PORTFOLIO | YE RUNZHOU
WORKS 2010-2015
PORT
FOLIO
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ORT
YE | FOLIO
U O H Z RUN
-2015
2010
ina ty, Ch versi i n U a ogr m ing ongq CT Pr h A C o , t ch ology ion B. Ar echn miss T d f A o r Fo ute cant Instit Appli setts u h c a Mass
HAPPY RESIDENCE
01 -- 10
Multi-unit residence design
GENIUS LOCI REMODELING For me, architecture is the product of an integration of space, time, and spirit. With the careful consideration of how these elements correlate to one another, there lies the delicate balance and harmony, the key of our mission.
11 -- 20
Gymnasium design
TIME CAPTURE
21 -- 30
Installation design
COAGULATION OF BELIEF
31 -- 40
Symbols and markers design
SUPPLEMENT WORKS
41 -- 44
HAPPY RESIDENCE [Multi-unit residence design] Type: Solo, personal work Location: Baixiang Street, Chongqing Duration: 2013.09--2013.11
If a building can change one's life condition, it will be an excellent one; if a building can change one's fate, it will be a magnificent one. The purpose of this design is attempting to fundamentally change the life conditions and mental outlook of the poor through digging deeper demand of low-income groups. Through the highly composite functions of the architecture, its fabricated structure and variable house-type design, a building provides shelter for the poor and meanwhile gives them opportunities to return to society, not only giving them a warm harbor but more importantly giving them a right to pursue happiness.
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Self-sufficient & Prefabricated The Definition of Poverty There is a kind of people who have no money, no happiness, no health, no hope are living on the edge of the society. Among them, some people feel self-pity, some people vent their dissatisfaction, and others always idle and lazy. The reason leads to this situation is not lacking of time or money, but lacking the attitude to change this situation, lacking hope and confidence. Born into a poor is not our fault, but die poverty is ours.
High density, terrible environment and low income have labeled the residential buildings for low income households. These buildings cannot respond to people’s living and working demands, so my design is to meet the needs of low income people. I scatter the residential buildings in a site, and I introduce planting areas, vegetable market, training organizations, and even sports areas to form a self-sufficient life style. For the buildings, I employ the prefabricated housing in order to control expenditure. Hence, people could pay less money to buy or rent this kind of housing. For the house type, I use convertible style which can meet people’s needs in a long period of time with different family makeup. As a result, a true label for residential buildings for low income households should be hopeful, vigorous, and self-sufficient.
Someone once said: Material poverty is not the real poverty, the real tragedy of the poor is the poverty of their aspirations. And this kind of poverty can spread to our relatives and friends and into their spirits just like virus. Over time, the poor get poorer, hopes are fading and the life get worse.
The Concept of Subject Low Cost
Poverty just like disease, we can not cure them if we can not find out the reasons lead the poverty. A real housing for low income people should be hopeful. What we should do is not only to provide the work opportunities for them, the more important thing is to help them retrieve the confidence for life
get a better life Health
Residence
creat
Value
Resident
Skills Relationship
As the saying goes, Give a man a fish and he will eat for a day. Teach a man to fish and he will eat for the rest of his life. In order to eliminate poverty fundamentally, A living environment full of happiness and hope is more important than just making them rich.
Investment
The Specific Strategy In housing design, I choose pursuing happiness as the core condition in design in order to reflect the idea in the building. I put a variety of functions and ideas into the building after analyzing the main factors and the secondary factors which may influence the happiness. The functions influence each other and change the secondary factors, and then change the main factors, at last the functions can improve the happiness level among the low-income people.
Low Rents
Rooftop Farms
Fabricated Structure means low construction cost, it also means low rents.
The roof farmland can bring profits to low-income families in order to change their life quality.
Income
Cost
Flea Market
Property
Playground
Health
Flea market can reduce the cost in daily life
A healthy body is the capital of life, also it can bring them a positive attitude to life
Happiness
Relationships
Capacity Love
Mentality
Training Institutions
Leisure Platform Leisure platform bring more chances for communication which make them adapt the society better
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Sociality
Training institutions can enhance their abilities to get a better work, which can bring hope and confidence to them.
