D E S I G N P O RT F O L I O RIDDHI SHETH
CURRICULUM VITAE RIDDHI SHETH
BIRTH DATE : 25TH DECEMBER 1997 UNIVERSITY : ANANT NATIONAL UNIVERSITY,A’BAD S C H O O L : C.N. VIDHYALAYA,A’BAD LANGUAGE : ENGLISH,HINDI,GUJARATI C I T Y : A H M E D A B A D , I N D I A C O N T A C T : 9898900675 E M A I L I D : riddhisheth97@gmail.com
W O R K
J 2 S 2
U N 0 1 8 E P T 0 1
E . 8
INTERNSHIP(4MONTHS)
E X P I R I E N C E
O C 2 0 1 8 D E C 2 0 1
T . 8
INTERNSHIP(2.5 MONTHS)
A
D E C 2 0 1 9
WON THIRD PRIZE IN REINTERPRETING PRIMARY SCHOOL OF PRIME MINISTER MODI
C
N O V - D E C 2 0 1 9
MEMBER OF FILM MAKING SOCIETY (FILM LAB) IN COLLEGE DIRECTED AND EDITED SEVERAL SHORT FILMS, DOCUMENTRIES AND PROMOTIONAL VIDEOS
D E C 2 0 1 7
STUDY TOUR TO “SRILANKA - HOME OF GEOFFRY BAWA” THROUGH THE TOUR WE VISITED BAWA’S WORKS INCLUDING HOUSES,HOTELS,CAFES AND GOVERNMENT BUILDINGS
J U N E 2 0 1 7
ZONAL NASA CONVENTION 2017,PUNE ACTIVELY PARTICIPATED IN WALL PAINTING DESIGN
J U N E 2 0 1 7
PARTICIPATED IN SUSTAINIBILITY SENSITIZING(HAND WORKSHOP ORGANIZED BY PLATYPUS DESIGN LAB
2 0 1 8
PARTICIPATED IN LUMION,3DS MAX WORKSHOP ORGANIZED BY CUBECAD
2 0 1 6
PARTICIPATED IN BRICK,M AND POP(HANDS ON) WORkSHOP
A D E
J A N 2 0 2 0 N O W
C S
I WAS INVOLVED IN PRESENTATION DRAWINGS,COMPETITION DESIGNS AND 3D MODELING IN THE OFFICE.
FLXBL, AHMEDABAD -AR.CUNAL PARMAR AT FLXBL,I WAS PART OF DESIGN TEAM FOR RESIDENTIAL PROJECTS, I WAS INVOLVED IN 3D MODELING, PRESENTATION DRAWING AND SURVEY & WORKING DRAWINGS. PART TIME(2+ MONTHS) A & M STUDIO -AR.JUGAL KHARA I AM MAJORLY INVOLVED IN RESIDENTIAL AND COMMERCIAL PROJECTS.I HAVE DONE PRESENTATION DRAWINGS,WORKING DRAWING AND DESIGNING.IN THE OFFICE
M I
BEYOND GREEN, AHMEDABAD-AR.BOBBY SUJANSINGHANI
AND
SCULPTURE ON)
A B O U T M E E C E UX P XR I RE T I R C I E RL N AC ARE S K I L L S
MY OBJECTIVE IS TO JOIN ESTEEMED ORGANIZATION WITH AN ENERGETIC ENVIRONMENT THAT WILL PROVIDE ME OPPORTUNITIES THAT PUSHES THE CURRENT LIMITS OF MY DESIGN SKILLS AND ABILITIES AND ULTIMATELY EMPOWER ME TO GROW AS A PROFFESIONAL AND GAIN FROM RESPECT PEERS. I HAVE GOOD ABILITY IN GRAPHIC PRESENTATION AND DESIGN DEVELOPEMENT DEVELOPED THROUGHOUT THE ACADEMIC PERIOD IN THE DESIGN.I AM HIGHLY MOTIVATED & PASSIONATE LEARNER THAT SEEKS CONSTANTLY NEW CHALLANGES. I HAVE DEVELOPED THE ABILITY TO LEARN AND ADPAT NEW SOFTWARE
