PORTFOLIO
RICCARDO DE VECCHI
PORTFOLIO_ general information
1 I’m a student in architecture at the IUAV university of Venice, Italy. I’m completing the last year of the bachelor. The IUAV university is based on different aspects of architecture, mainly focused on the historical and conceptual part of this matter. During these three years I took three design workshops linked to structure and building technology courses, a strong base in ancien and modern history of architecture, landscape and urban design workshops. More, the IUAV has strong contacts with universities of all the world, and each summer an international workshop is organized. I took my first year summer workshop with the architect Sean Godsell, from Australia, while in the second year I worked with Ricardo Bak Gordon, from Portugal. Each of the experience were really richful in a lot of different aspects, even out the world of architecture. This last year I took my Erasmus in Liege, Belgium. There I had the possibility to learn from a school with different ideas and ways of thinking, in addiction to a very different culture and architectural context that enriched my experience with new solutions and knowledge.
INDEX OF PROJECTS -
1 | Integrated Design Workshop 1
- House in Gagano, Puglia, Italy
p. 2
2 | W.A.VE _ Workshop of Architecture Venice , 2012/2013
- Italian Pavillion and Master, New Biennale, Marghera, Italy
p. 6
3 | Landscape Design
- River Park, Valencia, Spain
p. 10
4 | Integrate Design Workshop 2
- Housing in Sirmione, Lago di Garda, Italy
5 | Atelier du projet - Longement pour l’Otremeuse, Liège, Belgium
p. 12
p. 16
1 | Integrated Design Workshop 1 _ House in Gagano, Puglia, Italy
2
PROJECT INFO_ - Location: Gargano, Puglia, Italy - Project type: Academic Project - Individual/Grup Work: Group Work (2 people) - Role in the process: concept designer, drawer - Exact contribuition: design, drowing of the plants, render, technical details - Level of the project: first semester, year 2013 - Carried out: 5 February 2013 - Supervisor: Arch. Prof. Mauro Galantino, galantinoarchitettura@tin.it - C.F.U. and Mark: 18 CFU / 30/30 cum laude
living
above
the
sea
the course required the design of a vacation home for a famous person assigned to each group. In this way, each student had the opportunity to be based on a detailed survey of its customers to start their first project. in our case the customer was the French actor Jean Louis Trintignant. The site is located on a promontory overlooking the bay of the wonderful Gargano area. This therefore provides a strong connection with the natural context: the project is to be developed in harmony with the environment, but also always following the main lines of the character that was assigned to us. the product of this merger is a discrete building that is part of the slope hiding its presence, but then totally opening the landscape below through large windows and an open floor plan. the subdivision of interior spaces is given by the advancement of the private part of the house, which allows you to maintain the privacy and opens a small patio in the back, relax area and away from heat.
PR
O
J A E n T ÉT né e D U 2 D ' AR IA 014 NO N / C T : UV HI Ri 201 EL cc -B T a 5 L E r E do - U âtim C R T É D - H n fo en SI e DE tc a V y b e e o D N cc e ita r p m C hi u E x p nts our pos AU fo é p l a S ce urn er de EI so sd i N q : n u D 1 e n a e U pa 2; s h tre O rk a a U p i n n T d pa g RE i ; c ap rtem é e s; ent s;
A 1:100
A 1:100 t1
Es
UNTA DEL GARGANO | PIANTE
JEAN
1 | Integrated Design Workshop 1 _ House in Gagano, Puglia, Italy
3
1 | Integrated Design Workshop 1 _ House in Gagano, Puglia, Italy technical section
a
rh
pé
ca
nd i
0
s: 8
1:
²
m
RE ÉC Z-D EAp H E p ar LL CH te AU E m 10 SSÉ 0 E t
en
po u
technical sections: Slab / foundations
DELLA SOLITUDINE E DE 4 E RIMANERE A CONTATTO
IL PROGETTO SI E' COS SU UN LAVORO DI INT MODO DA MANTENERE PIU' POSSIBILE CON IL P VISTA DELL'OSSERVATO REALIZZARE UN UNICO NASCOSTO A CHI SI T RISPETTO ALLA VILLA, E DEL TERRENO NELLA PAR IL SECONDO ASPETTO R CONTATTO CON L'ESTER DELLA CASA, CHE PER Q V E T R AT O E U N PAT UNICAMENTE DA bearing wall in c.l.s. armed with 300 mm
teak c.l.s. c.l.s. c.l.s.
