architectural portfolio
RITIKA R. REDKAR academy of architecture
Seleted Works
personal information RITIKA RAJENDRA REDKAR 9082838314 ritikaredkar2000@gmail.com ritikar17@aoamumbai.in 30/31 New HDIL tower, B/402, Kannamwar Nagar 1, Vikhroli [ E ], Mumbai 400083 What makes a place unique is the footprints of the stories which it carries from generation to genaration. The culture, traditions, human routines which a place carries should be respected. This things co-operate in keeping the place alive in memories for decades to come. I take inspirations from the rich heritage of architecture my country offers, and then decoding them for incorporation according to the modern techniques. This portfolio is a curated collection of the works done in the past 3 years.
15th February, 2000
English, Hindi, Marathi
Rachna Sansad’s Academy of Architecture [ Aided ] Mumbai. CGPI -
extra curriculum
education 2015
2017
2017-2022
Dr. Babasaheb Ambedkar Vidyalaya, Mumbai SSC - 94.40% Ramnivas Ruia Junior College, Mumbai HSC - 82% Rachna Sansad’s Academy of Architecture [ Aided ] Mumbai CGPI - 7.58
skills
NASA
Kalaghoda
Sketchup
Reschool
: Designing a multifunctional educational space.
Fairy tale
:To create a unique architectural fairy tale for issues plaguing our planet.
Rhino Twin motion Lumion Adobe In-Design Adobe Illustrator
: 2019 Play in a pause
Aquatecture : Creating a futuristic, water-based habitat for humans.
Autodesk AutoCAD Adobe Photoshop
: LIK Trophy Documentation of heritage administrative buildings Cooch Bihar, West Bengal.
temple design
: To design a Nagara style temple for Sai baba
documentations Raghurajpur Renditions Raghurajpur, Odisha Study and documentation of the heritage village, culture, traditions, and skills. Panchavati Anecdotes Panchavati, Nashik Study and documentation of both east and west zone of the godavari river. Worli koliwada Worli, Mumbai Study and documentation of traditional house typology and culture.
workshops Trope Parametric It’s all about generating and not creating Sculpture making Carving out sculpture out off siporex block
Furniture design
: Designing collapsible furniture allowing multi functions in the same space.
Concrete chemistry Inventing different types of concrete by mixing cement with different materials like rice powder, egg, thermocol, jaggery, rubber etc. And then studing the strength, texture and weight qualities of the final outcome.
Urban play
: Designing a playful intervention in the public space
UX + A Studying and analysing user experiences.
MS Office
contents
PRODUCED BY AN AUTODESK STUDENT VERSION
A
C6, C19
C26, C33, C39
H
H1
I
J
K
L
C3, C12, C21, C28, C35, C41
C18, C23, C25, C32, C38
G
14800
C2, C11, C20
C43, C53
E1 F
F2
E
C1, C5, C10
D
2980
C17, C47, C52
B C
F3, F4
C45, C50
A1
C46, C51
C15, C22
C4, C8, C31
F1
A
0
C30, C37, C44, C49
C7, C14, C24, C29, C36, C42, C48
D
M
N
10000
RETAINING WALL
19
C54, C55
18
TOILET FOR SPECIALLY ABELED
MEN 'S TOILET
14570
1810
C56
3850
1.45 M UNDER GROUND TANK
C48
10000 C50
C49
17
1
2
C52
C51
C53
3
1310
W5
11170
C48, C49, C50, C51, C52, C53
2070
GREEN PATCH FOR WORKSHOP SPILL OVER WOMEN 'S TOILET
W5
D3
C43
F1
160
F2
D3
2 1
2550
2590
4840
4140
1000
C37
13
C36
4630 OBSERVATION DECK
12
C29, C30, C31
11
2830
3760
OBSERVATION DECK
300
C32
3.45 M
2000
D12
B
4.45 M
3.485 M
5140
C38
4.485 M
7730
C36, C37, C38
1310
9540
2570
2110
14
C42
C
2200
500
C29
360
C42, C43
C47 C46
3.95 M
290
15
C45
C44
4150
4000 F1, F2
4.45 M
ARCHIVAL
3.985 M
C32 C31
2000
2670
WADA AREA
D13
10
F3 C25
W1
330
9
5570
C24
300
60 RECREATION AREA
ENTRANCE FOYER
PROMINENT STAIRCASE
UP
4240
3
1
4
2
2500
D3
C16
3
2070
KITCHEN
4.45 M
0.95 M
3.485 M
2920 1710
3400
3.45 M
3070
C13
4240
B C9
600
C10
3890
C5
1400
860
DUCT
TOILET
C6
3760
500
D2
W6
920 2700
5260
2590
0 -1
3620
1370
5340
C1, C2
C12
1730
5440 C4
1
SHOPS
D2
2870 C4, C5
B C11
BHOJNALAY
C8
D2
D3
1490
C7
1500
2
3410
4480
C7, C8, C10, C11
W6
4.485 M
ARCHIVAL
W1
0.985 M
1680
D3
2 1 1500
C20
C17
3
17980
C19 C21
C15
5
C15, C16, C17
5500 C18
F4
W4
4700
10 11 12 13 14
960
9
2700
8
1950
7
2290
D10 1200
C1
ORIGIN
C2
C3
650
6
310
W4 C14
2850
4
300
3000
5
C14
C23
4.45 M
300
5210
C18, C19, C20
1500
1540
6
1910
4.485 M
3830 F4
1370
15
410
00
10 C22
8700
1500
5670
7
2840
8
C23
690
1800 C22
570
C24
1500
C25, F3
2670
2000
WATER BODY
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PRODUCED BY AN AUTODESK STUDENT VERSION
16
3690
880
C44, C45, C46, C47
2440
4.485 M
ENTRY
ROAD
24610
2150
2800
890
410
1090
1360
1490
420
2010
460
A
720
850
2000
1900
1530
3970
A
PRODUCED BY AN AUTODESK STUDENT VERSION
Skill development institute jodhpur, rajasthan
Panchavati Anecdotes Panchavati, nashik
working drawings
Lebanese Restaurant BKC, mumbai
NASA LIK trophy
AGNEYA
SBTDC_IND_4681
MOLTEN AXONOMETRY OF THE TEMPLE
Back in the time dhuni was considered as the end of the dark and gave new hope to the mankind. Similarly, today it intends to bring upliftment to the surrounding communities. As 'Agneya' rightly means kindling of progressive thoughts. Agneya is a temple dedicated to Sai Baba located in the Polo forest ,Gujrat. Sai baba mostly considered as a saint or fakir by most of his followers was worshiped by both the Hindus and Muslims. Taking inspiration for the story of Sai Baba and the nagara style of Hindu temple architecture, the design is an amalgamation of diierent philosophies. The temple is a complex cultural entity. The design looks at adding modern innovative construction techniques while keeping the original essence of the temple intact.
SITE MAP SHOWING EXISTING CONDITIONS Agneya is located in the lush green polo forest which is also the home to the Bhil tribe. Having such a structure near their community gives the tribe a chance to improve and develop . The site also has ancient Jain temples which were destroyed by the Mughal kings. The Jain temple are a symbol that the site is auspicious. Being located in the forest gives the design the advantage of using the natural resources.
RESULTS AFTER THE TEMPLE CONSTRUCTION The plan has been derived by keeping in consideration the Vaastu , cardinal points and the cosmic philosophies of the nagara style of temple architecture. After applying the Vaastu purusha mandala the concept of fractal geometry was used to further detail out the plan. The squares were divided into smaller grids which are called ‘pandas’ and later on circle were added in symmetry to help carve out space. For the elevation the important features of nagara style of temple architecture were kept in mind. To derive the form inspiration has be taking first from ‘dhuni’ the sacred fire that sai baba prepared, it remains intact as it is and second from neem tree leaves. Neem tree leaves because it was under the neem tree that Sai baba resided for many years and it was from there that he parted education. The main elements that are the shikhara, garbhagriha and the mandapa are prominently identified in the form. The shikhara is the tallest entity followed by the rest. The meditation hall on the first floor has been placed in such a way that it gives one the full view of the mandapa. The massing is done keeping in mind the natural light and ventilation. The elevation has the massive projection on all four sites of the temple which not only add to the aesthetic element of the design but also function has rain water harvesting units. The bring water to the interior spaces and this water is circulated in the interior spaces in form of various elements like water curtains and water falls. These water elements are responsible in passive cooling of the structure.