VOLUNTERRED IN “AHMEDABAD COMMONS-ARCHITECTURE FOR ALL’” ORGANIZED BY SEVERAL ARCHITECTS AND STUDENTS PARTICIPATED IN UNESCO DOCUMENTATION -“WORLD HERITAGE CITY-AHMEDANAD”.I WAS PART OF THE TEAM DOCUMENTING AND RETRACING THE RESIDECE IN DHAL NI POL. INSTAGRAM ACCOUNT “ARCH_PALETTE__” OF ARCHITECTURE BUILDING ILLUSTRATION AND ARCHITECTURE ANIMATIONS. VISITED AND STUDIED SEVERAL BUILDING BY VASTU SHILPA ARCHITECTS,HCP, RMA ARCHITETS,SPASM ARCHITETS,SEALAB AND SEVERAL OTHERS. PARTICIPATED IN VARIOUS ARCHITECTURE COMPETITIONS DONE ILLUSTRATION FOR VARIOUS BRAND AND LOGO DESIGN FOR VARIOUS BRANDS. FREELANCING 3D MODELING AND BASIC RENDERING FOR SOME RESIDENTIAL,COMMERCIAL PROJECTS AND INTERIOR PROJECTS IN AHMEDABAD
HANDS ON SKILLS HANDDRAFTING SKETCHING PAINTING RENDERING MODELMAKING DIGITAL ILLUSTRATING PHOTOGRAPHY,VIDEOGRAPHY VIDEO EDITING SOFTWARE SKILLS C A D A U T O C A D , A R C H I C A D , R E V I T 3 D M O D E L I N G
GOOGLE SKETCHUP, LUMION, BLENDER
G R A P H I C
ADOBE PHOTOSHOP, ADOBE ILLUSTRATOR, ADOBE INDESIGN, ADOBE PREMIER PRO
M S O F F I C E
M S W O R D , E X C E L , P O W E R P O I N T
CONTENT
STUDIO PROJECTS Y E A R 2 0 1 9 URBAN STUDIO,SURAT T E X T I L E F A C I L I T A T I O N & C O M M U N I T Y C E N T E R , H O U S I N G S T U D I O , A H M E D A B A D D H O B I G H A T - S H A R E D T E R R A C E S Y E A R 2 0 1 8 RESIDENTIAL STUDIO A R C H I T E C T ’ S R E S I D E N C E , A H M E D A B A D Y E A R 2 0 1 7 CONTEXTUAL STUDIO C I V I C C E N T E R , J U N A G A D H
ACADEMICS Y E A R 2 0 1 9
COMPETITION WORK
STUDY TOUR AND VISIT D E C . 2 0 1 7
SRILANKA-HOME OF GEOFFRY BAWA STUDY TOUR
PROFESSIONAL WORK 2 0 1 8 - 2 0 2 0
INTERNSHIPS WORK
EXTRA CURRICULAR WORKS 2 0 1 5 - 2 0 1 9 I L L U S T R A T I O N P H O T O G R A P H S
URBAN STUDIO
TEXTILE FACILITATION CENTRE,DUMBHAL,SURAT
URBAN STUDIO
TEXTILE FACILITATION CENTRE,DUMBHAL,SURAT TEXTILE FACILITATION AND COMMUNITY CENTRE PROPOSAL FOR TEXTILE INDUSTRY AND COMMUNITY AROUND AREA P R O J E C T I N F O : T H E P R O J E C T I S A I M E D A T D E S I G N I N G A T E X T I L E F A C I L I A T I O N C E N T R E & C O M M U N I T Y D E V E L O P E M E N T C E N T R E L O C A T I O N
:
MODEL TOWN ROAD,DUMBHAL,SURAT
P R O G R A M M E : TEXTILE MUSEUM ANDLEARNING CENTER,TEXTILE AND D A I L L Y N E E D I T E M S M A R K E T , F O O D Z O N E S I T E A R E A
:
60,000 SQ.M.
D E S I G N A R E A
:
32,000 SQ.M.
C O N C E P T :
- MY CONCEPT WAS TO HAVE A MINIMALIST DESIGN WHICH DOESNT OVERPOWER THE CONTEXTUAL AREA.
- T H E B U I L D I N G I S P L A C E D O N M O U N D T O A V O I D F L O O D I N G O F C R E E K - THE WALLS ARE PERPENDICULAR TO THE RIVE, IN O R D E R T O A V O I D P O S S I B L E F L O O D I N G D U R I N G M O N S O O N S E A S O N .