flooring Self-leveling 5 mm Lightweight 100 mm with mesh. 60 mm
igloo 200 mm
SEMPRE PER QUANT DELL'INTERVENTO ARTIF STATO PENSATO IN MOD UNO SPAZIO CONTENUT COSTRUITO SUL TERREN plinth in Reinforced
c.l.s. 400 x 1200 mm
protective sheath 5 mm Lean mix concrete 100 mm ground
technical sections: roof / cealing
cover sheet gravel double bituminous 5 + 5 mm c.l.s. lightened with expanded clay smoothed slope 1%, 6 cm minimum P.E.E. 100 mm (polystyrene, expanded, extruded)
lignatur 160 mm
support structure of the false ceiling 30mm ceiling teak 20 mm fermacell containment cover 20 mm
L'INTRODUZIONE DI UN SETTO
ORIZZONTALE PERMETTE L'EVOLUZIONE 1 | Integrated Design Workshop 1 _ House in Gagano, Puglia, Italy DELLA PIANTA: CREA UNO SPAZIO DI
5
FILTRO IN ENTRATA CHE SUDDIVIDE LA south elevation west elevation CASA IN TRE ZONE (PRINCIPALI). I MODULI VENGONO QUINDI SPEZZATI IN SETTI A CUI RIFUGIO SULLA PUNTA GARGANO | PROSPETTI E SEZIONIV I E N E D A T A U N A D I R E Z I O N E RIFUGIO SULLA PUNTA DELDEL GARGANO | PROSPETTI E SEZIONI PREFERENZIALE.
JEAN LOUIS TRINTIGNANT JEAN LOUIS TRINTIGNANT
PER DETERMINARE LA DISTRIBUZIONE DEI SETTI IN MODO DA CREARE ZONE DI FILTRO E SPAZI DEFINITI CI SIAMO ISPIRATI AL PROGETTO PER IL PADIGLIONE DI BARCELLONA DI MIES VAN DE ROHE IN CUI L'ARCHITETTO UTILIZZA DEI SETTI PER DELIMITARE SPAZI E CREARE PERCORSI DEFINITI ALL'INTERNO DI UNO SPAZIO A PIANTA APERTA.
sections PROSPETTO 1:100 PROSPETTOLATO LATOOVEST EST 1:100
PROSPETTO LATO SUD 1:100
LA ZONA PADRONALE VIENE POSTA IN POSIZIONE AVANZATA RISPETTO AL RESTO SEZIONE TRASVERSALE LATO OVEST 1:100 SEZIONE TRASVERSALE LATO OVEST 1:100 D E L L A P I A N TA , I N M O D O D A SOTTOLINEARE GLI SPAZI STRETTAMENTE Laboratorio Integrato di Progettazione 1 PRIVATI.
