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U N D E R G R A D U AT E P O R T F O L I O
REILLY CHRISTINE KORTUS RESUME
EDUCATION UNIVERSITY OF NEBRASKA-LINCOLN FALL 2018 - PRESENT
BACHELOR OF SCIENCE IN DESIGN - INTERIOR DESIGN ARCHITECTURAL STUDIES MINOR
EXPERIENCE REILLY KORTUS DESIGNS
PRIVATE DESIGN WORK RESIDENTIAL MULTIPLE LOCATIONS 2020 - PRESENT
CURRENT UNDERGRADUATE GPA: 3.88
UNL DEAN’S LIST: FALL 2018, FALL 2019, SPRING 2020, FALL 2020 COLLEGE OF ARCHITECTURE DEAN’S LIST: FALL 2018, SPRING 2020, FALL 2020
EXPERTISE AND INTEREST REVIT AUTOCAD RHINO GRASSHOPPER MY NAME IS REILLY KORTUS, AND I AM A 3 rd YEAR DESIGN STUDENT. I AM CURRENTLY COMPLETING THE REQUIREMENTS FOR A BACHELOR OF SCIENCE IN DESIGN - INTERIOR DESIGN AND AN ARCHITECTURAL STUDIES MINOR. I AM SEEKING A PROFESSIONAL INTERIOR DESIGN INTERNSHIP FOR THE SUMMER OF 2021.
ADDRESS
235 S 11th ST. APT 347 LINCOLN, NE 68508
PHONE
PHOTOSHOP INDESIGN
MICROSOFT WORD MICROSOFT POWERPOINT MICROSOFT EXCEL PHOTOGRAPHY TEAMWORK
3D PRINTING
LINKEDIN.COM/IN/REILLY-KORTUS-2479B7203
RESIDENTIAL OMAHA, NE 2018 - 2021
ILLUSTRATOR
402.350.7956
REILLY.KORTUS17@GMAIL.COM
BERKSHIRE HATHAWAY
LASER CUTTING HAND MODELING/CRAFT
SUDBECK HOMES
RESIDENTIAL OMAHA, NE SUMMER 2019
DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG SELF-EMPLOYED DESIGN PORTF DENVER, CO I AM CURRENTLY WORKING ON A D E S I G E S I ROLE GN PORTF HOUSE FLIP IN COLORADO.DMY AS LEAD DESIGNER INCLUDES SITE D E S I G D E S I GTHE N PORTF VISITS, WORKING ALONGSIDE GENERAL CONTRACTOR AS WELL D E S I G ESIGN PORTF AS MANUFACTURERS TO DPRODUCE PLANS AND SELECTING FINISHES/ D E S I G D E SPHASE IGN PORTF FIXTURES/FURNITURE. THE NEXT INCLUDES ORDERING FURNISHINGS. D E S I G DESIGN PORTF DESIG HERMAN, NE D E SON I G N AP O R T F I AM CURRENTLY WORKING BUNKHOUSE PROJECT ON A LOCAL D E S I G D E S I LEAD GN PORTF NEBRASKA ACREAGE. AS DESIGNER, MY ROLE INCLUDES D E S I G D E S I GAND N PORTF SITE VISITS, BIM MODELING, PRODUCING CONTRACT DOCUMENTS D E S I G DESIGN PORTF FOR THE GENERAL CONTRACTOR. CONSTRUCTION IS UNDERWAY D E S I G DESIGN PORTF AND IS ABOUT 50% COMPLETE. DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG D E S I G N P O RTF CEO ASSISTANT & DESIGNER D ESIG MY ORIGINAL ROLE ENCOMPASSED D E S I G N P O R TF ADMINISTRATION DUTIES INCLUDING PHONE CALLS, ATTENDING BUSINESS D E S I G DESIGN PORTF MEETINGS, EMAIL CORRESPONDENCE AND GENERAL OFFICE WORK. D E S I G DESIGN PORTF I WAS PROMOTED IN 2019 TO A D E S I G D E S I GONE N PORTF ROLE WORKING ALONGSIDE OF THE TOP REAL ESTATE AGENTS IN D E S I G ESIGN PORTF THE COMPANY. MY ROLE DINCLUDED STAGING HOMES, CREATING DESIGN D E S I G D E S IWITH GN PORTF PAMPHLETS, AND MEETING EXISTING AND POTENTIAL CLIENTS. D E S I G DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF INTERIOR DESIGNER THE MAIN PROJECT WAS COMPLETING D E S I G E S I ROLE GN PORTF WORK FOR A MODEL HOME.D MY INCLUDED MAKING IMPROVEMENTS D E S I G D E SPLANS, IGN PORTF TO A STANDARD SET OF HOUSE SITE VISITS, WORKING ALONGSIDE D E S I G DESIGN PORTF MANUFACTURERS, COLLABORATING WITH BUILDER/OWNER AND OTHER D E S I G DESIGNERS, AND SELECTINGDFINISHES/ ESIGN PORTF FIXTURES TO REPRESENT VARIOUS D E S I G DESIGN STYLES THAT D EWOULD SIGN PORTF BEST SUIT THE POTENTIAL CLIENT D E S I G LOOKING TO BUILD A CUSTOM D E SHOME. IGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF
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E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O COMMUNITY D E S I G N P O R- TLOS F O LANGELES, I O D E S I GCALIFORNIA N PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F OBATHHOUSE L I O D E S I G -NLINCOLN, P O R T F O LNE IO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN WELLNESS O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D EHEALTH D E S I G NFOR P OWOMEN R T F O L I O- LINCOLN, S I G N P& OR T F O L I O CLINIC D E S I G N PNE ORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O RRETAIL: T F O L I ONYDFASHION E S I G N P WEEK ORTFO I O D E S I G N NEW P O R TYORK FOLIO DESIGN - LMANHATTAN, OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N COMMUNITY P O R T F O L I O PLANT D E S I G& N TEA P O RBAR T F O-L ISOUTHPOINTE O D E S I G N P OPAVILIONS R T F O L I O LINCOLN, D E S I G N NE PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO
CONTENTS
01
THE POTTER
02
SOAK. STEAM. DREAM.
