THE REPERTORY THEATRE OF ST. LOUIS
BY GRACIE GARDNER
directed by nancy bell
JANUARY 15 – FEBRUARY 9
LORETTO-HILTON CENTER | THE EMERSON STUDIO THEATRE
STEVE WOOLF STUDIO SERIES SPONSOR PETER AND SUSAN TUTEUR
2024 – 2025 SEASON
JANUARY 15 – FEBRUARY 9
THE REPERTORY THEATRE OF ST. LOUIS
130 Edgar Road, St. Louis, MO 63119
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The Repertory Theatre of St. Louis is a fully professional theatrical operation belonging to the League of Resident Theatres (LORT), the Non-Profit Theatre Collation, Greater St. Louis Inc., and is a constituent member of Theatre Communications Group, Inc., the national service organization for the not-for-profit professional theatre. It operates independently of, but under a mutually beneficial agreement with, Webster University. The Rep operates under an agreement between the League of Resident Theatres and Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. The Rep hires directors and choreographers who are members of the Society of Stage Directors and Choreographers and stagehands who are members of the International Alliance of Theatrical Stage Employees. Scenic artists employed by The Repertory Theatre of St. Louis are members of United Scenic Artists, Local 829, AFL-CIO. The scenic, costume, lighting and sound designers in LORT Theatres are represented by United Scenic Artists Local USA-829, IATSE. Financial assistance for this theatre has been provided in part by the St. Louis Regional Arts Commission; and the Missouri Arts Council, a state agency. This project is supported in part by an award from the National Endowment for the Arts, a federal agency, which believes that a great nation deserves great art.
Welcome back to The Steve Woolf Studio Series here at The Rep. As we strive to produce adventurous theatre for adventurous theatregoers, Athena will take you to the most daunting place of all–high school. We ask you to reminisce on the joys, hopes, and fears of adolescence.
At the heart of Athena lies a powerful question: How can society create an environment where young women can excel in their pursuits while also embracing the joys of friendship, love, and community? This story centers on two young athletes who embody the diligence and intensity of their sport. It also showcases not just their skills on the piste, but also the complexity resonating in their lives off it. Sharing a compelling exploration of the lives of young female athletes is one thing–sharing the story of them fighting for a single spot at the top is another. With the trajectory of these young women’s lives resting on a single bout, where is the room for connection?
Inspired by the goddess of strategic warfare, Gracie Gardner delves into the multifaceted nature of coming of age physically and emotionally while training toward tactical brilliance, physical prowess, and mutual respect. Stereotypically, these qualities of wisdom and strength when associated with young people in popular narratives garner freedom and celebrity, but they don’t equalize with the inquiry–what is the cost of power? Athena, often portrayed as a solitary figure in mythology, faced her own struggle in forming friendships, reminding us that it is often “lonely at the top.” We may not be facing acne, homework, and college applications, but how do each of us navigate the demands of respect and opportunity while striving to be seen and cherished by one another for simply who we are underneath it all?
As you engage with Athena, I hope you will reflect on the resilience and strength of these young women embarking on this opportunity. This play challenges us to honor their journeys and to recognize the importance of creating spaces where they can thrive both in their ambitions and their relationships.
Kate Bergstrom augustin family artistic director
THE REPERTORY THEATRE OF ST. LOUIS
Augustin Family Artistic Director
Kate Bergstrom
managing director
Danny Williams
presents
DIRECTED BY NANCY BELL BY GRACIE GARDNER
CAST
Mary Wallace Jailyn Genyse*
Jamie Carmen Cecilia Retzer
Athena Isa Venere
CREATIVES
Scenic Designer Seth Howard
Costume Designer Renee Garcia**
Lighting Designer Jayson M. Lawshee
sound designer Jimmy Bernatowicz
Fight Director Paul Steger
C asting Director Becks Redman
Dramaturg Simone Hoagland
Fencing Consultant Annamaria Lu
production s tage Manager Carolyn Ivy Carter*
*Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States **USA-829 Member
“Athena” is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
Athena was commisioned by and received its world premier with The Harth (Emma Miller and Julia Greer, Co-Artistic Directors) at JACK on February 16, 2018. The performance was directed by Emma Miller, with sets by Emmie Finckel, costumes by Dara Affholter, lighting by Victoria Bain, sound design by Z Worthington, property design by Jess Cummings, and fight choreography by Ryan Bourque. The stage manager was Hanako Rodriguez.
The cast was as follows:
MARY WALLACE... Abby Awe
ATHENA... Julia Greer
JAMIE...Eva Ravenal
PRODUCTION CREW
Production Assistant Caroline John
Assistant Costume designer Ariana Lapentti
Wardrobe Supervisor Elena Jaquez
Studio Sound Technician Sean Wilhite
STUDIO ELECTRICIAN Casey Morris III
PLACE Here TIME Present
STEVE WOOLF STUDIO SERIES SPONSOR
PETER & SUSAN TUTEUR
MAJOR PRODUCTION SPONSORS
GWEN & PAUL MIDDEKE
VEN & CYNTHIA HOUTS
STAGE COMBAT SPONSOR
GINA & LEE HOAGLAND
2024 – 2025 SEASON DEDICATION
ANN P. AUGUSTIN
THE VIDEOTAPING OR MAKING OF ELECTRONIC OR OTHER AUDIO AND/OR VISUAL RECORDINGS OF THIS PRODUCTION AND DISTRIBUTING RECORDINGS OR STREAMS IN ANY MEDIUM, INCLUDING THE INTERNET, IS STRICTLY PROHIBITED, A VIOLATION OF THE AUTHOR(S)’S RIGHTS AND ACTIONABLE UNDER UNITED STATES COPYRIGHT LAW. FOR MORE INFORMATION, PLEASE VISIT:https://concordtheatricals.com/resources/protecting-artists
FENCING: A COMPETITIVE
SPORT
BY SIMONE HOAGLAND
for Athena
EDITED BY BRIAN COATS
The Rep’s Learning Programs Manager
While a specific tournament is never named in the play, it’s a safe assumption to say that Athena and Mary Wallace are training for Fencing Summer Nationals. Located in a different U.S. city each year from late June to mid-July, the “July Challenge” is a tournament that American fencers train for all year round.