SEZIONE LONGITUDINALE LATO 1:100 SEZIONE LONGITUDINALE LATO SUDSUD 1:100
Mauro Galantino
SEZIONE LONGITUDINALE SEZIONE LONGITUDINALE LATOLATO SUD SUD 1:1001:100
Mariantonia Barucco
Dario Toffanello
A.A. 2012/2013
LO SPAZIO DI TRANSIZIONE TRA LA ZONA 1 E 2 RISPETTO ALLA ZONA PADRONALE A C Q U I S TA Q U I N D I PA R T I C O L A R E IMPORTANZA NEL PROGETTO. L ' U T I L I Z Z O D I D U E S E T T I S FA S AT I SEZIONE OVEST SEZIONE LATOLATO OVEST 1:1001:100 NASCONDE IL PATIO E TRASVERSALE LE TRASVERSALE CAMERE PADRONALI SENZA UNA DIVISIONE NETTA CON IL RESTO DELLA CASA, IN MODO DA M A N T E N E R E L A C O N T I N U I TA ' D E L PERCORSO ALL'INTERNO DELL'ABITAZIONE
ERIMENTI, SUGGESTIONI E ELEMENTI DI PROGETTO PROSPETTO LATO OVEST 1:100
PROSPETTO LATO NORD 1:100
SEZIONE TRASVERSALE LATO OVEST 1:100 SEZIONE TRASVERSALE LATO OVEST 1:100
SEZIONE LONGITUDINALE LATO NORD 1:100 SEZIONE LONGITUDINALE LATO NORD 1:100
Laboratorio Integrato di Progettazione 1 Mauro Galantino
Mariantonia Barucco
Dario Toffanello
A.A. 2012/2013
SEZIONE TRASVERSALE OVEST SEZIONE TRASVERSALE LATOLATO OVEST 1:1001:100
GRUPPO 29 - Alessio Busato mat. 276374 | Riccardo De Vecchi 276094
SEZIONE LONGITUDINALE NORD SEZIONE LONGITUDINALE LATOLATO NORD 1:1001:100
PROSPETTO LATO 1:100 PROSPETTO LATO SUDSUD 1:100
PROSPETTO LATO 1:100 PROSPETTO LATO ESTEST 1:100
PROSPETTO PROSPETTO LATOLATO SUD SUD 1:1001:100
PROSPETTO EST 1:100 PROSPETTO LATOLATO EST 1:100
A TRIDIMENSIONALE
aboratorio Integrato di Progettazione 1
auro Galantino
Mariantonia Barucco
Dario Toffanello
A.A . 2012/2013
PROSPETTO LATO OVEST 1:100 PROSPETTO LATO OVEST 1:100
GRUPPO 29 - Alessio Busato mat. 276374 | Riccardo De V
PROSPETTO LATO NORD 1:100 PROSPETTO LATO NORD 1:100
Laboratorio Integrato di Progettazione Laboratorio Integrato di Progettazione 1 1 Mauro Galantino Mariantonia Mariantonia BaruccoDarioDario Toffanello Mauro Galantino Barucco Toffanello PROSPETTO OVEST PROSPETTO LATOLATO OVEST 1:1001:100
2012/2013 A.A. A.A. 2012/2013
GRUPPO - Alessio Busato 276374 | Riccardo De Vecchi 276094 GRUPPO 29 - 29 Alessio Busato mat.mat. 276374 | Riccardo De Vecchi 276094 PROSPETTO NORD PROSPETTO LATOLATO NORD 1:1001:100
2 | W.A.VE 2012/2013 _ Italian Pavillion and Master, New Biennale, Marghera, Italy
6
PROJECT INFO_ - Location: Marghera, Venezia, Italy - Project type: Academic Project - Individual/Grup Work: First phase: Group Work (10 people) / Second Phase: Individual work - Role in the process: designer, drawer - Exact contribuition: design, drowing of the plants, render, technical details - Level of the project: second semester, year 2013 - Carried out: 19 July 2013 - Supervisor: Arch. Sean Godsell (Australia), visiting professor, info@seangodsell.com - C.F:U. and Mark: 8 CFU / 29/30
6
9
7 3
8
8
9
9
4
10
10
10
4 11 2
2
1
1
2
1
2
THE NEW BIENNALE
1
2
ALL THE WORLD KNOWS THE FAMOUS BIENNALE DI VENEZIA, the INTERNATIONAL EVENT ABOUT ART AND CULTURE, TAKES PLACE IN THE GIARDINI della biennale OF VENICE, AT THE END OF THE ISLE, each 2 years BUT, THE GIARDINI IS AN HUGE SPACE THAT IS TOTALLY CLOSED WHEN THE BIENNALE IS OFF. SO, WHY NOT TO GIVE THAT SPACE BACK TO THE PEOPLE OF VENICE?
WHAT ABOUT DISLOCATING THE BIENNALE?