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2
Small-sized type (4.1x7.0=28.7sqm)
Small-sized type (4.1x8.6=35.2sqm)
Small-sized type (4.1x9.5=39.0sqm)
Median-sized type (4.1x9.5x2=77.9sqm)
A
B
C
D
Small-sized type (28.7x2=57.4sqm)
Median-sized type (28.7+35.2=63.9sqm)
Median-sized type (28.7+39.0=67.7sqm)
Big-sized type (28.7+77.9=106.6sqm)
Median-sized type (28.7+35.2=63.9sqm)
Median-sized type (35.2+35.2=70.4sqm)
Median-sized type (35.2+39.0=74.2sqm)
Big-sized type (35.2+77.9=113.1sqm)
3 A
4
Structure
5
Floor
6
Traffic
B
(Small-sized type) Rental housing:
C
Especially for the median income group and the fluid population students, migrant workers
Median-sized type (28.7+39.0=67.7sqm)
Median-sized type (35.2+39.0=74.2sqm)
Median-sized type (39.0+39.0=78.0sqm)
(Median-sized type) Rental housing: Especially for the low income group and singleton
D Roof
1/3 Units
(Big-sized type) Non-rental housing: Especially for the median income group and family
4/5 Units Big-sized type (28.7+77.9=106.6sqm)
Big-sized type (35.2+77.9=113.1sqm)
Composability & Variability This design provides you with four basic unit styles. Through mutual combination of these five basic styles, eight other compound styles are formed to satisfy general household needs. Because of the convenience of prefabricated housing, the house can be altered due to the fluctuation in the number of family members. The whole house can be easily moved, and you can change your view and neighbors at any time.
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Rooftop Farms
10:00 AM
+15.00m
Exit
12:00 AM 2:00 PM 4:00 PM
Take Exercise
6:00 PM
Accounting Computer Mathematics
Training Institution
Skill Training
+3.00m
Playground
Badminton Table tennis
Water Vegetable
Stairs
Noon Break
Sleep Watch TV Drink tea
+9.00m
Skill Training
Cooking Computer Sales
Lunch
Leisure Platform
+12.00m
+6.00m
8:00 AM
Sell Vegetable
It is more important that the interaction of all functions is unconsciously changing the life conditions and mental outlook of the poor.
6:00 AM
Wake Up
+19.00m
This combination of functions for low income housing can gratify people’s basic needs. Meanwhile, people’s daily expenses will be cut, thereby enriching their lives.
Collect Vegetable
A residential area, a recreational area, a planting area, a training area, and a trading area are all included in this architecture.
Organic vegetables Organic fruits
Comprehensive And Multipurpose
Vertical Transport
8:00 PM
Supermarket
Dinner
Atrium
±0.00m Flea Market
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Unit Construction
External Walls
Water-proof Materials
Interior
Indoor Floors French Windows Interior Heat-insulating Material External Walls
Balcony Parts
Water-proof Materials Supporting Steel Grid
I hope that my design can become a conversion system with its input end inputting those people who suffer from hunger and cold and lose hope and its output end outputting those who are self-reliant and full of vitality. Finally, with the poverty solved, the removable houses will be turned into a green field. Although this process is long, tough and idealized, I believe that by perfecting this building system, we indeed can improve the life conditions and mental outlook of the poor to some extent, which is exactly the value of this design.
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GENIUS LOCI REMODELING [Gymnasium Design] Type: Collaborate, design studio Collaborator: YiTian Shu Mainly responsibility: Ideas, model making, drawings Location: Jiangbei District, Chongqing Supervisor: ZhaoXia Wang Duration: 2014.03--2014.06
The design of contemporary architecture has a trend of diversification, globalization, complication and "de-spirituality"; the originality, artistry and profession of design are no longer distinguished, as they are mixed into the mass of multiple interest demands, thus the content on spirit level in architecture is rapidly losing, and architecture would gradually be out of its own meanings, which is called "location's loss" in Norbert-Schulz’s views. The purpose of this gymnasium design is to regress to the reflection on “Genius Loci”, help people to rebuild the relation between people and city from the ramshackle demolition debris, build up cohesive symbols by the design of the building and location, so as to express a relief through the building, and reinforce people’s existential sensation and belonging sensation.
