be
-
Phoe
TI
-
Phoe - be
A I+II
175
SI
351
S II
A I+II
TI
N
T II
B I+II
Pno.
Vc. SI
Bass Drum
pp
road
p
p
-
-
thra
-
-
-
ppp
* For whistling - when a new note is added it should be new whistlers - whistlers should not switch to the new note. This is the same for when the note is taken away, so that there is a sense of adding and subtracting.
ppp
ppp
ppp let ring
let ring
p
p
p
(whistling*) - all whistlers welcome, can be S, A, T, or B p
An
-
E C
thra
AN
-
FO
-
resonant sound, strum with metal kitchen whisk handle
R
An
M
R
- cite - cite
367
Cb.
SATB
Perc. Vc.
ppp
to
road
T II
Pno.
the
to
TI
E. Gtr.
on
road
A I+II
Cl.
p
359
S II
B I+II
PE
Cb.
the
R
Perc.
on
FO
E. Gtr.
T
Cl.
O
ppp
ppp