ARTS
From visionary to protégé: Bill Lowe Gallery appoints new executive director mented Johnson’s belief that he deserved a place in the art world. “Bill was an iconic figure for me,” recalled Johnson, who said they also bonded over their perception of artwork as deeply spiritual and inexorably linked to mysticism and alchemy. “I think especially in a world like the one we live in now, we need as much of a spiritual experience as we can get.” Johnson landed his position at the Bill Lowe Gallery as a young man fresh out of high school. Filled with ambition and a desire to build a career working in art, Johnson began contacting local galleries and museums in search of an opportunity. He set out on foot for an interview, walking all the way down Peachtree Street and Piedmont to get to the gallery. He described his first experience in the gallery as an existential moment, akin to standing at the foot of Niagara Falls. After the interview, during his walk home, Lowe called and offered him the job. In the years since the two became not only coworkers but also close friends. “He was like my best friend for a really long time, and my biggest mentor and inspiration. He was my foundation for just about all of what I’m doing now. He was really a huge part of my formation as a human being in general.” Toward the end of his life, Lowe appointed Johnson to the position of executive director. After Lowe’s passing, Johnson has stepped up to lead the gallery equipped with the knowledge and wisdom passed down from its legendary founder. When asked about the direction of the gallery now, his perspec(Photo courtesy of Bill Lowe Gallery) tive of the gallery’s future, and the way Lowe’s vision lives on through Johnson, he made one thing perfectly in the South is not easy… It was horrible.” clear: he intends to build on Lowe’s work, not He speaks of his experiences with the wisdom simply continue it. that comes from persevering despite the chal“We cannot just rest on the fact that this lenges he faced. In his youth, Johnson leaned is the Bill Lowe Gallery,” he said. “We have on his tenacity and found that art could act to move into 2022 with the rest of the world. as an armor as he moved through the world. My vision for the gallery is to help it evolve.” It also became a language through which he The gallery’s 2022 schedule has been cuwas able to speak and be heard beyond the rated as a sort of homage to the history and spoken word. As a teenager, he began drawlegacy of Bill Lowe’s evolution since it was ing and painting, with a deep love for fashion. founded in 1989. Each show will highlight One of his first formative interactions with artists who were foundational cornerstones in art was when he saw an Alexander McQueen the gallery’s history. In this way, Johnson seeks show in late 2007. McQueen, an an opento pay respect to Lowe’s legacy, the gallery itly gay fashion icon from the United Kingself, and the work which has made it what it dom, was known for his dramatic and theatis today. Come 2023, Johnson is refocusing rical catwalk shows. Describing it as a pivotal on evolution. moment in his life, seeing this show opened “This gallery has always been, as Bill would Johnson’s eyes to the possibility that he, too, say, a portal to global visual culture. I love that. could make a career out of art. Meeting Lowe, My hope is to make good on that vision.” also a gay man from the South, further ce-
Donovan Johnson, the newly appointed executive director of Bill Lowe Gallery. (Photo by William Twitty)
BY ISADORA PENNINGTON Founded 33 years ago by William “Bill” Edward Lowe, the Bill Lowe Gallery is one of Atlanta’s premier art galleries located in Miami Circle, an arts district in south Buckhead. Bill Lowe Gallery has grown to become a driving force of contemporary art in the Southeast and beyond. Driven by Bill Lowe, a visionary whose leadership brought elite artists and art lovers together for more than three decades, the gallery embraces a kind of “concierge approach,” which enables the gallery team to provide a curatorial experience for clients. They are able to pull from their extensive collection and established relationships with artists in Atlanta and beyond to source museum-quality works that perfectly suit their clients. In 2021, a slow tragedy began to unfold behind the doors of the Bill Lowe Gallery. The team, described as more of a family than a group of coworkers, bore witness to Lowe’s battle with Lymphoma. When he ultimately passed away in December of 2021, the loss sent shockwaves through the gallery and the arts community in Atlanta. Lowe, a legendary figure in the local arts community, was incredibly knowledgeable, insightful, humorous, and personable. He was the kind of leader who was easy to talk to and always eager to learn new things. In one conversation I had with Lowe towards the end of 2020, he spoke about how much he loved the magic qualities of art; the ability for an artist to take a vision and make it reality through transmutation. To Lowe, art has the capacity to create a shift both in perception and feeling. His interest in metaphysics lent him an otherworldly approach to curating his
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gallery, seeking works that were evocative and, in a way, divine. Showcasing works of luminaries such as Thornton Dial, Todd Murphy, Ida Applebrog, Michael David, Dale Chihuly, Markus Lűpertz and Jimmy O’Neal, Lowe proved that the Bill Lowe Gallery could be an outlet for museum-quality exhibitions in Atlanta. “Good God, he was extraordinary,” reminisced Donovan Johnson, the newly appointed executive director of Bill Lowe Gallery. Johnson worked closely with Lowe, someone who he considers both a mentor and a friend, for the past decade. His career at Bill Lowe began when he was a gallery intern in 2012. He was later promoted to media coordinator, and then took a brief stint away when he was recruited to work in the now shuttered Lisa Cooley Gallery in the Lower East Side of New York City. After his return to Atlanta, Johnson took a job in sales at the Hathaway Contemporary Gallery before following his heart right back to the doors of the Bill Lowe Gallery in 2018. Shortly thereafter, Johnson was appointed to the position of Assistant Director. “Bill and I always had a really dynamic working relationship,” explained Johnson. “I think that he really understood me, and I really understood and believed in his vision for the gallery. What was important to me was the spiritual aspect of this work; there’s a profoundly spiritual element to art in general.
They channel some type of spirit or energy to create these physical manifestations.” Johnson’s childhood was marked by transition, as he grew up on military bases and moved frequently from place to place. His family lived in a number of locations including Texas, Panama, and Germany, which lent him a unique understanding of the world and society. Eventually they settled in Atlanta when Johnson was in middle school. His school experience here was, to put it gently, not great. “Being a Queer Black man
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