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ien ce & Technology Muse um
ive
r ve Con
Sc
rB
r id
ge
t el nb ree Urban g
Chongqin g Grand Theatre
Shoreline & Traffic
Great Public Buildings
Urban Greenbelt
Activity Needs
Environmental Needs
Actual needs
n Co
Status quo Con vergence
ne eli hor er s ze riv The Yangt
Functional Needs ve rg en ce
eR
nce Converge
g tz
ge nc e
Yan
Analysis of Needs
Co nve rgence
Convergence
Convergence Of The City
Illumination
Transportation
Virescence
Jogging
Fitness Equipment
Badminton
Basketball
Parking
Communication
Wi-Fi
Repast
Relaxation
The design spot locates in the demolition debris of the city, as the pedestrians on the street are in hustle and bustle, this city lacks intimacy and kindness which it should have deserved. The aim of this project is to act upon the site, to build a gymnasium that will reshape the connections between human and the city, and deliver genius loci to the site. We make attempt from the angle of environmental psychology (environmental behavior), we attempt to make up a location of being unpretentious, psychic, and blending varieties of behaviors, activities, and occurrences which would take place in it, so as to trigger the liveliness of the city.
s and it sium d to ymna e g id in iv a are d The m sium paths ymna ry and e ll sub-g a g n io is v form
ould ium c mnas y ds g a b u em n The s le ’s d e r peop u s is t e me and le ining of tra
civil k and h s par t r o w p s s it ublic tizen The p de ci ies i it v n o u r t re p oppor squa tivity ant ac abund
ns citize vides st le k pro r e r a t P s it cape lts t, and Lands en be t spo n gre a re s a b h r it u w o t s d e lea bridg
i s u re n d le ity, bar a r h e t t f ec a re w thm o y u h s r i e e c l life en s The ccurr down s to o slow ie m it il iu atr ssib ing po provid
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The main gymnasium’s top is equipped with retractable circular roof, like Pantheon in Rome; the light hole from the vertex allows a bunch of dramatic light to pour into the building; symmetrical repetitive patterns in its surrounding create a sensation that time would never end, and moreover add a touch of sacred sensation to the gymnasium’s space, which makes it in the same time of meeting the functions of the gymnasium, satisfy people’s spiritual needs to some extent -- having a kind of space with grandeur and charisma.
Retractable roof’s space truss structure
Spoke type roof truss
Connecting beam
Steel truss beam Secondary beam
Metal sheet roofing
Spherical bearing
Concrete load-bearing column
External metal plate
Point supported glass curtain wall
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Steel grid
Huge-building cast-in-place reinforced concrete column
First-class steel truss beam structure system
Second-class steel truss beam structure system
Purlin for roof panel lap-joining
Exterior steel framework mounting
Exterior steel framework connected in pairs
Ring beam
Exterior glass curtain wall
Exterior steel plate laying
Roof light steel plate laying
Mobile roof supporting beam
Mobile roof steel framework
Mobile roof exterior
The overall framework 16
Retractable Roof 1. The state when the roof is completely closed
The roof is made up of eight same components with each one locating next to each other; the sliding tracks are paved on the main trusses.
In the course of opening, each component is making parallel shift towards the rectilinear direction of its own sliding rail, fitting in with each other in the moving, which forms an integral system.
After the roof is completely opened, a hole with a diameter of around 30 meters will appear in its center. To close the roof, just reverse the operation of its opening course.
2. The state when the roof is completely opened
lubricating grease screwed nipple slip gauge
sliding block sliding block
slip gauge
lubricating grease screwed nipple slip gauge
sliding block sliding block slip gauge
The sliding rails of the roof adopt ball-bearing sliding rails set above eight main truss beams, and within the octagon formed by the main truss beams, supporting beams are lap-joined, so as to support the structural load of the roof components and the dynamic load of the roof. 17
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Reconnect With Loci (Place) From the Egyptian architecture of expressing nature's power, to Roman architecture of expressing universe order, then to Gothic architecture of expressing religious authority, human beings never stop their appeals in the aspect of architecture spirit. The design of this gymnasium does not aim to draw people's attention by its odd appearance as the other public buildings in its surroundings do, but to pursue content on architecture spirit level. The form processing of silence but unification and the design of the retractable roof, reply to the context by combining human beings’ functional appeals, and render the location design and functions display being more humanized. The gymnasium and spinning-retraction form generate dominant cohesion, while the affects on people by the architecture space and the occurrence in its location generate recessive cohesive. Through this gymnasium design, I want to give location spirit to this building, this area, and even this whole city, create symbols depending on modern technology and methods, to express one relief, and rebuild the relation between people and locations (buildings, areas, cities).
