Revolution
Caixa Forum + Rooftop Remodeling AHMAD ALNEMER | Nikita Beniaminov
Instructor | Yugon Kim
Caixa Forum Eléctrica del Mediodía
Oreginal building Architect / Jesús Carrasco-Muñoz Encina and engineer José María Hernández. Built in / 1899.
Intro to Design Studio | Fall 2012
Transforming Architect / Herzog & de Meuron. Transformed in / 2008 location / Madrid, Spain.
Ahmad Alnemer
Instructor | Yugon Kim
Rooftop Remodeling
Architects: Coop Himmelblua
Completd: 1988
Name: Rooftop Remodeling
Original Building: 1902
Location: Vienna, Austria
Intro to Design Studio | Fall 2012
Nikita Beniami-
Addition
Caixa Furome
Instructor | Yugon Kim
Old power Station
Site Map
Diagram showing the destroyed power station
EXisting Sheel Concept Diagram
Functional Diagram Intro to Design Studio | Fall 2012
Concept Diagram
Ahmad Alnemer
Instructor | Yugon Kim
Glass Structure Diagram Concept Diagram
Positioning Diagram Intro to Design Studio | Fall 2012
Location Diagram Nikita Beniami-
Instructor | Yugon Kim
Rooftope Remodling
Caixa Fourme
similaritys:
Differences:
Movement Fururastic design New on top of old Natural Light
Materials Size Concept Public / Private
Intro to Design Studio | Fall 2012
Movement Analysis Diagram
Ahmad Alnemer
TOUCH THE TIME & SPACE Museo di Castelvecchio + Kvadrat Showroom Diandian DIng | Xiaoxu Liu
Instructor | Joe Haskett
Museo di Castelvecchio Verona
Architect / Carlos Scarpa Date of construction (existing) / 1354-1376 Date of construction (intervention) / 1959-1973 Location / Eponymous medieval castle, Verona, Italy
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Instructor | Joe Haskett
Kvadrat Showroom Copenhagen
Architect / Ronan and Erwan Bouroullec Retail / Mixed Use Completed / 2009 Size / 400 sq m AREA / 1 floors.
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Plan of Castelvecchio 1801
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Plan of Castelvecchio 1802-03 Change function to barracks
Plan of Castelvecchio 1806
Plan of Castelvecchio 2012
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Project 1 | Existing Construct
Location
Pakhus 48, Frihavnen, Klubiensvej 22 2100 Copenhagen Ă˜ Pakhus 48 was established in 1894, as part of the harbour where goods could be stored without paying duty. Today the area lies in the creative heart of Copenhagen and hosts some numerous Danish and international design companies. Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Plan of Antonio Avena and Forlati 1923 Restoration of 17th century style’s palace Change function to Museum
Intro to Design Studio | Fall 2012
Plan of Carlo Scarpa 1973
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Condition of exciting building
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Office area
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Location of the Main Enterance
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Project 1 | Existing Construct
Concept Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
separate the different functional area and put the sculpture as an enterance mark of the museum.
1958 Discovery the Porta del Morbio (12th century).
1962 Discovery of wall of Cangrande time (14th century). Location of the Cangrande
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Project 1 | Existing Construct
CLOUD WALL
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Functional Block
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Project 1 | Existing Construct
N
Circulation
Intro to Design Studio | Fall 2012
Show Space Office Space Meeting Space Bar
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Circulation
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Kvadrat Showroom in Copenhagen
Project 1 | Existing Construct
N
SEA
Visitor Employee Circulation
Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Kvadrat Showroom in Copenhagen
Museo di Castelvecchio
Kvadrat Showroom
Carlos Scarpa
Ronan and Erwan Bouroullec
Comparison Intro to Design Studio | Fall 2012
Diandian Ding & Xiaoxu Liu
Museo di Castelvecchio
Project 1 | Existing Construct
Kvadrat Showroom in Copenhagen
Museo di Castelvecchio
Intro to Design Studio | Fall 2012
Kvadrat Showroom
Diandian Ding & Xiaoxu Liu
SKIN GRAFT
185 Post Street + Storefront for Art & Architecture Bonnie Hsiao Chun Yang | Ziwei Chang
Instructor | Liliane Wong
185 Post Street
185 Post Street San Francisco
1951 Restoration Architect / BRAND + ALLEN ARCHITECTS General Contractor / Plant Construction Co., LP Structural Engineer / Murphy Burr Curry, Inc.
1906 San Francisco Earthquake
2008 Completed
2000 Prada Epicenter Project / Brand+Allen Architects + Rem Koolhaas 2005 Gosvenor + Brand+Allen Architects
1908 185 Post Building Rebuilded
2001 Prada abandoned the San Francisco “Epicenter” project
Mechanical Engineer / Guttman & Blaevoet Retail / Mixed Use Completed / Fall 2008 Size / 26,200 sq ft Intro to Design Studio | Fall 2012
AREA / 6 floors. 3,600 sf gross per floor.
