PORTFOLIO RITA COSTA LOPES
PORTFOLIO RITA COSTA LOPES_Architect http://ritacostalopes.weebly.com/
Rita Moreira da Costa Baptista Lopes Rua do Almada, 492, 3º, 4050-039 Porto, Portugal (+351) 91 561 62 79 or (+351) 935 943 637 ritacostalopes@hotmail.com Portuguese 01-03-1984
ACADEMIC BACKGROUND
PROFESSIONAL PRACTICE
[2009]
[2011/12]
Pedagogic and scientific aptitude exam (MSc): “Yegué - Primitive Architecture in the 21st Century”,Faculdade de Arquitectura, Universidade do Porto (FAUP), Portugal
Collaborator Carvalho Araújo, Arquitetura e Design S.A., Braga, Portugal
[2007/08] ERASMUS Brandenburgische Technische Universitat Cottbus (BTU Cottbus), Germany
[2003/09] MSc in Architecture Faculdade de Arquitectura, Universidade do Porto (FAUP), Portugal
[1989/97] Studies at Oporto British School in Porto, Portugal
AWARDS [2010|11] Grant / Scholarship - International Scholarship Program INOV-ART (2nd edition) - Internship at Vastu Shilpa Consultants, Ahmedabad, India. Promoted by Direcção Geral das Artes and Ministry of Culture, Portugal
[2010] 1st Prize in Competition “rePlace:muro3” Project “HomeoBox” developed in co-authority with Arquitectos Anónimos, Porto, Portugal. Awarded by FAUP and Dédalo Magazine, Porto, Portugal
[2009] Honor Mention in Competition "Erasmus Prize - Incoming Outgoing Students, 1st Edition - My Erasmus" Project:"Hier-ist-der-garten, Unity in Plurality" Awarded by Università di Camerino; Camerino, Italy
[2008] 1st Prize in Competition "Exploring Vulnerabilities - An Opportunity for city Centres" Project:"Hier-ist-der-garten, Unity in Plurality" Awarded by the Ministry of Infrastructure and Planning; Potsdam, Germany
[2010/11] Internship Vastu Shilpa Consultants, Ahmedabad, India
[2010] Internship Arquitectos Anónimos, Porto, Portugal
SELECTED PROJECTS
[2012] EXPORTS LOGISTICS CENTER | EPZ ITANHAÉM; Itanhaém, Brazil In collaboration with Carvalho Araújo, Arquitetura e Design SA; Braga, Portugal
[2012] ERC ARTS ITAÍM; São Paulo, Brazil In collaboration with Carvalho Araújo, Arquitetura e Design SA; Braga, Portugal
[2011] DAU_DHIRUBHAI AMBAMANI UNIVERSITY CAMPUS; Bhopal, India In collaboration with Vastu Shilpa Consultants; Ahmedabad, India
[2010/11] KAW HOUSE; Ahmedabad, India In collaboration with Vastu Shilpa Consultants; Ahmedabad, India
[2010] PENEDONO CASTLE; Penedono, Viseu, Portugal In co-authority with Arquitectos Anónimos; Porto, Portugal
[2010] SUNWORM; Porto, Portugal In co-authority with Arquitetos Anónimos; Porto, Portugal
[2010] AFRICAN SPECIES; Luanda outskirts, Luanda, Angola In co-authority with Arquitetos Anónimos
[2010] HOMEOBOX; FAUP(Faculdade de Arquitetura da Universidade do Porto) Porto, Portugal In co-authority with Arquitetos Anónimos, Porto, Portugal
[2007/08] KARL-MARX ALLEE; Karl-Marx Allee, Berlin, Germany Academic work: BTU Cottbus (Brandenburgische Technische Universitat Cottbus), Cottbus, Germany
[2007/08] HIER IST DER GARTEN, UNITY IN PLURALITY; Cottbus, Germany Academic work: BTU Cottbus, Cottbus, Bermany
[2006/07] CARCEREIRA SWIMMINGPOOL & GYMNASIUM; Carcereira, Porto, Portugal Academic work: FAUP (Faculdade de Arquitetura da Universidade do Porto), Porto , Portugal
[2005/06] BOAVISTA COLLECTIVE HOUSING; Boavista, Porto, Portugal Academic Work: FAUP, Porto, Portugal To view other works, please check my website http://ritacostalopes.weebly.com/
EXPORT LOGISTICS CENTER | EPZ ITANHAÉM ITANHAÉM, BRAZIL_2012 CONCEPT DESIGN In collaboration with JM CARVALHO ARAÚJO, ARQUITETURA E DESIGN S.A. It is intended to develop a complex of excellence - a masterplan for an EPZ - export logistics center in Itanhaém (Brazil) to work, live, and enjoy. The exceptional conditions of the plot, near the beach, connected to an urban fabric and with easy accessibility to Santos, Sao Paulo and Curitiba allowed to develop a program for a complex EPZ - Export Processing Zone with companies of excellence with top experts, where also new products will be developed. The intention of incorporating a mixed program, with housing, tourism, leisure, sports, industry and commerce is the opportunity to create a less conventional industrial area, which is more appealing, similar to new top technology centres. The aim was to create an environment of great harmony, with great quality of life in a place of unique features. Alongside to the needs of industrial and business pavilions, there is a residential program assuring housing accommodation both for senior and management and, for employees, assuring basic housing. Accommodation is complemented with a hotel area. There were three key points in the development of the project: 1 - The concept of "bags" as in indigenous camp sites, with great respect for the environment with areas which are simultaneously well defined but also in great harmony with the context; 2 - The concept of island / industrial neighborhood, creating dynamic business relationships or, the business neighbourhood. 3 - The concept of shopping street in industrial blocks, with several additional functions that value the product of the companies and brings the industry closer to the customer. This diversity results in a complex of greater harmony. Proximity of work to housing and leisure is possible in this complex.
green barrier
pathway
access square
industrial street
industry
comercial street
green barrier
hotel
atlantic forest
GENERAL PLAN
INDUSTRIAL AREA
INDUSTRIAL STREET
COMERCIAL STREET
RESIDENTIAL STREET
ERC ARTS ITAÍM SÃO PAULO, BRAZIL_2012 CONCEPT DESIGN In collaboration with JM Carvalho Araújo, Arquitetura e Design SA The immediate ancestors of the first skyscrapers were Mannor Houses extruded to the limits of possibility at the time. The use of the elevator, originally presented as a fairground attraction in a circus show, drove a rapid change in the paradigm of the possibility of building in height, when the sector still hadn´t had the time to develop new concepts or a new design. As so, these new buildings were mega-mansions that still kept the refinement, detail and dedication that they laid in previous private homes. With the appearance of the elevator the social structure of the floors were reversed. The top floors that were previously reserved for servants and laborers were now the most desirable. The competition of who is more at the top starts in the thickened urban fabric; at the abutment of the building rests its bylaw - from the attic to the pinnacle. The top of the building represents its crown and its base is defined as a multifunctional / social element in direct relationship with the city. Both contribute to the status of the building. The first, as a symbolic element, the second defines the cultural, social and commercial dynamics that the property may offer. Inbetween the two, the building is built by an undefined web that may have more or less floors.
