regina leone i n t e r i o r
d e s i g n e r
(
senior thesis
retail & hospitality
historic preservation
healthcare
immersion point cleveland, ohio
gateway international kent, ohio
museum of urban movement florence, italy
emanating care brecksville, ohio
timbre micro-living wall & unit santa fe, new mexico
frye leather office
& showroom
radiating knowledge library salem, ohio
competitions
& personal works
residential
corportate & retail
education
extras
The Stockyards, Clark-Fulton Brooklyn Center (SCFBC) reached out for help in revitalizing the neighborhood within the SCFC service area. The neighborhoods are plagued with vacant properties, crime, and poverty. The goal of this project was to develop a long-term master plan for the main corridor of West 25th Street that identifies the major concerns of the area. An existing structure of minimum 15,000 sq. ft. was to be renovated with as few as two new programmatic uses to act as a bridge for future growth to attract attention to the neighborhoods. Over the course of four months contacting with SCFBC representatives, a idealistic solution resulted that may provide an insight into the potential of the neighborhood.
senior thesis
immersion point cleveland, ohio
concept Disassociate yourself from the many realms of reality by becoming lost in something bigger than yourself. Live outside of the possibilities of here and now. Transcend into a whimsical world of relaxation, hope, joy, and pride without leaving this one. Daydream, watch a movie, play a game, read a book, listen to music. Immerse yourself in the imagined.
The mission of this project is to create a place of wonder equally accessible to all levels of society, where one can go to experience joy, no matter the personal situation.
MEDITATING
NATURE
▶ pool
▶ botanical
▶ instructional
class
garden
▶ aquarium ▶ indoor camping
ACTING
FOOD
▶ auditorium
▶ restaurant ▶ bar
▶ black box
▶ pizzeria ▶ market
TRANSPORT
With the five senses as a guide, a list of activities that transport the human mind was developed. Under each of those activities are the possible locations those activities could take place.
▶ sight ▶ sound ▶ smell ▶ touch ▶ taste
Keeping in mind the neighborhood’s needs and wants, a final list of building uses was composed: pool, instructional class, botanical garden, auditorium/theater, pizzeria, arcade, and stage.
relax To help mentally transport visitors through the different realms the complex offers, each major attraction will posses its own identity that distinguishes it from another.
movies transport
The hexagon shape acts as linkage between different transport outlets. Each of the attractions can be represented on one of the sides.
GAMES
ART
▶ laser tag
▶ art gallery ▶ art studio
▶ arcade ▶ virtual reality
games
reading
music food
MUSIC ▶ music studio ▶ stage
READING
MOVIES
▶ library
▶ theater
▶ auditorium ▶ dine-in theater
immer
ion point
The Hildebrandt Co. building dates back to the 1800's when it was a family owned meat processing firm. Today, the space is rentable and offers high ceilings with flexible square footage. This project seeks to turn the rentable space into a thriving complex of activity for locals and visitors alike.
→ second floor
first floor
Lobby
Pool
Shop
Cafe
Pizzeria
Gardens
Lazy River
Arcade
Stage
Theater
Instructional Classes
A.
LOUNGE
A.
A. Entrance lobby staircase view, which is meant to leave a visitor puzzled initally, encouraging exploration of the complex. All five senses are triggered immediately.
→ first floor
A large slate sculpture is the focus of the lobby area upon entry to the complex. It acts as a cultural beacon for all in the community. Visitors are welcome to sign the surface to become apart of the building's story as they transcend up the staircase. The stair is designed to first puzzle a visitor and then encourage exploration. The sculpture limits the view of the two stair runs that meet on a landing on the other side, before switching back to cut through the wall a second time.
second floor
acoustic plywood plyboo
solid surface Illuminate Corian
soapstone
stained concrete
stained concrete
modular carpet Bentley Mills
slate
upholstery Carneige Fabrics
upholstery Carneige Fabrics
upholstery Carneige Fabrics
B.
