2018‐ 2019
Reinwardt Academie Amsterdamse Hogeschool voor de Kunsten
Reinwardt Academy Amsterdam University of the Arts
[TIJDSCHRIFTATTENDERING NR.6] Inhoudsopgaven van recent verschenen tijdschriftnummers
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THE YEAR AHEAD
KIRAPEROV
Where to go, what to see: our pick of the big exhibitions, biennials and museum openings in 2019
The artist on her 40-year collaboration with her husband, Bill Viola
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African-American fakes on the rise Problem is exacerbated as estates and foundations are increasingly u_nwilling to authenticate due to the threat of litigation NEW YORK. The recent boom in museum shows devoted to AfricanAmerican artists and the increasing amount of attention paid to these artists in the market has led to a significant rise in forgeries, a prominent dealer is warning. In the past few weeks alone, the New Yorkbased gallerist Michael Rosenfeld, who has long championed the work of many African-American Modernists, has seen takes purporting to be the work of Alma Thomas, Beauford Delaney, Charles White, Romare Bearden and Bob Thompson. "It's a whole generation: you could go from A to Z through the list, from Charles Alston to Charles White. I am seeing fakes attributed to all of them," Rosenfeld says. Propelling the fakes market is the fact that many of these artists
"It's a whole generation: you could go from A to Z through the list"
Alma Thomas's abstract paintings are among the works to have been forged were overlooked or undervalued in their lifetimes, so scholarship and expertise in their work is limited. "You simply can't go back to the source any more, and there is only a handful of people who worked firsthand with a lot of these artists while they were alive," he says. Forgers "know they can capitalise on that". This dearth of information makes
it easier for fraudsters to operate and harder for authorities to catch them. Although some of the artists whose works are being forged, such as Bearden and Jacob Lawrence, do have estates and foundations, these organisations are increasingly unwilling to authenticate works due to the threat of litigation. "Foundations just aren't doing this work any more; they can't afford to," says Bridget Moore of New York's DC Moore gallery, which represents African-American artists including David Driskell, Bearden and Lawrence. For this reason, Moore says she has always kept detailed "fake files" on all of her artists.
Cat out of the bag In 2011, the artist William Toye and his wife, Beryl, based in Baton Rouge, Louisiana, pleaded guilty to charges of fraud after conspiring with a New Orleans-based dealer over the course of nearly 40 years to sell dozens of works painted by Toye and fraudulently signed as Clementine Hunter, CONTINUED ON PAGE 10 f)
Cultural figures caught up in China's Uyghur persecution XINJIANG_The recent detention of the photographer Lu Guang in north-west China's Xinjiang Uyghur Autonomous Region has sparked a global outpouring of protest. Lu Guang, who is known for his work documenting the ecological and human devastation of development in remote regions in China, is the first cultural figure from the Han Chinese majority population to disappear into the prisons of Xinjiang. But most of the region's Uyghur writers, artists and scholars have already been imprisoned. "So many have been taken away," says Tahir Hamut, a Uyghur poet and film-maker who escaped to the US. "Most of the more famous [Uyghur 1 cultural figures have all been arrested.
