Architectural Portfolio

Page 1

architectural portfolio

RITIKA R. REDKAR academy of architecture

Seleted Works


personal information RITIKA RAJENDRA REDKAR 9082838314 ritikaredkar2000@gmail.com ritikar17@aoamumbai.in 30/31 New HDIL tower, B/402, Kannamwar Nagar 1, Vikhroli [ E ], Mumbai 400083 What makes a place unique is the footprints of the stories which it carries from generation to genaration. The culture, traditions, human routines which a place carries should be respected. This things co-operate in keeping the place alive in memories for decades to come. I take inspirations from the rich heritage of architecture my country offers, and then decoding them for incorporation according to the modern techniques. This portfolio is a curated collection of the works done in the past 3 years.

15th February, 2000

English, Hindi, Marathi

Rachna Sansad’s Academy of Architecture [ Aided ] Mumbai. CGPI -


extra curriculum

education 2015

2017

2017-2022

Dr. Babasaheb Ambedkar Vidyalaya, Mumbai SSC - 94.40% Ramnivas Ruia Junior College, Mumbai HSC - 82% Rachna Sansad’s Academy of Architecture [ Aided ] Mumbai CGPI - 7.58

skills

NASA

Kalaghoda

Sketchup

Reschool

: Designing a multifunctional educational space.

Fairy tale

:To create a unique architectural fairy tale for issues plaguing our planet.

Rhino Twin motion Lumion Adobe In-Design Adobe Illustrator

: 2019 Play in a pause

Aquatecture : Creating a futuristic, water-based habitat for humans.

Autodesk AutoCAD Adobe Photoshop

: LIK Trophy Documentation of heritage administrative buildings Cooch Bihar, West Bengal.

temple design

: To design a Nagara style temple for Sai baba

documentations Raghurajpur Renditions Raghurajpur, Odisha Study and documentation of the heritage village, culture, traditions, and skills. Panchavati Anecdotes Panchavati, Nashik Study and documentation of both east and west zone of the godavari river. Worli koliwada Worli, Mumbai Study and documentation of traditional house typology and culture.

workshops Trope Parametric It’s all about generating and not creating Sculpture making Carving out sculpture out off siporex block

Furniture design

: Designing collapsible furniture allowing multi functions in the same space.

Concrete chemistry Inventing different types of concrete by mixing cement with different materials like rice powder, egg, thermocol, jaggery, rubber etc. And then studing the strength, texture and weight qualities of the final outcome.

Urban play

: Designing a playful intervention in the public space

UX + A Studying and analysing user experiences.

MS Office


contents

PRODUCED BY AN AUTODESK STUDENT VERSION

A

C6, C19

C26, C33, C39

H

H1

I

J

K

L

C3, C12, C21, C28, C35, C41

C18, C23, C25, C32, C38

G

14800

C2, C11, C20

C43, C53

E1 F

F2

E

C1, C5, C10

D

2980

C17, C47, C52

B C

F3, F4

C45, C50

A1

C46, C51

C15, C22

C4, C8, C31

F1

A

0

C30, C37, C44, C49

C7, C14, C24, C29, C36, C42, C48

D

M

N

10000

RETAINING WALL

19

C54, C55

18

TOILET FOR SPECIALLY ABELED

MEN 'S TOILET

14570

1810

C56

3850

1.45 M UNDER GROUND TANK

C48

10000 C50

C49

17

1

2

C52

C51

C53

3

1310

W5

11170

C48, C49, C50, C51, C52, C53

2070

GREEN PATCH FOR WORKSHOP SPILL OVER WOMEN 'S TOILET

W5

D3

C43

F1

160

F2

D3

2 1

2550

2590

4840

4140

1000

C37

13

C36

4630 OBSERVATION DECK

12

C29, C30, C31

11

2830

3760

OBSERVATION DECK

300

C32

3.45 M

2000

D12

B

4.45 M

3.485 M

5140

C38

4.485 M

7730

C36, C37, C38

1310

9540

2570

2110

14

C42

C

2200

500

C29

360

C42, C43

C47 C46

3.95 M

290

15

C45

C44

4150

4000 F1, F2

4.45 M

ARCHIVAL

3.985 M

C32 C31

2000

2670

WADA AREA

D13

10

F3 C25

W1

330

9

5570

C24

300

60 RECREATION AREA

ENTRANCE FOYER

PROMINENT STAIRCASE

UP

4240

3

1

4

2

2500

D3

C16

3

2070

KITCHEN

4.45 M

0.95 M

3.485 M

2920 1710

3400

3.45 M

3070

C13

4240

B C9

600

C10

3890

C5

1400

860

DUCT

TOILET

C6

3760

500

D2

W6

920 2700

5260

2590

0 -1

3620

1370

5340

C1, C2

C12

1730

5440 C4

1

SHOPS

D2

2870 C4, C5

B C11

BHOJNALAY

C8

D2

D3

1490

C7

1500

2

3410

4480

C7, C8, C10, C11

W6

4.485 M

ARCHIVAL

W1

0.985 M

1680

D3

2 1 1500

C20

C17

3

17980

C19 C21

C15

5

C15, C16, C17

5500 C18

F4

W4

4700

10 11 12 13 14

960

9

2700

8

1950

7

2290

D10 1200

C1

ORIGIN

C2

C3

650

6

310

W4 C14

2850

4

300

3000

5

C14

C23

4.45 M

300

5210

C18, C19, C20

1500

1540

6

1910

4.485 M

3830 F4

1370

15

410

00

10 C22

8700

1500

5670

7

2840

8

C23

690

1800 C22

570

C24

1500

C25, F3

2670

2000

WATER BODY

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

16

3690

880

C44, C45, C46, C47

2440

4.485 M

ENTRY

ROAD

24610

2150

2800

890

410

1090

1360

1490

420

2010

460

A

720

850

2000

1900

1530

3970

A

PRODUCED BY AN AUTODESK STUDENT VERSION

Skill development institute jodhpur, rajasthan

Panchavati Anecdotes Panchavati, nashik

working drawings

Lebanese Restaurant BKC, mumbai

NASA LIK trophy


AGNEYA

SBTDC_IND_4681

MOLTEN AXONOMETRY OF THE TEMPLE

Back in the time dhuni was considered as the end of the dark and gave new hope to the mankind. Similarly, today it intends to bring upliftment to the surrounding communities. As 'Agneya' rightly means kindling of progressive thoughts. Agneya is a temple dedicated to Sai Baba located in the Polo forest ,Gujrat. Sai baba mostly considered as a saint or fakir by most of his followers was worshiped by both the Hindus and Muslims. Taking inspiration for the story of Sai Baba and the nagara style of Hindu temple architecture, the design is an amalgamation of diierent philosophies. The temple is a complex cultural entity. The design looks at adding modern innovative construction techniques while keeping the original essence of the temple intact.

SITE MAP SHOWING EXISTING CONDITIONS Agneya is located in the lush green polo forest which is also the home to the Bhil tribe. Having such a structure near their community gives the tribe a chance to improve and develop . The site also has ancient Jain temples which were destroyed by the Mughal kings. The Jain temple are a symbol that the site is auspicious. Being located in the forest gives the design the advantage of using the natural resources.

RESULTS AFTER THE TEMPLE CONSTRUCTION The plan has been derived by keeping in consideration the Vaastu , cardinal points and the cosmic philosophies of the nagara style of temple architecture. After applying the Vaastu purusha mandala the concept of fractal geometry was used to further detail out the plan. The squares were divided into smaller grids which are called ‘pandas’ and later on circle were added in symmetry to help carve out space. For the elevation the important features of nagara style of temple architecture were kept in mind. To derive the form inspiration has be taking first from ‘dhuni’ the sacred fire that sai baba prepared, it remains intact as it is and second from neem tree leaves. Neem tree leaves because it was under the neem tree that Sai baba resided for many years and it was from there that he parted education. The main elements that are the shikhara, garbhagriha and the mandapa are prominently identified in the form. The shikhara is the tallest entity followed by the rest. The meditation hall on the first floor has been placed in such a way that it gives one the full view of the mandapa. The massing is done keeping in mind the natural light and ventilation. The elevation has the massive projection on all four sites of the temple which not only add to the aesthetic element of the design but also function has rain water harvesting units. The bring water to the interior spaces and this water is circulated in the interior spaces in form of various elements like water curtains and water falls. These water elements are responsible in passive cooling of the structure.

