Regina Kartika/Portfolio 2018 by Regina Kartika

PORTFOLIO

Regin a Kartika

2018

regina Kartika +65 8345 2319 reginakart@gmail.com

D.O.B : 30/11/1990 Nationality : Indonesian Spoken Languages : English and Bahasa Current Residency : Singapore (Permanent Resident)

EDUCATION

Professional experience

2016 - 2018

MArch Architecture (RIBA Part 2) Second Class Honours (Lower Division)

Welsh School of Architecture Cardiff University, Cardiff, United Kingdom.

2014 - 2016

BSc Architecture (RIBA Part 1) Second Class Honours (Upper Division)

Welsh School of Architecture Cardiff University, Cardiff, United Kingdom.

2012 - 2013

BA (Hons) Interior Design Second Class Honours (Upper Division)

GOLDSMITH’S College, UOL ; Through LASALLE College of the Arts, Singapore.

2008 - 2009

GCSE “A” Level

Serangoon Junior College, Singapore.

2006 - 2007

GCSE “O” Level

Chestnut drive Secondary School, Singapore.

Achievement, COMPETITION, EXHIBITION, & others 2015

Participated in 3 weeks Vertical Studio program for ‘East London Design Bureau’

2013

Work featured in The LASALLE Show 2013. Best of Design, Interior Design

2013

Germany Trip Exhibition : Fatamorgana Designed PLATZ the Pavillion in collaboration with Carolina Cancerinadewi

2013

LVMH Student Forum (LASALLE Representative)

2012/2013

LASALLE Scholarship: Year 3 Degree program Recipient

2012

Work featured in LASALLE Prospectus 2012, Interior Design

2012

URA Competition for “My Marina Bay, My Inspiration’ : Finalist

Skills Autocad Adobe Photoshop Adobe Indesign Adobe Illustrator Sketchup + Vray

• • • • •

3Ds Max + Vray Rhino Lumion Revit Microsoft Office

• • • • •

11/2016-08/2017 Studio Evans Lane, London. Part 1 Architectural Assistant Assisted the team with preparation of various documents including concept design proposal; Technical drawings packages across different RIBA stages; Presentation drawings; Planning permission report; 3D Cad modeling and visualization; Technical details; As well as working with clients, contractors and external parties. Projects: • Betteshanger Sustainable Park, Kent, UK. • Betteshanger, Incubation Office, Kent, UK. • Private Houses, Kent, UK. • Busselton Performing Arts centre, Australia • Hadlow College - Agri-Rural Simulation Environment, Exhibition, London, UK. 07/2015-09/2015 Aedas Interiors, London Summer Intern (Hospitality) 07/2013-09/2014 Aedas Interiors, Singapore Interior Design Assistant (Hospitality) Assisted the teams with preparation of FF&E designs, tender drawing, specification packages, materials boards, pitching proposals as well as liasing with suppliers and contractors. Projects: • Hilton Hotel refurbishment, Sri Lanka • InterContinental Hotel, Bandung, Indonesia • Pullman Hotel, Bandung, indonesia • Four Points Sheraton, Surabaya, Indonesia • St. Regis Apartment Suites, Macao

PROFESSIONAL WORK

Betteshanger Sustainable Parks Studio Evans Lane The Project is a unique and ambitious series of exemplary environmentally sustainable projects built on the 121 hectare site of the former Kent Colliery. This includes a Visitor Centre and Museum, 12000 sq m of Residential designed to Passivhaus standards (140 units), 13000 sq m of low carbon buildings for companies in Food Security, Health and Wellbeing, Environmental Technology, Incubation and Learning.

Betteshanger Sustainable Parks - Incubation Building Studio Evans Lane A new incbation hub to host start up Businesses and SMEs with manufacturing and production space at ground level and office spaces on the first and second floors.

Busselton Performing Arts Centre, Australia Studio Evans Lane Working with both Economists and Quantity Surveyors an extensive socio-demographic event and venues analysis has been undertaken prior to the feasibility study for a New Performing Arts Centre for the City of Busselton.

Hadlow College : Agri-Rural Simulation Environment Studio Evans Lane Based on computer gaming software and advances in agricultural technology we helped develop a simulation environment which integrates real-life robotics and simulations to test students in a wide range of rural disciplines, interactively and collaboratively learning the new skills required to meet the challenges of farming and food production in the 21st Century.

Four Points Sheraton, Surabaya, Indonesia. Aedas Interiors.

Intercontinental Hotel, Bandung, Indonesia Aedas Interiors

Hilton Hotel-Presidential suites Colombo, Sri Lanka Aedas Interiors.

ACADEMIC WORK

PLURALITIES IN LIMINAL SPACE

isometric view of masterplan Top Left

Plaza : The Democratic Platform Bottom left:

Plaza : Easter Festivities Top middle:

Allotment : The Commons Middle :

Ramblas Revitalized Top Right :

Sectional collage of the plaza

PLURALITIES IN LIMINAL SPACE Thematic Studios : Infrastructure Urbanism (Refugees Crisis) Design Thesis (MArch Year 2 Architecture, 2017-2018) Duration : 9 months Supervisor : Professor Peter Salter

01. UNIT BACKGROUND

02.CONTEXT

03. MASTERPLAN

04. DESIGN SCHEME (PLAZA)

Creating a receptive place for refugees is a delicate process given the emotional and deeply personal notions of complete upheaval, exile and loss of ‘home’ that the refugee embodies. The unit’s task is to devise propositions that can account for the ethical and empathetic issues implicit in the refugee’s migration. Each student began by creating a ‘memory map’, a personal exploration of each individual’s relation to displacement.