B o n n i e H s i a o C h u n Ya n g
Instructor | Liliane Wong
1982-1992/ 97 Kenmare street
Storefront of art and architecture New York
Intro to Design Studio | Fall 2012
Vito Acconci Artist / Steven Holl Architects Material / Steel edged concrete/recycled fibers Process / Casting/Pivoting Panels Time / 1982-1993 Completed / November 12, 1993 Location / Kenmare Street, New York, NY, United States Cornice length / 107 feet Facade size / 1067 sq feet Area / 961 sq ft
study model of Acconci/Holl facade
Ziwei Chang
Project 1 | Existing Construct
185 Post Street
Altering Structure Diagram
Fabrication Diagram
Air Space Diagram
Circulation Diagram
Intro to Design Studio | Fall 2012
B o n n i e H s i a o C h u n Ya n g
Storefront Of Art And Architecture
Project 1 | Existing Construct
R e l a t io n s h ip be t we e n in t e r io r s pa c e a n d N Y C s t r e e t
Intro to Design Studio | Fall 2012
Ziwei Chang
Between Modernism The Sackler Building / The Brasserie Junho Choi | Sarah Burgett-Leutner
Diagram 1 site plan
The Sackler Building
Instructor | Yugon Kim
Royal Academy of Arts, London
existing structure
The new Sackler Building is the first phase of a new campus for the Royal College of Art, London. Haworth Thompkins convert a single story factory building into a series of new day lit spaces by removing the original pitched roof and inserting a new independent steel structure within the existing brick enclosure. The roof structure is a “saw-tooth form� which utilizes a prefabricated system of perforated metal lining panels and glazing bars. It also consists of a double row of north facing lights per bay, which provide maximum light without direct glare from the sun. The building consists of a natural ventilation system based on air movement from low-level windows up to the circular roof vents in the apex of each roof bay. The ground floor studios are the main source of the fresh air intake and consist of two vents, the upper of which stay open at night in summer to enable secure night-time cooling of the space. resource : Haworth Tompkins
roof(left) / perspective view(right)
The Sackler Building 14 -22 Howie Street, London, UK
interior : double/single height studios, workshops, corridor
Architect / Haworth Tompkins General Contractor / LIFE Building Solutions Structural Engineer / Price and Myers Mechanical Engineer / Max Fordham Consulting Engineers Retail / gallery, workshop, studio Completed / 2008 Size / 1,280 sq m
Intro to Design Studio | Fall 2012
AREA / 2 floors.
Sarah Burgett-Leutner
Instructor | Yugon Kim
“The prospect of redesigning one of New York’s legendary restaurants in one of the world’s most distinguished modernist buildings was as inviting as it was daunting. The architecture of the new restaurant respectfully challenges many of the tenets of modernism”. Diller + Scofidio
1
The Brasserie Seagram Building, 100E 53rd St, NY
booth tables (top) perspective (left) enterance (right)
Architect /Elizabeth Diller & Ricardo Scofidio Architect(existing) / Philip Johnson Retail / Restaurant Completed / 2000 Size / 650 sq m
Intro to Design Studio | Fall 2012
Junho Choi
The Sackler Building
Project 1 | Existing Construct
Diagram 3 Construction phases
Drawings Section, ground and first floor plan resourses : Haworth Tompkins
Diagram 3 Lighting
Diagram 4 Ventilation
Diagram 2 Space Program
Mezzanine
single height / top lit studios
double height / top lit studios
single height / side lit studios
original birck structure / sackler building
Intro to Design Studio | Fall 2012
Sarah Burgett-Leutner
The Brasserie
Diagram 1 Concept & Feature diagram “The most important link to Mies’s plan is the emphasis Ms. Diller and Mr. Scofidio have placed on the relationship between interior and exterior space. In the procession from the street, across the plaza, into the elevator lobby on Park Avenue, Mies dramatized the reduction of the Seagram Building’s wall to a transparent membrane and the erosion of the division between interior and exterior space. Ms. Diller and Mr. Scofidio pick up the theme with an interplay between openness and enclosure, evident in the spatial relationship between the booths and the bar, and in the screening device of the pear wood shell.” HERBERT MUSCHAMP(1999, New York Times)
diagram references
Diagram 2 Construction phases
phase1 existing structure
Intro to Design Studio | Fall 2012
phase2 adding on
Junho Choi
The Brasserie
Diagram 3 Adaptive reuse
Diagram 4 Circulation diagram
Diagram 5 Circulation(What if?)
Intro to Design Studio | Fall 2012
What if?!
Typical Restaurant + Bar Plan
diagram references
Junho Choi
Comparative analysis
Intro to Design Studio | Fall 2012
WITHIN & OUT
Kolumba Art Museum + Danish Jewish Museum Yao Yao | Sijia Yu | Jing Zuo
Kolumba Art Museum
Instructor | Liliane Wong
St. Kolumba Church
The ruins and the chapel
The new space
Old & New (Adaptability of Existing Conditions) The new exhibition space wraped both the chapel and the ruins. Also, the 600mm-thick brick structure sits on the top of remnants of the brick-stone wall, and its 24m-high ceiling covers the whole archeological area.
The normal church
The new space
Old & New (Circulations) The circulation of the new archeological site is totally different from the normal church.