At Summer Nationals, Athena and Mary Wallace would compete in the Juniors event, where they have the opportunity to earn national points by finishing in a certain spot. National points contribute to your national rank, and the top-ranked fencers have the opportunity to go to World events. They are also considered for the National Team and a chance to compete at the Olympics.
All of this gives them better access to university varsity teams. As the sport of fencing becomes more competitive, certain university varsity teams will not even consider an applicant unless they have acquired national points. This standard generates an urgency within fencers who crave success, which drives much of the dramatic and competitive action that you see in Gracie Gardner’s Athena.
Dramaturg
The Rep also extends our gratitude to our partners at Fence St. Louis for making the world of fencing come to life in Athena.
If you are fortunate, you make a friend when you are young with whom you have a shared destiny. You and only you have something to teach them. They and only they have something to teach you. You will be drawn to them, and it will be amazing. And it will be hard, too. Sometimes it can’t last very long, but you will carry them with you forever. This is a play about slashing, stabbing, attacking, winning at all costs and screaming in triumph. And it’s also about this fragile kind of first love for the peer who will change who you are forever.
To grow up, to reach their full potential and thrive, young women, in particular, must reckon with the question, “Can I be powerful and still be loved?” As I confessed to the team here when my work on this play first began, it’s still a question I grapple with myself from time to time. The extraordinary teenagers in this play are taking their first steps toward answering this question. Lucky for them, they don’t have to do it alone.
Whatever our age, may we all find a Mary Wallace or an Athena—someone who will not accept anything less than our very best, but will still show up to practice with us tomorrow no matter what happens.
En garde!
Nancy Bell, Director of Athena
Jailyn Genyse (Mary Wallace) At The Rep: Stellaluna as “Stellaluna/ Flap,” Puss in Boots as “Princess/Ogre Servant,” It’s A Wonderful Life as “Stage Manager/Belinda Plum, ”A Christmas Carol as “Ghost Dancer/Fred’s Sister-in-Law.” Local Theatre: An Unlikely Hero as “Jordan” (Metro Theatre Company), The Color Purple as “Shug Avery” (COCA), Six: Teen Edition (COCA, Assistant Director/ Assistant Choreographer), The Game’s Afoot as “Ensemble Member” (St. Louis Shakespeare Festival). Education: BFA in Acting from the Sargent Conservatory of Theatre Arts. Additional Credits: Local teaching artist with COCA and STAGES who enjoys guiding the future artist in the community. Jailyn would like to thank her family and support system for always pushing her to reach new heights and soar! IG: @jailyngenyse
Carmen Cecilia Retzer (Jamie/Fight Captain) is excited to return to The Rep this season. At The Rep: Murder on the Orient Express. Local Theatre: Much Ado About Nothing as “Hero” (St. Louis Shakespeare Festival), Gloria: A Life (The New Jewish Theatre). Regional Theatre: What the Constitution Means to Me (Milwaukee Rep), Little Women (Milwaukee Rep), A Christmas Carol (Milwaukee Rep). Education: BFA in Acting from The Sargent Conservatory of Theatre Arts at Webster University. Carmen would like to thank her parents, brother, and abuelita for their constant love and support! Social: @carmenretzer Website: www.carmenretzer.com
Isa Venere (Athena) At The Rep: August: Osage County Local Theatre: Our Town as “Stage Manager”(Webster Conservatory). Education: Isa is pursuing her BFA in Acting from Webster Conservatory. Isa would like to thank Mom, Emma, and Dom for their support. IG: @isa.venere
CREATIVES
Nancy Bell (Director) Directing: As You Like It (St. Louis Shakespeare Festival), The New Jewish Theatre, Union Avenue Opera. Acting: At The Rep: The Roommate, The Wolves, Molly’s Hammer, Soups, Stews, and Casseroles: 1976, Clybourne Park, Macbeth, Three Musketeers. Local Theatre: The New Jewish Theatre, Upstream Theatre, St. Louis Shakespeare Festival. Regional Theatre: South Coast Repertory, McCarter Theatre Center, Berkeley Repertory Theatre, Geffen Playhouse,
The Old Globe. New York: Manhattan Theatre Club, New York Theatre Workshop, Ensemble Studio Theatre, Tribeca Lab. Film/TV: Star Trek Voyager, Guiding Light, The Bold and the Beautiful, NewsRadio, Chicago Hope. Education: BFA-Acting, MFA-Acting and Directing. Playwriting: PlaywrightIn-Residence at St. Louis Shakespeare Festival, serving as founding artist on Shakespeare in the Sheets program and Confluence New Play Festival, California Repertory, St. Louis Symphony Orchestra. Other: Professor of Theatre, St. Louis University. Website: www.nancyellenbell.com
Seth Howard (Scenic Designer) is new to The Rep. Local Theatre: The Color Purple (COCA, Scenic Designer). Regional Theatre: Come From Away (Theatre Aspen, Scenic Designer), Jersey Boys (Theatre Aspen, Scenic Designer), Purlie Victorious (Charleston Stage, Scenic Designer), Grease (Bucks County Playhouse, Scenic Designer), Topdog/Underdog (Palm Beach Dramaworks, Scenic Designer). Education: B.F.A. in Stage Design, Props, and Scenic Art from the University of Cincinnati College-Conservatory of Music (CCM). Social: @sethhowarddesigns Website: www.sethhowarddesigns.com