POOL
B. Pool and lazy river view from bridge passing over swimming pool. The journey through the complex via lazy river starts gradually with the botanical garden opening up from the pool.
B.
C.
→ first floor
second floor
The pool acts as a relaxing realm for a user. Like a book or a movie, the story line is introduced slowly so the audience can become acquainted. A garden area is attached to the pool with little barriers to separate the worlds so there is an easy transition to begin the lazy river journey for the user.
lounge chair
C. C. Pool and instructional classes viewed from the second floor overlook.
acoustic plywood Plyboo
All systems for the pool area are sustainable. Non-chlorine sanitizer reduces chemical use within the building and eliminates strong odor. The water is heated with geothermal energy to maintain efficient energy use between the seasons.
coated ceramic American Olean
coated ceramic American Olean
painted brick
moss wall
D.
THEATER
D. Theater and lazy river view from corner stage. The lazy river enters into the theater from underneath the seating via tunnel that can be closed off for show time to cease water flow.
D.
E.
F.
→ first floor
second floor
upholstery Carneige Fabrics
upholstery Carneige Fabrics
upholstery Carneige Fabrics
Guests can enter an imagined world through the theater of the complex. Traditional seating is provided for those who do not wish to view from the lazy river. The theater is designed to house a variety of performances such as movies, plays, and concerts.
upholstery Carneige Fabrics
acoustic plywood plyboo
cork flooring Build Direct
modular carpet Bentley Mills
epoxy concrete
acoustic wall cover D.L. Couch
The lazy river has the ability to be covered with flooring to allow for additional seating on the ground floor for larger events. Without extra seating, the theater can hold 178 viewers.
E. Theater balcony view. The lazy river below goes unnoticed and does not distract from the stage or screen. F. Stage view with the lazy river covered with cork flooring planks to add extra seating.
E.
F.
G.
SHOP
G. Shop entrance and checkout. Types of merchandise are separated into different worlds by a large abstracted structure composed of various elements found within the complex and shop.
G.
H.
→ second floor
first floor
solid surface Illuminate Corian
acrylic 3-Form
leather Garrett Leather
acoustic plywood plyboo
acoustic plywood plyboo
acoustic plywood plyboo
acoustic plywood plyboo
acoustic plywood plyboo
brass
modular carpet Bentley Mills
A unique experience will come with entering into the shop that offers trade in music, movies, games, and books. A larger-than-life sculpture signifies each entrance, distinguishing them into the different hobby worlds, just as one would enter into an imagined realm. Imagination should become more of a reality in this thematic space.
H. H. Books, movies, music, and games entrances. The central space of the large sculpture can be used for entertainment purposes.
I.
PIZZERIA
I.
I. Pizzeria with visibility into the kitchen area from the dining room. The dining areas of the pizzeria feature various seating and table arrangements for a different experience each time.
J.
table chair Coalesse
booth chair Herman Miller
table chair Coalesse
booth Martin Brattrud
first floor
Culture plays an important role in the pizzeria, just as it does to the neighborhoods. A wide variety of pizza styles will be served to accommodate everyone's desire and the decor will reflect a range of cultures. No two dining areas in the pizzeria will be the same to provide an ever-changing experience that can transport a user to different cultures while staying in one place in time.
high-tops Berhardt Design
table chair Coalesse
high-tops Herman Miller
bar stools Herman Miller
J. J. Pizzeria bar with lazy river seating. The lazy river connects with the bar to create a unique stop along the journey.
bar stools Coalesse
bar stools Coalesse
upholstery Carneige Fabrics
upholstery Wolfgordon
metal laminate Formica
wall cover D.L.Couch
acoustic plywood plyboo
acoustic plywood plyboo
concrete
vinyl flooring Tandus Centiva
K.
ARCADE
K. Arcade view from prize counter. A vortex-like ceiling piece carries a visitor through the space and transports the mind into a game world.
K.
L.