Kolumba Art Museum Cologne, Germany
Architect / Peter Zumthor Date of Construction (Existing): 7th Century Date of Construction (Intervention): 2007 Building History
Intro to Design Studio | Fall 2012
7th Century
St. Kolumba Church
1950
The Chapel ‘ Madonna in the Ruins‘
1970s
Archeological site Ya o Ya o | S i j i a Y u | J i n g Z u o
Instructor | Liliane Wong
Danish Jewish Museum
Building History /
Old & New /
1598
Royal Boat house
Old space: classical square space
1906
Royal Library
New space: more dinamic and Abnormity
2003
Jewish Museum Old space >>
Concept / MITZVAH The Museum was inspired by the mass rescure of roughly eight thousand jews in october 1943, by their compatriots the hebrew word MIZVAN-an obligation or good deed is symbolized in the form and structure of the museum.
Concept sketch
<<New space
Interior circulation
The Jewish Museum Copenhagen,DK
Architect / Daniel Libeskind Structural Engineer / Moe and Brødsgaard Mechanical Engineer / Moe and Brødsgaard (M&E) Landscape Architect / GHB Landskabsarkitekter Consulting Engineer / Hansen & Henneberg Exhibition Design / Kvorning Design & Kommunikation Completed / 2003
Intro to Design Studio | Fall 2012
Size / 4,800 sq ft
Ya o Ya o | S i j i a Y u | J i n g Z u o
Kolumba Art Museum
Old & New (Sections)
Old & New (Structures) Peter Zumthor kept all the existing space by using the steel columns to support the double-height ceilings.
Old & New ( Interior Space) Reuse the ruins to let visitors experience the silence and history.
Intro to Design Studio | Fall 2012
The exiting space
The new space
Old & New (Materials)
The relationship of colors and the proportions between the old bricks and the new ones
Ya o Ya o | S i j i a Y u | J i n g Z u o
Danish Jewish Museum
Instructor | Liliane Wong
Elevation>>>
Structure /
Material & Light /
The sloping wooden floor and the carved wooden interior recall the boats that transported the danish jews to safety.
The old brick structure and the new volume of the exhibition space creates a dynamic dialogue between past and future. Ancient brick wall vectors of light fragments of memory intersect in the exhibition space.
Site plan>>>
Intro to Design Studio | Fall 2012
Ya o Ya o | S i j i a Y u | J i n g Z u o
Comparison between Kolumba Art Museum and Jewish Museum
Instructor | Liliane Wong
This is the fenestration pattern on three elevations; you can see the windows gradually changing in the vertical direction. The original windows of the church were filled with blocks and lost their ways of being entrance of light. On the second floor, the perforated bricks are the mainly material of the new as well as the way of welcoming light. High windows and French windows on the third floor make the fenestration pattern more directly and bold
The biggest difference between the two museums is the renovation stratergy. As for the Kolumba Art Museum, the new space hugs the existing area. Whereas, the Danish Jewish Museum is the building within the building.
Intro to Design Studio | Fall 2012
These diagrams show the relationship between space and circulation. In kolumba Museum, the path is only a path through the space.But in the Jewish Museum, the space and the path share the same shape.
Ya o Ya o | S i j i a Y u | J i n g Z u o
Comparison between Kolumba Art Museum and Jewish Museum
In Kolumba Museum, the new bricks are well connected to the old ones. They are manipulated in the similar color system in a gentle way.
Instructor | Liliane Wong
While in Jewish Museum, the architect tried to make a huge contrast with plywood covering the original bricks.
In Kolumba Museum, the lighting on the first floor combines natural and artificial light with the perforated bricks and overhead lighting. High windows and French window, as the mainly source of lighting on the second and third floor bring natural light to the exhibition areas of the museum. While in Jewish Museum, the whole space is dramatically lit up by artificial light.
In Kolumba Museum, the wooden bridge makes people get much closer to the historical site and tangible ruins. While in the Jewish Museum, the architect took inspiration from the experience of being on the boat; try to make people to feel, to experience, to memorize. It is more like an intangible kind of thing.
Intro to Design Studio | Fall 2012
Ya o Ya o | S i j i a Y u | J i n g Z u o
CENTER OF THE AREA Prada In Soho + Cenemata Matadero EUN SONG KIM | HEE KYOUNG KIM
Instructor | Joe Haskett
1992
2001
GUGGENHEIM Museum
In SoHo, there were a lot of artists, art studio and gallery.
