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U N D E R G R A D U AT E P O R T F O L I O


REILLY CHRISTINE KORTUS RESUME

EDUCATION UNIVERSITY OF NEBRASKA-LINCOLN FALL 2018 - PRESENT

BACHELOR OF SCIENCE IN DESIGN - INTERIOR DESIGN ARCHITECTURAL STUDIES MINOR

EXPERIENCE REILLY KORTUS DESIGNS

PRIVATE DESIGN WORK RESIDENTIAL MULTIPLE LOCATIONS 2020 - PRESENT

CURRENT UNDERGRADUATE GPA: 3.88

UNL DEAN’S LIST: FALL 2018, FALL 2019, SPRING 2020, FALL 2020 COLLEGE OF ARCHITECTURE DEAN’S LIST: FALL 2018, SPRING 2020, FALL 2020

EXPERTISE AND INTEREST REVIT AUTOCAD RHINO GRASSHOPPER MY NAME IS REILLY KORTUS, AND I AM A 3 rd YEAR DESIGN STUDENT. I AM CURRENTLY COMPLETING THE REQUIREMENTS FOR A BACHELOR OF SCIENCE IN DESIGN - INTERIOR DESIGN AND AN ARCHITECTURAL STUDIES MINOR. I AM SEEKING A PROFESSIONAL INTERIOR DESIGN INTERNSHIP FOR THE SUMMER OF 2021.

ADDRESS

235 S 11th ST. APT 347 LINCOLN, NE 68508

PHONE

PHOTOSHOP INDESIGN

MICROSOFT WORD MICROSOFT POWERPOINT MICROSOFT EXCEL PHOTOGRAPHY TEAMWORK

EMAIL

3D PRINTING

LINKEDIN

LINKEDIN.COM/IN/REILLY-KORTUS-2479B7203

RESIDENTIAL OMAHA, NE 2018 - 2021

ILLUSTRATOR

402.350.7956

REILLY.KORTUS17@GMAIL.COM

BERKSHIRE HATHAWAY

LASER CUTTING HAND MODELING/CRAFT

SUDBECK HOMES

RESIDENTIAL OMAHA, NE SUMMER 2019

DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG SELF-EMPLOYED DESIGN PORTF DENVER, CO I AM CURRENTLY WORKING ON A D E S I G E S I ROLE GN PORTF HOUSE FLIP IN COLORADO.DMY AS LEAD DESIGNER INCLUDES SITE D E S I G D E S I GTHE N PORTF VISITS, WORKING ALONGSIDE GENERAL CONTRACTOR AS WELL D E S I G ESIGN PORTF AS MANUFACTURERS TO DPRODUCE PLANS AND SELECTING FINISHES/ D E S I G D E SPHASE IGN PORTF FIXTURES/FURNITURE. THE NEXT INCLUDES ORDERING FURNISHINGS. D E S I G DESIGN PORTF DESIG HERMAN, NE D E SON I G N AP O R T F I AM CURRENTLY WORKING BUNKHOUSE PROJECT ON A LOCAL D E S I G D E S I LEAD GN PORTF NEBRASKA ACREAGE. AS DESIGNER, MY ROLE INCLUDES D E S I G D E S I GAND N PORTF SITE VISITS, BIM MODELING, PRODUCING CONTRACT DOCUMENTS D E S I G DESIGN PORTF FOR THE GENERAL CONTRACTOR. CONSTRUCTION IS UNDERWAY D E S I G DESIGN PORTF AND IS ABOUT 50% COMPLETE. DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG D E S I G N P O RTF CEO ASSISTANT & DESIGNER D ESIG MY ORIGINAL ROLE ENCOMPASSED D E S I G N P O R TF ADMINISTRATION DUTIES INCLUDING PHONE CALLS, ATTENDING BUSINESS D E S I G DESIGN PORTF MEETINGS, EMAIL CORRESPONDENCE AND GENERAL OFFICE WORK. D E S I G DESIGN PORTF I WAS PROMOTED IN 2019 TO A D E S I G D E S I GONE N PORTF ROLE WORKING ALONGSIDE OF THE TOP REAL ESTATE AGENTS IN D E S I G ESIGN PORTF THE COMPANY. MY ROLE DINCLUDED STAGING HOMES, CREATING DESIGN D E S I G D E S IWITH GN PORTF PAMPHLETS, AND MEETING EXISTING AND POTENTIAL CLIENTS. D E S I G DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF INTERIOR DESIGNER THE MAIN PROJECT WAS COMPLETING D E S I G E S I ROLE GN PORTF WORK FOR A MODEL HOME.D MY INCLUDED MAKING IMPROVEMENTS D E S I G D E SPLANS, IGN PORTF TO A STANDARD SET OF HOUSE SITE VISITS, WORKING ALONGSIDE D E S I G DESIGN PORTF MANUFACTURERS, COLLABORATING WITH BUILDER/OWNER AND OTHER D E S I G DESIGNERS, AND SELECTINGDFINISHES/ ESIGN PORTF FIXTURES TO REPRESENT VARIOUS D E S I G DESIGN STYLES THAT D EWOULD SIGN PORTF BEST SUIT THE POTENTIAL CLIENT D E S I G LOOKING TO BUILD A CUSTOM D E SHOME. IGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF DESIG DESIGN PORTF