SENSORIAL MAPPING
CONSTRUCTION FRAMEWORK
A. WATER CURTAINS
Concrete Steel Reinforcement Mesh
B. TRADITIONAL RAJASTHANI TECHNIQUE
FERROCEMENT DETAIL FOR CURVED SURFACES
Ispired from sai baba’s dhuni the form evolved in the following stage.
PASSIVE COOLING STRATEGIES 20M
ABSTRACTION OF JALI PATTERN FROM THE FOLIAGE OF TREES IN CONTEXT
17 M 12M SINGLE UNIT
TYPE 1
0.0M
SECTION : THROUGH RAIN WATER HARVESTING FINS Sustaniability
TYPE 2
water harvesting kinetic tiles for energy generation
TOILET
OUTER SHELL
Voids
GARBHAGRIHA
OFFICE AREA +0.3 M
MANDAPA +0.3 M
DINNING AREA AND KITCHEN +0.3 M
Solids
INNER SHELL
VIEW FROM DINING SPACE +00M
MOLDING OF SHIKHARA
Plan with respect to grid
MEDITATION HALL +4.3M
Site with design grid
FINAL FORM
VIEW FROM MEDITATION HALL
AREIAL VIEW
kalaghoda
Raghurajpur Renditions Raghurajpur, odisha
fairy tale competition
EVOLUTION OF FORM
DEVELOPMENT OF GEOMETRIC GRID
VIEW FROM THE ENTRANCE
temple design
ELEMENTS OF DESIGN
AERIAL NIGHT VIEW
Interests
LOCATION - RAJASTHAN, JODHPUR AREA - 6 ACRES TYPE - INSTITUTION AND ACCOMODATIONS
I N S T I T U T E D E S I G N , JODHPUR
LOCATION : Jodhpur, rajasthan SEMESTER : 6th Sem The government of Rajasthan has reserved a large parcel of land for various projects to ‘promote’ the ‘Gandhian Principles and way of thinking. One part of this project is the ‘skill development institute and museum’ with an intention to produce skilled, self-supporting professionals contributing to national progress with individual expertise. Along with the museum, this institution will aspire to stand as the symbol of display and advance Gandhian philosophy of social order, progress and life, for the world to see.
site location
GANDHIAN PHILOSOPHY The design revolves around the Gandhian Principles of Minimalism, Frugality, Empathy and Porosity. The journey through the site is designed in a way to establish memory of the preceding frame inspired from the Haveli typology of Rajasthan. The site is divided in two masses to obstruct hot and dry winds and create a relaxing central social space. The central spine is the most socially active space and connects all the functions.
Secondary road network
AREA = 2254 SQ M
the project revolves around following 4 gandhian principles 4
98
SQ
AREA 1 = 2254 SQ M AREA 2 = 984 SQ M AREA 3 = 3171 SQ M AREA 4 = 9674 SQ M AREA 5 = 5733 SQ M AREA 6 = 133 SQ M AREA 7 = 1351 SQ M
M
AREA = 9674 SQ M
OVERALL AREA = 24,300 SQM
63
=
40
EA
14
AR
.67
minimalism A style or technique characterized by extreme spareness and simplicity.
AREA = 3171 SQ M
N
AREA = 5733 SQ M
AREA =
1133 SQ M
1351 SQ M
56
54
4.8
AREA =
Roa
d
empathy It is the understanding of users by putting oneself in their shoes.
.34
Roa sian To O
site trianglation
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porosity The measure of void in a material is by definition is its ‘Porosity. It requires a density, proximity and continuity, which opens up a material ‘intimacy’. It is related to transperancy i.e being honest and true.
d
EL
T li ne
321268
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frugality It refers to the attitude of saving and sparing. Frugality is to revere, to worship, to care for.
Nala
Site
ass
Built-up
By-P
Fields and barren land
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PRODUCED BY AN AUTODESK STUDENT VERSION
The project aims to create an architectural statement for spreading Gandhian Philosophy. It highlights the importance of Gandhian principles in todays era. It also focuses on how the principles could be changed and adapted according to the changing time.
axonometric view
Analysis Gandhi constructed himself i.e his body and space around him. Below is the study of the spaces of his you
ordo - osri DIAGRAMATIC REPRESENTATION Osri is the most active. Ordo is used for storage or given to ages, sick, pregnant or married couple for sexual intercourse.
bapu kuti SEVAGRAM ASHRAM WARDHA The gradual dissolution of a closed room. Simpler structure with materials found within 50 mile radius.
hriday kunj SABARMATI ASHRAM Complexicity and porosity increased. Connectivity of spaces to sky increased.
gandhi house RAJKOT Larger courtyard to accomodate animals and agricultural activities. Courtyard loosing the sense of enclosure as the configuration is opened up.
The bent was naturally towards the ASCETIC and not AESTHETIC. Gandhiji was born and stayed in a dark room i.e closed spaces since childhood. Therefore his inclination was towards open spaces and spaces having sky connectivity.
site geometry
climate
Studying the feeder network, pedestrain and vehicular movements. The aim was to built a structure respecting the on site activities, routines and structures.
Study of wind direction and sun path to enhance the experience and quality of life.Natural light, ventilation and cooling effectreduces cost of project.
Housing designed keeping above character of space in mind
Study of Haveli housing typology to study the climate resisting techniques of the region.
concept diagrams Climate Separation of mass and orientation of structures according to the wind direction and sun path. This is to enhance the experience and quality of life. Natural light, ventilation and cooling effect reduces cost of project.
spine Creation of a central socially active spine. This allows the shading of the central space by the modulating structural facades on the either sides. It also helps to increase the proximity of the public and the private section.
sky connectivity The central courtyard is kept open to sky to establish a visual sky connectivity from each space within. Its also helps in regulating smooth flow of light and winf within the spaces. Framing the sky Terraces They are used as elementals to create interactive spaces. They also act as a spill over area for the adjoining skills.
Facade modulations to create layers against extreme climate and ensure sufficient light and ventilation. This results in desired shading of structures by each other.
CREATION OF ELEMENTALS Elementals are interactive landscape elements used in the design for buffer spaces and spaces to connect with nature.
character The overall design idea is inspired by the traditional architecture of the site. The behavioural patterns of the site users and the routine activities have been respected. The use of verandahs, courtyards, porosity, climate resisting techniques help in achieving the same while the form movements, materials and elementals gives the design its modern identity.
The project has two amphitheatres. Both the amphitheatres scoop a niche on the central spine. The reason for placing them centrally was to end the loop of journey through the skill development institutes with a refreshing art performances at the end. Also placing them centrally would make the accessibility easier from both the public and private sections and also from the entrance.
amphitheatre view
The plan shows the composition and design of the overall project. Gandhian principles have been taken into account while designing each space. Interactive elementals have been added to resist climate and built a social leisure spaces.
upper level plan
The plan shows lower level layout which consists of the entry, parking, amphitheatres, auditorium and central spine.
lower level plan
section A-A’
PRODUCED BY AN AUTODESK STUDENT VERSION
The sectional study helped in understanding the facade modulations to create layers against extreme climate and ensure sufficient light and ventilation. This results in desired shading of structures by each other. Also helps to enhance the experience and quality of life.
