Coming off a whirlwind Super Bowl and Carnival, as we transition to spring, we find ourselves focusing on the coziness of home and where our hearts lie. This month, we share a stunning Uptown family home designed by Betsey Hazard, with a touching backstory. Our second feature focuses on the art of collecting and filling your space with things that not only hold value to you, but are also worthy investments. We spoke with experts at Lucullus, Merchant House, Crescent City Auction and M.S. Rau for great advice when sourcing pieces to cherish and admire. Every collection tells a story.
As always, we’ve curated a selection of the best events in town, from fundraisers covered on our party pages to exciting cultural events and happenings in our Arts Calendar and Around Town pages.
We also bring you stylish picks from Amy Gabriel in this month’s Fashion and What’s Hot, a tasty Ramos Gin Fizz recipe you won’t want to miss and the latest buzz on creatine in our Wellness column.
Our March cover highlights a very special milestone for NOCCA (New Orleans Center for Creative Arts) as they celebrate their 5Oth anniversary, which will be marked at the ART&SOUL gala in May. For an amazing 50 years, the organization has nurtured talent and continues to contribute to the vibrancy of our culture in countless ways.
We hope you enjoy the issue!
On the Cover
From left: New Orleans Center for Creative Arts' (NOCCA) Maicy Edwards (Dance), Jaiden Martin (Culinary), Adonis Rose (Executive Director, NOCCA Foundation), Shanekah Johnson (Board President), Siddalie Orgeron (Musical Theatre) and Akeel Haroon (Jazz).
NOCCA’s ART&SOUL Gala celebrating the organization’s 50th anniversary will be held on May 17, 2025. For more information visit artandsoulnocca.com
Photography by Jeffrey Johnston
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March
From March 8
The Unending Stream: Contemporary New Orleans Photography, Chapter 1 Ogden Museum of Southern Art, 925 Camp St., 504-539-9650, ogdenmuseum.org
Tennessee Williams & New Orleans Literary Festival tennesseewilliams.net
28
World Ballet Company: The Great Gatsby The Orpheum Theater, 129 Roosevelt Way, 504-274-4871, orpheumnola.net
27-29
New Orleans Book Festival Tulane University, 504-862-8240, bookfest.tulane.edu
The New Orleans Book Festival turns 4 this year, returning to Tulane’s campus with an all-star lineup of authors, media icons, and literary folk near and far, from John Grisham to Roxane Gay, Doris Kearns Goodwin, Cleo Wade, Bob Woodward, and many more.
30
Kevin Hart: Acting My Age Tour Saenger Theatre, 1111 Canal St., 504-525-1052, saengernola.com
APRIL
3
Tyler Childers: On the Road
Smoothie King Center, 1501 Dave Dixon Dr., 504-587-3663, smoothiekingcenter.com
4, 6
Elixir of Love
Mahalia Jackson Theater for the Performing Arts, 1419 Basin St., 504-218-1385, neworleansopera.org
Shop Talk
Look for this and more every Wednesday in the Avenue newsletter. What local finds should we feature next? Email shoptalk@myneworleans.com
Porter Lyons
By Penn Iarocci
Nestled along a quintessential French Quarter thoroughfare, where antique shops reign supreme, Porter Lyons jewelry shop stands a modern contrast. While the exterior seamlessly blends with the historic architecture, the sleek interior design of the shop paints a younger, more contemporary picture. Likewise, with her new Egyptomania collection, founder Ashley Porter steeps herself in the past while infusing her designs with a distinctly modern edge. I got to chat with Ashley about the new collection and why she loves New Orleans.
How and why did you pick jewelry as your medium?
Jewelry allows such amazing storytelling. I’ve always been a bit unexpected with my style and I love how jewelry can give a look more meaning. It’s a layer of fashion that’s all your own and hard to replicate. I’ve always been fascinated by the relationship between fashion and identity. Jewelry allows you to be more playful and artistic to tell your story visually.
Can you expand on the impetus and inspiration of your most recent collection, Egyptomania?
From the depths of my soul, I have always felt an undeniable connection to Ancient Egypt—a feeling as though I
walked those sands, lived beneath the shadows of the pyramids, and gazed upon the Nile as it whispered its eternal secrets. This collection is the manifestation of that deep-rooted fascination, born not just from admiration, but from a past life I believe I lived long ago. The allure of Ancient Egypt for me lies in its mystery—a society so advanced, so beautifully intricate, that it remains a marvel to this day. Here, women held
power, ascended thrones as pharaohs, and shaped history in ways that resonate across millennia. I dove into this world with tireless passion—researching, reading "Queen of the Nile" about the first female archaeologist, and studying Heka, the name the Egyptians gave to magic. Magic was not a fantastical idea to them, but a force woven into the fabric of life itself, much like it is within all my designs.
How do you want people to feel when wearing your jewelry?
Untouchable yet grounded, like they are wearing more than gold or gemstones but a talisman of their own spirit—a testament to their individuality, resilience, and dreams. My jewelry should inspire them to move through the world with confidence, as though they carry with them a spark of the divine, a piece of eternal artistry.
Do you have a favorite item in your personal jewelry collection?
That’s like asking me to pick my favorite child! I adore all of my creations, but I do love my Porter Lyons snake coil ring I wear on my pinkie. My pinkie is definitely my favorite finger to adorn.
What keeps you (and your business) in New Orleans?
New Orleans is a place that resonates deeply with my soul. This city is magical to me—a place where the haunted whispers of the bayou blend with the richness of the French Quarter and the sprawling beauty of live oak trees. It’s a place where unexpected festivals and celebrations of life happen around every corner, reminding me to embrace every moment. New Orleans isn’t just where I live—it’s where I feel alive, inspired, and truly connected to something greater.
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Bubbles and Boils Bash
Is there such a thing as too much Champagne? Seafood? In South Louisiana, the answer would be there is never enough! Brews, Boils and Bubbles festival on March 29 focuses on boiled seafood with favorites such as Clesi’s, Drago’s and Mr. Shrimp’s Kitchen in the culinary lineup. Entertainment includes music, games and more for the whole family. New options include reserved tables for small groups and two VIP areas for 21 and up: Champagne and Lobster Lounge presented by Veuve Clicquot, and the Brews and Bugs Lounge. Located at the New Orleans Lakefront (5000 Lakeshore Dr.), festival general admission is $30 day of (advance is $20), children under 12, free. brewsboilsbubbles.com; @brewsboilsbubbles
Art & Ocean Vibes
March is a great month to hop in the car for a day trip from New Orleans, so be sure to stop at the Ocean Springs Spring Art Festival in Mississippi. Now in its 32nd year, the festival is March 22 (9 a.m.-5 p.m.) and 23 (9 a.m.-4 p.m.) and is located downtown, where there will be more than 200 arts, crafts, garden vendors, as well as food offerings. Music will also provide a lyrical backdrop. Admission is free.
oceanspringschamber.com, @oceanspringschamber
And They’re Off!
If there is one place that can feature world-class horse racing along with dogs showcasing their racing savvy, its the Fair Grounds Race Course (1751 Gentilly Blvd.). On March 8, the track belongs to the dachshunds for the Wiener Dog Races, proving that speed isn’t just for long legs. And while the dogs get to show their racing mettle, it is the horses that makes the Fair Grounds the place to be, particularly on March 22 when the Louisiana Derby returns. Spanning 1 3/16 miles, this pivotal race is a key stop on “The Road to the Derby,” where elite three-year-old Thoroughbreds compete for a shot at the Kentucky Derby. The stakes are high, and history proves it: three of the past five Kentucky Derby winners ran in prep races at the Fair Grounds, and last year’s Louisiana Derby champion, Catching Freedom, went on to chase glory in the legendary “Run for the Roses.” fairgroundsracecourse.com; @fairgroundsnola – By Sue Strachan
Curious & Curiouser
The New Orleans Pharmacy Museum (514 Chartres St.) takes a walk on the wild side when it puts an unusual twist on an arts market on March 9, 10 a.m.-4 p.m. The Oddities Emporium allows visitors to experience the quirky, bizarre and sometimes dark side of New Orleans with vendors offering taxidermy, art, entomology, poppets, clothing and jewelry. There is also free admission to the museum to see its fascinating collection and after the market close, a ticketed event, the “Holy Hag Seance & Art Installation by Seeress MuggaRose,” is from 6 p.m.-8 p.m. pharmacymuseum.org; @pharmacymuseum
Brews and Bluegrass
NOLA Brewing (3033
Tchoupitoulas) is the place to be on Monday nights when it hosts a Bluegrass Picking Party. The family friendly event, 7 p.m.-9 p.m., feels like an impromptu jam session, featuring bluegrass music from a variety of performers and a $3 blonde pint special starting at 6:30 p.m. The event is free. On March 23, the brewery marks its 16th anniversary with “16 Years of Beers,” 3 p.m.-8 p.m. It is an all ages, free event with music from The Walrus supported by the Electric Yat Quartet. Pizza, boiled crawfish and oysters, as well as a new and special beer, XVI, a Belgian Dark Strong Ale (Belgian quad) will be available. nolabrewing.com; @nolabrewing
Accessorize your look with a touch of sweet sophistication by way of a Lily Flower bracelet. Shown in sterling silver, darling details include flower accents and hand applied patina. Mignon Faget, 3801 Magazine St., 504-891-2005; 3301 Veterans Memorial Blvd., 504-835-2244, mignonfaget.com.