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E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O COMMUNITY D E S I G N P O R- TLOS F O LANGELES, I O D E S I GCALIFORNIA N PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN 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-NLINCOLN, P O R T F O LNE IO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN WELLNESS O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D EHEALTH D E S I G NFOR P OWOMEN R T F O L I O- LINCOLN, S I G N P& OR T F O L I O CLINIC D E S I G N PNE ORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O RRETAIL: T F O L I ONYDFASHION E S I G N P WEEK ORTFO I O D E S I G N NEW P O R TYORK FOLIO DESIGN - LMANHATTAN, OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N P O R T F O L I O D E S I G N COMMUNITY P O R T F O L I O PLANT D E S I G& N TEA P O RBAR T F O-L ISOUTHPOINTE O D E S I G N P OPAVILIONS R T F O L I O LINCOLN, D E S I G N NE PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO GN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN OLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFO

CONTENTS

01

THE POTTER

02

SOAK. STEAM. DREAM.

03

THRIVE.

04

LULULEMON POP-UP

05

RECONNECT

06

OTHER PERSONAL DESIGN PROJECTS



01 the potter

SUBMISSION FOR IDES210. INTERIOR DESIGN STUDIO I - “THE HOBBYIST”

2ND YEAR DESIGN STUDENT. FALL 2019. ACTIVITY-CENTERED DESIGN.

THE HOBBYIST PROJECT WAS A RANDOMLY-ASSIGNED HOBBY, AND I WAS REQUIRED TO RESEARCH AND CREATE A SPACE THAT WOULD BE USED FOR THIS HOBBY. WHEN RESEARCHING, IT WAS IMPORTANT TO UNDERSTAND THE USER, THE “HOBBYIST”, THE HOBBY ITSELF, AND THE SPECIFIC NEEDS IN ORDER FOR THE HOBBYIST TO RETREAT AND ENGAGE IN THE HOBBY. WHEN RESEARCHING THE JOURNEY AND THE PROCESS OF POTTERY, I WANTED TO COMMUNICATE AND TELL THE STORY OF HOW THE HOBBY OCCURS IN TIME AND EXPERIENCE. IT WAS IMPORTANT TO UNDERSTAND THE SEQUENCE OF EVENTS FROM APPROACH, ENTRANCE, TO EXIT IN ORDER TO DESIGN THE SPACE SUCCESSFULLY. I CHOSE TO DESIGN THIS POTTERY SPACE IN LOS ANGELES BECAUSE POTTERY IS A TOP HOBBY THERE. I DERIVED THREE-DIMENSIONAL SPACES AND FORMS FROM PLAN COMPOSITIONS THROUGH THE PROCESS OF EXTRUSION, TRANSFORMATION, AND TRANSLATION. I BEGAN TO CURATE DRAWINGS AND SHOWED IMPORTANT DETAILS (GIVEN DOMINO FRAME). THIS PEACEFUL, PURE, AND MINIMAL SPACE IS DESIGNED FOR PEOPLE TO GET AWAY AND GET CREATIVE WITH POTTERY. THE MAIN FOCUS OF THIS SPACE IS NOT SIMPLY CREATING ANY POTTERY, BUT USING CARVING TECHNIQUES AND VARIOUS TOOLS TO CREATE THEIR OWN UNIQUE PIECE. THE MODEL FOR THIS PROJECT WAS IMPORTANT FOR SHOWING MATERIALITY USED IN THE HOBBYIST SPACE AND SPECIFIC FEATURES WITHIN THE SPACE. OVERALL, MY DESIGN INTENTION WAS TO CREATE A SPACE FOR PEOPLE TO CREATE A UNIQUE PIECE OF POTTERY, WITH A FOCUS IN CARVING.


B

GLAZING TABLE AND STORAGE

BATHROOM

PANTRY

KILN

FIRING ROOM

FINISHING

REF

KITCHEN

KILN

B

A

ELEVATOR

A POTTERY STORAGE

A

A

UP

DRYING POTTERY

POTTERY SHOWCASE

CARVING TOOLS WALL

POTTERY SHOWCASE

WHEEL

B

B

PLAN - FIRST FLOOR

PLAN - SECOND FLOOR

hobbyist is soMeone who looks for a craft to do to get away and get creative.