Ground Floor
Gymnasium & Spa - 1st Level
Apartment Floors Variations:
ELEVATION (2) Based on "Block Screen" by Eileen Grey
Patio House (last floors) - Level 1
Patio House (last floors) - Level 2
Patio House (last floors) - Level 3
DAU - DHIRUBHAI AMBAMANI UNIVERSITY CAMPUS BHOPAL, INDIA_2011 Competition: Dhirubhai Ambamani University Campus Promoter: Reliance Anil Dhirubhai Ambani Group In collaboration with Vastu Shilpa Consultants Dhirubhai Ambani University outlined its vision to set up a campus on a 100 acres site at the outskirts of Bhopal, India. The university would offer graduate and doctoral programs in Information and Communication Technology. The brief outlined the need for a campus to nurture young minds in an environment that would create potential for intellectual and social exchange. At the same time it is imperative that the master plan would respect the context and celebrate the cultural identity of the historic city of Bhopal and be environmentally sensitive to the ecology. The site is set in a rural setting 15km from the Bhopal City Center. The hydrogeology study of the site reveals a depleted landscape and mostly patches of rocky sub base abundant with naturally occurring basalt. Natural rain water channels flows across the site from the hills at the North West corner gradually slopping to the east. The master plan responds to the brief by adhering to a multilayered planning approach with the intention to bind the built environments in a landscape which would enhance the physical network system of the campus.A natural system is weaved along the rainwater channels creating a preservation and landscape regeneration strategy which will eventually transform the existing landform. Water harvesting ponds are intertwined in this fluid landscape around which campus amenities are infused. The student and faculty housing and the core campus are placed strategically to generate a high level of pedestrian interconnectivity between them leading to several academic plazas and courts.
boys residential area institution area
girls and academics residential area
natural rain water chanels
captation of water chanels water harvesting ponds
general plan
general plan
water in march
water in monsoons
water in summer
walkability
walkability
water in winter
INSTITUTION AREA
INSTITUTION AREA
Ventilation system
RESIDENTIAL AREA
Ventilation
KAW HOUSE AHMEDABAD, INDIA_2010|11 Conceptual Design In collaboration with Vastu Shilpa Consultants Kaw House, in Ahmedabad, India, is for a family of six - Mr&Mrs Kaw and their frequent live-in two married children and guests. Constantly committed to the search for an architecture qualified for improving life and providing a sense of creativity and commitment to its inhabitants, the project developed with Vastu-Shilpa Consultants stems from a specific reply to its programmatic goal, site and environmental conditions. Situated on a suburban area of Ahmedabad, the site is a rectangular 2400m2 plot, divided into four: three equal fractions for the clients and their children, and the fourth plot facing the road, for offices. In a green residential area, its street is “extracted” out of the city´s tangled traffic into a peaceful area only to be found by locals or the curious. How to encompass its green inside the house? The central courtyard and the position of the windows and roof lights help outspread the building´s spacial boundary, setting up diagonal views across the house that capture specific outlooks of the trees and sky. The search of privacy and refuge does not demand isolation or enclosed space. Instead, the house is notable by a series of spaces that are full of light and air. At the center of the building is a courtyard inspired by the traditional Indian domestic courtyards. The surrounding green cuts through the building creating this open-to-sky garden sited inside the center of the house as an extention and part of the living room: a social hub for the gregarious family. Typically, this open-air courtyard and openings of the house not only assist ventilation but also provide visual and fair networks across all spaces of the house, providing the sense of a house within a large garden. With double skin concrete walls, self-supporting columns and floating concrete slabs, the structure is held in equilibrium without the sustenance of any internal walls. Inspired by historic pattern, the exterior angled walls evoke the dynamic drive of the buildings when one walks through the streets of a medieval Indian town with its facades. The structure creates different rhythms that resonate with the variegated shadows on its surface. The interior can be released to make an uninterrupted space. As it is, however, freestanding storage walls define the internal rooms, enhancing the house's spatial flexibility.
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission. NOTES
1. ALL DIMENSIONS SHALL B WITH THE STRUCTURAL DRA SHALL BE IMMEDIATELY BRO ARCHITECT BEFORE COMME
2 A 4.1
2. ALL DIMENSIONS ARE IN C OTHERWISE SPECIFIED
6
1
A 4.2
A 4.2
3. ALL LEVELS ARE FINISHED
4. ALL MARGINS, CLEARENC LAWS SHOULD BE CHECKED CONTRACTOR AND ANY DES IMMIDIATELY BROUGHT TO T BEFORE COMMENCEMENT O
5. FOR DETAILS OF ALL CUT REFER SERVICES CONSULTA
6. FOR STAIRCASE DETAILS
X1
X2
X4
X5
X6
X7
X8
7. FOR TOILET DETAILS REF
X9
8. FOR DOOR DETAILS REFE
9. FOR WINDOW DETAILS RE
10. FOR KITCHEN - PANTRY D
11. FOR MISCELLANEOUS DE
12. FOR VERANDAH DETAILS
231.5
169.01
85.99
400.5
486.92
400.5
990.65 34.5
315.52
11
611.98
34.5
242.1
486.08
153
486.08
170.25
37.87
247.5 247.5
420.27
15.23
A3
NORTH A 3.1
A2 A1
429.74 118.32
Y9
Y9
VERANDAH 6
5
588 X 505 19.3' X 16.5'
A 4.2
666.75
666.8
488.98
5 A 4.2
897
B3
283.41 B2 Y8
237.62
237.63
Y8
34.5
396.73 Y7
209
315 X 151 10.3' X 4.9'
139.88
TOILET B. 1 B3
151.37
139.88
Y7
TERRACE 444.9 X 492 15.6' X 16.1'
B1 Y6
LIFT
WEST
130 X 130 4.3' X 4.3'
A 3.1
EAST
114.45
400.5
331.5
331.5
23
1,469.52
A 3.1
B2
BEDROOM 1 471 X 432 15.5' X 14.2'
DN
LVL 296
34.5
34.5
230 X 260 7.5' X 8.5'
103.76
4 A 4.2
Y4 BEDROOM 2 366 X 512 13' X 17'
228.77
TOILET B. 2
A 4.2
137.23
194 X 258 6.3' x 8.4'
3
400.5
B1
512.01
400.5
1,467.5
KITCHNETT
LIVING|DINNING ROOM 702 X 366 23' X 12'
366
3
396.73
Y4
A 4.2
Y5
73.04
Y5
4 A 4.2
296.74
23
283.41
149.5
15
Y6
Y3 86 34.5
86
34.5
Y3
Y2
CONCEPTU
Y2
WATER TANK ABOVE
No.