PRODUCED BY AN AUTODESK STUDENT VERSION
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63
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14
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A
56
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A
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views
View showing central socially active spine
Amphitheatre view
section b-b’
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
14
B
.67
63
40
PRODUCED BY AN AUTODESK STUDENT VERSION
B
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PRODUCED BY AN AUTODESK STUDENT VERSION
Pond view
Night view of central spine
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
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section c-c’
C
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C
views
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View showing accomodations
View outside cafe
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section d-d’
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Night view from terraces
Entrance view
PANCHAVATI
A N E C D O T E, NASHIK, BHANDI BAZAAR
LOCATION : Panchavati, nashik SEMESTER : 4th SEM The project is focused on the characteristics and living of people in Panchavati. The site falls in the extreme busy and developed commercial zone on the west of godavari river. The main focus was to empower and earn a living for the skills and craft of the people. The project offers the interventions which the Bhandi bazar street lacked. The project earns to create an architectural statement to create awareness about the skills and history of the region and to attract a living for the artisans.
site location Location : Western Side Landmark : Opposite Laxmi Narayan Temple
Busy street of Bhandi Bazar
Stairs scooped out of 1m thick load bearing wall
SITE Condition
Site users
Dilapidated non-functional shops Artist residence Wild vegetation Debris of construction Temporary worker’s settlement in corner
Site is used as workplace by artist residing in adjacent plot Temporary worker’s settlement in corner made of tadpatri and concrete blocks Sellers, vendors
Imediate activities
vegatation
Busy crowded Bhandi Bazar street Opposite Laxi Narayan Temple Artist residence Non-functional shops Utensils, cloth stores and vegatable vendors around
Wild and thorny shrubs all around No trees or plants
3D site view
site Requirement Rehousing of shops and artist residence. Creating a leisure pause point from the busy street. Workshops where artisans could teach the tourists the skills and essence of all the 3 bazars. ( saraf bazar, bhandi bazar, kapad bazar) Archival museum to showacase the primitive essence and the developmental life line of the 3 bazars. Archival library to narrate the history and progress of the place. Bhojnalaya and quick food stall as the whole street lack in food stalls or eateries. Shops to attract earnings for the workshop production and the artisans
History
Used to be a part of a huge wada. With time it became weak and therefore destroyed.
Axonometric view
site development
flow of movements The concept was aligning movement of bodies around the building in a galli pattern cutting through the experiences, activities and elementals surrounding
site geometry Studying the feeder network, galli patterns, pedestrain and vehicular movements. The aim was to built a structure respecting the on site activities, routines and structures.
Creation of elementals Elementals are interactive landscape elements used in the design for buffer spaces and spaces to connect with nature.
Quick snack stop
bhojnalaya
The molten axo shows the activities in the quick snack stop structure. The stairs act as a social element and are used by the tired visitors to sit and have a cut off from the busy Bhandi bazar street.
The molten axo shows the activities in the Bhojnalaya. The project offers this as the street lacks in providing eateries or food stalls.
Establishing internal fedder network to insure smooth flow of movements and experiences.
Flow of movements at upper level
Flow of movements at lower level Molten Axo sketch showing activities
climate
character
Separation of mass and orientation of structures according to the wind direction and sun path. This is to enhance the experience and quality of life. Natural light, ventilation and cooling effect reduces cost of project.
The overall design idea is inspired by the traditional architecture of the site. The behavioural patterns of the site users and the routine activities have been respected. The use of sloping roofs, verandahs and courtyards help in achieving the same while the form movements, materials gives the design its modern identity.
PRODUCED BY AN AUTODESK STUDENT VERSION
working drawings
A
C6, C19
C26, C33, C39
H
I
J
K
L
C3, C12, C21, C28, C35, C41
C13, C18, C23, C25, C32, C38
G
14800
C2, C11, C20, C27, C34, C40
C43, C53
F
C1, C5, C10
E1
C17, C47, C52
E
C9, C16 C46, C51
C45, C50
D
3000
C55
C15, C22
C4, C8, C31
A
0
B C
C30, C37, C44, C49
C7, C14, C24, C29, C36, C42, C48
D
M
N
10000
RETAINING WALL
7840
TOILET FOR SPECIALLY ABELED
W7 2790
450
MEN 'S TOILET C54
540
6000 3850
D2
1900
D10
1730
C48
650
1770
1650
700
450
1770
2170
WOMEN 'S TOILET
C50
7000
15
3410
2.05 M
C45
C44
C47 C46
1470
300 C42, C43
WORKSHOP
2.085 M
2.05 M
4500