Detained photographer Lu Guang with the loggers he photographed in the Democratic Republic of the Congo Their families won't say for certain, because their families are afraid." The missing Uyghur cultural figures include the pop star Ablajan Awut Ayup; the poet. writer and screenwriter Perhat Tursun; the dutar player Abdurehim Heyit; the footballer Ertan Hezim; the academic translators Muhammad Salih Hajim (who died in custody in early 2018) and Abdulqadir Jalaleddin; the Uyghur folklore expert Rahile Dawut; the Xinjiang University president, Tashpolat Teyip; and the former president of Xinjiang Medical
University Hospital. Halmurat Ghopur. The Chinese government claims the crackdown is on religious radicalisation, but an unprecedented level of digital surveillance is being used to punish any form of religious or cultural expression, such as owning a Koran or speaking Uyghur. The government has called Islam an "infection" to be eradicated. Since April2017, an estimated one million of Xinjiang's 11 million Uyghur population, and its smaller
An estimated one million people have disappeared
concentration of ethnic Kazakhs, have disappeared into what the government calls "re-education" camps, without recourse or documentation, where they are reportedly tortured into denouncing Islam and their Uyghur identity, and accepting Communist Party rule and Han Chinese dominance. The crackdown has intensified since July. Lu was first detained on 3 November, with no news of his whereabouts given for six weeks. He had travelled on 23 October to the Xinjiang capital, Urumqi. to present a week-long workshop for photographers.On 12 December, Lu's wife, Xu Xiaoli, wrote on Twitter that police had confirmed that the
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CONTINUED ON PAGE 14 f)
J THE ART NEWSPAPER Number 308, January 2019
4
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THE ART NEWSPAPER
Issue 308, January 2079
REVIEW
Review FEATURES 4 BILL VIOLA'S"GUARDIANANGEL" Ahead of her husband's Royal Academy of Arts exhibition, Kira Perov on their inspired collaboration
6 BAUHAUS BONANZA A deluge of shows and new buildings marks the IOOth anniversary of the German artschool
100YEARs OF BAUHAUS OPENING A WINDOW ON THE COMPLEX GERMAN SCHOOL
DIARY 8 LOUISA BUCK'S LONDON Michael landy and Gillian Wearing host Brexit Bingo at the Contemporary Art Society, and Charlotte Prodger shares her sartorial wish list at the Turner Prize awards
9 MISSIVE FROM MIAMI Neneh Cherry comes out on top at White Cube's Soho Beach House party, and Arthur J_ Williams is a counterfeiter with an 'art of gold
The Getty Conservation Institute explores cai Guo-Qiang's use of gunpowder for a major new book. See plO
BOOKS LEADERS S COMMENT Eurocentric problems with Emmanuel Macron's report, and the Whitney Museum of American Art's ethical dilemma
NEWS 8
UK Tate Modern reassesses the reputation of the French painter Pierre Bonnard
17
10
CONSERVATION
CATALOGUESRAISONNÉS
Scientists test the endurance of Cai Guo-Qiang's unpredictable gunpowder art
All there is (so far) of Jasper Johns
31
ANTIQUITY
CONSERVATION
No life after life in the Ancient Near East
INTERNATIONAL
12
Ahead of her first major exhibition, the youngfashion designer Grace Wales Bonner tells us who she admires and about disrupting institutions from within
INTERNATIONAL A Moscow exhibition highlights Frida Kahlo and Diego Rivera's ties to the Soviet Union, while a New York survey of lucio Fontana shows that he was more than just a slasher
11
18
RENAISSANCEART
ART MARKET 33-36
london's National Gallery to stage major Artemisia Gentileschi exhibition
16
30
New research uncovers Charles Dickens's passion for fashion-and preserves his sweaty stockings
UNITED KINGDOM
One hundred years of Bauhaus: the art world marks the centenary of the complex German school. See Review, pp6-7
Vasari the artist and decorator
CALENDAR
13 POSH PEOPLE'SSTUFF
19-22
Industry experts predict the art market trends of2019
The Paston Treasure unpacked
Our pick of exhibitions around the world
How art in Norfolk, Virginia, is being protected from sea rise
38 EUROPE
EXHIBITIONS lS
ENDNOTE
12
INTERNATIONAL
PHOTO FINISH
How trade routes paved with gold flowed across the Sahara Desert in medieval times
Berlin's Gipsformerei celebrates its bicentenary with a master model of Donatello's David on show
INTERNATIONAL
10 US & AMERICAS
EUROPE Can museums legally return colonial artefacts to Africa?
