PORTFOLIO
2014
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hello I a m R e e vo Sa u l u s, a mu l ti d i sc i pl i n a r y g r a ph i c d e si g n e r f r o m J a k a r ta . I g r a d u a t ed f rom Bina Nus a n ta r a Un i v e r si ty ma j o r i n g i n Vi su a l Co mmu n i c a ti o n De si g n . I d o p ut m y int e re s t s int o e d i to r i a l d e si g n , br a n d i n g a n d typo g r a ph y.
A ls o, m y de s ign pr e f e r e n c e i s mo r e i n to th e f o r m o f n e g a ti v e spa c e c o mbi n e d w i t h a b it t wis t e d e xpe r i me n ta l a ppr o a c h e s. H e r e a r e th e sh o w c a se o f my l a te st best work s a nd I do h o pe yo u c o u l d e n j o y, th e n . : - )
intro
W ork Exp erien c es
2 0 1 32 0
2 0 1 22 0 1 2
Ti t ik D ua Ma g a zine Ti t ik Dua Mag a zine
Lowt ne ean ParltdnweirdseWo rldw ide Low e an d Par r s dWor
2 013 12) - Ja n 20 13 ) (Ja n 2012 - (Ja Ja nn 20
( S e p 2 01 2 -( SNeopv 2201 0122 )- N o v 2 01 2 )
Gr ap hic Gr ap hic De signe r D e s igne r
J uinc i oDe r si G rganph Detesir gner J u n i o r G r a ph e ri c( In n shi p(I) nt er nshi p )
Name
R e e vo Sa ulus
Lan g u ag e s
B a h a sa In d o n e si a ( M o th e r to n g u e) E n g l i sh ( In te r me d i a te )
P lace | Dat e of Bi rt h
G ender
H ei ght | Wei ght
Ja k a rt a , Nove m b e r 2, 1991 C e l l p h on e N u mb e r
+62 856 950 783 32
Ad d r e s s
J l . J a mbu II B l o k C7 / 7
Ma le
1.8 1 m / 7 0 k gs
Ko mpl e k S a r a n a In d a h P e r ma i , Ci pu ta t, T a n g e r a n g S e l a ta n , 1 5 41 5
National ity
I ndone s ia n E d u c at i on
E mail
re e vos a ulus @gm a il.c om
B a c h e l o r ’ s De g r e e i n Vi su a l Co m muni cat i on B i n a N u sa n ta r a S c h o o l o f De si g n G r a d u a te d i n 2 01 3
2 0 1 42 0 1 4
T ea t e r A b a n g None Jak art a
Good Th e Good s TDheep ar t mesnDt e p ar t me n t
(Fe b 2013 - Jun 2013)
( O c t 2 01 3 -( O Mcatr 2201 0134 )- M a r 2 01 4 )
G ra ph i c D es i gne r
G rganph G r a ph i c De si e ri c De si g n e r
A c h ie vements
Fre s h n Brit e 20 13 “Pla y ha rd” B e s t Gra dua t e St ude nt Showc a s e
S oc i al M e d i a
Blog h ttp: / / r e e v o sa u l u s. bl o g spo t. com
B ina Nus a nt a ra Sc hool of D e s ign ( Nov 20 13 | Pa rt ic ip a nt )
Behance h ttp: / / be h a n c e . n e t/ r e e v o sa u lus
T e a t e r A b a ng None Ja k a rt a ( Ma r 2 0 13 - Ma y 2 0 13 | C a s t )
In sta g r a m h ttp: / / i n sta g r a m. c o m/ r e e v o s aul us
Ab a ng None Ja k a rt a K e p ula ua n S e r i bu ( A p r 20 12 - A p r 2 0 13 | T ouris m A mba ssa d o r )
T w i tte r h ttp: / / tw i tte r . c o m/ r e e v o sa u l us
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ARTWORKS L is t of a rt work s th a t h a s be e n pr e se n te d i n th i s po r tf o l i o se t a r e th e pr o pe r ty of R e e vo Sa ulus . I n f o r ma ti o n s, i ma g e s, a n d d a ta c o n ta i n e d i n th e bo o k a r e a l r e ady c op y right e d b y th e i r r e spe c ti v e o w n e r s; a n d ma y n o t be d i str i bu te d , mo d i fi e d and re p roduc e d wit h o u t pe r mi ssi o n o f th e i r r e spe c ti v e o w n e r .