DESIGN AREA 32,000 SQ.M
S
OM
O RL
E
W PO
M BU ME ILD RC IN IAL G
O RL
WE
PO
CO
S OM
RES
IDE
SL
UM
SITE AREA 60,000 SQ.M
IAL
SL
UM
C ER G MM DIN O C BUIL
NTI
RES
IDE
NTI
AL
SL
UM SL
UM
AL
MS TEXTILE POWERLOO MS TEXTILE POWERLOO
PERMANENT EXHIBITION BLOCK
TEMPORARY EXHIBITION BLOCK
LEARNING CENTER
HI
HI
C
RE
IT
IT
EK
M
M
C
RE
EK
R E C R E A T I O N A L SPACE
URBAN STUDIO
TEXTILE FACILITATION CENTRE,DUMBHAL,SURAT BY PROVIDING GROUND FLOOR STRUCTURE WHICH MERGES IN SURROUNDING; WHILE PLACING IT ON MOUND TO MAINTAIN ITS IMPORTACE WAS MAIN THOUGHT BEHIND THE DESIGN-PROCESS.
SOVENIER SHOP SOVENIER SHOP R E C E P T AREA ION RECEPTION INFORMAL READING AREA INFORMAL READING AREA P E R M A NEXHIBITION E N T E X H ISPACE BITION PERMANENT TEXTILE WORKSHOP TEXTILE HANDS ON WORKSHOP TEMPORARY EXHIBITION TEMPORARY EXHIBITION SPACE GALLERY SPACE
M 0M 80 MM 3 L + 00 LV + 38 L LV
L
LV
L LV
M
0M
.0 +0
0
+0
MM 50 MM 9 1 L + 50 LV + 19 L LV
CANTEEN SITTING A REA SITTING SPACE WORKSHOPS ADMIN CLASSROO M
L
LV
00
2 +1
L
00
12
+ VL
MM
POWERLOOMS CLASSROOM POWERLOOMS
TEMPORARY EXHIBITION SPACE
3200
4070
260
200
7030
CEMENT FINISH
900
2100
450 50
SECTIONAL DETAIL
600
230
CANTEEN SITTING SPACE
MOUNDS
100 220
165
15050
450
URBAN STUDIO
TEXTILE FACILITATION CENTRE,DUMBHAL,SURAT
SITE SECTION
ELEVATIONS
SITE SECTION 1
SITE SECTION 2
NORTH ELEVATION
EAST ELEVATION
WEST ELEVATION
HOUSING STUDIO
SHARED TERRACES-CONNECTING PEOPLE
HOUSING STUDIO
R
E
2
4
N
TR
M
T
Y
W
SA
E
ID
ID
B
W
E
T
A
M
R
M
6
IV
A
E
R
TI
R
FR
O
IV
N
E
T
R
Y LA A P RE A
FR
SA
O
B
N
T
A
R
M
A
TI
R
IV
E
R
SHARED TERRACES-CONNECTING PEOPLE
9 M T W ID E
9
9 M T E N ID O W M T M O O PL
C
6 M T W ID E M
T
ID
E
LA
N
D
9
W
FA
R
M
Y LA A P RE A
E T WID 15 M
ROAD
M
T
W
ID
E
PROJECT INFO : T H E P R O J E C T A I M E D A T D E S I G N I N G A H O U S I N G DEVELOPMENT FOR LAUNDRY PEOPLE LIVING ON BANKS O F S A B A R M A T I R I V E R . L O C A T I O N : SABARAMATI RIVERFRONT, KHODIYARNAGR, A’BAD. S I T E A R E A
:
15,000 SQ.M.
BUILT UP ARAE
:
48,000 SQ.M.
CONCEPT : - I W A S I N S P I R E D B Y T R A D I T I O N A L I N D I A N H O U S I N G T Y P O L O G Y : G A L I S , T E R R A C E S , C H O W K S A S M A I N I N T E R A C T I O N Z O N E A N D E S S E N C E O F T H E C O U R T Y A R D A N D OUTDOOR LIVING. -DESIGN WAS DEVELOP SO ONE CAN HAVE GATHERING SPACES AT EVERY LEVEL AND NOT JUST GROUND FLOOR
- T E R R A C E S A R E T H E M A I N A S P E C T O F T H E D E S I G N ; S H A R E D B E T W E E N D I F F E R E N T C L U S T E R S W H I C H A R E DEVELOPED AS PROMINENT GATHERING SPACE
-THE DESIGN IS DEVELOPED FOR DHOBI COMMUNITY ( T R A D I T I O N A L L A U N D R Y C O M M U N I T Y I N I N D I A ) . S O T E R R A C E S C A N B E N I F I T E T H E M T O D R Y C L O T H E S A N D W A S H T H E M W H I L E A C T I N G A S G A T H E R I N G S P A C E F O R C O M M U N I T Y U N I T S : 3 2 0 U N I T S - 1 8 0 1 B H K U N I T S - 1 4 0 2 B H K U N I T S