2 | W.A.VE 2012/2013 _ Italian Pavillion and Master, New Biennale, Marghera, Italy
dilapidated
industry
as
a
scenario
7
for
a
new
architecture
right just outside Venice, after the “POnte della liberta’”, is one of the largest industrial centers in Italy: Marghera. Past the golden age of the ‘70s, the whole area is now becoming deserted. Inside the immense space does not remain now that 2/3 large factories in operation. also the issue relates to the conservation or not of many of the buildings still standing and, in general, the process for restoring the zone. our idea is therefore based on the two-year move into one of the tion of the industrial pole. in this way not only takes advantage of a disused area, but plenty of space allows to fix many problems such as space and logistics. Project takes cos’
2 | W.A.VE 2012/2013 _ Italian Pavillion and Master, New Biennale, Marghera, Italy
FATISCHENT
INDUSTRY
AS
THE
SCENARY
8
OF
A
NEW
ARCHITECTURE
Marg
hera
scenario that occurs in the area of Marghera is apocalyptic: sheds, gas tanks, skeletons of old buildings, all left to itself. but this post-industrial heritage hides a huge potential: it offers an incredible opportunity to re-use and up-converts these structures in many ways. The composition of urban scale follows the pattern of Venice, but at a larger scale: large shipping channels for the transport of goods divides the pole in different areas and islands. To design the new biennale, we chose the former area of the petro-chemical: in fact, the site overlooks the lagoon and Venice and is directly connected with the main junction, in order to provide easy access to the area from visitors. The enormous space available allowed us to think of a biennial much more extensive. unlike the current biennial, every nation has its own pavilion. For this reason, the second phase of the workshop focused on the design for each student of a pavilion. to this is added the planning of a residential area, public infrastructure, land routes and sea and a symbol, consisting of the large structure at water’s edge, which is a great cover that marks the edge of the biennale, below which you carry out various activities in multifunctional spaces
acquatic park residences
residence facilities sport center markets laundries
biennale pavilions
Public facilities Resturants library info point lounge bar
Front see structure multifunctional spaces
elevation of one of the new biennale structure
2 | W.A.VE 2012/2013 _ Italian Pavillion and Master, New Biennale, Marghera, Italy
9
second phase-individual work
THE ITALIAN P A V I L I O N 11
3 01
5
6
2
4
9 7
8
wet area
1
design a pavilion means merge functionality, aestheticsmoand a representative oR noitibihxE - 1 character aerAwithin a single teW - 2 building.moofor this reason the R gnidaoL - 3 concept mois on a clear oR gnibased kcaP - 4 divisionmooRof two genoitarapspaces: erP - 5 ometries that varieciffO - enclose 6 hctiK / seitinemA ffatS - the 7 ous nefunctions. Extrusion gnikaolC / krectangles seD ofnI - 8 of mooRthe forms ecnartnE - volumes 9 two separate that aerA cW - 01 give an imposing character rotS lareneG - 11 to the ecomplex. the service volume extends horizontally inviting entrance, while the exhibition hall extends vertically, so as to provide a large interior space for different exhibitions. The two volumes are dominated by a large flat roof that gives unity to the complex
2
3
00
,5
=1
2,0
x4
2
loading room 1
packing room
preparation room
office
main exhibition space
exhibition exit Staff Amenities Kitchen
24
technical section
1=
x 0,2 5,0 0
Info Desk Cloaking Room B
B ossegnotraC otamra ozzurtseclaC etnalosI etnalosi aniaug aippoD enoizanilcni id ottessaM otireggella ozzurtseclaC
A
main entrance
A ossegnotrac ni ollennaP otamra ozzurtseclaC eneritsilop ni etnalosI avittetorp aniauG otnemitsevir ongetsos id ollennaP ehcillatem etsa ni otnemitseviR