Renee Garcia (Costume Designer) is new to The Rep. Local Theatre: Eddie & Vinnie (Metro Theatre Company, Costume Designer), Grand Horizons (Moonstone Theatre Company, Costume Designer). Regional Theatre: Cabaret (Lake Dillion Theatre Company), Romeo & Juliet and Two Gentleman of Verona (Riverside Theatre Shakespeare Festival), Green Whales (Unicorn Theatre), The Macbeth Project (Coterie Theatre). Film/TV: Burning Man (Independent film, Artistic Director). Education: MFA Technical Theatre, University of Missouri-Kansas City; BA Theatre, Florida State University. Additional Credits: International design showcases include the 2015 Prague Quadrennial (USITT-USA National Exhibit), 2022 Vestuario a Escena MX AC’s exhibit (National Center for the Arts, Mexico City), 2024 World Costume in Action exhibit (National Theatre Bucharest). Awards: 2014 USITT Ezekiel Board Choice Winner, 2014 USITT Ezekiel Award for Outstanding Achievement. Ms. Garcia is an Assistant Professor of Theatre, specializing in Costume Design, at the Sargent Conservatory of Theatre Arts at Webster University. Social: @reneegarciadesigns
Jayson M. Lawshee (Lighting Designer) is a St. Louis-based Production Director & Designer and the Director of Production at The Rep. At The Rep: The Roommate (Lighting Designer), Pride & Prejudice (Assistant Lighting Designer), Admissions (Assistant Lighting Designer), Angels in America Part 1 (Assistant Lighting Designer). Local Theatre: Red (The New Jewish Theatre), The Color
Purple (COCA), An Unlikely Hero (Metro Theatre Company). Regional Theatre: A Celebration of New Works (BalletMet), Fences (Lyric Repertory Company), Escape to Margaritaville (Arrow Rock Lyceum Theater). Education: The Sargent Conservatory of Theater Arts at Webster University, BFA Lighting Design. IG: @the_lawshee
Jimmy Bernatowicz (Sound Designer) is excited to be working on his first show with The Rep! Regional Theatre: 1877 (Bread & Roses Missouri, Sound Designer), Action! (Action Art Collaborative, Sound Designer), As You Like It (St. Louis Shakespeare Festival, Sound Designer), The Two Character Play (Midnight Company, Sound Designer). Education: Bachelor of Arts in Theatre and English from Saint Louis University. Additional Credits: Jimmy currently works as the Production Manager at Metro Theater Company and has worked on over 15 productions with them. He would like to thank his family and friends for their constant support.
Paul Steger (Fight Director) At The Rep: Dial ‘M’ for Murder. Local Theatre: The Black Rep (Resident Fight Director). Regional Theatre: Nebraska Repertory Theatre, Theatre Southeast, Utah Musical Theatre (Resident Fight Director). National Theatre: Bug (Chicago; London, Assistant Fight Director). Broadway Tour: Prymate (dir. Ed Sherin starring Andre DeShields). Film/TV: Vikings, Power Rangers, Family Law, The Practice, The Flintstones - Viva Rock Vegas. Membership: AEA, SAG, BASSC, FDC, NSFS, SAFD.
Becks Redman (Casting Director) At The Rep: It’s A Wonderful Life: A Live Radio Play, Moby Dick, August: Osage County, Dial ‘M’ For Murder and The Roommate (Casting Director), Gruesome Playground Injuries (Director), and served as the Associate Artistic Director from 2022–2024. Regional Theatre: Currently, Becks is a producer at The Old Globe in San Diego. Becks worked at The Rep for five seasons from 2019–2024. Prior to that, she served on the Producing and Casting teams at Actors Theatre of Louisville and Baltimore Center Stage.
Simone Hoagland (Dramaturg) is new to the The Rep! Local Theatre: The Skin of Our Teeth, She Kills Monsters, Almost, Maine; Front, Urinetown, Chicago Education: John Burroughs High School, Bryn Mawr College–candidate for bachelor’s degree in English and Creative Writing and Captain of the Fencing Team. Simone has been on and off stage throughout high school productions in both theatre and dance.
Annamaria Lu (Fencing Consultant) is the Head Fencing Coach and Co-Owner of Fence St. Louis. She is excited to be working at The Rep for the first time! Prior to moving to St. Louis, she fenced and coached throughout the U.S. Awards: As a coach, her fencers have competed at the local, regional, and national levels. Membership: Annamaria is involved in USA Fencing not only as a fencing coach but has refereed Division 1 épée and saber tournaments. She is a highly involved member of the USA Fencing Referees Commission Diversity, Equity, Inclusion, and Belonging Taskforce.
Ariana Lapentti (Assistant Costume Designer) is new to The Rep this season. She is a costume designer and photoshoot stylist from Guayaquil, Ecuador. Credits: Most recently Ariana designed 3 touring productions for The Black Rep and assisted costume designer Dottie Marshall Englis in the St. Louis Shakespeare Festival’s production of As You Like It. Education: She graduates in May 2025 with her BFA in Costume Design from Webster University’s Sargent Conservatory of Theatre Arts. In 2022 she earned an Associate of Arts in Fine Arts degree at Broward College. She is also the president of Webster’s Latin American and Hispanic Student Organization (LAHSO).