03
THRIVE.
04
LULULEMON POP-UP
05
RECONNECT
06
OTHER PERSONAL DESIGN PROJECTS
01 the potter
SUBMISSION FOR IDES210. INTERIOR DESIGN STUDIO I - “THE HOBBYIST”
2ND YEAR DESIGN STUDENT. FALL 2019. ACTIVITY-CENTERED DESIGN.
THE HOBBYIST PROJECT WAS A RANDOMLY-ASSIGNED HOBBY, AND I WAS REQUIRED TO RESEARCH AND CREATE A SPACE THAT WOULD BE USED FOR THIS HOBBY. WHEN RESEARCHING, IT WAS IMPORTANT TO UNDERSTAND THE USER, THE “HOBBYIST”, THE HOBBY ITSELF, AND THE SPECIFIC NEEDS IN ORDER FOR THE HOBBYIST TO RETREAT AND ENGAGE IN THE HOBBY. WHEN RESEARCHING THE JOURNEY AND THE PROCESS OF POTTERY, I WANTED TO COMMUNICATE AND TELL THE STORY OF HOW THE HOBBY OCCURS IN TIME AND EXPERIENCE. IT WAS IMPORTANT TO UNDERSTAND THE SEQUENCE OF EVENTS FROM APPROACH, ENTRANCE, TO EXIT IN ORDER TO DESIGN THE SPACE SUCCESSFULLY. I CHOSE TO DESIGN THIS POTTERY SPACE IN LOS ANGELES BECAUSE POTTERY IS A TOP HOBBY THERE. I DERIVED THREE-DIMENSIONAL SPACES AND FORMS FROM PLAN COMPOSITIONS THROUGH THE PROCESS OF EXTRUSION, TRANSFORMATION, AND TRANSLATION. I BEGAN TO CURATE DRAWINGS AND SHOWED IMPORTANT DETAILS (GIVEN DOMINO FRAME). THIS PEACEFUL, PURE, AND MINIMAL SPACE IS DESIGNED FOR PEOPLE TO GET AWAY AND GET CREATIVE WITH POTTERY. THE MAIN FOCUS OF THIS SPACE IS NOT SIMPLY CREATING ANY POTTERY, BUT USING CARVING TECHNIQUES AND VARIOUS TOOLS TO CREATE THEIR OWN UNIQUE PIECE. THE MODEL FOR THIS PROJECT WAS IMPORTANT FOR SHOWING MATERIALITY USED IN THE HOBBYIST SPACE AND SPECIFIC FEATURES WITHIN THE SPACE. OVERALL, MY DESIGN INTENTION WAS TO CREATE A SPACE FOR PEOPLE TO CREATE A UNIQUE PIECE OF POTTERY, WITH A FOCUS IN CARVING.
B
GLAZING TABLE AND STORAGE
BATHROOM
PANTRY
KILN
FIRING ROOM
FINISHING
REF
KITCHEN
KILN
B
A
ELEVATOR
A POTTERY STORAGE
A
A
UP
DRYING POTTERY
POTTERY SHOWCASE
CARVING TOOLS WALL
POTTERY SHOWCASE
WHEEL
B
B
PLAN - FIRST FLOOR
PLAN - SECOND FLOOR
hobbyist is soMeone who looks for a craft to do to get away and get creative.