French dealers demand revisions to the recent Savoy-Sarr restitution report
42
13
23
ASIA
EUROPE Dutch policy on returning Nazi-looted art comes under fire
MUSEUMS & HERITAGE
Taipei and Singapore launch new art fairs despite sluggish South Asian markets
REGULARS 17
21 EUROPE The director of Madrid's 200-year-old Museo del Prado on Spanish politics and the end of blockbuster exhibitions
22
LETTERS Questions over Bass Rock identification in Bruegel print; adequate art loan registration system already exists in UK
AFRICA
18-19
Beninese foundation joins debate over restitution of colonial-era African art
Girl power: Victoria Beckham puts Old Mistresses on show
27
46
IN THE FRAME
UNITED STATES
OBITUARY
Comment: the Metropolitan Museum's antiquated approach to antiquities needs a reboot
The art critic and former director ofthe Museo del Prado, Francisco Calvo Serraller
Helene Funke's Träume (1913) is in the Belvedere's show of work by female artists working in Vienna. See Review, p15
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TRENDS IN KUNST EN CULTUUR
Nummer 117
• Winter 201812019
• 30ste jaargang
Culturele arbeidsmarkt Fair practice Arbeidspositie onder druk Betaalbare werkruimte
•
Reinwardt Academie
Amsterdamse HogellCbool voor de Kunsten
Mediatheek °50/1 ISBN
978-90-6650-150-8
111111111111111111111111111111 www.boekman.nl
€15
BOEKMAN
117
Inhoud
3 30
Koos deWilt 'Niet omdat het moet, maar omdat het aantrekkelijk is' Interview met Thera Jonker (HKU) en Evert Hoogendoorn (IJsfontein)
36
Kracht en kwetsbaarheid
Wat zijn kunst en cultuur ons waard?
Vrijwilligers in de kunsten cultuursector
40
10
De hand aan de ploeg Ultrakorte geschiedenis van werk, markt en inkomen in de culturele en creatieve sector
Precariteit, de culturele sector, het werk van de suppoost en de (on-) mogelijkheid van actie
Jan Zoet
48
De Fair Practice Code
LinC-programma opent een nieuwe wereld I nterview met Paul Adriaanse
46
Online dossier Achtergrond informatie en literatuur over het thema in de bibliotheek van de Boekmanstichting boekman.nl/dossiers
Boekbesprekingen
58
Birgit Donker en Aline Knip
Rogier Brom
De complexe arbeidsmarktpositie van de kunstenaar
20
54
Mariëtte Hamer
59
Het bijzondere karakter van de culturele arbeidsmarkt
Joram Kraaijeveld
Betaalbare ateliers, een maatschappelijke zaak
60
Kim van der Meulen
Op naar een gezonde arbeidsmarkt Interview met Jeroen Bartelse (Muziekcentrum Tivol iVredenburg),Yolande Melsert (Nederlandse Associatie voor Podiumkunsten) en Marc van Warmerdam (Orkater)
14
Ranti Tjan
Sparen, dromen, kleien
Nico de Klerk over Claudy op den Kamp
The greatest films never seen: the film archive and the copyright smokescreen
Gijs Scholten van Aschat
Groot nieuws, dames en heren, groot nieuws!
24
Johan Kolsteeg over Bert Koopman
Competentiestrijd in de muziektempel: een zakelijke geschiedenis van het Concertgebouworkest
Epiloog
Columns/reportages
26
Claartje Rasterhoff over Nico Dockx en Pascal Gielen (eds.)