SENSORIAL MAPPING

CONSTRUCTION FRAMEWORK

A. WATER CURTAINS

Concrete Steel Reinforcement Mesh

B. TRADITIONAL RAJASTHANI TECHNIQUE

FERROCEMENT DETAIL FOR CURVED SURFACES

Ispired from sai baba’s dhuni the form evolved in the following stage.

PASSIVE COOLING STRATEGIES 20M

ABSTRACTION OF JALI PATTERN FROM THE FOLIAGE OF TREES IN CONTEXT

17 M 12M SINGLE UNIT

TYPE 1

0.0M

SECTION : THROUGH RAIN WATER HARVESTING FINS Sustaniability

TYPE 2

water harvesting kinetic tiles for energy generation

TOILET

OUTER SHELL

Voids

GARBHAGRIHA

OFFICE AREA +0.3 M

MANDAPA +0.3 M

DINNING AREA AND KITCHEN +0.3 M

Solids

INNER SHELL

VIEW FROM DINING SPACE +00M

MOLDING OF SHIKHARA

Plan with respect to grid

MEDITATION HALL +4.3M

Site with design grid

FINAL FORM

VIEW FROM MEDITATION HALL

AREIAL VIEW

kalaghoda

Raghurajpur Renditions Raghurajpur, odisha

fairy tale competition

EVOLUTION OF FORM

DEVELOPMENT OF GEOMETRIC GRID

VIEW FROM THE ENTRANCE

temple design

ELEMENTS OF DESIGN

AERIAL NIGHT VIEW

Interests


LOCATION - RAJASTHAN, JODHPUR AREA - 6 ACRES TYPE - INSTITUTION AND ACCOMODATIONS

I N S T I T U T E D E S I G N , JODHPUR


LOCATION : Jodhpur, rajasthan SEMESTER : 6th Sem The government of Rajasthan has reserved a large parcel of land for various projects to ‘promote’ the ‘Gandhian Principles and way of thinking. One part of this project is the ‘skill development institute and museum’ with an intention to produce skilled, self-supporting professionals contributing to national progress with individual expertise. Along with the museum, this institution will aspire to stand as the symbol of display and advance Gandhian philosophy of social order, progress and life, for the world to see.


site location

GANDHIAN PHILOSOPHY The design revolves around the Gandhian Principles of Minimalism, Frugality, Empathy and Porosity. The journey through the site is designed in a way to establish memory of the preceding frame inspired from the Haveli typology of Rajasthan. The site is divided in two masses to obstruct hot and dry winds and create a relaxing central social space. The central spine is the most socially active space and connects all the functions.

Secondary road network

AREA = 2254 SQ M

the project revolves around following 4 gandhian principles 4

98

SQ

AREA 1 = 2254 SQ M AREA 2 = 984 SQ M AREA 3 = 3171 SQ M AREA 4 = 9674 SQ M AREA 5 = 5733 SQ M AREA 6 = 133 SQ M AREA 7 = 1351 SQ M

M

AREA = 9674 SQ M

OVERALL AREA = 24,300 SQM

63

=

40

EA

14

AR

.67

minimalism A style or technique characterized by extreme spareness and simplicity.

AREA = 3171 SQ M

N

AREA = 5733 SQ M

AREA =

1133 SQ M

1351 SQ M

56

54

4.8

AREA =

Roa

d

empathy It is the understanding of users by putting oneself in their shoes.

.34

Roa sian To O

site trianglation

PRODUCED BY AN AUTODESK STUDENT VERSION

porosity The measure of void in a material is by definition is its ‘Porosity. It requires a density, proximity and continuity, which opens up a material ‘intimacy’. It is related to transperancy i.e being honest and true.

d

EL

T li ne

321268

13167.78

frugality It refers to the attitude of saving and sparing. Frugality is to revere, to worship, to care for.

Nala

Site

ass

Built-up

By-P

Fields and barren land

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION


The project aims to create an architectural statement for spreading Gandhian Philosophy. It highlights the importance of Gandhian principles in todays era. It also focuses on how the principles could be changed and adapted according to the changing time.

axonometric view


Analysis Gandhi constructed himself i.e his body and space around him. Below is the study of the spaces of his you

ordo - osri DIAGRAMATIC REPRESENTATION Osri is the most active. Ordo is used for storage or given to ages, sick, pregnant or married couple for sexual intercourse.

bapu kuti SEVAGRAM ASHRAM WARDHA The gradual dissolution of a closed room. Simpler structure with materials found within 50 mile radius.

hriday kunj SABARMATI ASHRAM Complexicity and porosity increased. Connectivity of spaces to sky increased.

gandhi house RAJKOT Larger courtyard to accomodate animals and agricultural activities. Courtyard loosing the sense of enclosure as the configuration is opened up.

The bent was naturally towards the ASCETIC and not AESTHETIC. Gandhiji was born and stayed in a dark room i.e closed spaces since childhood. Therefore his inclination was towards open spaces and spaces having sky connectivity.

site geometry

climate

Studying the feeder network, pedestrain and vehicular movements. The aim was to built a structure respecting the on site activities, routines and structures.

Study of wind direction and sun path to enhance the experience and quality of life.Natural light, ventilation and cooling effectreduces cost of project.

Housing designed keeping above character of space in mind


Study of Haveli housing typology to study the climate resisting techniques of the region.

concept diagrams Climate Separation of mass and orientation of structures according to the wind direction and sun path. This is to enhance the experience and quality of life. Natural light, ventilation and cooling effect reduces cost of project.

spine Creation of a central socially active spine. This allows the shading of the central space by the modulating structural facades on the either sides. It also helps to increase the proximity of the public and the private section.

sky connectivity The central courtyard is kept open to sky to establish a visual sky connectivity from each space within. Its also helps in regulating smooth flow of light and winf within the spaces. Framing the sky Terraces They are used as elementals to create interactive spaces. They also act as a spill over area for the adjoining skills.

Facade modulations to create layers against extreme climate and ensure sufficient light and ventilation. This results in desired shading of structures by each other.

CREATION OF ELEMENTALS Elementals are interactive landscape elements used in the design for buffer spaces and spaces to connect with nature.


character The overall design idea is inspired by the traditional architecture of the site. The behavioural patterns of the site users and the routine activities have been respected. The use of verandahs, courtyards, porosity, climate resisting techniques help in achieving the same while the form movements, materials and elementals gives the design its modern identity.



The project has two amphitheatres. Both the amphitheatres scoop a niche on the central spine. The reason for placing them centrally was to end the loop of journey through the skill development institutes with a refreshing art performances at the end. Also placing them centrally would make the accessibility easier from both the public and private sections and also from the entrance.

amphitheatre view



The plan shows the composition and design of the overall project. Gandhian principles have been taken into account while designing each space. Interactive elementals have been added to resist climate and built a social leisure spaces.

upper level plan


The plan shows lower level layout which consists of the entry, parking, amphitheatres, auditorium and central spine.

lower level plan


section A-A’

PRODUCED BY AN AUTODESK STUDENT VERSION

The sectional study helped in understanding the facade modulations to create layers against extreme climate and ensure sufficient light and ventilation. This results in desired shading of structures by each other. Also helps to enhance the experience and quality of life.