THE POTTER

My

known decorative arts.

even

wheel

Pottery

is the oldest and Most well-

throwing Pottery is a very coMPlex activity that requires soMeone to follow stePs closely.

though this is a very structured Process, Pottery can turn into anything you want it to.

takes uP a lot of sPace and requires a variety of tools. tools, carving tools, kiln, glaze, etc. of Pottery.

carving

there

these

include the wheel to create the

Pottery Pottery,

is a hobby that

is one of the Methods you can use, which takes Pieces out of the existing clay.

using

this

CARVING SPACE

SOURCING CLAY

wheel throwing

are several techniques you can use in order to create various different tyPes

different Patterns and textures in the Model.

wheel

DOWN

CARVING

SINK

SINK

WHEEL THROWING

CART

HANGOUT

ELEVATOR

can create Many

PREPARING CLAY

different glaze finishes can also affect how your Pottery turns out.

throwing Pottery is a very creative and coMPlex activity, but adding carving into your design will Make it unique.

Savage, George. “Pottery.” Encyclopædia Britannica. Encyclopædia Britannica, inc. Accessed October 16, 2019. https://www.britannica.com/art/pottery.

CENTER CLAY ON WHEEL

WHEEL

OPEN UP CLAY

“Network Home.” Ceramic Arts Network. Accessed October 16, 2019. http://www.ceramicartsdaily.org/. Peterson, Beth. “What Is Wheel Thrown Pottery?” The Spruce Crafts. The Spruce Crafts, October 16, 2019. https://www.thesprucecrafts.com/.

REILLY KORTUS

RESEARCH BOARD

MAKING A PULL

PROCESS

CARVE

DRY CLAY

COVER UNTIL DRY

FIRE

GLAZE

FIRE

GLAZE

MATERIALS

CUT BASE WITH WIRE

TECHNIQUES

KILN

POTTERY TOOLS

CARVING TOOLS

CLAY

GLAZE

DETAIL - SHELVING UNIT


H A

FI N N

IS G

H O U C A

T

IN G IN

W H E E L R

TH O G

W IN G

FT

SQ

JOURNEY MAP 550 S QFT 250

VOLUMETRIC SYSTEMS R V

350

SQ

FIRE

GLAZE

SECTION A

FIRE

COVER UNTIL DRY

DRY CLAY

FINISHING

CUT BASE WITH WIRE

FORMING CLAY

CLAY ON WHEEL

PREPARING CLAY

WHEEL THROWING

THE PROCESS

WHEEL THROWING SPACE SECTION B

CARVE FT



02 soak. steam. dream. SUBMISSION FOR IDES211. INTERIOR DESIGN STUDIO II - “THE BATHHOUSE”

2ND YEAR DESIGN STUDENT. SPRING 2020. ACTIVITY-CENTERED DESIGN.

I USED MULTIPLE SYSTEMS TO CREATE A L ANGUAGE THROUGHOUT MY DESIGN REL ATED TO THE COMPOSITION, CIRCUL ATION, AND APERTURE SYSTEMS. WHEN CREATING THE COMPOSITION, I CHOSE TO USE THE RADIAL STRATEGY, WHICH MAKING ALL THE OBJECTS PROJECT OUT WARDS. WHEN BEGINNING TO DESIGN THE SPACE, I WANTED TO A CREATE A COMFORTABLE ATMOSPHERE FOR THE USERS TO EXPERIENCE WHILE SPENDING TIME AT THE BATHHOUSE. TO ACCOMPLISH THIS, I TOOK INTO ACCOUNT WHERE I WANTED NATURAL LIGHT TO ENTER THE SPACE TO CREATE CERTAIN MOODS AND SHADOW TO DIRECT THE USERS TO CERTAIN AREAS. I USED NATURAL LIGHT ON THE SOUTH SIDE BEHIND THE RECEPTION DESK TO BRING IN NATURAL LIGHT FOR MOST OF THE DAY. ON THE NORTH SIDE, I KEPT ONE OF THE EXISTING WINDOWS TO ALLOW DIFFUSED LIGHT TO ENTER TO CREATE A SENSE OF URGE TO SEE WHAT WAS AT THE END OF THE HALL. WHILE WALKING DOWN THAT HALL, I TOOK INTO CONSIDERATION HOW PEOPLE WOULD CIRCUL ATE FROM THE ENTRANCE TO THE NORTH SIDE OF THE BATHHOUSE. I WANTED TO CREATE A PASS - BY - SPACE METHOD WHILE WALKING BET WEEN THE T WO ABOVE GROUND POOLS ON BOTH SIDES OF THE USER. THIS ALLOWS THE USER TO DECIDE WHERE THEY WANT TO GO NEX T, WHETHER IT BE UP TO THE POOL AREAS OR TOWARD THE DIFFUSED LIGHT AT THE END OF THE HALLWAY. AS YOU APPROACH THE NORTH SIDE, THE HALLWAY SEEMS TO CLOSE UP, AND THEN OPEN BACK UP ONCE YOU REACH THE END OF THE SPACE. THE SIT TING AREA THAT LIES BEHIND THE BATHS CREATES A PRIVATE SPACE TO VIEW THE OUTDOORS AND REL AX. ANOTHER STRATEGY I USED WAS TO ALLOW PEOPLE TO CIRCUL ATE IN VARIOUS WAYS THROUGHOUT THIS SPACE. THE USER CAN ENTER THE SPACE AND EXPERIENCE POOLS FROM THE FLOOR LEVEL, BUT THEN TRANSITION TO A HIGHER LEVEL TO ENGAGE WITH THE BATHS OR USE LOCKER ROOMS IF NEEDED. AS YOU CAN SEE, THERE IS A MAIN SKYLIGHT ON THE ROOF TO CREATE DIRECT SUNLIGHT ONTO THE L AP POOL, POOL DECK, AND THE SMALLER BATHS. THIS ALLOWS THE USER TO BE MORE HAPPY WHEN IN THESE SPACES DUE TO THE NATURAL LIGHT. ANOTHER ADDITION I EXECUTED WHEN DESIGNING THIS SPACE WAS USING THE MATERIAL TO CREATE WAY FINDING. WHEN YOU ENTER INTO THE RECEPTION AREA , THE WOOD LEADS YOU TO THE RECEPTION SPACE AND THEN TO YOUR NEX T DESTINATION. ALSO, WHEN YOU ARE WALKING IN BET WEEN THE POOLS IN THE CENTER, THE WOOD ON THE SAUNAS LEADS YOU IN DIFFERENT DIRECTIONS ALLOWING THE USER TO MAKE A DECISION. WHEN DESIGNING THIS SPACE, I WANTED TO FOCUS ON HOW NATURAL LIGHT WOULD AFFECT THE MOOD OF THE USER AND THE VARIOUS CIRCUL ATION ROUTES THAT CAN BE TAKEN THROUGHOUT THE BATHHOUSE.