Lounging About
By Amy Gabriel
The epitome of luxury, relax in sophisticated style in a velour robe from the Ashley Sievert 1965 collection. Inspired by the 60s and 70s, this dreamy loungewear is available in two colorways – the soft blush Deliliah and muted copper Penny - and comes with or without sewn on permanent feathers. shop.ashleysievert.com
Don’t lose sight of the impact of stylish eyewear as with a pair of Eleanor eyeglasses. The combination of a blue honey tortoise colorway and rounded frames make these a fashionable spectacle. Tory Burch, 333 Canal St., 504581-6623, toryburch.com.
Tuck away your essentials in a raffia tote from MZ Wallace. The mix of natural Italian leather and silver hardware give this everyday bag a refined vibe. Febe, 474 Metairie Rd., 504-8355250, febeclothing.com.
Step chicly into the day in a pair of Amelia slides. Handmade in Turkey, each pair is made with a striking turquoise metallic leather to add a touch of casual glamour to your gallivanting. Baldiz, shopbaldiz.com.
A Fresh Cut from Existing Cloth
Penn Iarocci, Owner, The Epiphany Brand
“I love the challenge of taking something that someone thought was worth discarding and making it beautiful.”
That desire to fashion beauty from repurposed materials drew Penn Iarocci to co-create the Epiphany Brand in 2019 and keeps her there today. Epiphany was founded by three New Orleanians (Iarocci, Melissa Montgomery, and Allison Tiller) whose love for Mardi Gras and disdain for plastic waste led them to create sustainable Carnival throws from upcycled, recycled, or biodegradable materials. When the Covid pandemic cancelled parades in 2021, Epiphany expanded into accessories made from old Mardi Gras costumes. These shiny headbands, scrunchies, fanny packs, and makeup bags revealed the possibilities of breathing new life into formerly single-use garments.
Today, Iarocci is the sole owner of the Epiphany Brand, and she’s looking beyond Mardi Gras. While Epiphany still creates throws (available through Grounds Krewe and through Epiphany’s website), Iarocci has expanded to style-forward items for year-round use. In addition to old costumes, Iarocci began sourcing discarded fabrics from local decorators and upholsterers
to create pieces like ruched velvet headbands and clutch handbags.
“We’re keeping the spirit and fun of Mardi Gras but making things you could wear to any celebration,” she says. For production, Epiphany teams with Nola Couture and local seamstresses who understand the latent beauty in Carnival discards. “Someone else might look at a Mardi Gras costume and be like, ‘eww…,’ but they get that aspect,” says Iarocci, who is also honing her own sewing skills.
Epiphany items have been distributed in the past at local boutiques and specialty retailers (including Home Malone, Ogden Museum, the Historic New Orleans Collection, and Judy at the Rink) as well as popup markets and online at epiphanythrows.com or @epiphanynola. Iarocci hopes to collaborate more with local designers and to build a wholesale presence, all in service to the brand’s mission: “In the culture of fast fashion and overconsumption of everything, we have all of these materials that already exist and can make beautiful, one-of-a-kind things... You’re wearing something that was a piece of someone’s Mardi Gras day – someone had a blast in that headband you’re wearing.” – By Rebecca Friedman
PHOTO
Achieve pantry perfection with the helping hands of Sorted. A decluttered and well-appointed space awaits with an array of beneficial professional organization options ranging from a one-day project blitz to ongoing scheduled full-service visits. Sorted, 504-224-6842, sortednola.com Project imagery courtesy of Sorted.
Discreet touches like drawer liner paper make for a thoughtfully designed space. A sweet floral pattern and lightly fragrant Plumeria scent make for a lovely addition to any drawer. Maisonette Shop, 2727 Prytania St., 504-437-1850,
Pretty Organized
By Amy Gabriel
Since your indoor orchid and bamboo plants need different water to thrive, individual misters in colored glass make the task simple and stylish. Judy at the Rink, 2727 Prytania St., 504-891-7018, judyattherink.com
A set of sleek jars from Be Home adds a touch of luxury for storing spices. Handmade in India, this glass and cork set in ginger spice, peach bloom and new wheat colorway complements any counter or tabletop. NOMA Museum Shop, 1 Collins Diboll Cir., 504-658-4133, shop.noma.org
When laundry calls, separate your seersucker from your silks in a set of weave carrier baskets, woven and wrapped in thick water Hyacinth. Judy at the Rink, 2727 Prytania St., 504-891-7018, judyattherink.com
Since its founding in 1974, the Save Our Cemeteries nonprofit organization has championed the preservation of one of New Orleans’ most unique and iconic treasures, its famed Cities of the Dead. Whether they are leading tours through St. Louis Cemetery No. 3, educating the community about ongoing restoration projects, or hosting the largest 5K cemetery run within the United States, the Save Our Cemeteries (SOC) team has worked tirelessly to support these incredible spaces within the city.
Sally Asher became involved with the organization ten years ago as a board member, and she has served as president for the last year and a half. As the author of Stories from the St. Louis Cemeteries of New Orleans and additional books on local history, Asher’s background in New Orleans lore helped inform her work with the organization. Under her guidance, the group expanded its community outreach and educational programs, helping to bring this local history to life.
As Asher explained, the team is now returning to the organization’s original mission: preservation. “Our burial traditions have not changed much in the last 300
Sally Asher
President, Save Our Cemeteries
years,” said Asher, who aims to highlight and protect these long traditions. To this end, the team’s Photo Documentation Project records local gravesites and uploads memorial information online, giving researchers around the world greater access to the city’s cemetery history.
Furthermore, Asher is proud of the organization’s education and lecture series, which brings in new people and encourages them to get excited about the city’s cemeteries. Topics include tomb restoration, burial traditions, jazz funerals, and the symbolism associated with local cemeteries. Like New Orleans itself, each cemetery is different and unique, and the particular styles and architecture found in one might not appear in another cemetery a few blocks away. Attendees can also learn how to research genealogy, as well as ways to care for these tombs. New methods of outreach, including a scholarship program and tours for middle school-aged children, help teach young people about the city’s important traditions. As Asher explained, the community is eager to get involved, whether that includes cleaning tombs or contributing to the recent photo project.
Like many organizations, the
Save Our Cemeteries group faced a few setbacks with Covid, but the team’s focus for 2025 is on restoration. They will fundraise to help preserve some specific tombs, as well as continue their outreach and lecture series. Going forward, Asher would love for Save Our Cemeteries to become a one-stop-shop for anyone interested to learn how to fill out permits, care for a tomb, and conduct genealogy research.
In addition, Save Our Cemeteries is merging with the Preservation Resource Center (PRC), a nonprofit dedicated to preserving New Orleans’ architecture and cultural heritage. SOC will continue operations as a PRC department, with Asher continuing to serve a leadership position as a PRC board member and SOC committee chair. She is thrilled about the additional resources that this will provide for SOC, allowing them to continue the mission of restoring, preserving, and educating the public about these beautiful cemeteries.
Asher never tires of sharing her enthusiasm about local cemeteries with others. “People are all surprised by how much you can learn by walking through the cemeteries,” said Asher. “They are precious and need care.”
Sign up for SOC the newsletter to keep up with ongoing projects and events. Keep an eye out for the newsletter’s calls for volunteer help with projects as well.