PRODUCED BY AN AUTODESK STUDENT VERSION

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63

40

14

PRODUCED BY AN AUTODESK STUDENT VERSION

A

56

54

4.8

13167.78

A

PRODUCED BY AN AUTODESK STUDENT VERSION

views

View showing central socially active spine

Amphitheatre view


section b-b’

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

14

B

.67

63

40

PRODUCED BY AN AUTODESK STUDENT VERSION

B

56

54

4.8

13167.78

PRODUCED BY AN AUTODESK STUDENT VERSION

Pond view

Night view of central spine


PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

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63

40

14

PRODUCED BY AN AUTODESK STUDENT VERSION

section c-c’

C

56

54

4.8

13167.78

C

views

PRODUCED BY AN AUTODESK STUDENT VERSION

View showing accomodations

View outside cafe


PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

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63

40

14

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section d-d’

13167.78 D

56

54

4.8

D

PRODUCED BY AN AUTODESK STUDENT VERSION

Night view from terraces

Entrance view


PANCHAVATI

A N E C D O T E, NASHIK, BHANDI BAZAAR


LOCATION : Panchavati, nashik SEMESTER : 4th SEM The project is focused on the characteristics and living of people in Panchavati. The site falls in the extreme busy and developed commercial zone on the west of godavari river. The main focus was to empower and earn a living for the skills and craft of the people. The project offers the interventions which the Bhandi bazar street lacked. The project earns to create an architectural statement to create awareness about the skills and history of the region and to attract a living for the artisans.


site location Location : Western Side Landmark : Opposite Laxmi Narayan Temple

Busy street of Bhandi Bazar

Stairs scooped out of 1m thick load bearing wall

SITE Condition

Site users

Dilapidated non-functional shops Artist residence Wild vegetation Debris of construction Temporary worker’s settlement in corner

Site is used as workplace by artist residing in adjacent plot Temporary worker’s settlement in corner made of tadpatri and concrete blocks Sellers, vendors

Imediate activities

vegatation

Busy crowded Bhandi Bazar street Opposite Laxi Narayan Temple Artist residence Non-functional shops Utensils, cloth stores and vegatable vendors around

Wild and thorny shrubs all around No trees or plants

3D site view


site Requirement Rehousing of shops and artist residence. Creating a leisure pause point from the busy street. Workshops where artisans could teach the tourists the skills and essence of all the 3 bazars. ( saraf bazar, bhandi bazar, kapad bazar) Archival museum to showacase the primitive essence and the developmental life line of the 3 bazars. Archival library to narrate the history and progress of the place. Bhojnalaya and quick food stall as the whole street lack in food stalls or eateries. Shops to attract earnings for the workshop production and the artisans

History

Used to be a part of a huge wada. With time it became weak and therefore destroyed.

Axonometric view


site development

flow of movements The concept was aligning movement of bodies around the building in a galli pattern cutting through the experiences, activities and elementals surrounding

site geometry Studying the feeder network, galli patterns, pedestrain and vehicular movements. The aim was to built a structure respecting the on site activities, routines and structures.

Creation of elementals Elementals are interactive landscape elements used in the design for buffer spaces and spaces to connect with nature.

Quick snack stop

bhojnalaya

The molten axo shows the activities in the quick snack stop structure. The stairs act as a social element and are used by the tired visitors to sit and have a cut off from the busy Bhandi bazar street.

The molten axo shows the activities in the Bhojnalaya. The project offers this as the street lacks in providing eateries or food stalls.


Establishing internal fedder network to insure smooth flow of movements and experiences.

Flow of movements at upper level

Flow of movements at lower level Molten Axo sketch showing activities

climate

character

Separation of mass and orientation of structures according to the wind direction and sun path. This is to enhance the experience and quality of life. Natural light, ventilation and cooling effect reduces cost of project.

The overall design idea is inspired by the traditional architecture of the site. The behavioural patterns of the site users and the routine activities have been respected. The use of sloping roofs, verandahs and courtyards help in achieving the same while the form movements, materials gives the design its modern identity.