APERTURE DIAGRAM

MATERIAL PALETTE

FURNITURE/FIXTURE PALETTE

SECTION A

SECTION B


PERSPECTIVE 1

PERSPECTIVE 2

SECTION C



03 thrive.

SUBMISSION FOR IDES211. INTERIOR DESIGN STUDIO II - “RE-IMAGINING PRIMARY CARE”

2ND YEAR DESIGN STUDENT. SPRING 2020. ACTIVITY-CENTERED DESIGN. RESEARCH DESIGN.

THRIVE IS A HEALTH AND WELLNESS CLINIC FOR WOMEN, PROVIDING A WHOLE BODY APPROACH THAT PRIORITIZES LIFESTYLE MANAGEMENT AND INTEGRATED WELLNESS PL ANS SO YOU CAN REACH YOUR OPTIMAL STATE OF BEING. THRIVE RELIES ON CUT TING EDGE TECHNOLOGY AND COMMUNITY PROGRAMMING TO IMPROVE COMMUNICATION ABOUT WELLNESS, AND TO COORDINATE CARE THAT RESULTS IN HEALTHY LIFESTYLES, EDUCATED ACTION, AND MEANINGFUL REL ATIONSHIPS. AS THE DESIGNER, I INTEND TO: ( 1 ) PRIORITIZE THE STAFF/CLIENT COMMUNITY, EDUCATIONAL, AND SOCIALIZATION SPACES TO CREATE A REL AXED ENVIRONMENT. ( 2 ) FOCUS ON NATURAL LIGHT ENTERING CERTAIN SPACES TO CREATE VARIOUS MOODS THROUGHOUT THE DIFFERENT SPACES. ( 3 ) CREATE A COMFORTABLE ENVIRONMENT FOR CLIENTS BY INCORPORATING CERTAIN MATERIAL, GRAPHICS, AND FURNITURE APPLICATIONS THROUGHOUT THE SPACE. ( 4 ) FOCUSING ON THE TEAM ASPECT OF THE SPECIALISTS, SO COMBINING THESE SPACES IN SOME WAY AND CREATING A REL ATIONSHIP TO ALLOW THE STAFF TO WORK TOGETHER. THE MOST IMPORTANT PARTS OF MY DESIGN PROCESS INCLUDED SKETCHING, PROGRAMMATIC STUDIES, AND RENDERING PERSPECTIVES WITH MATERIAL. ALL OF THESE STEPS HELPED ME ACHIEVE MY DESIGN INTENTIONS AND CREATE A SUCCESSFUL HEALTH CARE FACILITY.