06 - 09
K e p ulauan Se r ibu - Ek so tik a T e luk J ak ar ta
10 - 11
So e k m adjaja by T e ate r Abang No ne Jak ar ta
12 - 15
T he Go ods De p t• Pr om otion Ads
16 - 19
T he Go ods C afe • Pr o m o tio n Ads
20 - 23
M idnight Lights
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Re e vo Saulus - Pe r so nal Br anding
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Visual I de ntity o f Diy ang Re nantia
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Visual I de ntity o f Yay asan M e k ar Le star i
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Var ious I llustr atio n W or k s
kepulauan seribu eksotika teluk jakarta
Fi n al p r o ject I did to ge t m y Ba c he lor’ s D e gre e in V i su a l Co mmu n i c a ti o n a t B i n a Nu santar a Scho o l o f De s ign. A t ra ve l b ook e nt it le d “ Ke pu l a u a n S e r i bu - E kso ti k a Tel u k Ja kar ta”. This bo ok is t a lk ing a b out t he ot he r s id e o f o u r c a pi ta l c i ty J a ka r ta . Si nce I think that Ke p ula ua n Se rib u is t he f orgot t e n r e g e n c y o f J a ka r ta th a t h a s tons o f to ur ism p o ten t ia l. T his b ook a im e d t o e le va t e th e l e v e l o f ma r i n e to u r i sm of Jakar ta Ke p ulauan Se rib u.
Th i s Final Pr o je ct ha s b e e n lis t e d & s howc a s e d in F re s h n B r i te 2 01 3 “ P l a yh a r d ” , a n ann u a l e ve nt o f b e st gra dua t e s t ude nt s of Bina Nus a n ta r a S c h o o l o f De si g n .
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10 - 11
SOEKMADJAJA by t e at e r a ba n g n o n e ja k a rta A t ra dit iona l t he a t ric a l p e rf o r ma n c e f r o m Aba n g N o n e J a k a r ta e n ti tl e d “ S o e k ma Dj a j a � h el d i n Ge dung K e s e nia n Ja k a rt a . I had my c h a n c e to g o t d o u bl e r o l e s; bo th a s a c a st a n d g r a ph i c d e s i gner . T he y wa nt e d t o ha ve b ot h of tr a d i ti o n a l a n d mo d e r n v i be o n th e v i su a l so I tr a n sl a te d th e i r i d eas b y ha ving a m ode rn line a rt with tr a d i ti o n a l B a ti k B e ta w i pa tte r n a n d ma n u a l i l l u str a ti o n o f Ondel O nde l Be t a wi a s it s m a in s t or y pl o t.
THE GOODS DEPT• PROMOTIONAL ADS S ever a l p r o mo tio na l it e m s f or T he Goods D e p t • inc l u d i n g r a f fl e pr o mo ti o n s, N i ke collab o r a tio n p r o je c t s . T he Goods D e p t • is a re t a il c o mpa n y ba se d i n J a k a r ta w i th a s t ro ng co nce p t; they do c a lle d is a s a c ura t e d de p a r tme n t sto r e . T a r g e ti n g u r ba n youngste r s, The Go ods D e p t • we nt ne a rly wit h m o d e r n v i su a l mo o d a n d mo stl y mo no to nic co lo r p a le t t e s . T he s e a re m y s e le c t e d w o r k s d u r i n g my ti me a t th e comp any.
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T he Goo ds De p t• M idnight F las h S ale at T he Goo ds De p t• Pac ific P lace
Nik e Tie m po 94 L a u n c h P ar t y at The G o o ds Dept • P o n d o k In d ah M al l 2
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T he Go od s D ept• C hr istm as Raf fle 20 13
T he Go ods De p t• M idnight Flas h S ale at T he Go ods De p t• Po ndok I nd ah Mall 2
Good s Ca f e R a f ямВ e P r o m o t i o n at Th e G o o ds Ca f e P P , P IM & L o t t e S h o p p i n g A ve nue
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THE GOODS CAFE• PROMOTIONAL ADS
T h e Go o d s D i n e r • W e e k e n d B r u n c h P r o mo T ent C ar d
Se ve ra l p rom ot iona l it e m s f o r T h e G o o d s Ca f e • i n c l u d i n g r a f fl e pr o mo ti o n s a n d T h e G o o d s Di ner • Prom ot iona l it e m s . T he Good s Ca f e • w e n t to g e th e r w i th T h e G o o d s De pt• a n d i t i s l o c a te d si de b y s ide wit h T he Goods D e p t • reta i l sto r e . S o th e v i su a l a e sth e ti c s i s k i n d l y si mi l a r w i th T h e G oods D e p t •, b ut T he Goods D ine r• i s a l i ttl e bi t mo r e ma tu r e by h a v i n g o f fi c e pe o pl e s a s th e i r ma r k et i ng t a rge t . T he s e a re s e ve ra l s e l e c te d w o r k s f o r T h e G o o d s Ca f e • a n d T h e G o o d s Di n e r • pr o mo t i onal i t ems.