THE POTTER
My
known decorative arts.
even
wheel
Pottery
is the oldest and Most well-
throwing Pottery is a very coMPlex activity that requires soMeone to follow stePs closely.
though this is a very structured Process, Pottery can turn into anything you want it to.
takes uP a lot of sPace and requires a variety of tools. tools, carving tools, kiln, glaze, etc. of Pottery.
carving
there
these
include the wheel to create the
Pottery Pottery,
is a hobby that
is one of the Methods you can use, which takes Pieces out of the existing clay.
using
this
CARVING SPACE
SOURCING CLAY
wheel throwing
are several techniques you can use in order to create various different tyPes
different Patterns and textures in the Model.
wheel
DOWN
CARVING
SINK
SINK
WHEEL THROWING
CART
HANGOUT
ELEVATOR
can create Many
PREPARING CLAY
different glaze finishes can also affect how your Pottery turns out.
throwing Pottery is a very creative and coMPlex activity, but adding carving into your design will Make it unique.
Savage, George. “Pottery.” Encyclopædia Britannica. Encyclopædia Britannica, inc. Accessed October 16, 2019. https://www.britannica.com/art/pottery.
CENTER CLAY ON WHEEL
WHEEL
OPEN UP CLAY
“Network Home.” Ceramic Arts Network. Accessed October 16, 2019. http://www.ceramicartsdaily.org/. Peterson, Beth. “What Is Wheel Thrown Pottery?” The Spruce Crafts. The Spruce Crafts, October 16, 2019. https://www.thesprucecrafts.com/.
REILLY KORTUS
RESEARCH BOARD
MAKING A PULL
PROCESS
CARVE
DRY CLAY
COVER UNTIL DRY
FIRE
GLAZE
FIRE
GLAZE
MATERIALS
CUT BASE WITH WIRE
TECHNIQUES
KILN
POTTERY TOOLS
CARVING TOOLS
CLAY
GLAZE
DETAIL - SHELVING UNIT
H A
FI N N
IS G
H O U C A
T
IN G IN
W H E E L R
TH O G
W IN G
FT
SQ
JOURNEY MAP 550 S QFT 250
VOLUMETRIC SYSTEMS R V
350
SQ
FIRE
GLAZE
SECTION A
FIRE
COVER UNTIL DRY
DRY CLAY
FINISHING
CUT BASE WITH WIRE
FORMING CLAY
CLAY ON WHEEL
PREPARING CLAY
WHEEL THROWING
THE PROCESS
WHEEL THROWING SPACE SECTION B
CARVE FT
02 soak. steam. dream. SUBMISSION FOR IDES211. INTERIOR DESIGN STUDIO II - “THE BATHHOUSE”
2ND YEAR DESIGN STUDENT. SPRING 2020. ACTIVITY-CENTERED DESIGN.
I USED MULTIPLE SYSTEMS TO CREATE A L ANGUAGE THROUGHOUT MY DESIGN REL ATED TO THE COMPOSITION, CIRCUL ATION, AND APERTURE SYSTEMS. WHEN CREATING THE COMPOSITION, I CHOSE TO USE THE RADIAL STRATEGY, WHICH MAKING ALL THE OBJECTS PROJECT OUT WARDS. WHEN BEGINNING TO DESIGN THE SPACE, I WANTED TO A CREATE A COMFORTABLE ATMOSPHERE FOR THE USERS TO EXPERIENCE WHILE SPENDING TIME AT THE BATHHOUSE. TO ACCOMPLISH THIS, I TOOK INTO ACCOUNT WHERE I WANTED NATURAL LIGHT TO ENTER THE SPACE TO CREATE CERTAIN MOODS AND SHADOW TO DIRECT THE USERS TO CERTAIN AREAS. I USED NATURAL LIGHT ON THE SOUTH SIDE BEHIND THE RECEPTION DESK TO BRING IN NATURAL LIGHT FOR MOST OF THE DAY. ON THE NORTH SIDE, I KEPT ONE OF THE EXISTING WINDOWS TO ALLOW DIFFUSED LIGHT TO ENTER TO CREATE A SENSE OF URGE TO SEE WHAT WAS AT THE END OF THE HALL. WHILE WALKING DOWN THAT HALL, I TOOK INTO CONSIDERATION HOW PEOPLE WOULD CIRCUL ATE FROM THE ENTRANCE TO THE NORTH SIDE OF