16
C53
1800
WORKSHOP
2.085 M
C44, C45, C46, C47
C52
C51
C49
11170
17
UNDER GROUND TANK
C55
810
W7
C48, C49, C50, C51, C52, C53
1.45 M
2810
700
2340
18
3980
C54, C55
D11
700
D2
900
860
1620
W7
2080
19
1810
450
C56
C56
C43
C42
900
UP
2400
2700 3000 8560
1000
ROOF LINE
2110
1540
300
3000
300
700
700
450
C37 C36
D10 W4
300
1
1
C30
UP
UP C31
WATER BODY
C32
2
1
2450
1680
D8 3510
60
15
PROMINENT STAIRCASE
3830
POOJA ROOM
1200
C18
C19
9
10 11 12
13 14
C17
C16
C15
2270
4
D5
W3
1500
1200 3020
0.985 M
2040
UP 0.95 M
B
3490 W2
TOILET
300
3
W2
W1
1
C13
UP
D2
1560
W7
D5
D2 W7
C13
D9
2
C7
2890
C4
1.05 M
1940
CANTEEN
D6
C5
2
W2
W2
Ground Floor Plan
SHOP
C6
1200
4160
500
1
5040
-1
D6
1600
2
SHOP
500
D1
ORIGIN
1
2270
C1
3000
D7
C2
C3
UP
3060
7500 ENTRY
24610
2150
3690
410
1200
1360
1490
880
2010
A
720
2850
ROAD
1900
A
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C1, C2, C3
2080
3
0
B
C12
D10
C10
1950
3
1
C9
D2
SHOP
C11
1.085 M
D3
C4, C5, C6
UP
C8
2480
C7, C8, C9, C10, C11, C12
SHOP
1180
3 2
C20
UP
3000
5
4
2770 2440
3
1200
8
W4
KITCHEN
C21 2
1270 7
W4
1980
2140 300 1
6
600 C28
310
2410
RECREATIONUP AREA
C14
UP
C15, C16, C17
UP
1800
5
300
3410
4410
6
C14
D4
STORE ROOM
W4
C23
17980
00
10 C22
ENTRANCE FOYER
C18, C19, C20, C21
2670
960
300
1500
2
C27
D2
1140
C24
1500
1
2630
C26
C25
1730
7
2770
1530
970
3000
2600
650
8
C23
1840
W1
700
C22
2770
WADA AREA
2680
9
700
D8
2770
1780
C27, C28
D4
C34
C33
3010
10
2830
1670
D4
C
C35
1.55 M
UP
1500
11
C24
13720
C25, C26
W4
2540
360
1
C29
2730
1.585M
2670
2
1730
12
D2
2
7640
C29, C30, C31
W7
3
2
7000
13
BED ROOM
TOILET
3
3
4000
C32, C33, C34, C35
W4
2200
LIVING AREA
2670
3460
TOILET
C41
W4
C40
D2
3200
D2
B
W7
C39
W7
2670
C38
1740
14
1750
C36, C37, C38, C39, C40, C41
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4000
4050
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C6, C19
C26, C33, C39
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H1
I
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K
L
C3, C12, C21, C28, C35, C41
C18, C23, C25, C32, C38
G
14800
C2, C11, C20
C43, C53
E1 F
F2
E
C1, C5, C10
D
2980
C17, C47, C52
B C
F3, F4
C45, C50
A1
C46, C51
C15, C22
C4, C8, C31
F1
A
0
C30, C37, C44, C49
C7, C14, C24, C29, C36, C42, C48
D
M
N
10000
RETAINING WALL
19 TOILET FOR SPECIALLY ABELED
MEN 'S TOILET
14570
1.45 M
18
3850
C54, C55
1810
C56
UNDER GROUND TANK
WOMEN 'S TOILET
C48
10000 C50
C49
17
1
2
C52
C51
C53
3
1310
W5
11170
C48, C49, C50, C51, C52, C53
2070
GREEN PATCH FOR WORKSHOP SPILL OVER
W5
D3
4150
9540
2570
C43
F1
F2
D3
2
2590
4840
4140
1000
C37
13
4630
C36
OBSERVATION DECK
12
C29, C30, C31
11
2830 7730
3760
OBSERVATION DECK
300
C32
3.45 M
2000
D12
B
4.45 M
3.485 M
5140
C38
4.485 M
C
2200
500
C29
C32 C31
2000
2670
F3 C25
W1
330
9
5570
C24
300
RECREATION AREA
PROMINENT STAIRCASE
UP
300
C19
7
8
9
C21
10 11 12 13 14 C15
5
3
2500
1
4
2
C17
3
D3
C16
3
2070
3.485 M
2920 1710
3400
3.45 M
3070
C13
4240
B C9
600
C10
1400
860
DUCT
TOILET
3760
500
2700
2290
D10 1200
C1
ORIGIN
C2
ENTRY
ROAD
24610
890
410
1090
1360
1490
420
2010
460
A
720
850
2000
1900
A
PRODUCED BY AN AUTODESK STUDENT VERSION
2800
W6
2590
0
2150
Upper Floor Plan
C6
D2
920
5260
-1
1730 3890
C5
5340
C1, C2
C12
3620
1370
C4
1
SHOPS
D2 5440 2870
C4, C5
C11
BHOJNALAY
C8
D2
D3
B
1490
C7
1500
2
3410
4480
C7, C8, C10, C11
W6
4.45 M
0.95 M
1500
KITCHEN
4.485 M
ARCHIVAL
W1
0.985 M
1680
D3
2 1
C20
960
6
C15, C16, C17
5500 C18
F4
W4
4700
310
W4
17980
300
2700
1500
C14
1950
4
8700
5
C14
5210
6
C18, C19, C20
4.45 M
1540
F4
C23
1910
4.485 M
1370
4240
570
60
15
3830
410
00
10 C22
ENTRANCE FOYER
2850
1500
3000
7
5670
8
C23
2840
C22
690
1800
1530
3970
C3
650
C24
WADA AREA
D13
10 1500
C25, F3
2670
2000
WATER BODY
PRODUCED BY AN AUTODESK STUDENT VERSION
1
2550
C36, C37, C38
1310
C42
160
14
2110
15
C42, C43
C47
360
F1, F2
4.45 M
C46
3.95 M
290
16
C45
C44
3690
4000 C44, C45, C46, C47
ARCHIVAL
3.985 M
2440
4.485 M
880
Section B-B’
D
A
F
L
G
N
P
PRODUCED BY AN AUTODESK STUDENT VERSION +6.6 M TOPMOST ROOF LEVEL 350
230 MM THK BRICK WALL
D3
25 MM EXTERNAL PLASTER
1200
230 W4
2200
W4
3130
80 MM DIA. STAINLESS STEEL HANDRAIL
3130
1500
230 MM THK BRICK WALL 650
2
KITCHEN 50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD
700
3170
BHOJNALAYA
2200
14 13
ARCHIVAL 700
10 W2 9
13
450
900
RUBBLE EARTH
SECTION A-A' SCALE 1 : 20
13
4
12
5 5250
2690
50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD
12
BEAM STEEL REINFORCEMENT BARS
11
1080
10
9100
1
6
MIDLANDING [ 1500 X 1500 ]
3
PRODUCED BY AN AUTODESK STUDENT VERSION
230 MM THK BRICK WALL
3 1
1010 20
10 20
11 10 10 20
300
300
300
80 MM DIA. STAINLESS STEEL HANDRAIL ITALIAN MARBLE FLOORING 25 MM THK
300
SCALE 1 : 20
4410
300
2850
SCALE 1 : 2
0
1010
25 MM THK ITALIAN MARBL FLOORING
BOLTS USED TO TIE BASE PLATE TO MARBLE TREAD
SQUARE SHAPED STEEL BASE PLATE 10 MM THK +6.8 M 10 MM THK BHOJNALAYA 25 MM THK CEMENT MORTAR LEVEL RAILING AT SCREWED T CAP NOSING WITH COVE LIGHTS
A DETAIL OF NOSING
20
25 MM THK CEMENT MORTAR
SCALE 1 : 2 TOR 12 STEEL REINFORCEMENT BAR
REVISION TABLE
25 DATE MM THK ITALIAN MARBLE REVISION FLOORING
DESCRIPTION
B BA
W5 SCALE 1:2
ARCHIVAL
2700
10
BOLTS USED TO TIE BASE PLATE TO MARBLE TREAD W2
300 2570
300
WORKSHOP AREA
10 20
NOSING WITH COVE LIGHT
CARBORUNDUM INSERT 8.2 M ANTI SLIP GROOVES ON TREAD 8MM WIDTH OVERHEAD TANK LEVEL
10 20
SCAL
BHOJNALAYA 10 20
1010
10 50
10 20