Commonism: a new aesthetics of the real
Opdrachten in vrijheid
16
Lisa Gritter
David Bowie is een slappeling
Marguerite van den Berg, Lisette Olsthoorn en Julia Jansen
Fantaseren over staken
Erik Akkermans
André Nuchelmans
Edo Dijksterhuis
Redactioneel
Artikelen
4
34
Scholing
62
André Nuchelmans over Garth Cartwright
Going for a song: a chronicle of the UK record shop
Race-ism Reinwardt Academie Amsterdamse
Volume 30, Issue 2
Hogeschool voor de Kunsten
-
-
--
----
-
Conlenis Introduction Race-ism
Luuk Slooter and Erella Grassiani Tracing Pasts and Colonial Numbness Decolonial Dynamics in the Netherlands Sherilyn Deen Remembering the Anthropological Making of Race in Today's University An Analysis of a Students' Memorial Project in Berlin Thiago Pinto Barbosa, Owen Brown, Julia Kirchner and Julia Scheurer Entangling the Migration and the Economic 'Crisis' Claiming What's Rightfully Greek Marilena Drymioti and Vassilis Gerasopoulos Essay: Anthropology Should Never Be Fully Decolonized ... Peter Pels Essay: The Continuous Decolonization of Anthropology The Case of Muslims in Europe Jasmijn Rana Essay: Paying Attention to 'Spanish Radio Stations' in the Netherlands An Essay on the Potential of Urban Popular Culture as Anti-racism Francio Guadeloupe Essay: On the Primacy of the Eye Amplifying Islam, Racism, and the Senses Pooyan Tamimi Arab Book review: Smash the Pillars • Decoloniality and the Imaginary of Color in the Netherlands Markus Balkenhol In Conversation: Stories • Storytelling and the Construction of Realities Paul Stoller
Table des matières Table of contents
Introduction ICA Congress
2016,
"Archives, harmony and friendship"
Introduction Le congrès 2016 de l'ICA : "Archives, harmonie et amitié"
3
Vorwort ICA-Kongress 2016, "Archive, Harmonie und Freundschaft"
5
Introducción Congreso 2016 del CIA: "Archives, armonia y amistad"
7
ITpeAHcAoBHe Koarpecc MCA
9 2016,
«APXHBbI, rapMoHIDI H APY)J(6a»
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11
:
2016
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13
Out of the box, into the world: the contribution of archives and archivists to to day's world
John Hocking and Chiara Biagioni
IS
Archiving technologies
Eric Ketelaar
25
Use of records and archives in justice, advocacy and reconciliation work! Harmony and friendship in the global archives world:
d other funding ers Gold Open ediate release of y through Gold )er@liv.ac.uk or
The role of archives in creating national identity and harmony in post-communist society
Elzbieta Czajka
35
The Archive of Oppressed Literature in the German Democratic Republic
Matthias Buchholz
41
The sanctity of evidence? A journey into past retention and disposal decisions
Gerard Foley
SS
-- ---
~ica---~
--
iv
Table des matières /Table of contents
Administration records: a largely untapped source of information for people who were in out-of-home care as children Debra Rosser One small step ( a law) for information, a giant leap for democracy: Brazilian archival legislation and its capacity to strengthen transitional justice Shirley Carvalhêdo Franco and Georgete Medleg Rodrigues
75
Les archives d'un crime de masse: comment négrière française? Louis-Gilles Pairault
93
«
traiter
»
les archives de la traite
Co-operation / Achievements of the ICA network since 2012: Archives et chercheurs : comprendre leurs relations pour mieux coopérer Margot Georges et Magalie Moysan
105
Lone Rangers no more: Archival cooperation in transition Charles J. Farrugia
115
Converged and professional: the model of archive, library and museum services at the University of Edinburgh's Centre for Research Collections Joseph Marshall
125
Korean historical documents in Russian archives Aleksandr Toropov
135
Access to archives of organizations of faith traditions Hans von Rütte
143
Recent projects and initiatives at Toyota Archives Takeshi Hasegawa
149
Recordkeeping in the Digital Age: La politique du Service Interministériel des Archives de France (SIAF) en matière d'archivage numérique : entre mutations et ruptures Thomas Bernard
ISS
Records management for electronic laboratory notebooks in Korea Kyungchan Lee
165
An introduction to "Records in Contexts": an archival description draft standard Daniel Piiii, Bill Stockting and Florence Clavaud
173
A broader perspective on records as seen by "Records-in-Contexts" Bogdan-Florin Popovici
189
Programme Vitam: a cross-departmental project developing a free software for digital archives and records preservation, bringing together archivists, records managers and IT professionals Mélanie Rebours
- - ----®ica ~-~ -------
--- ------
199
v
Table des matières /Table of contents
L'archivage à l'ère du numérique : défis et solutions SamiMeddeb
205
Implementing an EDRMS: case study of a nuclear power company in China Xiangnyu Wang
209
A framework for risk assessment of cloud digital archives Hua Xu and Xue Sixin Abstracts Résumés Zusammenfassungen Resûmenes Pe310Me wL....:.:;..l.