Carolyn Ivy Carter (Production Stage Manager) At The Rep: The Gradient (Assistant Stage Manager), Imaginary Theatre Company for 3 seasons (Stage Manager). Local Theatre: Production Manager at COCA, Love’s Language (Music as the Message, Production Manager), New Works Collective (Opera Theatre of St. Louis, Stage Manager), Shakespeare in the Streets: The Game’s Afoot, In The Ville, and Love at the River’s Edge (St. Louis Shakespeare Festival, Stage Manager). Education: BFA in Stage Management from The Sargent Conservatory of Theatre Arts at Webster University. Grateful to be Mom to Joy-Anna and Piper.
Caroline Merritt John (Production Assistant) At The Rep: The Roommate, The 39 Steps (Production Assistant). Local Theatre: The Color Purple (COCA, Stage Manager), Pippin (COCA, Assistant Stage Manager), Matilda (COCA, Assistant Stage Manager), Finding Nemo (Variety Children’s Theater, Stage Manager), Disney’s Mary Poppins (Variety Children’s Theater, Assistant Stage Manager). Regional Theatre: Merry Wives of Windsor (Great Lakes Theatre, Production Assistant), Always... Patsy Cline (Great Lakes Theatre, Production Assistant), Fall Festival (Alabama Shakespeare Festival, Stage Manager), The Game’s Afoot (St. Louis Shakespeare Festival, Assistant Stage Manager). Education: BFA in Stage Management from Sargent Conservatory of Theatre Arts at Webster University. IG: @_carolinejohn
Kate Bergstrom (Augustin Family Artistic Director) is a seasoned director, culture shaper, and creator, bringing to this position her extensive experience in theatre, opera, and film. Dedicated to enhancing community connectivity, she infuses her dynamic energy and fosters engagement through exceptional storytelling that is both entertaining and impactful.
Kate’s most recent productions at The Rep wowed audiences with the critically acclaimed It’s A Wonderful Life: A Live Radio Play in December 2023 and The 39 Steps in 2022.
In addition to her time at The Rep, Kate has over ten years of experience directing everything from reimagined classics to new works across the country at Alabama Shakespeare Festival, Trinity Repertory Company, Marin Theatre Company, Ars Nova, Rattlestick Theater, Playwrights Center, Cleveland Play House, Curious Theatre Company, Los Angeles Theatre Center, Opera San Diego, Music Academy of the West, Redcat, LACMA, and more. Her recent world premieres include You Can’t Hide From Yourself (Playwrights Horizons Soundstage), Oh To Be Pure Again (Actor’s Express), and Letters That You Will Not Get (American Opera Projects).
As Festival Director, Kate led, produced, and programmed the Big Eddy Film Festival, a cinematic celebration of counter-current narratives that crosses the intersection of art, film, and rural imagination in Upstate New York. This grew from her tenure as Founder and Producing Artistic Director of On The Verge, a company staging and producing world premieres and workshops that sparked conversation, community, and celebration at the crossroads of Santa Barbara and beyond.
Most recently Kate has worked with dozens of large corporate clients such as Google, Genetech, and Cisco co-leading multi-day programs and long-term adviserships in executive communication and leadership as a performance coach at Stand & Deliver. Kate holds an MFA in directing from Brown University and a BA in Directing and Acting from UCLA. She lives in Lafayette Square with her husband, Mike, her newly St. Louis-born son, Otto, and the family pup, Crispy.
Danny Williams (Managing Director) An experienced arts administrator, Danny Williams was named The Rep’s Managing Director in January 2022. Danny brings to this position expertise in nonprofit accounting, senior management, and organizational development. Prior to joining The Rep, Danny worked at The Public Theater in New York for 15 years, where he served in various roles, including Senior Director, Finance and Administration. In this position Danny managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis. Noteworthy productions Danny worked on at The Public include Broadway: Fun Home, Hamilton; Off-Broadway: Here Lies Love, Twelfth Night, White Noise. Danny also serves on the National Planning Committee for The Professional Non-Profit Theatre Coalition, working to promote lasting governmental partnership to support arts education and workforce development and infrastructure needs in theatres across the country, and INTAR Theater, committed to the development and continuation of the Latine voice in American theater. He holds degrees in marketing and theater from Fairfield University.
The Repertory Theatre of St. Louis is the region’s premier theatre for compelling, award-winning theatrical experiences that entertain, engage, and illuminate audiences’ shared humanity.As a dedicated partner with arts organizations in St. Louis and across the country,The Rep aims to expand audiences’ appreciation and understanding of the world through theatre.
MAINSTAGE
The work presented in the Mainstage series is eclectic, ranging from modern to classics to musicals, and benefits from the large space afforded by the Browning Theatre. Performances are given at the Virginia Jackson Browning Theatre at the Loretto-Hilton Center.
STEVE WOOLF STUDIO SERIES
The Steve Woolf Studio Series offers a selection of contemporary plays and new works that challenge audiences and provoke meaningful dialogue. These productions are staged in an intimate, flexible space, allowing for a closer connection between the performers and the audience. The series features diverse voices and stories that explore a wide range of themes and perspectives, providing a platform for emerging playwrights and innovative theatre makers.
IMAGINARY THEATRE COMPANY
Founded in 1975, it has produced over 130 touring productions, including a number of world premieres. The Imaginary Theatre Company (ITC) focuses on theatre for young people and their families. Through the use of literature, folk tales, fairy tales, and new adaptations of classic works, ITC is committed to bringing the very finest in theatre to youth where they live and learn.