The G o o ds Ca f e • 5 0 % Of f F o o d s at Th e G o o ds Ca f e P P , P IM & L o t t e S h o p p i n g A ve nue
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Go ods C afe 5 0% Off Food s at T he Goo ds C afe Lo tte Shop pin g Aven u e
midnight lights personal project
Mi d n ight Lights is a pe rs ona l p roj e c t I did in a m is s ion to d o a ph o to g r a ph y e xpl o rati on using lo w ligh t a nd s low e x p os ure a s it s m ai n me d i u m. T h e c o n c e pt o f Mi d n ight Lights itsel f is how c ould we s e e t he c it y I l i v e i n i n d i f f e r e n t a n g l e . Because a s we kno w, Ja k a rt a is we ll k nown f or it s c o n c r e te j u n g l e , th e c i ty th a t n ev er sle e p s; a nd the p e op le s is indire c t ly living in th e l o v e - h a te r e l a ti o n sh i p- a n ag ony. They cur sed th e c it y f or it s e ndle s s t ra f fic y e t th a t i s th e pl a c e w h e r e th e y fig h t f o r their live s to ga ine d s om e m one y .
He re , I would l i ke to e xpl o r e h o w th e c i ty l o o ke d l i ke w h e n mo st o f th e pe o pl es ar e living in t he i r o th e r w o r l d ; a r e v e r se d l i f e c yc l e . L i g h ts a n d si l e n c e s. It i l l u minat es t he da rk in an e f f o r tl e ss mi n i ma l l o o k. B e c a u se n o w I kn o w , th e c i ty l o o ked w ay b e a ut if ul wit h l e ss l i g h ts a n d n o i se . I w a s d o u bt i f I c o u l d fi n d th e i n n e r pe ace of th e c i ty th r o u g h th e se ph o to g r a ph s, th o u g h . B u t th e r e you go.
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Log o G rid S t ruc t ure
x x x
Statio n ery De sign N ame Ca rd, L e t t erh e ad , En v e l o p e , C D C as e
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REEVOSAULUS PERSONAL BRANDING
My own p e rs ona l b ra nding f o r se v e r a l f r e e l a n c e pr o j e c ts. I g o by my pe r so n a l n a me R E E VO S A U LU S T o s how m y p e rs ona l de s ign a e sth e ti c , i tr i e d to c r e a te a l o g o th a t h a s n o l o g o g r a m so i n o r der t o c re a t e a s e ns e of dire c t s e lli n g . I ma xi mi z e d my d e si g n a e sth e ti c s by d o i n g mo n o c h r o ma ti c & negati v e spa c e o n th e l o g o a n d a l so o n th e sta ti o n e r y d esi gns.
d i ya n g r e n a n t i a visual identity Diya ng Re nantia is a n a s p iring c op y writ e r b a s e d i n J a k a r ta . S h e i s a l so w r o te h a l f o f my Fi n a l Pr o ject’s entitle d “K e p ula ua n Se rib u - Ek s ot ik a T e l u k J a ka r ta ” . Di ya n g h e r se l f i s su c h a f a n o f minimalism & gr e y c olor. She a s k e d m e t o do a log o g r a m th a t c o u l d po r tr a y a c l e a n si mpl i c i ty & a l so sho ws the vib e of m ode rnit y . A ls o, s he a ls o a s ke d me to d e si g n h e r Cu r r i c u l u m Vi ta e f o r h e r j o b ap p lica tio ns.
26 - 27 L og o G rid S t ru c t u r e
Statione r y D es ig n C ur r iculum Vitae & Name Card
Yayasa n Meka r L e st ar i Grap h ic S t a nda rd M an u al
28 - 29
yaya s a n m e k a r l e s t a r i visual identity
Y a y a s a n M e ka r L e sta r i i s a Ca th o l i c o r ph a n a g e l o c a te d i n S e r po n g , T a n ger ang. T his Gra p hic St a nda rd Ma nua l i s d o n e a s a n a ssi g n me n t d u r i n g my 5 th se me ste r i n u n i v e r si t y. The logo c onc e p t it s e lf is a s y m b o l th a t po r tr a ye d a s a ki d s si l h o u e tte r a i si n g h i s h a n d s u p i n th e ai r . I pi c k e d o r a n g e c o l o r symbo l i z i n g w a r m & l o v i n g col or s.
i l l u st rat i o n s visual projects T alking a b o ut illus t ra t ions , I p ut m y p e rs ona l in te r e sts i n mo n o c h r o ma ti c l i n e a r ts a n d f a sh i o n i llustr atio n since f a s hion is one of m y p a s s ion. He r e a r e so me o f my se l e c te d i l l u str a ti o n s w o r ks.
Ru n w a y I llu st rat i o n C o n c e p t “ S a nd�
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Printe d I llust ra t ed P ac k ag i n g “F irs t 5 Things t ha t P o p p e d Ou t i n Y o u r M i n d �
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Var ious Line Arts M ix e d med ia
end The e nd o f m y p ort f olio s e t . I would lik e t o sa y th a n k yo u to spe n d a bi t o f yo u r time to ta ke a look a t m y p ort f olio s e t . If yo u think t ha t I c ould fit a t y our c om p a ny , k i n d l y sa y h i to me a t
Email: r e e vo sa ulus @gm a il.c om C ellp ho ne : +6 2 8 56 950 7 8 3 3 2
Sincer e ly, Re e vo Sa ulus
Š 2014 Re e vo Sa ulus . All Rights Re s e rve d