The site strategyis based on the liminality concept inspired by precedent study of Jerusalem. The old city is characterized by stark patterns of segregation and ethno-class fragmentations of different quarters. Despite it being a constant area of conflict,the cross-interaction between different religions exist in the liminal spaces of each quarter’s boundary, in the form of economic interactions that happened within the souks (bazaar/market). These market occupied the periphery of Christian, Muslim, and Jews Quarters.

The master plan includes residential quarters, and several public Amenities. The new intervention attempts to bridge the local context as well as the new residential users of the proposed residential development.

A plaza, which is the part I am focusing on, is immediately central to the space between public buildings (religious, governmental and civic) and this space is intended as a blank canvas where the practices, identities and beliefs of these distinct groups can be freely expressed in unforeseen and unplanned ways. This is inspired by Smithson’s ‘Italian Thoughts’, in particular his ‘Devices and Decorations’ section, where the city is described as being transformed by its invisible decoration, which takes place between the layers of deliberate architecture.

in choosing the site in Aguilas. It adopt the same concept as to foster and encourage interactions between the local and new users. The chosen site is located in the intersection of the Ramblas (dry River bed area) and the railway. The ramblas is mostly unoccupied or low level occupation such as industrial land and buildings

Other than the shared public amenities such as clinic, immigration office, and education facilities. The New historical museum dedicated for history of refugees to add cultural values. The Mosque and Church serves the religious needs of the refugees and the locals,

This subsequently served as inspiration for complex architectural and infrastructural strategies with respect to physical, social, and political aspects within the context of Aguilas - a city in the region of Murcia, located on the southern end of the Spanish Sea coast, Costa Blanca. Memory Map: In remembering my diverse experiences of the numerous places I have called home, I have witnessed much marginalisation of ethnic and religious groups. This has inspired me to design a shared space where xenophobia and racism cannot easily flourish.

Different demographic occupied the site, with the local and suburban dwellings as well as new residential development which target the local indigenous people on the west side, The mixed population which consist of locals, economic migrants from all over the world, as well as expatriates on the east, as well as industrial area on the north.

Within the Public infrastructure, The new train station would expect a constant public flow throughout the site. Hence increasing the economic activities for the newly proposed retails, restaurants and marketplaces.

The rest of unused industrial land is dedicated for allotment and agricultural purpose for both the locals and the Refugees, This is where both the locals and the refugees share common activities.

One element in the plaza is the framing system, which is physically bound to the facade of the public buildings, serving as a singular architectural element which reinforces the notion of coexistence in a shared space. The frame itself can also be freely decorated by the users - for example with political signage, religious ornaments or state flags - however, the lack of an implicit purpose is deliberate, as different users are encouraged to let their imaginations occupy the framing as well as the space itself.

STRATEGY : MEMORY, SITE AND CONTEXT

PLANS: MASTERPLAN

2 2 12

1 LEGEND (First Floor): 1. Residential - Locals 2. Residential - Refugees 3. Station concourse 4. Church 5. Market Lockups 6. Mosque 7. Madrasah 8. Museum & Clinics 9. Service - Loading bay 10. Immgration Office 11.Plaza 12. Retails & Restaurants 13. Marketplace

13 11

10 1

4 1

12 1

1 1

2 2 2

33 LEGEND: 1. Proposed Masterplan 2. Propossed Allotment 3. Industrial 4. Sports Centre 5. Existing Agricultural Land

LEGEND (Ground Floor): 1. Residential - Locals 2. Residential - Refugees 3. Station concourse 4. Church 5. Market Lockups 6. Mosque 7. Madrasah 8. Museum & Clinics 9. Service - Loading bay 10. Immgration Office 11.Plaza 12. Retails & Restaurants 13. Marketplace

6 9

8 3 9

9 5

4 1 1 1

1 1

SECTIONAL ELEVATIONS

SECTION & ISOMETRIC VIEWS

EXPLODED AXONOMETRIC

Architecture as Canvas

longitudinal section detail Top left :

Proposed Aerial view Top right & bottom left:

Exterior view of the Pavillion from the different entrances Middle right & bottom right :

Interior view of the pavillion showing activities revolving around the bandstand

Architecture as Canvas Grange Garden Design in Practice (MArch Year 1 Architecture, 2016-2017) Duration : Practice based academic work (9 months) Supervisor : Caroline Almond

01. BACKGROUND

02. CONTEXT

03. DESIGN SCHEME

04. PROGRAMS

The design in practice focused on creating a small scaled intervention targeting the community within the context of Grangetown. Located in grange garden of cardiff in which consisted of multi-cultural economy. However, there is still sense of “racialisation of space” in which communal spaces is still restricted and exclusive to own religion.

The design of the Art centre focus onthe connectivity and visual engagement with the local community as well as the park’s users, which were vital in the theme of “social inclusion”.

The Art centre designed to fit within the existing context. The materiality of the building is heavily glazed as to give as much transparency as possible, The roof is cladded with mirror polished aluminium to reflect the surrounding trees and sky, with solid walls made of concrete. The internal courtyard which redefines the concept of “Inside=outside” retained the existing external finish of bonded gravel.

The use of external walls on 5 different entrances become canvas for creativity. Temporary exhibition spaces to showcase students art work.

