Rich Fridy Portfolio
Room at the Table
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Gestalt Chair
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Lake Shore Drive
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Thesis: SOLO/JUNTOS
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Interpolative Crops
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Interpolative Voids
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Interpolative Context
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Professional
AmeriCorps + 100 Fold Studio
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Explorations
Studio Art
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Graphic Design
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Re-evaluating a Way of Seeing
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Academic
Birmingham, AL, USA
Chicago, IL, USA
Santo Domingo, Dominican Republic
Harvard GSD Design Discovery, 2019 Harvard GSD Design Discovery, 2019 Harvard GSD Design Discovery, 2019
Flathead + Lake County, MT, USA
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Room at the Table Spring 2017 Third Year Studio Birmingham, AL, USA The culinary industry in Birmingham, Alabama is growing rapidly as part of a widespread cultural renaissance and return to downtown. In 2017, Food & Wine Magazine moved its editorial headquarters to Birmingham, and in 2018, Birmingham chefs and bartenders received three James Beard nominations. In the last 10 years, pockets of mixed-use development have grown throughout the downtown corridor. Along with this growth comes a number of undesirable side effects, including loss of neighborhood identity, diversity, and affordability. In this studio, we were challenged to address these issues within a semi-temporary shipping container structure.
Rich Fridy Portfolio
As gentrification occurs downtown, many of the minority-owned restaurants that form the foundation of Birmingham’s culinary heritage are forced to relocate or close due to rising rents. Rent prices also affect young chefs preparing to open new concepts. Working as a barista in Birmingham for three years, I developed a strong personal connection to this tightknit community. In this project, I have proposed a culinary incubator that provides low-rent or rent-free temporary cafe/restaurant space on one of Birmingham’s busiest corners. As new restaurant concepts and young restauranteurs use the space, they can leverage this visibility to gain investors, test menu iterations, and grow a dedicated clientele.
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In choosing a site for this project, major considerations were walkability, easy access to parking, proximity to popular cultural institutions and new development, and street frontage. The intersection of 3rd Ave. N. and 19th St. experiences high levels of vehicle traffic, and is positioned at the center of a key pedestrian area, due to its proximity to three theaters, the McWane Science Center, and the Pizitz Food Hall. In many cases, visitors to these cultural institutions must pass the proposed site on their way to and from their cars in the large parking lot and multi-story garage fronting 4th Ave. N. The site also sits adjacent to a tree-lined section of the Civil Rights Heritage Trail, which forms a pocket-park barrier between the site and 19th St.
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McWane Science Center Historic Lyric Theater Historic Alabama Theater Red Mountain Theater Sidewalk Cinema Theater + Museum
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Historic Hotel Large Office Buildings Public Transit Hub
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Rich Fridy Portfolio
Room at the Table
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Norwood
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Woodlawn
Crestwood the Railyard
Uptown
Central City
Sloss Furnaces
Avondale
Birmingham Civil Rights Institute
to Mountain Brook
Railroad Park
Ensley 65
Parkside District
quickly gentrifying areas lower income areas
University of Alabama at Birmingham
Historic Five Points 280
1 mi
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The Vulcan
Civil Rights Heritage Trail
Spring 2017
Pedestrian Traffic
Redevelopment + New Development
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40’ shipping container (x2) 720 ft2
Splits space into three zones—front entry, core dining space, and back kitchen.
20’ bottomless shipping container, open to below
Doubles number of exterior faces, increasing window capacity.
Rich Fridy Portfolio
Elevates ceiling height of core dining space to maximize perceived interior space.
Room at the Table
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Punch
Skin
Activate
Windows facing northeast view public Civil Rights park.
Architectural woodwork adds visual repetition and provides integrated bench seating.
Stairs on alley side activate second floor for additional seating.
Windows facing southeast view lawn and main pedestrian walkway on 3rd Ave. N
Spring 2017
Added garden space above rear shipping container provides herbs/ vegetables to restaurant.
Added furniture, landscaping, and hardscaping help to unite interior and exterior and establish distinct seating areas.
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The shipping container structure and surrounding hardscaping and landscaping occupy a formerly under-used single-aisle parking lot. To the left of the lot is a colorful mural honoring Birmingham's musical history on the side of a block of buildings that contain varied small programs including a restaurant, coffee shop, graphic design agency, dance studio, and furniture store. To the right is a tree-lined section of the Civil rights Heritage Trail, which isolates the buildings from the vehicle traffic on 19th St. The park's concrete benches will provide additional seating for the culinary incubator during busy lunch rushes.
Rich Fridy Portfolio
To address the shipping containers' low ceiling height, a second container placed above the main dining space provides natural light and views to the rooftop garden and deck. A 16' bookshelf provides space for each restaurant concept's themed artwork and decor, and hides two air conditioning units that are housed in the top shipping container's overhang.
Room at the Table
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Spring 2017
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Full-Service Restaurant 20 guests seated in chairs and window benches 3 guests at bar
Cooking Demos + Lectures 20 guests seated in chairs 1
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Cocktail Bar + Coffee Shop 35 guests seated on flexible cushioned stools and window benches 3 guests at bar
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Rich Fridy Portfolio
Room at the Table
Top: Facing Entry
Spring 2017
Bottom: Facing Bar + Kitchen
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Gestalt Chair Fall 2017 Furniture & Millwork Studio Birmingham, AL, USA
The chair is often an iconography to larger themes present in the architecture of a given era. As themes shift, chair designs morph, and provide a microcosmic timeline of these larger themes. “Gestalt Chair� explores a selection of chairs ranging from Art Nouveau to modernism to contemporary, and contrasts forms,
dimensions, and joinery styles. A new chair is then created that builds upon the styles of the previous chairs, creating a new chair form. The project illustrates and replicates the process of idea formation from past observation, and suggests that new styles develop from minor shifts and corrections to existing ones.
1900
1950
1956
Art Nouveau Chair student of Henry van de Velde
CH25 Chair Hans J. Wegner
France Chair Finn Juhl
Rich Fridy Portfolio
2010
2013
Ciel Lounge Chair Brad Ascalon for RH
Finn Lounge Chair Jonas Bjerre-Poulsen & Kasper Rønn
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Dowel
Dove Tail
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Mortis & Tenon
Blind Dado
Visible Dado
Gestalt Chair
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Lake Shore Drive Spring 2017 Third Year Studio Birmingham, AL, USA
Mies Van Der Rohe’s Lake Shore Drive apartment buildings sit on one of the most elite waterfront blocks in Chicago. Although many Miesien housing blocks have recently been abandoned and demolished to make way for larger luxury units, Lake Shore Drive’s continued popularity can be attributed to the relative affordability of the units, and their flexibility as a result of the simple 21-foot grid structure within which they sit. Multiple residents in the buildings have combined units to grow one-bedroom apartments
to three- and four-bedroom units, employing a modular flexibility that was perhaps implemented ahead of its time. This project explores the vertical combination of units through the demolition of the connecting floorplate—a mode of combination that opens up the 8-foot ceiling height of the existing units into a larger 16-foot atrium space—and the use of built-in, moveable, and multi-use furniture to allow functional flexibility based on the intended use of the space.
Apt A
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Rich Fridy Portfolio
Level 2
Level 1
Fall 2016
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Thesis
Solo Project Brief
The interior design program’s senior thesis module, called “Design Education for World Impact”, aims to instruct students of best practices of working with clients in developing communities. The module is split into two sections. In the first, students are given a short prompt and a simple site topography—replicating the format of many of the academic projects completed over the course of the program. The second expands the project to a format that relates more to legitimate professional practice, incorporating client meetings,
interviews, site observation, travel, and a single group deliverable. By designing the same project in these two methods, the differences between designing in- and out-of-context is highlighted. I have entitled these two sections “Solo” and “Juntos”, the Spanish words for “alone” and “together”. The final presentation of the project incorporates the individual students’ “Solo” typologies and methods—discovered in a vacuum— and compiles them into a single solution, developed “Juntos”.
Juntos Observation of Vernacular Architecture
Site Topography Interviews with Clients and Future Residents
Documentation of Site Conditions
Elderly Housing Typology Research Rich Fridy Portfolio
Solo Living, Dining, Medical, Admin
Continuous Care Residences Dependent Care Residences Independent Residences
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Private Spaces
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Entry Hall with Closets and
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Shared Living Area
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Shared Shower Room
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Shared Courtyard Space
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Sliding Door Between Units
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Residential Units
Rich Fridy Portfolio
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Public Spaces
Residential Units
Living/Dining Pavilion
Dining Room + Kitchen
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Admin Offices
Elevator
Breezeway to Residential Units
Medical Office
Outdoor Dining
Public Restrooms
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Fall 2017 - Spring 2018
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Juntos Covered plaza area provides sheltered seating during services in the adjacent chapel.
Entry Bridge is suspended above lowerlevel dependent care living units.
Elevated patios provide panoramic views of the mountains to the north.
Rich Fridy Portfolio
Thesis â&#x20AC;&#x201D; Juntos
A B C D E F G H I J K L M
Main Entrance Bridge Shared Living Room Classroom Public Restroom Chapel Commercial Kitchen Shared DIning Room Residences Stairs Future Elevator Location Admin Office Doctorâ&#x20AC;&#x2122;s Office Shower Room
Lower Level
Upper Plaza Level
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Renderings on this page are a collaboration with Katherine Mixson and Betsy Shuttleworth
Fall 2017 - Spring 2018
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Continuous Care Living Units
Dependent Care Living Units
Independent Living Units
Residents in these units need full nursing care available 24/7
Residents in these units need nursing assistance periodically throughout the day.
Residents in these units are fully mobile and need no nursing assistance.
Plaza Lvl.
Rich Fridy Portfolio
Lower Lvl.
In our research and interviews with future residents, we found that many elderly people feel isolated in their current living situations. Many live in small high-rise condos or garage apartments, which provide limited connection to the broader community. When discussing possible solutions to this problem, we assumed privacy and tranquility would be important to future residents. We initially suggested providing secluded large private residences with small shared
common spaces. The response to this was negative, and many future residents equated the concepts of privacy and tranquility with loneliness. As a result, we limited living space within the residences and oriented the entire building around an elevated covered plaza with panoramic views to the north. The plaza connects public and private zones, and encourages resident interaction when moving to and from meals and activities.
Thesis â&#x20AC;&#x201D; Juntos
Public Spaces
Bright and spacious dining spaces contrast with the relative compactness of living spaces to encourage residents to spend time in public areas.