RCC STAIRCASE
DETAIL OF RISER ANDATREAD DETAIL OF NOSING
SCALE 1 : 20
150
4200
BOLTS USED TO 50 TIE BASE PLATE TO MARBLE TREAD
1010
PLAN
25 MM EXTERNAL PLASTER
-1
NOSING WITH COVE LIGHTS
1500
230 MM THK BRICK WALL
1 MARBLE FLOORING ITALIAN 20
4240
UP
1
WINDOW
80 MM DIA. STAINLESS STEEL HANDRAIL
300
PLAN
400
ARCHIVAL
OBSERVATION DECK
300
SQUARE SHAPED STEEL BASE PLATE 10 MM THK
CERAMIC FLOOR FINISH
STUDENT VERSION
300
MIDLANDING [ 1500LIGHTS X 1500 ] NOSING WITH COVE
25 MM THK EXTERNAL PLASTER
PROMINENT
300
UP
140
230 MM THK BRICK WALL
300
50 MM DIA. STAINLESS STEEL
UP
STEEL REINFORCEMENT BARS FOR RCC STAIRCASE
12
300
1010 WITH COVE LIGHTS NOSING
2
ITALIAN MARBLE FLOORING BALUSTER BOLTED TO ITALIAN 25 MM THK TREAD MARBLE
200
RCC CHAJJA ALUMINIUM3PANELED GLAZED WINDOWS
4
300
12
5
230 MM THK BRICK WALL
SQUARE SHAPED STEEL BASE 25 MM EXTERNAL PLASTER PLATE 10 MM THK
1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are stric to be followed. 3) All levels are unfinished levels unless specified. 50verify MMallDIA STAINLES STEE 4) The contractor shall on site dimensions includin elevations prior to theBALUSTER commencementBOLTED of work on site. TO ITA 5) The contractor shall inform the architect MARBLE TREADand/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. CARBORUNDUM INSERT 6) The contractor shall coordinate verify the workON indica ANTI SLIPand GROOVES T on the drawings between architectural and various trade 8MMtheWIDTH SCALE 1 : 2 drawings, including but not limited to structural, electrical, 10 plumbing, fire protection and exterior enclosure 20systems. BOLTS USED TO TIE BASE TO MARBLE TREAD 7) All work shall conform to relevant BIS codes and shall be best practice of eachSQUARE trade. SHAPED STEEL B 8) Any discrepancy is to be brought to the notice of the PLATE 10 MM THK architect/ consultant before commencement of the site. 50 MM DIA STAINLES STEEL 9) All work is to be completed the satisfaction of site 25 MM to THK CEMENT MORT BALUSTER BOLTED TO ITALIAN engineer/ project MARBLE TREADmanager and architects
DETAIL O
50 SQUARE SHAPED STEEL BASE PLATE 10 MM THK 10 20
MIDLANDING [ 1500 X 1500 ]
20
1500
CARBORUNDUM INSERT ANTI SLIP GROOVES ON TREAD 8MM WIDTH
10 STEEL REINFORCEMENT BARS 50 MM DIA. STAINLESS STEEL FOR RCC20 STAIRCASE BALUSTER BOLTED TO ITALIAN MARBLE TREAD
1
1010
3690
4
12
300
10 20
1500
SECTION A-A' 1 : 20
50
100 MM THK. PCC BED
12
2
25 MM THK EXTERNAL PLASTER
100 MMSCALE WATA 200 MM RCC LINTEL
NOSING WITH COVE LIGHTS
ITALIAN MARBLE FLOORING 25 MM THK
2 RCC OVERHEAD TANK
UP
MIDLANDING [ 1500 X 1500 ]
300
2680
4
5 4
15
4
300
300
6
17
300
12
BEAM STEEL REINFORCEMENT BARS
SQUARE SHAPED STEEL BASE PLATE 10 MM THK
300
300
7
300
300
8
3
5
1
300
300
11 10
5
300
12
300
3
PRODUCED BY AN AUTODESK STUDENT VERSION
14 13
9
1500
50 MM DIA. STAINLESS STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD
300
2
SCALE 1 : 20
50 MM DIA STAINLES STEEL BALUSTER BOLTED TO ITALIAN MARBLE TREAD
25 MM EXTERNAL PLASTER 50
SECTION A-A'
80 MM DIA. STAINLESS STEEL HANDRAIL
10 20
GENERAL NOTES
20
100 MM THK. PCC BED
12
2
20
staircase details
1010
ITALIAN MARBLE FLOORING 25 MM THK
1
25 MM EXTERNAL PLASTER 230
10 20
4
4 2
230 MM THK BRICK WALL
50
PLATE 10 MM THK
PRODUCED BY AN AUTODESK STUDENT VERSION 5
10 20
1010 2660
NOSING WITH COVE LIGHTS
7
SECTION B- B'
10 20
STEEL REINFORCEMENT BARS SQUARE SHAPED STEEL BASE FOR RCC STAIRCASE
1
8
3
5
0M GROUND LEVEL
3810
9
12
3
2 14
50
PLINTH LEVEL
80 MM DIA. STAINLESS STEEL HANDRAIL
12
2
+0.45 M
20
100 MM THK. PCC BED
230
600
RCC PLINTH BEAM [500 X 300]
1010
ITALIAN MARBLE FLOORING 230 MM THK BRICK WALL 25MM MMEXTERNAL THK 25 PLASTER
100 MM THK PCC BED
10 20
PRODUCED BY AN AUTODESK STUDENT VERSION
MIDLANDING [ 1500 X 1500 ]
1
20
10 20
SHOP
D9
250 900
2
50
3490
CANTEEN
4
5 4
2200
520
1000
6
580
3
170
CERAMIC FLOOR FINISH 50 MM THK SCREEDING
D2
300
170
STAIRCASE
TOILET
WORKSHOP AREA
730
8 7 6 5 4 3 2 1
3190
9
ANOTHER STAIRCASE BEHIND
7
W1
2370
SQUARE SHAPED STEEL BASE PLATE 10 MM THK 2200
10
1010
MID LEVEL
NOSING WITH COVE LIGHTS 1
1950
8
3
5
11
3190
14 12
15
+3 M
BEAM STEEL REINFORCEMENT BARS
12 11
2250
25 MM THK EXTERNAL PLASTER
3780
100
230
COPING STONE
150
TOILET
D2
20
+3 M 1010
TOILET D2 10 20 1010
10 20
MID LEVEL
TOILET
+0.6 M
25 MM THK EXTERNAL PLASTER
W4
3130
3130
170
0M
GROUND LEVEL 2200
W4
D
GROUND LEVEL
170 170
520
1500
230 MM THK BRICK WALL
650
KITCHEN
J
730
TOILET G
B
CANTEEN
MID LEVEL
2370
A
SHOP
D9
C
2200
250
2200
520
300 580
ORIGIN
900
900 2000
100
450
+7.8 M
100 MM THK PCC BED RCC PLINTH BEAM [500 X 300]
C
elevation
+0.45 M
D
PLINTH LEVEL
600
0M
1700
OVERHEAD TANK
E
D2
C7, C14, C24, C29, C36, C42, C48
C45, C50
C46, C51 700
I
WORKSHOP AREA
170
CERAMIC FLOOR FINISH 50 MM THK SCREEDING
W2
+3 M
1840
170
STAIRCASE
2040
3490
K
8 7
6 5 4 3 2 1
2440
1950
W1
9
M
1470
1000
N
2110
3190
P
2830
ELEVATION C
10 ANOTHER STAIRCASE BEHIND
C17, C47, C52
15
3630
ARCHIVAL
3190
13
2770
C30, C37, C44, C49
14
12 11
C17, C47, C52
3970
C13, C18, C23, C25, C32, C38
C26, C33, C39
4330
C2, C11, C20, C27, C34, C40
C3, C12, C21, C28, C35, C41
2200
700
3170
BHOJNALAYA
+6.75 M
RUBBLE
GROUND LEVEL
EARTH +6.1 M
D12
W5
720
SECTION B-E B' G
I
2480
1000
720
C7, C14, C24, C29, C36, C42, C48
B
140
C30, C37, C44, C49
150 1150
C45, C50
1150
C46, C51
150
9100
720
B 3810
2660
P
P +3.3 M
A
+3 M
C
W4
150
630
S