In this charming story of adventure and friendship, Stellaluna, a little bat with a big heart, unexpectedly finds herself living among birds. As she learns their ways, Stellaluna wonders if she’ll ever find her place in the world. Will she uncover the secrets of who she really is? Perfect for families, this captivating show celebrates the journey of self-discovery and the power of embracing our differences.
PUBLIC PERFORMANCES AND FESTIVAL
SATURDAY, APRIL 5, 2025
10:30 AM & 1:00 PM
SCAN THE QR CODE OR VISIT REPSTL.ORG FOR TICKET INFORMATION
HOUSE POLICIES
Late Seating: Due to the nature of our Studio space, latecomers may not be able to be seated. If you are late and unable to be seated, please see the Box Office to exchange your tickets for another performance.
Electronic Devices: Please silence all electronic devices while in the theatre.
Inclement Weather Policy: In the event of inclement weather, please check our website and social media pages, or call the Box Office for current information. If a cancellation occurs, please call the Box Office starting the day after the inclement weather occurred to exchange your seats for another performance of the same production.
TICKET EXCHANGE POLICY
Exchanges are an exclusive subscriber benefit. Exchanges may be made on single tickets for a small fee; subscribers are able to exchange free of charge. Tickets may be exchanged up to two hours prior to show time. If you choose to exchange into a higher-priced area, you will be charged the difference. No refunds are made for exchanges for lower-priced tickets.
WAYS TO SAVE
For parties of 10 people or more, please contact us at 314-968-4925 or visit repstl.org/events/ways-to-save.
For seniors, students, military, first responders, or educators, please visit repstl.org/events/ways-to-save or call 314-968-4925 for additional information.
SUBSCRIBER DISCOUNTS
Subscribers can save two ways on additional ticket purchases. Advance purchases receive a 30% discount. Last-minute purchases (beginning 48 hours prior to a show) are discounted 50%! Prior sales are excluded. Please note: there are no refunds on single-ticket purchases.
YOUR BENEFITS
• Free Parking
• 100% Flexibility
• Special Discounts
• Exclusive Communications
• Early access to upcoming promotions and events
AUDIENCE CODE OF CONDUCT
Everyone deserves respect and dignity. Everyone deserves safe environments. Everyone benefits from collective learning.
To learn more visit repstl.org/audiencecodeofconduct
Assistive Listening: Free assistive listening devices using an FM system are available at Audience Services prior to all performances.
Open Captioning: We offer open captioning, an electronic text display that shows what the actors are saying or singing, at the 3rd Sunday show for Mainstage performances.
Audio Description: The Rep partners with MindsEye to offer live audio description for the 2nd Thursday performance of each Mainstage production.
Mobility Accommodations: The Rep offers services for patrons who utilize mobility aids in all of our theatre spaces. Please discuss seating requirements with the Box Office when purchasing tickets or visit Audience Services when you arrive at the theatre.
Sensory-Friendly Performance: Sensory-friendly performances are designed to create a welcoming and supportive environment for people with sensory processing challenges, autism, PTSD, sensory sensitivities, and/or other social, learning, or cognitive differences.
SHOW CALENDAR
ENGAGE & LEARN
The Rep strives to make the arts an integral part of our daily lives by providing learning and engagement programs designed to give patrons of all ages a ticket to the wonder, the fun, and the vital human spirit that composes the world of the arts. Patrons and educators are encouraged to contact the Learning and Community Engagement Department at 314968-7344 or visit our website at repstl.org/lace for more information about these and other programs.
CAMP REP
Camp Rep began as a manifestation of The Rep’s unwavering commitment to lifelong learning and the goal to foster a theatre-loving space for youth year-round. Starting in 2020 as a half-day venture, it swiftly evolved into a full-day camp by its second year. Camp Rep has grown not only in increased attendance, but has also offered a wider array of workshops encompassing acting, dance, music, stage combat, filmmaking, costume and prop design, stage management, and directing. Campers create their own performances and learn about the magic of theatre and technology behind the scenes, culminating in a final showcase for friends and family.
STORY 2 STAGE
In 2020, The Repertory Theatre of St. Louis’s Learning and Community Engagement department began the journey of reimagining programming during a time of great uncertainty and change. Story 2 Stage was launched as a pilot program in the fall of 2021, serving middle and high school students at Grand Center Arts Academy in St. Louis, Missouri. This 10-session residency program unlocks the power of storytelling by mining lived experiences, imaginations, and aspirations. The innovative, world-building curriculum, designed for learners of all ages, leads to the development of youth creating their own fully realized plays.
LIFELONG LEARNER MATINEES
More than 3,000 intergenerational learners attend Lifelong Learner Matinees at The Rep each season. These matinees are typically designed for 6th grade students and older, but we welcome learners of all ages, encouraging a diverse audience that includes all those who value continuing education through the arts.
PAGE 2 STAGE
Page 2 Stage sends Rep volunteers and staff members into community spaces to facilitate discussions about the creation and curation of a season, from play selection to the moment it comes to life on stage. Community members learn about all the different aspects of theatre and interact with props, set models, lighting fixtures, and more. All participants are encouraged to see a production in The Rep’s current season.
WORKSHOPS
Activate The Rep as a resource! We offer storytelling, devised theatre, team building, view points, and movement workshops for corporate, non-profit, and educational groups of all sizes. We tailor our workshops to the needs of our community groups and offer them as one-day experiences or a multi-day workshop series.
REPRESENT STL
This free conversation series takes a creative approach to building community through dialogue and helps us discover the subtle truths that unite our human experience. Throughout the year, The Rep hosts thought-provoking public forums intended to provide a safe space for the free exchange of ideas. This series explores the intersectionality of art and civic life with experts and thought leaders and skillfully discusses the issues that matter most to our community.