wc area
General Store
1
3
2
1 - Biennale, Exhibition Room Marghera, Italy 2 | W.A.VE 2012/2013 _ Italian Pavillion and Master, New 1=
24
0 5,0
x 0,2
2 - Wet Area
sections/elevations
3 - Loading Room 4 - Packing Room 5 - Preparation Room 6 - Office 7 - Staff Amenities / Kitchen 8 - Info Desk / Cloaking Room 9 - Entrance 10 - Wc Area 11 - General Store
B
B Cartongesso Calcestruzzo armato Isolante Doppia guaina isolante Massetto di inclinazione Calcestruzzo alleggerito
A
A
Pannello in cartongesso Calcestruzzo armato Isolante in polistirene Guaina protettiva Pannello di sostegno rivestimento Rivestimento in aste metalliche
KEYMAP
SCALE
N
10
3 | Landscape Design _ River Park, Valencia, Spain
11
PROJECT INFO_ - Location: Valencia, Spain - Project type: Academic Project - Individual/Grup Work: Individual work - Level of the project: firts semester, year 2014 - Carried out: 22 April 2014 - Supervisor: Arch. Prof. Michela De Poli, depoli@iuav.it - C.F:U. and Mark: 6 CFU / 28/30
Valencia, river turia
LETS use our landscape in a smart way The project is based on the analysis of the project for the former River Turia, in Valencia. The city needed a park, which was obtained by diverting the natural course of the river, and planning in place a green space that runs through the city. This aspect brings enormous benefits, as the park becomes accessible from all parts of the city. also become a landmark and a symbol. Having regard to the continuity of the course, the basic idea is to find a composition of modules that are repeated in space, providing different services along the way. large pedenze then gently bringing the urban context to that of the park, by modeling the same, creating a landscape that characterizes the entire course of the ancient river. below these reliefs can be installed facilities such as bars, changing rooms for outdoor sports fields, bike stores. the plot of the park is developed on the design of linear paths and circular spaces, representing parking spaces each with different equipment for different activities within them. at the sides of the park there are two bike lanes for crossing fast
3 | Landscape Design _ River Park, Valencia, Spain
12
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy PROJECT INFO_ - Location: Sirmione, Lake of Garda, Italy - Project type: Academic Project - Individual/Grup Work: Individual work - Level of the project: annual course, year 2014 - Carried out: 8 June 2014 - Supervisor: Arch. Prof. Franca Pittaluga, pitt@iuav.it - C.F:U. and Mark: 6 CFU / 30/30 cum laude
13
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy
14
from anthropogenic to natural Vani risalita verticale
Corpi abitazioni
Parco pubblico
The project concerns the design of a residence for 350 people in the natural context of Lake Garda in Sirmione. The course required the design of the entire area in question, from the park to the module housing. The project must pay special attention to the natural context in which it is located: in fact, the area is protected and requires special attention on the construction of new buildings. focusing on a building on the lake shore, the first argument fell on the concept of limit / barrier and placement of buildings. From the design of the new bank has generated the building installation, which aims to redefine the profile of the coast in harmony with the nature of the place.
Corpi abitazioni pianta
Vani risalita verticale pianta 1,3 m
2,0 m
2,0 m
2,0 m
4 mq | h 2,70
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy
edges / limits ?
15
Camera matrimoniale 20 mq | h 2,70
Camera singola 9 mq | h 2,70
Secondo livello
Sala da pranzo - Cucina 25 mq | h 2,70 m
Salotto 20 mq | h 2,70
A
A
Prospetto
Bagno di servizio 3,5 mq | h 2,70 Ripostiglio 4 mq h 2,70 m
Ingresso 6,5 mq | h 2,70
Primo livello
B
Principio di aggregazione
Schema del complesso Sistema di schermatura listelli in legno