THE BATHHOUSE. I WANTED TO CREATE A PASS - BY - SPACE METHOD WHILE WALKING BET WEEN THE T WO ABOVE GROUND POOLS ON BOTH SIDES OF THE USER. THIS ALLOWS THE USER TO DECIDE WHERE THEY WANT TO GO NEX T, WHETHER IT BE UP TO THE POOL AREAS OR TOWARD THE DIFFUSED LIGHT AT THE END OF THE HALLWAY. AS YOU APPROACH THE NORTH SIDE, THE HALLWAY SEEMS TO CLOSE UP, AND THEN OPEN BACK UP ONCE YOU REACH THE END OF THE SPACE. THE SIT TING AREA THAT LIES BEHIND THE BATHS CREATES A PRIVATE SPACE TO VIEW THE OUTDOORS AND REL AX. ANOTHER STRATEGY I USED WAS TO ALLOW PEOPLE TO CIRCUL ATE IN VARIOUS WAYS THROUGHOUT THIS SPACE. THE USER CAN ENTER THE SPACE AND EXPERIENCE POOLS FROM THE FLOOR LEVEL, BUT THEN TRANSITION TO A HIGHER LEVEL TO ENGAGE WITH THE BATHS OR USE LOCKER ROOMS IF NEEDED. AS YOU CAN SEE, THERE IS A MAIN SKYLIGHT ON THE ROOF TO CREATE DIRECT SUNLIGHT ONTO THE L AP POOL, POOL DECK, AND THE SMALLER BATHS. THIS ALLOWS THE USER TO BE MORE HAPPY WHEN IN THESE SPACES DUE TO THE NATURAL LIGHT. ANOTHER ADDITION I EXECUTED WHEN DESIGNING THIS SPACE WAS USING THE MATERIAL TO CREATE WAY FINDING. WHEN YOU ENTER INTO THE RECEPTION AREA , THE WOOD LEADS YOU TO THE RECEPTION SPACE AND THEN TO YOUR NEX T DESTINATION. ALSO, WHEN YOU ARE WALKING IN BET WEEN THE POOLS IN THE CENTER, THE WOOD ON THE SAUNAS LEADS YOU IN DIFFERENT DIRECTIONS ALLOWING THE USER TO MAKE A DECISION. WHEN DESIGNING THIS SPACE, I WANTED TO FOCUS ON HOW NATURAL LIGHT WOULD AFFECT THE MOOD OF THE USER AND THE VARIOUS CIRCUL ATION ROUTES THAT CAN BE TAKEN THROUGHOUT THE BATHHOUSE.
APERTURE DIAGRAM
MATERIAL PALETTE
FURNITURE/FIXTURE PALETTE
SECTION A
SECTION B
PERSPECTIVE 1
PERSPECTIVE 2
SECTION C
03 thrive.
SUBMISSION FOR IDES211. INTERIOR DESIGN STUDIO II - “RE-IMAGINING PRIMARY CARE”
2ND YEAR DESIGN STUDENT. SPRING 2020. ACTIVITY-CENTERED DESIGN. RESEARCH DESIGN.
THRIVE IS A HEALTH AND WELLNESS CLINIC FOR WOMEN, PROVIDING A WHOLE BODY APPROACH THAT PRIORITIZES LIFESTYLE MANAGEMENT AND INTEGRATED WELLNESS PL ANS SO YOU CAN REACH YOUR OPTIMAL STATE OF BEING. THRIVE RELIES ON CUT TING EDGE TECHNOLOGY AND COMMUNITY PROGRAMMING TO IMPROVE COMMUNICATION ABOUT WELLNESS, AND TO COORDINATE CARE THAT RESULTS IN HEALTHY LIFESTYLES, EDUCATED ACTION, AND MEANINGFUL REL ATIONSHIPS. AS THE DESIGNER, I INTEND TO: ( 1 ) PRIORITIZE THE STAFF/CLIENT COMMUNITY, EDUCATIONAL, AND SOCIALIZATION SPACES TO CREATE A REL AXED ENVIRONMENT. ( 2 ) FOCUS ON NATURAL LIGHT ENTERING CERTAIN SPACES TO CREATE VARIOUS MOODS THROUGHOUT THE DIFFERENT SPACES. ( 3 ) CREATE A COMFORTABLE ENVIRONMENT FOR CLIENTS BY INCORPORATING CERTAIN MATERIAL, GRAPHICS, AND FURNITURE APPLICATIONS THROUGHOUT THE SPACE. ( 4 ) FOCUSING ON THE TEAM ASPECT OF THE SPECIALISTS, SO COMBINING THESE SPACES IN SOME WAY AND CREATING A REL ATIONSHIP TO ALLOW THE STAFF TO WORK TOGETHER. THE MOST IMPORTANT PARTS OF MY DESIGN PROCESS INCLUDED SKETCHING, PROGRAMMATIC STUDIES, AND RENDERING PERSPECTIVES WITH MATERIAL. ALL OF THESE STEPS HELPED ME ACHIEVE MY DESIGN INTENTIONS AND CREATE A SUCCESSFUL HEALTH CARE FACILITY.