The proposal proposed an Art centre that acts as educational space which is used as an extension by the local art colege, as well as being purposed for both public and clients for the NHS Art therapist.

The architectural footprint sits on the existing “routes” as it intends to take as little existig green space as possible. It also intends to become the new centre of the park while revitalizing the existing feature of the bandstand as it become a part of the architectural scheme.

In order to provide a functional and adaptive centre for the community (given the site and cost constraints), different multi-functional areas exist to suit many needs. Similar to the multi purpose studio, the Cafe and amphitheatre is designed and coordinated within the same axis of the bandstand which is revitalized as performance space.

VOLUMETRIC STUDIES

EXPLODED AXONOMETRIC

ELEVATIONS & SITE PLAN

GROUND FLOOR PLAN

PLANT ROOM

BREATHE

Section AA

Top Left:

Exterior view

Middle Left:

Exterior view

Top Right:

Interior view of the Conservatory

Middle Right:

Interior view of Informal space overlooking the Vertical garden & waterfall feature.

Bottom left:

Interior View of conservatory on 2nd floor

Bottom Right:

Interior view from cafe looking down all level

breathe

Thematic studio: liquid urbanism Design Studio (BSc Year 3 Architecture, 2015-2016) Duration : 10 months Tutor : Lukas Allner, Shibu Raman

01. BACKGROUND

02. CONTEXT

03. Masterplan

04. DESIGN SCHEME

The Proposal is to design a new Student centre in the STEM (Science,Technology, Engineering & Maths) University within the expanded masterplan to boost social mobility and flow.

Located 20 miles from Norwich Norfolk costal borough of Great Yarmouth has a population of 97,277 and 42079 households (National Statics, 2011). Great Yarmouth or Yarmouth largest urban agglomeration in the borough is where 65% of its population live.

The design of the masterplan is derived by extending the existing axis of the urban axis of high street as well as existing road axes of the town coupled by superimposition of circle as new geometry as protection of the whole masterplan.

All of Yarmouth coastline as well as the marshland on the west of the town are floodable. The whole aim of the unit is to explore on the relationship of water and architecture. The main issue of rising sea water level is one of the main challenges that needed to be overcome in the proposal.

As secondary road axes is added, the result is a new directional axis from the new residential zone towards the new centre of the masterplan which is the circle.

The surrounding buildings and programs in the masterplan inform the genesis of the architecture of the student centre. The overall shape retain the geometry of circular paths as well as the directional axis. The architecture is highly contextual within the invented context of the masterplan.

The proposal will focus on creating Knowledge Based economy in the context of Great Yarmouth. Great yarmouth would expect a growing population. Its economy is highly driven by energy and services sector and 75% jobs created are service based. However, based on the observations, the main site is considered as the most deprived area despite it being the main tourist destination. Only 19.5 % of the population possessed â&#x20AC;&#x2DC;high endâ&#x20AC;&#x2122; skill qualification in comparison to 38% nationally. The energy sector in Great Yarmouth is a great opportunity of particular importance are the STEM subjects. in the report, it is mentioned that Initiatives are underway but they are not in tertiary level or too faraway from the site. By Improving the educational infrastructures it will create the potential for the industry to grow as it helps to benefit the Locals to be more highly qualified. It will also helps in bringing new people into the area which also will help to boost the retails & services sectors of the existing community.

The exact site is Located right above the Brittania Pier. It snatched on the urban axis of the High street with retails and commercials land uses. It aims to target public flow from both the High street and residents of the area.

The residential is located next to the existing residential area which consist of mixed density of 1,2,3 bedrooms units. These residential blocks are mean to be flexible, it can be added and manipulaed depending on the changing site condition or demand for increase in population. The whole masterplan has flood wall on the outer periphery of the masterplan. These floodwall protect the stationary buildings such as the museums, library, research centres, and the school.

The main concept of this building is to retain directional flow within the interior as to connect various program inside and to the various buildings in the existing masterplan. the proposal also explored the idea of transprogramming by Bernard Tschumi by superimposing a new program of conservatory to satisfy the public as it acts as educational and recreational facilities, as well as for the student as to create a better learning environment. The building house programs such as conservatories, Event space, Seminar rooms, multimedia lab, informal study lounges, pub, cafe, auditorium, admin office, student library and student research centre. Flow inform the structural configuration of the building. The contrast of the transparent blocks as well as the solif blocks represent how each spatial configuration benefit from each other.

M AST E R P L A N

MASTERPLAN

SCALE 1:2000

m ast e r pl a n scale 1 : 10000

HE HE HEDIFFERENT DIFFERENT DIFFERENT DD DTO TO TOFIT FIT FITITSELF ITSELF ITSELF HE EESITE. SITE. SITE.

STUDENT CENTRE : VOLUMETRIC STUDIES STUDENT CENTRE : VOLUMETRIC STUDIES

THE SURROUNDING BUILDINGS & PROGRAM IN THE MASTERPLAN INFORM THE GENESIS OF THE ARCHITECTURE THE OVERALL SHAPE RETAIN THE GEOMETRY OF THE CIRCULAR PATH AS WELL AS ENCOURAGING THE DIRECTIONAL AXIS TO BE CONCTINUED THROUGHOUT

TRANSPROGRAM TRANSPROGRAM TRANSPROGRAMBY BY BYBERNARD BERNARD BERNARDTSCHUMI TSCHUMI TSCHUMI- -COMBINING COMBINING COMBININGTWO TWO TWOPROGRAMS PROGRAMS PROGRAMSREGARDLESS REGARDLESS REGARDLESSOF OF OF THEIR THEIR THEIRINCOMPATIBILITY INCOMPATIBILITY INCOMPATIBILITYWITH WITH WITHTHEIR THEIR THEIR RESPECTIVE RESPECTIVE RESPECTIVESPATIAL SPATIAL SPATIALCONFIGURATION CONFIGURATION CONFIGURATIONTO TO TO ALLOW ALLOW ALLOWFOR FOR FORSPACES SPACES SPACESOF OF OFENCOUNTER. ENCOUNTER. ENCOUNTER.