Riccardo De Vecchi 276094
Pianta del baccello tipo
03
DUPLEX | 130 MQ | 4 ABITANTI
Fasce di rivestimento in acciaio
Parapetto in vetro
Scala 1:50 0
N 2m
vertical distribution system
second residential level
first residential level
support structure/ ground floor
park
ground level
garage
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy
Plants of a
Piante Duplex - Piante dei due livelli
A
two levels flat
16
B
B
Sezione B - B
Camera singola 9 mq | h 2,70
A
A
A Spazio di disimpegno 8 mq | h 2,70
Bagno camera matrimoniale 5,5 mq | h 2,70
Bagno camere singole 4 mq | h 2,70
Camera matrimoniale 20 mq | h 2,70
Camera singola 9 mq | h 2,70
Secondo livello
Sala da pranzo - Cucina 25 mq | h 2,70 m
Salotto 20 mq | h 2,70
A
A
Prospetto
first level
Bagno di servizio 3,5 mq | h 2,70 Ripostiglio 4 mq h 2,70 m
Ingresso 6,5 mq | h 2,70
A
A
Primo livello
B
Principio di aggregazione
Schema del complesso Sistema di schermatura listelli in legno
second level
B
03
Pianta del baccello tipo
Fasce di rivestimento in acciaio
Parapetto in vetro
Scala 1:50 0
N 2m
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy Sezione A - A DUPLEX
17
cross section
Sezione B - B trasversal section
facade module
ottepsorP
ESPLOSO DEL COMPLESSO
Blocchi risalite verticali
Composizione baccelli
ortev ni otteparaP
Prospetto
id ecsaF ni otnemitsevir oiaicca
05:1 alacS
N m2
Attacco a terra
0
id ametsiS arutamrehcs ongel ni illetsil
opit olleccab l ITNATIBA 4 | QM 031 |
4 | Integrate Design Workshop 2 _ Housing in Sirmione, Lago di Garda, Italy 580 cm
0 cm
300 cm
SECTION
100 cm
80 cm
230 cm
-3m
- 3 metri
18
140 cm 100 cm
35 cm
SEZIONE COPERTURA - SEZIONE FONDAMENTA scala 1:20
OLEIC - ARRET ESEZIONE NOIZES TERRA - CIELO 40 cm
Steel liner Steel trellis
+ 12 m m 21 +
150 cm
Gravel sp. 10 cm Screed slope sp. 8 - 10 cm Gutter Thermal insulation sp. 15 cm Double waterproofing sheath Concrete ceiling sp. 25 cm Pulley system of sliding of the shielding system Thermal insulation sp. 10 cm Plasterboard
+ 12 metri
False ceiling sp. 5 cm
400 cm
Wooden slats sp. 8 cm
+9m
m9+
+ 9 metri Windows with double glazing
Glass parapet
1500 cm
440 cm
+6m
m6+
Flooring planks sp. 3 cm
Flooring wooden boards sp. 3 cm Screed sp. 10 cm Thermal insulation 5 cm
+ 6 metri
Screed slope sp. 5-10 cm Waterproofing sheath Concrete ceiling sp. 25 cm
External flooring in wooden boards Screed sp. 10 cm Concrete plinth sp. 10 cm Gravel for drainage water Sump breather
m3+
+ 3 metri
+0m
m0+
+ 0 metri
430 cm
+3m
150 cm 40 cm
Vent pipe diameter 8 cm Foundation wall concrete sp. 30 cm Thermal insulation sp. 10 cm Bituminous insulation
Smooth cement sp. 10 cm Thermal insulation sp. 10 cm Concrete slab sp. 5-8 cm Crawl space type "igloo"
Prospetto
360 cm
-3m
m3-
Drainage tube
- 3 metri
+3 metri
90 cm
+2 metri
Foundation slab continuous concrete sp. 30 cm
mc 041
+1
Prospetto 580 cm
metri
+2 metri
+1 metri
Sezione
Gravel sp. 10 cm Screed slope sp. 8 - 10 cm Gutter Thermal insulation sp. 15 cm Double waterproofing sheath Concrete ceiling sp. 25 cm Pulley m c 5 .pssystem gniliecofessliding laF of the shielding system Thermal insulation sp. 10 cm Plasterboard
SECTION
Wooden slats sp. 8 cm
mc 04
renil leetS sillert leetS mc 01 .ps levarG mc 01 - 8 .ps epols deercS rettuG mc 51 .ps noitalusni lamrehT htaehs gnifoorpretaw elbuoD mc 52 .ps gniliec etercnoC metsys gnidleihs eht fo gnFalse idils foceiling metsyssp. ye5llucm P mc 01 .ps noitalusni lamrehT draobretsalP mc 8 .ps stals nedooW
+3 metri
+2 metri
Windows with double glazing
+1 metri
gnizalg elbuod htiw swodniW
Sezione
+0 metri
1
metri
sdraob nedoow gniroolF
Glass parapet
teparap ssalG
mc 051
+3
metri
mc 001
Scala 1:50
Steel liner Steel trellis
ELEVATION
+0
mc 53
ATNEMADNOF ENOIZES - ARUTREPOC ESEZIONE NOIZES COPERTURA - SEZIONE FONDAMENTA 02scala :1 ala1:20 cs
mc
150 cm
metri
mc 004
metri
o0 +
Flooring wooden boards
0
N 2m
PROJECT INFO_
?