STUDY 1
PERSPECTIVE 1
THESE PROGRAMMATIC ADJACENCY STUDIES HELPED FORMULATE MY DESIGN BY CREATING SPATIAL RELATIONSHIPS. IN STUDY 1, I SHOWED THE EDUCATIONAL SPACE AS YOGA STUDIOS AND HOW THEY CONNECTED WITH THE EXTERIOR. I EXECUTED THIS IN MY DESIGN BY PLACING THE YOGA STUDIOS FACING OUT TOWARD THE SIDEWALK, SO SOMEONE WALKING BY WOULD FEEL THE FEELING OF BEING IN THE STUDIO. IN STUDY 4, I FOCUSED ON THE CLINIC STAFF AND PATIENT SPATIAL RELATIONSHIPS. AS SEEN IN MY SKETCHING, I WAS REPRESENTING AND THINKING ABOUT HOW THE STAFF COULD APPLY TO MY 4TH DESIGN INTENTION OF TEAMWORK BY INTERCONNECTING THE STAFF AND FLEX SPACES. SKETCHING IS SUPER IMPORTANT TO ME AS IT HELPS ME EXPERIMENT AND COMMUNICATE MY IDEAS EASILY.
PERSPECTIVE 2
STUDY 4
SIDEWALK
STAFF FLEX DOCTOR/PHYSICIAN SPACE
AM EX O R
A
O R O M
SOIL ROOM
YOGA STUDIO AM EX
STAFF FLEX
M
NURSE STATION
O
OTHER BUILDING
AM EX
AM EX
O R
M
M
O
O
O R
CLEAN ROOM DATA ANALYSTS
AM EX O R
WAITING AREA
O N /W AI T
IN G
M
DATA SERVER
R EC EP TI
O
UP
SIDEWALK
CONSULTATION
STREET
M O
O
ES R
R
ES
TR
TR
O
O
M
UP
LOBBY
STAIRS OTHER TENANT
B
PLAN - FIRST FLOOR
SIDEWALK
OFFICE
CONSULTATION
OFFICE OTHER BUILDING
HEALTH COACHES
STAFF FLEX
YOGA STUDIO
A
TEA BAR
DN
DN O
C Y
IT
N
U M
M
PSYCHOLOGIST
E
AC SP
OFFICE RESTROOM
DN
SIDEWALK
PLAN - SECOND FLOOR
OTHER TENANT
B
STREET
PLAN - FIRST FLOOR
PLAN - SECOND FLOOR
FURNITURE/FIXTURE PALETTE
SECTION A
SECTION B
VISION
4 STRATEGIES 1. SOURCING RENEWABLE ELECTRICITY
THE VISION FOR THIS BRAND WAS TO CREATE MORE THAN A PLACE WHERE PEOPLE COULD GET GEAR TO SWEAT IN, BUT TO CREATE A COMMUNITY HUB WHERE PEOPLE COULD LEARN AND DISCUSS THE PHYSICAL ASPECTS OF HEALTHY LIVING, MINDFULNESS AND LIVING A LIFE OF POSSIBILITY.
2. ENERGY EFFICIENCY AND RENEWABLE ENERGY PROGRESS 3. SUSTAINABLE RAW MATERIALS AND FIBERS, INCLUDING RECYCLED AND RENEWABLE CONTENT 4. REDUCING CARBON EMISSIONS
USER GROUP WOMEN
SUSTAINABILITY LULULEMON IS WORKING HARD TO CREATE A CARBON-NEUTRAL FUTURE. THEY ARE FOCUSING ON INCREASING EFFICIENCY, TRANSITIONING TOWARD RENEWABLE ENERGY, INVESTING IN RAW INNOVATION, AND COLLABORATING ACROSS INDUSTRIES FOR PROGRESS.
BE HUMAN . BE WELL . BE PLANET .
04 lululemon pop-up shop SUBMISSION FOR IDES310. INTERIOR DESIGN STUDIO III - “FASHION WEEK POP-UP SHOP”
3RD YEAR DESIGN STUDENT. 5-WEEK PROJECT. FALL 2020. RESEARCH DESIGN.
IN THIS 5-WEEK PROJECT, I DEVELOPED A COMPREHENSIVE DESIGN PROPOSAL FOR A BRAND EXHIBIT AND RETAIL POP-UP SHOP FOR NEW YORK FASHION WEEK. THE BRAND I CHOSE TO RESEARCH AND DESIGN AN EXHIBIT FOR WAS LULULEMON ATHLETICA. THE PROPOSAL ALIGNS WITH LULULEMON’S MISSION TOWARD SOCIAL RESPONSIBILITY INTEGRATING RESEARCH AND DESIGN. I RESEARCHED AND USED CRITICAL THINKING SKILLS TO RELATE TO DESIGN. I DEVELOPED A PROPOSAL THAT “FITS” THE BRAND AND THEIR GOALS. RE-USING AN EXISTING RETAIL SPACE, THE DESIGN PROPOSAL WILL BE INTEGRATED INTO THE COMMUNITY IN WHICH IT IS LOCATED AND WITHIN THE CONTEXT OF NY’S INTERNATIONAL FASHION WEEK. FOR THIS PROJECT, I PRODUCED A DESIGN PROPOSAL THAT CONSIDERS THE SOCIAL RESPONSIBILITY OF DESIGNERS INCLUDING ISSUES RELATING TO THE ENVIRONMENTAL IMPACTS AND SUSTAINABILITY, ISSUES OF ACCESSIBILITY, AND ISSUES OF SOCIAL JUSTICE IN DESIGN. I DEMONSTRATED HOW THIS DESIGN INTERSECTS THE FASHION’S LEGACY AND HOW MY DESIGN RE-IMAGINES CERTAIN IDEALS. I SPENT A LOT OF TIME RESEARCHING THE BRAND TO UNDERSTAND THEIR FUTURE GOALS AND HOW TO ACHIEVE THEM IN THIS DESIGN. I FOCUSED ON USER GROUP, SUSTAINABILITY, VISION, AND STRATEGIES. FOR THIS PROJECT, I WANTED TO SHOW HOW IMPORTANT DIAGRAMS WERE WHEN COMMUNICATING AND REPRESENTING MY LULULEMON POP-UP SHOP.