PRODUCED BY AN AUTODESK STUDENT VERSION

working drawings

A

C6, C19

C26, C33, C39

H

I

J

K

L

C3, C12, C21, C28, C35, C41

C13, C18, C23, C25, C32, C38

G

14800

C2, C11, C20, C27, C34, C40

C43, C53

F

C1, C5, C10

E1

C17, C47, C52

E

C9, C16 C46, C51

C45, C50

D

3000

C55

C15, C22

C4, C8, C31

A

0

B C

C30, C37, C44, C49

C7, C14, C24, C29, C36, C42, C48

D

M

N

10000

RETAINING WALL

7840

TOILET FOR SPECIALLY ABELED

W7 2790

450

MEN 'S TOILET C54

540

6000 3850

D2

1900

D10

1730

C48

650

1770

1650

700

450

1770

2170

WOMEN 'S TOILET

C50

7000

15

3410

2.05 M

C45

C44

C47 C46

1470

300 C42, C43

WORKSHOP

2.085 M

2.05 M

4500

16

C53

1800

WORKSHOP

2.085 M

C44, C45, C46, C47

C52

C51

C49

11170

17

UNDER GROUND TANK

C55

810

W7

C48, C49, C50, C51, C52, C53

1.45 M

2810

700

2340

18

3980

C54, C55

D11

700

D2

900

860

1620

W7

2080

19

1810

450

C56

C56

C43

C42

900

UP

2400

2700 3000 8560

1000

ROOF LINE

2110

1540

300

3000

300

700

700

450

C37 C36

D10 W4

300

1

1

C30

UP

UP C31

WATER BODY

C32

2

1

2450

1680

D8 3510

60

15

PROMINENT STAIRCASE

3830

POOJA ROOM

1200

C18

C19

9

10 11 12

13 14

C17

C16

C15

2270

4

D5

W3

1500

1200 3020

0.985 M

2040

UP 0.95 M

B

3490 W2

TOILET

300

3

W2

W1

1

C13

UP

D2

1560

W7

D5

D2 W7

C13

D9

2

C7

2890

C4

1.05 M

1940

CANTEEN

D6

C5

2

W2

W2

Ground Floor Plan

SHOP

C6

1200

4160

500

1

5040

-1

D6

1600

2

SHOP

500

D1

ORIGIN

1

2270

C1

3000

D7

C2

C3

UP

3060

7500 ENTRY

24610

2150

3690

410

1200

1360

1490

880

2010

A

720

2850

ROAD

1900

A

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C1, C2, C3

2080

3

0

B

C12

D10

C10

1950

3

1

C9

D2

SHOP

C11

1.085 M

D3

C4, C5, C6

UP

C8

2480

C7, C8, C9, C10, C11, C12

SHOP

1180

3 2

C20

UP

3000

5

4

2770 2440

3

1200

8

W4

KITCHEN

C21 2

1270 7

W4

1980

2140 300 1

6

600 C28

310

2410

RECREATIONUP AREA

C14

UP

C15, C16, C17

UP

1800

5

300

3410

4410

6

C14

D4

STORE ROOM

W4

C23

17980

00

10 C22

ENTRANCE FOYER

C18, C19, C20, C21

2670

960

300

1500

2

C27

D2

1140

C24

1500

1

2630

C26

C25

1730

7

2770

1530

970

3000

2600

650

8

C23

1840

W1

700

C22

2770

WADA AREA

2680

9

700

D8

2770

1780

C27, C28

D4

C34

C33

3010

10

2830

1670

D4

C

C35

1.55 M

UP

1500

11

C24

13720

C25, C26

W4

2540

360

1

C29

2730

1.585M

2670

2

1730

12

D2

2

7640

C29, C30, C31

W7

3

2

7000

13

BED ROOM

TOILET

3

3

4000

C32, C33, C34, C35

W4

2200

LIVING AREA

2670

3460

TOILET

C41

W4

C40

D2

3200

D2

B

W7

C39

W7

2670

C38

1740

14

1750

C36, C37, C38, C39, C40, C41

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4000

4050


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A

C6, C19

C26, C33, C39

H

H1

I

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K

L

C3, C12, C21, C28, C35, C41

C18, C23, C25, C32, C38

G

14800

C2, C11, C20

C43, C53

E1 F

F2

E

C1, C5, C10

D

2980

C17, C47, C52

B C

F3, F4

C45, C50

A1

C46, C51

C15, C22

C4, C8, C31

F1

A

0

C30, C37, C44, C49

C7, C14, C24, C29, C36, C42, C48

D

M

N

10000

RETAINING WALL

19 TOILET FOR SPECIALLY ABELED

MEN 'S TOILET

14570

1.45 M

18

3850

C54, C55

1810

C56

UNDER GROUND TANK

WOMEN 'S TOILET

C48

10000 C50

C49

17

1

2

C52

C51

C53

3

1310

W5

11170

C48, C49, C50, C51, C52, C53

2070

GREEN PATCH FOR WORKSHOP SPILL OVER

W5

D3

4150

9540

2570

C43

F1

F2

D3

2

2590

4840

4140

1000

C37

13

4630

C36

OBSERVATION DECK

12

C29, C30, C31

11

2830 7730

3760

OBSERVATION DECK

300

C32

3.45 M

2000

D12

B

4.45 M

3.485 M

5140

C38

4.485 M

C

2200

500

C29

C32 C31

2000

2670

F3 C25

W1

330

9

5570

C24

300

RECREATION AREA

PROMINENT STAIRCASE

UP

300

C19

7

8

9

C21

10 11 12 13 14 C15

5

3

2500

1

4

2

C17

3

D3

C16

3

2070

3.485 M

2920 1710

3400

3.45 M

3070

C13

4240

B C9

600

C10

1400

860

DUCT

TOILET

3760

500

2700

2290

D10 1200

C1

ORIGIN

C2

ENTRY

ROAD

24610

890

410

1090

1360

1490

420

2010

460

A

720

850

2000

1900

A

PRODUCED BY AN AUTODESK STUDENT VERSION

2800

W6

2590

0

2150

Upper Floor Plan

C6

D2

920

5260

-1

1730 3890

C5

5340

C1, C2

C12

3620

1370

C4

1

SHOPS

D2 5440 2870

C4, C5

C11

BHOJNALAY

C8

D2

D3

B

1490

C7

1500

2

3410

4480

C7, C8, C10, C11

W6

4.45 M

0.95 M

1500

KITCHEN

4.485 M

ARCHIVAL

W1

0.985 M

1680

D3

2 1

C20

960

6

C15, C16, C17

5500 C18

F4

W4

4700

310

W4

17980

300

2700

1500

C14

1950

4

8700

5

C14

5210

6

C18, C19, C20

4.45 M

1540

F4

C23

1910

4.485 M

1370

4240

570

60

15

3830

410

00

10 C22

ENTRANCE FOYER

2850

1500

3000

7

5670

8

C23

2840

C22

690

1800

1530

3970

C3

650

C24

WADA AREA

D13

10 1500

C25, F3

2670

2000

WATER BODY

PRODUCED BY AN AUTODESK STUDENT VERSION

1

2550

C36, C37, C38

1310

C42

160

14

2110

15

C42, C43

C47

360

F1, F2

4.45 M

C46

3.95 M

290

16

C45

C44

3690

4000 C44, C45, C46, C47

ARCHIVAL

3.985 M

2440

4.485 M

880


Section B-B’

D

A

F

L

G

N

P

PRODUCED BY AN AUTODESK STUDENT VERSION +6.6 M TOPMOST ROOF LEVEL 350

230 MM THK BRICK WALL

D3

25 MM EXTERNAL PLASTER

1200

230 W4

2200

W4

3130

80 MM DIA. STAINLESS STEEL HANDRAIL

3130

1500

230 MM THK BRICK WALL 650

2

KITCHEN 50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD

700

3170

BHOJNALAYA

2200

14 13

ARCHIVAL 700

10 W2 9

13

450

900

RUBBLE EARTH

SECTION A-A' SCALE 1 : 20

13

4

12

5 5250

2690

50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD

12

BEAM STEEL REINFORCEMENT BARS

11

1080

10

9100

1

6

MIDLANDING [ 1500 X 1500 ]

3

PRODUCED BY AN AUTODESK STUDENT VERSION

230 MM THK BRICK WALL

3 1

1010 20

10 20

11 10 10 20

300

300

300

80 MM DIA. STAINLESS STEEL HANDRAIL ITALIAN MARBLE FLOORING 25 MM THK

300

SCALE 1 : 20

4410

300

2850

SCALE 1 : 2

0

1010

25 MM THK ITALIAN MARBL FLOORING

BOLTS USED TO TIE BASE PLATE TO MARBLE TREAD

SQUARE SHAPED STEEL BASE PLATE 10 MM THK +6.8 M 10 MM THK BHOJNALAYA 25 MM THK CEMENT MORTAR LEVEL RAILING AT SCREWED T CAP NOSING WITH COVE LIGHTS

A DETAIL OF NOSING

20

25 MM THK CEMENT MORTAR

SCALE 1 : 2 TOR 12 STEEL REINFORCEMENT BAR

REVISION TABLE

25 DATE MM THK ITALIAN MARBLE REVISION FLOORING

DESCRIPTION

B BA

W5 SCALE 1:2

ARCHIVAL

2700

10

BOLTS USED TO TIE BASE PLATE TO MARBLE TREAD W2

300 2570

300

WORKSHOP AREA

10 20

NOSING WITH COVE LIGHT

CARBORUNDUM INSERT 8.2 M ANTI SLIP GROOVES ON TREAD 8MM WIDTH OVERHEAD TANK LEVEL

10 20

SCAL

BHOJNALAYA 10 20

1010

10 50

10 20

RCC STAIRCASE

DETAIL OF RISER ANDATREAD DETAIL OF NOSING

SCALE 1 : 20

150

4200

BOLTS USED TO 50 TIE BASE PLATE TO MARBLE TREAD

1010

PLAN

25 MM EXTERNAL PLASTER

-1

NOSING WITH COVE LIGHTS

1500

230 MM THK BRICK WALL

1 MARBLE FLOORING ITALIAN 20

4240

UP

1

WINDOW

80 MM DIA. STAINLESS STEEL HANDRAIL

300

PLAN

400

ARCHIVAL

OBSERVATION DECK

300

SQUARE SHAPED STEEL BASE PLATE 10 MM THK

CERAMIC FLOOR FINISH

STUDENT VERSION

300

MIDLANDING [ 1500LIGHTS X 1500 ] NOSING WITH COVE

25 MM THK EXTERNAL PLASTER

PROMINENT

300

UP

140

230 MM THK BRICK WALL

300

50 MM DIA. STAINLESS STEEL

UP

STEEL REINFORCEMENT BARS FOR RCC STAIRCASE

12

300

1010 WITH COVE LIGHTS NOSING

2

ITALIAN MARBLE FLOORING BALUSTER BOLTED TO ITALIAN 25 MM THK TREAD MARBLE

200

RCC CHAJJA ALUMINIUM3PANELED GLAZED WINDOWS

4

300

12

5

230 MM THK BRICK WALL

SQUARE SHAPED STEEL BASE 25 MM EXTERNAL PLASTER PLATE 10 MM THK

1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are stric to be followed. 3) All levels are unfinished levels unless specified. 50verify MMallDIA STAINLES STEE 4) The contractor shall on site dimensions includin elevations prior to theBALUSTER commencementBOLTED of work on site. TO ITA 5) The contractor shall inform the architect MARBLE TREADand/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. CARBORUNDUM INSERT 6) The contractor shall coordinate verify the workON indica ANTI SLIPand GROOVES T on the drawings between architectural and various trade 8MMtheWIDTH SCALE 1 : 2 drawings, including but not limited to structural, electrical, 10 plumbing, fire protection and exterior enclosure 20systems. BOLTS USED TO TIE BASE TO MARBLE TREAD 7) All work shall conform to relevant BIS codes and shall be best practice of eachSQUARE trade. SHAPED STEEL B 8) Any discrepancy is to be brought to the notice of the PLATE 10 MM THK architect/ consultant before commencement of the site. 50 MM DIA STAINLES STEEL 9) All work is to be completed the satisfaction of site 25 MM to THK CEMENT MORT BALUSTER BOLTED TO ITALIAN engineer/ project MARBLE TREADmanager and architects

DETAIL O

50 SQUARE SHAPED STEEL BASE PLATE 10 MM THK 10 20

MIDLANDING [ 1500 X 1500 ]

20

1500

CARBORUNDUM INSERT ANTI SLIP GROOVES ON TREAD 8MM WIDTH

10 STEEL REINFORCEMENT BARS 50 MM DIA. STAINLESS STEEL FOR RCC20 STAIRCASE BALUSTER BOLTED TO ITALIAN MARBLE TREAD

1

1010

3690

4

12

300

10 20

1500

SECTION A-A' 1 : 20

50

100 MM THK. PCC BED

12

2

25 MM THK EXTERNAL PLASTER

100 MMSCALE WATA 200 MM RCC LINTEL

NOSING WITH COVE LIGHTS

ITALIAN MARBLE FLOORING 25 MM THK

2 RCC OVERHEAD TANK

UP

MIDLANDING [ 1500 X 1500 ]