WHILE MAINTAINING THE OVERALL FORM, THE DIRECTIONAL FLOW WITHIN THE ARCHITECTURE IS MODEIFIED TO ALLOW FOR MORE DIVERSE CONNECTIONS BETWEEN VARIOUS PROGRAMS.

THE VOLUME OF THE DIFFERENT BLOCKS IS MODIFIED TO FIT ITSELF WITHIN THE SITE.

DIVISION DIVISION DIVISIONOF OF OFTHE THE THEPROGRAMS. PROGRAMS. PROGRAMS.

THE THE THEVARIOUS VARIOUS VARIOUSPROGRAMS PROGRAMS PROGRAMSREVOLVE REVOLVE REVOLVE THEMSELVES THEMSELVES THEMSELVESAROUND AROUND AROUNDTHE THE THEGREEN GREEN GREENELEMENT. ELEMENT. ELEMENT. WHILE WHILE WHILETHE THE THESTUDENT STUDENT STUDENTRESEARCH RESEARCH RESEARCHCENTRE, CENTRE, CENTRE, LIBRARY, LIBRARY, LIBRARY,CAFE CAFE CAFEAND AND ANDPUB PUB PUBISIS ISDIRECTLY DIRECTLY DIRECTLY CONNECTED CONNECTED CONNECTEDTO TO TOTHE THE THEEXISTING EXISTING EXISTINGMASTERPLAN. MASTERPLAN. MASTERPLAN.

“FLOW” “FLOW” “FLOW”HAS HAS HASBECOME BECOME BECOMETHE THE THEMAJOR MAJOR MAJOR ARCHITECTURAL ARCHITECTURAL ARCHITECTURALCONCEPT CONCEPT CONCEPTTHAT THAT THATAFFECT AFFECT AFFECTTHE THE THE DESIGN DESIGN DESIGNDECISION DECISION DECISIONOF OF OFTHE THE THEARCHITECTURE. ARCHITECTURE. ARCHITECTURE. THE THE THEBUILDING BUILDING BUILDINGENVELOPE ENVELOPE ENVELOPEENCOURAGE ENCOURAGE ENCOURAGEFLOW FLOW FLOW FROM FROM FROMOUTSIDE OUTSIDE OUTSIDEAS AS ASWELL WELL WELLAS AS ASWITHIN. WITHIN. WITHIN.

AAANEW NEW NEWPROGRAM PROGRAM PROGRAMOF OF OFCONSE CONSE CONSE CONSERVATORY CONSERVATORY CONSERVATORYISIS IS BEING BEING BEINGINTRODUCED INTRODUCED INTRODUCEDTO TO TOSATISFY SATISFY SATISFYTWO TWO TWOUSERS. USERS. USERS. THIS THIS THISPROGRAM PROGRAM PROGRAMWILL WILL WILLBRING BRING BRINGTHE THE THEPUBLIC PUBLIC PUBLIC FLOW FLOW FLOWINTO INTO INTOTHE THE THEBUILDING BUILDING BUILDINGAS AS ASITIT ITACTS ACTS ACTSAS AS AS EDUCATIONAL EDUCATIONAL EDUCATIONAL&&&RECREATIONAL RECREATIONAL RECREATIONALFACILITIES FACILITIES FACILITIESTO TO TO THE THE THESITE. SITE. SITE.WHILE WHILE WHILEITIT ITCARRIES CARRIES CARRIESTHERAPHEUTIC THERAPHEUTIC THERAPHEUTIC ELEMENT ELEMENT ELEMENTFOR FOR FORTHE THE THESTUDENTS STUDENTS STUDENTSTO TO TODE-STRESS. DE-STRESS. DE-STRESS. CONSE CONSE CONSE WHILE WHILE WHILETHE THE THECONSERVATORY CONSERVATORY CONSERVATORY BLOCK BLOCK BLOCKBECOME BECOME BECOME THE THE THEMAIN MAIN MAINCENTRAL CENTRAL CENTRALELEMENTS, ELEMENTS, ELEMENTS,THE THE THESTUDENT STUDENT STUDENT CENTRE CENTRE CENTREBLOCKS BLOCKS BLOCKSREVOLVE REVOLVE REVOLVEAROUND AROUND AROUNDIT. IT. IT.AND AND AND HENCE HENCE HENCECREATING CREATING CREATINGAAAMORE MORE MOREDIVERSE DIVERSE DIVERSEFLOW FLOW FLOW WITHIN WITHIN WITHINTHE THE THEBUILDING BUILDING BUILDINGTO TO TOALLOW ALLOW ALLOWFOR FOR FORSPACES SPACES SPACES OF OF OFENCOUNTER ENCOUNTER ENCOUNTERBETWEEN BETWEEN BETWEENUSERS USERS USERSAND AND ANDTHE THE THE PROGRAMS PROGRAMS PROGRAMS

EPROGRAMS. PROGRAMS.