In addition, become a member of Save Our Cemeteries to support the organization and receive discounts to select events. Donations also help fund the purchase of cleaning solution, brushes, and lime needed to keep the cemeteries clean.
Check out the event calendar to keep up with SOC’s many offerings throughout the year. In the springtime, join the popular A Run & Walk Through History 5K and 1K event, in which athletes race along a course completely within Metairie Cemetery. The largest event of its kind in the United States, it draws hundreds of participants each year. In the fall, join the online auction sponsored by the Anne Rice Vampire Lestat Fan Club. Past prizes have included custom Muses shoes, historical books, and original artwork.
Supporting the Save Our Cemeteries team helps ensure the cemeteries endure for many more generations to come. The preservation of these iconic sites is vital to maintaining the character and history that make New Orleans so special. –
By Lindsay Mack
Timeless Edge
An Uptown Victorian is transformed into a modern, high-function oasis for an active family of six without sacrificing the home’s historic architecture.
By Melanie Warner Spencer | Photographed by Neil Alexander
In the spring of 2006, then Tulane student Sara McCulloch (née Deleeuw) took a job babysitting an Uptown family’s grandchildren in their early-1900s Victorian home.
Sara describes that home’s style as classic New Orleans design centered around two empty nesters who loved entertaining friends and family, as evidenced by a guest room closet devoted entirely to linens. Fourteen years later, the house Sara found so beautiful and impeccably maintained became the place she calls home.
“We stayed very close with the family,” says Sara, reminiscing about life milestones, such as a bridal luncheon on the porch for her wedding
to husband Keith McCulloch, and holiday celebrations spent at the house. “My two older girls remember epic Easter egg hunts in the yard. There are just a ton of good memories. I couldn’t believe it when they said they were ready to move on. But they let us know, and we kind of jumped at the chance to own it.”
After a stint in New York, Sara, originally from Wisconsin, and Keith, a Connecticut native, were ready to return to the slower pace of New Orleans and its small-town vibes with city conveniences. A walkable neighborhood and proximity to favorite haunts like Clancy’s and Patois added to this particular home’s allure. The
couple bought the house at the end of 2019, moving in at the beginning of 2020 — and of the COVID-19 pandemic. They squeezed into the space with their four little girls, who were then all under the age of 4, and a hodgepodge of furniture and decor to tide them over until the time was right to renovate and expand. “We had a collection of stuff from New York, and I definitely didn’t feel like we had all the right pieces for this house,” says Sara.
Planning for the renovation began in 2021, and the couple turned to Jenny Zurik of MZ. Architecture, Betsey Hazard of House of Hazard, Brian Sublette of Daly-Sublette Landscape
Architects and custom millwork by Daniel Bell, to help bring their vision to fruition. Hazard says the energy on this female-led project between her team, Sara, and Zurick and her team was creative, collaborative and fun, despite pandemic-related shipping and supply delays. Ready to realize her dream, Sara was undaunted
vitality while respecting historic elements, such as the classic Victorian side hall and transom windows.
by what ended up being an 18-month endeavor. “I came into this project with, seriously, probably about 100 inspiration photos — all cataloged by room — of things I wanted,” she says.
The renovation reimagined the home’s about 2,600-square foot footprint, expanding it to approximately 5,500, and infusing it with modern
“Sara and I both lived in New York a long time, and I went to design school in New York, so we both had that aesthetic, but with a mix between modern and traditional,” says Hazard. The house now features an en suite primary bedroom, five additional bedrooms, a playroom, the much-needed home office for Sara, a marketing executive who works remotely (Keith, CFO of SBP, works outside the home) with an outdoor space that, in addition to an inviting side porch, includes a backyard pool by ArchAngels Pools. The interior design prioritizes child-friendliness and practical storage without compromising on aesthetics. This is
particularly evident in spaces like the playroom, which brims with ample storage. A built-in banquette includes drawers and built-in shelving houses books, games and craft supplies. Nearby window seats make use of a transitional space and feature drawers that morph into trundle beds for sleepovers with friends.
Cream-based Pierre Frey chinoiserie wallpaper with pink, white and green florals adds color and elegance to the space and the pattern is repeated in the girls’ shared bathroom.
The design for the girls’ rooms was inspired, in part, by Sister Parish fabrics Hazard and Sara fell in love with during the planning. “We played with that company’s fabric for each room and one of the bathroom’s wallpaper,” says Hazard. “So it led to this
common thread between the spaces, but then they had their own look for each room.” Elegant spaces imbued with sweet, age-appropriate touches (such as a dramatic crown canopy behind one bed) these are bedrooms in which the girls can grow.
Downstairs, the den is located off the open kitchen. A standout feature is the three-cushion window seat with cream-hued performance fabric and matching bolsters to separate the seats. The magic of a home with so many window seats cannot be overstated, calling to mind languid afternoons spent daydreaming, reading a beloved story or sharing girlhood secrets with a best friend. “I have a little window seat in my bath-
room, which I love,” says Sara. “My girls line up there and sit to watch me get ready. So I feel like we have all sorts of little nooks where it’s easy to read a book or play a game. It’s also a way to increase seating in our house because we do have a lot of people here all the time, but our rooms are not huge, so it’s a great trick.”
Another sleight of hand comes in the form of the formal dining room’s built-in armoires that, visually, play like furniture, fostering the clever use of space that defines the home’s design ethos. “We had this gorgeous, really pale blue grasscloth wallpaper that adds such a beautiful glow to the room,” says Hazard. “And then we did the built-ins in that room
with a paint color that went with the blue. When you open those built-ins, we did this pretty citron green inside the cabinetry.” Here, Hazard paired modern chrome armchairs covered in lavender leather with practical, white slipcovered slipper chairs nestled around an Audubon ribbed pedestal dining table in natural white oak by Doorman Designs. A Julie Neill Visual Comfort two-tier chandelier completes the look. Hazard employed lighting from the Visual Comfort line throughout the home, as well as performance fabrics.
The McCullochs embraced the former owner’s penchant for entertaining, which is on full display in the kitchen where the team crafted
a design-forward hub of family life. The room’s pièce de résistance is a commanding Calcutta Arabescato countertop and backsplash. “Betsy really pushed me on that,” says Sara. “I went to look and liked it, but I was a little terrified by how much movement there was in it. And I love it. Our kitchen would not be anything close to as fabulous if we didn’t have that.” The countertop’s prominent veining is offset by a sleek, black honed granite island (the honing creates a soapstone look), modern, white, flat-front cabinetry with unlacquered brass fixtures — serving as a touchstone to the home’s historic architecture — and walnut accents. In the enviable coffee station with built-in pot filler tucked inside a tall, slender cabinet, practicality meets the personal.
“With four young kids, we use it constantly, so it’s great,” says Sara. “Our girls are obsessed with drinking tea. We have just drawers of tea and all sorts of stuff.” Wolf appliances blend seamlessly with the room’s modernmeets-French farmhouse flair. The high-function room is warmed up with touches like a copper bottom pasta pot (a gift from the architect) perched on the cooking range and a wide, white utensil crock filled with wooden spoons placed at arm’s reach. With so much ingenious storage and myriad kid-specific design elements, the home is a model of efficiency. “Of course we have moments where everyone comes in with sports equipment or a big messy dinner party,” says Sara. “But the beauty of a well-designed home is that everything has a place — and the kids know where it is, too — and you can quickly get back to baseline, which really allows you to enjoy being with your family more.”
Generous wall space throughout the home provides a blank canvas,
upon which vibrant art from New Orleans artists is displayed. The art-loving couple has collected works from various New Orleans artists, such as Scott Andresen, Anna Koeferl and Emily Lovejoy, as well as several pieces from Alabama-based abstract painter Kellie Lawler acquired at Claire Elizabeth Gallery.
With the home’s lively atmosphere and spaces crafted to cultivate cherished family memories, history and modernity coexist with grace, a true reflection of Sara’s style. “I gravitate towards things that are timeless, collected, but I do like a little bit of an edge,” says Sara. “I’ve always loved houses and design, so working on this project was a total dream come true. I feel like most people come out of a renovation saying ‘I would never do that again,’ but I honestly miss it. I really do.”
This antique, one-of-a-kind necklace is available at M.S. Rau. The Edwardian-era necklace showcases a rare briolette cut peridot, weighing 30 cts suspended from an intricate platinum setting adorned with mixed-cut diamonds.