Date.
406
406
406
457.5
526.5
Revisions
Date
Prints Issued to
Distribution of Prints
17.25
34.5
Key Plan
Y1
Y1
Consultants Structural Cons -
Services Consul 429.39
-
A3 118.67
SOUTH 863
650.5
794
231.5
121.32
133.68
34.5 400.5
115
593.65
177.25
23.37
309.67
231.5
Kaw Residence ,
A1
A 3.1
34.5
Project A2
435
171.97
11
366
486.08
34.5
153
Title
247.5
2,063.5
First Floor Plan Dealt :
X3
6
X6
X5
1:50
Date :
07/01/11
A 4.2
V!STU SHILP!
A 4.1
NOTES Architects I Planne
2 A 4.1
P4
Rita Lopes
Scale :
1
2
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
Checked : Jose.Benoy
A 4.2
6
1
A 4.2
A 4.2
1st FLOOR
1. ALL DIMENSIONS SHALL B WITH THE STRUCTURAL DRAW 'Sangath', Thaltej BROU Roa SHALL BE IMMEDIATELY ARCHITECT COMME Phone:BEFORE 079 - 2745453
www.sangath.org ALL DIMENSIONS ARE INeC
2. OTHERWISE SPECIFIED
3. ALL LEVELS ARE FINISHED
4. ALL MARGINS, CLEARENC LAWS SHOULD BE CHECKED CONTRACTOR AND ANY DESC IMMIDIATELY BROUGHT TO TH BEFORE COMMENCEMENT O
5. FOR DETAILS OF ALL CUTO REFER SERVICES CONSULTA 6. FOR STAIRCASE DETAILS
X1
X2
X4
X5
X6
X7
X8
7. FOR TOILET DETAILS REF
X9
8. FOR DOOR DETAILS REFE
9. FOR WINDOW DETAILS RE
10. FOR KITCHEN - PANTRY D
11. FOR MISCELLANEOUS DE 12. FOR VERANDAH DETAILS
1,373.92 231.5
255
673.58
400.5
486.92
486.08
153
34.5 263.7
257.3
852.92
336.79
222.31
247.5 80.06
451.28
A3
NORTH A 3.1
A2 A1
429.39 118.67
Y9 80
VERANDAH 2
80
Y9 316 X 858 10.3' X 28.1'
DN
5
5 A 4.2
B3
666.75
579.5
666.75
368
A 4.2
STUDY | DRAWING ROOM
284.6
991.23
336 X 580 11' X 19'
246
4
25.74 m2
B2
LILLY POND
Y8 108.77 198.66
VERANDAH 1 719 X 273 23.6'X8.9' LVL -02
15 149.5 23 494.51 UP 90
34.5
B1 156.69
KITCHEN
3 A 4.2
307 X 366 10' X 12'
MASTER B. TOILET COURT 1
345 X 145 11.3' X 4.4'
709 X 407 23.4' X 14.6'
DINNING ROOM
COURT 2
647X 396 21' X 13'
332 X 789 10' X 26'
94.31
400.5
75.74
15
245 X 146 8' X 4.8'
117.15
117.15
A 4.2
Y4
GUEST B. TOILET
99.29
33.7
4
108.3
142 X 160 4.6' X 5'
11
Y5
STORE
868 X 435 29' X 14'
145.82
108.3
11 146.27
142 X 136 4.6' X 4.4'
LIVING ROOM
396.77
3 A 4.2
135.19
TOILET
DN
568.62
637.96
UP
Y4
400.5
292.2
460.96
A 3.1
Y5
Y6
EAST
A 3.1
292.2
284.41
LIFT 130 X 130 4.3'X4.3'
WEST
4
Y7
B1
452 X 455 15' X 15'
B2
A 4.2
139.88
182 X 852 6' X 28' LVL -02
GUEST BEDROOM
Y6
306.49
139.88
33.7
69.34 47.69 46.53
VERANDAH 3 B3
35.57
9
Y7
229 X 354 7.5'X11.6' LVL - 0.00
237.62
237.62
395.7
ENTRANCE LOBBY
343
1572 X 703 51.5' X 23' LVL -04
1,872.5
GARDEN
34.5
Y8
Y2
86
34.5
357.66
86
Y3 34.5
Y3
CONCEPTU
Y2
618.16
No.
MASTER BEDROOM
LILLY POND
635X 344 20' X 11'
590X 444 4' X 7.4'
492
406
457.5
VERANDAH 4
Date
Prints Issued to
Distribution of Prints
LVL -02
Key Plan
226
406
Date.
Revisions
693 X 412 23' X 14'
VERANDAH 5
34.5
Y1 34.5
Y1 CAR PARK 561 X 557 18.5' X 18.3'
Consultants Structural Consu
LVL -122
-
Services Consul 429.39
-
A3
Project
118.67 A2
SOUTH 84.32
43.22
34
76.81
45.5
762.15
45.5
Kaw Residence ,
A1
A 3.1
45.5
602.89
353.11
727.65
231.5
255
400.5
283.85
486.92
486.08
762.15
153
Title
247.5
1,001.5
Ground Floor Plan Dealt :
X3
6
X6
X5
Rita Lopes
Checked : Jose.Benoy
A 4.2
Scale :
1:50
Date :
07/01/11
1
2
A 4.2
V!STU SHILP!