The arcade provides an escape for both adults and children alike. The action of playing a game can transport the user into a fictional world for hours of enjoyment. With a retro style, the space appeals to the older age and can create a sense of nostalgia, whereas the younger generations can find new meaning in the space.
second floor
L. LED hexagon ceiling lights help take the user to another world and add to the retro feel.
L.
upholstery solid surface soapstone Carneige Fabrics Illuminate Corian
dimensional wall DMC
modular carpet Bentley Mills
modular carpet Bentley Mills
modular carpet Bentley Mills
This project explores the possibilities of an international market opening at the location of a former funeral home to serve the international students of Kent State University as well as residents of the city. After a series of site studies, a new approach to the 15,000 sq. ft. building was established to optimize use. The resulting program acts as a median between cultures, people, and locations in Kent, Ohio.
retail & hospitality
gateway international kent, ohio
ga eway nterna ional m a r k e t , b a k e r y, & l o u n g e
MEDIAN
INTENSITY
BOUNDARY
TRANSITION
concept Two differing conditions are bridged together to create a degree of ease of motion and transition. In the moment of change, no matter how intense or instantaneous, a supportive boundary provides protection allowing the ability to adjust to the new environment. Within the threshold, the void between the conditions is filled. The programs are aimed to benefit all cultures in different ways; they could act as a teaching tool about various cultures for the public or they could be used as a general use for a specific culture.
First Floor
TRANSITION
Second Floor
BOUNDARY
The final floor plan layouts feature elements that incorporate one of the concept characteristic of INTENSITY, BOUNDARY, and TRANSITION.
INTENSITY
The first floor circulation follows a path of learning, selecting, and purchasing. Upon entering the space, there is a recipe wall, where recipes from around the world will be posted daily. Select recipes will be demonstrated in the greenhouse demonstration space.
SUPPORT
CHECK OUT
After learning the recipe, a consumer can select what is needed from the market and continue through to purchase the ingredients. This flow builds as a threshold’s intensity would.
MARKET A.
DEMONSTRATION AREA
A central stair becomes a bridge between the lower and upper floors, where intensity slows down to a calmer pace. The stair itself reflects a threshold’s transition.
GREENHOUSE
First Floor
WINTER SOLSTICE 9 AM
WINTER SOLSTICE 12 PM
WINTER SOLSTICE 4 PM
A. A. Entry view of greenhouse. The entrance wall hosts a pin-up space for cultural recipes for customers to choose from to begin the learning process.
EXISTING
ADDING GREEN HOUSE
The exterior of the building took on a form as a reflection of the needs of the market’s supporting greenhouse space, determined by solar studies.
SCALING GREEN HOUSE
ANGLE TO MORNING SUN
ANGLE TO EVENING SUN
EXTEND UPPER TO REFLECT ROAD
The stair is designed to connect two differing conditions and transition into one. The stair can be approached from two sides on the first floor and two on the second floor. The moment of joining occurs at the landing. There is no distinguishing which side of the stair was taken or which to continue on, so in that moment the conditions become one.
The product display is designed with a variance in intensity. Beginning the journey of learning, there is little intensity. As one moves through and takes in more information, the intensity increases.
B. Staircase leading to upper story’s lounge space and bakery. C. Market display is designed to reflect the intensity of learning as one moves through the space.
B.
C.
B.
C.
D.
E.
D. Second floor transition space between the lounge and bakery with the stair in the middle. E. Bakery seating and display case. Overflow seating can be found in the greenhouse lounge or an outdoor patio space.
F.
F. Greenhouse lounge area that acts as a boundary suspended in the greenhouse. Materials are light and airy to add to the bubble feel.
SUPPORT BAKERY
E. KARTELL ghost family
D.
LOUNGE COALESSE enea cafe stool
F.
Second Floor
VITRA living tower
COALESSE ripple
The second floor of the market includes a bakery and a greenhouse lounge. The bakery is supplied by the greenhouse and what is baked supplies the market. It can act as a sit-down cafe atmosphere as well, helping further the learning process through tasting. The greenhouse lounge is a slowed pace compared to the learning of cultures in the market. Here, learning can happen through lectures, conversations, observations, etc.