ME METHE THEMAJOR MAJOR PT PTTHAT THATAFFECT AFFECTTHE THE HE HEARCHITECTURE. ARCHITECTURE. EEENCOURAGE ENCOURAGEFLOW FLOW WELL WELLAS ASWITHIN. WITHIN.

FINAL FINALFORM FORMOF OFTHE THEBUILDING BUILDING THE THEOVERALL OVERALLBUILT BUILTFORM FORMOF OFTHE THE ARCHITECTURE. ARCHITECTURE. THE THECONSERVATORY CONSERVATORYAS ASAAPROGRAM PROGRAM ESTABLISH ESTABLISHTHE THEMATERIALITY MATERIALITYOF OFTHE THE BUILDING BUILDINGAS ASAATRANSPARENT TRANSPARENTSTRUCTURE STRUCTURETO TO ALLOW ALLOWFOR FORSUNLIGHT. SUNLIGHT. WHILE WHILETHE THEREST RESTOF OFTHE THEB B BLOCKS BLOCKSARE AREIN IN SOLID SOLIDFORMS FORMSCASTED CASTEDIN INCONCRETE CONCRETE AND AND BENEFITING BENEFITINGFROM FROMTHE THETRANSPARENCY TRANSPARENCYOF OF THE THEGLASS GLASSELEMENT. ELEMENT.

THE THECONCEPT CONCEPTOF OF‘FLOW’ ‘FLOW’IS ISBEING BEINGUSED USEDTO TO DETERMINE DETERMINETHE THESTRUCTURAL STRUCTURAL CONFIGURATION CONFIGURATIONOF OFTHE THEGLASS GLASSBLOCK. BLOCK. W WITH ITHMAIN MAINSTEEL STEELFRAMES FRAMESSTART STARTFROM FROM “SOLID” “SOLID”AND ANDEND ENDAS ASTHIN THINSTRUCTURES. STRUCTURES. THESE THESEFRAMES FRAMESARE ARESUPPORTED SUPPORTEDBY BYBRACING BRACING MEMBERS MEMBERSWHICH WHICHARE AREDISPERSED DISPERSED.. WHILE WHILETHE THECONCRETE CONCRETEBLOCKS BLOCKSARE ARE INDEPENDENT INDEPENDENTAND ANDSELF SELFSUPPORTING SUPPORTING STRUCTURE. STRUCTURE. THE THEBUILDING BUILDINGENDS ENDSON ONTOP TOPOF OFTHE THEFACULTY FACULTY BUILDING. BUILDING.WITH WITHAACANTILEVERD CANTILEVERDBIT BITIN INTHE THE DIRECTION DIRECTIONOF OFTHE THESEA SEAOF OFTHE THEGREAT GREAT YARMOUTH. YARMOUTH.

STUDENT CENTRE : PLANS

STUDENT CENTRE : GROUND FLOOR PLAN

STUDENT CENTRE : 2ND FLOOR PLAN

STUDENT CENTRE : 1ST FLOOR PLAN

STUDENT CENTRE : 3RD FLOOR PLAN

STUDENT CENTRE : ROOF PLAN

STUDENT CENTRE : PLANS

EXPLODED AXONOMETRIC

WITHIN THE GRID

Exploded Axonometric

Top left :

Exterior view of Outdoor Cafe Exterior and Interior view of The street (Cafe, Lounge, Informal perfor mance space) Interior view of Reception Interior view of Exhibition spaces Interior view of theatre Exterior view of Outdoor Performance space

Top right :

Bottom left : Middle : Bottom right :

Within the grid Withinstudio: the grid Thematic Thematic Ideas farmstudio: Design Studio (BSc Year 2 Architecture, Term 2, 2015) Ideas farm Duration : 15 weeks

Design Studio (BSc Year 2 Architecture, Term 2, 2015) Tutor : Rhian Thomas, Aled Davis Duration : 15 weeks Tutor : Rhian Thomas, Aled Davis

01. BACKGROUND

02. CONTEXT

03. ISSUE

04. DESIGN SCHEME

01. BACKGROUND The client of this project is the IaI (Institue of Arts & Ideas). It occupies Globe building The client of this project is the IaI (Institue in Hay-on-Wye as its permanent base, of Arts & Ideas). It occupies Globe building and is looking to expand onto separate in Hay-on-Wye as its permanent base, site accros the river for its anual festival of and is looking to expand onto separate ‘How the light gets in’. site accros the river for its anual festival of ‘How the light gets in’.

02. CONTEXT The project is located in the Hay-on-Wye which is known as a Cultural hub in Wales. The project is located in the Hay-on-Wye It is known firstly as a Market tow and it which is known as a Cultural hub in Wales. transformed into a Book town. In the presIt is known firstly as a Market tow and it ent the town is known as a place where transformed into a Book town. In the presFestival of Arts and Literature is happenent the town is known as a place where ing. Festival of Arts and Literature is happening. Current visitors during its on peak period includes writers, thinkers, film-makers, Current visitors during its on peak period historians, novelists, philosophers, environincludes writers, thinkers, film-makers, mentalists, poets, scientists, comedians, historians, novelists, philosophers, environmusicians. It is a place where during its mentalists, poets, scientists, comedians, busiest month, represents Celebration of musicians. It is a place where during its knowledge and culture. busiest month, represents Celebration of knowledge and culture.

