REKAGOTTLIEB
+36304426930
VARIABLE c l o t h i n g
TOUCH IT, PUSH IT, FOLD IT!
TECHNOLOGY The base of the dresses is a tested soft and rigid textile, which I fixed the surface by mechanical sewing and heat press.
FABRIC manipulation Basic material by heat with repeating of geometrical elements, moving to 3D, shaping for body by sewing.
VARIABILITY of a system Due to geometry, classification and the surface evolving the system is variable.
the material’s TRANSFORMATION
FORM variations PHOTO: B esenc zi R i chard richard.besenczi@gmail.com, +36 20 528 1863
AWARDS Council of National Scientific Students’ Associations
ORSZÁGOS TUDOMÁNYOS DIÁKKÖRI TANÁCS
ART SECTION, TEXTILE CATEGORY 1st place. April, 2013 Eger, Hungary
Hungarian Academy of Sciences MAGYAR TUDOMÁNYOS AKADÉMIA Council of National Scientific Students’ Associations
ORSZÁGOS TUDOMÁNYOS DIÁKKÖRI TANÁCS
PRO SCIENTIA - PRO ARTE - GOLD MEDAL November, 2013 Budapest, Hungar y
EXHIBITED VIVART FESTIVAL, SELECTION May, 2013 Budapest
DESIGN WEEK September, 2013 Budapest FASHION WEEK February, 2014 London
FLE XIBLE c l o t h i n g
CELEBRATE YOUR CURVES!
This dress was made for the art competition
Young Creative Chevrolet 2013 in fashion category.
The dress was made without any cutting.
I ensured the illusion of cutting with the combination of
black and white elastic ribbons.
form fitting dress
First of all the colourshades and simple geometry of the
football and gates and the
streamline
of the cars determine the formworld of my clothes. The rhythm of the
black and white textiles radiate movement at the same time expresses impulse of the motoring and the
exploding energy. The clothes emphasize the movement not only in the visuability but in the function, too.
I fixed the elastical and strapribbonned system on the simple
elastic SURFACE without tailoring. Due to the flexibility of the elastic ribbons used on the flanks of the clothes I could create a
form fit ting dres s which is a comfortable costume for the women with different basis.
Young Creative Chevrolet Art competition, fashion category:
2nd place. June, 2013 Budapest.
Exhibited
Design Week September, 2013 Budapest.
photo:
Ora Hasenfratz +36 20 255 0506 info@orahasenfratz.com
BUILDABLE jewel-family
TOUCH IT, BUILD IT, WEAR IT!
The basic material of my jewel collection is deal painted with acryl and Stroncium Ferrit magnets. I created the organic forms by putting the pine laths radially around a fix axis. The main point of my jewel collection is the variability and the possibility of building. I fixed magnets on both sides of building elements to ensure the compatibility. The jewel-family contains a basic pack for the ‘basic’ elements (mirror symmetric pairs) which can be enlarged by more complex elements (different size elements, mirror symmetric pairs and central elements). All of building elements (except the central elements) are created in building pairs which means that the copy of the mirror can be found symmetric pairs.
CENTRAL elements
SPECIAL elements
BASIC element
I used different magnetized polarities inside an element to ease the variability. Due to the structure of the elements, the mirror symmetry and the magnetic polarity all of the elements are compatible with each other, that’s why the owner can create numerous formal variations enlarging the basic pack.
photo: RICHARD BESENCZI +36 20 528 1863; richard.besenczi@gmail.com
BUILDABLE jewel-family
TOUCH IT, BUILD IT, CHANGE IT!
My jewel collection is buildable due to the created building elements in different size and style. The created closings on the elements ensure the buildability. The jewel can be arranged by the taste of the owner. The building elements are varied so more extreme and tolerated pieces can be also created. Due to the compatibility, the collection can be enlarged continuously. The basket weaver’s shape forming and techniques inspired my work. The character of the jewel family is given by the curved, open-worked forms and the rhythm and structure of the different fiber thickness and material qualities.
Central European Fashion Days, accessory category, finalist. June, 2013 Budapest. EXHIBITED: Central European Fashion Days, Millenรกris. June, 2013 Budapest.
object photo: Richard
Besenczi
+36 20 528 1863; richard.besenczi@gmail.com
fashion photo: Ora
Hasenfratz
+36 20 255 0506; info@orahasenfratz.com
SECOND volume
THE JEWELLRY IS PART OF THE DRESS
If the jewellery is the part of the dress‌
fashion photo: Milรกn
Rรกczmolnรกr
+36 20 355 3883; szerb.lisztesember@gmail.com
PROJECT
KHOJ BODY objec t
Art & Fashion Residency
KHOJ INTERNATIONAL ARTISTS’ ASSOCIATION During the Art & Fashion Residency of Khoj International Artists’s Asso-
jewellery and ceremonies. I combined the Hungarian and Indian forms, folk
ciation, I improved my research about folk art elements. I searched about the Indian handicraft, traditional wedding
art elements and handmade technics. Every part of the body object was made with technic crochet.
Art & Fashion Residency, Khoj International Artists’ Association. Exhibition opening, 2013 Delhi, India
EXHIBITED ART & FASHION RESIDENCY Khoj International Artists’ Association
November 2013 Delhi LONDON FASHION WEEK
Febr uar y, 2014 London
PHOTO: Richard Besenczi PHOTO ASSISTANT: Bence Pintér
FLEXIBLE sur faces
BACHELOR DIPLOMA WORK
My accessory collection was inspired by Squamatas.
The created flexible surfaces are reflections of reptiles’ skin colors, facture and forms. The combination of open worked elastic polyamide and polyester strings create a very flexible surface. Flexibility of the surface ensures the shape forming. The textile can be formed by changing of scale, different fiber thickness and stretching (with different stress)
of elastic strings without any cutting. Due to the structure of the elastic materials’ combination the form shaping works in 2D and in 3D as well. The black surface is broken by strings and other elements in different colors. Elements in different forms imitates squamas and this effect works playfully in the ordered structure. Position of the dominant
color on elements depends on turning’s measure. A plastic, flexible surface is created by system of open worked surface and elastic strings that’s why cutting isn’t necessary. Curves are made by radial movement of surface and by stretching of strings. Closed and tight forms can be created without any traditional closing due to the surface’s flexibility.
Flexibility
photo: Milรกn
Rรกczmolnรกr
+36 20 355 3883; szerb.lisztesember@gmail.com
design: ZSUZSANNA PAPP csoing2@gmail.com