E
750
1150
100
150
J
1080
200
2720
W4 1150
K
1150
M
2690
C17, C47, C52
N
C17, C47, C52
C26, C33, C39
P
5250
C13, C18, C23, C25, C32, C38
C2, C11, C20, C27, C34, C40
ARCHIVAL
C3, C12, C21, C28, C35, C41
BHOJNALAYA
150
400
1660
600
1000
2000
500
300
+7.8 M
300
300
300
300
300
TOILET OVERHEAD TANK WORKSHOP AREA
700
+0.6 M PLINTH LEVEL +6.75 M
600
600
1700
700
S
100
1110
1110
ARTISAN 'S HOUSE
N
0M GROUND LEVEL +6.1 M
S
D12 150
150
150
400
1660
200
A
140
1900
2850
2730
1150
2500
1150
3000
1150
2600
2370
2860
3690
PR
S
2480
BHOJNALAYA 720
720
P
720
ARCHIVAL
W5
ELEVATION D
W4
+3.3 M
4
+3 M
2
-1
1
SH
E
750
1150 150
630 100
150
1150
11 10 2720
W4
15
1000
17
1000
8.2 M 1110
600
RCC OVERHEAD TANK
1110
ARTISAN 'S HOUSE
500
300
300
300
300
300
OVERHEAD TANK LEVEL
300
2250
TOILET
WORKSHOP AREA
700
700
B
S
+0.6 M 600
PRODUCED BY AN AUTODESK STUDENT VERSION
600
PLINTH LEVEL
25 MM THK EXTERNAL PLASTER
0M
+6.8 M
GROUND LEVEL
BHOJNALAYA LEVEL
N
S
3690
100 MM WATA 200 MM RCC LINTEL
400
3000
2500
RCC CHAJJA
1900
2850
200 140
A 2730
2370
2860
36904410
S
ARCHIVAL 4240
2850
3780
ALUMINIUM PANELED GLAZED WINDOWS
2700
2600
2680
230 MM THK BRICK WALL 25 MM THK EXTERNAL PLASTER
W5
ELEVATION D
CERAMIC FLOOR FINISH
ARCHIVAL
BHOJNALAYA
+3 M OBSERVATION DECK
MID LEVEL
4200
300
WORKSHOP AREA
W2
300
TOILET
D2
TOILET D2
2570
WINDOW PROMINENT LOAD BEARING STAIRCASE
2640
PRODUCED BY AN AUTODESK STUDENT VERSION
50 MM THK SCREEDING RCC PLINTH BEAM [500 X 300] 100 MM THK PCC BED RUBBLE
3630
150
+0.45 M
1300
WATER BODY
450
450
EARTH
PLINTH LEVEL 0M GROUND LEVEL
RECREATIONAL SPACE
600
1350
UNDERGROUND TANK 2410
-1.34 M GROUND LEVEL
Section A-A’ 3850
8060
410
4240
2700
1700
2730
PRODUCED BY AN AUTODESK STUDENT VERSION
MANGLORE TILES [400x230 MM]
GENERAL NOTES
ISA 50 ANGLE CLEAT [50x50x6 MM]
1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects
RESTING ON TIMBER BATTENS
40
400
160
MANGLORE TILES [400x230 MM]
WELDED AND NUT BOLTED TO STEEL PURLIN
TIMBER BATTENS [50x50 MM]
RESTING ON TIMBER BATTENS
@
INTERLOCKING GROOVES 400
TIMBER BATTENS [50x50 MM] @
350 C/C
RIDGE PIECE [270x160 MM]
NUT BOLTED TO BEAM THROUGH MS BASE PLATE
270
350
MS GUSSET PLATE 10MM THK
350 C/C
WELDED AND NUT BOLTED TO BEAM THROUGH MS BASE PLATE
350
ISA 50 ANGLE CLEAT [50x50x6 MM]
ANGLE CLEAT 10 MM THK
40
CONNECTING MS GUSSET PLATE AND BEAM THROUGH MS BASE PLATE
NUT BOLT TO FIX RIDGE PIESE TO BEAM THROUGH BASE PLATE MS BASE PLATE 10MM THK NUT BOLT TO FIX MS BASE PLATE TO BEAM
WELDED AND NUT BOLTED TO STEEL PURLIN
25
ISA 100 STEEL PURLIN
REINFORCEMENTS TOR 12 500
50
TO FIX STEEL PURLIN TO MS GUSSET PLATE
AT RIDGE JUNCTION A DETAIL SCALE 1 : 2
NUT BOLT ISA 100 STEEL PURLIN SUPPORTING MANGLORE TILES
RCC BEAM [500x300 MM] 300
MANGLORE TILES [400x230 MM]
DETAIL AT RIDGE JUNCTION
ISA 50 ANGLE CLEAT [50x50x6 MM]
SCALE 1 : 20
RESTING ON TIMBER BATTENS @
350 C/C
900 820 760
WELDED AND NUT BOLTED TO STEEL PURLIN
TIMBER BATTENS [50x50 MM]
350
710
60
40
MS GUSSET PLATE 10MM THK
WELDED AND NUT BOLTED TO BEAM THROUGH MS BASE PLATE
ANGLE CLEAT 10 MM THK
EXTERIOR GLASS
10 MM THK INSULATED GLASS
900
TIMBER FRAME
WELDED AND NUT BOLTED TO PURLINS
MS GUSSET PLATE 10MM THK
INTERIOR LINING
WELDED AND NUT BOLTED TO PURLINS
ISA 50 STEEL ANGLE
TIMBER FRAME
INTERIOR GLASS
180
10 MM THK INSULATED GLASS
ALUMINIUM GUTTER [200 DIA]
PRODUCED BY AN AUTODESK STUDENT VERSION
MS GUSSET PLATE 10MM THK 500
DESCRIPTION
140
AIR SPACE
TO FIX MS BASE PLATE TO BEAM
1000
REVISION
10 MM THK INSULATED GLASS
MS BASE PLATE 10MM THK NUT BOLT
200
DATE
EXTERIOR GLASS
CONNECTING MS GUSSET PLATE AND BEAM THROUGH MS BASE PLATE
140
GLASS PACKING
CONNECTED TO BATTEN THROUGH GI STRAP
RCC BEAM [500x300 MM]
DESICANT SPACER
HYGROSCOPIC SUBSTANCE USED TO INDUCE OR SUSTAIN DRYNESS IN ITS VICINITY
300
SHUTTER BOTTOM
SECTION
DETAIL AT END JUNCTION
ROSETTE WINDOW DETAIL
SCALE 1 : 20
ELEVATION
architectural details
SCALE 1 : 5
GUTTER DETAIL SCALE 1 : 20
350
NUT BOLTED TO TIMBER BATTEN
20
200
230 100
60
140
25MM THK EXTERNAL PLASTER COPING 100MM THK 25MM THK EXTERNAL PLASTER LAYER DRIP MOULD 10 MM DEPTH 25MM THK SCREEDING LAYER BRICK BAT COBA FILLING 100MM THK RCC SLAB 150MM THK
100
GI STRAP
B
150
ALUMINIUM COVERING ALUMINIUM GUTTER [200 DIA]
ORIGIN
KEY PLAN
500
CONNECTED TO BATTEN THROUGH GI STRAP
RCC BEAM [500X300] BEAM REINFORCEENTS
150
300
100
150
230
230
TERRACE GARDEN DETAIL
SHEET NUMBER:
SHEET TITLE:
A - 001
EXTRUDED ALUMINIUM COVER WELDED TO ELIMINATE LEAKS
70
SPACER
SCALE : 1:50
WEATHER STRIPPING
NAME : RITIKA RAJENDRA REDKAR
NORTH
TO REDUCE CONDENSATION
THERMAL BREAK
HAVING BUILT-IN CONDENSATION GUTTER
540
500
300
PANCHAVATI ANECDOTES ARCHITECTURAL DETAILS
PLANTATIONS
300
TERRACE DETAIL
1200
DOWNTAKE PIPE
GROWING MEDIUM 19 MM SAND LAYER GEOTEXTILE POLYTHENE DRAINAGE MESH 30 MM PAVERS TO PROTECT WATERPROOF LAYER 19 MM SAND LAYER WATERPROOF LAYER 300 MM RCC SLAB INSULATION 230 MM THK BRICK WALL 25 MM EXTERNAL PLASTER
PROJECT NAME:
SCALE 1 : 10
300
REMOVABLE SCREEN OPENING HARDWARE SOLID WOOD FRAME
1160
100
SCALE 1 : 20
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
B
REVISION TABLE
WALL TIMBER LINTEL SHUTTER SILICON 3-5 MM THK COMPRESSED FOAM SEALING TAPE
400
900
A
SKYLIGHT DETAIL SCALE 1 : 5
DOUBLE FLASHING TO AVOID LEAKAGE
100
GROOVE
FOR EASY INSTALLATION
SEMESTER 6
T . Y . B.ARCH
ACADEMY OF ARCHITECTURE, MUMBAI SIGN AND STAMP
ROLL NO.