03. ISSUE The site itself is experiencing a decline in its identity as a booktown due to advance The site itself is experiencing a decline in of technology(internet). When its in it offits identity as a booktown due to advance peak period, what happened to the town? of technology(internet). When its in it offpeak period, what happened to the town?

04. DESIGN SCHEME The proposal uses exhibition spaces as well as its performance space as the key The proposal uses exhibition spaces as drivers. Exhibition spaces are used as its well as its performance space as the key function may bring in visitors even during drivers. Exhibition spaces are used as its an off-peak periods. function may bring in visitors even during an off-peak periods.

DEVELOPMENTAL SKETCHES DEVELOPMENTAL SKETCHES DEVELOPMENTAL SKETCHES

VOLUMETRIC STUDIES

PHYSICAL MODEL

PLANS & ELEVATION

PLANS & ELEVATION PLANS & ELEVATION

PLANS & ELEVATION

HOUSING WITH CARE GRANGETOWN HOUSING PROJECT

HOUSING WITH CARE GRANGETOWN HOUSING PROJECT Design Studio (BSc Year 2 Architecture, Term 1, 2014) Duration : 15 weeks Tutor : Chris Loyn

03.DESIGN SCHEME

Exterior view Top left :

Exterior view of Water fountain (public space) middle & bottom left:

Exterior view of housing units Remaining :

Interior view of Housing unit

01. ABOUT

02. CONTEXT

Housing with care is a project to design 10-15 dwellings with appropriate shared and ommunal facilities. The client for this project is specifically for the visually impaired. There are two typology of single units and family units. 10 of which are for single/couple occupancy and 5 of it are for the family (3 bedrooms).

The general site location is at the edge of Grangetown and the River Taff south of cardiff, Wales.

To create an understanding of space, the average human being depends on three senses; sight, hearing, and touch. Relying primarily on his sense of sight in order to allow himself to orient and navigate himself through space. The black pyramid illustrates three main senses organized in order of importance in their utilization to experience spaces. Therefor as a visually impaired person is unable to depend on his sense of vision the design straegy will focus on the dependence of other senses. The white pyramid shows the new organization of the senses where hearing is given priority, then touch and then finall sight. 04. DESIGN AIM The main aim of the project is to create a non-institutional Place of living as well as to achieve a universal design. Most importantly it is very essential to let the users to trust the space. The most important features in the spaces to enable the visually impaired to commute around is to let them know the orientation of spaces. It is also important to incorporate the existing site qualities and physical conditions.

PLANS & AXONOMETRIC Previous page :

Axonometric Masterplan Top left :

Single Unit Floor & Roof plan Scale 1 : 300 Top right :

Family Unit Floor & Roof plan Scale 1 : 300 Bottom left :

Masterplan Scale 1 : 2000

EXPLODED AXONOMETRIC

PHYSICAL MODEL

REBIRTH / REPROJECTED

Previous page : Exterior view of Art lab, Auditorium block, and gallery Top left : Interior view of Reception & Gallery from car tunnel Top right: interior view of Temporary Gallery at Queen Block Middle left & bottom left: Interior view of main atrium Middle : exterior view of Art Lab from pedestrian path Middle right : Interior view of Sculpture Square

New Extension of Singapore Art Museum Final Thesis Project (BA Level 3 Design Studio, Semester 2, 2013) Duration : 15 weeks Supervising Lecturer : Ang Xin Wei, Jay Loo

01. BACKGROUND

02.CONTEXT

03. DESIGN SCHEME

04.OBJECTIVE

The research topic behind this project is theory of Deconstructivism, Time and Architecture.

“Singapore Art museum focuses on the creation of art in the present moment. It advocates and presents the contemporary art practices of Singapore, Southeast Asia and Asia, situating them within the global context of art making today” (exert from SAM website).

The proposal uses the theory of Deconstructivism to create unexpected design solutions to change public’s perception of the Singapore Art Museum.

The new extension allows a rebirth of SAM to make it relevant to the current context and its contemporary image.

Singapore Faces the challenge of keeping the balance between Conservation and Redevelopment. Both are deemed as important factors in Singapore Architecture. We see a lot of building being preserved, however they lose their relevancy in the current time period. Conservation should be seen as a way of adapting the changes that take place in Architecture. If the purpose of conservation is for the “preservation of heritage and memory, as well as to make it last for future generation, conservation should not be about bringing the past to the present, but it is to act as a bridge to achieve architecture that withstand contingencies

The idea of contemporary identity seems detached with its building physical identity, because the building in which they occupy is considered the National monument. SAM is stuck with the ‘old’ building as the result of strict URA (Urban Redevelopment Authority) measures.

It utilizes the same concept of prism, where old building went trhough a projection process to derive its new form. Showing that paradoxical approach is used in designing the new extension. Using the old structural elements to break the old, and using the symmetrical axis to break the symmetry, resulting in dynamic, flexible and unexpected spaces, which will bring the public closer to Art and break the conventional perception of how Art museums should be. It uses projection of lines which symbolizes traces of the old, resulting in the rebirth of the new extension which is visible troughout the whole design.

It allows SAM to break away from its own mold of spaces hierachy, where the new galleries allow for more open and exposed setting. Some programs such as Action Art space, Art Playground and Art lab are designe to be concentrated around the pedestrian parth to bring Art closer to the public. The interior spaces are derived from the diagram of array height which allow dynamic forms to be derived.