HOUSING STUDIO
SHARED TERRACES-CONNECTING PEOPLE
CLUSTER TYPOLOGY - THERE 2 TYPES OF CLUSTER COMBINATION MADE OUT OF 3 DIFFERENT SMALLERS CLUSTER.THIS THREE CLUSTERS ARE FORMED USING DIFFERENT TYPOLOFY OF UNITS PLACED TOGETHER .- 2BHK AND 1BHK UNITS ARE PLACED TOGETHER TO INCREASE INTERRACTION AND ERASE SOCIAL AND ECONOMIC BOUNDRIES BETWEEN PEOPLE
6 MT WIDE ROAD
2-B 1-A
1-A 2-A
PARKING
2-A
1-B
PARKING
ENTRANCE TO THE CLUSTER
1-B
GATHERING SPACE FOR CLUSTER
1-A
2-A
2-A
1-A 2-B
1-B
1-B
ENTRANCE TO THE CLUSTER
ENTRANCE TO THE CLUSTER
1-B 1-A
2-A
1-B
GATHERING SPACE FOR CLUSTER
2-A
GATHERING SPACE FOR CLUSTER
9 MT WIDE ROAD
2-B
1-A
1-B ENTRANCE TO THE CLUSTER
1-B
PARKING
1-A
2-A
2-A
9 MT WIDE ROAD
1-A
2-B
PARKING
UNIT TYPOLOGY I HAVE DESIGNED 4 TYPES OF UNITS AS PER NEED USER GROUP 1BHK UNIT TYPE 1-A
AND AFFORDIBILITY OF THE 1BHK UNIT TYPE 1-b
LEGEND 5.
3.
4.
6.
1.
2BHK UNIT TYPE 1-A
2. 3.
7. 5.
4. 2. 1.
6.
1.VERNDAH 2.LIVING ROOM 3.KITCHEN 4.BATH 5.TOILET 6.BEDROOM
6. 1. 2.
TOTAL AREA: 36 SQ.M.
LEGEND 1.VERNDAH 2.LIVING ROOM 3.KITCHEN 4.BATH 5.TOILET 6.BEDROOM 1 7.BEDROOM 2 TOTAL AREA: 50 SQ.M.
3. 4. 5.
2BHK UNIT TYPE 1-b
7. 5.
4.
6.
3.
2. 1.
HOUSING STUDIO
SHARED TERRACES-CONNECTING PEOPLE
TERRACES FORMATION TERRACES ARE MOST IMPORTANT PART OF THE My DESIGN .IT IS PLACED AS SUCH THAT IT CAN BE USED AS COMMUNITY GATHERING SPACE AT DIFFERENT LVL. (THE TERRACES ARE INDICATED IN BLACK COLOUR)
CLUSTER 1
GROUND FLOOR
CLUSTER 2
GROUND FLOOR
FIRST FLOOR
SECOND FLOOR
FIRST FLOOR
SECOND FLOOR
THIRD FLOOR
BEDROOM
600 1100 1100
BEDROOM
TERRACE
BEDROOM
TERRACE
CONTEXTUAL STUDIO
SHARED TERRACES-CONNECTING COMMUNITIES
CONTEXTUAL STUDIO CIVIC CENTER-PLACE FOR PEOPLE
CIVIC CENTER FOR COMMUNITY DEVELOPEMENT, JUNAGADH PROJECT INFO : THE PROJECT AIMED AT DESIGNING A CIVIC CENTER FOR C O M M U N I T Y A R O U N D L O C A T I O N
: JUNAGADH,GUJARAT
PROGRAMME
: CIVIC CENTER FOR COMMUNITY DEVELOPEMENT
S I T E A R E A . C O N C E P T
: 600 SQ.M
: - T H E C O N C E P T W A S D E V E L O P E D W I T H I D E A T H A T G O L D E N RATIO IS BEST EXAMPLE OF PROPORTIONS IN NATURE. - A S A G O V E R N M E N T B O D Y C I V I C C E N T E R N E E D S T O H A V E P R O P O R T I O N A L V A L U E A N D H I E R A R C H Y I N P L A N N I N G FOR EASY CIRCULATION . - THE CIVIC CENTER HAS CENTRAL COURTYARD WHICH CAN BE USED FOR SOCIAL GATHERING BY COMMUNITY LIVING THERE.
- ARCHED WINDOW AND DOORS ARE INSPIRED FROM HISTORIC C O N T E X T O F J U N A G A D H .
- THE CIVIC CENTER HAS CENTRAL COURTYARD WHICH CAN BE
LEGEND 1 ENTERANCE 2 RECEPTION 3 INFORMATION CENTER 4 PASSAGE 5 COURTYARD 6 STORE 7 CANTEEN 8 SERVING COUNTER 9 KITCHEN 10 WASHING AREA 11 STAIRCASE 12 OFFICE 13 COURT
12. 13.