By Jyl Benson
This vibrant work by André Brasilier is available at M.S. Rau. A Post-Impressionist look by a living artist makes for a unique blend of old and new.
A Floating Diamond Mystery Clock, available at M.S. Rau, is the only known mystery clock without hands. The minute and hour hands are diamonds that seem to float in space. The movement was crafted by world-record-holding clockmaker Paul Gerber. The case itself if a work of art with over 2,150 grams of 18K yellow gold and precious gemstones.
Why start a collection?
“Collecting is linked with an impulse to decorate, a primordial instinct,” said Patrick Dunne, proprietor of Lucullus Antiques. “There is something incredibly human about our need to embellish our surroundings. Of course, form and function certainly appeal, but there is also this inclination for self-delighting play. After all, why carve a bow or a shell on a chair back or create leaves at the top of a column? Unnecessary but satisfying.”
Building a collection involves choosing a theme, setting a budget, and finding ways to store and protect the items. You can build a collection of just about anything, including gum wrappers and old license plates, but those of value include art, furniture, rugs, jewelry, vintage clothing, pottery, items related to a specific place—such as Louisiana or France—memorabilia, books, culinary implements, or digital resources. People are more transient and experience-focused than ever, but our homes remain sacred spaces that should reflect our interests, and our collections should be central to this.
“The beauty of a collection lies in its uniqueness to the collector,” said Rosa Dunlap, proprietor of the Merchant House. Dunlap began her guild of independent merchants of vintage and antique goods with varying styles and expertise in a Lower Garden District warehouse in 2019.
Several periods of indoor and outdoor furnishings and décor, art, serving implements, rugs, and clothing are on offer and presented in an artistic and inspiring manner.
“While some focus purely on investment potential, a truly fine collection resonates with personal passion - though interestingly, pieces chosen for love often prove to be smart investments
too,” Dunlap said. “When building a collection, research matters, but intent matters more. Are you a student of a particular era in design history? Or creating a living space that tells your story? Let these deeper motivations guide both your major acquisitions and smaller finds. The result is a collection that holds both personal and lasting value.”
“The value in the items should arise from you living with and loving the items, and not a monetary gain,” said the president of Crescent City Auction Gallery Adam Wolf Lambert. “There are exceptions to the monetary aspect with ‘blue chip’ pieces, but that is a fractional percentage of the market. When growing a collection, it goes back to buying what you like. Whether you buy a classic car, a painting, an armoire, or luxury couture, it should be something you enjoy and use.”
Patience is key, as is having confidence in what you like and being willing to collect, edit, and refine as your collection progresses. The underpinnings of a fine collection are quality, beauty and provenance.
“A fine collection should reflect your curiosity and invite others to engage with your vision,” said Bill Rau, CEO and third-generation owner of M.S. Rau, a 113-year-old gallery specializing in exceptional fine art, antiques, and jewelry. “If it sparks hours of conversation, you’ve done it right. I can’t say this enough: keep detailed records of provenance, condition, and acquisi-
These magnificent reversible earrings were crafted by the master of cloisonné, Falize, and are available at M.S. Rau. Falize's designs defined the Second Empire era and were coveted by royalty. Crafted from enamel set in 18K yellow gold.
1978 Rolex Two Tone 14K Gold and Steel Oyster Perpetual Datejust Wristwatch with a gold and steel link band curated by Crescent City Auction Gallery.
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were family pieces they incorporated after designing an encompassing bookcase that helped create the illusion of a more important mantlepiece. They sourced the center gueridon table with marble top and early 19th century mahogany chairs specifically for this project.
Patrick Dunne and Nathan Drewes of Lucullus Antiques decorated this Bywater cottage that serves as a second home for two Baton Rouge residents. The small library pictured here is their favorite room. The chest
clock
tion—it’s essential. It’s also important to partner with trusted auction houses, galleries or dealers to ensure proper valuation and marketing. This is less essential, but another good tip is to track museum acquisitions and exhibitions to gauge the institutional significance of artists and makers.”
Part of collecting is not just the accumulation of physical things, but the memories associated with the process.
“In the end, it’s just fun to find things you really like,” said Nathan Drewes, managing partner of Decorations Lucullus, the interior design branch of Lucullus Antiques, “not taking it too seriously, and finally getting into a groove of what appeals to you. You always learn something with each new addition to a collection - a bit of history and a bit about yourself.”
When Dunne founded Lucullus Antiques, which is now celebrating 41 years in business, it garnered immediate attention due to its uncommon emphasis on culinary antiques. These antiques are practical, collectible, and often beautiful, making them a logical entry point for those establishing a collection.
“Because Lucullus has specialized in things for eating, drinking, or cooking, and we have everything from iron pots
‘
to fancy silver trays and decanters, our younger clients can usually find something that hooks them,” Dunne said. “They may not be ready for a gigantic Louis XV walnut armoire but love the set of art deco etched cocktail coupes or an early 19th century re-tinned copper saucepan. You must start somewhere.”
“I think it’s smart to start out collecting stuff you need,” Drewes said, “but you should always be willing to flex and acquire something you really love even if it’s not practical or may not fit into your scheme at the moment. Eventually, it always will.”
Younger generations disavow waste and instead embrace recycling and repurposing; as such, building collections of vintage or antique items makes both practical and emotional sense.
“Antiques and vintage goods are eco-friendly,” Drewes said. “Reusing is being sensitive to the earth’s resources. Also, old stuff is generally unique. Even the most hardened young
This 18th century small buffet is a great example of versatility - elegant and good for everything from serving a lunch to storing shoes - and is available at Lucullus Antiques.
Crescent City Auction Gallery is building a Louisiana art collection, including this painting by Alexander John Drysdale (American/Louisiana, 1870-1934), "Sunset on a Louisiana Bayou with Live Oaks," oil wash on board, signed lower left, presented with a sage mat board and gilt frame.
modernist can’t deny being attracted to the craftsmanship and aesthetic of most old pieces. I started work at Lucullus when I was twenty. Patrick drilled into me: better to use an apple crate now than some ugly massproduced thing you’ll ditch later.”
Dunlap has observed young collectors gravitating to this sensibility at the Merchant House: “Our customers are seeking something unique, actively avoiding mass-produced trends. They’re drawn to pieces that tell a story, like mid-century barware or a swanky crushed velvet sofa that hearkens back to an in-the-moment era of living.”
“A big thing for me is when I look at an old house or chair, it is not just its style; it’s the hopeit lasted all this time,” Drewes said. “I’m a link in a chain, and there is a lot worth conserving for the future.”
“The more stunted and trivial modern life seems,” Dunne said, “the more reassuring the soft textures of old things become.”
The standards and ideologies of younger collectors are changing how gallerists and proprietors approach the acquisitions they offer.
“Millennials and Gen Z are redefining what it means to collect,” said Rau. “Rather than inheriting items out of obligation, they’re curating pieces that align with their values, aesthetics, and passions. These generations deeply appreciate craftsmanship, history, and beauty—and thanks to social media, they have unprecedented ac-
cess to explore and connect with treasures that speak to them.”
For those fortunate enough to have inherited collectibles or sentimental pieces from family, looking at those familiar items with a fresh perspective may enhance the value of something that feels tired or overly familiar.
Living with family heirlooms and personal collections is not what it once was. Contemporary collections or artifacts are more frequently repurposed or reconfigured to work within the décor of one’s home or as art pieces rather than being relegated into groupings within a curio cabinet. Millennial and Generation Z collectors are also more apt to actually use family heir-
M.S. Rau spent 20 years trying to find this ultimate collectors' item.
This Gallé Polar Bear Vase is one of the finest achievements of Émile Gallé.
This 19th c. French Louis XV Style Inlaid and Carved Walnut Armoire, curated by Crescent City Auction Gallery, features arched moulded cornice over inlaid frieze, two scrolled panel, spurred doors, scrolled cabriole legs joined by scrolling fan and shell carved apron.
Merchant House sells thoughtfully curated antiques and vintage finds in a welcoming retail shop. Their ever-changing collection of furniture, art, and décor is offered by independent merchants who share a passion for exceptional design.
looms, such as dinnerware, cutlery, and barware than generations past, instead of relegating treasured pieces to a china cabinet for safekeeping.