The large communal living room features a variety of seating postures and arrangements, from reading nooks to large card tables. The space also features a shared kitchen area with views to the adacent elementary school playgroundâ&#x20AC;&#x201D; a request from the future residents we interviewed.
Renderings on this page are a collaboration with Katherine Mixson and Betsy Shuttleworth Fall 2017 - Spring 2018
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Design Discovery Harvard GSD Summer 2019 Instructor: Grace Suthata Jiranuntarat Design Discovery is a six-week program at the Harvard Graduate School of Design that provides a first-hand studio-based exploration of graduate-level architecture education. Across three projects, the program teaches an overview of design thinking in two- and three-dimensions, and encourages further exploration of current topics in contemporary architecture through access to current students, lecturers, the Frances Loeb library and online databases. Through the program, students â&#x20AC;&#x153;discover how design contributes to a more resilient, just, and beautiful world.â&#x20AC;?
Rich Fridy Portfolio
“Grounded/Reaching” Paper Lenticular
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01 Interpolative Crops Summer 2019 Design Discovery Harvard GSD
In this exercise, an object, a building, and a landscape are cropped to isolate the context of a dialecticâ&#x20AC;&#x201D;ordered/ entropic, light/shadow, and permanent/ impermanent. Through abstracted orthographic sketching, I analyze these dialectics with the intent of exploring ways of seeing the passage
remove lid,
Rich Fridy Portfolio
of time. After analysis, the gathered decontextualized data is re-interpolated into a new drawing that blurs the perception of orientation and scale and imagines a new space that goes beyond an analysis of passage of time to a manipulation or exploitation of it.
remove filter, add water, replace filter, add coffee, screw lid back on.
Design Discovery, Harvard GSD
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Moka Express Coffeemaker Bialetti Industries Alfonso Bialetti, 1933 Through analysis of the brew process of the Moka pot, I explore an unfortunate devolution from ordered to entropic. The drawing combines plan, elevation, and section views and conveys a way of seeing time through certain sequences and outputs visible while brewing a pot of coffee.
2...
Summer 2019
3 minutes until boiling
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Carpenter Center for Visual Arts Cambridge, MA, USA Le Corbusier, 1962 Through analysis of the west facade of Le Corbusierâ&#x20AC;&#x2122;s Carpenter Center, I explore light and shadow, and its capacity to describe time over the course of the afternoon through sun angles. The plan, elevation, and section drawings omit the physical architecture itself, promoting a realization that these shadows are integral to the colloquial perception of the building in context.
plan
Rich Fridy Portfolio
elevation
section
Design Discovery, Harvard GSD
Tanner Fountain Cambridge, MA, USA Peter Walker/SWA Group, 1984 Through analysis of Tanner Fountain, I explore visible and invisible representation of permanence and impermanence. In plan, I represent erosion and the resulting sand over centuries or millennia. In elevation, I analyze layers of rock as a way to map surface texture. In section, I juxtapose the grasslike seasonal vegetation that grows between the rocks with plant fossils inside the rock, illustrating two opposing phenomena of the same element.
plan
Summer 2019
elevation
section
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Interpolation
Rich Fridy Portfolio
The cropped views from the first part of the exercise analyze the passage of time at multiple scales, from the 4-minute brew process of the Moka Pot to the millenia-long fossilization process inside the rocks of Tanner Fountain. Here, I aim to create a new space that re-interpolates this data. Where originally the goal was analysis of time passage, the interpolative goal has shifted to manipulation and exploitation of it. The new space imagines a system of arches spread between
two rock masses. As the space between the rock masses narrows, the distance between the rows of arches narrows, and the widths of the individual arches diminishes. At its narrowest, the wall openings are 3-feet wide and are offset 3-feet from one another, making some areas of the system difficult to traverse and others simple. The arches superimpose a paralax confusion/ frustration between the two rocksâ&#x20AC;&#x201D;almost an antilabyrinth.
Design Discovery, Harvard GSD
Shadows
Summer 2019
Circulation
Schema
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02 Interpolative Voids Summer 2019 Design Discovery Harvard GSD
Rich Fridy Portfolio
This project reimagines the drawings from the previous project, and requires the design of circulation and inhabitation within the confines of a volumetric space. The project aims to test spatial effects and experiment with narrative sequence, spatial hierarchy,
and boundaries. The resulting space further explores the rectilinear system of elements spread between two topological surfaces, choreographing a circulation narrative that utilizes openness and tightness to guide the user from one corner to the other.
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03 Interpolative Context Summer 2019 Design Discovery Harvard GSD
Rich Fridy Portfolio
How can architecture encourage engagement and interaction at a variety of scales between people of varying backgrounds? â&#x20AC;&#x2DC;Interpolative Contextâ&#x20AC;&#x2122; aims to apply the design principles explored in the first two projects to a programmed building on a site. It considers the building at a large scale, as a piece of an urban fabric, which speaks to the surrounding community and potentially welcomes and involves them. It also considers
it at a small scale, made of rooms that play host to interactions and temporary events. The project will be a Center for Civic Engagement located at the south boundary of Harvard where it connects to Allston, an historically working-class community. Considering the two communities, to the north and south of the site, the project focuses on fostering equity, inclusion, and knowledge-sharing.
Design Discovery, Harvard GSD
north
Harvard Institutional Scale Large Academic Buildings + Sports Complexes Historically Upper/ Upper-Middle Class
Allston Residential and Light Commercial Scale Row Houses, Storefronts, Neighborhoods, Multifamily Historically Working Class Originally Boston's Cattle + Meatpacking District
south
Summer 2019
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While analyzing program and developing a spatial hierarchy, I produced a scaled bubble diagram that could be read as a floor plan of a field of rooms of varying sizes. By interposing logics of field conditions and topography from the previous projects and extruding these pieces of program vertically, the
building becomes a field of meeting rooms, galleries, and reflective spaceâ&#x20AC;&#x201D; some buried in the ground and others floating in the airâ&#x20AC;&#x201D;based on the bubble diagram. The resulting design sits at the intersection of building, pavilion, and landscape.
Restrooms, Offices + Utility
Cafe + Gathering Spaces
One-on-One Spaces
Large Debate Hall
Large Seminar Rooms
Vertical Circulation
Medium Conference Rooms
Massing model explores the 'field of rooms', blending scales between residential Allston and institutional Harvard.
Rich Fridy Portfolio
Design Discovery, Harvard GSD
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Rich Fridy Portfolio
Design Discovery, Harvard GSD
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AmeriCorps + 100 Fold Studio Spring 2017 Third Year Studio Birmingham, AL, USA 100 Fold Studio is a nonprofit organization in Lakeside, MT that provides affordable and environmentally responsible architectural services to nonprofits and charitable organizations around the world. It functions both as a traditional architecture firm and as a training organization for young architects who want to serve others with their vocation. 100 Fold Studio has active projects in Russia, Ukraine, Dominican Republic, Cambodia, Bangladesh, and Canada.
Rich Fridy Portfolio
100 Fold Studio partners with AmeriCorps to provide these services to nonprofit organizations in Montanaâ&#x20AC;&#x2122;s Flathead Valley, and to train and inspire young architects to build careers in humanitarian architecture. I have served as an AmeriCorps member at 100 Fold Studio since August 2018 and work primarily on projects based in Montana, including a master plan and new auditorium building at YWAM Montana, a new location for the Boys and Girls Club of the Flathead Indian Reservation, and a classroom building for a university project in Cambodia.
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Aug 2018
Began construction administration on YWAM Montana Readiness Center, Lakeside, MT. (pg. 46) Began schematic design on classroom & administration building at University of the Nations, Battambang, Cambodia. Dec 2018
First meeting with director of Boys & Girls Club of the Flathead Indian Reservation. (pg. 48) Readiness Center opens to the public.
Aug 2019
First campus master plan meeting with YWAM Montana leadership team. Began design development of a multipurpose auditorium and sports facility at University of the Nations, Battambang, Cambodia.
Dec 2019
Proposed beginning of SD phase for Ranger Station at Milltown State Park, the largest superfund cleanup site in the United States.
100% CD set for Boys & Girls Club of the Flathead Indian Reservation is submitted.
Campus master plan presented to to future donors. First meeting for new elementary education building for local private school.
Aug 2020 45
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061000MRL OSB SHEATHING, REF STRUCT
072100 Date3/4" RIGID INSUL
6/27/2018 044301 1/2" CEMENT BOARD 7/26/2018 11/20/18 044301 STONE VENEER, REF STRUCT
3" = 1'-0"
053100 STEEL ANGLE, REF STRUCT 0"
1
072100 BATT INSUL RCGS
CA Documentation
DOWNSPOUT NOZZLE DETAIL
042001 SETTING BED
6' - 0"
EQ
ALIGN
042001 STONE VENEER, REF STRUCT
GREEN ROOM
OF WINDOW ON NORTH WALL 0"
STAGE
055100 1 1/2" DIA MTL HANDRAIL OPEN TO BEYOND
ERVERY
0"
EQ
INTERIOR ELEVATIONS
EQ
12
3" = 1'-0"
EQ
A8.1
INTERIOR DETAILS - MEZZANINE 1
No. Description 1 ADDENDUM 1 2 ADDENDUM 2 3 SD-1
REVISIONS
DRAWN BY: CHECKED BY:
18' - 0" 042731 CMU, REF STRUCT
033000 POURED IN PLACE CONC TREAD 1/2" RADIUS @ CONC CORNER, TYP
033000 POURED IN PLACE CONC TREAD
033000 EMBEDDED STL TRACTION STRIP
033000 EMBEDDED STL TRACTION STRIP
055100 STL STAIR PAN, REF STRUCT
14 3" = 1'-0"
STAIR HANDRAIL TO CMU CONNECTION
13 055100 1/2" SQ STL PICKETS
STAIR HANDRAIL TO GUARDRAIL CONNECTION DETAIL
3"
1/2"
055100 STL HANDRAIL BRACKET
055100 1 1/2"X2" STL GUARDRAIL
EQ
WEST GREEN ROOM
EQ EQ
EQ
ALIGN
EQ EQ
EQ
ZURN Z199 DOWNSPOUT NOZZLE
10 s
6' - 8" 2' - 5" 3' - 2" 3' - 0"
SERVERY "
0"
' - 4"
9' - 4" EQ
Date 7/26/2018 8/7/2018
PHASE IIC - READINESS CENTER
17005 - IIC
8" 2' - 7" 2' - 4"
5' - 9 5/8" 3' - 0"
EQ
No. Description 2 ADDENDUM 2 3 SD-1
13' - 0"
10' - 0" RCGS MRL JANUARY 4, 2019
Date 6/27/2018 7/26/2018 8/7/2018
PROJECT NUMBER 17005 - IIC
D
IT
3235
E D ARCH
TU
ER
F MONT EO A AT RNER HU
9' - 0" 1 1/2" = 1'-0"
STAIR HANDRAIL TO CMU WALL DETAIL
15 1 1/2" = 1'-0"
DINING PLATFORM TRACTION EMBED DTL
033000 CONC PLATFORM STAIR
WAGNER 3419-NSH STL HANDRAIL BRACKET
042731 CMU, REF STRUCT
T.O. GROUND SLAB 0' - 0"
19 A8.2
RCGS MRL
EQ
REVISIONS
No. Description 1 ADDENDUM 1 2 ADDENDUM 2 5 ASI 24
7' - 2"
FOI
EQ
3 A5.4
10' - 0" A.F.F. SPLICE EXPOSED WD 2X6 AT THIS LINE WHEN NECESSARY, LEAVING 1/2" GAP BETWEEN BOARDS
2' - 5"
IT
DRAWN BY: CHECKED BY: EQ
PROJECT NUMBER
12' - 0"
6' - 0" 6' - 2 9/16" 5' - 9"
3
REVISIONS
5' - 0"
LOBBY
EQ
T.O. RIDGE 36' - 2"
16 1/4" = 1'-0"
6
JANUARY 4, 2019 ASI 30 - MEZZANINE STAIRS
11' - 0"
0"
EQ
EQ
1/4" = 1'-0"
WEST STAGE
EQ
EQ
2 A4.1
1/2" = 1'-0"
15
EQ EQ EQ EQ
PT-2 IN BACKSTAGE AREAS WEST OF ANGLED WALLS
NORTH STAGE
2' - 8"
7
1/4" = 1'-0"
EQ
1
1
SD-122
4 EQ
PT-2 IN BACKSTAGE AREAS WEST OF ANGLED WALLS
4' - 0"
EQ
EQ
NOVEMBER 8, 2018 ASI 22 - FIRE ALARM/STROBE MODIFICATIONS
1/8" = 1'-0"
EQ
E D ARCH
10' - 0" A.F.F.