2 PM ON TUESDAY 2 PM ON WEDNESDAY
SPRING SERIES: JOURNEYS AND DREAMS
You’re invited to join Rep Reads, our fan-favorite monthly play reading club. Each month, we independently read a script and come together to discuss its themes, characters, and impact. Rep Readers gain a deeper appreciation of dramatic literature while building community connections with fellow theatre lovers at The Rep.
KATE BERGSTROM
Augustin Family Artistic Director
ARTISTIC
Artistic Producer
Delaney Piggins
Artistic Associate
Matthew Cox
PRODUCTION
Director of Production
Jayson M. Lawshee
Production Associate
Taijha Silas
SCENIC
Technical Director
Emilie Weilbacher-Mcmullan
Assistant Technical Director
Catherine Adams
Charge Scenic Artist
Scott Loebl
Scenic Artists
Stephen Pollihan
James Van Well
Scenic Shop Foreman
Dave McCarthy
Scenic Carpenters
Daniel Roach, Jr.
Danny McCarthy
Scott DeBroux
PROPS
Properties Manager
Eric William Barnes
Props Assistant
Abigail Stuckey
Props Artisans
Makayla Rodgers
Alex Conn
COSTUMES
Costume Shop Manager
Michele Siler
Assistant Costume Shop Manager
Rachel Seabough
Head Draper
Robert Trump
Draper
Elizabeth Eisloeffel
First Hands
Carrisa Sexton
Wes Wyman
Wardrobe Supervisor
Kelsi Washington
LIGHTING & SOUND
Lighting & Sound Supervisor
Jonathan Scully
Mainstage Head Electrician
Connor Meers
DANNY WILLIAMS
Managing Director
Studio Electrician
Casey Morris III
Lighting Programmer
Lou Ritter
Mainstage Sound Engineer
Joshua Riggs
Studio Sound Engineer
Sean Wilhite
STAGE MANAGEMENT
Stage Managers
Emilee Buchheit
Shannon B. Sturgis
ADMINISTRATION & GENERAL MANAGEMENT
General Manager
Dan Schultz
Senior Manager, Administration
Laura Wandersee
Company and Facilities Manager
Michael Ward
Executive Administrator
Alex Ray
Attorney
Sara Robertson, Polsinelli PC
AUDIENCE SERVICES
Director of Audience Services
Ricki Marking-Camuto
Box Office Manager
Kristy Kannapell
Assistant Box Office Managers
Michael Dorn
Christian Hoffman
Database Administrator
Dan Ladd
Box Office Representatives
Carl Wickman
Carol Hodson
Julie George
Michelle Dougherty
House Manager
Kyle Shoemake
Assistant House Manager
Josie Wieher
Front of House Staff
MacKenzie Bernard
Piper Billingsley
Caroline Buckley
Caroline Bush
Katelyn Cook
Shannon England
Kati Frazier
Beth Greco
Ben Hammock
Avery Kelley
Reagan Pendergast
Concessions Staff
Alex Godefroid
Lisa Lackey
Mariah Rogers
Molly Rowland
Lundyn Whitfield
DEVELOPMENT
Director of Development
Stephanie Boyd
Development Manager
Rob Kapeller
Institutional Giving Manager
Laurel Considine
Manager of Partnerships & Events
Bailey Pashia
Development Assistant
Molly Rowland
FINANCE
Finance Lead
Mike Parentin
Business Manager
Suzanne Bodenstein
Accounting Assistant
Marsha Whitler
Auditor
Rubin Brown
MARKETING AND COMMUNICATIONS
Director of Marketing
Angel Azzarra
Public Relations
Frances White
Digital Marketing Associate
Ash Moon Thompson
Marketing Associate
Camryn Moore
Graphic Designer
Delores Eddington
LEARNING AND COMMUNITY ENGAGEMENT
Learning Programs Manager
Brian Coats
Teaching and Community
Engagement Manager
Britney Walker-Merritte
Teaching Artists
Aurora Behlke
DeAnté Bryant
Roben Harris
Kristen Lintvedt
Samantha Murkin
Rebekah Williams
BOARD OF DIRECTORS
Brian Clevinger* PRESIDENT
Judi Scissors* SECRETARY
Gwen Middeke* IMMEDIATE PAST PRESIDENT
Ann Cady Scott* VICE PRESIDENT
Trish Alexandre* VICE PRESIDENT VOLUNTEERS
MEMBERS
Trish Alexandre* COMMUNITY VOLUNTEER
Wendi Alper-Pressman* ARMSTRONG TEASDALE LLP
David Alpers, M.D. WASHINGTON UNIVERSITY SCHOOL OF MEDICINE (RETIRED)
Margaret Augustin* COMMUNITY VOLUNTEER
Patrick Aydt MERRILL LYNCH
Amy Bantle WASHINGTON UNIVERSITY SCHOOL OF MEDICINE
Michelle Brady ERNST & YOUNG
Jana Broadie COMMUNITY VOLUNTEER
Brian Clevinger * PROLOG VENTURES
Scott Fehr EVERNORTH
David Frey* CALERES
Frank Hamsher* SKYLINE PUBLIC STRATEGIES LLC
Laurie Hiler* CGB ENTERPRISES, INC.