Architect: Aratal Isozaki 22,000 sf of exhibition and retail space To retain the unique identity of the original structure
Late 1990s
The invasion of Soho by retail shopping
PRADA- Epicenter
SoHo is the most famouse fashion place. The coner, Broadway st. and Prince st., is most crowded with shoppers and sightseers. Becomming an outstanding place
Chelsea Pri nc e
Bro ad wa y
Most art Gralleries moved to Chelsea
SoHo
galleries movement at late 1990s retail stores movement at late 1990s
PRADA EPICENTER
NEW YORK Project name: PRADA EPICENTER Location: NEW YORK, NY, UNITED STATES Year: 2001 Project by: OMA l REM KOOLHAAS
Intro to Design Studio | Fall 2012
EUN SONG KIM l HEE KYOUNG KIM
Plan Diagram
Relationship Diagram
Display boxes
Instructor | Joe Haskett
PRADA
Multifunctional Space Focal Point Structure Office Space Display Space
Intro to Design Studio | Fall 2012
EUN SONG KIM l HEE KYOUNG KIM
Cineteca Matadero
Instructor | Joe Haskett
Concept
The Slaughter House
+
Modern Space
Solution
Center of City
Center of Culture
Project name: Cinema Center in Matadero de Legazpi Location: Matadero de Legazpi, Madrid, Spain Year: Design-2009, Completion-2011 Project by: Churtichaga+Quadra salcedo Architects
Intro to Design Studio | Fall 2012
EUN SONG KIM l HEE KYOUNG KIM
Instructor | Joe Haskett
Remain Ramnents
Matching Material Weaving
Unify the Concept
Brick
Wood
Rubber Hose
Intro to Design Studio | Fall 2012
EUN SONG KIM/ HEE KYOUNG KIM
Instructor | Joe Haskett
Place
Centeralize
Modify without Expending
Way to Dividng Space
+ +
Intro to Design Studio | Fall 2012
EUN SONG KIM l HEE KYOUNG KIM
Instructor | Joe Haskett
Change the Momnet
Movie Time!!
Transform Uses
Circulation
Over!!
Display time!!
Event Time!!
Intro to Design Studio | Fall 2012
EUN SONG KIM/ HEE KYOUNG KIM
RESTORATION vs. RENOVATION Pinacoteca do Estado + Olivetti Showroom Celia Yi | Lindsay Winstead
Instructor | Liliane Wong
Pinacoteca do Estado
Sao Paulo, Brazil
paraque da luz pinacoteca do estado Architect / Paolo Mendes de Rocha Prior Use / Art + Craft Grammer School Intended Use / Museum
ruz railway staion
Project date / 1993 Completed / 1998 Date of Exhisting buildings / 19th cen (Ramos de Azevedo) Type of work / restoration, renovation, adaptation Intro to Design Studio | Fall 2012
AREA / 3 floors
Celia YI
Instructor | Liliane Wong
piazza san marco
Olivetti Showroom Venice, Italy
Architect / CARLO SCARPA Collaborator / Gilda Dâ&#x20AC;&#x2122;Agaro Structural Engineer / Carlo Maschietto Commissioner / Adriano Olivetti Intended Use / tech. showroom
olivetti showroom calle cavalletto
Completed / 1957-1958 Size / 105 Square meters Intro to Design Studio | Fall 2012
AREA / 1st floor and Mezzanine
Lindsay Winstead
Olivetti Showroom
Project 1 | Existing Construct
Building System Major Renovation
Building System Building System
Major Renovation
Major Renovation
Major Renovation
Building System
natural light natural light 1st floor ground floor ground floor ventilation ventilation natural light Before Plan ground floor structure structure Major Renovation ventilation existing intervention Ramos de Azevedo Ramos de Azevedo Mendes de la Rocha structure natural lightRenovation natural light natural light Major BuildingMendes System Ramos de Azevedo ground floor de la Rocha ventilation mechanical ventilation structure structure structure Major Renovation Ramos de Azevedo Mendes de la Rocha
Material
Material Material
Circulation
Circulation
2nd floor 1st floor After Plan
1st floor
2nd floor 2nd floor 2nd floor
1st floor
Circulation
Circulation
Material sky panel : natural light
sky panel : natural light sky light skypanel: panelnatural : natural light
sky panel : natural light
natural light ground floor groundground floor floor ventilation structure
Ramos de Azevedo Mendes de la Rocha bricks : wall structure
1st floor
1st floor
A
2nd floor
2nd floor 2nd floor
bricks : wall structure
bricks: structure brickswall : wall structure
Material
steel : path ways
Circulation
bricks : wall structure
steel: ways steel path : path ways
steel : path ways Circulation
steel : path ways
ceiling/floors
sky panel : natural light plastered wall : gallery wall plastered wallwall plasteredwall: wallgallery : gallery
floors
plastered wall : gallery wall
plastered wall : gallery wall
Paolo Mendes de Rocha
section A
Pinacoteca do Estado Pinacoteca do Esta south elevation Pinacoteca Pinacoteca do do Estado Estado Pinacoteca do Estabo
Olivetti Showroom
Building System System Building Building System
Major Renovation Major Renovation
ground floor Scarpa After
Scarpa Before
Material existing