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Time capture [Installation design] Type: Collaborate, personal work Collaborator: Yujia Wang, Tai Feng Mainly responsibility: Ideas, installation making, post-production Location: The architecture department building, Chongqing university Duration: 2012.11--2013.01
TIME capture [Installation design] Type: Collaborate, personal work Collaborator: Wei Xie, Baitao Sheng Location: The architecture department building, ChongQing university Duration: 2014.11--2015.01
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People’s sense of space is never an accumulation of senses of every infinitely small spot; they get the sense of some space all of a sudden and as an entirety. So does time. Normally our sense of time also comes periodically instead of instant by instant, and the length of that period depends on human’s perceptive threshold of time. This Installation is designed to express time in phenomena. And to emulate human’s sense of time, time is divided into periods within human’s perceptive threshold, so that man could realise how time is split into slices and organised together orderly.
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absolute sensory threshold instant 1
Sense of Time Human’s sense on time is not an accumulation of many consecutive instants, because we can hardly sense the elapse of an instant. Our normal experience towards time is not in instants but in periods. Just like our sense of space which is never the accumulation of senses of many infinitely small space spots but the sense of the whole space all of a sudden. Now that our sense of time does not come in instants, how long is the basic unit? How long is the shortest time slice that our humans’ brain could seize on earth? This is about the perceptive threshold as we studied in psychology. How do we express time in phenomena? How do human perceive time? This is the subject to be discussed in this design.
instant 2
static apple
instant 3
instant 4
instant 5
a bullet is ripping through the apple
instant 6
instant 7
instant 8
the apple is bursting
instant 7
instant 2
A Physical Change External Stimulus
Sense
comprehend
Perception
“Sense” is the process of individuals organising sensory information into the meaningful entirety. And “sense of time” is a reflection of human brain towards the consecutiveness and sequentiality of objective phenomena. Human’s sense of time cannot be separated from the sense of stimulation from both inside and outside. As is told in Einstein’s time view, time doesn’t exist if it is isolated from other things. The moment aggregation of the transformation of objective phenomena is referred as fragment, and time is made up of fragments one by one in a sequential order. Just like dancing, people cannot capture every detail of choreographic elements but are able to sense a set of continuous movements for their being played out chronologically,and this is called as the time causality.
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Design Methodology Continuity Continuous Physical Change
Continuing Stimulus Sequentiality
visual
auditory
sensory threshold
Time sense Space sense
comprehend
Time Perception
reflect & measure
time perception threshold
controlled (The drip, flow and duration can be adjusted as needed by infusion set)
Circular Suspended Ceiling
1
2
The circular suspended ceiling in the central location realizes its stability by the strings tied to the four posts in the encirclement.
Curtains The strings tied to the suspended ceiling form curtains, make the space around the installation are relatively independent.
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4
Cube-shaped Ink Box
The Principle
The cube-shaped ink box, with black ink encased, has a hidden automatic control in it, through which the speed of the ink dripping can be controlled.
This installation is made up of an ink box on the top and a pallete at the bottom. The ink box delivers black ink droplets down into the white pallete, and as time goes by, the ink will display various patterns in the pallete. The titrator controls the dropping speed of the ink and the length of time fragment in the model as well. The dropping speed of ink will be adjusted based on human’s absolute perceptive threshold and time perceptive threshold so as to allow people to sense the change of space and have it be mapped onto the sense of time.
Circular Plate
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6
For the convenience of observing images, the circular plate is filled with white pigment which is insoluble in ink.
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Capture The Realtime Changes By using camera to capture the realtime changes of images, the photos can intuitively reflect the interaction of changes on time and space, namely the relationship of changes (movements) of ink’s positions in different photos. We may consider any two of the pictures as a time fragment and the change of images as the result of this time fragment. And the people, as an individual who exists in the time axis, will carry out physical motions with the deducing of time.
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Sensitivity And Concentration We can herein talk about the sense of time of some specially trained individuals. For those Yoga practitioners with excellent virtue, meditation and wisdom, their units of sense of time are much shorter than that of average people, because their qualities such as the sensitivity of disposition and concentration of mind increase above the normal levels as the result of relevant training. Being contemplative is a very unique status, and many gymnosophists are able to temporarily detach themselves from the distracting thoughts of mundane awareness by being contemplative. But how can they achieve this?