A 4.1
Architects I Planne
GROUND FLOOR
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
2 A 4.1
'Sangath', Thaltej Roa Phone: 079 - 2745453 www.sangath.org e-
NOTES
1. ALL DIMENSIONS SHALL B WITH THE STRUCTURAL DRAW SHALL BE IMMEDIATELY BROU ARCHITECT BEFORE COMMEN
2. ALL DIMENSIONS ARE IN C OTHERWISE SPECIFIED
6
1
A 4.2
A 4.2
3. ALL LEVELS ARE FINISHED
4. ALL MARGINS, CLEARENC LAWS SHOULD BE CHECKED CONTRACTOR AND ANY DESC IMMIDIATELY BROUGHT TO TH BEFORE COMMENCEMENT OF
5. FOR DETAILS OF ALL CUTO REFER SERVICES CONSULTA 6. FOR STAIRCASE DETAILS
X1
X2
X4
X5
X6
X7
X8
7. FOR TOILET DETAILS REFE
X9
8. FOR DOOR DETAILS REFE
9. FOR WINDOW DETAILS RE
10. FOR KITCHEN - PANTRY D
11. FOR MISCELLANEOUS DET 12. FOR VERANDAH DETAILS
2,196.84 231.5
169.01
85.99
400.5
34.5
486.92 750
486.08 34.5
153
749.43
247.5 34.5
555.74
38.18
A3
NORTH A 3.1
A2 A1
429.74
Y9
34.5
34.5
118.32
5
Y9
LAP POOL
UP
1250 x 270 8.9' X 41'
666.75
572.65
A 4.2
B3
666.75
A 4.2
284.6 4
COURT 3
TOILET
1,229.75
31.5
UP
Y8
28.74
1,277.48
200 X 118 6.6' X 5.2'
237.62
1,353.28
B2
LVL -296
237.62
Y8
34.5
563 X 572 18.5' X 18.3'
395.7 9 139.88
Y7 139.88
Y7
B3 B1
Y6
Y6
284.41 FAMILY | EXERCISE SPACE
A 3.1
492 X 628 20' X 29.5'
130 X 130 4.3'X4.3'
EAST A 3.1
292.2
WEST
77.64
292.2
LIFT
41.3
B2
108.3
108.3 400.5
3 A 4.2
Y5
396.77
Y4
A 4.2
Y4
400.5
Y5
4 A 4.2
B1
A 4.2
Y3 86
86
Y3
Y2
CONCEPTU
Y2
No.
Date.
406
406
Revisions
Date
Prints Issued to
Distribution of Prints
Key Plan
Y1
Y1
Consultants Structural Consu -
Services Consul 431.31
-
A3
118.76
33.9 255
400.5
Kaw Residence ,
A1
A 3.1
231.5
Project A2
SOUTH
486.92
605.6
Title
34.5
486.08
153
247.5
Basement Floor Pla
674
Dealt :
X3
2 A 4.1
X5
X6
Rita Lopes 06 Checked : Jose.Benoy
6 A 4.2
1 A 4.2
BASEMENT
Scale :
1:50
Date :
07/01/11
V!STU SHILP!
Architects I Planne
'Sangath', Thaltej Roa Phone: 079 - 2745453 www.sangath.org e-m
LAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHO IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITE BEFORE COMMENCEMENT OF WORK.
5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEA REFER SERVICES CONSULTANTS DRAWINGS.
6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5
X1
X2
X4
X5
X6
X7
X8
7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1
X9
8. FOR DOOR DETAILS REFER DRWG NO. 8.1 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1
10. FOR KITCHEN - PANTRY DETAILS REFER DRWG N 11. FOR MISCELLANEOUS DETAILS REFER DRAWING
12. FOR VERANDAH DETAILS REFER DRAWING NO. 31
A3
NORTH A 3.1
A2 A1
P4 Y9
Y9
5 A 4.2
B3
B2 Y8
Y8
Y7
Y7
B3 B1 Y6
Y6
WEST
EAST
A 3.1
A 3.1
B2
Y5
Y5
4 A 4.2
Y4
3
Y4
B1
A 4.2
Y3
Y3
Y2
Y2
CONCEPTUAL DESIGN
No.
Date.
Remarks.
Revisions
Date
Prints Issued to
Date
Prints Is
Distribution of Prints
Key Plan
P3
Y1
Y1
Consultants Structural Consultants -
Services Consultants -
A3
Project A2
SOUTH
Kaw Residence , Ahmedabad
A1
A 3.1
Title
Roof Plan Dealt :
X3
6
X6
X5
ROOF PLAN
A 4.2
1
2
A 4.2
A 4.1
Drawing No.
Rita Lopes
Checked : Jose.Benoy
KR - A 2.4
Scale :
1:50
Serial No.
Date :
07/01/11
09
V!STU SHILP! CONSULTANT
Architects I Planners I Urban Designe
'Sangath', Thaltej Road, Ahmedabad - 3800 Phone: 079 - 27454537 Fax: 079 - 274520 www.sangath.org e-mail: vsc@sangath.