DIAGRAMATIC STUDIES

1. Existing collumn of Waterloo Wing

2. Projection of lines towards the symmetry point of the main entrance

3. Extension of lines towards the existing parameter of the site (The area chosen based on vehicular circulation and historical importance)

4. As Queen wing has symmetrical relationship with Waterloo Wing, Lines are bounced to its mirror collumns.

5. Lines go back to the origin

6. Repeat the same process to the Curvy Block.

VOLUMETRIC STUDIES

1. Existing Site

2. (Diagramatic studies on Waterloo wings), Array of heights on each points are added.

3. (Diagramatic studies on Waterloo wings), Formation of new extension blocks.

4. (Diagramatic studies on Waterloo curved front block), Formation of new extension blocks.

6. Shifting the blocks up to allow pedestrian to circulate the spaces. Extend some blcoks to the basement to allow more unexpected dynamic spaces.

7. Defining a new pedestrian path to allow them to see more dynamic activities, bringing them closer to Art.

8. New Extension of the carpark. Its neces9. Destabilizing the hierachy of Order. define sary since the new extension will bring more the new reception and drop off point inside people to the program. the old Carpark are the building. Redefine the main entrance. very limited in space and it also cater only to the VIPs.

5. Combination of both blocks.

10. Final exterior form as well as Array of diagrams are left off as they are used as a system to design the interior spaces. Leaving the traces of old existing elements behind.

Plans, Sections, Elevations. Top left:

Basement Floor plan Bottom left:

First Floor plan Top right:

Second Floor plan Bottom right:

Third Floor Plan

9 10 1 8 7 2 3 1 1 1 4 5 6

Exploded Axonometric. 1. New Main Temporary Gallery 2. Multimedia Exhibit Hall 3. Art Lab 4. Auditorium 5. Sculpture Square 6. Carpark Exntrance 7. Permanent gallery 8. F&B 9. Secondary Gallery 10. Storage

Carpark & Drop-off point Entrance

Aerial View of Main Temporary Gallery

Drop off Point

Entrance path

Auditorium & Temporary Gallery (Queen Wing)

Pedestrian Walk

Sculpture Square

Pedestrian Walk

Main Stairs (Flexible Gallery)

Action-Art Space

Front view

Back view

Side view

Fatamorgana Exhibition (May 2013) Duration : 2 Weeks Supervising Lecturer : Daniel A.Pillay

Exterior view of Platz in winter setting Top & middle left :

Exterior view of Platz in spring setting Bottom left:

Exterior view of Platz in the dessert Top & bottom right :

Interior view of The ‘Die Einheit’

01. ABOUT PLATZ the German Pavilion is a collaborative effort with Carolina Cancerinadewi. It is a part of the ‘Fatamorgana’ exhibition that took place at LASALLE College of the Arts which was a response to our experiences during the study trip to Germany.

02.BACKGROUND PLATZ originates from our desire to create a pavilion that does not belong to any one site and therefor is able to exist in any setting. The pavilion was therefore named PLATZ which is German for ‘place’.

03.DESIGN SCHEME Tracing German History, PLATZ symbolises both a timeline of historical events as well as an exuberant embodiment of hope. The pavilion guides users through symbolic spatial gestures that draw references from events, orientations and emotions. The journey culminates at the circular shaft with the user experiencing a sublime sense of purity and freedom. The perfect circular form contrast with the seemingly chaotic journey representing the notion of infinite possibilities for the future.

EXPLODED AXONOMETRIC

PLANS & ELEVATION

PHYSICAL MODEL

GEODE AT CAPITOL

View of the retail area

Top left :

View of the library and reading area Top right :

Student lounge at fourth floor Bottom left :

View of the Auditorium Bottom right :

View of the draping room

VOGUE ACADEMY OF FASHION Studio Project (BA Level 2 Design Studio, Semester 2, 2012) Duration : 15 weeks Supervising Lecturer : Daniel A.Pillay, A. Harimoto

01. PROGRAM BRIEF

02. DESIGN SCHEME

03. CIRCULATION

Singapore is comprised of numerous Shopping malls which groan under many global fashion brands and the local fashion scenes does not stand up among t he locals. Therefore, to help Singapore achieves its vision to be the next Global Fashion hub, a proposal of an institution specialized in fashion is derived. As cultivating a successful batch of Fashion designers has to start from the roots which is education.

The proposal derives its concept from Vogue identity which represents sophisticated image to its reader. Sophisticated image suggest that there is more than meet the eye, therefore a geode crystal was used as a representation of this sophisticated image.

The smaller block serves a private area for students which comprise of studios, library and student lounges. While the bigger block serves public and semi public areas such as the retail and the auditorium area. The larger block is attached to facade of the Capitol building. The design shows a complex and sophisticated layout while retaining a simple and traditional exterior.

A retail space dedicated to its student will be proposed as well. It will act as a platform to help the local talents survived among the Global Fashion Giants. The program will affiliate itself with Vogue. It will benefit both the institution and the retail as its established name in fashion industry will provide different perspective in fashion education. It will also help to attract more people.