8' - 0" A.F.F.
NOVEMBER 8, 2018
EQ EQ
LAKESIDE, MT
EQ
3235
ER
1/8" = 1'-0"
8' - 0" A.F.F.
EC T
EQ 12' - 0"
1/4" = 1'-0"
EAST SERVERY
3' - 0" 5' - 9 5/8" 5' - 9" 6' - 2 11/16"
5" 2' - 5 1/2" 2' - 5 1/2" 5"
STORAGE BLOCK AND SOUTH MEZZANINE STAIR DETAIL
19 A8.1
WALL MOUNTED SPEAKER/STROBE FIRE ALARM
EQ EQ
MAJESTIC ECHELON II 48" DIRECT VENT LINEAR GAS FIREPLACE
STEEL PLATE
EQ
2' - 5" D
EAST ELEVATION
2' - 5" 12' - 0"
2 A4.2
17005 - IIC
LAKESIDE, MT
7' - 2" 1' - 4"
1/4" = 1'-0"
8' - 6" A.F.F. 10' - 0" A.F.F. 2
EQ
PROJECT NUMBER OPEN 17005 - IIC TO BEYOND
3' - 2"
STEEL PLATE
EAST GREEN ROOM HOSPITALITY
4"
16 A8.1
EQ 12' - 0"
11' - 4" EQ
EQ
EQ
COVE HEATERS
2 WALL-MOUNTED SPEAKER/STROBE FIRE ALARM
6' - 8"
MAJESTIC ECHELON II 48" DIRECT VENT LINEAR GAS FIREPLACE
EQ
WEST DINING
T.O. GROUND SLAB 0' - 0"
9' - 0" A.F.F.
A N
1 A8.8
1
PROJECT NUMBER
PHASE IIC - READINESS CENTER
SD-117
O.T.S.
ST
EQ
T.O. PLATE & FLAT ROOF JOISTS 13' - 2"
2' - 0" TYP.
EQ
F MONT EO A AT RNER HU TU
T.O. MONO-TRUSS HEEL 15' - 0"
9' - 0" A.F.F.
EQ
SPLICE EXPOSED WD 2X6 AT THIS LINE WHEN NECESSARY, LEAVING 1/2" GAP BETWEEN BOARDS
OPEN TO BEYOND
OPEN TO BEYOND
1/4" = 1'-0"
NORTH GREEN ROOM HOSPITALITY
6' - 0"
GREEN ROOM 2 SD-24
15 NORTH A8.1
11
1/4" = 1'-0"
3 3/4" 7' - 3"
EQ
3' - 4"
OPEN TO BEYOND
4' - 10" TYP.
5 1/4" = 1'-0"
SOUTH LOBBY
3 1' - 0"
2' - 0"
1' - 0"
2' - 0"
4
2 1/4"
1/4" = 1'-0"
18 1/4" = 1'-0"
3' - 0"
14 A8.2
20 A8.1
6' - 0"
17
2' - 7" CLR 3 3/4"
1 A4.1
18 A8.1
2' - 5" TYP.
1
2 A8.2 16 SD-24
1/4" = 1'-0"
EAST STAGE
1 A4.2
8
1/4" = 1'-0"
SOUTH SERVERY
EQ EQ 2' - 0"
WALL-MOUNTED SPEAKER/STROBE FIRE ALARM
8' - 7"
CAMERA
4" MIN.
WAP
OVERFLOW DOWNSPOUT NOZZLE
EQ
9' - 11", TYP
I
JANUARY JANUARY 7, 4, 2019 2019 RFI 29 82 - WALL HORN ASI STROBES
EQ
EQ
9", TYP
A3.1
V NI SO
17005 - IIC
EQ
1/4" = 1'-0"
EQ
1/4" = 1'-0"
EQ
4' - 11 1/2"
EXTERIOR ELEVATIONS
2' - 5"
2' - 5"
SOUTH DINING
2
8' - 6" A.F.F.
2' - 11"
EQ
EQ
EAST DINING
EQ
EQ
T.O. GROUND SLAB O.T.S. 0' - 0"
OPEN TO BEYOND
18 A8.5
3
T.O. SLAB T.O. GROUND SLAB 0' - 0" 0' - 0"
1 A8.2
EQ 4 A8.2
WEST GREEN ROOM HOSPITALITY
EQ
s
1/4" = 1'-0"
12
EAST GREEN ROOM
3
s
T
3 3/4"
MATCH LOCATION OF POST WEST OF STAIRS TO THIS POST LOCATION
EQ
2 A4.2
3' - 10"
OPEN TO BEYOND
SOUTH GREEN ROOM HOSPITALITY
12" 9"
T.O. MEZZANINE 11' - 4"
EQ EQ
TV, OFOI 3 A8.2
PAINT KEY
PT-3
REF. PAINT SCHEDULE ON A0.3 FOR PAINT SPECIFICATIONS
UNSHADED GBD TO BE PAINTED PT-1
PT-2
2' - 0"
055100 1 1/2" DIA MTL HANDRAIL
055100 1/2" SQ STL PICKETS
055100 EMBEDDED TRACTION STRIP
SOUTH STAIRS AXON 9
A7.2
055100 1 1/2" DIA MTL HANDRAIL
FIRE ALARM REMOTE ANNUNCIATOR CONTROL PANEL
METAL PANEL CONCEALING FIRE SUPPRESSION LINE
3 1' - 0"
EQ
1' - 8"
1' - 0"
EQ
3' - 0"
8' - 7" EQ
1' - 0"
6' - 8" 7' - 2"
CAMERA
8"
WALL-MOUNTED SPEAKER/STROBE FIRE ALARM
9' - 4"
WAP
1' - 0" 4"
WALL-MOUNTED SPEAKER/STROBE FIRE ALARM
11' - 0" 7' - 0" 5' - 6"
EQ
EQ
EQ
EQ
4' - 11 1/2"
PHASE IIC - READINESS CENTER SOUTH ELEVATION
055100 1 1/2" DIA MTL HANDRAIL
YWAM MONTANA 3
ST
6' - 6"
INTERIOR ELEVATIONS
RCGS MRL
Date 6/27/2018 7/26/2018 8/7/2018 11/14/2018
JANUARY 4, 2019
No. Description 1 ADDENDUM 1 2 ADDENDUM 2 3 SD-1 6 ASI 25
LAKESIDE, MT
PHASE IIC - READINESS CENTER
ST
2 A4.1
EQ
3
EQ
ALIGN
1 A8.8
EQ
17005 - IIC
3
I
REVISIONS
ER ST
JOH N
G RE
EQ
SD-86
DRAWN BY: CHECKED BY:
3235
TU
E D ARCH
IT
PROJECT NUMBER 17005 - IIC
EC T
V NI SO
055100 STL STAIR PAN, REF STRUCT
055100 1 1/2"X2" STL BOTTOM RAIL
051213 W14X32 STL BEAM, REF STRUCT
055100 1/2" SQ STL PICKETS
042731CMU, REF STRUCT
EQ
055100 1 1/2"X2" STL GUARDRAIL
055100 STAMPED STL HANDRAIL BRACKET
EQ
EQ
T.O. CMU WALLS 25' - 4"
I
D
EQ
EQ
6 A8.3
EQ
T.O. RIDGE 36' - 2"
Date 6/27/2018 7/26/2018
8'11/20/18 - 0" A.F.F.