43
PRODUCED BY AN AUTODESK STUDENT VERSION
B
TOILET FOR SPECIALLY ABELED
25 MM EXTERNAL PLASTER
GENERAL NOTES 230 MM THK
1) All dimensions are in 'millimeters' unless specified 2) The drawing is not to be scaled. The dimensions are strictly to be followed. 3) All levels are unfinished levels unless specified. R.C.C. LINTEL 4) The contractor shall verify all on site dimensions including elevations prior to the commencement of work on site. 5) The contractor shall inform the architect and/or project engineer on site regarding any conditions/modifications required to be done prior to the commencement of work. 6) The contractor shall coordinate and verify the work indicated 6 MM THK GLASS on the drawings between the architectural and various trade drawings, including but not limited to structural, electrical, FOR LOUVERS plumbing, fire protection and exterior enclosure systems. 7) All work shall conform to relevant BIS codes and shall be best practice of each trade. 8) Any discrepancy is to be brought to the notice of the architect/ consultant before commencement of the site. 9) All work is to be completed to the satisfaction of site engineer/ project manager and architects
BRICK WALL
7840
230 MM THK BRICK WALL
450
TOILET FOR SPECIALLY ABELED
W7
MEN 'S TOILET
900
D11 C54
6 MM THK
COUNTER SUNK BIB TAP
A
CLEAR FLOOR SPACE 1500 MM
2810
3980
D2
700
450
A
GLASS FOR LOUVERS
10 MM THK CERAMIC TILING [300 X 300]
1620
2790
2080
W7 860
LOUVERED WINDOW
700
BIB TAP
C55
540
W7
100 MM THK R.C.C SILL
COUNTER SUNK
810 3850
D2
1650
1900
ELEVATION
D10
1730
750
700
450
1670
1670
WOMEN 'S TOILET
10 MM THK CERAMIC TILING [400 X 400] SECTION
C48
LOUVERED WINDOW DETAIL
SPRAY DOUCHE SET
C49
SCALE 1: 5
NAHANI TRAP 150 MM
B
REVISION TABLE DATE
REVISION
DESCRIPTION
DETAIL PLAN OF TOILET SCALE 1: 20
230 THK BRICK WALL 25 MM THK PLASTER CERAMIC WALL TILING [300X300]
COPING STONE
TOPMOST LEVEL
230 MM THK BRICK WALL
3.3 M TERRACE LEVEL
230
10 MM THK CERAMIC TILING [400 X 400]
BEAM DEPTH LEVEL
100 MM
10 50
400
1.8 M
LOUVERED WINDOW
700
2200
1.2 M
BIB TAP COUNTER SUNK
1000
900
700
CODE
D2
700
700
230 MM THK BRICK WALL
WASH BASIN
HINDWARE WASH BASIN [OVAL SHAPED]
FLUSH TANK
HINDWARE SLEEK SMART DUAL TANK, 10 L CAPACITY
10 MM THK CERAMIC TILING [400 X 400] TOILET DOOR
2200
470
PARTITION
650
750
BIB TAP COUNTER SUNK
URINAL
BIB TAP
CP BRASS
MIRROR
32MM THK MIRROR WITH 12MM THK PLY BACKING
URINALS
JET SPRAY CLOSET
COUNTER TOP
NAHANI TRAP
LOUVERED WINDOW PROJECT NAME:
TOILET DOOR WASH BASIN
KOHLER DEXTER
HINDWARE 2M LONG SUPERIOR QUALITY SPRAY
WATER SEAL LEVEL SOIL PIPE P-TRAP SCREEDING LAYER 50MM
GI FLOOR TRAP WITH STAINLESS STEEL GRATINGS
BRICK BAT COBA FILLING
SECTION
SCALE 1: 20
RCC PLINTH BEAM [500 X 300]
100 MM THK PCC BED 150 MM THK
INSPECTION CHAMBER
RUBBLE
DETAIL TOILET SECTION SCALE 1: 10 PRODUCED BY AN AUTODESK STUDENT VERSION
BRICK BAT COBA FILING 150 MM THK 100 MM THK PCC BED RUBBLE
0M
SHEET NUMBER:
TOILET DETAILS
A - 001
NORTH
NAME : RITIKA RAJENDRA REDKAR
50 MM THK SCREEDING GROUND LEVEL
SHEET TITLE:
CERAMIC TILING
BIRCH WOOD CLOSET
20 MM THK GRANITE MATTE FINISHED
PANCHAVATI ANECDOTES
SCALE : 1:50 900
D2
KEY PLAN
MIRROR
DESCRIPTION
100
25 MM EXTERNAL PLASTER
TERRACE LEVEL
ORIGIN
CLOSET
PB80 PB80 COPING STONE
TOPMOST LEVEL 3.3 M
900
DOUBLE COAT
230 MM THK BRICK WALL
420
SCALE 1: 20
2200
25 MM THK PLASTER 860
660
RCC PLINTH BEAM [500 X 300]
SECTION
2.85 M
toilet details
SCALE 1: 20
50 MM THK SCREEDING BRICK BAT COBA FILING 150 MM THK 100 MM THK PCC BED RUBBLE
0M GROUND LEVEL
BEAM DEPTH LEVEL
DETAIL SECTION OF TOILET SUMP
SPRAY DOUCHE SET
650
420
650
900
100
100
SILL LEVEL
PLINTH BEAM
300
600
700
LINTEL LEVEL
SCREEDING LAYER 50 MM BRICK BAT COBA FILLING 150MM PCC BED 100 MM THK RUBBLE
600
D11
D2
860
660
TILE DROP 10 MM
WATA
200 MM RCC LINTEL RCC CHAJJA MIRROR
60
2.85 M
3.6 M
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
3.6 M
SHOWING PLUMBINGS
INSPECTION CHAMBER
SEMESTER 6
T . Y . B.ARCH
ACADEMY OF ARCHITECTURE, MUMBAI SIGN AND STAMP
ROLL NO.
43
Views
View of centre courtyard
View from workshop
View from observation desk
View of artist residence
Culture and tradition are the unique identity of a place. The people living over there and their daily routine activities are affected by even a slightest change in architecture. So while designing it is important to respect these aspects.
lEbanese restaurant ,bkc
Interior Design LOCATION : BKC TYPE : LEBANESE RESTAURANT Seating capacity : 100 The design space should be functional, aesthetic and should endure in the contemporary context. The interiors of the restaurant should reflect the culture and the cuisine and also live up to the international standards. The site is located on the ground floor of the commercial building in BKC (Bandra Kurla complex). Entry to the restaurant is from the driveway of the complex and cannot be changed. The back entry connects to the lobby through the kitchen. The toilet (sunk slab) is demarcated and needs to be retained. Overall clear height is 4.5m.
axonometric view
Lebanese cuisine is the culinary traditions and practices originating from Lebanon. It is categorised as one of the most popular of Middle Eastern cuisines. The unique features of the labanese restaurant is its traditional look with chandeliers hanging in the vaulted ceilings. The shining artifacts kept for display are a wonderful eyesight. The play of lights adding to the beauty of texture and materials used.
plan view
The Middle eastern characteristics of architecture is explored with the idea of crafts, materials and textures. Its nature could be detected by the colour scheme and the overall built, furniture and art elementals added.
COMPETITIONS
The following part shows the extra curriculum work done in past 3 years. The work mostly includes competitions, documentations, installations, furniture design, urban public intervations, fiction illustrations etc.
L.I.K TROPHY heritage and democracy LOCATION : COOCH BEHAR TYPE : documentation Abstract The aim of this trophy was to document a building or complex of buildings which are symbols of democracy. The structures which play an important role in the smooth functioning of the government. ( local/state/central level ). Administrative structures of any era pre- Mughal, Mughal, pre-colonial, colonial, post-independance but not built later than 1967 was expected to document.
play in a pause
KALAGHODA The installation expresses the importance of time defining and capturing events that can never be created in the exact same manner. A union of space and time creates an event. Events cannot exist without time. The pavilion is a pause in the event. The change of time transforms the play of light and shadow within the pavilion and in the manner that the pavilion gets inhabited by the people. The perception of this break in the event through the passage of time is unique for each individual, thereby getting inscribed in one’s memory as a moment in time. @kalaghoda2019_aoa @aoamumbai kalaghodaaoa@gmail.com
The mode of representation of the drawings made was in Pattachitra form in which the elements such as humans and trees were taken from the paintings of Pattachitra, in order to justify the beauty of the folk art.