Drawing and design areand the design property ofthe Vastu ShilpaofConsultants and are not to be withoutortheir permission. Drawing are property Vastu Shilpa Consultants andcopied are notortoused be copied used without their permission. NOTES Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
Y2
Y3Y2
Y4
Y3
Y2
Y5 Y4
Y3
Y6
Y5
Y4
Y5
Y6
Y7
Y8
Y7
Y6
Y9
Y8
Y7
Y8
+914.5
NOTES
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED 1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF SHALL BE IMMEDIATELY BROUGHT TOTHE THE NOTICE OF THE ARCHITECTNOTES BEFORE COMMENCEMENT OF THE WORK. OF THE WORK. ARCHITECT BEFORE COMMENCEMENT 1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED 2. ALL DIMENSIONS ARE IN CENTIMETERS UNLESS WITH 2. THE STRUCTURAL DRAWINGS ANDAND ANY AMBIGUITY ALL DIMENSIONS ARE IN CENTIMETERS UNLESS AND OTHERWISESHALL SPECIFIED BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE OTHERWISE SPECIFIED ARCHITECT BEFORE COMMENCEMENT OF THE WORK. 3. ALL LEVELS ARE FINISHED LEVELS. 3. ALL LEVELS ARE FINISHED LEVELS. 2. ALL DIMENSIONS ARE IN CENTIMETERS UNLESS AND 4. ALL MARGINS, ETC. REQUIRED AS PER BYE4.CLEARENCES ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYEOTHERWISE SPECIFIED LAWS SHOULD BE CHECKED AND THE LAWS SHOULD BEPROVIDED CHECKED BY AND PROVIDED BY THE CONTRACTOR ANY DESCRIPENCIES FOUND 3. AND ALL LEVELS ARE AND FINISHED LEVELS.SHOULD BE CONTRACTOR ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF IMMIDIATELY BROUGHT TOARCHITECT THE NOTICE OF ARCHITECT 4. ALL MARGINS, ETC. REQUIRED AS PER BYEBEFORE COMMENCEMENT OFCLEARENCES WORK. BEFORE COMMENCEMENT OF WORK. LAWS SHOULD BE CHECKED AND PROVIDED BY THE 5. FOR DETAILS OF FOR ALL CUTOUTS IN SLABS AND BEAMS CONTRACTOR AND ANY DESCRIPENCIES BE 5. DETAILS OF ALL CUTOUTS INFOUND SLABSSHOULD AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS. IMMIDIATELY BROUGHT TO THE NOTICEDRAWINGS. OF ARCHITECT REFER SERVICES CONSULTANTS BEFORE COMMENCEMENT OF WORK. 6. FOR STAIRCASE REFER DRAWING. NO. 5.1DRAWING. NO. 5.1 6. DETAILS FOR STAIRCASE DETAILS REFER 5. FOR OF ALL CUTOUTS SLABS ANDNO. BEAMS 7. FOR TOILET DETAILS DRAWING. NO.IN 6.1DRAWING. 7. DETAILS FOR REFER TOILET DETAILS REFER 6.1 REFER SERVICES CONSULTANTS DRAWINGS. NO. 8.1 DRWG NO. 8.1 8. FOR DOOR DETAILS DOORDRWG DETAILS REFER 8. FORREFER 6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1 REFER DRWG NO. 9.1 DRWG NO. 9.1 9. FOR WINDOW9.DETAILS FOR WINDOW DETAILS REFER 7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1 - PANTRY DETAILS REFER DRWG NO. 10.1 DRWG NO. 10.1 10. FOR KITCHEN10. FOR KITCHEN - PANTRY DETAILS REFER 8. FOR DOOR DETAILS REFER DRWG NO. 8.1 DETAILS REFER DRAWING NO. 29.1 11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1 11. FOR MISCELLANEOUS 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1 REFER DRAWING NO. 31.1 12. FOR VERANDAH FOR VERANDAH DETAILS REFER DRAWING NO. 31.1 12. DETAILS 10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1
Y9 Y9 +914.5 +914.5
+685.0
+685.0 +661.0 ROOF+661.0 LEVEL ROOF LEVEL +635.0 +685.0 +635.0
11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1 12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
+661.0 ROOF LEVEL +635.0
+502.0
+502.0 +502.0
TOILET B. 2 TOILET B. 2
TERRACE TERRACE
KITCHNETT KITCHNETT
TERRACE
TOILET B. 2
KITCHNETT
+320.0 +320.0 FLOOR +296.0 FIRST+296.0 FIRST FLOOR +270.0
+270.0 +320.0 +296.0 FIRST FLOOR +270.0
KITCHEN
KITCHEN
STUDY | DRAWING STUDY ROOM | DRAWING ROOM
KITCHEN
STUDY | DRAWING ROOM ENTRANCE ENTRANCE LOBBY LOBBY ±0.0 GROUND GROUND FLOOR ±0.0FLOOR
ENTRANCE LOBBY
-26.0
-26.0 ±0.0 GROUND FLOOR -26.0
FAMILY | EXERCISE FAMILY |SPACE EXERCISE SPACE FAMILY | EXERCISE SPACE
-296.0
-296.0
BASEMENT BASEMENT FLOOR FLOOR -296.0
BASEMENT FLOOR
LAP POOL LAP POOL LAP POOL
1
Section 1
SECTION 1 SECTION
A 4.1 Scale - 1:50 A 4.1 Scale - 1:50
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+566.0
+502.0
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+452.0
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FLOOR +296.0 FIRST+296.0 FIRST FLOOR +270.0
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MASTER B. MASTER B. TOILET TOILET MASTER B. TOILET MASTER BEDROOM MASTER BEDROOM GUEST BEDROOM GUEST BEDROOM MASTER BEDROOM GUEST BEDROOM
±0.0 GROUND FLOOR ±0.0 GROUND FLOOR
Section 2
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CONCEPTUAL DESIGN CONCEPTUAL DESIGN CONCEPTUAL DESIGN
SECTION 2 SECTION
A 4.1 Scale - 1:50 A 4.1 Scale - 1:50
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Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
Key Plan Date KeyPrints Plan Issued to
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+661.0 ROOF+661.0 LEVEL ROOF LEVEL
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N Prints Issued toN
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TOILET B. 2 TOILET B. 2
LIVING|DINNING ROOM LIVING|DINNING ROOM
BEDROOM 2BEDROOM 2
TOILET B. 2
LIVING|DINNING ROOM
ConsultantsConsultants Structural Structural Consultants Consultants Consultants Structural Consultants Services Services Consultants - Consultants
BEDROOM 2
-
-
Services Consultants
+320.0
+320.0 +296.0 FIRST+296.0 FLOOR FIRST FLOOR +270.0
Project
- Project
+270.0 +320.0
Project Kaw Residence , Ahmedabad Kaw Residence , Ahmedabad
+296.0 FIRST FLOOR
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
+270.0 NOTES
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED Kaw Residence , Ahmedabad
KITCHEN X9
X8
DINNING ROOM
X7
WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE
Title
DINNING ROOM DINNING ROOM
X6
ARCHITECT BEFORE COMMENCEMENT OF THE WORK. Title
KITCHEN
2. ALL DIMENSIONS ARE IN CENTIMETERS UNLESS AND OTHERWISE SPECIFIED
X5
KITCHEN
X4
X3
Title
X2
3. ALL LEVELS ARE FINISHED LEVELS. Sections 1,2, & 3 1,2, & 3 Sections
X1
4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE
±0.0
CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE Sections 1,2, &Drawing 3 TO THE IMMIDIATELY BROUGHT No. NOTICE OF ARCHITECT
Dealt :
±0.0
+914.5
GROUND FLOOR GROUND FLOOR
Rita Lopes Drawing No. Dealt : COMMENCEMENT Rita Lopes OF WORK. BEFORE
KR - A 4.1 KR - A 4.1 Checked : Jose.Benoy 5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS Checked : Jose.Benoy REFER SERVICES CONSULTANTS DRAWINGS. Serial No. Drawing No. Dealt : Lopes Serial No. 1:50 Scale : Rita 1:50 6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1 KR - ### A 4.1 ### :: TOILET Jose.Benoy Date : Checked 07/01/11 7. FOR DETAILS REFER DRAWING. NO. 6.1 Date 07/01/11 Serial No. DRWG NO. 8.1 Scale8. : FOR DOOR 1:50 DETAILS REFER
Scale :
±0.0
GROUND FLOOR
Section 3
9. FOR WINDOW DETAILS REFER ### DRWG NO. 9.1
Date :
07/01/11
FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1 V!STU 10. SHILP! CONSULTANTS V!STU SHILP! CONSULTANTS MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1 Architects11.I FOR Planners I Urban Designers Architects I Planners I Urban Designers
