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IN THE BEGINNING THERE WAS 30306
By Collin Kelley INtown Editor
Welcome to the 20th anniversary issue of Atlanta INtown
I’ve had the pleasure of editing this paper for more than half of its existence, coming aboard at a time of transition. My instruction from interim publisher Joe Hiett was to revitalize the papers. Yes, that’s papers plural. When I arrived at INtown in the summer of 2002, Nonami Enterprises had assumed ownership and there were four: INtown, Atlanta Buckhead, Atlanta and The Studio, which at the time was a standalone publication. No pressure, then.
I had been reading INtown since it first hit the streets in 1994 under the name Atlanta 30306, the Morningside zip code of founding publisher Chris Schroder. I had watched over the years as 30306 added more publications: Atlanta 30305, Atlanta Downtown and Atlanta Real Estate. There was even a short-lived Sandy Springs edition.
Those papers would eventually morph or combine into the line-up I was facing on my first day on the job. I decided the best way to get a handle on what made INtown special was to go back to the beginning. I went to the archive and pulled out the first edition of 30306, and went from there.
As I started work on the anniversary issue earlier this year, I went back to that first issue once again. My, how things have changed in such a – relatively – short period of time. Flipping through that faded 30306, it’s a snapshot of a community on the cusp of big change. In 1994, people were just starting to figure out how the Internet worked, most people didn’t have cellphones, and the source for neighborhood news were publications like this one.
Trendy coffee houses were a new thing then, and the cover of the first 30306 led with a big feature on a dozen that were open in the community. Out of the 12, only four remain: San Francisco Coffee, Aurora, Café Diem and Caribou.
Everyone was excited that a new grocery store called Harris Teeter was opening in Sage Hill shopping center and that a new branch of the post office was opening on North Highland. The hip place to buy clothes was Bill Hallman’s shop.
Cool Joe and The Funky Soul Symbols were playing at The Dark Horse Tavern and REM had a big hit record called Monster. Art galleries were all the rage, too, with features on Aliya Gallery, koolhipfunkystuff, Modern Primitive Gallery and Form & Function Gallery, owned by Flournoy Holmes (creator of iconic album art for the Allman Brothers, Bruce Springsteen, Aerosmith and Carole King) and Michelle Klein.
There were also a handful of advertisers willing to take a chance on a new publication. Since INtown remains advertising driven, the relationships we established with local businesses then remain vital. You can turn to page 30 to see mini-profiles on all those first advertisers who are still thriving today.
I never had the pleasure of working with Schroder, but have gotten to know him over the years and he graciously agreed to write something special for this issue. You can read that on page 5.
Our previous publisher, Wendy Binns, has also penned a few thoughts, while our current publisher, Steve Levene, talks about why INtown endures. Those are on page 7.
Atlanta’s place on the international stage began with the 1996 Summer Olympics and took off like a rocket: the transformation of Downtown, the revitalization of historic neighborhoods, the creation of the BeltLine, the boom and bust and boom again of the real estate market, the citywide embrace of sustainability, the growth of the film industry, the tech industry, and a world-class art, music and dining scene.
The spirit of 30306 and the communities we cover is still embodied in Atlanta INtown. Chris Schroder’s vision endures and continues to transform as we embrace the web and social media. How people absorb the news has changed drastically in 20 years, but our mission to publish hyperlocal news that helps foster a sense of community continues. Here’s to the next 20 years!
revamped INtown
Bottom: The Keep It INtown campaign encouraged readers to buy and support local businesses in September 2011.