ion 1 6" = 1'-0"
STORAGE/WORK SPACE
SEASONAL DISPLAY
FITTING ROOM CASH WRAP
A FITTING ROOM SEASONAL DISPLAY
YOGA SPACE SEATING CLOTHING RACKS/DISPLAY
PLAN - FIRST FLOOR
B
12’ - 0”
0’ - 0”
B
SECTION A
SHOPPERS/VISITORS EMPLOYEES PRODUCT/SUPPLIES
CIRCULATION DIAGRAM
A
12’ - 0” FITTING ROOM
SEATING
FITTING ROOM
CLOTHING RACKS/DISPLAY
EMPLOYEE SPACE/ STORAGE
CLOTHING RACKS/DISPLAY
CLOTHING RACKS/DISPLAY
SEASONAL DISPLAY
SEATING CASH WRAP
SEASONAL DISPLAY
YOGA
SEATING
0’ - 0” MOST IMPORTANT IMPORTANT LEAST IMPORTANT
SECTION B
PROGRAM DIAGRAM
CLOTHING RACKS/DISPLAY
05 reconnect
plant & tea bar
SUBMISSION FOR IDES310. INTERIOR DESIGN STUDIO II - “COMMUNITY SPACE AT SOUTHPOINTE PAVILIONS
3RD YEAR DESIGN STUDENT. FALL 2020. ACTIVITY-CENTERED DESIGN. GROUP MEMBERS: LUPING CHEN, NATALIE JONES, MOLLIE SIMMONS
RECONNECT IS A PL ANT AND TEA BAR THAT IS LOCATED AT THE FORMER PIER 1 IMPORTS SPACE AT SOUTHPOINTE PAVILIONS IN LINCOLN, NE. OUR DESIGN INTENTION IS TO CREATE AN INTERACTIVE PL ANT POT TING WORKSHOP AND TEA BAR FOR PEOPLE TO REL AX AT AND TO BE ABLE TO GET CREATIVE. THE DESIGN AND MATERIALS SELECTED ENCOURAGE A CALMING, INVITING & ACTIVATING USER E XPERIENCE. THE PURPOSE IS TO AT TRACT USERS TO SOUTHPOINTE PAVILION IN LINCOLN, NE TO REVITALIZE THE SPACE AND RECONNECT INDIVIDUALS WITH NATURE AROUND AND WITHIN US. OUR BRAND SLOGAN IS REL AX , REGROUP, RESET. WE DID A LOT OF RESEARCH AND FOUND MULTIPLE PRECEDENT STUDIES TO HELP PUSH OUR DESIGN TO BE SUCCESSFUL. THIS PROJECT WAS AIMED TO BRING THE COMMUNITY TOGETHER AND TO BRING THEM TO SOUTHPOINTE PAVILIONS. THE SQUARE FOOTAGE OF THIS SPACE IS 10,218. WE FOCUSED ON T WO MAIN PROGRAMS TO GO ON IN THE SPACE, WHICH INCLUDE A PL ANT WORKSHOP TO CREATE YOUR OWN PL ANTS AND A TEA BAR. THIS ALLOWS MORE PEOPLE TO COME TO THE SPACE WHETHER THEY ARE JUST WANTING TO GRAB A DRINK WITH FRIENDS, DO HOMEWORK, MAKE A CUSTOM PL ANT, RENT THE SPACE OUT FOR A PARTY, ETC. OUR GROUP PROJECT WAS VERY SUCCESSFUL IN TERMS OF CREATING A SPACE FOR PEOPLE TO REL AX, REGROUP, AND RESET. I TOOK ON THE ROLE OF THE GROUP TEAM LEADER AND WAS IN CHARGE OF THE REVIT FILE AND INDESIGN FILE, WHILE THE OTHER GROUP MEMBERS HELPED WITH DRAWINGS AND DIAGRAMS.
-
BUILDING
SIDEWALK
RR ENTRANCE
BREAK ROOM
STORAGE
FLORAL SHOP
3.
RR RR
2.