Before Plan
After Plan
Circulation Major Renovation Building System intervention Scarpa After
Scarpa Before Scarpa Before
Major Renovation
Scarpa After
natural light natural light
structure structure
Material Material Material
ground floor ground floor
2nd floor 2nd floor
natural light Major Renovation mechanical structure Circulation
mechanical mechanical
rosewood : ceiling/floors
Circulation
masaic tile: floors rosewood : ceiling/floors rosewood: rosewoodceiling/floors : ceiling/floors
A
masaic tile: floors
mosaic masaictile: tile:floors floors ground floor
1st floor
ground floor Scarpa Before
fter Material
Scarpa After steel: door/windows
steel:door/windows door/windows steel: steel: door/windows marble: marble floor/walls : floor/walls
marble :marble floor/walls : floor/walls Circulation stucco walls : walls stucco: stucco : walls
ground floor Main circulation ground floor Main circulation ground floor Main circulation Exhibition circulation Exhibition circulation Exhibition circulation
2nd floor
2nd floor
ground floor
2nd floor 2nd floor
Circulation
stucco : walls rosewood : ceiling/floors
gelgian marble : sculpture
gelgian sculpture gelgianmarble: marble : sculpture
wood : ceiling/floors
aic tile: floors
natural natural light light mechanical mechanical structure structure
Project 2 | Existing Construct
masaic tile: floors
section A
south elevation
gelgian marble : sculpture
stone walls : walls stone: stone : walls Carpo Scarpa
Olivetti Showroom
steel: door/windows
stone : walls
Main circulation
ground floor
2nd floor
Pinacoteca do Estado
Project 1 | Existing Construct
Program Program Program Program
gallery administration/management admin/management admin/management admin/management catwalk catwalk catwalk catwalk piazza piazza piazza piazza library library library library gallery side countryard courtyard side side side courtyard courtyard restoration workshop admin/management restoration restoration workshop workshop restoration workship auditorium auditorium auditorium auditorium catwalk entrance corridor corridor entrance entrance entrance corridor corridor gallery gallery gallery
natural light ground floor ventilation structure
do
ground floor
Program Circulation Circulation
1st floor
1st floor
2nd floor
2nd floor
Naturallight light Natural Natural light
atural light
piazza library side courtyard gallery restoration workshop admin/management catwalk auditorium piazza entrance corridor library
foyer foyer foyer foyer tickets/information tickets/information tickets/information tickets/information
foyer tickets/information
foyer tickets/information
side courtyard restoration workshop auditorium entrance corridor ground floor
1st floor
2nd floor
structure
ways
Natural lighting Natural light
all : gallery wall
Pinacoteca do Estado
Pinacoteca do do Estado Estado Pinacoteca ground floor
Intro to Design Studio | Fall 2012
1st floor
2nd floor
Celia Yi
Olivetti Showroom
Project 2 | Existing Construct
Major Major Renovation Renovation
natural naturallight light Program mechanical mechanical structure structure
C
g Program
A
2nd 2nd floor Bfloor
ground groundfloor floor
STORE
gallery gallery gathering gathering offices offices
THEN
TECH
TODAY
Circulation Circulation
Circulation
g
Comparision
Lighting
g/floors /floors
natural light artificial light screening
Program main circulation Main Maincirculation circulation
ows ws
slls
1st floor
ground floor ground ground floor floor
2nd 2ndfloor floor
gallery gathering offices
ehibition circulation Exhibition Exhibition circulation circulation
Lighting
culpture sculpture
Lighting section A Intro to Design Studio | Fall 2012
section B
section C
natural naturallight light artificial artificiallight light screening screening
Lindsay Winstead
Insertion
Pinacoteca do Estado
Projects | Comparison Carlos Scarpa
Materiality Contrast Diagram
Intervention Typology: Comparison ring
Scarpa Theory
Laye
New Material
Paolo Mendes da Rocha
Material Intervention: Comparison
Intervention DiagramIntervention Diagram
Existing Paolo Mendes da Rocha
New Material
Existing
REVEAL Existing Materials
Intervention
Intervention
Exterior/Interior BlendExterior/Interior
existing Existing Existing Intervention intervention Intervention Sculptural touch
Blend
sculptural touch Sculptural touch
Wrapping
Carlos Scarpa
Wrapping Insertion
Pinacoteca do Estado Carlos Scarpa
Proess of Intervention: Comparison
Existing FacadeCarlos Scarpa
Existing Paolo Mendes da Rocha
Intervention Significant Location Paolo Mendes da Rocha
Scarpa Theory
ring
Laye
Carlos Scarpa
Intervention
Historical Facade
Existing
VS.