Ven Houts ERNST & YOUNG (RETIRED)
Susan Stith* VICE PRESIDENT
Wendi Alper-Pressman* TREASURER
Toni Jackson COMMUNITY VOLUNTEER
Dan Jay* COMMUNITY VOLUNTEER
John S. Kingston THOMPSON COBURN
Jill Magruder THE CIGNA GROUP
Gwen Middeke* THE TODD ORGANIZATION OF ST. LOUIS (RETIRED)
Jane Robert* COMMUNITY VOLUNTEER
Steven Sherman CHARTER COMMUNICATIONS
Julian Z. Schuster WEBSTER UNIVERSITY
Pat Schutte* COMMUNITY VOLUNTEER
Judi Scissors* COMMUNITY VOLUNTEER
Ann Cady Scott* COMMUNITY VOLUNTEER
Susan Stith* CONCORDANCE
Susan D. Tuteur* COMMUNITY VOLUNTEER
*executive committee
VOLUNTEER BOARD
Among our most vital resources, The Rep’s Volunteer Board provides amazing support each season with donations of time, talent, and skill throughout all facets of the organization. We are so grateful to the Volunteer Board for their continued dedication as integral members of The Rep family. If you are interested in serving on The Rep Volunteer Board, please call the Development Department at (314) 687-4030.
Trish Alexandre PRESIDENT
Lynn Yearwood VICE PRESIDENT
MEMBERS:
Trish Alexandre
Susan Barley
Ann Bronsing
Elizabeth Cobin
Dorothy Diehl
Denise Eschenbrenner
Karen Fairbank
Elizabeth Cobin SECRETARY
Cindy Schnabel TREASURER
Glenda Hares
Vicki Helling
Laurie Hiler
Marcia King
Margie Knapp
Linda Lowry
Barbara Mennell
Karen Miller
Ann Straw IMMEDIATE PAST PRESIDENT
Shirley Raitzch
Rocky Rosen
Helen Sandifer
Cindy Schnabel
Carol Schreiner
Ann Straw
Linda Vandivort
Lynn Yearwood
CORPORATE & FOUNDATION PARTNERS
As a nonprofit organization, The Repertory Theatre of St. Louis relies upon the support of corporate and foundation partners. The Rep gratefully acknowledges the following corporations and foundations whose generous support helps us to create the highest caliber of professional theatre for St. Louis, engage the next generation of theatregoers and provide opportunities for diverse artists. For information about how your business or organization can support The Rep, contact the Development Department at (314) 687-4030.
$100,000+
The Berges Family Foundation
The Shubert Foundation Inc.
Whitaker Foundation
$25,000 – $99,999
Arts Consulting Group
Mary Ranken Jordan and Ettie A. Jordan Charitable Foundation
Pershing Charitable Trust
$10,000 – $24,999
Louis D. Beaumont Fund No. 1 of the St. Louis Community Foundation
Employees Community Foundation of Boeing
Gardner Capital
New Growth Horizon Foundation
Tito’s Handmade Vodka
The Trio Foundation of St. Louis
U.S. Bank
$5,000 – $9,999
Caleres
Sign of the Arrow/St. Louis Alumnae Club of Pi Beta Phi
$2,500 – $4,999
Edward Chase Garvey Memorial Foundation
Excel Business Concepts
Graybar Foundation
Webster University
ONE Gas Foundation
$1,000 – $2,499
Commerce Bancshares Foundation
Joy Waltke Fisher Fund of the St. Louis Community Foundation
Moneta Charitable Foundation
Gifts received 12/19/2023-12/19/2024
INDIVIDUAL DONORS
The Repertory Theatre of St. Louis is grateful to the following donors who have made contributions of $1,500 or more in the last year.
$20,000+
Anonymous (3)
David & Melanie Alpers ✠
James Berges & Elizabeth
Mannen Berges
Patty & Kent Chapin
John Goodman ✠
Ven & Cynthia Houts
Gwen & Paul Middeke
Jane & Bruce Robert
Pat & Ken Schutte
Ann Cady Scott
Mary Strauss ✠
Steve & Christine Tillery
Susan & Peter Tuteur
Mei Chen Welland ✠
$10,000 - $19,999
C & L
Charles Amen
Patti Bauer
Ted & Robbie Beaty
Mark & Teri Brenner
Vicki & Brian Clevinger ✠
Elizabeth & Don Cobin
Laurie Hiler ✠
Lee & Gina Hoagland ✠
Mark & Peggy Holly
Antonnette M. Jackson
Dr. Stuart Kornfeld
Sally Lemkemeier
Dr. Robert & Martha Senior
$5,000 - $9,999
Joseph & Lauren Allen
Wendi Alper-Pressman &
Norman Pressman ✠
Patrick Aydt
Darla & Brad Baker
Susan Barley
P.E. Belloli & Dave Shimek
Kathy Berg
Elizabeth & Anthony Cook
Drs. Preeti Dalawari & John Vandover
Pamela Wing Dern ✠
Mary Alice Dwyer-Dobbin
Robert & Lisa Forsyth
David Frey
Dr. Anne Carol Goldberg &
Ronald Levin ✠
Joanne & Joel Iskiwitch
Sally Johnston
Gerry Kowarsky
Kent A. Lewis
David & Ginny McDonald
Charlotte & Jim Mielziner
Erma O’Brien
Jerry & Judy Potthoff
Mr. and Mrs. Thomas Schlafly
Terry & Sally Schnuck ✠
Bevis & Patience Schock
Judi Scissors
Janice & Steve Seele ✠
Janet Shatz
Steve Sherman & Patsy King
Betty Simons
Joan Tiemann
David P. Weiss
$2,500 - $4,999
Anonymous
Trish & Michael Abbene ✠
Joseph & Trish Alexandre