12.
12.
12. 10.
13. 11.
9.
8. 4. 5.
7.
6.
3.
2. 1.
CONTEXTUAL STUDIO CIVIC CENTER-PLACE FOR PEOPLE
GOLDEN RATION AS MAIN CONCEPT IN PLANING - THE GOLDEN RATIO IS A COMMON MATHEMATICAL RATIO FOUND IN NATURE, WHICH CAN BE USED TO CREATE PLEASING.IT IS APPROXIMATELY EQUAL TO A 1:1.61 RATIO. -I HAVE USED GOLDEN RATIO PROPORTION IN MY DESIGN ELEMENTS AND PROPORTIONS. - GOLDEN RATION PROPORTION ARE FOLLOWED IN PLANNING OF CENTRAL COURT ,SPACES AND ELEVATIONAL PROPORTIONS OF WINDOWS AND OTHER ELEMENTS
FRONT ELEVATION
VIEW OVERLOOKING MAIN COURTYAD
SIDE ELEVATION SIDE ELEVATION
VIEW TO OFFICES COURTYAD
COMPETITION WORK
REINTERPRITING PRIMARY SCHOOL OF PRIME MINISTER MODI
PROJECT INFO : THE PROJECT AIMED AT DESIGNING AND REINTERPRITING P R I M E M I N I S T E R M O D I ’ S P R I M A R Y S C H O O L A N D D E V E L O P I N G S U R R O U N D I N G A R E A . L O C A T I O N : VADNAGAR,GUJARAT C O N C E P T :
REFERING PAST TO ESTABLISH FUTURE 1 . P R E S E R V A T I O N O F S C H O O L B U I L D I N G T O R E P R E S E N T HISTORY AND TIMELESSNESS,WHILE PROVIDING NEW ROOF TO ESTABLISH CONNECTION TO FUTURE
2.IDENTIFYING AXIS FOR CREATING VISTA POINTS
3.CREATING RECREATIONAL PLAZA AROUND SCHOOL
T E A M
:
TEAM OF 8 PEOPLE
R E S U L T
:
W O N 3 RD P R I Z E I N T H E C O M P E T I T I O N
1.
3.
2.
S R I L A N K A - H O M E O F G E O F F RY B AWA LEARNING - BAWA’S BUILDINGS WERE DESIGNED WITH THE INTENTION THAT THEY WOULD SETTLE INTO THEIR NATURAL SURROUNDINGS ,RATHER THAN KEEP NATURE OUT OR CONTROL IT,THE SPACE WAS DESIGNED TO EMBRACE ITS ENVIRONMENTAL CONTEXT, TO AGE WITH ITS TROPICAL SURROUNDS AND REJECT PRISTINE FACADES FOR HEAT AND RAIN WEATHERED EXTERIORS. - BAWA STRIVED TO MINISMISE THE BARRIER OF INDOORS AND OUTDOORS, AND IN ITS PLACE ALLOW THE BUILDING AND LANDSCAPE TO MERGE AS ONE.
“REJECTING ORNAMENTATION, EMBRACING MINIMALISM, AND DRAWING FROM THE ENVIRONMENT” AROUND HIM - THREE MAIN ASPECT OF BAWA’S DESIGN.” LANUGANGA RESIDENCE
PLA
SECTION KANDALAMA HOTEL
SECTION
PROFFESIONAL WORK SITE PLAN
ELEVATIONS
SECTIONAL DETAIL
FOYER SECTION AT TYPICAL FLOOR
FOYER SECTION AT GROUND FLOOR
SITE PHOTOGRAPHS
I L LU S T R AT I O N S
SELF SITE VISITED
JAI JAGAT THEATER,SEA LAB ARCHITECTS
CLOSED DOWN OLD MILL
RESIDENCE BY SPASM ARCHITECTS
HOUSE IN AN ORCHID,RMA ARCHITECTS
(UNDER CONST.) RESIDENCE
(UNDER CONST.)
RESIDENCE,OPOLICE ARCHITECT
HOUSE IN AN ORCHID,RMA ARCHITECTS
LALBAG MUSEUM,RMA ARCHITECTS
HOUSE IN AN ORCHID,RMA ARCHITECTS
HOUSING PROJECT
POL HOUSES
POL HOUSES
ANGANWADI SCHOOL,HPA ARCHITECTS
RESIDENCE 11,FLXBL ARCHITECTS
THE END