3
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+685.0
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+661.0 A 4.1 Scale - 1:50
ROOF LEVEL X8
X7
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12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
V!STU SHILP! CONSULTANTS
'Sangath', Thaltej Road, Ahmedabad - 380054 'Sangath', Thaltej Road, Ahmedabad - 380054 I Planners Urban Designers Phone: 079Architects - 27454537 079 -I 27452006 Phone: 079Fax: - 27454537 Fax: 079 - 27452006 www.sangath.org e-mail: vsc@sangath.org www.sangath.org e-mail: vsc@sangath.org 'Sangath', Thaltej Road, Ahmedabad - 380054 Phone: 079 - 27454537 Fax: 079 - 27452006 www.sangath.org e-mail: vsc@sangath.org
A 4.1 Scale - 1:50 A 4.1 Scale - 1:50
X9
X1
+914.5
+320.0 +296.0
FIRST FLOOR
+685.0 +661.0
ROOF LEVEL
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission. NOTES
1. ALL DIMEN WITH THE STR SHALL BE IMM ARCHITECT B
±0.0
GROUND FLOOR
2. ALL DIMEN OTHERWISE S
3. ALL LEVEL
+320.0
4. ALL MARG LAWS SHOULD CONTRACTOR IMMIDIATELY B BEFORE COM
+296.0
FIRST FLOOR
5. FOR DETA REFER SERVI
6. FOR STAIR
ELEVATION
C
7. FOR TOILE
A 3.1 Scale - 1:50
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C Y8
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North Elevation
ROOF LEVEL
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A 3.1 Scale - 1:50
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+661.0
A
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ELEVATIONPART - A
A 3.2 Scale - 1:50
CONCEPTUAL DESIGN
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D
ELEVATION
A 3.1 Scale - 1:50
West Elevation +914.5
±0.0
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Consultants Structural Consultants -
Services Consultants Project +685.0 +661.0 ROOF LEVEL
D
Kaw Residence , Ahmedabad
ELEVATION
A 3.1 Scale - 1:50
Title +502.0
Elevations C & D Dealt :
+319.9
Rita Lopes
Drawing No.
Checked : Jose.Benoy
KR - A 3.1
Scale :
1:50
Serial No.
Date :
07/01/11
+296.0
FIRST FLOOR
V!STU SHILP! CONSULTANTS Architects I Planners I Urban Designers 'Sangath', Thaltej Road, Ahmedabad - 380054No. Phone: 079 - 27454537 Fax: 079 - 27452006 Revisions www.sangath.org e-mail: vsc@sangath.org
Date
D
Prin
Distribution o
Key Plan ±0.0
GROUND FLOOR
-122.0
Consultan Structu -296.0
BASEMENT FLOOR
Service Project
Kaw Res B
ELEVATIONPART - A
A 3.2 Scale - 1:50
East Elevation
Title
Elevation Dealt : Checked : Scale : Date :
V!STU
Architec
'Sangath Phone: 0 www.san
PENEDONO CASTLE Penedono, Viseu, Portugal_2010 Conceptual Project In co-authority with ARQUITECTOS ANÓNIMOS Penedono Castle is a study based on crystallography, in particular granite micro crystals. The main objective is to develop a museum inside the ruins of a “rocal” castle (rocal is a portuguese word for rocky), meaning that it is entirely built over a rock formation, in this case granite from Penedono (+40° 59' 23.83", -7° 23' 38.16"). The design idea starts with microscopic observations of a granite sample, in search of a patterning geometry. From the observation, using an optical microscope (High Magnification Measuring Microscope, model Titan TM-10) we got interested in tinatite crystal patterns, performing diamond shapes. The sequence of images collected were interpreted as pure geometry, 2dimensional graphics that could inform the investigation of an architectural/design entity.
SUNWORM PORTO, PORTUGAL_2010 Competition Promoter: Porto Municipality In co-authority with ARQUITECTOS ANĂ“NIMOS [I]S(un)warm, introduces a virtual system conceived "naturally" in a state self-organization. [II] S(un)warm is about the development of a system where all parties are treated as structural monocoque components (four generator components: SU1, SU2, SU3, SU4), morphologically different, but topologically identical. We developed a script in Microsoft Vbscript (a subset of the programming language Visual Basic), or computer program (or algorithm) that can mimic the rules of self-organization present in "group" intelligence of many organisms, particularly the so-called social insects. This digital tool was then applied in the development of a three-dimensional structure/installation to the public space, based on the previously designed components. The components of the system S(un)warm consist of rigid panels (double-sided aluminum and a polyethylene core) cut on CNC milling machine and folded according to the angles of each variant ( SU1, SU2, SU3, su4). So that not only allows a standard configuration of semi-spherical dome, but also multiple complex geometry configurations. The assemblage system allows the mechanical production of differentiated components and a very fast construction taking in account the overall complexity of the final populations ("swarms"). The final structure combines various components and is intended to be implemented in the public space, Porto-Portugal, creating a space of shelter (canopy). The manipulations of this general structure (using the script that reproduces the swarm behavior) allowed structural resistance and ensured the soundness of the whole.
AFRICAN SPECIES LUANDA OUTSKIRTS, ANGOLA_2010 Competition - "House in Luanda" Promoter: Lisbon Triennal of Architecture 2010 In co-authority with ARQUITECTOS ANĂ“NIMOS The biological-genetic codeness that drives differentiation in African Anophelines Larvae body is used to adapt and create a morphogenetic protocol to the implementation of a modular house. In the Larval development, the genome determines the pattern, and the puzzle of developmental biology is used as a metaphor to deploy a growth system applied to housing structures
CIAM OLIVEIRA DE FRADES, PORTUGAL_2010 Conceptual Project In co-authority with Arquitetos An贸nimos
HOMEOBOX FAUP, PORTO, PORTUGAL_2010 Competition - 1st prize Promotor: DÉDALO Magazine and FAUP_ Faculdade de Arquitetura da Universidade do Porto Ephemeral Structure In co-authority with Arquitectos Anónimos This project is linked to the idea of recreating the process of biological growth using a generative algorithm based on formal grammars. Can this logic generate architecture? Can this logic be seen as a second "body" grown from an existing structure? Is it possible for this strategy to serve additional algorithmic functions such as the creation of an organizational logic, a closed/targeted space, or the development of a structural system? Homeobox is an adaptive/adaptable scenery that accepts unpredictability as a modus operandi. Based on a script growth, the project incorporates a set of constraints (conflict/relational attitude with the structure of the cube of Siza) as an alternative to pre-formatted design procedures.