The Museum of Urban Movement is a contemporary style museum influenced by the urban spaces of Florence. It is located in Palazzo Spini-Feroni, a palace built in the 1300s. The renovation project focused on the ground level of the building. Historic frescos are present on some of the vaulted ceilings, and were to be preserved in the new design. The museum is composed of temporary and permanent exhibitions that appeal to the visitor physically and mentally. The temporary exhibition features kinetic sculptural artwork inspired by the constant movement of city life. The permanent exhibitions include Music as Art, Motion Through Time, City Transportation, Remembrance of the 1966 Arno Flood, and an interactive materials room.
historic preservation
museum of urban movement florence, italy
STUDY ABROAD FLORENCE,ITALY
Via de‘ Tornabuoni
Piazza Santa Trinita
museum of urban MOVEMENT (Palazzo Spini Feroni)
concept The Museum of Urban Movement is influenced by the urban spaces of Florence, particularly Piazza Santa Trinita. The Piazza acts as a gathering zone with side streets leading into the Piazza. Various activities take place inside the Piazza, just outside of the museum entrance. The UM Museum focuses on the happenings of the urban area and transforms it into art, appealing to the visitor physically and mentally through the exhibitions.
urban M O V E M E N T
museum of
C. B.
U
C.
D. E.
A.
I.
F.
H.
G.
N
A. Topography Interactive Sandbox (free to public) B. Reception C. Temporary Kinetic Sculptures exhibit D. Art As Music permanent exhibit (exterior) E. Art As Music permanent exhibit (interior)
F. Motion Through Time permanent exhibit G. Remembrance of the 1966 Arno Flood permanent exhibit H. Interactive Materials permanent exhibit I. Cafe and Bookstore (free to public)
A.
A. Reception can be accessed directly from the piazza or through the hall connected with the topography room. This area is the start of paid access to the museum via ticket. B. Topography Interactive Sandbox (free) acts as a learning center and is fun for all ages. When the sand shifts height, the topography lines readjust to create lakes or hills.
C. A. B.
C. Temporary Kinetic Sculpture exhibit inspired by the movement on the site. Features kinetic sculptures by artist George Beckman.
B.
N
C.
2.33 4.1
3
5.09
2.62
74 1. 5.84
5.09
A belvedere structure houses the Music As Art and upper level of a cafĂŠ and overlook area. The floor plates are off axis from each other to allow music to escape through the gaps and be heard from above. Just outside of the Music as Art, there is an artificial grass lounge that looks up at a large ceiling art installation that moves up and down. This can be viewed from below or above from the lookout on the belvedere.
N
D.
The shape and material of the system contrasts greatly with the existing structure, creating a sense of movement. The structure is made of a steel channel structure with lacquered MDF boards.
E.
N
D.
D. Art As Music exterior courtyard view with artificial grass lounge looking up to ceiling art installation. Music can be heard from interior of belvedere. E. Art As Music interior with artwork and music by artist Norman Perryman. Music drifts through gaps of floor plates to the cafĂŠ area above.
E.
F. Motion Through Time allows the visitor to experience a physical movement in the space via a spinning LED clock platform in the center of the room. Large wooden clocks line the walls and fill the room with ticking noises.
F.
N
The visitor can experience a physical movement in the Motion Through Time room. After entering through a curtained doorway and raising up 4 cm, the visitor will be in a dark room with a large LED clock on the floor and wooden moving clocks on the wall. The floor will begin to spin slowly and the clocks will fill the room with ticking noises.
F.
The last exhibit of the museum is the permanent exhibit of the Remembrance of the 1966 Arno Flood. Entering the room, a water wall is on the right with water trickling down rusted metal, filling the room with the sound of water. The floor is covered with a dusting of dirt, as well as the bottom of the walls.
G.