G RE
F MONT EO A AT RNER HU
EQ
PROJECT NUMBER
A N
EQ
OPEN TO BEYOND
NOVEMBER 20, 2018 9' - 4" ASI 24 - DOWNSPOUT NOZZLE
LAKESIDE, MT
2 A4.3
EQ
EQ
EQ
T.O. MONO-TRUSS HEEL 15' - 0" T.O. PLATE & FLAT ROOF JOISTS 13' - 2"
G RE
BIG ASS FAN BASIC 6 14 DIAMETER W/3' EXTENSION TUBE
I
EQ
RCGS MRL
SD-138
V NI SO
2 A4.2
PROJECT NUMBER
Rich Fridy Portfolio
G RE
EQ
1' - 0", TYP
A8.1
A N
1 A4.3
LAKESIDE, MT
1/4" = 1'-0"
EQ
EQ
Date 6/27/2018 7/26/2018 8/7/2018
INTERIOR DETAILS - MEZZANINE 1
IT
V NI SO
EQ
1/4" = 1'-0"
3 1 A4.3
SD-94
PHASE IIC - READINESS CENTER
EQ
10' - 4" OPEN TO BEYOND
WEST DINING
4
PHASE IIC - READINESS CENTER
17005 - IIC NOVEMBER 20, 2018 ASI 24 - DOWNSPOUT NOZZLE
2. 2 2 A4.3
V NI SO
RCGS MRL
1/8" = 1'-0"
NOVEMBER 20, 2018 RFI 83 - STAIR PAN DETAIL
2' - 5"
A N
12' - 0"
044301 STONE VENEER, REF STRUCT
3" = 1'-0"
PROJECT NUMBER
LAKESIDE, MT
EQ EQ
E D ARCH
DRAWN BY: CHECKED BY:
EQ
12' - 0"
OPEN TO BEYOND
I
044301 1/2" CEMENT BOARD
EQ
DOWNSPOUT NOZZLE DETAIL - SD-86
1
1' - 2 3/8"
T.O. CMU WALLS 25' - 4" OPEN TO BEYOND
NORTH DINING
1 A N
EQ
2' - 0"
G RE
072100 3/4" RIGID INSUL
B
ALIGN
2
8' - 0" A.F.F.
EQ
061000 OSB SHEATHING, REF STRUCT
2 A4.2
044301 STONE VENEER
1
EQ
1' - 0", TYP
10' - 4"
072100 BATT INSUL
061000 VERTICAL WOOD T&G SIDING
PHASE IIC - READINESS CENTER
ZURN Z199 EQ EQ DOWNSPOUT NOZZLE
1/4" = 1'-0"
9' 4" TYP
11' - 4"
EQ EQ
EQ
EAST DINING
3
16 SD-24
072500 VAPOR BARRIER TAPED AND SEALED TO PIPE
EQ
4"
4"
4"
1 A4.2
1' - 0", TYP
s
O.T.S.
OPEN TO BEYOND
SPLICE EXPOSED WD 2X6 AT THIS LINE WHEN NECESSARY, LEAVING 1/2" GAP BETWEEN BOARDS
EQ
19 A8.2
EQ
2' - 0"
EQ
2' - 4"
EQ EQ
072500 (2) WEATHER BARRIER OPEN TAPED AND TO BEYOND SEALED TO PIPE
EQ
9' - 11", TYP
2' - 5" YWAM
9", TYP
MONTANA
MOUNT BOTTOM OF LIGHT AT 10' - 6" A.F.F. 3
4' - 11 1/2"
EQ
2' - 5"
ST
4' - 11 1/2"
9' - 6" A.F.F.
EQ
D
3235
ER
No. Description 1 ADDENDUM 1 2 ADDENDUM 2
43' - 0"
EQ
1' - 7 3/4"
O.T.S.
6 A8.3
2' - 0"
YWAM MONTANA
O.T.S.
EQ
T.O. RIDGE 36' - 2"
LAKESIDE, MT
9' - 0"
8' - 0" A.F.F.
SECTION DETAIL DESCRIBING INSTALLATION OF DOWNSPOUT NOZZLE FOUND ON 1/A5.4
EQ
A8.5
EQ
061000 VERTICAL WOOD T&G SIDING
O.T.S.
EQ
1
REVISIONS
REVISIONS
2' - 5"
NOZZLE
1/4" = 1'-0"
EQ
2' - 0"
NEW
1' - 0", TYP
3"
2" EQ
EQ
A
EC T
4" 4" 4"
SOUTH DINING
2
JANUARY 10, 2019 DRAWN BY: C H ESOUTH C K E ELEVATION D BY:
10' - 0"5 A.F.F. ASI 24
INTERIOR DETAILS - STAGE
9' - 6"
EQ
TERMINATION CAP
061000 2X6 WD STUD, REF STRUCT
YWAM MONTANA
6' - 6"
7" 1"
2' - 1"
3' - 2" 1"
1/4" = 1'-0"
13 A8.5FIREPLACE VENT AND
3' - 4"
9' - 4" 6' - 8"
1' - 6"
2 A4.6
1 1/2" = 1'-0"
0' - 0"
1
PROJEC T N UMBER 17005 - IIC 17005 - IIC JANUARY 10, 2019
1 A4.1
RCGS MRL
13' - 0"
1
1 A4.6
1
6' - 0"
2 A4.5 NORTH DINING
20
11' - 4"
1 A4.5
EQ
096500 RB
STAGE FRONT EDGE DETAIL 12' - 0"
12' - 0"
IT E D ARCH T.O. GROUND SLAB
PROJECT NUMBER
2' - 5"
LAKESIDE, MT
No. Description Date 1 ADDENDUM 1 6/27/2018 OVERFLOW 2 ADDENDUM 2 7/26/2018 EQ DOWNSPOUT 4 PR 1 11/16/18
033000 CONCRETE SLAB, REF STRUCT.
033000 CONCRETE SLAB, REF STRUCT.
ER
REVISIONS
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
VIB-X NEOPRENE SOUND ISOLATION PAD
096500 RB
D
2' - 5"
DRAWN BY: CHECKED BY:
092116 GBD
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
PER DISCUSSION ON SITE WITH D. TINTZMAN, MOUNT THESE LIGHTS IN THIRD BAY FROM NORTH & SOUTH WALLS, ALIGNED WITH STEEL COLUMNS.
2' - 0"
1 1/2" = 1'-0"
3235
NOVEMBER 16, 2018
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB AND GBD
092116 GBD
STAGE FRONT EDGE DETAIL @ SUBWOOFER CAVITY
18
C 2 A4.4
O.T.S.
VIB-X NEOPRENE SOUND ISOLATION PAD
s
2' - 0" TYP.
VIB-X NEOPRENE SOUND ISOLATION PAD
D
PHASE IIC -EQREADINESS CENTER EQ
PROJECT NUMBER 17005 - IIC
061000 2X4 WD STUD, REF STRUCT 061000 OSB SHEATHING, REF STRUCT
061000 3/4" OSB
EQ
6' - 8"
033000 CONC SLAB, REF STRUCT
2' - 0"
1 1/2" = 1'-0"
1 A4.4
I
061000 P.T. WD SOLE PLATE, REFEQ STRUCT EQ
O.T.S.
2 A4.1
STAGE STAIRS DETAIL
EQ
061000 2X4 WD STUD, REF STRUCT
TU
TU
G RE
061000 4X12 WD STRINGER, REF STRUCT
SD-94
061000 (2) 1/2" OSB
3235
PROJECT NUMBER 17005 - IIC
F MONT EO A AT RNER HU
ST
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
SUBWOOFER GRILL AND FRAME W/ LOW FLOW-RESISTANCE FABRIC, OFOI
2' - 0"
D T.O. PLATE & FLAT ROOF JOISTS 13' - 2"
TU
13' - 2"
1/8" S T= 1'-0" IT ER E D ARCH
2 A4.1
061000 WD RIM JOIST, REF STRUCT
ST
No. Description 1 ADDENDUM 1 2 ADDENDUM 2 3 SD-1
T.O. GROUND SLAB 0' - 0"
I
061000 P.T. WD SOLE PLATE, REF STRUCT VIB-X NEOPRENE SOUND ISOLATION PAD
042731 CMU, REF STRUCT
EAST ELEVATION
2
061000 5/4" WD TRIM BOARD
061000 (2) 3/4" T&G 2 PLYWOOD FLOORING W/ STAGGERED JOINTS, A4.2 REF STRUCT
061000 WD RIM JOIST, REF STRUCT
G RE
SUBWOOFER, OFOI
3
- 5"
F MONTT.O. MONO-TRUSS HEEL EO A 15' - 0" AT RNER HU
1' - 0", TYP
T.O. MONO-TRUSS HEEL 15' - 0"
F MONT EO A AT RNER HU
3/4" RADIUS @ CORNER
061000 5/4" WD TRIM BOARD
1 A4.3
061000 2X6 WD JOIST @ 16" O.C., REF STRUCT.
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
033000 POURED IN PLACE CONC TREAD
T.O. CMU WALLS 25' - 4"
1 1/2" = 1'-0"
GREEN GLUE NOISEPROOFING JOIST TAPE
3/4" RADIUS @ CORNER
A4.3
061000 (2) 1/2" OSB SHEATHING, REF STRUCT
061000 2X4 WD STUD, REF STRUCT
061000 2X4 WD STUD, REF STRUCT
17005 - IIC
MOUNT BOTTOM OF NOVEMBER 20, 2018 2. 2 ASI 24 - DOWNSPOUT LIGHT AT 10' - 6" NOZZLE A.F.F.
LAKESIDE,2 MT
POWER OUTLET, REF ELEC
GREEN GLUE NOISEPROOFING JOIST TAPE
055100 STL STAIR PAN, REF STRUCT
T.O. RIDGE 36' - 2"2'
2' - 5"
V NI SO
SD-62
2' - 0"
GREEN GLUE NOISEPROOFING JOIST TAPE
PHASE IIC - READINESS CENTER 6' - 0"
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
EQ
T.O. PLATE FLAT ROOF JOISTS STAIR OVER CMU WALL&DETAIL
20
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
PROJECT NUMBER
BETWEEN PLYWOOD LAYERS
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
16
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
17005 - IIC NOVEMBER 16, 2018 PR 1 - STAGE MASS LOADED VINYL SOUNDPROOFING BARRIER MODIFICATIONS
LAKESIDE, MT
061000 (2) OSB SHEATHING, REF STRUCT
B
A8.5
3/4" = 1'-0"
2"
A N
GREEN GLUE NOISEPROOF COMPOUND BETWEEN OSB
061000 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
10' - 2"
O.T.S.
PROJECT NUMBER
PHASE IIC - READINESS CENTER
1/2" GAP BETWEEN STAIR STRUCTURE AND STAGE (3) 1/2" X 2" NEOPRENE SOUND ISOLATION STRIPS BETWEEN STAIR STRUCTURE AND STAGE
074610 CONCEALED FASTENER MTL SIDING
1 1/2" = 1'-0"
PREFAB STAIR DETAIL AT WEST STAGE DOOR
13
3/4" = 1'-0"
17005 - IIC
A
18' - 4 1/4"
DINING PLATFORM DETAIL
INTERIOR DETAILS - STAGE
STAGE STAIR SECTION
061000 WD RIM JOIST, REF STRUCT
SD-62
Date 6/27/2018 7/26/2018 11/16/18
T.O. GROUND SLAB 0' - 0"
8' - 0" A.F.F.