Pinacoteca do Estado
REVEAL
New Material
Materiality Contrast Diagram
New Material
REVEAL
Existing Materials
Existing
Intervention
Laye
Existing Materials
Intervention Paolo Mendes da Rocha
Existing
ring
Scarpa Theory
Insertion
New Material
Materiality Contrast Diagram
New Material
Paolo Mendes da Rocha
Location: Carlo Scarpa
Carlos Scarpa
Pinacoteca do Estado
Intro to Design Studio | Fall 2012
Celia Yi
Insertion Olivetti Showroom
Projects | Conparison
Intervention of Circulation: Paolo Mendes da Rocha
Methodology: Carlo Scarpa
Carlos Scarpa
horizontal circulation
Existing
Paolo Mendes da Rocha
New Material
Laye
REVEAL Existing Materials
Intervention
Intervention Existing
ring
Scarpa Theory
vertical circulation
mechanical circulation
Materiality Contrast Diagram
New Material
Paolo Mendes da Rocha
Carlos Scarpa
Pinacoteca do Est
steel = circulation connection Light Intervention: Camparison
Intervention Connections: 1 - DIRECT vs. INDIRECT INTERVENTION 2 - MATERIAL USAGE 3 - INCREASE IN LIGHT -> BURRIED BOUNDARY LINE BETWEEN EXTERIOR AND INTERIOR
existing Intro to Design Studio | Fall 2012
intervention Lindsay Winstead
ADD-ON LID
The Water House Boutique Hotel & The British Museum Sally Gales | Geonwoo Nam
Instructor | Joe Haskett
The Water House Boutique Hotel
Shanghai, China
Shanghai, China -1930’s Architect / Neri & Hu Design & Research Office (NHDRO)
Up and Coming City Central
Original Date of Construction: 1930’s Original Function: Japanese Army Headquarters Boutique Hotel Completed / May 2010 Size / 8,0000 sq ft AREA / 4 floors
Intro to Design Studio | Fall 2012
Shanghai, China -2010
Shipping Ports Industrial: Factories, Warehouses, Wharfs Old City Center Sally Gales Geonwoo Nam
Instructor | Joe Haskett
REGENT PARK
KINGS CROSS ST PANCRAS EUSTON STATION
BRITISH MUSEUM
HYDE PARK
1
ST JAMES’S PARK BUCKINGHAM PALACE
SOUTH BANK LONDON EYE
TOWER BRIDGE
The British Museum San Francisco
Architect / Norman Forster, Forster + Partners Original Date of Construction: 1753 Original Function: Mansion National Museum Completed / 6 Dec 2010 Size / 1323000 sq ft
Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The Water House Boutique Hotel
Project 1 | Existing Construct
Shanghai, China -1930â&#x20AC;&#x2122;s
SITE PLAN Parking Lot seperates building from Huangpu River
VIEW FROM SITE: Then and Now
May 2010 - World
Shanghai, China -2010 Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The British Museum
Project 1 | Existing Construct
1753
1852
1857
1939
2000
DEVELOPMENT OF THE FLOOR PLAN
5000 in 1753 Vistors per year 6 milion in today
71000 in 1753 Collections 8 milion in today
Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The Water House Boutique Hotel
Project 1 | Existing Construct
new
VOLUME ADD-ON
OLD
Existing Mass
OLD VS NEW
NHDRO chose to contrast their intervention from the existing structure - calling a sharp distinction between the old and the new.
Cor-ten Steel
STRUCTURE
Concrete
Existing structure, although only 3 stories high, emphasized the vertical with column lines. New addition runs along horizontal. Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The British Museum
Project 1 | Existing Construct
STRUCTURE, MATERIAL AND DETAIL SKINED ROOF ADD-ON
EXISTING MASS
3312 PANELS OF TRIANGULAR GLASS SHIPBUILDING STEEL 6000 BEAM 1800 CONNECTING PIECES
Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The Water House Boutique Hotel
Project 1 | Existing Construct
LOBBY
STAIRWELL
ROOMS
ROOF
NONG - TONG, SHANGHAI COURTYARD - WATER HOUSE HOTEL NONG - TONG Reflecting on Shanghai’s past, NHDRO utilized the courtyard in the hotel as a modern day “nongtang.” Deliberate cut outs and windows allow people to spy private spaces from putblic and overlook public domains from private rooms.
CIRCULATION Primarily along veritcal axis to access hotel
Intro to Design Studio | Fall 2012
rooms.
Sally Gales Geonwoo Nam
The British Museum
Project 1 | Existing Construct
1993
TODAY
CIRCULATION COMPARISON Primarily along horizontal axis to access the court yard.
Intro to Design Studio | Fall 2012
Sally Gales Geonwoo Nam
The Merida government decided to build up this National Museum of Roman Art on the Roman archeological ruins. The new building is adaptived to the dug down ruins, which not only provide a shelter protecting the archieological ruins, but also make a storage and display space for the archeological relics. The whole system is like a clear jug with the lid on. Address, C/Jose Roman Melida, s/n 06800 MERIDA
National Museum of Roman Art
The museum is also located close to the other archeological ruins, which is part of the surrounding Roman Coulture area. Architect / Rafael Moneo Location / Merida, Spain Project designed year / 1979 Construction year / 1981-1986
LUDLOW ST.
STANTON ST.
Ini Ani Coffee Shop
Architect / Lewis Tsurumaki Lewis Location / New York, NY Designed / 2003 Constructed / 2004 Size / 350 sq. ft
repetition system acient Roman road and aqueduct called â&#x20AC;&#x153;San Lazaroâ&#x20AC;? were exposed to the light expanded the excavation area Roman brick kept digging Roman arch structure
retaining walls were built preventing collapse chunky solid building decision made in 1975 build up a museum above Rafael Monea became the designer of the new building and the construction started in 1981
massing
archeological artifacts
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C C C
ON
LO G 8ʼ
1
0
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PLAN
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PROGRAM
IR ULATI UN E
STRUCTURE
SPACE
INI ANI COFFEE
MINIMIZE vs. MAXIMIZE Punta Della Dogana + The Domestic Trawwnsformer Julianne J. Conrad | Sun Young Kim
Instructor | Yugon Kim
Punta Della Dogana Venice, Italy
Architect / TADAO ANDO Architect & Associates General Contractor / Equilibri srl Structural Engineer / Tecnobrevetti srl Mechanical Engineer / Studio Lagrecacolonna Project / Contemporary Art Center Project Date / 2009 Size / 54,000 sq ft
Intro to Design Studio | Fall 2012
Julianne J. Conrad
Punta Della Dogana
Project 1 | Existing Construct
Tadao Andoâ&#x20AC;&#x2122;s design implications were to minimalize all aspects of this project by completely gutting the inside of the building, removing all of its interior history. The existing exterior walls were left completely untouched, while Ando inserted new materials, or his signature material, of concrete. He created a dialogue between old and new elements, a link between the history of the building, its present, and its future. Intro to Design Studio | Fall 2012
Julianne J. Conrad
Punta Della Dogana
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Julianne J. Conrad
Punta Della Dogana
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Julianne J. Conrad
Punta Della Dogana
Project 1 | Existing Construct
The Punta Della Dogana is a constant juxtaposition of materials, minimalizing what used to be there with clean surfaces of concrete and glass.