STUDY 1

PERSPECTIVE 1

THESE PROGRAMMATIC ADJACENCY STUDIES HELPED FORMULATE MY DESIGN BY CREATING SPATIAL RELATIONSHIPS. IN STUDY 1, I SHOWED THE EDUCATIONAL SPACE AS YOGA STUDIOS AND HOW THEY CONNECTED WITH THE EXTERIOR. I EXECUTED THIS IN MY DESIGN BY PLACING THE YOGA STUDIOS FACING OUT TOWARD THE SIDEWALK, SO SOMEONE WALKING BY WOULD FEEL THE FEELING OF BEING IN THE STUDIO. IN STUDY 4, I FOCUSED ON THE CLINIC STAFF AND PATIENT SPATIAL RELATIONSHIPS. AS SEEN IN MY SKETCHING, I WAS REPRESENTING AND THINKING ABOUT HOW THE STAFF COULD APPLY TO MY 4TH DESIGN INTENTION OF TEAMWORK BY INTERCONNECTING THE STAFF AND FLEX SPACES. SKETCHING IS SUPER IMPORTANT TO ME AS IT HELPS ME EXPERIMENT AND COMMUNICATE MY IDEAS EASILY.

PERSPECTIVE 2

STUDY 4


SIDEWALK

STAFF FLEX DOCTOR/PHYSICIAN SPACE

AM EX O R

A

O R O M

SOIL ROOM

YOGA STUDIO AM EX

STAFF FLEX

M

NURSE STATION

O

OTHER BUILDING

AM EX

AM EX

O R

M

M

O

O

O R

CLEAN ROOM DATA ANALYSTS

AM EX O R

WAITING AREA

O N /W AI T

IN G

M

DATA SERVER

R EC EP TI

O

UP

SIDEWALK

CONSULTATION

STREET

M O

O

ES R

R

ES

TR

TR

O

O

M

UP

LOBBY

STAIRS OTHER TENANT

B

PLAN - FIRST FLOOR

SIDEWALK

OFFICE

CONSULTATION

OFFICE OTHER BUILDING

HEALTH COACHES

STAFF FLEX

YOGA STUDIO

A

TEA BAR

DN

DN O

C Y

IT

N

U M

M

PSYCHOLOGIST

E

AC SP

OFFICE RESTROOM

DN

SIDEWALK

PLAN - SECOND FLOOR

OTHER TENANT

B

STREET


PLAN - FIRST FLOOR

PLAN - SECOND FLOOR


FURNITURE/FIXTURE PALETTE

SECTION A

SECTION B


VISION

4 STRATEGIES 1. SOURCING RENEWABLE ELECTRICITY

THE VISION FOR THIS BRAND WAS TO CREATE MORE THAN A PLACE WHERE PEOPLE COULD GET GEAR TO SWEAT IN, BUT TO CREATE A COMMUNITY HUB WHERE PEOPLE COULD LEARN AND DISCUSS THE PHYSICAL ASPECTS OF HEALTHY LIVING, MINDFULNESS AND LIVING A LIFE OF POSSIBILITY.

2. ENERGY EFFICIENCY AND RENEWABLE ENERGY PROGRESS 3. SUSTAINABLE RAW MATERIALS AND FIBERS, INCLUDING RECYCLED AND RENEWABLE CONTENT 4. REDUCING CARBON EMISSIONS

USER GROUP WOMEN

SUSTAINABILITY LULULEMON IS WORKING HARD TO CREATE A CARBON-NEUTRAL FUTURE. THEY ARE FOCUSING ON INCREASING EFFICIENCY, TRANSITIONING TOWARD RENEWABLE ENERGY, INVESTING IN RAW INNOVATION, AND COLLABORATING ACROSS INDUSTRIES FOR PROGRESS.

BE HUMAN . BE WELL . BE PLANET .


04 lululemon pop-up shop SUBMISSION FOR IDES310. INTERIOR DESIGN STUDIO III - “FASHION WEEK POP-UP SHOP”

3RD YEAR DESIGN STUDENT. 5-WEEK PROJECT. FALL 2020. RESEARCH DESIGN.

IN THIS 5-WEEK PROJECT, I DEVELOPED A COMPREHENSIVE DESIGN PROPOSAL FOR A BRAND EXHIBIT AND RETAIL POP-UP SHOP FOR NEW YORK FASHION WEEK. THE BRAND I CHOSE TO RESEARCH AND DESIGN AN EXHIBIT FOR WAS LULULEMON ATHLETICA. THE PROPOSAL ALIGNS WITH LULULEMON’S MISSION TOWARD SOCIAL RESPONSIBILITY INTEGRATING RESEARCH AND DESIGN. I RESEARCHED AND USED CRITICAL THINKING SKILLS TO RELATE TO DESIGN. I DEVELOPED A PROPOSAL THAT “FITS” THE BRAND AND THEIR GOALS. RE-USING AN EXISTING RETAIL SPACE, THE DESIGN PROPOSAL WILL BE INTEGRATED INTO THE COMMUNITY IN WHICH IT IS LOCATED AND WITHIN THE CONTEXT OF NY’S INTERNATIONAL FASHION WEEK. FOR THIS PROJECT, I PRODUCED A DESIGN PROPOSAL THAT CONSIDERS THE SOCIAL RESPONSIBILITY OF DESIGNERS INCLUDING ISSUES RELATING TO THE ENVIRONMENTAL IMPACTS AND SUSTAINABILITY, ISSUES OF ACCESSIBILITY, AND ISSUES OF SOCIAL JUSTICE IN DESIGN. I DEMONSTRATED HOW THIS DESIGN INTERSECTS THE FASHION’S LEGACY AND HOW MY DESIGN RE-IMAGINES CERTAIN IDEALS. I SPENT A LOT OF TIME RESEARCHING THE BRAND TO UNDERSTAND THEIR FUTURE GOALS AND HOW TO ACHIEVE THEM IN THIS DESIGN. I FOCUSED ON USER GROUP, SUSTAINABILITY, VISION, AND STRATEGIES. FOR THIS PROJECT, I WANTED TO SHOW HOW IMPORTANT DIAGRAMS WERE WHEN COMMUNICATING AND REPRESENTING MY LULULEMON POP-UP SHOP.