Photographs of the tragic flood line the walls. This exhibit is meant to reach the visitor mentally. At the end of the exhibit, the Arno river is visible through the windows to allow for stopping and reflecting.
G. Remembrance of the 1966 Arno Flood with photographs of during and after the tragic flood. A waterfall feature leads into the space. H. Remembrance of the 1966 Arno Flood. The walls and floors have a dusting of dirt to remind of the destruction that took place.
H.
I. Cafe and Bookstore where a visitor can ascend a stairway to the cafe that overlooks the museum. Free access to the public.
G. I.
N
I.
H.
A free of access area with the cafĂŠ and bookstore ends the museum. This is where a visitor can go up to the belvedere system and have a coffee or look out to the ceiling installation. The exit to the building leads back out to a main road that flows into the piazza.
As a partial team effort, an existing multi-story building in Brecksville, Ohio was renovated to be a healthcare facility specializing in neonatal and infant care. Using the existing footprint, a Neonatal Intensive Care Unit and three supporting departments were to be designed between two floors, with a monumental stair connection. Biophilia was to be included in the final design solution. The project was broken into two phases. The first phase as a team focused on the overall floor plan design, paying specific attention to communal spaces. The second phase narrowed in on detailing one room as an individual.
healthcare
emanating care brecksville, ohio
PARTIAL GROUP PROJECT
concept There is a purpose behind every decision and action; the core within. What stems from the core is a direct representation of this purpose. All that emanates outward becomes a stronger force from the heart.
E M A N A T I N Gc a r e Care is emanated from the nurses to the patients and the family. Healthcare providers, their offices, and support spaces are centrally located on the floor plan. Adjacent to the healthcare spaces are the public areas. This illustrates the idea of emanating core outward from the caregiver to the patient and family.
PHASE ONE: GROUP
visitor staff visitor
TRIPLE CORRIDOR DESIGN
Second Floor
A triple corridor includes an outer hallway for parents and visitors with door access to the individual infant rooms. Windows line the exterior of the building to allow maximum light. The core hallway is for nursing staff. Each patient room has a sliding door entrance from this core for optimal view of patients. Within the rooms, there is a mix of interactions between staff and visitor.
First Floor Partial credit for this project goes to partners Chelsea Cushman and Caitlin Wilkins
NICU
Children’s Lounge Lobby
Staff Support
B.
Labor and Delivery
C.
Second Floor
NICU Follow-Up Clinic A.
Staff Support
Lobby Genetics
A. Staircase on first floor inspired by Biophelic design. Designed by Regina Leone.
First Floor
B. NICU waiting room located on second floor. Designed by Chelsea Cushman. C. Children’s lounge located on the second floor provides an escape for children. Designed by Caitlin Wilkins.
LABOR AND DELIVERY Labor and Delivery nurses care for women during labor and childbirth. The nurses provide care to women and their newborns during the antepartum, intrapartum, postpartum, and neonatal stages.
A.
NICU The NICU is a section of the hospital where high-risk infants, either born prematurely or full term but in need of special care, will receive medical treatment. Light and sound levels are kept low to help the baby rest, otherwise the baby may experience sensory overload. There should be enough space to bring in any equipment needed for treatment.
B.
NICU FOLLOW-UP CLINIC A NICU Follow-Up Clinic treats the high-risk infants after being discharged from the NICU to evaluate medical, nutritional, neurological, developmental, and psychosocial needs of the patient. GENETIC CONSULTANT
C.
A genetic consultation provides information about a patient’s genetic risks, diagnose and confirmation about a genetic condition.
With the concept of Emanating Care, a physical therapy room located in the NICU Follow-Up Clinic is designed to grow from a care-driven core toward a more play-driven space with a family zone in between. Treatment begins in the care-driven area surrounded by a protective structure. Here the patient will practice balancing exercises. The play-driven area can be utilized once a patients graduates from the care-driven treatments. This space is geared for advancement of motor skills.
D.