Continuity And Sequentiality We have attained visualized pictures of time progress through sorting out pictures, and then we have to answer the question that how time comes into one piece in an orderly and organized manner? According to the entropy law, the overall chaos level of an isolated system (namely “the entropy”) will not diminish in the natural process. Therefore, we can determine the causal relationship between two pictures, namely the position relationship in their time axis by observing the chaos level of ink marks in the pictures. After we put these time fragments in order, we can finally connect them together and complete the interpretation of the continuity and sequentiality of time. 29
There are many ways to help to sit quietly and meditate, one of which is to continue to focus your mind on the present moment. But as we already mentioned, human’s sense of time will not be acute enough to capture the infinitesimal moments. All that the practitioners can do is to get their sense of time to the perceptive threshold as closest as possible and make continuous and further efforts to break it, so as to make the perceptibility of their psyches more and more acute. As people focus their attention on breaking through the threshold of sense of time and their sense of time becomes much sharper than the normal level, they will gain amazingly fantastic feelings, for example, they will regard the present moment as eternity and get rid of all distracting thoughts. Maybe we can use this installation to experience the change of time’s lapse before and after the concentration of people’s mind, and even leverage it to train our psychic sensitivity and level of attention. This must be a very interesting endeavor. 30
COAGULATION OF BELIEF [Symbols and markers design] Type: Solo, design studio Location: Tibet Supervisor: Ezio Blasetti Duration: 2015.08--2015.12
“Pilgrimage” is an essential part of every Tibetan’s life. However, due to various difficulties coupled with the distant journey, pilgrimage is always accompanied by pain and regret. In this design, I tried to abstract the symbolic language of the Tibetan Buddhism out, refine the core spirit, make use of the modern art language to create a coagulation composed of signs and contexts, which would act as symbols and markers in the pilgrimage of the earth to search for more possibilities for Tibetan pilgrimage. pilgrimage of the earth to search for more possibilities for Tibetan pilgrimage. pilgrimage of the earth to search for more possibilities for Tibetan pilgrimage.
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Faith
Religion
The Sacred manifestation
make sense convert means
Through out the worlds of the ten directions, in the past, in the present, and also in the future, With Body, Speech and Mind entirely pure, I bow down before them all, omitting none.
The holy world in mind
Pilgrimage carrier
behaviors
With the awesome power of Samantabhadra’s Vows, I appear at the same time before every Buddha, And in transformed bodies as numerous as motes of dust in all lands, Bow to the Buddha’s as numerous as motes of dust in all lands. from Tibetan Tripitaka chapter one
The holy world in physical
Starting point
Long journey
The holy land
the difficulty
the ultimate goal
In the Tibetan areas, pilgrimage to Lhasa on foot is the desiring thing for every believer, but it has to spend a few weeks even several months there, plus long journey, and the constraints of economic conditions. Therefore many Tibetans have to give up and regret lifelong. Then is there anything we may do for them? We are unable to change the distance between their starting point and Lhasa, but we can create some alternatives of pilgrimage for the mobility of the Tibetans, or add some symbols and markers during the way to destination, which relatively uniform distributing between the villages and towns to let the body and the spirit of believers being able to rest here and giving them the power to move on.
92 0m
s ile 900 miles
Kailash
53
0m
1020 miles
Lhasa
540 mil es Kailash
Nagchu
Kailash
33
es mil Nagchu
0m
ile
560
88
s
Nagchu
ile
s
s
580 mile
Lhasa
Nagchu
Lhasa
Kailash
Lhasa
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Design Methodology
Religious Faith
mapping
Precious Umbrella: The upper part of the architecture and texture
Symbols
screening
Pattern1
Significant
Pattern2 Pattern3
comes from the traditional symbol
architectural translate graft
o f t h e p re c i o u s u m b re l l a . I n
Modern Carrier
combine
Religious Icons
religion art, it is a natural emblem of honor and respect when the p re c i o u s u m b re l l a i s a b o v e
Feedback
one’s head. It is the reason why the precious umbrella became obvious, non-idol emblem symbol
The design method is to extract and express the abstract elements, and draw out the spiritual symbol when featuring the traditional symbol at the same time, and finally use the language of modern art to combine and induce it again.
in the early Buddhist art.
Vajra Pestle: Vajra Pestle is the middle part of structure of Mandala, and the middle part of the structure also uses
Tibetan Buddhism Semiotic Diagram
the morphology of the Vajra Pestle as cohesion. There are three oblique rising circles on both sides of the Vajra Pestle ‘s center point. The three circles ring
Symbols
around two symmetrical lotus pedestals of the Vajra Pestle, forming the shape of pearl necklace. The three rings symbolize Goldfish Sanskrit: suvarnamatsya
Precious Bottle Sanskrit: nidhana-kumbha
the “ three doors “, being the typical indestructible symbol of Vajrayana.