“A thing should be what it is claiming to be,” Drewes said. “The quirkier, the better. We hold to the adage that the beautiful and old should also be useful. We are not much into putting things in cabinets to admire. Whether it’s a copper pot or a porcelain teacup, use it!”
“People are always saying their children don’t want their antiques,” Dunne said. “I’m not sure that’s true. Maybe they don’t want to use them in the same old way. Maybe the previous generation put too much veneration into their collections. These aren’t relics. They are living, breathing objects to use and enjoy. Think of fresh ways to use old things. For instance, we sell large early 19th-century copper jelly pans.
Twenty-somethings will probably not whip up a tub of fig preserves, but when I show them, it could also be a great thing for icing down a bunch of craft beers, they get it.”
Younger collectors are comfortable mixing periods and aesthetics within the same environment or collection rather than sticking to a single theme.
“Probably the days when someone wants to do a totally period room are over; now it’s all about creative, crazy mixing,” Drews said. “The younger European crowd turns their backs on empty, cold white spaces and goes for cozy, rich, personalized rooms. Spaces with stories.”
Modern sensibilities allow a French deco sideboard to anchor a contemporary living room or a Brutalist armoire to become a statement bar.
Drewes advises beginning collectors to get physical and shop for goods in person instead of shopping exclusively online. “You can tell right away from the composition of a shop if it is just a place for selling anything at all or if it’s a product of wonderful, crazy passion. You can scroll all you want, but you need to get out on the turf, touch and feel, and get a few nettles in your hair. I have a good friend in France about my age, who says ‘you can smell a good antique, like a violet’.”
Dunlap concurs, “The real magic happens when you walk through and experience furniture, art, and decor in person.”
This Clementine Hunter (American/ Louisiana, 18871988), "Melrose Plantation," is an oil on board, curated by Crescent City Auction Gallery.
This Newcomb College Art Pottery Matte Glazed Bowl, 1914, decorated by Alice Raymond Scudder, with oak leaves in low relief, blue and green underglaze, is curated by Crescent City Auction Gallery.
Written by Sue Strachan
Project Lazarus Bon Appétit
Multiple dinner parties to benefit Project Lazarus spanned the city on Sept 14 for the organization’s popular Bon Appétit.
Project Lazarus, which opened in 1985, is a transitional living facility for people living with HIV/AIDS in the greater New Orleans area. Bon Appétit is one of its major fundraisers.
This year’s event featured 10 sites hosted by: Falon Brown, Fletcher Jernigan, Lance Hebert and Jerry Fredieu; Nick Daigle and Daniel Post; Kenny Oubre and Jay Huffstatler; Stephanie and Stanton McNeely and Will Luton; Rodney Thoulion and RJ Burns; Blake Bascle and James McCune; Linda Pierce and Lisa Johnson; Charles Terrebonne; Tom Bouterie; and Marinates of Holy Cross.
After the good food and cheer, guests moved to the Dessert Party at Generations Hall, where sweet tooths were satisfied by offerings from Ayu Bakehouse, Aunt Sally’s Pralines, Beth Deitch, Dorignac’s, Louisiana Pizza Kitchen, Haydel’s Bakery, Nonna Randazzo’s, Nothing Bundt Cakes, Praline Dreams and Swiss Bakery.
The evening was made even sweeter for the winner of the raffle for a guitar signed by Taylor Swift!
1. Gary Schiro, Jorge Munoz, David Cortez-Backer, Warren Backer Jr. 2. Falon Brown, Jerry Fredieu, Lance Hebert 3. Jay Huffstatler, Kenny Oubre, Daniel Post, Nick Daigle 4. Danny Akers, Carling Gannon, Rodney Thoulion 5. Charles Terrebonne, Jane Wilbert, Marc Behar 6. Aaron Rusich, Joseph Arnoult, Mike Meadows
FUN FACT: Project Lazarus has a new executive director, Ian Bicko.
Garden District Association Fall Affair
Renowned for its beautiful historic homes, the Garden District is a jewel in New Orleans’ crown.
On Sept. 15, the Garden District Association, which calls itself the “steward of the neighborhood,” hosted an annual benefit — the Fall Affair — at Commander’s Palace, itself a brilliant facet in the city’s architecture and culinary scenes.
Drinks and joviality kicked off the event, followed by a three-course dinner of cauliflower and brie soup, confit of duck leg (a particular favorite amongst partygoers) and a cinnamon roll apple cobbler with each dish paired with a wine.
Flowers were provided by Pamela Dennis in the Rink and music was by the Jazzman. Event co-chairs were Ellie Sanders, Jennifer and John Rareshide, Sarah and Marshall Hevron.
FUN FACT: The GDA’s Profiles in Preservation program is still going strong with about 80 historic markers installed at houses throughout the Garden District. There is also a new GDA garden club called Jouers de Jardin.
1. Marshall Hevron, Ellie Sanders, Jennifer Rareshide, John Rareshide 2. Chef Meg Bickford, Dr. Ted Bloch, Suzie Bloch
3. Andrea Bland, David Bland, Lally Brennan 4. Carroll Zimmer, Emory Zimmer
5. Frank Wilder, Troy Scroggins 6. Jane Caselli, Henry Casselli
Pro Bono Project Justice For All Ball
The Justice For All Ball returned to the Orpheum Theater on Sept. 20 to raise funds for the Pro Bono Project.
The party started in the Double Dealer before moving into the theater, where food was courtesy of a variety of restaurants and music by GOT Groove caught partygoers' attention.
A silent auction offered more than 100 items, including exclusive global travel opportunities; original artwork commissioned for the event, “Lady Justice” by Chuck Wright and a diamond and sapphire pendant necklace from Beje Jewelry.
“Each year as we celebrate with friends and colleagues, we are reminded of what makes our community both strong and unique — our creativity, civic pride and resilience,” says Pro Bono Project Executive Director C.C. Kahr.
“These attributes make New Orleans like no other city and they contribute to what has made the Pro Bono Project so successful over the past 39 years.”
Event co-chairs were Cherrell Taplin and Ryan Swayze. Honorary chair was James M. Williams, for his commitment to civil legal aid.
INTERESTING
FACT: Established by the Louisiana Bar Foundation in 1986, the Pro Bono Project provides free civic legal aid for underserved and under-represented individuals in Jefferson, Orleans, Plaquemines, St. Bernard, St. Tammany and Washington parishes.
1. Scott Sternberg, James Williams, Cherrell Taplin, Ryan Swayze 2. Rachael Johnson, C. C. Kahr 3. Alyssa Maurice-Anderson, Crystal Domreis 4. Christy Kane, Alan Brackett, Erin Lorio 5. Jackie Shreves, Bruce Shreves 6. Sharonda Williams, P. Kevin Colomb
Louisiana Children’s Museum Play Soirée
Goodnight Moon on the Lagoon presented by Children’s Hospital was the theme for the Louisiana Children’s Museum Play Soirée on Sept. 21. Inspired by the beloved children’s book “Goodnight Moon” by Margaret Wise Brown, the gala evening unfolded at the museum campus.
“Play Soirée is the biggest fundraising event of the year for the Louisiana Children’s Museum (LCM), bringing together champions of education and child development from across the community to support LCM’s mission to be a relevant solution to the challenges and aspirations of our community,” said museum CEO Tifferney White.
Kicking off the festivities was the Great Friend to Kids Award ceremony, at which Anne and King Milling and Tracy and Calvin Mackie were honored. This was followed by the patron party where guests enjoyed jazz from Jenna McSwain.
The gala portion of the evening featured cuisine from Dickie Brennan & Co. Catering and Special Events and a silent auction that kept guests bidding 25 coveted items, including a private suite for the New Orleans Pelicans’ season opener, a three-day getaway to Walt Disney World Resort and “The Princess and the Frog”-themed artwork by Thomas Kincaide. The hottest bid? LCM’s exclusive “Night at the Museum” experience.
Live music set the tone, with Raw Deal delivering high-energy funk, and a vibrant second line led by Treme Lafitte — sponsored by the New Orleans Jazz Museum — bringing the night to close.
“This special evening also allows us to honor and celebrate positively impactful contributors and philanthropists in our community while offering adults a unique opportunity to explore the museum, usually reserved for children,” said White.
Event co-chairs were Rebecca Maisel and Hattie Collins, Emily Wolff and Josh Cox.