ion 1 6" = 1'-0"

STORAGE/WORK SPACE

SEASONAL DISPLAY

FITTING ROOM CASH WRAP

A FITTING ROOM SEASONAL DISPLAY

YOGA SPACE SEATING CLOTHING RACKS/DISPLAY

PLAN - FIRST FLOOR

B

12’ - 0”

0’ - 0”

B

SECTION A


SHOPPERS/VISITORS EMPLOYEES PRODUCT/SUPPLIES

CIRCULATION DIAGRAM

A

12’ - 0” FITTING ROOM

SEATING

FITTING ROOM

CLOTHING RACKS/DISPLAY

EMPLOYEE SPACE/ STORAGE

CLOTHING RACKS/DISPLAY

CLOTHING RACKS/DISPLAY

SEASONAL DISPLAY

SEATING CASH WRAP

SEASONAL DISPLAY

YOGA

SEATING

0’ - 0” MOST IMPORTANT IMPORTANT LEAST IMPORTANT

SECTION B

PROGRAM DIAGRAM

CLOTHING RACKS/DISPLAY



05 reconnect

plant & tea bar

SUBMISSION FOR IDES310. INTERIOR DESIGN STUDIO II - “COMMUNITY SPACE AT SOUTHPOINTE PAVILIONS

3RD YEAR DESIGN STUDENT. FALL 2020. ACTIVITY-CENTERED DESIGN. GROUP MEMBERS: LUPING CHEN, NATALIE JONES, MOLLIE SIMMONS

RECONNECT IS A PL ANT AND TEA BAR THAT IS LOCATED AT THE FORMER PIER 1 IMPORTS SPACE AT SOUTHPOINTE PAVILIONS IN LINCOLN, NE. OUR DESIGN INTENTION IS TO CREATE AN INTERACTIVE PL ANT POT TING WORKSHOP AND TEA BAR FOR PEOPLE TO REL AX AT AND TO BE ABLE TO GET CREATIVE. THE DESIGN AND MATERIALS SELECTED ENCOURAGE A CALMING, INVITING & ACTIVATING USER E XPERIENCE. THE PURPOSE IS TO AT TRACT USERS TO SOUTHPOINTE PAVILION IN LINCOLN, NE TO REVITALIZE THE SPACE AND RECONNECT INDIVIDUALS WITH NATURE AROUND AND WITHIN US. OUR BRAND SLOGAN IS REL AX , REGROUP, RESET. WE DID A LOT OF RESEARCH AND FOUND MULTIPLE PRECEDENT STUDIES TO HELP PUSH OUR DESIGN TO BE SUCCESSFUL. THIS PROJECT WAS AIMED TO BRING THE COMMUNITY TOGETHER AND TO BRING THEM TO SOUTHPOINTE PAVILIONS. THE SQUARE FOOTAGE OF THIS SPACE IS 10,218. WE FOCUSED ON T WO MAIN PROGRAMS TO GO ON IN THE SPACE, WHICH INCLUDE A PL ANT WORKSHOP TO CREATE YOUR OWN PL ANTS AND A TEA BAR. THIS ALLOWS MORE PEOPLE TO COME TO THE SPACE WHETHER THEY ARE JUST WANTING TO GRAB A DRINK WITH FRIENDS, DO HOMEWORK, MAKE A CUSTOM PL ANT, RENT THE SPACE OUT FOR A PARTY, ETC. OUR GROUP PROJECT WAS VERY SUCCESSFUL IN TERMS OF CREATING A SPACE FOR PEOPLE TO REL AX, REGROUP, AND RESET. I TOOK ON THE ROLE OF THE GROUP TEAM LEADER AND WAS IN CHARGE OF THE REVIT FILE AND INDESIGN FILE, WHILE THE OTHER GROUP MEMBERS HELPED WITH DRAWINGS AND DIAGRAMS.


-

BUILDING

SIDEWALK

RR ENTRANCE

BREAK ROOM

STORAGE

FLORAL SHOP

3.

RR RR

2.

RR -

-

-

-

ENTRANCE

PLANT WORKSHOP SEATING

WORKSHOP SUPPLIES

TEA BAR

CHECKOUT

1.