RR -
-
-
-
ENTRANCE
PLANT WORKSHOP SEATING
WORKSHOP SUPPLIES
TEA BAR
CHECKOUT
1.
UP
TEA BAR SEATING K AL EW SID
-
ENTRANCE
-
-
PLAN - FIRST FLOOR
REFLECTED CEILING PLAN - FIRST FLOOR
6. 5.
RR PATIO STORAGE
STORAGE BREAK ROOM
RR RR
-
TEA BAR
-
-
-
LIGHTING/MATERIAL KEY:
OUTDOOR SEATING
TEA BAR SEATING
LARGE PARTY WORKSPACE
RECESSED CAN LIGHT
FIRE PIT
PENDANT LIGHT
-
SPUTNIK HANGING LIGHT DN
HANGING GLOBE LIGHTS
LARGE PARTY PATIO ELEVATOR
-
PLAN - SECOND FLOOR CREDIT: MOLLIE SIMMONS (FURNITURE) NATALIE JONES (ILLUSTRATOR)
1. OAK WOOD 2. BLACK GRANITE
-
DN
MATERIALS KEY:
REFLECTED CEILING PLAN - SECOND FLOOR CREDIT: REILLY KORTUS
BELL PENDANT LIGHT WOOD SLATS CREDIT: REILLY KORTUS
3. PATINA COPPER 4. WHITE CONCRETE 5. WHITE LEATHER 6. BLACK BRICK 7. GLASS 8. BLACK LEATHER
CREDIT: REILLY KORTUS
4.
6.
2.
1.
8. 4.
3.
OUTDOOR
INDOOR
FURNITURE/FIXTURE KEY:
8.
7.
PERSPECTIVE 1 - PLANT WORKSPACE CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & NATALIE JONES (PHOTOSHOP)
5.
1. TALENTI 3 SEATER SOFA 2. HIGHTOWER BAR TABLE 3. HERMAN MILLER BAR STOOL 4. HIGHTOWER KILO LARGE CONFIGURATION 5. CONCRETE TABLE 6. GLOBE PENDANT LIGHTING 7. WEST ELM STOOL 8. BEBOP LOUNGE CHAIR
CREDIT: REILLY KORTUS (FURNITURE & DIAGRAM) MOLLIE SIMMONS (FURNITURE)
DETAIL - TEA BAR SEATING CREDIT: REILLY KORTUS
8. 7.
PRIVATE
SPACES THAT MAY BE RESERVED
PUBLIC
TEA BAR PATH
PLANT BAR PATH
EMPLOYEE PATH
ENTRANCE
FLORAL SHOP
STORAGE
BATHROOMS
SIDEWALK
BUILDING
BREAK ROOM
ENTRANCE
SECTION A
CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & LUPING CHEN (ILLUSTRATOR) PLANT WORKSHOP SEATING
BATHROOM
WORKSHOP SUPPLIES
BATHROOM
BATHROOM
TEA BAR
BATHROOM
CHECKOUT
UP
UP
TEA BAR SEATING K AL EW SID
ELEVATOR
ENTRANCE
UP
PROGRAM - FIRST FLOOR
PATIO STORAGE
FIRST FLOOR
CIRCULATION - FIRST FLOOR
RR BREAK ROOM
STORAGE RR
RR
TEA BAR
OUTDOOR SEATING
TEA BAR SEATING
LARGE PARTY WORKSPACE
FIRE PIT DN
DN
DN
LARGE PARTY PATIO
DN
ELEVATOR
PROGRAM - SECOND FLOOR CREDIT: NATALIE JONES
CIRCULATION - SECOND FLOOR
CREDIT: NATALIE JONES
PERSPECTIVE 2 - TEA BAR CREDIT: REILLY KORTUS
SECTION B
CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & LUPING CHEN (ILLUSTRATOR) BATHROOM
BATHROOM
BATHROOM
BATHROOM
DN
DN
DN UP
DN
FIRST FLOOR
SECOND FLOOR
SECOND FLOOR
RECONN
EC
T
PERSPECTIVE 3 - UPSTAIRS TEA BAR
CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & NATALIE JONES (PHOTOSHOP)
CREDIT: NATALIE JONES
PLA
NT & TEA
R A B
06 other personal design projects REILLY KORTUS DESIGNS
HOUSE FLIP (DENVER, CO). BUNKHOUSE (HERMAN, NE). MODEL HOME - SUDBECK HOMES (BELLEVUE, NE).