PROJECT NUMBER
EXISTING
1' - 0" 4"
4" 9' 4" TYP
096500 RB
033000 CONCRETE SLAB, REF STRUCT.
18' - 4 1/4" 19
MRL
No. Description 1 ADDENDUM 1 2 ADDENDUM 2 4 PR 1
4"
8' - 6" A.F.F.
T.O. SLAB 0' - 0"
EQ
EQ
WELD (3) THREADED BOLTS TO PAN
072100 (2) 1" RIGID INSUL W/ STAGGERED JOINTS
1 1/2" = 1'-0"
1 1/2" = 1'-0"
NOVEMBER 16, 2018 PR 1 - STAGE MODIFICATIONS
LAKESIDE, MT
096500 RB
STAIR TO SOUTH RCGS MEZZANINE SECTION @ CMU WALLS
DRAWN BY: CH C 1'-0" KED BY: 1"E= REVISIONS
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
12' - 0" A.F.F.
8' - 0" 20A.F.F. STAGE FRONT EDGE DETAIL
11
PHASE IIC - READINESS CENTER
18
092116 GBD
033000 CONCRETE SLAB, REF STRUCT.
STAGE FRONT EDGE DETAIL @ SUBWOOFER CAVITY
18
1 1/2" = 1'-0"
1"
T.O. GROUND SLAB 0' - 0"
VIB-X NEOPRENE SOUND ISOLATION PAD
4"
033000 CONC SLAB, REF STRUCT
STAGE STAIRS DETAIL
T NUMBER 17005 - IIC
NOVEMBER 16, 2018
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB AND GBD
16 A8.5
VIB-X NEOPRENE SOUND ISOLATION PAD
5' - 7 3/8" 4' - 3 3/4"
O.T.S.
OVERFLOW DOWNSPOUT NOZZLE 1 1/2"
EQ
T.O. STAGE FLOOR 3' - 2" P R O J E C
061000 2X4 WD STUD, REF STRUCT
VIB-X NEOPRENE SOUND ISOLATION PAD
BAR GRATE STAIR TREADS
EQ
5' - 7 3/8"
1"
ST
061000 P.T. WD SOLE PLATE, REF STRUCT
061000 OSB SHEATHING, REF STRUCT
- 0" A.F.F.
A4.1
5' - 7 3/8"
1"
IT
2' - 19 3/4"
EQ
T.O. RIDGE 36' - 2"
T.O. CMU WALLS 25' - 4"
V NI SO
061000 4X12 WD STRINGER, REF STRUCT
1' - 6"
061000 2X4 WD STUD, REF STRUCT
VIB-X NEOPRENE SOUND ISOLATION PAD
2' - 9 3/4"
PREFABRICATED EXTERIOR STEEL STAIR (SEE ASI 8 FOR COMMENTS)
2" 1' - 0", TYP
2"
A4.6
A N
061000 2X4 WD STUD, REF STRUCT
E D ARCH
1
033000 CONC REINF, REF STRUCT
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
061000 (2) 1/2" OSB
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
044301 STONE VENEER
1/2" RADIUS @ CONC CORNER, TYP
2 A4.1
SIDEWALK
SUBWOOFER GRILL AND FRAME W/ LOW FLOW-RESISTANCE FABRIC, OFOI
092116 GBD
3" = 1'-0"
033000 EMBEDDED STL TRACTION STRIP
ALIGN
13 A8.1
13/16"
2' - 1"
3' - 2"
BETWEEN PLYWOOD LAYERS
061000 3/4" OSB STAIR STRINGER DETAIL 10'
17
3' - 2"
1" = 1'-0"
061000 P.T. WD SOLE PLATE, REF STRUCT
7"
061000 2X6 WD JOIST @ 16" O.C., REF STRUCT.
T.O. STAGE FLOOR 3' - 2"
SUBWOOFER, OFOI
061000 (2) 1/2" OSB SHEATHING, REF STRUCT
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
ER
061000 WD RIM JOIST, REF STRUCT
10' - 2"
POWER OUTLET, REF ELEC
GREEN GLUE NOISEPROOFING JOIST TAPE
STAIR TO SOUTH SECTION WITH OPEN SIDES MASSMEZZANINE LOADED VINYL 061000 2X4 WD STUD, REF 16STRUCT SOUNDPROOFING BARRIER
I
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
061000 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
ST
061000 5/4" WD TRIM BOARD
EQ EQ
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
D
3235
G RE
061000 (2) OSB SHEATHING, REF STRUCT
061000 WD RIM JOIST, REF STRUCT
055100 1 1/2" DIA MTL HANDRAIL
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
055100 STL STAIR PAN, REF STRUCT
061000 VERTICAL WOOD T&G SIDING
SUBWOOFER, OFOI
V NI SO
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
SUBWOOFER GRILL AND FRAME W/ LOW FLOWRESISTANCE FABRIC, OFOI
A N
3/4" RADIUS @ CORNER
GREEN GLUE NOISEPROOF COMPOUND BETWEEN OSB
3
J-MOLD DRYWALL EDGING
4' - 3 3/4" 5' - 7 3/8"
TU
1 1/2" = 1'-0"
033000 EMBEDDED STL TRACTION STRIP
F MONT EO A AT RNER HU
STL ANGLE, REF STRUCT
3/4" RADIUS @ CORNER
061000 5/4" WD TRIM BOARD
061000 (2) 1/2" OSB
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
1 1/2" = 1'-0"
GREEN GLUE NOISEPROOFING JOIST TAPE
A4.6
STAIR HANDRAIL TO CMU WALL DETAIL
15
1' - 0", TYP
EQ EQ
STAGE SUBWOOFER CAVITY PLAN DETAIL
8
MASS LOADED VINYL
055100 STL SOUNDPROOFING STAIR PAN, BARRIER BETWEEN PLYWOOD LAYERS REF STRUCT
TRACTION EMBED DTL
EQ
033000 POURED IN PLACE CONC TREAD
3' - 0"
1 1/2" = 1'-0"
A8.5
GREEN GLUE NOISEPROOFING JOIST TAPE
EQ
1' - 0", TYP
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
2 A4.2
055100 POURED IN PLACE CONC TREAD
STAGE STRUCTURE @ CMU WALL CONNECTION
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED
17 A8.1
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
(3) 1/2" X 2" NEOPRENE SOUND ISOLATION STRIPS BETWEEN STAIR STRUCTURE AND STAGE
16
4"
STUD, REF STRUCT
9
1 1/2" = 1'-0"
INTERIOR DETAILS - STAGE JOINTS, REF STRUCT
061000 WD RIM JOIST, REF STRUCT 1/2" GAP BETWEEN STAIR STRUCTURE AND STAGE
1 A4.3
061000 1/2" OSB
9' 4" TYP
3' - 0"
096500 RB
033000 CONCRETE SLAB, REF STRUCT.
2 A4.3
061000 2X4 WD STUD, REF STRUCT
9' - 6"
4"
1 A4.1
STAGE FRONT EDGE DETAIL
20
2. 2
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
092116 1/2" FLEXIBLE GBDDate No. Description 1 ADDENDUM 1 061000 1/2" OSB 6/27/2018 2 ADDENDUM 2 7/26/2018 061000 2X4 WD 4 PR 1 11/16/18
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
SECTION DETAIL DINING PLATFORM DESCRIBING INSTALLATION 14 OF DOWNSPOUT 1 1/2" = 1'-0" NOZZLE FOUND ON 1/A5.4
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
6' - 8"
7" 1"
2' - 1" 1"
096500 RB 033000 CONCRETE SLAB, REF STRUCT.
3/4" = 1'-0"
1 1/2" = 1'-0"
051200 MTL COLUMN, REF STRUCT
096500 RB
A8.5
VIB-X NEOPRENE SOUND ISOLATION PAD
1/2"
033000 CONC BELOW
NOVEMBER 16, 2018
DRAWN BY: RCGS JOINT MRL C H E C079200 K E D1/2" B SEALANT Y: WD 2X10 R E V I S062000 I O NEXPOSED S
A4.5
061000 VERTICAL WOOD T&G SIDING
1 1/2"
VIB-X NEOPRENE SOUND ISOLATION PAD
1"
P R O J062000 E CEXPOSED T N WD UM BER 2X6 17005 - IIC
061000 OSB SHEATHING, REF STRUCT
GBD INTERIOR DETAILS 092116 - STAGE
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
PREFAB STAIR DETAIL AT WEST STAGE DOOR
13
STAGE FRONT EDGE DETAIL @ SUBWOOFER CAVITY
18
3/4" = 1'-0"
098414 ACOUSTIC FABRIC
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB AND GBD
092116 GBD
T.O. GROUND SLAB 0' - 0"
VIB-X NEOPRENE SOUND ISOLATION PAD
STAGE STAIR SECTION
ST
096500 RB
061000 (2) 1/2" OSB
1 1/2" = 1'-0"
3" = 1'-0"
A4.5
D
2 A4.6
NEW
092116 1/2" FLEXIBLE GBD STAIR HANDRAIL TO CMU CONNECTION
051213 STL STRINGER, REF STRUCT
072100 2" ACOUSTIC BOARD
No. Description Date @ 16" 061000 2X6 WD. JOIST O.C., REF STRUCT 1 ADDENDUM 1 6/27/2018 2 ADDENDUM 2 7/26/2018 061000 2X4 WD STUD, 4 PR 1 11/16/18 REF STRUCT
2' - 11"
7"
3' - 2" 1" 4"
061000 2X6 WD JOIST @ 16" O.C., REF STRUCT.