UP

TEA BAR SEATING K AL EW SID

-

ENTRANCE

-

-

PLAN - FIRST FLOOR

REFLECTED CEILING PLAN - FIRST FLOOR

6. 5.

RR PATIO STORAGE

STORAGE BREAK ROOM

RR RR

-

TEA BAR

-

-

-

LIGHTING/MATERIAL KEY:

OUTDOOR SEATING

TEA BAR SEATING

LARGE PARTY WORKSPACE

RECESSED CAN LIGHT

FIRE PIT

PENDANT LIGHT

-

SPUTNIK HANGING LIGHT DN

HANGING GLOBE LIGHTS

LARGE PARTY PATIO ELEVATOR

-

PLAN - SECOND FLOOR CREDIT: MOLLIE SIMMONS (FURNITURE) NATALIE JONES (ILLUSTRATOR)

1. OAK WOOD 2. BLACK GRANITE

-

DN

MATERIALS KEY:

REFLECTED CEILING PLAN - SECOND FLOOR CREDIT: REILLY KORTUS

BELL PENDANT LIGHT WOOD SLATS CREDIT: REILLY KORTUS

3. PATINA COPPER 4. WHITE CONCRETE 5. WHITE LEATHER 6. BLACK BRICK 7. GLASS 8. BLACK LEATHER

CREDIT: REILLY KORTUS


4.

6.

2.

1.

8. 4.

3.

OUTDOOR

INDOOR

FURNITURE/FIXTURE KEY:

8.

7.

PERSPECTIVE 1 - PLANT WORKSPACE CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & NATALIE JONES (PHOTOSHOP)

5.

1. TALENTI 3 SEATER SOFA 2. HIGHTOWER BAR TABLE 3. HERMAN MILLER BAR STOOL 4. HIGHTOWER KILO LARGE CONFIGURATION 5. CONCRETE TABLE 6. GLOBE PENDANT LIGHTING 7. WEST ELM STOOL 8. BEBOP LOUNGE CHAIR

CREDIT: REILLY KORTUS (FURNITURE & DIAGRAM) MOLLIE SIMMONS (FURNITURE)

DETAIL - TEA BAR SEATING CREDIT: REILLY KORTUS

8. 7.


PRIVATE

SPACES THAT MAY BE RESERVED

PUBLIC

TEA BAR PATH

PLANT BAR PATH

EMPLOYEE PATH

ENTRANCE

FLORAL SHOP

STORAGE

BATHROOMS

SIDEWALK

BUILDING

BREAK ROOM

ENTRANCE

SECTION A

CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & LUPING CHEN (ILLUSTRATOR) PLANT WORKSHOP SEATING

BATHROOM

WORKSHOP SUPPLIES

BATHROOM

BATHROOM

TEA BAR

BATHROOM

CHECKOUT

UP

UP

TEA BAR SEATING K AL EW SID

ELEVATOR

ENTRANCE

UP

PROGRAM - FIRST FLOOR

PATIO STORAGE

FIRST FLOOR

CIRCULATION - FIRST FLOOR

RR BREAK ROOM

STORAGE RR

RR

TEA BAR

OUTDOOR SEATING

TEA BAR SEATING

LARGE PARTY WORKSPACE

FIRE PIT DN

DN

DN

LARGE PARTY PATIO

DN

ELEVATOR

PROGRAM - SECOND FLOOR CREDIT: NATALIE JONES

CIRCULATION - SECOND FLOOR

CREDIT: NATALIE JONES

PERSPECTIVE 2 - TEA BAR CREDIT: REILLY KORTUS


SECTION B

CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & LUPING CHEN (ILLUSTRATOR) BATHROOM

BATHROOM

BATHROOM

BATHROOM

DN

DN

DN UP

DN

FIRST FLOOR

SECOND FLOOR

SECOND FLOOR

RECONN

EC

T

PERSPECTIVE 3 - UPSTAIRS TEA BAR

CREDIT: REILLY KORTUS (REVIT) REILLY KORTUS & NATALIE JONES (PHOTOSHOP)

CREDIT: NATALIE JONES

PLA

NT & TEA

R A B



06 other personal design projects REILLY KORTUS DESIGNS

HOUSE FLIP (DENVER, CO). BUNKHOUSE (HERMAN, NE). MODEL HOME - SUDBECK HOMES (BELLEVUE, NE).