300

2680

4

5 4

15

4

300

300

6

17

300

12

BEAM STEEL REINFORCEMENT BARS

SQUARE SHAPED STEEL BASE PLATE 10 MM THK

300

300

7

300

300

8

3

5

1

300

300

11 10

5

300

12

300

3

PRODUCED BY AN AUTODESK STUDENT VERSION

14 13

9

1500

50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD

300

2

SCALE 1 : 20

50 MM DIA STAINLES STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD

25 MM EXTERNAL PLASTER 50

SECTION A-A'

80 MM DIA. STAINLESS STEEL HANDRAIL

10 20

GENERAL NOTES

20

100 MM THK. PCC BED

12

2

20

staircase details

1010

ITALIAN MARBLE FLOORING 25 MM THK

1

25 MM EXTERNAL PLASTER 230

10 20

4

4 2

230 MM THK BRICK WALL

50

PLATE 10 MM THK

PRODUCED BY AN AUTODESK STUDENT VERSION 5

10 20

1010 2660

NOSING WITH COVE LIGHTS

7

SECTION B- B'

10 20

STEEL REINFORCEMENT BARS SQUARE SHAPED STEEL BASE FOR RCC STAIRCASE

1

8

3

5

0M GROUND LEVEL

3810

9

12

3

2 14

50

PLINTH LEVEL

80 MM DIA. STAINLESS STEEL HANDRAIL

12

2

+0.45 M

20

100 MM THK. PCC BED

230

600

RCC PLINTH BEAM [500 X 300]

1010

ITALIAN MARBLE FLOORING 230 MM THK BRICK WALL 25MM MMEXTERNAL THK 25 PLASTER

100 MM THK PCC BED

10 20

PRODUCED BY AN AUTODESK STUDENT VERSION

MIDLANDING [ 1500 X 1500 ]

1

20

10 20

SHOP

D9

250 900

2

50

3490

CANTEEN

4

5 4

2200

520

1000

6

580

3

170

CERAMIC FLOOR FINISH 50 MM THK SCREEDING

D2

300

170

STAIRCASE

TOILET

WORKSHOP AREA

730

8 7 6 5 4 3 2 1

3190

9

ANOTHER STAIRCASE BEHIND

7

W1

2370

SQUARE SHAPED STEEL BASE PLATE 10 MM THK 2200

10

1010

MID LEVEL

NOSING WITH COVE LIGHTS 1

1950

8

3

5

11

3190

14 12

15

+3 M

BEAM STEEL REINFORCEMENT BARS

12 11

2250

25 MM THK EXTERNAL PLASTER

3780

100

230

COPING STONE

150

TOILET

D2

20

+3 M 1010

TOILET D2 10 20 1010

10 20

MID LEVEL


TOILET

+0.6 M

25 MM THK EXTERNAL PLASTER

W4

3130

3130

170

0M

GROUND LEVEL 2200

W4

D

GROUND LEVEL

170 170

520

1500

230 MM THK BRICK WALL

650

KITCHEN

J

730

TOILET G

B

CANTEEN

MID LEVEL

2370

A

SHOP

D9

C

2200

250

2200

520

300 580

ORIGIN

900

900 2000

100

450

+7.8 M

100 MM THK PCC BED RCC PLINTH BEAM [500 X 300]

C

elevation

+0.45 M

D

PLINTH LEVEL

600

0M

1700

OVERHEAD TANK

E

D2

C7, C14, C24, C29, C36, C42, C48

C45, C50

C46, C51 700

I

WORKSHOP AREA

170

CERAMIC FLOOR FINISH 50 MM THK SCREEDING

W2

+3 M

1840

170

STAIRCASE

2040

3490

K

8 7

6 5 4 3 2 1

2440

1950

W1

9

M

1470

1000

N

2110

3190

P

2830

ELEVATION C

10 ANOTHER STAIRCASE BEHIND

C17, C47, C52

15

3630

ARCHIVAL

3190

13

2770

C30, C37, C44, C49

14

12 11

C17, C47, C52

3970

C13, C18, C23, C25, C32, C38

C26, C33, C39

4330

C2, C11, C20, C27, C34, C40

C3, C12, C21, C28, C35, C41

2200

700

3170

BHOJNALAYA

+6.75 M

RUBBLE

GROUND LEVEL

EARTH +6.1 M

D12

W5

720

SECTION B-E B' G

I

2480

1000

720

C7, C14, C24, C29, C36, C42, C48

B

140

C30, C37, C44, C49

150 1150

C45, C50

1150

C46, C51

150

9100

720

B 3810

2660

P

P +3.3 M

A

+3 M

C

W4

150

630

S

E

750

1150

100

150

J

1080

200

2720

W4 1150

K

1150

M

2690

C17, C47, C52

N

C17, C47, C52

C26, C33, C39

P

5250

C13, C18, C23, C25, C32, C38

C2, C11, C20, C27, C34, C40

ARCHIVAL

C3, C12, C21, C28, C35, C41

BHOJNALAYA

150

400

1660

600

1000

2000

500

300

+7.8 M

300

300

300

300

300

TOILET OVERHEAD TANK WORKSHOP AREA

700

+0.6 M PLINTH LEVEL +6.75 M

600

600

1700

700

S

100

1110

1110

ARTISAN 'S HOUSE

N

0M GROUND LEVEL +6.1 M

S

D12 150

150

150

400

1660

200

A

140

1900

2850

2730

1150

2500

1150

3000

1150

2600

2370

2860

3690

PR

S

2480

BHOJNALAYA 720

720

P

720

ARCHIVAL

W5

ELEVATION D

W4

+3.3 M

4

+3 M

2

-1

1

SH

E

750

1150 150

630 100

150

1150

11 10 2720

W4

15

1000

17

1000

8.2 M 1110

600

RCC OVERHEAD TANK

1110

ARTISAN 'S HOUSE

500

300

300

300

300

300

OVERHEAD TANK LEVEL

300

2250

TOILET

WORKSHOP AREA

700

700

B

S

+0.6 M 600

PRODUCED BY AN AUTODESK STUDENT VERSION

600

PLINTH LEVEL

25 MM THK EXTERNAL PLASTER

0M

+6.8 M

GROUND LEVEL

BHOJNALAYA LEVEL

N

S

3690

100 MM WATA 200 MM RCC LINTEL

400

3000

2500

RCC CHAJJA

1900

2850

200 140

A 2730

2370

2860

36904410

S

ARCHIVAL 4240

2850

3780

ALUMINIUM PANELED GLAZED WINDOWS

2700

2600

2680

230 MM THK BRICK WALL 25 MM THK EXTERNAL PLASTER

W5

ELEVATION D

CERAMIC FLOOR FINISH

ARCHIVAL

BHOJNALAYA

+3 M OBSERVATION DECK

MID LEVEL

4200

300

WORKSHOP AREA

W2

300

TOILET

D2

TOILET D2

2570

WINDOW PROMINENT LOAD BEARING STAIRCASE

2640

PRODUCED BY AN AUTODESK STUDENT VERSION

50 MM THK SCREEDING RCC PLINTH BEAM [500 X 300] 100 MM THK PCC BED RUBBLE

3630

150

+0.45 M

1300

WATER BODY

450

450

EARTH

PLINTH LEVEL 0M GROUND LEVEL

RECREATIONAL SPACE

600

1350

UNDERGROUND TANK 2410

-1.34 M GROUND LEVEL

Section A-A’ 3850

8060

410

4240

2700

1700

2730


PRODUCED BY AN AUTODESK STUDENT VERSION

MANGLORE TILES [400x230 MM]

GENERAL NOTES

ISA 50 ANGLE CLEAT [50x50x6 MM]

1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects

RESTING ON TIMBER BATTENS

40

400

160

MANGLORE TILES [400x230 MM]