215
225 235 245 255 265 287 288
Authors' contact details / Contacts des auteurs
295
Editorial Board / Comité de rédaction
297
-----------------------------$ico-----------------------------
_ COLOFON faro I tijdschrift over cultureel erfgoed, 77 (2018) 4 ISSN 2030~3777 REDACTIERAAD
Roei Daenen, Bart De Nil, dr. Marc Jacobs, Julie t.ambrechts, dr. Alexander Vander Stichele, Hildegarde Van Genechten. lurqen vanboutte. dr. Jacqueline van Leeuwen, dr. Olga Van Oost, dt. Gregory vereauteren en dt. Jeroen Walterus. redactie@farobe HOOFDREDACTEUR
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Debat over participatie vandaag <II> Jacqueline van Leeuwen
38
_ Roei Daenen
BLIND PEER REVIEW
De toekomst van koloniale collecties. Nationale of Europese uitdaging? _ Jas van Beurden
Van Genechten
44 10
Dulle Griet
Verkiezingen in Sint-Pieters. Burgerpartijen <II> Jules De Doncker
zetten lokaal erfgoed op de agenda
Trek mee aan de flos]. De kermis vroeger, vandaag en morgen _ Marijn Follebout, Dries De Zaeytijd en Chantal Bisschop
14
"Participatie is onze tweede natuur". Een jaar collegagroep <II> Hildegarde Van Genechten
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Partipaçäo em Portugal. Steeds nadrukkelijker
'Klein museum, groot bereik'
48
De artikels in dit tijdschrift worden aan een procedure van blind peer reviewonderworpen. © FARO. Vlaams steunpunt voor cultureel erfgoed vzw De redactie heeft ernaar gestreefd de wettelijke bepalingen in verband met de intellectuele eigendom van de beelden na te streven Indien u meent dat voor een bepaald beeld het auteursrecht van de maker of zijn/haar erfgenamen werd geschonden, neem dan contact op met de redactie.
Water bij de wijn. Het ontlenen en aanpassen van een tentoonstelling uit Parijs _ veetie Vonden Doelen & Jona Kerremans
op de agenda <II> Rui Ferreira do Silva
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Hoe omgaan met afwijkende
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Meerstemmigheid <II> Rob Herreman
32
Wiki Loves Heritage 2018. Hoe de aanwezigheid platformen vergroten? <II> Som Donvil
uit handen geven. Erfgoedparticipatieladder stemmen?
<II>
Participatie en conflict <II> Jacqueline van Leeuwen
troef. Naar een methodiek
voor de participatieve
52
Musea en beleid: communicerende beleidsdocumenten onder de loep
56
PINFO _ Annemie Vanthienen
58
Ten voeten uit
vaten? Internationale _ Olga Van Oost
waardering van ICE
www.faro.bejtijdschrift
folio ~
én uitstraling van erfgoed op open online
MAGAZINES
- SDG'S: U vindt naast sommige artikels _
26 geroofde objecten die zich in Franse museumcollecties bevinden, terug te geven aan Benin naar aanleiding van een kritisch rapport over restnutte in november 2078. © lean-Pierre Datbéra, cc BY 2.0 COVERBEELD ACHTERZIJDE: Mickey © Horst Rosenthal BEELDEN INHOUDSTAFEL: © Museum Hofvan Busleyden / © KIK IRPA Brussel/ © Michel Kichka
COVERBEELD VOORZIJDE: President Macron besluit om
logo's die verwijzen naar de Duurzame Ontwikkelingsdoelstellingen van de VN. Voor meer uitleg, zie www.sdgs.be.