I STARTED REILLY KORTUS DESIGNS IN 2020. I TOOK ON MANY PROJECTS AS THE LEAD DESIGNER, SO I WANTED TO START MY OWN DESIGN BRAND. THE HOUSE FLIP PROJECT IS LOCATED IN DENVER, CO AND IS ALMOST COMPLETE. I AM THE LEAD DESIGNER ON THIS PROJECT, AND I TAKE MANY TRIPS OUT TO THE SITE. THIS SPACE IS INTENDED TO BE A COMFORTABLE AND INVITING SPACE FOR MY CLIENT TO LIVE IN 50% OF THE TIME AND HAVE ENOUGH SPACE TO ALLOW HER FAMILY TO COME VISIT. ALL OF THE SELECTIONS HAVE BEEN MADE AND THE MATERIAL SELECTIONS WERE SELECTED WITH THE CLIENT’S WANTS IN MIND. SHE WANTED THE SPACE TO FEEL MORE OPEN, MODERN, WITH POPS OF BROWN. THE REASON FOR THIS IS BECAUSE HER HUSBAND PASSED AWAY AND HAD LOTS OF BROWN FURNITURE, SO SHE WANTS TO STILL BE REMINDED OF HIM IN HER UPDATED HOME. THIS PROJECT WILL BE COMPLETED IN EARLY APRIL. THE BUNKHOUSE PROJECT IS LOCATED IN HERMAN, NE AND IS ABOUT 50% COMPLETE. THIS SPACE IS INTENDED TO BE A COMFORTABLE SPACE FOR FAMILY TO STAY AT AND TO ALLOW FOR A FUN WEEKEND GETAWAY ON THE ACREAGE. THE MATERIALS USED IN THIS SPACE ARE CARPET, CORRUGATED METAL, AND BARN WOOD PANELS THAT ARE VERY COST - EFFECTIVE, WHICH MET THE CLIENT’S NEED. THIS PROJECT WILL BE COMPLETED IN THE SUMMER OF 2021. THE MODEL HOME PROJECT IS LOCATED IN BELLEVUE, NE AND IS COMPLETE. I COLL ABORATED WITH MULTIPLE DESIGNERS ON THIS PROJECT AND AM SO PROUD OF THE FINAL DESIGN OF THIS HOME. THIS PROJECT WAS INTENDED TO SHOW CLIENT’S POTENTIAL DESIGNS THAT COULD BE APPLIED IN THEIR CUSTOM HOME AND SHOW THE BUILDER’S FULLEST POTENTIAL. AS DESIGNERS, WE CHOSE VARIOUS TYPES OF FINISHES/FIX TURES THROUGHOUT THE SPACE TO REPRESENT MULTIPLE T YPES OF DESIGN ST YLES. OVERALL, WE STUCK TO A NEUTRAL MATERIAL PALET TE WITH INTENTION TO CATCH POTENTIAL HOME BUYERS. THIS PROJECT WAS COMPLETED IN SEPTEMBER OF 2020. I WANTED TO REPRESENT MY DESIGN PROJECTS THAT ARE ALL AT DIFFERENT CONSTRUCTION STAGES - 50% COMPLETE, ALMOST COMPLETE, AND COMPLETE. I AM EXCITED TO SEE THE FINAL RESULTS OF THE CURRENT DESIGN PROJECTS THAT I AM WORKING ON AND THE PROJECTS THAT I TAKE ON IN THE FUTURE.


HOUSE FLIP

BEFORE PHOTOS

DENVER, CO

KITCHEN

MASTER SHOWER

LIVING ROOM

DINING ROOM

GUEST BATHROOM

MASTER BEDROOM


PROCESS PHOTOS

DOVE (BEHR) ABBEY STONE (BEHR)

MASTER BEDROOM

KITCHEN

LIVING ROOM

KITCHEN

GUEST BATHROOM

MASTER SHOWER

MATERIAL PALETTE

TRIM & DOORS

WALLS & CEILING


1' - 2"

HERMAN, NE

1' - 6"

18' - 2" 18' - 6"

2' - 3 17/32"

0' - 8 1/16"

2' - 6"

40' - 0" 3' - 0"

2' - 6"

0' - 11 15/16"

14' - 1 15/16"

2' - 6"

14' - 0"

9' - 8"

9' - 6"

12' - 5 15/16"

11' - 9"

18' - 0 17/32"

10' - 5"

12' - 1"

9' - 0"

PLAN - FIRST FLOOR

60' - 0"

11' - 7"

2' - 6"

40' - 6"

12' - 10"

6' - 8" 2' - 6" 0' - 3"

2' - 7"

3' - 0"

22' - 0"

13' - 9" 3' - 0"

43' - 3"

BUNKHOUSE

18' - 2"


REVIT PERSPECTIVE

REVIT RENDER

PROCESS PHOTOS

BEDROOM

LIVING SPACE

BEDROOM

BATHROOM SHOWER

BATHROOM

LIVING SPACE


MODEL HOME - SUDBECK HOMES BELLEVUE, NE

MASTER BATHROOM

LIVING ROOM

POWDER BATHROOM

DESK SPACE

KITCHEN


BUTLER’S PANTRY

EXTERIOR

MASTER BATHROOM SHOWER

MASTER BEDROOM


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DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN 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DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN 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DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOLIO DESIGN PORTFOL IGN 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THANK YOU

W H AT W E T H I N K , W E B E C O M E .


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