FUN FACT: The party decor was based on “Goodnight Moon on the Lagoon,” with a highlight being beautiful lighting and ambiance in the courtyard where the museum recreated “Goodnight Moon’s” beloved “great green room” as an 8’ x 10’ mural created by local artist Jess Joy.
1. Rep. Troy Carter, Tracy Mackie, Dr. Calvin Mackie, Tifferney White 2. Anne Milling, King Milling, Lou Fragoso, Jill Fragoso 3. State Sen. Royce Duplessis, Krystle Duplessis 4. Walt Leger, Danielle Leger, Melissa Marley, Tom Schedler 5. Liz Hefler, Lauren Doussan 6. Greg Curtis, Sunni LeBoeuf
Jefferson Beautification Sunset on the Bucktown Boardwalk
Who could resist a sunset over Lake Pontchartrain?
Not supporters of Jefferson Beautification on Sept. 27, when the organization held Sunset on the Bucktown Boardwalk presented by Entergy, proving nature — and music — were alluring attractions.
Bucktown Harbor Park and Marina was the site for this festival-like event that showcased music from the Top Cats as well as served up morsels from Cayenne Seafood, Couzan’s BBQ and Ground Pat’i food trucks. Guest could roam the grounds with sights such as the famed boardwalk and Bird’s Nest pavilion, as well as check out future offerings, such as the kayak launch and the living shoreline, which will help boost the fish population.
“Jefferson Beautification is excited to be a part of this development and newest attraction in Jefferson Parish,” said Joy Shane, CEO of the organization. “We look forward each year to attracting residents for a night of food and entertainment in such a beautiful setting.”
Jefferson Beautification was formed in 1990 to provide funding for tree planting and beautification projects for green spaces in Jefferson Parish, as well as promote these projects through public awareness.
Event co-chairs were Valerie Cicero and Sue Stein.
FUN FACT: The funds raised from the event will be used for the design and construction of the Bucktown Community Garden.
1. Sue Stein, Joy Shane, Valerie Cicero, Monica Dupeire 2. Mildred Congemi, Hans Liljeberg, Ricky Templet, Lawrence Chehardy 3. Emmie Rabalais (Miss Teen Wheelchair USA), Nikki Pontiff 4. Seated: Elaine Barrau, Kay Andresson; Standing: Carolyn Bazile, Carrel Epling 5. The Top Cats Pat Campbell, Rob Schulte, Buzzy Beano, Dave Gamble 6. Debbie Mahl, Tricia Barrosse, Dinah Brosset, Betty Lavalle
American Cancer Society Cure by Design
The spotlight was on the fight against cancer when the American Cancer Society held its Cure by Design, presented by Ochsner MD Anderson Cancer Center, New Orleans Pelicans and Pan American Life Insurance Group, on Sept. 28.
The party theme was Vanity Fair (the magazine) and through the décor, the Sugar Mill was transformed into a glamorous set (via Wink Design & Events, and See-Hear Productions) for attendees who enjoyed music from the Hot 8 Brass Band and Blue Rhythm, as well as cuisine from more than 25 restaurants.
Rick Gallo lead the live auction with the top items being an Argentinean dove hunt, while a New Orleans Pelicans suite for a game and a guitar signed by Bob Dylan were favored in the silent auction. A raffle of diamond hoop earrings from Boudreaux’s Jewelers had many taking their chances.
Leaders in the community were honored: Sid Degan received the Heart and Soul Award, and 20 other honorees were charged up with a mission to raise funds.
“Through our efforts, this gala continues to raise vital funds for the American Cancer Society through advocacy, research and patient support programs, including rides to treatment or even a free home away from home at the Hope Lodge while undergoing treatment,” said Dr. Neil Jolly.
“These programs offer comfort, security, and community during some of the most difficult times in a patient’s journey. This event has a huge impact in our community and beyond, enabling ACS to further its mission to ensure everyone has an opportunity to prevent, detect, treat and survive cancer,” he added.
Proceeds benefit the ACS Patrick F. Taylor Lodge on River Road, which provides a free home away from home for cancer patients and their caregivers while receiving treatment in the New Orleans area. Additionally, funds will also go towards life-saving local programs and services, such as transportation, advocacy and Louisiana-based cancer research.
Event co-chairs were Rena and Dr. Neil Jolly.
FUN FACTS: The gala will mark its 25th anniversary in 2025.
1. David Griffin, Dr. Zoe Larned 2. Dr. Neil Jolly, Sid Degan, Rena Jolly 3. Jessica Huneycutt, Larry Morrow 4. Roger Javier, Christina 'Fammy' Rodgrigue 5. Dr. Shawn McKinney, Dr. Angela Wortham 6. Ravi Bates, Dr. Mamina Turegano, Zach Kupperman
Ramos Gin Fizz
Makes 1 cocktail
.75 ounce lime juice
.75 ounce lemon juice
1 egg white
Orange blossom water
2 ounces Henry Ramos Gin
1 ounce simple syrup
1 ounce heavy whipping cream
2 ounces of soda water
Orange peel, for garnish
Combine lemon and lime juices, egg white, and seven drops of orange blossom water in a tin cocktail shaker with no ice. Shake vigorously for 30 seconds. Add gin, simple syrup, and two ice cubes and shake for 1 minute. Add cream and shake for 1 minute more. The tin will be completely frozen, and your hands will stick to the tin.
Pour soda water into a cold Collins glass and pour in three-quarters of the Ramos. Tap the glass on the counter a few times to settle the cream, then place it into a freezer for 1-2 minutes. Remove the cocktail from the freezer and top with the remainder of the tin. The result should have a 1-2 inch puff atop the glass. Express the oils from the orange twist atop the cocktail. Serve with a straw.
The Expert
Alex Anderson, Beverage Director at Peychaud’s Anderson moved from Atlanta to New Orleans, where she was an integral part of the team at Cure that won a James Beard award for best bar program in America. She has spent over 19 years in the service industry all over the Southeast and Pacific Northwest. She recently returned to New Orleans and joined Peychaud’s, where she shakes up many a Ramos Gin Fizz, as Beverage Director.
Shaking up Spring
with the Ramos Gin Fizz
One must wonder what Charles “Carl” Ramos (1856-1928) was thinking when he created his celebrated eponymous cocktail. The Ramos Gin Fizz is a mind-bending combination of disparate ingredients that would seem to have no business in the same vessel. To satisfy Ramos, said vessel must have been shaken constantly for twelve to fifteen minutes to create the libation’s signature, frothy, creamy consistency, necessitating that Ramos employ as many as thirty additional bartenders to quench the thirsts at The Imperial Cabinet Saloon and The Stag for in-demand occasions such as Mardi Gras. Contemporary bar masters assure that a proper Ramos Gin Fizz can be achieved using the “dry shake” method in two minutes and thirty seconds. – By
Jyl Benson
WHAT TO SERVE WITH THE RAMOS GIN FIZZ
Blinis with Smoked Salmon
Smoked salmon blinis combine the Russian tradition of small pancakes (blinis) with the Scandinavian tradition of smoked salmon. The rich, salty flavor of the smoked salmon is cut by the creamy, acidic foil of the Ramos Gin Fizz, the texture of which mimics the fluffy texture of blinis.
Makes 18 pieces
1/3 cup buckwheat flour
2/3 cup all-purpose flour
1/2 teaspoon baking powder
3/4 teaspoon salt
3/4 cup + 2 tablespoons milk
1 large egg
1 stick unsalted butter, clarified, divided
1/2 pound smoked salmon, thinly sliced
1/4 cup creme fraiche or sour cream
Fresh dill sprigs for garnish
Combine both flours, baking powder, and salt in a bowl. In a separate bowl, whisk together the milk, egg, and 1 tablespoon of the clarified butter, then whisk into the flour mixture. Heat 1 tablespoon of the clarified butter in a medium sauté pan and drop the batter into the hot skillet, 1 tablespoon at a time to cook small cakes. Cook over medium-low heat until bubbles form on the top side of the blinis, about 2 minutes. Flip and cook until brown, about 1 minute more. Set the blinis aside. Wipe out the skillet with a dry paper towel and repeat with the remaining batter. To serve, top each blini with a piece of smoked salmon. Add a dollop of creme fraiche and a sprig of dill. Serve at once.