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INFORMAL LEARNING REVIEW No. 153 A PUBLICATION
OF INFORMAL
LEARNING
EXPERIENCES,
INC
NOVEMBER/
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2018
Reinwardt Academie
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INSIDE:
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STORY OF THE
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• 3
Inhalt 4 6 8 32 33 34 Kaum ein anderes Medium hat durch umfangreiche Interviews, Analysen sowie Berichte über neueröffnete ethnologische Museen seit vielen Jahren den dringend notwendigen SelbstfindungsprozeB der sog. WeItmuseen wohlwollend und kritisch zugleich begleitet wie MUSEUM AKTUELL. Manche Neubesetzung hatte schwerwiegende Foigen, nicht jedes, mit chicen Reizwörtern verkaufte neue Konzept entpuppte sich als gute Lösung. Durch Aktivisten verunsichert, erhoffte man mit akrobatisch anmutender Semiotik in der Urilbenennung alt eingeführter Museumsnamen, vorbei an den Interessen der meisten Besucher und vieler Freundeskreismitglieder, ein neues Zeichen zu setzen. Zwingend waren diese enorm teuren Umbenennungsaktionen nicht: Trotz aller notwendigen Änderungen des Bliekwinkels muB es nach wie vor wichtige Aufgabe der sog. Weltmuseen bleiben, Kunde von den Völkern zu geben. Auch darüber haben wir in vielbeachteten Analysen berichtet. Abgeschlossen wird dieser uns sehr wichtige, jahrelang behandelte Schwerpunkt mit einer Analyse der Hamburger Tagung vom Frühjahr und auBerdem mit den Interviews zweier Protagonisten des Humboldtforums in der nächsten Ausgabe. Die ethnologischen Museen begeben sich inhaltlich auf den richtigen Weg. Trotz vieler guter Ansätze, die weit ins 19. Jh. zurückreichen (Alexander von Humboldt), währt dieser SelbstfindungsprozeB, der noch auf längere Sicht spektakuläre Tagesmeldungen erzeugen wird, aber eigentlich viel zu lange, nämllch mittlerweile fast 50 Jahre. Denn die deutsche Ethnologie hat ein Tabu, nämlich ihre viel zu langsame Aufarbeitung des Kolonialismus. In anderen Ländern ist dieses Thema noch gar nicht zur Sprache gekommen. Und in Frankreich zog Macron Konsequenzen, ohne die Foigen seiner Entscheidung zu kennen. Einsichtig geworden durch voreiliqe Restitutionen ehemals jüdischen Besitzes, gilt es bei uns, zuerst zu forsehen und das AusmaB heikier Akquise und die Legitimierung der Rückfordernden erst einmal zu festzustellen. So richtig dieser Gedanke ist, offen bart sich durch die viel zu geringe finanzielle Förderung - für die gesamte Provenienzforschung an kunst- und kulturgeschichtlichen Museen gibt es in Deutschland gerade einmal 50 Festanstellungen - gleichzeitig das Geheimziel einiger Träger, die eine oder andere Konsequenz hinauszuzögern. Das gröBte Problem sind daneben Inventarisationsdaten, die, etwa als .Altbestand", überhaupt keine Pedigrees ausweisen oder als Quelle nur einerr Kunsthändler angeben. Das Thema wird Museen also noch sehr lange beschäftigen. Wir aber möchten uns künftig auch gerne einmal wieder anderen musealen Themen zuwenden, die genausoviel Aufmerksamkeit verlangen. Adelheid Straten
Nachrichten Literatur Namen
aus der Museumswelt
AutorInnen Impressum Wichtige Ausstellungen
Genauer hingesehen 9
Christian Müller-Straten Übernommen Bd. 35 der .Restauratorenbtätter Conservation"
Migrierende 14
- Papers in
Menschen und Objekte
Anette Rein Respektvolle Beziehungen vor allem, aber auch Restitution
WissEmschaftsverschränkung 25
Gerhard Hotz Überraschendes Ergebnis bei der Identifikation der Basler Mumie