Intro to Design Studio | Fall 2012
Julianne J. Conrad
Punta Della Dogana
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Julianne J. Conrad
Punta Della Dogana
Project 1 | Existing Construct
â&#x20AC;&#x153;The renovation project, which aims to fit out all the space in the building, included various different types of work: from protection against water to structural consolidation and restoration of the masonry structures, from the utility ducts and electrical wiring to the architectural concrete elements, the flooring, the outside door and window and frames, the roof, reconfiguration of the existing lofts and restoration of the sculptures.â&#x20AC;?
Intro to Design Studio | Fall 2012
Julianne J. Conrad
Punta Della Dogana
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
Julianne J. Conrad
Instructor | Yugon Kim
T h e D o m e s t i c Tr a n s f o r m e r
Left | View from outside of the apartment Right above | floor plan for renovation Right below | 24rooms in 32m2 floor plan
The Domestic Transformer
Architect / GARY CHANG Client / Gary Chang Design Team / Jerry She, Gigi Wong (Edge Design Institute) What / Residential Apartment Where / Suite 1604 Eastern Harbour Centre, 28 Hoi Chak Street Quarry Bay, Hong Kong Completed / 2007
Intro to Design Studio | Fall 2012
Area / 350 sq ft (32m2)
S u n Yo u n g K i m
T h e D o m e s t i c Tr a n s f o r m e r
Transformations from livingroom to bedroom and/or kitchen.
Intro to Design Studio | Fall 2012
Instructor | Yugon Kim
Transformations from studyroom to bathroom and/or dining room.
S u n Yo u n g K i m
Project 1 | Existing Construct
T h e D o m e s t i c Tr a n s f o r m e r
2007, The Domestic Transformer
Intro to Design Studio | Fall 2012
S u n Yo u n g K i m
T h e D o m e e s t i c Tr a n s f o r m e r
Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
S u n Yo u n g K I m
P u n t a d e l l a D o g a n a , T h e D o m e s t i c Tr a n s f o r m e r
Punta Della Dogana Intro to Design Studio | Fall 2012
Project 1 | Existing Construct
The Domestic Transformer J u l i a n n e C o n r a d , S u n Yo u n g K i m
INSIDE - OUT Mill City Museum + The Centrale Christina Chanter | Amanda Azzahra
Instructor | Yugon Kim
Mill City Museum Minneapolis, MN
Architect / MEYER, SCHERER & ROCKCASTLE ARCHITECTURE General Contractor / Sheehy Construction Structural Engineer / Bakke, Kopp Ballou & McFarin, Inc. Mechanical Engineer / Lundquist, Killeen, Potvin & Bender, In.c Museum / Office Completed / 2003 Size / 125,000 sq ft
Intro to Design Studio | Fall 2012
Christina Chanter
Instructor | Yugon Kim
The Centrale Beirut, Lebanon
Architect / BERNARD KHOURY General Contractor / Eile Abdelnour Structural Engineer / Robert Riachi Mechanical Engineer / George Fares Restaurant / Bar Completed / 2001 Size / 400 sqm
Intro to Design Studio | Fall 2012
Amanda Azzahra
Mill City Museum
Massing & Material Diagram
Project 1 | Existing Construct
Circulation Diagram
Perspective Diagram
Intro to Design Studio | Fall 2012
Christina Chanter
Project 1 | Existing Construct
The Centrale
Massing & Material Diagram
Heating & Cooling Diagram
Program & Circulation Diagram
Intro to Design Studio | Fall 2012
Amanda Azzahra
Mill City Museum / The Centrale
Project 1 | Existing Construct
Structural System Comparison Diagram
Intro to Design Studio | Fall 2012
Christina Chanter / Amanda Azzahra
Mill City Museum / The Centrale
Project 1 | Existing Construct
Figure Ground Comparison Diagram
Intro to Design Studio | Fall 2012
Christina Chanter / Amanda Azzahra
INSIDE OUT
Gasometer City + JS Bach Chamber Music Hall Ceren Ozturk | Naz Sabir
Instructor | Joe Haskett
The Gasometer City, in the suburban district of Simmering are a cluster of four enormous gas tanks, with their impressive 70 meter-high brick walls, had the capacity to provide gas to a large part of the population.
The four gasometers, part of what was once the largest gasworks on Continental Europe was adapted to become the heart of a multifunctional new district of Vienna. Today the development contains approx. 600 apartments â&#x20AC;&#x201D; in-line with the policy of socially mixed housing, with both rented homes as well as private dwellings, a student residence for 400 occupants, a concert hall for up to 4.000 visitors, offices and a shopping centre.