Penni Alper, Miracle Makers Foundation
Costas & Assimo Azariadis
Mark D. Bernstein ✠
Sam C. Bertolet & Helen D. Ziercher
Mrs. H. Pharr Brightman ✠
Samuel Burstein & Cheryl Boyd
Elaine Coe ✠
Dr. Kevin & Lisa Coleman
Robert & Rebecca Courtney
Myra & Gene Crandall ✠
Mike & Sue Darcy
Michael Dern ✠
Jim Donnelly & Tracey Temanson
Larry Essmann*
Laura & Ted Greenberg
Tim & Elizabeth Hampton
Frank Hamsher
Glenda Hares
Bill & Linda Hentchel
Marian & Maurice Hirsch
Mike Isaacson & Joe Ortmeyer
Daniel G. Jay & Mary Ann Lazarus
Dr. Theresa & Zulfikar Jeevanjee
Nancy Scanlon Koplar
Nancy & Kenneth Kranzberg ✠
Dr. Katherine Kreusser & Dr. Robert Young
Laura & David Margolis
Mrs. Rena Murphy ✠
John & Christy Nickel
Andrew & Lori O’Brien
Mike & Barb Quinn
Mrs. Peter E. Sargent
Carol Schreiner
Steve & Marlene Schumm
Christine Secorsky & Greg Sacho
Dr. John Sopuch
Ann & Jack Straw ✠
Mary Susman & Thomas Herm
Paul & Linda Vandivort
Autumn Ward
Michael D. Ward
Mike & Barbara Willock
Lynn & Darrell Yearwood
$1,500 - $2,499
Anonymous (2)
Bill Aitken
Margaret Augustin ✠
Christy Beckmann
Ms. Sandra Bellon
Nancy Berg
Holly & Marc Bernstein
Lauren Smith Blair
Michael & Arlue Briggs ✠
Jana Broadie
Ann Bronsing
Suzan Kelsey Brooks
Linda & Jack Bryant
Kelley & Tim Ciampoli
Dr. Debbie A. Depew
Mike Doherty & Kathy Kane
Joan & John Dougherty
Mr. and Mrs. Henry Dubinsky
Peter Dunn
David & Carla Eilering
Richard Engelsmann & Diane Buhr Engelsmann
Jeffrey & Veronica Fernhoff
Kirk & Alice Fritsch
Mr. & Mrs. Ronald Fromm
James & Darla Gavin
Ed & Julie Glotzbach
E.L. Green ✠
Robert & Donna Heider
Kathleen Locklar Heimann
Margaret & Michael Heinz
W. F. Samuel Hopmeier
Jeanne & Aron Katzman
Mr. & Mrs. Ronald Kessler
John S. Kingston
Scott & Mary-Kay Kirchner
Paul & Martha LaFata
Mike Maskus & Cathy Augustin
Chris & Jill Magruder
Susan & James McHugh
C. Arden Mennell
Beth & Jim Meteer
Liz & Brian Mischel
James & Susan Morrell
Ellen Nahlik, Simons
Family Charitable Trust
Freda & Harry Rich ✠
Mary & Peter Rohr
Joseph & Sammy Ruwitch
Tom & Kathy Ryan
Cathy & Tom Sakiyama
Paul & Cindy Schnabel
Margot Schwab
Julian & Helen Seeherman, The Seeherman Charitable Fund ✠
Diane Sher
Lisa & Allan Silverberg ✠
Ray Simon & Mel Pashea
Donna & Howard Smith
Susan & Drexel Stith
Terry Thornton
Selden Y. Trimble, in memory of Joyce Price Trimble
Lynne & Jim Turley
Drs. Craig & Terri Weldon
Gifts received 12/19/2023 – 12/19/2024
LIFETIME GIVING LEVELS
$250,000+
$100,000 ‒ $249,999
$50,000 ‒ $99,999
$25,000 ‒ $49,999
$10,000 ‒ $24,999
SUPPORT THE ARTS
Thank you so much for seeing the show! Whether you are a loyal subscriber or joining us for the first time, we are grateful that you’ve dedicated time to support live theatre in St. Louis.
Each season, The Rep depends on the generosity of our community to produce world-class theatre on our stages. Ticket and subscription sales cover less than half of our operating expenses.
Please consider supporting The Rep. Your gift, no matter the size, plays a crucial role in sustaining our work this season.
Here are some ways you can give to The Rep!
Make a one-time gift or join our monthly giving program.
Online: Visit us at repstl.org/ support or scan the QR codes below.
By Phone: Call the Development Department at (314) 687-4030.
By Mail: Send a check to:
The Repertory Theatre of St. Louis, Attention: Development Department, 130 Edgar Road, Saint Louis, MO 63119
Donor Advised Funds and Retirement Funds
The Rep accepts tax-free distributions from Donor Advised Funds and Qualified Charitable Distributions from retirement savings accounts. Our EIN is 43-0970273. For any questions, please contact the Development team at development@repstl.org or 314-687-4030.
Gifts of Stock
For more information on making a donation of stock to The Rep, please contact the Development team at development@repstl.org or 314-687-4030.
Matching Gifts
Enhance your gift to The Rep through your employer’s matching gift program. Learn more at repstl.org/matching-gifts.
Encore Circle
Become an active player in carrying on the tradition of fine theatre with a planned gift to The Rep. Learn more at repstl.org/ support/encore-circle.
To learn more about ways to begin or expand your giving story with The Rep, call the Development Department at (314) 687-4030. repstl.org/support
MAJOR PRODUCTION SPONSOR
FEBRUARY 5 –
2
MAJOR PRODUCTION SPONSOR
MARCH 19 – APRIL 13