Creatine
Not Just for Athletes Anymore
By Molly Kimball, RD, CSSD
When we think of creatine, football players and body builders typically come to mind. And when I first started out as a dietitian in the late 90’s, this is precisely who we thought this supplement was best suited for. Over the past decade though, hundreds of peer-reviewed publications have enriched our understanding of creatine, revealing benefits that extend far beyond the gym. In fact, creatine might
just be the unsung hero in our wellness regimen, especially as we age. Creatine is involved in energy production – especially under conditions of high energy demand, such as intense physical or mental activity. Our bodies produce creatine in small amounts. It’s also available in meat and fish, though supplementing with creatine can provide whole-body benefits that we can’t easily get from food alone.
Creatine benefits include improved strength, power and muscle mass, especially in conjunction with resistance exercise, along with enhanced performance and recovery in high intensity workouts. Additionally, research shows that creatine also offers the following mind and body benefits:
• Age-related muscle support: It can help to combat sarcopenia, the age-related muscle loss that occurs almost inevitably, unless we actively work to prevent it. Losing strength makes daily tasks feel harder – and challenges our independence as we age. Supplementing with creatine can enhance the effects of resistance
training, making it a key ally in preserving muscle mass and strength, especially in people over 50.
• Cognitive function: Perhaps most intriguing are the potential cognitive benefits of creatine. Creatine has shown promise in enhancing brain function, improving memory, and reducing mental fatigue—particularly beneficial for older adults and those with lower natural creatine levels, such as vegetarians.
• Bone health: Creatine supplementation has been shown to increase bone density and/or reduce bone loss, especially when combined with resistance training.
• Energy and recovery: Because
creatine helps replenish our muscles’ energy stores more rapidly, it can help us feel less fatigued not only after a challenging workout, but also throughout our daily routines. [By supporting our energy production at the cellular level, creatine ensures that the body functions optimally, whether lifting groceries or lifting weights.]
Despite its benefits, misconceptions about creatine persist. Creatine is not a steroid, nor does it just “bulk you up.” It’s safe for the kidneys in healthy individuals and does not cause dehydration or cramping —common myths that have been debunked by numerous studies.
While combining creatine with caffeine is common, it’s possible that caffeine may interfere with creatine’s effectiveness. Though data is inconclusive, I generally recommend taking creatine at least 30 minutes before or after a caffeine source. Creatine is well-tolerated by most people. Whether you’re looking to sharpen your mind, strengthen your body, or simply enhance your daily energy, creatine is a versatile supplement that offers an array of benefits. As always, consult with a healthcare provider before starting any new supplement regimen or wellness routine, especially if you have pre-existing health concerns.
Integrating creatine into your routine is simple:
• Creatine source: Look for products containing creatine monohydrate, the type of creatine that has been most widely studied. Also look for Creapure™, a trademarked ingredient found in a variety of creatine products that is considered the gold standard for creatine.
• Daily dose: There’s no need for a “loading phase.” Aim for 5 grams per day, which can be taken at any time that suits your schedule—pre- or post-workout is good, but not necessary.
• Product choice / product type: Creatine supplements are available in a variety of forms, including powdered (my preference for purity and simplicity); also in capsules or even gummy-style supplements.
• Mixing tips: Powdered creatine can be mixed with water, juice, or tea. Warm liquids help it dissolve better, though it’s just as effective in cold drinks.
The Howard Memorial Library
Charles T. Howard was a New Orleans businessman who organized the Louisiana Lottery in 1869, as well as a founder of Metairie Cemetery. He earned a reputation as a philanthropist as well, using his income from lottery dealings. He had been working toward building and funding a public library in New Orleans connected to Tulane University, but died from a carriage fall in 1885 before he could move forward with it. After his death, his daughter Annie decided to see the plan to completion in honor of her father.
Annie’s brother Frank consulted with Tulane and purchased a lot at the corner of Camp and Delord (changed to Howard Ave., and now Andrew Higgins Ave.) Streets where the library would be built. Construction was underway by the end of 1887.
Richardson was so esteemed for his design aesthetic that an entire architectural style was named after him: Richardsonian Romanesque. The Howard Memorial Library is a classic example of it. The exterior was dark brown stone from the Kibbe quarry in Massachusetts; the red terra cotta roof tiles came from Akron, Ohio. The interior was crafted primarily with white oak, polished to gleaming and illuminated under chandeliers, with gray sandstone accents.
The building design had been chosen by Charles before his death. Worldrenowned architect H.H. Richardson, a native of New Orleans, had created a design for a library in Michigan that was not used; Howard bought it for his New Orleans library.
Charles Alexander Nelson, previously working at the Astor Library
in New York, was hired as head librarian. He built a staff of local ladies in the months preceding the opening to help arrange and catalog items, and had almost 10,000 books ready on opening day. A large focus of the collection was scientific works related to Southern industries.
Howard Memorial Library was dedicated in 1889 on the late Howard’s birthday: March 4 – which also happened to be Lundi Gras. The Monday night ceremonies included an opening prayer from Bishop Gallaher, a letter from the Howard family, a poem by the famous New Orleans poet Mary Ashley Townsend, an oration by U.S. District Court Judge Edward Billings, and a benediction by the Rev. I.L. Laucht. The library formally opened on Ash Wednesday.
Howard Library’s collection was merged into the Tilton Library on Tulane’s campus in 1938, and is now known as the Howard-Tilton Library. The Richardson-designed building is now a part of Ogden Museum of Southern Art, known as the Patrick F. Taylor Library; it is used primarily as an event space. – By Seale Paterson
Caroline Elizabeth Cushner and Edward Hugh Jackson lived in the same dorm freshman year at Tulane, and they soon found themselves hanging out in the same friend group. Neither was looking for a serious relationship, but after getting to know one another for a few months, Hugh asked Caroline for a date. He happened to ask her out on Valentine’s Day, and the next day they headed to the Tree of Life in Audubon Park with a bottle of wine for a “quick first date.” That “quick” date ended up lasting four hours, and they never looked back.
Five and a half years later, Hugh took Caroline back to the Tree of Life for a picnic. They talked about their future, and suddenly Hugh asked Caroline to look at a nonexistent bird. When she turned back toward him, he was down on one knee holding a family heirloom engagement ring. Caroline soon realized that a jogger in the park was actually her older brother in disguise, and that he was photographing the moment when she said yes!
Because they began their relationship and engagement surrounded by oak trees and Spanish moss, they knew they wanted to marry surrounded by them as well. They also wanted to share the New Orleans they have come to love with their friends and family from out of town, and they wanted to incorporate their mutual love of art into their special day. The Sydney and Walda Besthoff Sculpture Garden proved the prefect place for them to say “I do” on December 14, 2024.
Guests were greeted with hot toddies, hot chocolate, and pashminas to help keep warm. Translations and explanations during Jewish
Cushner-Jackson
ceremony ensured that everyone attending the interfaith couple’s wedding could follow the ceremony and feel included. The décor enhanced the beauty of the sacred words, with gold frames, chandeliers, and antique furniture adorning the garden.
These elements were chosen to reflect the design of the reception venue, the New Orleans Museum of Art, which was decked out in lush florals and greenery complementing the centuries-old artwork. In keeping with the theme that combined vintage details with
natural, organic touches, Caroline and Hugh chose the “Bee’s Knees” as their specialty cocktail. The magical feeling created by the theme set the tone for the newlyweds’ first dance to Neil Young’s “Harvest Moon.” Caroline often thought of this song when she first realized she was falling in love with Hugh, and it has become especially meaningful for them over the years. The couple also chose to celebrate love and lasting marriage with an “anniversary dance,” inviting all married couples to the dance
floor and cheering on those who had been together longest.