+
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium PROJET D'ARCHITECTURE 3
Année 2014 / 2015 - Location: Liège, Belgium ÉTUDIANT: Riccardo De Vecchi - Project type: Academic Project - Individual/Grup Work: Individual work NOUVELLE RÉSIDENCE AU SEIN DU OUTREMEUSE - Level of the project: first semester, year 2014 - BâtimentORDONEÉ composéET deDE quatre appartements; UNE -MAISON LONGUE ET ÉTROITE PERMET UNE DISTRIBUTION Carried out: 14 December 2014 - Un pourDE personnes AVOIRE GRANDES SURFACES, DE LAQUELLE DÉCOULENT DEfoyer LUMIÈRE, L'AIR ET handicapées; Supervisor: Arch. Prof. Norbert Nelles, norbert.nelles@ulg.ac.be - Habitants fourni : 12; DES VUES INTÉRESSANTES. - Deux places de parking; - C.F:U. and Mark: 10 CFU / 14/20
19
! the
urban
context:
the
profitable
use
of
limited
space
The project is located in one of the neighborhoods of Liege, composed of traditional houses that do not exceed four stories. The complicated plot of urban composition generates irregular spaces which often represent a challenge for the design of new buildings. in this case, the request is to design a building with 4 apartments, of which one for handicapped people. the lack of open spaces in the area has added the need to think of a building comprising of open spaces and usable not only by residents, but by all the inhabitants of the district. E CONTEXTE the use of housing units developed along a preferred direction has allowed us to put together a volume whose complexity creates open spaces, private gardens and high quality of the apartments, enjoying plenty of light and different views of the surrounding context. Est1
Est1
REZ-DE-CHAUSSÉE ÉCHELLE 1:100
PREMIER ÉTAGE ÉCHELLE 1:100
Appartement pour handicapés: 80 m²
Premier appartement : 85 m² Deuxième appartement: 115 m²
SUD
NORD
5 | Atelier du projet _ Longement pour appartements; l’Otremeuse, Liège, Belgium - Bâtiment composé de quatre
- Un foyer pour personnes THE COMPOSITION OF VOLUMES ALLOWShandicapées; TO FREE THE -GROUND FLOOR, THAT THROUGH CENTRAL Habitants fourni : 12; OPENING IS REACHED BY LIGHT AND TURNS INTO - Deux places de parking; A PUBLIC SPACE WHERE TO PERFORM DIFFERENT ACTIVITIES. THE APARTMENT FOR DISABLED IS ON THE GROUND FLOOR FOR EASY ENTRY. IN THIS WAY THE DISABLED CAN TAKE ADVANTAGE OF THE PRIVATE GARDEN OF THE OTHER PART OF THE COURT.
Est1
REZ-DE-CHAUSSÉE
GROUND FLOOR1:100 ÉCHELLE
Appartement pour handicapés: 80 m²
20
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium APARTMENTS TO UPPER FLOORS IN NEED OF A PRIVATE GARDEN. THE OVERRIDE MODULE HOUSING PERMITS TO USE THE COVER OF UNDERLYING HOW GARDEN APARTMENTS. PLANT OF THE APARTMENTS GROWS MAINLY AROUND ONE FORM OF CENTRAL SERVICES, SO FREE WALLS THAT OPEN TO THE OUTSIDE THROUGH A LARGE NUMBER OF WINDOWS.