HIER IST DER GARTEN_UNITY IN PLURALITY COTTBUS, GERMANY_2007|08 Academic Work BTU COTTBUS_ Brandenburg University of Technology In co-authority with Giulia Zaccari From the urban scale and its vectors to the environment and scale of the city of Berlin, the project - Brazilian Cultural Center - aims to show the Brazilian art and culture. In the historical city center (Mitte), Rosenthaler Platz has a peculiar social reality: a place that shelters the art scene of the city since the country's reunification in 1989. Framed in this principle, the composition of the building is planned as a symbol of the diversity and dynamism of Brazilian art and culture, influenced by its historical contexts and by its tangible and socio-economic divergences. Along the extension of the place, architecture incorporates morphologic requirements at a larger scale. Standing at a great pedestrian and vehicle passage, the sight is characterized as a crossing point. On a street corner of this crossroad, the project closes the block where it is incorporated. The entrance floor, in direct communication with pedestrians, provides a settling area, a space that welcomes the fluidity and dynamism of the streets that pass across: an improved support between the building and the city. The building, defined as a whole, is built in a game of mass and voids. As a silent film of the Brazilian culture, boxes are projected into space and the open sky. It creates a sense of dynamic volumes, dysphonia. Buffer-boxes stand freely in an open plan condensing private spaces that move in a neutral background: visual intersections in shared scenarios of the areas between the volumes. It engenders the detachment of private and public, silence and noise, isolation and exposure. Visual interferences, transparencies and light recreations: dynamism. Elevations that "move�, that change constantly. Two rhythms and two aesthetics are generated: on the one hand a drawing that reveals the inner uses, the truth of the structural boxes; on the other hand, the expression of fragility of a skin of wood. A volume formulated by a 'dynamic ambience' that draws the building, the street corner, as a whole
Typical Floor Plan
KARL-MARX ALLEE KARL-MARX ALLEE, BERLIN, GERMANY_2007|08 Academic Work BTU COTTBUS_ Brandenburg University of Technology In co-authority with Edèn Ochoa Iniesta and Jan Kolodzie The urban surroundings of Karl-Marx-Allee, the first monumental boulevard included in the program of reconstruction of East Germany after the 2nd World War, was built as an allegory to the glory and power of the socialist movement. The explosive growth of the city requested the development of large-scale housing in this area, which dealt with the needs of lower social classes. The avenue provides an important link between Friedrishchain and Alexanderplatz, and is a gateway to the historic center of Berlin. Nevertheless, although it is located in central Berlin, the area is isolated from the structure of the city. It is bordered to the north by Volkspark, to the south by the railway and the river Spree, and to the West by Alexanderplatz: barriers to an adaptable communication between the place and the city. The intervention intends to strengthen the relations between the community, its inhabitants and the city, redesigning communication systems in accordance with its old structure. It creats public spaces that can serve as attractive clusters in the centers of blocks, introduces human scale by densifying existing blocks, organizing uses and functions that are es-sencial services to its residents and to the whole city. Karl-Marx Allee, avenues, paths and green spaces are re-designed enhancing the relationship of place, its surroundings - Volkspark, Kreuzberg, Friedrischain and Alexanderplatz- and the rest of city.
BRAZILIAN CULTURAL CENTER ROSENTHALER PLATZ, BERLIN, GERMANY_2007|08 Academic Work BTU COTTBUS_ Brandenburg University of Technology In co-authority with Giulia Zaccari From the urban scale and its vectors to the environment and scale of the city of Berlin, the project - Brazilian Cultural Center - aims to show the Brazilian art and culture. In the historical city center (Mitte), Rosenthaler Platz has a peculiar social reality: a place that shelters the art scene of the city since the country's reunification in 1989. Framed in this principle, the composition of the building is planned as a symbol of the diversity and dynamism of Brazilian art and culture, influenced by its historical contexts and by its tangible and socio-economic divergences. Along the extension of the place, architecture incorporates morphologic requirements at a larger scale. Standing at a great pedestrian and vehicle passage, the sight is characterized as a crossing point. On a street corner of this crossroad, the project closes the block where it is incorporated. The entrance floor, in direct communication with pedestrians, provides a settling area, a space that welcomes the fluidity and dynamism of the streets that pass across: an improved support between the building and the city. The building, defined as a whole, is built in a game of mass and voids. As a silent film of the Brazilian culture, boxes are projected into space and the open sky. It creates a sense of dynamic volumes, dysphonia. Buffer-boxes stand freely in an open plan condensing private spaces that move in a neutral background: visual intersections in shared scenarios of the areas between the volumes. It engenders the detachment of private and public, silence and noise, isolation and exposure. Visual interferences, transparencies and light recreations: dynamism. Elevations that "move�, that change constantly. Two rhythms and two aesthetics are generated: on the one hand a drawing that reveals the inner uses, the truth of the structural boxes; on the other hand, the expression of fragility of a skin of wood. A volume formulated by a 'dynamic ambience' that draws the building, the street corner, as a whole
centro joão guimarães rosa. berlin
BTU Cottbus _ Winter Semester 2007/2008_ Prof. Bernd Huckriede, Prof José Mario Gutierrez Marquez, MArch. Christopher Burns, MArch. Dipl.-Ing. Jens Brinkmann _ Rita Costa Lopes, Giulia Zaccari
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CARCEREIRA SWIMMINGPOOL & GYMNASIUM CARCEREIRA, PORTO, PORTUGAL_2006|07 Academic Work FAUP_Faculdade de Arquitectura da Universidade do Porto