First Floor Physical Therapy Room
PHASE TWO: INDIVIDUAL
D. D. Physical Therapy room located in NICU Follow-Up Clinic on the first floor. Includes areas for increasing skill level and ages, focused on care centered and play centered.
Micro-living is the idea of maximizing usable space while minimizing the overall footprint. Micro-living units are often under 500 sq. ft. and feature a kitchen, bathroom, bedroom, and living area. The Timbre Micro-Living Unit is a 250 sq. ft. unit located in Santa Fe, New Mexico. It contains a kitchen, a combined dining, living, and sleeping area, and a bathroom. The final unit design is a derivative of a 24’-0� micro-living wall.
residential
timbre micro-living wall sante fe, new mexico
& unit
The Mirco-Living Wall is a 24’ - 0” wall that features accommodations for sleeping, plumbing, and minimum of 10’ - 0” linear feet of storage and 8’ - 0” of hanging storage. There is access to a staircase on the opposite side of the wall, climbing 10’-0”.
concept Timbre is the unique sound characteristics of an instrument that distinguishes it from another. When individual sounds are played together, one uniform sound is created. The human experience in a space is composed of a variety of activities that are working in one uniform space, similar to that of timbre. With this idea, the spaces can be related to the characteristics of the three classifications of instruments: string, wind, and percussion.
A. Percussion bathroom. The boundary between the shower, toilet, and sink is undivided. The water is contained by 3-Form panels and a slant in flooring.
C.
A.
B.
The elements in the space are all multi-use functions and interactive. The sleeping area transforms into the living area and then again into the dinning area. The shower area makes up the entire footprint of the bathroom and creates different sounds with different functions. The kitchen has an interactive louvered window that filters air into the space.
A.
Every action of the space relates directly to a family of instruments to give a unique experience and the ultimate Micro-Living with flexibility.
Reed within clarinet
Tuning guitar to high tension
Pivot shim within stair riser
Interior sound board of acoustic guitar
Jalousie window for air flow
Bed rises with tension applied to cables
Repeating struck surface to produce sound
B. Repeating shower structure struck by water
B. Strings dining, sleeping, and living area. This design maximizes function in minimized space. The bed rises into the wall by cables to reveal a booth seat. A table stored in the opposing wall wheels over.
C. C. Wind kitchen. A louvered window over the counter allows air flow into the unit. Cabinets pull and slide like wind instrument mechanisms.
A workspace for a business with a strong online presence was to be designed in an existing 23,000 sq. ft. brick building. The client wished for the brick to be left exposed on the interior, as well as the existing windows to remain unaltered. The design should promote collaboration and flexibility among the employees, with sustainable elements such as natural day lighting for a fiscally responsible business. Broad program requirements included areas for the public (i.e. promo store), executive, administration, production, and research and development. The style of spaces should be open work stations, offices, enclosed meeting spaces, and semi-closed collaboration spaces.
corporate & retail
frye leather office
& showroom
Frye is a leather boot and shoe manufacturer in America. Founded in 1863, Frye aims to keep old traditions alive. They pride themselves on craftsmanship and detail in every product, seeking only the finest craftsman from around the world to ensure the product is as at its highest quality.
A. B.
A. The Executive Conference showing the visual connections through materials. The carpet spills out from the boundaries of the room with clear and frosted glass as the barrier.
B. Entrance elevation with FRYE branding to greet the visitor or employee. Sustainable materials are seen in the epoxied recycled rubber sole flooring, signage, and reception desk counter.
A.
concept Basing the adjacencies on the idea of Frye creating specialized craftsman, the offices in the space were arranged into zones of work.
The central area becomes a meeting place for all specializations: UNION Following tradition, Frye’s harness boot is a classic in their collection. The harness wraps the base of the ankle and joins together in a metal loop.
UNION THROUGH VISUAL CONNECTIONS
B.
Herman Miller Action Office
Steelcase Coalesse Train
PLANT
Knoll Open Plan
GREEN SPACE
Knoll Open Plan Bench
F.
GREEN SPACE
PARKING C. D.