The retail area on the first floor is housed under a glass faceted crystal atrium with four volumes while the second floor is a double volume space. This is to give importance to the retail area as the retail area is the first impression of the whole proposal itself. it houses the design and the studentsâ&#x20AC;&#x2122; hard work. Circulation between spaces will allow the visitor to go through different kind of spaces. The use f glass beside representing the facets of the crystal, it also to provide constant interaction between the student and public

EXPLODED AXONOMETRIC

PLANS & SECTION

Third storey layout plan

Roof plan

Second storey layout plan

Fourth mezzanine storey layout plan

First mezzanine storey layout plan Fourth storey layout plan

First storey layout plan

Section A

The White Rabbit

At Robertson Quay

View of The Rabbit Hole Top left :

Exterior view Top right : Second floor dining area Bottom left :

Entrance view overlooking The Rabbit Hole Bottom right :

View of dining area from level 3

The White Rabbit At Robertson Quay

Studio Project (BA Level 2 Design Studio, Semester 1, 2011) Duration : 8 weeks Supervising Lecturer : Daniel A.Pillay, A. Harimoto, Amas S.

01. PROJECT BRIEF

03. THE RABBIT HOLE

05. ELEMENT OF SURPRISE

To design an F & B outlet for “The White Rabbit” which will be located at Robertson Quay. Seventy percents of the space will be allocated for F & B, while thirty percents of the rest will accomodate a secondary retail function.

The Rabbit Hole is the main communal area which serves as a bar and is located right at the entrance. Inspired by the novel “Alice in Wonderland”, It represents the starting point of the “Fantasy”.

The Rooftop Garden is an outdoor dining area which resembles a hilly area covered with grass. It signifies fantasy within the building. Just like in Wonderland, where random sceneries emerge unpredictably.

04. DISTORTING PROPORTION 02. CONCEPT Inspired by Lewis Caroll’s “Alice in Wonderland”, The White Rabbit at Robertson Quay focuses on creating an augmentation in the fabrics of reality. Bending the notions of space and time. It is a place where time stands still and one would feel naturally at ease. The beauty of the surroundings cause one to be drawn away from their everyday lives and plunged into a world where amusement lingers forever.

06. RETAIL The main dining spaces on the first and second floor are double volume spaces that are located right against windows which are blown out of proportion, and are also filled with oversized furniture, causing one to feel shrunk down to size and allowing them to look at everyday objects in different perspectives. Whereas the dining area on the third floor consists of small pocket of private spaces similar to those of miniature houses. In opposition of the previous experience, one will feel gigantic instead.

The retail area is on all floor levels. Collectibles such as antiques and vintage items are strategically placed all over the space at random in order to accentuate the overall atmosphere of surreality and whim. The White Rabbit is an escape from reality. It allows a magical and romantic experience to be enjoyed with the loved ones. Though the concept is surreal, the design is to be kept simple and classic to retain the identity and signature look of the original establishment itself.

EXPLODED AXONOMETRIC

PLANS & SECTION

furniture design

DASH The dash in collaboration with Jonathan S.Paljor, designed for Orchard Gateway Mall competition, was inspired by the fast paced energetic atmosphere of shopping malls in Singapore. Shopping malls are an important part of the singaporean lifestyle and have their own robust environment, making them unique and an important part of its culture. the introduction of the Orhard gateway will be an important landmark both physically and in the lifestyle culture od Singapore therefore the bench was designed in a manner with roots in both Architecture and Fashion. The form of the bench is a single continual strip folded to create a piece of furniture that is luxurious and contemporary, with the intention of representing the energetic fast atmosphere.

ORCHARD GATEWAY MALL COMPETITION 2014

TWISTCHAIR Twist Chair is a juxtaposition of natural and artificial materials. The wood forming the front of the chair is left in its natural form while the metal back of the chair twists as a deviation of human being from the natural state.

FDA SUBMISSION 2013

DRIFT WOOD Drift wood is a collaborative effort with Jonathan S.Paljor for URA competition at Marina Bay Sands. it represents a fragment of a ship that drift on the water. it was inspired by Singaporeâ&#x20AC;&#x2122;s past of its being a port city.

URA COMPETITION 2012

We depend on each other to live and survive. Just like the cycle of life. This is depicted through the interdependent structure of the table. Each of the table are unable to stand individually. They are able to stand only when they are assembled together, by lending their support and strength to balance themselves. The table are made of eco-friendly materials and product can be flat-packed.

FDA SUBMISSION 2012

others

CONTEXTUAL ELEMENT SERIES This series explore and redefine the relationship of existing structural elements with new formation of forms and spatial elements. How they coexist with each other to result in multiple relationships between architectural elements that shape themselves within the boundaries and limits of the perceived spaces.

The Esplanade Bridge Singapore

CONTEXTUAL ELEMENT SERIES

Singapore Arts and Science Museum Singapore

CONTEXTUAL ELEMENT SERIES

Park Royal Hotel on Pickering Singapore

CONTEXTUAL ELEMENT SERIES

The Esplanade Singapore

‘MASQUERADE IN SPACE’ Acrylic on canvas, 72 x 48 inch

‘A’ Level H2 Art Coursework , 2009 (image : next page)

This work is about my life, being away from home and my family. I often grapple with feelings of insecurity and melancholy in a new and foreign place. There are times when I feel out of place, unable to adapt to my life here. With this loneliness, I yearn for escape, to be transported somewhere else.. Unable to be who i really am and feeling inferior hence, I find myself hiding behind a mask which has become my form of.

DEVELOPMENTAL WORKS Medium: Pencils, Colour pencils, Acrylic paints, Water colour paints, Pastels, Photoshop manipulation, Photography.

regina Kartika +65 8345 2319 reginakart@gmail.com