051213 1 1/2"X2" STL BOTTOM RAIL
092116 GBD
ST T ER HI 102213 ACOUSTIC E D ARCNETTING
061000 WD RIM JOIST, REF STRUCT
REVISIONS
STAGE FRONT EDGE DETAIL061000 3/4" OSB
20
061000 P.T. WD SOLE PLATE, REF STRUCT
033000 CONC SLAB, REF STRUCT
11
1 1/2" = 1'-0"
3/4" RADIUS @ CORNER
DRAWN BY: RCGS 061000 5/4" WD TRIM BOARD CHECKED BY: MRL
061000 (2) 3/4" T&G 092116 GBD PLYWOOD FLOORING W/ STAGGERED JOINTS, 061000 P.T. 2X4 WD REF STRUCT SOLE PLATE, REF STRUCT
051213 1/2"X1/2" SQR STL PICKETS
EQ
1 A4.6
074610 CONCEALED FASTENER MTL SIDING
EXISTING
YWAM MONTANA
STAGE STAIRS DETAIL
1"
2' - 1"
061000 4X12 WD STRINGER, REF STRUCT
16
061000 2X4 WD STUD, REF STRUCT
VIB-X NEOPRENE SOUND ISOLATION PAD
3' - 2"
3' - 2"
T.O. GROUND SLAB 0' - 0"
12 A8.1
SUBWOOFER GRILL AND FRAME W/ LOW FLOW-RESISTANCE FABRIC, OFOI
033000 CONCRETE SLAB, REF STRUCT.
033000 CONCRETE SLAB, REF STRUCT.
16 A8.5 1' - 6"
3' - 2"
061000 P.T. WD SOLE PLATE, REF STRUCT
VIB-X NEOPRENE SOUND ISOLATION PAD
096500 RB
SUBWOOFER, OFOI
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
061000 2X4 WD STUD, REF STRUCT
1 1/2" = 1'-0"
T.O. STAGE FLOOR 3' - 2"
VIB-X NEOPRENE SOUND ISOLATION PAD
061000 (2) 1/2" OSB SHEATHING, REF STRUCT
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
STAGE FRONT EDGE DETAIL @ SUBWOOFER CAVITY
061000 2X4 WD STUD, REF STRUCT
1' - 6"
GREEN GLUE NOISEPROOFING JOIST TAPE
VIB-X NEOPRENE SOUND ISOLATION PAD
18
POWER OUTLET, REF ELEC
061000 5/4" WD TRIM BOARD 061000 WD RIM JOIST, REF STRUCT
EQ
061000 2X4 WD STUD 3235
JOIST NOVEMBER 16,TAPE 2018
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB AND GBD SIDEWALK
T
2 A4.5
HANDRAIL
I
033000 CONC SLAB, REF STRUCT
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
061000 P.T. WD SOLE PLATE, REF STRUCT
1" AIR GAP 042731 10" CMU, REF STRUCT F MONT EO A AT1/2" 079200 SEALANT ER HU JOINT URN D
1/8" = 1'-0"
G RE
3' - 2"
VIB-X NEOPRENE SOUND ISOLATION PAD
3/4" RADIUS @ CORNER
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
13
3" = 1'-0"
MASS LOADED VINYL
SOUNDPROOFING P R O J E C T BETWEEN N UPLYWOOD M BBARRIER ER LAYERS 17005GREEN - IIC GLUE NOISEPROOFING
BAR GRATE 061000 OSB SHEATHING, STAIR TREADS REF STRUCT
061000 (2) 1/2" OSB
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
1 1/2" = 1'-0"
STAIR HANDRAIL TO GUARDRAIL CONNECTION DETAIL
T
12I
E D ARCH
061000 2X6 WD. JOIST @ 16"
(SEE ASI 8 FOR COMMENTS) REF STRUCT
GREEN GLUE NOISEPROOFING JOIST TAPE
092116 GBD
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
061000T.O. 2X4 WD STUD,FLOOR STAGE REF STRUCT
ER
061000 WD RIM JOIST, REF STRUCT
O.C., REF STRUCT 061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED PREFABRICATED EXTERIOR STEEL STAIR JOINTS, REF STRUCT 061000 2X4 WD STUD,
SUBWOOFER GRILL AND FRAME W/ LOW FLOW-RESISTANCE FABRIC, OFOI
061000 3/4" OSB
SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
061000 P.T. WD SOLE PLATE, REF STRUCT
061000 (2) 3/4" T&G 1 1/2" FLOORING = 1'-0" PLYWOOD W/ STAGGERED JOINTS, REF STRUCT
061000 2X6 WD JOIST @ 16" O.C., REF STRUCT.
SD-55 A4.4
042731 CMU, REF STRUCT
1 055100 1/2" SQ STL A4.5 PICKETS
SOUTH 055100 1ELEVATION 1/2" DIA MTL
1 FIREPLACE VENT AND TERMINATION CAP
V NI SO
061000 2X4 WD STUD, REF STRUCT
061000 (2) 1/2" OSB SHEATHING, REF STRUCT 055100 1 1/2" DIA MTL HANDRAIL MASS LOADED VINYL
ST
061000 5/4" WD TRIM BOARD
STAGE SUBWOOFER CAVITY PLAN DETAIL
8
061000 WD RIM JOIST, REF STRUCT
2 A4.4
033000 CONC PLATFORM STAIR
C
A N
061000 2X6 WD. JOIST @ 16" O.C., REF STRUCT
JOH N
3/4" RADIUS @ CORNER 061000 5/4" WD TRIM BOARD
3/4" = 1'-0"
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
WAGNER 3419-NSH STL HANDRAIL BRACKET
4"
13/16"
3/4" RADIUS @ CORNER
061000 2X4 WD STUD, REF STRUCT
STAGE STRUCTURE @ CMU WALL CONNECTION 9 1 1/2" = 1'-0" PREFAB STAIR DETAIL AT WEST STAGE DOOR
13
I
061000 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
SUBWOOFER, OFOI
G RE
061000 (2) OSB SHEATHING, REF STRUCT
POWER OUTLET, REF ELEC
GREEN GLUE NOISEPROOFING JOIST TAPE
STAGE OPENING @ CMU WALL CONNECTION
V NI SO
GREEN GLUE NOISEPROOF COMPOUND BETWEEN OSB
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
061000 (2) 3/4" T&G PLYWOOD FLOORING W/ STAGGERED JOINTS, REF STRUCT
061000 WD STAGE TRIM BOARD W/ 3/4" RADIUS @ CORNER
1
A N
(3) 1/2" X 2" NEOPRENE SOUND ISOLATION STRIPS BETWEEN STAIR STRUCTURE AND STAGE
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
D
3235
PHASE IIC - READINESS CENTER
3/4" = 1'-0"
I
STAGE STAIR SECTION
061000 WD RIM JOIST, REF STRUCT 1/2" GAP BETWEEN STAIR STRUCTURE AND STAGE
TU
G RE
11
1 A4.4
055100 1/2" SQ STL REF STRUCT PICKETS
062000 EXPOSED WD 2X10 062000 EXPOSED WD 2X12
F MONT EO A AT RNER HU
GREEN GLUE NOISEPROOFING JOIST TAPE
V NI SO
061000 1/2" OSB
051200 MTL COLUMN,
079200 1/2" SEALANT JOINT
SUBWOOFER, OFOI MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
GREEN GLUE NOISEPROOFING JOIST TAPE
092116 1/2" FLEXIBLE GBD
A N
062000 EXPOSED WD 2X10
T.O. GROUND SLAB 0' - 0"
051213 W14X32 STL BEAM, REF STRUCT
055100 1 1/2"X2" STL GUARDRAIL
B
1 A4.4
055100 1 1/2" DIA MTL HANDRAIL
4"
2' - 8"
J-MOLD DRYWALL EDGING
051200 MTL COLUMN, REF STRUCT 061000 (2) 3/4" T&G PLYWOOD GREEN GLUE NOISEPROOFING FLOORING W/ STAGGERED COMPOUND BETWEEN GBD JOINTS, REF STRUCT AND OSB
096500 RB 079200 1/2" SEALANT JOINT
16 A8.5
055100 STL HANDRAIL BRACKET
033000 CONC BELOW
SUBWOOFER GRILL AND FRAME W/ LOW FLOWRESISTANCE FABRIC, OFOI
033000 CONC BELOW
3/4" = 1'-0"
055100 1 1/2" DIA MTL HANDRAIL
098414 ACOUSTIC FABRIC
062000 EXPOSED WD 2X6
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
055100 EMBEDDED TRACTION STRIP
A
072100 2" ACOUSTIC BOARD
061000 (2) 1/2" OSB
ALIGN
092116 GBD
10' - 2"
SIDEWALK
062000 EXPOSED WD 2X6
PREFAB STAIR DETAIL AT WEST STAGE DOOR
13
MASS LOADED VINYL SOUNDPROOFING BARRIER BETWEEN PLYWOOD LAYERS
T.O. GROUND SLAB 0' - 0"
061000 1/2" OSB 061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
092116 GBD 102213 ACOUSTIC NETTING 072100 2" ACOUSTIC BOARD
T.O. STAGE FLOOR 3' - 2" 098414 ACOUSTIC FABRIC
061000 2X4 WD STUD
102213 ACOUSTIC NETTING
3' - 4"
BAR GRATE STAIR TREADS
061000 2X4 WD STUD
T.O. GROUND SLAB 0' - 0" T.O. STAGE FLOOR 3' - 2"
061000 2X4 WD STUD, REF STRUCT
2"
079200 1/2" SEALANT JOINT
16 A8.5
055100 1 1/2" DIA MTL HANDRAIL
3' - 0"
PREFABRICATED EXTERIOR STEEL STAIR (SEE ASI 8 FOR COMMENTS)
11' - 4"
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
1" AIR GAP 042731 10" CMU, REF STRUCT
055100 STAMPED STL HANDRAIL BRACKET
3' - 4"
1 1/2" = 1'-0"
3"
11' - 4"
STAGE SUBWOOFER CAVITY PLAN DETAIL
8
1 1/2" = 1'-0"
055100 1 1/2"X2" STL BOTTOM RAIL
042731CMU, REF STRUCT
9' - 4"
T.O. STAGE FLOOR STAGE STRUCTURE @ CMU WALL CONNECTION 3' - 2"
055100 1/2" SQ STL PICKETS
T.O. GROUND SLAB 0' - 0"
2 1/4"
ALIGN
079200 1/2" SEALANT JOINT
1"
9
092116 1/2" FLEXIBLE GBD
EQ
10' - 0"
2"
1 1/2" = 1'-0"
044301 STONE VENEER
1/2"
LAKESIDE, MT
1
SIDEWALK
T.O. MONO-TRUSS HEEL 15' - 0" T.O. PLATE & FLAT ROOF JOISTS 13' - 2"
1' - 0", TYP
EQ
3 061000 VERTICAL WOOD T&G SIDING
1" AIR GAP
042731 10" CMU, REF STRUCT
YWAM MONTANA
061000 2X4 WD STUD, REF STRUCT
SUBWOOFER, OFOI
STAGE OPENING @ CMU WALL CONNECTION
PHASE IIC - READINESS CENTER
061000 WD STAGE TRIM BOARD W/ 3/4" RADIUS @ CORNER
EQ EQ
055100 1 1/2"X2" STL GUARDRAIL
ST
062000 EXPOSED WD 2X12
BAR GRATE STAIR TREADS
061000 1/2" OSB
ST
(SEE ASI 8 FOR COMMENTS)
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
092116 1/2" FLEXIBLE GBD
1' - 0", TYP
EQ EQ
JOH N
062000 EXPOSED WD 2X10
051200 MTL COLUMN, PREFABRICATED EXTERIOR STEEL STAIR REF STRUCT
096500 RB
062000 EXPOSED WD 2X10
JOH N
033000 CONC BELOW
079200 1/2" SEALANT JOINT
051200 MTL COLUMN, REF STRUCT
2"
SUBWOOFER GRILL AND FRAME W/ LOW FLOWRESISTANCE FABRIC, OFOI
EC T
J-MOLD DRYWALL EDGING
1' - 0", TYP
EQ
3' - 0"
033000 CONC BELOW
T.O. CMU WALLS 25' - 4"
SOUTH STAIRS AXON
9
EQ
1' - 0", TYP
13/16"
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
2' - 8"
061000 (2) 1/2" OSB
062000 EXPOSED WD 2X6
079200 1/2" SEALANT JOINT
3' - 4"
061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
098414 ACOUSTIC FABRIC
SECTION DETAIL DESCRIBING INSTALLATION OF DOWNSPOUT NOZZLE FOUND ON 1/A5.4
11' - 4"
072100 2" ACOUSTIC BOARD
1 1/2" = 1'-0"
062000 EXPOSED WD 2X6
1/2" = 1'-0"
2' - 8"