I STARTED REILLY KORTUS DESIGNS IN 2020. I TOOK ON MANY PROJECTS AS THE LEAD DESIGNER, SO I WANTED TO START MY OWN DESIGN BRAND. THE HOUSE FLIP PROJECT IS LOCATED IN DENVER, CO AND IS ALMOST COMPLETE. I AM THE LEAD DESIGNER ON THIS PROJECT, AND I TAKE MANY TRIPS OUT TO THE SITE. THIS SPACE IS INTENDED TO BE A COMFORTABLE AND INVITING SPACE FOR MY CLIENT TO LIVE IN 50% OF THE TIME AND HAVE ENOUGH SPACE TO ALLOW HER FAMILY TO COME VISIT. ALL OF THE SELECTIONS HAVE BEEN MADE AND THE MATERIAL SELECTIONS WERE SELECTED WITH THE CLIENT’S WANTS IN MIND. SHE WANTED THE SPACE TO FEEL MORE OPEN, MODERN, WITH POPS OF BROWN. THE REASON FOR THIS IS BECAUSE HER HUSBAND PASSED AWAY AND HAD LOTS OF BROWN FURNITURE, SO SHE WANTS TO STILL BE REMINDED OF HIM IN HER UPDATED HOME. THIS PROJECT WILL BE COMPLETED IN EARLY APRIL. THE BUNKHOUSE PROJECT IS LOCATED IN HERMAN, NE AND IS ABOUT 50% COMPLETE. THIS SPACE IS INTENDED TO BE A COMFORTABLE SPACE FOR FAMILY TO STAY AT AND TO ALLOW FOR A FUN WEEKEND GETAWAY ON THE ACREAGE. THE MATERIALS USED IN THIS SPACE ARE CARPET, CORRUGATED METAL, AND BARN WOOD PANELS THAT ARE VERY COST - EFFECTIVE, WHICH MET THE CLIENT’S NEED. THIS PROJECT WILL BE COMPLETED IN THE SUMMER OF 2021. THE MODEL HOME PROJECT IS LOCATED IN BELLEVUE, NE AND IS COMPLETE. I COLL ABORATED WITH MULTIPLE DESIGNERS ON THIS PROJECT AND AM SO PROUD OF THE FINAL DESIGN OF THIS HOME. THIS PROJECT WAS INTENDED TO SHOW CLIENT’S POTENTIAL DESIGNS THAT COULD BE APPLIED IN THEIR CUSTOM HOME AND SHOW THE BUILDER’S FULLEST POTENTIAL. AS DESIGNERS, WE CHOSE VARIOUS TYPES OF FINISHES/FIX TURES THROUGHOUT THE SPACE TO REPRESENT MULTIPLE T YPES OF DESIGN ST YLES. OVERALL, WE STUCK TO A NEUTRAL MATERIAL PALET TE WITH INTENTION TO CATCH POTENTIAL HOME BUYERS. THIS PROJECT WAS COMPLETED IN SEPTEMBER OF 2020. I WANTED TO REPRESENT MY DESIGN PROJECTS THAT ARE ALL AT DIFFERENT CONSTRUCTION STAGES - 50% COMPLETE, ALMOST COMPLETE, AND COMPLETE. I AM EXCITED TO SEE THE FINAL RESULTS OF THE CURRENT DESIGN PROJECTS THAT I AM WORKING ON AND THE PROJECTS THAT I TAKE ON IN THE FUTURE.
HOUSE FLIP
BEFORE PHOTOS
DENVER, CO
KITCHEN
MASTER SHOWER
LIVING ROOM
DINING ROOM
GUEST BATHROOM
MASTER BEDROOM
PROCESS PHOTOS
DOVE (BEHR) ABBEY STONE (BEHR)
MASTER BEDROOM
KITCHEN
LIVING ROOM
KITCHEN
GUEST BATHROOM
MASTER SHOWER
MATERIAL PALETTE
TRIM & DOORS
WALLS & CEILING
1' - 2"
HERMAN, NE
1' - 6"
18' - 2" 18' - 6"
2' - 3 17/32"
0' - 8 1/16"
2' - 6"
40' - 0" 3' - 0"
2' - 6"
0' - 11 15/16"
14' - 1 15/16"
2' - 6"
14' - 0"
9' - 8"
9' - 6"
12' - 5 15/16"
11' - 9"
18' - 0 17/32"
10' - 5"
12' - 1"
9' - 0"
PLAN - FIRST FLOOR
60' - 0"
11' - 7"
2' - 6"
40' - 6"
12' - 10"
6' - 8" 2' - 6" 0' - 3"
2' - 7"
3' - 0"
22' - 0"
13' - 9" 3' - 0"
43' - 3"
BUNKHOUSE
18' - 2"
REVIT PERSPECTIVE
REVIT RENDER
PROCESS PHOTOS
BEDROOM
LIVING SPACE
BEDROOM
BATHROOM SHOWER
BATHROOM
LIVING SPACE
MODEL HOME - SUDBECK HOMES BELLEVUE, NE
MASTER BATHROOM
LIVING ROOM
POWDER BATHROOM
DESK SPACE
KITCHEN
BUTLER’S PANTRY
EXTERIOR
MASTER BATHROOM SHOWER
MASTER BEDROOM
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DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN 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DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN 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THANK YOU
W H AT W E T H I N K , W E B E C O M E .