WELDED AND NUT BOLTED TO STEEL PURLIN

TIMBER BATTENS [50x50 MM]

RESTING ON TIMBER BATTENS

@

INTERLOCKING GROOVES 400

TIMBER BATTENS [50x50 MM] @

350 C/C

RIDGE PIECE [270x160 MM]

NUT BOLTED TO BEAM THROUGH MS BASE PLATE

270

350

MS GUSSET PLATE 10MM THK

350 C/C

WELDED AND NUT BOLTED TO BEAM THROUGH MS BASE PLATE

350

ISA 50 ANGLE CLEAT [50x50x6 MM]

ANGLE CLEAT 10 MM THK

40

CONNECTING MS GUSSET PLATE AND BEAM THROUGH MS BASE PLATE

NUT BOLT TO FIX RIDGE PIESE TO BEAM THROUGH BASE PLATE MS BASE PLATE 10MM THK NUT BOLT TO FIX MS BASE PLATE TO BEAM

WELDED AND NUT BOLTED TO STEEL PURLIN

25

ISA 100 STEEL PURLIN

REINFORCEMENTS TOR 12 500

50

TO FIX STEEL PURLIN TO MS GUSSET PLATE

AT RIDGE JUNCTION A DETAIL SCALE 1 : 2

NUT BOLT ISA 100 STEEL PURLIN SUPPORTING MANGLORE TILES

RCC BEAM [500x300 MM] 300

MANGLORE TILES [400x230 MM]

DETAIL AT RIDGE JUNCTION

ISA 50 ANGLE CLEAT [50x50x6 MM]

SCALE 1 : 20

RESTING ON TIMBER BATTENS @

350 C/C

900 820 760

WELDED AND NUT BOLTED TO STEEL PURLIN

TIMBER BATTENS [50x50 MM]

350

710

60

40

MS GUSSET PLATE 10MM THK

WELDED AND NUT BOLTED TO BEAM THROUGH MS BASE PLATE

ANGLE CLEAT 10 MM THK

EXTERIOR GLASS

10 MM THK INSULATED GLASS

900

TIMBER FRAME

WELDED AND NUT BOLTED TO PURLINS

MS GUSSET PLATE 10MM THK

INTERIOR LINING

WELDED AND NUT BOLTED TO PURLINS

ISA 50 STEEL ANGLE

TIMBER FRAME

INTERIOR GLASS

180

10 MM THK INSULATED GLASS

ALUMINIUM GUTTER [200 DIA]

PRODUCED BY AN AUTODESK STUDENT VERSION

MS GUSSET PLATE 10MM THK 500

DESCRIPTION

140

AIR SPACE

TO FIX MS BASE PLATE TO BEAM

1000

REVISION

10 MM THK INSULATED GLASS

MS BASE PLATE 10MM THK NUT BOLT

200

DATE

EXTERIOR GLASS

CONNECTING MS GUSSET PLATE AND BEAM THROUGH MS BASE PLATE

140

GLASS PACKING

CONNECTED TO BATTEN THROUGH GI STRAP

RCC BEAM [500x300 MM]

DESICANT SPACER

HYGROSCOPIC SUBSTANCE USED TO INDUCE OR SUSTAIN DRYNESS IN ITS VICINITY

300

SHUTTER BOTTOM

SECTION

DETAIL AT END JUNCTION

ROSETTE WINDOW DETAIL

SCALE 1 : 20

ELEVATION

architectural details

SCALE 1 : 5

GUTTER DETAIL SCALE 1 : 20

350

NUT BOLTED TO TIMBER BATTEN

20

200

230 100

60

140

25MM THK EXTERNAL PLASTER COPING 100MM THK 25MM THK EXTERNAL PLASTER LAYER DRIP MOULD 10 MM DEPTH 25MM THK SCREEDING LAYER BRICK BAT COBA FILLING 100MM THK RCC SLAB 150MM THK

100

GI STRAP

B

150

ALUMINIUM COVERING ALUMINIUM GUTTER [200 DIA]

ORIGIN

KEY PLAN

500

CONNECTED TO BATTEN THROUGH GI STRAP

RCC BEAM [500X300] BEAM REINFORCEENTS

150

300

100

150

230

230

TERRACE GARDEN DETAIL

SHEET NUMBER:

SHEET TITLE:

A - 001

EXTRUDED ALUMINIUM COVER WELDED TO ELIMINATE LEAKS

70

SPACER

SCALE : 1:50

WEATHER STRIPPING

NAME : RITIKA RAJENDRA REDKAR

NORTH

TO REDUCE CONDENSATION

THERMAL BREAK

HAVING BUILT-IN CONDENSATION GUTTER

540

500

300

PANCHAVATI ANECDOTES ARCHITECTURAL DETAILS

PLANTATIONS

300

TERRACE DETAIL

1200

DOWNTAKE PIPE

GROWING MEDIUM 19 MM SAND LAYER GEOTEXTILE POLYTHENE DRAINAGE MESH 30 MM PAVERS TO PROTECT WATERPROOF LAYER 19 MM SAND LAYER WATERPROOF LAYER 300 MM RCC SLAB INSULATION 230 MM THK BRICK WALL 25 MM EXTERNAL PLASTER

PROJECT NAME:

SCALE 1 : 10

300

REMOVABLE SCREEN OPENING HARDWARE SOLID WOOD FRAME

1160

100

SCALE 1 : 20

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

B

REVISION TABLE

WALL TIMBER LINTEL SHUTTER SILICON 3-5 MM THK COMPRESSED FOAM SEALING TAPE

400

900

A

SKYLIGHT DETAIL SCALE 1 : 5

DOUBLE FLASHING TO AVOID LEAKAGE

100

GROOVE

FOR EASY INSTALLATION

SEMESTER 6

T . Y . B.ARCH

ACADEMY OF ARCHITECTURE, MUMBAI SIGN AND STAMP

ROLL NO.

43


PRODUCED BY AN AUTODESK STUDENT VERSION

B

TOILET FOR SPECIALLY ABELED

25 MM EXTERNAL PLASTER

GENERAL NOTES 230 MM THK

1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. R.C.C. LINTEL 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated 6 MM THK GLASS on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, FOR LOUVERS plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects

BRICK WALL

7840

230 MM THK BRICK WALL

450

TOILET FOR SPECIALLY ABELED

W7

MEN 'S TOILET

900

D11 C54

6 MM THK

COUNTER SUNK BIB TAP

A

CLEAR FLOOR SPACE 1500 MM

2810

3980

D2

700

450

A

GLASS FOR LOUVERS

10 MM THK CERAMIC TILING [300 X 300]

1620

2790

2080

W7 860

LOUVERED WINDOW

700

BIB TAP

C55

540

W7

100 MM THK R.C.C SILL

COUNTER SUNK

810 3850

D2

1650

1900

ELEVATION

D10

1730

750

700

450

1670

1670

WOMEN 'S TOILET

10 MM THK CERAMIC TILING [400 X 400] SECTION

C48

LOUVERED WINDOW DETAIL

SPRAY DOUCHE SET

C49

SCALE 1: 5

NAHANI TRAP 150 MM

B

REVISION TABLE DATE

REVISION

DESCRIPTION

DETAIL PLAN OF TOILET SCALE 1: 20

230 THK BRICK WALL 25 MM THK PLASTER CERAMIC WALL TILING [300X300]

COPING STONE

TOPMOST LEVEL

230 MM THK BRICK WALL

3.3 M TERRACE LEVEL

230

10 MM THK CERAMIC TILING [400 X 400]

BEAM DEPTH LEVEL

100 MM

10 50

400

1.8 M

LOUVERED WINDOW

700

2200

1.2 M

BIB TAP COUNTER SUNK

1000

900

700

CODE

D2

700

700

230 MM THK BRICK WALL

WASH BASIN

HINDWARE WASH BASIN [OVAL SHAPED]

FLUSH TANK

HINDWARE SLEEK SMART DUAL TANK, 10 L CAPACITY

10 MM THK CERAMIC TILING [400 X 400] TOILET DOOR

2200

470

PARTITION

650

750

BIB TAP COUNTER SUNK

URINAL

BIB TAP

CP BRASS

MIRROR

32MM THK MIRROR WITH 12MM THK PLY BACKING

URINALS

JET SPRAY CLOSET

COUNTER TOP

NAHANI TRAP

LOUVERED WINDOW PROJECT NAME:

TOILET DOOR WASH BASIN

KOHLER DEXTER

HINDWARE 2M LONG SUPERIOR QUALITY SPRAY

WATER SEAL LEVEL SOIL PIPE P-TRAP SCREEDING LAYER 50MM

GI FLOOR TRAP WITH STAINLESS STEEL GRATINGS

BRICK BAT COBA FILLING

SECTION

SCALE 1: 20

RCC PLINTH BEAM [500 X 300]

100 MM THK PCC BED 150 MM THK

INSPECTION CHAMBER

RUBBLE

DETAIL TOILET SECTION SCALE 1: 10 PRODUCED BY AN AUTODESK STUDENT VERSION

BRICK BAT COBA FILING 150 MM THK 100 MM THK PCC BED RUBBLE

0M

SHEET NUMBER:

TOILET DETAILS

A - 001

NORTH

NAME : RITIKA RAJENDRA REDKAR

50 MM THK SCREEDING GROUND LEVEL

SHEET TITLE:

CERAMIC TILING

BIRCH WOOD CLOSET

20 MM THK GRANITE MATTE FINISHED

PANCHAVATI ANECDOTES

SCALE : 1:50 900

D2

KEY PLAN

MIRROR

DESCRIPTION

100

25 MM EXTERNAL PLASTER

TERRACE LEVEL

ORIGIN

CLOSET

PB80 PB80 COPING STONE

TOPMOST LEVEL 3.3 M

900

DOUBLE COAT

230 MM THK BRICK WALL

420

SCALE 1: 20

2200

25 MM THK PLASTER 860

660

RCC PLINTH BEAM [500 X 300]

SECTION

2.85 M

toilet details

SCALE 1: 20

50 MM THK SCREEDING BRICK BAT COBA FILING 150 MM THK 100 MM THK PCC BED RUBBLE

0M GROUND LEVEL

BEAM DEPTH LEVEL

DETAIL SECTION OF TOILET SUMP

SPRAY DOUCHE SET

650

420

650

900

100

100

SILL LEVEL

PLINTH BEAM

300

600

700

LINTEL LEVEL

SCREEDING LAYER 50 MM BRICK BAT COBA FILLING 150MM PCC BED 100 MM THK RUBBLE

600

D11

D2

860

660

TILE DROP 10 MM

WATA

200 MM RCC LINTEL RCC CHAJJA MIRROR

60

2.85 M

3.6 M

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

3.6 M

SHOWING PLUMBINGS

INSPECTION CHAMBER

SEMESTER 6

T . Y . B.ARCH

ACADEMY OF ARCHITECTURE, MUMBAI SIGN AND STAMP

ROLL NO.

43


Views

View of centre courtyard

View from workshop

View from observation desk

View of artist residence


Culture and tradition are the unique identity of a place. The people living over there and their daily routine activities are affected by even a slightest change in architecture. So while designing it is important to respect these aspects.


lEbanese restaurant ,bkc


Interior Design LOCATION : BKC TYPE : LEBANESE RESTAURANT Seating capacity : 100 The design space should be functional, aesthetic and should endure in the contemporary context. The interiors of the restaurant should reflect the culture and the cuisine and also live up to the international standards. The site is located on the ground floor of the commercial building in BKC (Bandra Kurla complex). Entry to the restaurant is from the driveway of the complex and cannot be changed. The back entry connects to the lobby through the kitchen. The toilet (sunk slab) is demarcated and needs to be retained. Overall clear height is 4.5m.


axonometric view

Lebanese cuisine is the culinary traditions and practices originating from Lebanon. It is categorised as one of the most popular of Middle Eastern cuisines. The unique features of the labanese restaurant is its traditional look with chandeliers hanging in the vaulted ceilings. The shining artifacts kept for display are a wonderful eyesight. The play of lights adding to the beauty of texture and materials used.


plan view

The Middle eastern characteristics of architecture is explored with the idea of crafts, materials and textures. Its nature could be detected by the colour scheme and the overall built, furniture and art elementals added.


COMPETITIONS


The following part shows the extra curriculum work done in past 3 years. The work mostly includes competitions, documentations, installations, furniture design, urban public intervations, fiction illustrations etc.



L.I.K TROPHY heritage and democracy LOCATION : COOCH BEHAR TYPE : documentation Abstract The aim of this trophy was to document a building or complex of buildings which are symbols of democracy. The structures which play an important role in the smooth functioning of the government. ( local/state/central level ). Administrative structures of any era pre- Mughal, Mughal, pre-colonial, colonial, post-independance but not built later than 1967 was expected to document.




play in a pause


KALAGHODA The installation expresses the importance of time defining and capturing events that can never be created in the exact same manner. A union of space and time creates an event. Events cannot exist without time. The pavilion is a pause in the event. The change of time transforms the play of light and shadow within the pavilion and in the manner that the pavilion gets inhabited by the people. The perception of this break in the event through the passage of time is unique for each individual, thereby getting inscribed in one’s memory as a moment in time. @kalaghoda2019_aoa @aoamumbai kalaghodaaoa@gmail.com


The mode of representation of the drawings made was in Pattachitra form in which the elements such as humans and trees were taken from the paintings of Pattachitra, in order to justify the beauty of the folk art.


Raghurajpur renditions LOCATION : Odisha TYPE : Documentation It is located 15km away from Puri. Raghujarpur is a heritage arts and crafts village, home to the well-known folk art, Pattachitra. Gotipua as a dance form is also practised here, which involves young boys dressed as women and performing. The materials used by the artisans are purely natural, making Pattachitra an authentic art form unique to the village. This village has a unique architectural typology. All the houses are long and narrow extending to upto 40m maximum. A central lane binds the entire village which consists of all the temples with houses in north, south and east directions facing the central street. This housing typology and the art form of Pattachitra gave rise to human activities exclusive to the village.


Day - 6348 7:30 am, Home; For Maya, the past forty - three days have been dull, unpleasant and far from thrilling and today - the forty-fourth day seems to be no exception. As usual, she wakes up unexcited and with no expectations....... . . ........... All through your journey, you will be caught up in the circuitous cycle of of hurdles and happiness but no matter what, one peek into your inner soul will always reveal simple solutions to the most complex mysteries. Go back to dancing now, Maya, Dance your troubles away! And if that doesn’t suffice, you know where to look for answers!


Fairy Tale A Blank space competition To create a unique architectural fairy tale, combining a text narrative with 5 images in most spectacular way. Determine architecture’s role in the fiction of the future, and design solutions for the issues plaguing our planet.

The architectural fairy tale addresses the most neglected issue of ‘depression. It tries to convey the state of mind one experiences and imaginary situations one struggles to compete with. It boldly states that one could fight this only by talking to the inner soul and listening to the voice within.


C O L L A P S E RISHI VALMIKI ECO SCHOOL IS LOCATED AT GOREGAON. EVERYDAY, THE SCHOOL CATERS TO THE EDUCATIONAL NEEDS OF STUDENTS RANGING FROM GRADE 1 - 7. DUE TO INADEQUACY OF SPACE, THE CLASSROOM IS USED BY ALL BATCHES AT VARYING TIMES. THE 5M*7M LECTURE ROOM DESIGNED TO ACCOMODATE 50 PUPILS AT A TIME LACKS SUFFICIENT CIRCULATION, BREATHING SPACE AND .STORAGE THE FURNITURE CAN BE COMPLETELY DISSASSEMBLED .THE IDEA OF THE COLLAPSI- . BLE FURNITURE HAS EVOLVED FROM THE NEED OF ALLOWING MULTIPLE FUNCTION IN THE SAME SPACE. THIS TYPE OF FURNITURE MAKE KIDS DEVELOP THEIR MOTOR SKILLS AND ALSO INDULGE THEM INTO A COMPLETELY DIFFERENT ACTIVITY