Knoll Open Plan
Herman Miller Action Office Steelcase Media Scape
E.
Steelcase Media Scape
C.
Steelcase Coalesse Host
D.
C. Executive open work stations with closed offices around the perimeter. The offices have large, tintable windows to allow light to filter into the open work stations.
E.
D. Research/Development featuring large windows with frosted glass to allow some transparency into the promo store. The work stations are flexible for collaboration between employees.
E. Reception and Promo Store greet visitors and employees with the branding of the company.
F. Cafe with more branding of FRYE. Natural day lighting filters through a skylight. A single bar area gathers employees. For events, a garage style door opens the largest conference room up for easy flow between the cafe and conference room.
F.
Kent State Salem Branch Campus Library Renovation involved a 5,200 sq. ft. library space with two offices and a small computer lab. The old space was outdated and lacked flexibility with current technology. The client requested a renovated space with offices, a cafĂŠ, a large instruction space, technology center and natural day lighting. The space should feel inviting, active, and act as a learning center. As a team of two, Radiating Knowledge was created and proposed.
education
radiating knowledge library salem, ohio
GROUP PROJECT
concept The design of the renovated Salem Library is focused on a radiating grid from a core that creates layers of function and intimacy.
AT I N G I D RA K N O W L E D
GE
A central core was created in response of the desire for the space to be inviting, active, and a learning center. From this space composition, a more functional grid was developed. The core of the grid is derived from the key aspect of education: instruction. From the instruction, the ways of studying make up the other sections of the radiating grid: collaboration, research, and production.
Concept image of layering of book pages as each page has a larger shape cut out.
→
→
The space was best utilized when one area became the core importance. Different activities can take place within the library, but it all stems from the one major aspect of education.
Partial credit for this project goes to partner Hannah Rice.
C.
A. B.
With the use of architectural elements such as the ceiling and flooring differentiation, the conceptual grid is implemented, creating a flowing circulation path through the space.
The movement of the ceiling leads from one entrance to another, naturally forming the circulation path through the space. The opposing wedge shape designates the different zones of work intimacy.
A.
B.
A. Reception with printing station and cafe for student use. B. Instruction area with 3-Form sliding panel doors. Center area has flexible computer stations and collaborative seating C. Acoustical curving panel separating group work tables and bar work area. Stacks vary in height, following curve of panel.
C.
D.
E.
D. Collaboration zone staircase view looking out toward the stacks.
D.
E. Exterior entrance view that would be seen upon entering the library from covered outdoor patio.
E.
The color concept focuses on creating a dynamic experience in the space. The bold palette offsets the weather conditions of Ohio and brings lightness into the space.
reaching skyward sukkah
nineteen
10 renovation kent, ohio
idec oasis patient room
family kitchen renovation home
competition
competition
competition
personal
The competition focused on creating and constructing a mini sukkah with 2.5 walls and a natural roof structure that provides more shade than sun. The models were judged on how strictly the rules were followed and creativity.
PEOPLE’S CHOICE AWA R D W I N N E R
Partial credit for this project goes to partner Hayden Erdman.
The Skyward Sukkah is centered around the idea of time and space. Each element can be thought of as an individual abstract aspect, or come together to create a new identity. It is not possible to have time without space and space without time.
→ The three instances are represented by a layer of material. Those materials have shifted openings from panel to panel to emulate the conditions of having all of the elements existing together, but still retain the individual properties. The sukkah form is designed as a hand that reaches up towards the heavens and then pulls back down to the earth, celebrating both our dwelling on earth and belief in the divine.
The Portable Partition in the NINETEEN 10 renovation is a movable feature that provides a range of flexibility. It serves as privacy for hotel guests walking to the pool and fitness room. For the restaurant, the Portable Partition serves as dining space. When wheeled back against the wall, it allows tables to be rearranged for larger parties. The banquette portion can then serve as a lounge or an overflow area for the bar. It has locking swivel casters and rigid casters for easy mobility.