061000 1/2" OSB
STAGE SUBWOOFER CAVITY PLAN DETAIL
098414 ACOUSTIC FABRIC 8
1 1/2" = 1'-0"
YWAM MONTANA
102213 ACOUSTIC NETTING
102213 ACOUSTIC NETTING 072100 2" ACOUSTIC BOARD
STAGE STRUCTURE @ CMU WALL CONNECTION
STORAGE BLOCK AND SOUTH MEZZANINE STAIR DETAIL
6
061000 2X4 WD STUD, REF STRUCT
092116 GBD
092116 GBD
061000 2X4 WD STUD, REF STRUCT
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
061000 2X4 WD STUD
092116 1/2" FLEXIBLE GBD 061000 1/2" OSB
092116 1/2" FLEXIBLE GBD
079200 1/2" SEALANT JOINT
SUBWOOFER, OFOI
LAKESIDE, MT
042731 10" CMU, REF STRUCT
SUBWOOFER GRILL AND FRAME W/ LOW FLOWRESISTANCE FABRIC, OFOI
GREEN GLUE NOISEPROOFING 079200 1/2" SEALANT JOINT COMPOUND BETWEEN GBD AND OSB 061000 2X4 WD STUD
2 A4.6
T.O. RIDGE 36' - 2"
061000 VERTICAL WOOD T&G SIDING
YWAM MONTANA
1" AIR GAP
J-MOLD DRYWALL EDGING
051200 MTL COLUMN, REF STRUCT042731 10" CMU, REF STRUCT
096500 RB
D
1 A4.6
NEW
EC T
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN OSB
1 1/2" = 1'-0"
1" AIR GAP
033000 CONC BELOW
062000 EXPOSED WD 2X10
2 A4.5
074610 CONCEALED FASTENER MTL SIDING
EXISTING
T
2' - 8"
STAGE OPENING @ CMU WALL CONNECTION
1
062000 EXPOSED WD 2X6
079200 1/2" SEALANT JOINT
C
1 A4.5
1 1/2"
098414 ACOUSTIC FABRIC
061000 (2) 1/2" OSB
PHASE IIC - READINESS CENTER
061000 1/2" OSB 061000 P.T. 2X4 WD SOLE PLATE, REF STRUCT
061000 WD STAGE TRIM BOARD W/ 3/4" RADIUS @ CORNER
072100 2" ACOUSTIC BOARD
PHASE IIC - READINESS CENTER
061000 2X4 WD STUD, REF STRUCT
062000 EXPOSED WD 2X12
092116 GBD
EC 13/16"
051200 MTL COLUMN, REF STRUCT
062000 EXPOSED WD 2X10
061000 2X4 WD STUD
2 A4.4
FIREPLACE VENT AND TERMINATION CAP
GREEN GLUE NOISEPROOFING COMPOUND BETWEEN GBD AND OSB
033000 CONC BELOW 079200 1/2" SEALANT JOINT
079200 1/2" SEALANT JOINT
102213 ACOUSTIC NETTING
LAKESIDE, MT
062000 EXPOSED WD 2X6
1" AIR GAP 042731 10" CMU, REF STRUCT
B
T.O. SLAB T.O. GROUND SLAB 0' - 0" 0' - 0"
EQ
092116 1/2" FLEXIBLE GBD
3' - 4"
072100 2" ACOUSTIC BOARD 098414 ACOUSTIC FABRIC
9
1 A4.4
092116 GBD
1 1/2" = 1'-0"
1 A8.2
A
19 A8.1
061000 2X4 WD STUD
3"
1
079200 1/2" SEALANT JOINT
102213 ACOUSTIC NETTING
STAGE OPENING @ CMU WALL CONNECTION
3"
061000 WD STAGE TRIM BOARD W/ 3/4" RADIUS @ CORNER
1 1/2"
062000 EXPOSED WD 2X10 062000 EXPOSED WD 2X12
help train these volunteers. I joined the project team near the beginning of the construction process, and have assisted with construction administration. The building is designed to meet AIA 2030 Challenge requirements, utilizing energy-saving measures like radiant heating, energy recovery ventilation, daylighting, and site orientation strategies. PHASE IIC - READINESS CENTER
8" 9' - 4"
20 A8.1
1" AIR GAP
051200 MTL COLUMN, 042731 10" CMU, REF STRUCT REF STRUCT
LAKESIDE, MT
033000 CONC BELOW 079200 1/2" SEALANT JOINT
ST
098414 ACOUSTIC FABRIC 062000 EXPOSED WD 2X6
14 A8.2
Lakeside, MT, USA Fall 2018 – Summer 2019 CA Phase
JOH N
102213 ACOUSTIC NETTING 072100 2" ACOUSTIC BOARD
T.O. MEZZANINE 11' - 4"
4 A8.2
EC T
092116 GBD
3 3/4"
18 A8.1
16 A8.1
061000 2X4 WD STUD
3 3/4"
3 A8.2
2 SD-24
1" AIR GAP
2' - 5" TYP.
3 3/4"
EC T
7' - 3"
15 A8.1
079200 1/2" SEALANT JOINT
MATCH LOCATION OF POST WEST OF STAIRS TO THIS POST LOCATION
YWAM (Youth With A Mission) is an international missions organization that trains, equips, and sends more than 25,000 short-term volunteers every year to provide aid, teach english, and support Christians around the world that face religious discrimination. YWAM Montana’s Readiness Center is a 20,000 square foot classroom/ cafeteria/auditorium building that will 3
4' - 10" TYP.
LAKESIDE, MT
2 A8.2
YWAM Montana Readiness Center 042731 10" CMU, REF STRUCT
2 A4.2
16 SD-24
2' - 5"
1 A4.2
074610 MTL FLASHING
EXTERIOR ELEVATIONS
044301 1/2" CEMENT BOARD
A3.1
072100 3/4" RIGID INSUL 072500 (2) WEATHER BARRIER
074623 1X6 T&G WD SIDING
072500 AIR BARRIER 061000 OSB SHEATHING, REF STRUCT
095100 ACT CLG
Glazing on the north facade warms the building in the winter and allows in enough sunlight to light the space throughout the day. North mezzanine features views of Mission Mountain range and Flathead Lake.
A custom-designed modular 2x6 wall system hides acoustical panels and can be removed in 4-foot sections for repair or replacement.
The main auditorium and classroom space is heated with radiant tubing and cooled with high-velocity fans. The space triples the client's capacity without increasing energy costs.
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Boys and Girls Club Flathead Indian Reservation Jan 2019 â&#x20AC;&#x201C; Dec 2019 SD, DD, CD, and CA Phases
Main Rendering produced with Elizabeth Dorton
Design Options for Front Desk
Rich Fridy Portfolio
The new Polson, MT Club for the Boys and Girls Club of the Flathead Indian Reservation, which will total over 20,000 sf of space, will include youth and teen centers, a cafeteria, classrooms, art and music rooms, and a full-sized gymnasium. The gymnasium, cafeteria, and kitchen
can be isolated from the rest of the building for special events. The front desk will be an important design piece at the center of the double-height entry. I produced and presented multiple iterations of the desk design to the office and client team, and produced the desk's documentation.
Top + Middle: Entry and Front Desk
Bottom: Teen Center
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Explorations Spring 2017 Third Year Studio Birmingham, AL, USA In addition to interior architecture coursework, Samford's Bachelor of Interior Design degree requires two years of core curriculum and studio art classes. My explorations, both in these classes and in personal and professional pursuits, span multiple media, including photography, paint, hand drawing, 3-D, and graphic design.
Rich Fridy Portfolio
Mr. Beeson 2016 Acrylic Paint, Marker, and Pencil on Museum Board
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Studio Art
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Atmospheric Perspectival Bungalows 2014 Acrylic Paint and Graphite on Wood
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Untitled 2016 Acrylic Paint, Joint Compound, and Cut Paper on Wood
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Five-Minute Sketches of Samford University 2016 Pen and Marker on Paper
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Untitled 2016 String, Cardboard, Paint.
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Three Dimensional Exploration 2014 Colored Pencil on Mylar
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Rich Fridy Portfolio
Studio Art
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Untitled 2014 Powder Coated Metal
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Home Impressions 2015 Plaster, Clay, Found Objects in Popop's Garage
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Postcard Journal 2015 Paint, Marker, Graphite, Cut Paper
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Home Sketches 2016 Colored Pencil on Paper
Rich Fridy Portfolio
Project Name
Studio Art
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1318 Collective Branding and Promotional Print Material Fall 2017
1318 Collective is a multidisciplinary design firm I cofounded in 2016. Its goal is to unite independent young freelancers, mainly college students from graphic design, business marketing, and interior design backgrounds, to work together on multifaceted projects. The company received second prize at the Regions Bank â&#x20AC;&#x153;New Ventureâ&#x20AC;? startup competition, receiving $5000 in seed money, and has worked with clients from a variety of backgrounds and disciplines.
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D 1 Client Branding Sample 2 Investor Pitch Deck 3 Business Cards
Rich Fridy Portfolio
Why do you exist? No, really. Why?
sharing better stories.
As a startup southern men’s clothing brand, Pete Allen’s founder came to 1318 wanting a fresh, unique brand to complement his company. We gave legs to his vision and helped Pete Allen substantiate its message. In a market segmented by heavy competition, the challenge was to create a visual identity system that would stand out with boldness, yet also be a simple reflection of regional culture.