THE CHALLENGE IS TO DESIGN AN ELEMENTARY PIECE OF FURNITURE THAT EASES THE TROUBLE FACED BY THIS IMMENSE .SPACE CRUNCH HENCE, THE SOLUTION TO THIS IS A FURNITURE PIECE THAT .EVOLVES IN ACCORDANCE WITH THE DEMAND ABILITY TO STORE BASIC GOODS, COLLAPSE AND RESTORE .AS PER NEED ARE THE SALIENT FEATURES OF THIS EQUIPMENT THIS EASY DISMANTLING AND ASSEMBLING OF THE PIECE ALLOWS CUSTOMIZED ARRANGEMENTS OF THE CLASSROOM .- SUITING THE DIVERSE NEEDS OF THE USERS A RATIONAL AND EFFECTIVE FURNITURE PIECE LIKE THIS ALSO ENGAGES THE STUDENTS INTO HANDS-ON MOTOR ACTIVI.TIES, CRAFTING A UNIQUE EXPERIENCE

SCALE: 1:10

SCALE: 1:10

SCALE: 1:10

TENON AND MORTISE JOINT FOR FIXING OF THE BACKREST

DESK PLANK SLIDED THROUGH THE GROOVES LEGS OF THE TABLE SUPPORTING THE ALL PLANKS

THIS EASY DISMANTLING AND ASSEMBLING OF THE PIECE ALLOWS CUSTOMIZED ARRANGEMENTS OF THE CLASSROOM - SUITING THE DIVERSE NEEDS OF THE USERS AND GENERATING MORE FREE SPACE

PLANK FOR RESTING LEGS AND STORAGE

GROVES UNDER THE SEAT FOR THE CROSS

PLANK FOR SMALL STORAGE UNDER THE DESK

SCALE: 1:10

SCALE: 1:10

CORRUGATED PAPER SHEETS

EXPLODED AXONOMETRIC VIEW SEATINGS ARRANGED IN ROWS AND COLUMNS

RS 55/SHEET RS 385 FOR 7 SHEETS

FEVICOL 500GMS

RS 100

LASER CUTTING

-

RS 350

SCALE 1:10

Designing collapsible furniture allowing multi functions in the same space. This type of furniture makes children develop their motor skills. This is very useful when there are space constraints


AGNEYA

SBTDC_IND_4681

MOLTEN AXONOMETRY OF THE TEMPLE

Back in the time dhuni was considered as the end of the dark and gave new hope to the mankind. Similarly, today it intends to bring upliftment to the surrounding communities. As 'Agneya' rightly means kindling of progressive thoughts. Agneya is a temple dedicated to Sai Baba located in the Polo forest ,Gujrat. Sai baba mostly considered as a saint or fakir by most of his followers was worshiped by both the Hindus and Muslims. Taking inspiration for the story of Sai Baba and the nagara style of Hindu temple architecture, the design is an amalgamation of diierent philosophies. The temple is a complex cultural entity. The design looks at adding modern innovative construction techniques while keeping the original essence of the temple intact.

SITE MAP SHOWING EXISTING CONDITIONS Agneya is located in the lush green polo forest which is also the home to the Bhil tribe. Having such a structure near their community gives the tribe a chance to improve and develop . The site also has ancient Jain temples which were destroyed by the Mughal kings. The Jain temple are a symbol that the site is auspicious. Being located in the forest gives the design the advantage of using the natural resources.

RESULTS AFTER THE TEMPLE CONSTRUCTION The plan has been derived by keeping in consideration the Vaastu , cardinal points and the cosmic philosophies of the nagara style of temple architecture. After applying the Vaastu purusha mandala the concept of fractal geometry was used to further detail out the plan. The squares were divided into smaller grids which are called ‘pandas’ and later on circle were added in symmetry to help carve out space. For the elevation the important features of nagara style of temple architecture were kept in mind. To derive the form inspiration has be taking first from ‘dhuni’ the sacred fire that sai baba prepared, it remains intact as it is and second from neem tree leaves. Neem tree leaves because it was under the neem tree that Sai baba resided for many years and it was from there that he parted education. The main elements that are the shikhara, garbhagriha and the mandapa are prominently identified in the form. The shikhara is the tallest entity followed by the rest. The meditation hall on the first floor has been placed in such a way that it gives one the full view of the mandapa. The massing is done keeping in mind the natural light and ventilation. The elevation has the massive projection on all four sites of the temple which not only add to the aesthetic element of the design but also function has rain water harvesting units. The bring water to the interior spaces and this water is circulated in the interior spaces in form of various elements like water curtains and water falls. These water elements are responsible in passive cooling of the structure.

SENSORIAL MAPPING

CONSTRUCTION FRAMEWORK

A. WATER CURTAINS

Concrete Steel Reinforcement Mesh

B. TRADITIONAL RAJASTHANI TECHNIQUE

FERROCEMENT DETAIL FOR CURVED SURFACES

Ispired from sai baba’s dhuni the form evolved in the following stage.

PASSIVE COOLING STRATEGIES

SAI BABA TEMPLE

20M

ABSTRACTION OF JALI PATTERN FROM THE FOLIAGE OF TREES IN CONTEXT

17 M 12M SINGLE UNIT

TYPE 1

IN NAGARA STYLE

0.0M

SECTION : THROUGH RAIN WATER HARVESTING FINS Sustaniability

TYPE 2

water harvesting kinetic tiles for energy generation

TOILET

OUTER SHELL

Voids

GARBHAGRIHA

OFFICE AREA +0.3 M

MANDAPA +0.3 M

DINNING AREA AND KITCHEN +0.3 M

Solids

INNER SHELL

VIEW FROM DINING SPACE +00M

MOLDING OF SHIKHARA

Plan with respect to grid

MEDITATION HALL +4.3M

Site with design grid

FINAL FORM

VIEW FROM MEDITATION HALL

AREIAL VIEW

EVOLUTION OF FORM

DEVELOPMENT OF GEOMETRIC GRID

VIEW FROM THE ENTRANCE

ELEMENTS OF DESIGN

AERIAL NIGHT VIEW

The competition aims to create a pure and imaginative expression of a temple that will have a degree of hindu temple architecture to it. The major guiding points are innovation, green energy, intelligence and low carbon. The temple designed to be practical, spiritual and experiential.


IIT IDC competition The project aims on designing for children with focus on ‘play and learn’. The intent was on design of objects, media and environment for children.


Urban play The aim was to create a playful intervention in a public place. The qualities of the intervention could be taken from the games which we play in day to day life. Here the games choosen to adopt qualities are basketball, yoga and arcade games.

M AT E R I A L C O S T I N G HARDPLASTIC 1,00,000 STEEL ROD 5,000 RUBBER HANDLE 200 CYCLE PADDLE 520 STEEL PLATES 55,000

TOTAL 1,60,720

HORIZONTAL PTFE PANEL

TOP HORIZONTAL PTFE PANELS SSSSSMMMMMMMMMMMMMM ATTACHED TO ANGLE SECTION WITH BOLTS

ISA

PANEL

C

SIDE PTFE PANELS SSSSSMMMMMMMMMMMMMMM

BOLTED TO PTFE PANELS

B A

VERTICAL PTFE PANEL

KNOB

ISA HOLDING THE PTFE PANELS

BOLTS

ROD

VERTICAL PTFE PANELS SSSSSMMMMMMMMMMMMMM ATTACHED TO ANGLE SECTION WITH BOLTS PTFE PANEL

PTFE PANELS FOR CASING

BALL BEARING

BOLTS CONNECTING MS PLATE AND PTFE PANEL FOLDED MS PLATE ACTING AS PLINTH

DOWEL BOLTS MM LONG FIXING THE MS PLATE

FOLDED MS PLATE ACTING AS PLINTH

FOLDED MS PLATE ACTING AS A PLINTH ANCHORED TO THE GROUND AND BOLTED TO THE PANEL

PANELS

ROD SLITS

BOLTS CONNECTING MS PLATE AND PTFE PANEL DOWEL BOLTS MM LONG FIXING THE MS PLATE PAVER BLOCKS CRUSHED ROCKKSOIL-CEMENT COMPACTED EARTH

KNOB


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Kailasa Temple



Ritika Rajendra Redkar +91 9082838314 ritikaredkar2000@gmail.com ritikar17@aoamumbai.in


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