Gasometer City Architect / Jean Nouvel, Coop Himmelb(l)au, Manfred Wehdorn, and Wilhelm Holzbauer Project Cost / 206,8 Million US Dollars Capacity / 90,000 cubic meters Retail / Mixed Use Completed / 2011 Size / ~ 860,000 sq ft residential + commercial + office spaces Intro to Design Studio | Fall 2012
Area / 22 Floors, 615 flats, 3000 seat auditorium, 70 stores
Ceren Ozturk
Gasometer City
Project 1 | Existing Construct
circulation
structure | materials
In Gasometer A by Nouvel, the apartments in the 9 segmental building elements are reached from 3 staircase cores and 6 access decks. Some of the façades of the apartments face outwards, some towards the central internal courtyard that has been made as an open atrium. The floor of the internal courtyard forms a glass dome that lights the retail areas and separates them from the housing. The “night-mall“ below is connected with the multi-purpose hall in section B and forms a continuous mall level in all four gasometers.
gasometer
A
B
Gasometer ‘A’ Jean Nouvel
C
D
The four gasometers, part of what was once the largest gasworks on Continental Europe was adapted to become the heart of a multifunctional new district of Vienna. Today the development contains approx. 600 apartments in-line with the policy of socially mixed housing, with both subsidised rented homes as well as private dwellings, a student residence for 400 occupants, a concert hall for up to 4.000 visitors, offices and a shopping centre.
Intro to Design Studio | Fall 2012
Ceren Ozturk
Instructor | Joe Haskett
1 For the 2009 Manchester International Festival, Zaha Hadid and her design team created the JS Bach Chamber Music all, at the Manchester Art Gallery. It was designed to house solo performances of Johann Bachâ&#x20AC;&#x2122;s spectacular Music.
Project / JS Bach Chamber Music Hall Architect / Zaha Hadid Design Team / Melodie Leung/ Gerhild Orthacker Acoustic Consultant / Sandy Brown Associates Fabricators / Base Structures Tensile Structure Engeneer / Tony Hogg Design Clients / Manchester International Festival Intro to Design Studio | Fall 2012
Site / Manchester Art Gallery
Naz Sabir
JS Bach Chamber Music Hall
Project 1 | Existing Construct
The space of the gallery used, was primarily designed for visual art, which was a challenge for Zaha Hadid architects. They had to find a solution to the scale of the space, how to intergrade an installation that dealt with the acoustic necessities of a music hall while meeting itâ&#x20AC;&#x2122;s structural requirements. In addition to these problems they were also facing budget limitation. To resolve their challenges, Zaha Hadid requested a fabricator to find a feasible structure solution that would meet her design ideas. She also consulted an acoustic consultant and a tensile structural engineer to find a way to enhance the acoustics. Using the specialists advises, they designed a chamber music hall in which they used a single continuous ribbon of fabric that swirled around it self, making layered spaces to give the audience a special experience in a fluid space by integrating a formal and structural logic. Steel Structure
Acrylic Reflectors - Sound
Intro to Design Studio | Fall 2012
Fabric
Sound Circulation
Ceiling Cords
People Circulation
Naz Sabir
G a s o m e t e r C i t y, J S B a c h C h a m b e r M u s i c H a l l
Project 1 | Existing Construct
combination
Intro to Design Studio | Fall 2012
Ceren Ozturk | Naz Sabir
EMPHASIZING RUINS Hedmark County Museum + Commes des Garcons Colin Stief | Mingfei Song
Hedmark County Museum
Architect / Sverre Fehn Museum Date of Existing Structure / 19th century Date of Intervention / 1967-1979
The floor is given a new importance by raising the horizon and viewer.
Hamar, Norway
Intro to Design Studio | Fall 2012
Colin Stief Mingfei Song
Instructor | Liliane Wong
sample of New York City fabric
Zoom in sample of the nerghborhood of Comme des Garçons in scale of 2 x 3
1
Commes Des Garcons New York City
Axon of Comme des Garçons street view
Relationship between ‘tunnel’ and the surrounding urban life
Architect / Jan Kaplicky, FUTURE SYSTEMS Retail Date of Intervention / 1998
The new addition “installation” tunnel provides an interface between the fashion designer Kawakuwo’s work and New York City. “The concept was to create something hidden, something private, to give a sensation of exploration. A tunnel take you from one world into the next.” -future systems
Intro to Design Studio | Fall 2012
Colin Stief Mingfei Song
Hedmark County Museum
Project 1 | Existing Construct
C o m m e s D e s G a r c o n s , N . Y. C .
outside element dropped in existing site
intervention in existing structure
site
interventionâ&#x20AC;&#x2122;s interaction with existing site
Hedmark County Museum
Comme des Garcons
Intro to Design Studio | Fall 2012
Colin Stief Mingfei Song
Hedmark County Museum
Project 1 | Existing Construct
C o m m e s D e s G a r c o n s , N . Y. C .
form and view
Intro to Design Studio | Fall 2012
perceived vs. actual positioning of person
circulation
materials
emphasis
Colin Stief Mingfei Song