Complex problem, well-tailored solution.
Collective
A story can be found in everything. Sometimes, you just need to look for it. Whether in people or places, ideas or experiences – they’re all related. We believe that brands are comprised of stories and people, and connections happen when the two intersect. Yes, we have a process that works and a
Methodology
method to the madness, but regardless
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of the project, our goal is simple—
create and share stories that bring people together.
This is the first question we solve for our clients. Through an in-depth strategy session, we uncover why you exist, who your market is and what
Rich Fridy
your distinct offering is to them. We
creative
not only help you know what to say, but to communicate Rich teach loves toyou takehow arbitrary concepts and turn them into concrete solutions. As both a storyteller
about and behalf your brand brand. and artist, Richon is skilled in of clarifying stories through visual media. He believes the key elements
of graphic designhas are curiosity exploration, and Every brand a storyand and
he channels them to deliver products that appeal Although Rich’s education is in architecture and design, he actively pursues other disciplines, including cookWe find the best way to tell it. ing the perfect meal and running more than a mile. Much of his free time is spent making coffee at his favorite local coffee shop.
every meaning. to both story classic has and modern audiences.
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Poster Design
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Posters 1 - 4: Octane Coffee Posters 5 - 7: Pi Kappa Phi Posters 8 - 9: Samford University
Rich Fridy Portfolio
Graphic Design
Redeemer Community Church
Branding and Print Material for Home Groups and Seminars Spring 2019
Learning Seminars Covenant LearningCovenant
Learning Covenant
GOAL GOAL
GOAL
PRACTICAL STEPS
PROGRESS ASSESSMENT
HOS P I TAL I T Y
Host Home Group.
Host three times between January and May.
Host Home Group on a common meal/ communion night.
Host common meal/communion at least once between January and May.
Plan one social gathering outside of normal home group.
Plan one social event between January and May.
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H OS P I TA L I T Y HOSPITALIT Y
PS RE AMCI TNIACRA L1 S T E P S PROGRESS ASSESSMENT PROGRESS ASSESSMENT PRACTICAL STEPS Host Home Group. Host three times between January and May. Host Home Group. Host three times between January and Ma This seminar will explore the different facets ofmeal/communion gospel hospitality at and Host Home Group Host common least how we can best exhibit it on a weekly basiscommon through welcoming meal/communion Group Home Host on a common meal/ onceHost between January and May.peo- at least ple into homes. common on aour once between January and May. communion night.meal/ night. communion F E B Rone U Asocial R Y 1 0gathering , 3–4PM Plan Plan one social event between January and gathering social Plan outside ofone normal home May. Plan one social event between January and OK The Gospel Comes home outside BofO normal May. with a House Key group. by Rosaria Butterfield group. After each Practical Step is completed, the expectation
G OS P E L H OS P I TA L I T Y
AUDIO
After each Practical Step is completed, the expectation is that you will debrief with your Home Group Leader
CAR E
C O N V E R S AT I O N & CONFESSION
Shadow home group leader on a care meeting **
Shadow home group leader on one care meeting between January and May
Assist in a member care opportunity during a time of sorrow or celebration, if possible (death of a family member, engagement/ wedding, birth of a child)
Situation permitting, assist in a member care opportunity one time between January and May.
CA R E CARE
After each Practical Step is completed, the expectation is that you will debrief with your Home Group Leader
Attend Elder Care Meeting with home group leader one time.
**Doesn’t require something serious, just a time where the home group leader is getting together with another member outside of home group.
Lead home group discussion.
Lead theological discussion three times between January and May.
Lead time of communion.
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C O N V E R S AT I O N & C CO ON N VF EE SRSSIAT O NI O N & CONFESSION
Lead time of communion two times between January and May.
E X P E CTAT I O N S
As the home group leader, you are an important factor in the trainee’s development. Your primary role will be to guide their progress through allowing them opportunities to lead and providing encouragement and constructive feedback.
1. Meet with trainee at least once a month to discuss training progress. 2. Debrief with trainee after they have completed a Practical Step. (What went well? What didn’t go well? What would you do differently next time?) 3. Meet with Matt Francisco every three months to talk through progress of trainees.
G OS P E L CA RE
After each Practical Step is completed, the expectation expectatio completed, is that After you will debrief withStep yourisHome Groupthe Leader Practical each is that you will debrief with your Home Group Leade
SEMINAR 3
After each Practical Step is completed, the expectation is that you will debrief with your Home Group Leader
MENTOR RESPONSIBILITIES
expectatio completed, is that you will debrief withStep yourisHome Groupthe Leader Practical each Hospitality inAfter Community that you will debrief with your Home Group Leade by StephanieisKling
Shadow home group leader Shadow home group leader on one care on one care group leader homeJanuary Shadow home group leader meeting Shadow on between and May S EaMcare I N Ameeting R 2 ** meeting between January and May on a care meeting ** Assist in a member care Situation permitting, assist in a member assist in a member Situation permitting, care a member Assist induring opportunity a time care opportunity one time between time between opportunity aiftime opportunity of sorrow or celebration, May. basicone This seminar willduring explore how weJanuary can care bestand provide pastoral care May. as leaders. andanother January if ourselves sorrow possible (death oftocelebration, abest family alongofwith howor care for and one (death of a family After each Practical Step is completed, the expectation possible member, engagement/ expectatio completed, is that After you will debrief withStep yourisHome Groupthe Leader Practical each M A R C H 1 7, 3 – 4 P M member, wedding, birthengagement/ of a child) is that you will debrief with your Home Group Leade wedding, birth of a child) O O K Meeting Instruments in the Redeemer’s Hands Attend ElderBCare **Doesn’t require something serious, just a time where Care Meeting Elderleader Attendgroup by Paul David Tripp with home a time wher justanother serious, the home group require leader issomething getting together with **Doesn’t [Chapters 1-2,the 4,outside 7-8, 14] with home group leader member of home group. one time. is getting together with anoth leader group home member outside of home group. one time. AUDIO 6 Ways to Making Your Church a Lead home group Lead Safe Place fortheological Sad Peoplediscussion three times discussion three times theological LeadJanuary Lead home group by Nancy Guthrie discussion. between and May. between January and May. discussion. RTICLE Four R’sLead of Self-Care Lead time ofAcommunion. time of communion two times by RedeemerLead Counseling Services two times communion time ofand Lead time of communion. between January May. between January and May.
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G OS P E L C O N V E RS ATI O N S & CONFESSION
MENTOR RESPONSIBILITIES E X P E CTAT I O N S E X P E CTAT I O N S MENTOR RESPONSIBILITIES As the home group leader, you are 1. Meet with trainee at least once a month to discuss training 1. Meet with trainee at least once a month to discuss training are you leader, group home the As an important factor in the trainee’s This seminar will progress. help us grow in leading discussion in our groups and progress. in the an important development. Yourfactor primary roletrainee’s willleading be 2. Debrief with trainee after they have completed a Practical our groups in repentance. a Practical completed haveWhat after they trainee Debrief role will be primary Your development. to guide their progress through allowing Step. 2. (What wentwith well? What didn’t go well? would you do Aallowing P R I L 2 8 , 3 –differently 4 P MStep.next went well? What didn’t go well? What would you do (What through guide their progress themto opportunities to lead and providing time?) time?) every three months to talk through next differently providing B 3. to lead and them opportunities encouragement and constructive feedback. Meet with Matt Francisco OOK Repentance throug talk to months three every Francisco Matt with Meet 3. feedback. encouragement and constructive progress of trainees. by C. John Miller progress of trainees. ARTICLE
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What We Believe & Elder Affirmation by Redeemer Community Church
4 HOME GROUPS HOME GROUPS JANUARY JANUARY 9 TH
Calendar Calendar
SPRING 2019 SPRING 2019
First Home Group!
9 T H 1 6 T HFirst Home Group!
Collin Hansen’s “History of Birmingham” at Redeemer 1 6 T H2 3 R D TH Read “All of“History Life is Repentence” as a Group 2 3 R D3 0 Collin Hansen’s of Birmingham” at Redeemer 3 0 TH
Read “All of Life is Repentence” as a Group
FEBRUARY
FEBRUARY 6 TH 6
1 3 TH
TH
Communion (Split into Guys and Girls)
H 1 3 T H 2 0 T Communion (Split into Guys and Girls) TH 2 0 T H2 7
2 7 TH MARCH
2 3
“Therefore, confess your sins to one another and pray for one another, that you may be healed.”
MARCH 6 TH
Ash Wednesday
6 T H 1 3 T HAsh Wednesday
Communion (Split into Guys and Girls) 1 3 T H2 0 T H TH 2 0 T H2 7 Communion (Split into Guys and Girls) 2 7 TH
APRIL
APRIL 3 RD 3 RD 1 0 TH
Communion (Split into Guys and Girls)
Maundy (Split Thursday 1 0 T H 1 7 T HCommunion into Guys and Girls) TH 1 7 T H2 4 Maundy Thursday 2 4 TH
M AY
M AY 1 ST
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—James 5:16
1 ST 8 TH
Theological Talkback
8 T H 1 5 T HTheological Talkback ND Last Home Group. 1 5 T H2 2 2 2 ND
Last Home Group.
1 Study Materials 2 Invitation Cards 3 Name Tags 4 Program + Inserts
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Re-evaluating a Way of Seeing Evaluation: Spring 2014 Re-evaluation: Summer 2019 New York, Miami, Palm Beach
Rich Fridy Portfolio
Project Name
I took these photographs between 2012 and 2014, before I had any formal design education. I took them because I thought they looked cool and otherworldly. I had nearly forgotten about them until 2019, when I stumbled upon a similar photo called “Balconies”, taken by the Bauhaus professor László Moholy-Nagy, paired with a statement about photography being an “invitation to re-evaluate our way of seeing”. Moholy-Nagy’s photography does not aim to distort reality-- it explores the qualities of light, dark, mystery, and decontextualization within reality, inviting the viewer to re-see what they might have missed at first glance. In many ways, I found this statement indicative of my own
Fall 2016
educational experience, and my consideration of the perspectives I adopted over the last six years of my life. In my research, studio work, professional work, and even personal life, I have continually had to re-evaluate and re-learn ways of seeing the world around me. When viewing these photos 5 years after I first edited them, I can re-evaluate my experiences between then and now and consider how profoundly my perspective on these photographs has changed. I look forward to the ways my graduate education can help me again reevaluate my way of seeing the world. Thank you for taking the time to read my portfolio.
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