Five Desire: Every detail in the architecture comes from the five sensory projections as the color, sound, smell, taste, touch, i. e. Five Desires.
Yin and Yang & pulse
Mammon
Power, authority and rule
Worldly wealth
Victory, conquer
Movement, continuity and change
Freedom
Color, sound, smell, taste and touch
White Screw Sanskrit: dakshinavarta-shankha
Precious Umbrella Sanskrit: chatra,atapatra
Five Desire Sanskrit: pancha
The Banner-of-victory Sanskrit: dhvaja
Golden Wheel Sanskrit: chakra
Silk Sanskrit: sparsha
Indestructible & The great perfection
Significance
Vajra Pestle Sanskrit: vajra
Buddhism Name
Precious Bottle: In the middle part of the architectures at the junction of the handover relationship and the lower part of the texture come from the Precious Bottle that is worshiped in the Tancheng. As a symbol of the God of wealth, each part of the Precious Bottle is scattered with the pattern of lotus petals, which are extremely magnificent. Its role is to make the surrounding area rich and never dry.
Containing the mandala of wealth of the whole world, Tancheng is dedicated to the highest etiquette in the Buddhist tradition. In Tibetan Buddhism “sNgon-vgro” , the Tancheng constitutes one of the Vajrayana four major repairs. The design of the building mimics a multilayer structure for the Mandala, divided into Mandala base, Vajra and Sumeru Mountain. According to tradition system, the metal base bulges of disk was decorated with cut flower pattern, providing with a ring around Xumi mountain four jambudvipa and eight small Zhan continents and seven times Jinshan mountain, the vastness of the Aral Sea, Tieshan outer ring and the “wealth”. The architectures retained some traditional standard, abandoning the harassment rules and the important part of them will be refined. Besides, they combined with other traditional symbol and integrate the Buddhist spiritual symbol into them.
The Banner-of-victory: the shape of the lower part of the architecture comes from the Banner-of-victory. The Bannerof-victory means flag, banner or army flag. The cylindrical Banner-of-victory is covered layer upon layer with silk curtain and hangs much jewelry. The bottom is decorated with silk curtain with wave pattern. It divides four directions and is an emblem of conquering and victory.
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In memory of Buddha’s Parinirvana without regret under the twin salas in Kushinagar.
In memory of Buddha’s miracle defeating the infidels in the woods of Gion, Sravasti.
In memory of the Buddha’s birth in Lumbini.
Sizes And Patterns The pagodas vary in sizes and patterns, being categorised into 8 forms: “Lotus”, “Bodhi”, “Duomen”, “Abhijnana”, “Nirvana” and so on, embleming the 8 great things in Shakyamuni’s life. The pagodas of different sizes and patterns emblem different things. They present themselves in places appropriate for them to show up, providing sensory stimulation of different degree and guidance of various functions to the followers. These sensory stimulation and guidance are mixed together, making the journey of Tibetan pilgrimage easier and meaningful. The pagodas’ shapes of other forms are also abstractions and extractions of symbols in Tibetan Buddhism, and only one is listed here for limited space here.
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Accept And Recognise The problem is whether the coagulation of faith designed by modern means could be accepted and recognised by Tibetans or not? I think the process would be very difficult. However, we presented this probability, and we hoped that over time, these emblems could gradually get integrated into Tibetans’ life and become a part of their spiritual support, then be maintained for next generations and finally be accepted, recognised and remembered by followers.
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SUPPLEMENT WORKS JEWELRY DESIGN
EMANCIPATION OF SKY
ŠCloud Nine Studio Personal work (design, 3D print, reverse mould, cast, polishing, electroplate) 2013-2015
[Skyscraper Design] Solo, design studio, 2013-2014
THE THREE GORGES UNDERWATER MUSEUM [Museum Design] Solo, competition, 2013
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FRAGMENT INTEGRATION
INSPUR Co.Ltd. BEIJING HEADQUARTERS
[Theatre Design] Solo, design studio, 2014
Internship (BIAD UFo) , 2014-2015 Participated in lecture hall design, building skin design, drawing and report
BEIJING BOOK CENTER (The second phase) Internship (BIAD UFo) , 2014-2015 Participated in building skin design, structure transformation, drawing and report
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LIZE SOHO (Zaha Hadid) Internship (BIAD UFo) , 2014-2015 Participated in structural modeling, report
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