The scales and shapes of the urban fabric of Porto form an almost chaotic tangle where the notion of fragment stands out as a “rule” in the urban setting. The public building is defined as an autonomous fragment in the “rule” of its urban fabric. Balanced between two concepts – order and exception – it stands as a reference in the entrance of city (Avenida Sidónio Pais - avenue), and as an element that regulates the interior of the block and closes one of its sides.As a triangle, the volume is a solid mass surrounded by a neutral green space. Closed to the external environment, it only opens to a patio – a vacuum core that circumscribes a domain from the “outside”, mediates private from public, silence fromnoise. It´s continuous skin – freestanding wall and the roof – draws an even surface closed to the external “world”, highlighting the role of its core. A fluid “U” route, starting from the public space, is drawn contiguous to the perimeter of the building. The entrance lobby generates pathways and consolidates two different areas in a simple and continuous allocation of the program: to the South stands the swimming pool and its services, and to the North, the gymnasium. Circuits organize technical ventilation systems, concentrate sudden expansions and the rhythm of glass frames. Furniture and artificial light make clear the human scale
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balne ário mascumonitore s lino
recepção
s masculinode funcionários masculino balneários de funcionáriobalneários arrumos arrumos
cort ec
zona de cais
alça do n orte alça do n orte
planta piso 0. esc.:1.200
planta piso 0. esc.:1.200
corte a. esc.:1.200
corte a. esc.:1.200
corte b. esc.:1.200
corte b. esc.:1.200
corte c. esc.:1.200
corte c. esc.:1.200
corte d. esc.:1.200
FAUP
PROJECTO IV
PISCINA E GINÁSIO NA CARCEREIRA
RITA COSTA LOPES
TURMA F
ABRIL 2007
F. 2/5 corte d. esc.:1.200
FAUP
PROJECTO IV
PISCINA E GINÁSIO NA CARCEREIRA
RITA COSTA LOPES
TURMA F
ABRIL 2007
F. 2/5
pormenor 3
corte transversal pelo cais. esc. 1.50
pormenor 7
pormenor 1
pormenor 2
pormenor 3
pormenor 4
pormenor 5
TURMA F
pormenor 9
pormenor 8
placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve laje pré esforçada de betão armado
perfil IPN
impermeabilização regularização wallmate caixilho vidro
vidro caixilho peça pré-fabricada em betão GRFC isolamento regularização tela asfáltica
caleira dupla finlandesa autonivelante antiderrapante regularização betão leve laje
microbetão massame de betão tela de drenagem camada de brita
pormenor 5
ABRIL 2007
pormenor 10
pormenor 6
pormenor 7
pormenor 8
pormenor 9
F. 5/5
pormenor 10
PROJECTO IV
pormenor 1
pormenor 6
corte longitudinal pelo cais. esc: 1.50
FAUP
pormenor 2
PISCINA E GINÁSIO NA CARCEREIRA
pormenor 3
pormenor 7
pormenor 1
laje pré esforçada de betão armado pormenor 2
pormenor 3
pormenor 4
pormenor 5
TURMA F
microbetão
laje
pormenor 9
pormenor 8
caleira dupla finlandesa autonivelante antiderrapante regularização betão leve
caixilho peça pré-fabricada em betão GRFC isolamento regularização tela asfáltica
vidro
vidro
caixilho
regularização wallmate
impermeabilização
perfil IPN
laje pré esforçada de betão armado
placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve
perfil IPN massame de betão tela de drenagem camada de brita
pormenor 5
ABRIL 2007
regularização wallmate placagem de betão GFRC parede portante
pormenor 6 pormenor 1
pormenor 10
pormenor 9
pormenor 8
pormenor 7
pormenor 6
regularização wallmate
F. 5/5
pormenor 10
caixilho
camada drenante
vidro
pintura asfáltica
caixilho peça pré-fabricada em betão GRFC isolamento regularização tela asfáltica
pintura asfáltica camada drenante
dreno
pormenor 7
pormenor 2
corte transversal pelo cais. esc. 1.50
pormenores. esc. 1.20 placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve peça pré fabricada em betão armado laje pré esforçada de betão armado
grampo de fixação regularização wallmate placagem de betão GFRC parede portante
relva terra vegetal
camada drenante pintura asfáltica
microbetão massame de betão tela de drenagem camada de brita
pintura asfáltica camada drenante dreno brita
betão de limpeza
lageado de pedra brita areia com traço seco
revestimento cerâmico regularização tela asfáltica enchimento laje massame de betão betão de limpeza
RITA COSTA LOPES
grampo de fixação
pormenor 10 pormenor 9
pormenor 8
pormenor 3
betão de limpeza
impermeabilização
relva terra vegetal
pormenor 8 pormenor 7
pormenores. esc. 1.20
placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve
placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve peça pré fabricada em betão armado laje pré esforçada de betão armado
pormenores. esc. 1.20 placagem de betão GFRC geotextil roofmate tela PVC regularização betão leve peça pré fabricada em betão armado laje pré esforçada de betão armado
grampo de fixação regularização wallmate placagem de betão GFRC parede portante
relva terra vegetal
camada drenante pintura asfáltica
microbetão massame de betão tela de drenagem camada de brita
pintura asfáltica camada drenante dreno brita
betão de limpeza
lageado de pedra brita areia com traço seco
revestimento cerâmico regularização tela asfáltica enchimento laje massame de betão betão de limpeza
RITA COSTA LOPES
corte transversal pelo cais. esc. 1.50
esc: 1.50
pormenor 5
microbetão massame de betão tela de drenagem
camada de brita
vidro
brita
BOAVISTA COLLECTIVE HOUSING BOAVISTA, PORTO, PORTUGAL_2005|06 Academic Work FAUP _Faculdade de Arquitetura da Universidade do Porto Considering the urban area of Oporto and the comprehension of the specific place, architecture can be a factor of urban conception and transformation. In contrast to the fluidity of Avenida da Boavista (Avenue), the area provides a place of stability. Architecture as a definer of scales, as a generator of balance between public and private environment frameworks. The "L" shaped volume of the building conveys the relationship between the city and the sight: it follows the front of the Avenue, and then closes a cross-development square. The relationship between the public usage of the Avenue and the square is delineated by trade services in the access floor, beneath a cut path in the volume. The modulation of two and three room apartments is drawn as an adaptable composition, settling areas of distribution, services, rooms and living areas. The entrance and distribution area of each apartment is drawn as a generator of its structure. With games of light and transparency, this central element can be benefited as an extension to the living area. The character of flexibility is in the possibility of transformation of one of the rooms in an area extending the living room as well as in the dynamic shutters of the elevations. The aim is a fluid and continuous organization of spaces: place and housing as a reference of identity for the resident in the city.
ROOF PLAN
TYPICAL FLOOR PLAN
BASEMENT PLAN
MODULE