Élément en saillie en métal Épaisseur: 5 cm
21
the windows are equipped with a aspecial L'élément pour but de : metal frame. This element is intended to:
- Promouvoir la protection
- Promote the protectionde of laprivacy; vie privée; - Protect from direct sunlight and rain; - Protéger de la lumière - Gives movement on the facade;
directe du soleil et de la pluie; - Donner mouvement sur la façade;
The roofs of the above buildings become the terrace / garden covering those
Brickwork: 5 cm Insulation: 15 cm
The irregularity of the lot on the right side is used to transmit the access roads
Bearing concrete wall: 20 cm
A
F
Metal projecting element Thickness: 5 cm L'élément a pour but de : - Promouvoir la protection de la vie privée; - Protéger de la lumière directe du soleil et de la pluie; - Donner mouvement sur la façade;
F
B
B
B
The shape of the building allows you to have an opening of 40 m² with that light and ventilate the courtyard on the ground floor
Est1
A
FIRST FLOOR
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium ALL THE WORLD KNOWS THE FAMOUS BIENNALE DI REZ-DE-CHAUSSÉE VENEZIA, AN INTERNATIONAL EVENT ABOUT ART AND ÉCHELLE 1:100 CULTURE, WHICH TAKES PLACE IN THE GIARDINI 80 m²ISLE. BUT, WHAT OF Appartement VENICE, ATpour THEhandicapés: END OF THE ABOUT DISLOCATING THE BIENNALE? THE GIARDINI IS AN HUGE SPACE THAT IS TOTALLY CLOSED WHEN THE BIENNALE IS OFF. SO, WHY NOT TO GIVE THAT SPACE BACK TO THE PEOPLE OF VENICE AND USE A NEW TERRAIN.
Est1
DEUXIÈME ÉTAGE ÉCHELLE 1:100
Appartement: 95 m² SECOND FLOOR
22
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium
PREMIER ÉTAGE ÉCHELLE 1:100
Premier appartement : 85 m² Deuxième appartement: 115 m²
Est1
COUVERTURE
ROOFÉCHELLE TOP 1:100
23
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium
trasversal section Roof with inclination 2% Isolant: 15 cm Support beams: 20 cm x 15 cm False ceiling: 5 cm Plasterboard walls: 10 cm Covering pavement: 5 cm
+ 10,50 m
+ 7.35 m
+ 4,25 m
+ 0.0 m
horizontal section
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5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium
25
north elevation
SUD
NORD
south elevation
5 | Atelier du projet _ Longement pour l’Otremeuse, Liège, Belgium
26
PORTFOLIO_ executive summary
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WHY APPLY FOR TU DELFT? The path followed by these three years has allowed me to develop different themes and deepen skills about technology, reading of the context and finding answers to the needs in different situations. In particular, the most interesting part I found in each project is the conceptual stage. this first phase deal with a number of limitations and problems whose resolution will be the founding idea of the project. The resolution of these problems starts from the analysis of the context, confronted with the demands to be met. This whole series of variables leads to a solution that has to balance functionality and architectural quality. what I find challenging is just the constant change of these variables, which push the architect to investigate the best proposal for each situation. therefore I think that understanding the context in which we find ourselves, especially nowadays, in a world in constant and rapid evolution, which constantly demand new needs, is fundamental. But, given the failure of the traditional system used to date, there is a clear need for a new way of thinking. In this I found my interest in the Technical University of Delft: not only one of the most prestigious universities at the time, but also a meeting place for students from all around the world, the optimal situation to stimulate the meeting, discussion and comparison between different cultures and ways of thinking. in particular, the specialization in Methods and Analysis focuses on the topics that most interest me, the ability to develop a proper strategy allows to adopt new ways of thinking that can adapt to the highly dynamic environment in which we place ourselves. From this a new architecture can be born, able to meet the contemporary needs and the ones. furthermore, Understanding the existing context connects with the theme of reuse and transformation: Today we have the opportunity to rethink all those structures and areas that are abandoned due to economic and social changes that affect the industries and consequently the city. in programs of courses Methods and Analysis and the Architecture and heritge I found the points that I would like to develop more in my studies. If the first favors a more theoretical approach, the second assumes a critical analysis and study in order to proceed to the design of an architecture in response to new problems and therefore requires an effort in terms of ideas, trying to bring the student to think “outside the box�, but at the same time providing all the necessary knowledge in the field of technology and practical aspects of architecture for these reasons, and under extremely favorable environment of architecture in the Netherlands, I hope to be given a chance to improve my skills in a university of your caliber.