1
SCALE: 1/4" = 1'-0" PROPOSAL 1: ARRANGEMENT 1
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
POOL/FITNESS
circulation
2'-6" X 2'-6" X 2'-6" DINI
T4
PRE-EXISTING 3'-0" X 3
T3
42" X 30" X 2'-6" DININ
T2
PRE-EXISTING 2'-0" X 4
T1
PRE-EXISTING BAR ST
C2
PRE-EXISTING 1'-6" CH
C1
PRE-EXISTING 2'-2' X 4
S2 S1 SYMBOL:
PRE-EXISTING 2'-3" X 4 DESCRIPTION:
FURNITURE SCHEDULE:
GUEST ELEVATORS
A. ALL UNUSED FURNITURE SHOU
GENERAL PLAN NOTES: PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
GENERAL PLAN NOTES:
A. ALL DIMENSIONS ARE REFERENCED T UNLESS OTHERWISE NOTED. B. MATCH ALL MATERIALS TO EXISTING
C. ALL EXPOSED BIRCH PLYWOOD, 4"X6
EXCLUDING THE BASE, SHOULD BE P TO EXISTING IS NOT AVAILABLE.
D. ALL EXPOSED 2"X8" TREATED LUMBE
SHOULD HAVE PIONITE GLOSS G-FIN
PLAN CODED NOTES:
1. CUSTOM WOOD PORTABLE PARTITION
2. BANQUETTE SEATING WITH RIGID CAS PARTITION.
N AUTODESK EDUCATIONAL PRODUCT
1
PORTABLE PARTITION/BANQUETTE AXONOMETRIC SCALE: 1/2" = 1'-0"
1. Motion-sensored non-aerated faucet 7.
8.
2. Adjustable arm computer for patient schedule display
5.
6.
3. Steelcase Bindu guest seating 9.
C.
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5. Family zone anti-microbial surface Steelcase desk and wardrobe 6. Family zone Hil-Rom sleeper sofa
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4. Water featuring using collected rainwater, soothing acoustic barrier between zones
3. 2.
7. ADA roll-in shower
A.
8. ADA toilet height 9. 180 automatic swing door
OASIS healing through rejuvenation
Driven to create a sustainable oasis, this space is transformed through the use of rejuvenating elements. In order to maximize the experience of the patient and family, a central focus is placed on creating a soothing retreat.
A. A. View from patient bed toward waterfall acoustic barrier. Himalayan salt is positioned above a TV. The curving 3-Form ceiling leads into the family zone.
B. B. Combined view of patient and family zones. Himalayan salt is seen in all zones to promote healing.
All materials used are anti-microbial.
The space is derived from the behaviors of Himalayan salt, a natural element believed to have air purifying properties, and water. Salts have a rigid lattice structure that creates a crystalline form, while water is free flowing. The practices of clinicians require structure and the patient and family zones are relatively free. This difference in space planning defines where the individual elements are used. Rigid angular walls frame and create the clinician zone with a flowing architectural ceiling element outlining the oasis.
C. Head wall view with the main entrance to the patient room, the nurses station, patient storage, guest seating, and illuminating Himalayan salt secured to the head wall. Partial credit for this project goes to partner Hannah Rice.
C.
A.
Pre-Existing
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Furniture Plan 1/4" = 1'-0"
Owner A.
Project Name
www.autodesk.com/revit
Unnamed Project number Project Number Date Issue Date Drawn by Author Checked by Checker Scale
A101
B.
B.
1/4" = 1'-0"
9/6/2016 3:30:16 PM
D.
C.
C.
Renovation 1
Furniture Plan 1/4" = 1'-0"
D. A year long renovation project of my family’s kitchen took place, with myself as the designer/consultant. The project involved a full demolition of the pre-existing single wall style kitchen space and adjacent dining room. Floor plans and elevations were drawn up and construction began on the open plan, eat-in kitchen. Storage and counter space tripled, and seating doubled with the addition of a counter height bar and window bench.
A.
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