After an unforgettable wedding weekend, the couple unplugged during a four-day “mini-moon” at Bolt Farm Treehouse in Walhalla, S.C. They then returned to New Orleans, where Caroline is a digital marketing consultant, and Hugh, who is currently with Bild Design, is working toward becoming an architect. – By Megan Holt
Rehearsal Dinner Location: New Orleans Country Club (The Virgin Hotel Rooftop for the Welcome Party)
Reception Décor: AD Events; Distressed Rentals; Luminous Events; See Hear Pro; Tents by Design; Yur Event Rental; Johnson Tropicals
Coordinator: Uncommon Camelia
Main Planning/Design: Amélie Pizza
Lead Coordinator: Jeny Himel
Celebrant: Rabbi David Gerber, Congregation Gates of Prayer
Ceremony Music: Vermilion Strings
Wedding Gown: (Ceremony) Martina Liana, Kleinfled Bridal, (Reception) Sottero and Midgley, Kleinfeld Bridal Bridesmaid’s Dresses: Azazie
Groom’s Attire: Alton Lane
Groomsmen attire: Generation Tux
Bride’s Engagement Ring & Wedding Band: Family ring (Hugh’s mother + grandmother)
Groom’s Wedding Band: Andria Barbone
Florist: NOLA Flora
Invitation: (Main invitations and all signage) Paume Design, (Save The Dates) Scriptura
Caterer: Ralph Brennan Catering
Wedding Cake: Chasing Wang
Photographer: Mon Soleil
Videographer: Genuine Collective
Hair: Hair By Beth (Beth Washington)
Makeup: McKey Bridal (Toni Terry)
Music: Rouge Krewe
Men and Women of Fashion
Prix d’Elegance
photography by Jeff Strout
WE WILL CELEBRATE AND RECOGNIZE THOSE INDIVIDUALS WHO ARE NOT ONLY FASHIONABLE INFLUENCERS, BUT WHO ARE ALSO LEADERS AND SUPPORTERS WHO PROVIDE TIME, COMMITMENT, AND SERVICE TO OUR COMMUNITY.
Thisspring
the Men and Women of Fashion members again unite in style to celebrate fashion as a force for good with their annual luncheon.
For over 50 years, these organizations have created one of the city’s most sophisticated, delightful events that pays tribute to men and women in this community who, as Women of Fashion President Rhonda Eckholdt states, “contribute to a longstanding legacy of impactful community service.” She adds, “We are pleased to bolster the next generation of community leaders with an audience that includes so many past honorees of this award, spanning decades.”
On April 3, 2025, the Prix d’Elegance Awards Luncheon & Fashion Show in the Grand Ballroom of the Hilton New Orleans Riverside Hotel will honor a class of men and women selected by the memberships for their excellence through local business, civic, and charitable endeavors. Additionally, two honorees, one man and one woman from the memberships of Men and Women of Fashion, will be inducted into the Hall of Fame, which recognizes the recipients’ steadfast support of the organization and noteworthy civic engagement. This year’s honorees are Tiffa Boutté and Joey DiFatta. Established in 2020, the Presidents’ Choice Award was created to spotlight the extraordinary achievements and contributions to the community by distinguished individuals. This year’s award will be presented to Alden McDonald, Jr.
For the second year, this year’s luncheon will be chaired by Gerri Valene and Sandra Chaisson. Valene states, “On April 3, we will celebrate and recognize those individuals who are not only fashionable influencers, but who are also leaders and supporters who provide time, commitment, and service to our community. Chaisson adds,
“Each
year, we have the pleasure of inducting a new group of worthy individuals whose dedication, work ethic, and contributions to our community ensure programs like those provided by NOBA are able to succeed…’BRAVO’ to all of our honorees!”
Upon arrival,
guests will enjoy a champagne reception by Lee Michaels Fine Jewelry followed by a threecourse lunch, an exclusive silent auction of contributions by area businesses and donors, a raffle by Lee Michaels Fine Jewelry and Rubensteins, and more! Table sponsors will also take home the beautiful centerpieces by Dunn and Sonnier Antiques, Florals, & Gifts and sponsored by Women of Fashion and Stephen Sonnier.
Of course, the runway takes center stage, with spring fashions on display, a dance performance, and the presentation of the 2024 awardees. “Our event showcases our Men and Women of Fashion recipients and a fantastic fashion show generously produced by Rebecca Nordgren of Chatta Box and Jeff Chouest of Jeff’s Haberdashery. The fashion show’s high energy is infectious, and attendees love cheering on the models,” shares Women of Fashion Board Chair Tiffa Boutté.
HALL OF FAME AWARD RECIPIENTS TIFFA BOUTTÉ AND JOEY DIFATTA
LUNCHEON CHAIRS
GERRI VALENE AND SANDRA STAGE CHAISSON
The event will again benefit BRAVO, the Ballet Resource and Volunteer Organization, which provides critical funds for the nationally award-winning education programs and scholarship funds of the New Orleans Ballet Association (NOBA). For 33 years, NOBA has partnered with area organizations in three parishes to host multiple summer programs and year-round training programs with some of the industry’s biggest names. This year’s dance performance by NOBA students and luncheon will pay special tribute to past Women of Fashion honoree and a founder of the NORD/NOBA Center for Dance, the late Hon. Jacquelyn Brechtel Clarkson.
This year’s Prix d’Elegance Awards Luncheon promises to honor New Orleans’ unique spirit of bold individuality and grand generosity. As Men of Fashion Board Chair Lee Giorgio states, “The Men and Women of Fashion believe in embracing this richness of spirit. We must create opportunities because they don’t just happen. We thank our supporters who, by attending our event, help us make a positive difference and allow our talented youth to create beauty around us.”
PRIX
TOP: MEN OF FASHION BOARD CHAIR LEON L. GIORGIO, JR. WOMEN OF FASHION PRESIDENT RHONDA PAUSINA ECKHOLDT
BOTTOM:
D’ELEGANCE AWARD RECIPIENTS MARK BEEBE, ELIZABETH ELLISON-FROST, SUNNI LEBEOUF, PEDRAM TAHERI
NEWTON C. THOMAS, CEO, MANDY WIENHUSEN, EDWARD M. KASS, III
In addition to the luncheon, the 2024 award recipients and honorees were treated to a photo shoot by Renaissance Publishing and “Meet the Honorees” cocktail reception hosted by the Windsor Court Hotel.
For tickets or more information, call 504.522.0996 or email womenoffashion@gmail.com.
PRIX D’ELEGANCE AWARD RECIPIENTS
For 33 years, NOBA has partnered with area organizations in three parishes to host multiple summer programs and year-round training programs with some of the industry’s biggest names.
CHAD GRACI, MICHELE WINK, CHANTTELL M. PATIN, MICKEY P. LANDRY
BARRETT CONRAD, VORIS R. VIGEE, CONNER LEBLANC, ANNETTE DOWDLE
Sponsored by
All photos were taken at The Windsor Court.
Home Décor and Improvement
Spring is the perfect chance to spruce up that decor, keep the vibes in, and the bugs out. Make your home the perfect space for relaxation, and celebration, with these New Orleans Home Decor partners.
Val Spaces | valspaces.com
Valentina Lostalo, originally from Argentina, discovered her passion for design early on. At Val Spaces, she creates unique, functional interiors inspired by clients’ lives. Through collaboration, she ensures every space is both beautiful and practical, leaving a lasting impression.
J&J Exterminating | jjext.com
With energy bills at an all-time high, J&J Exterminating now offers the progressive, E.P.A. approved, “T.A.P.” or Total Acoustical Pest control insulation, a permanent pest solution that also helps save money on energy costs up to 30%. For existing dwellings, or new construction, contact J&J Exterminating today.
Featured Camp
Summer Vacation is just around the corner. Treat your kids to the best summer ever at a fun, sociable, and educational camp near you!
Lookout Mountain Camp for Boys
| lookoutmountaincamp.com
Established in 1928, Lookout Mountain Camp for Boys continues to be owned and operated by the same New Orleans family to this day. Surrounded by lush forest, LMC was built on the crest of Lookout Mountain with a river that flows right through the middle of the grounds, providing the ultimate setting for swimming and water sports. Our team of dedicated counselors, most of whom were former campers, specialize in crafting an unforgettable summer through a wide range of activities including archery, arts and crafts, backpacking, badminton, basketball, baseball, battle ball, blacksmithing, camping, canoeing, capture-the-flag, football, fly fishing, golf, hiking, horseback riding, riflery, ropes course, tennis, tetherball, whitewater rating, woodshop, volleyball, and ziplining. We offer two, four, and six week sessions plus a special three-day Father-Son session for boys ages 5-8 to get a feel for camp life. Register today for memories and friendships that will last a lifetime!
Val Spaces
PUBLISHER’S NOTICE: All real estate advertised herein is subject to the Federal Fair Housing Ace and the Louisiana Open Housing Act, which make it illegal to advertise any preference, limitation, or discrimination because of race, color, religion, sex, handicap, familial status, or national origin, or intention to make any such preference, limitation, or discrimination. We will not knowingly accept any advertising for real estate which is in violation of the law. For more information, call the Louisiana Attorney General’s Office at 1-800-273-5718.
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