Zum Titelbild Jan Massys (Antwerpen um 1509 - vor 1575 Antwerpen ?): Flora vor Antwerpen, 1559 ÖI/Eichenholz, 113,2 x 112,9 cm Hamburger KunsthalIe, Dauerleihgabe der Stiftung Siegfried Wedells. Inv. Nr. HK-755 Die Restaurierung von 2002/03 wurde durch die Commerzbank, Filiale Hamburg ermöglicht. Nach Anna Heinze stellen die exakt wiedergegebene Ansicht Antwerpens im Hintergrund und die Skulptur des Schutzpatrons der Stadt auf der Brüstung einen konkreten Bezug her. AniaB für das Gemälde könnte der 1559 geschlossene Friedensvertrag gewesen sein, der den Niederländisch-Französischen Krieg beendete. Die Dargestellte wäre somit Sinnbild der Hoffnung auf einen Aufschwung und neuen Wohlstand für die Stadt Antwerpen. © Hamburger Kunsthalle/bpk Foto: Elke Walford
MUSEUM AKTUELL 253
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2018
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3 Editorial
by Aedin Mac Devitt
6 THE OBJECT, THE MUSEUM AND THE MUSEUM PROFESSION 8 The Work of Art in the Age of Digital Reproduction by Werner Schweibenz 22 Derivative Narratives: The Multiple Lives of a Masterpiece on the Internet by Helena Barranha 34 ~ Museum Professionals in a Digital World: Insights from a Case Study in Portugal by Ana Carvalho and Alexandre Matos 48 Capacity Building and Knowledge Exchange of Digital Technologies in Cultural Heritage Institutions by Mona Hess, Amandine Colson and John Hindmarch 62 Coworking Spaces, Accelerators and Incubators: Emerging Forms of Museum Practice in an Increasingly Digital World by Oonagh Murphy
76 DIGITAL STRATEGIES FOR A CHANGING SECTOR 78 Web Strategy in Museums: An Italian Survey Stimulates New Visions by Sarah Dominique Orlandi, Gianfranco Calandra, Vincenza Ferrara, Anna Maria Marras, Sara Radice, Enrico Bertacchini, Valentino Nizzo and Tiziana Maffei
124 THE VISITOR EXPERIENCE AND CO-CREATION 1 26 Digital Pathways in Community Museums by Catherine Anne Cassidy, Adeola Fabola, Alan Miller, Karin Weil, Simรณn Urbina, Mario Anta and Alissandra Cummins 140 Heritage Communities, Participation and Co-creation of Cultural Values: The #iziTRAVELSicilia Project by Elisa Bonacini 154 TripAdvisar Reviews of London Museums: A New Approach to Understanding Visitors by Victoria D. Alexander, Grant Blank, and Scott A. Hale 166 The 'Guggentube' Phenomenon: Breaking the Boundaries of a 'Digital Museum' Space by Natalia Grincheva
176 BOOK REVIEW by Danielle O'Donovan and Tom Lonergan 178 Museum International issues
90 The Process Is Part of the Solution: Insights from the German Collaborative Project museum4punktO by Katrin Glinka 104 The Destruction and Creation of a Cityscape in the Digital Age: Hiroshima Peace Memorial Museum by Julie Higashi 114 Digital Technology: The Panacea to Improve Visitor Experience and Audience Growth? by Davison Chiwara and Njabulo Chipangura MUSEUM international IS
Note by Aedin Mac Devitt 3 Editorial by Afsin Altayli and Mathieu Viau-Courville
10 SHIFTING NARRATIVES
12 Museums and 'Difficult Pasts': Northern Ireland's 1968 by Chris Reynolds and William Blair 26 Reinterpreting and Transforming 'Red' Museums in Yugoslavia by Kaja Sirek 38 The Extent to which South African Museums Surrendered to Political Undertones by BonginkosiZuma 48 The Informal City in the Museum of Barcelona by Joan Roca i Albert
60 MUSEUM ACTIVISM 62 Confronting New York's Present and Future by Sarah Henry 72 The City Museum as an Empathic Space by Annemarie de Wildt
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84 Considerations to Make, Needs to Balance: Two Moral Challenges Museum Employees Face When Working with Contested, Sensitive Histories by Kathrin Pabst
98 COLLECTIVE AGENCIES 100 Guovtti ilmmi gaskkas. Balancing Between Two Contested Worlds: The Challenges and Benefits of Being an Indigenous Museum Professional by Áile Aikio 112 The Weekend When Violence Took Over: On Documenting a Memorial Site by Birgitta Witting 124 The Museum of Our Discoveries: Empowering Young Refugees in an Urban Context by Marlen Mouliou
134 BOOK REVIEW by JonathanPaquette 136 Afterword Making History in Contested Times by Kylie Message 146 Back issues
MUSEUM international19
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