Raghurajpur renditions LOCATION : Odisha TYPE : Documentation It is located 15km away from Puri. Raghujarpur is a heritage arts and crafts village, home to the well-known folk art, Pattachitra. Gotipua as a dance form is also practised here, which involves young boys dressed as women and performing. The materials used by the artisans are purely natural, making Pattachitra an authentic art form unique to the village. This village has a unique architectural typology. All the houses are long and narrow extending to upto 40m maximum. A central lane binds the entire village which consists of all the temples with houses in north, south and east directions facing the central street. This housing typology and the art form of Pattachitra gave rise to human activities exclusive to the village.
Day - 6348 7:30 am, Home; For Maya, the past forty - three days have been dull, unpleasant and far from thrilling and today - the forty-fourth day seems to be no exception. As usual, she wakes up unexcited and with no expectations....... . . ........... All through your journey, you will be caught up in the circuitous cycle of of hurdles and happiness but no matter what, one peek into your inner soul will always reveal simple solutions to the most complex mysteries. Go back to dancing now, Maya, Dance your troubles away! And if that doesn’t suffice, you know where to look for answers!
Fairy Tale A Blank space competition To create a unique architectural fairy tale, combining a text narrative with 5 images in most spectacular way. Determine architecture’s role in the fiction of the future, and design solutions for the issues plaguing our planet.
The architectural fairy tale addresses the most neglected issue of ‘depression. It tries to convey the state of mind one experiences and imaginary situations one struggles to compete with. It boldly states that one could fight this only by talking to the inner soul and listening to the voice within.
C O L L A P S E RISHI VALMIKI ECO SCHOOL IS LOCATED AT GOREGAON. EVERYDAY, THE SCHOOL CATERS TO THE EDUCATIONAL NEEDS OF STUDENTS RANGING FROM GRADE 1 - 7. DUE TO INADEQUACY OF SPACE, THE CLASSROOM IS USED BY ALL BATCHES AT VARYING TIMES. THE 5M*7M LECTURE ROOM DESIGNED TO ACCOMODATE 50 PUPILS AT A TIME LACKS SUFFICIENT CIRCULATION, BREATHING SPACE AND .STORAGE THE FURNITURE CAN BE COMPLETELY DISSASSEMBLED .THE IDEA OF THE COLLAPSI- . BLE FURNITURE HAS EVOLVED FROM THE NEED OF ALLOWING MULTIPLE FUNCTION IN THE SAME SPACE. THIS TYPE OF FURNITURE MAKE KIDS DEVELOP THEIR MOTOR SKILLS AND ALSO INDULGE THEM INTO A COMPLETELY DIFFERENT ACTIVITY
THE CHALLENGE IS TO DESIGN AN ELEMENTARY PIECE OF FURNITURE THAT EASES THE TROUBLE FACED BY THIS IMMENSE .SPACE CRUNCH HENCE, THE SOLUTION TO THIS IS A FURNITURE PIECE THAT .EVOLVES IN ACCORDANCE WITH THE DEMAND ABILITY TO STORE BASIC GOODS, COLLAPSE AND RESTORE .AS PER NEED ARE THE SALIENT FEATURES OF THIS EQUIPMENT THIS EASY DISMANTLING AND ASSEMBLING OF THE PIECE ALLOWS CUSTOMIZED ARRANGEMENTS OF THE CLASSROOM .- SUITING THE DIVERSE NEEDS OF THE USERS A RATIONAL AND EFFECTIVE FURNITURE PIECE LIKE THIS ALSO ENGAGES THE STUDENTS INTO HANDS-ON MOTOR ACTIVI.TIES, CRAFTING A UNIQUE EXPERIENCE
SCALE: 1:10
SCALE: 1:10
SCALE: 1:10
TENON AND MORTISE JOINT FOR FIXING OF THE BACKREST
DESK PLANK SLIDED THROUGH THE GROOVES LEGS OF THE TABLE SUPPORTING THE ALL PLANKS
THIS EASY DISMANTLING AND ASSEMBLING OF THE PIECE ALLOWS CUSTOMIZED ARRANGEMENTS OF THE CLASSROOM - SUITING THE DIVERSE NEEDS OF THE USERS AND GENERATING MORE FREE SPACE
PLANK FOR RESTING LEGS AND STORAGE
GROVES UNDER THE SEAT FOR THE CROSS
PLANK FOR SMALL STORAGE UNDER THE DESK
SCALE: 1:10
SCALE: 1:10
CORRUGATED PAPER SHEETS
EXPLODED AXONOMETRIC VIEW SEATINGS ARRANGED IN ROWS AND COLUMNS
�
RS 55/SHEET RS 385 FOR 7 SHEETS
FEVICOL 500GMS
�
RS 100
LASER CUTTING
-
RS 350
SCALE 1:10
Designing collapsible furniture allowing multi functions in the same space. This type of furniture makes children develop their motor skills. This is very useful when there are space constraints
AGNEYA
SBTDC_IND_4681
MOLTEN AXONOMETRY OF THE TEMPLE
Back in the time dhuni was considered as the end of the dark and gave new hope to the mankind. Similarly, today it intends to bring upliftment to the surrounding communities. As 'Agneya' rightly means kindling of progressive thoughts. Agneya is a temple dedicated to Sai Baba located in the Polo forest ,Gujrat. Sai baba mostly considered as a saint or fakir by most of his followers was worshiped by both the Hindus and Muslims. Taking inspiration for the story of Sai Baba and the nagara style of Hindu temple architecture, the design is an amalgamation of diierent philosophies. The temple is a complex cultural entity. The design looks at adding modern innovative construction techniques while keeping the original essence of the temple intact.
SITE MAP SHOWING EXISTING CONDITIONS Agneya is located in the lush green polo forest which is also the home to the Bhil tribe. Having such a structure near their community gives the tribe a chance to improve and develop . The site also has ancient Jain temples which were destroyed by the Mughal kings. The Jain temple are a symbol that the site is auspicious. Being located in the forest gives the design the advantage of using the natural resources.
RESULTS AFTER THE TEMPLE CONSTRUCTION The plan has been derived by keeping in consideration the Vaastu , cardinal points and the cosmic philosophies of the nagara style of temple architecture. After applying the Vaastu purusha mandala the concept of fractal geometry was used to further detail out the plan. The squares were divided into smaller grids which are called ‘pandas’ and later on circle were added in symmetry to help carve out space. For the elevation the important features of nagara style of temple architecture were kept in mind. To derive the form inspiration has be taking first from ‘dhuni’ the sacred fire that sai baba prepared, it remains intact as it is and second from neem tree leaves. Neem tree leaves because it was under the neem tree that Sai baba resided for many years and it was from there that he parted education. The main elements that are the shikhara, garbhagriha and the mandapa are prominently identified in the form. The shikhara is the tallest entity followed by the rest. The meditation hall on the first floor has been placed in such a way that it gives one the full view of the mandapa. The massing is done keeping in mind the natural light and ventilation. The elevation has the massive projection on all four sites of the temple which not only add to the aesthetic element of the design but also function has rain water harvesting units. The bring water to the interior spaces and this water is circulated in the interior spaces in form of various elements like water curtains and water falls. These water elements are responsible in passive cooling of the structure.
SENSORIAL MAPPING
CONSTRUCTION FRAMEWORK
A. WATER CURTAINS
Concrete Steel Reinforcement Mesh
B. TRADITIONAL RAJASTHANI TECHNIQUE
FERROCEMENT DETAIL FOR CURVED SURFACES
Ispired from sai baba’s dhuni the form evolved in the following stage.
PASSIVE COOLING STRATEGIES
SAI BABA TEMPLE
20M
ABSTRACTION OF JALI PATTERN FROM THE FOLIAGE OF TREES IN CONTEXT
17 M 12M SINGLE UNIT
TYPE 1
IN NAGARA STYLE
0.0M
SECTION : THROUGH RAIN WATER HARVESTING FINS Sustaniability
TYPE 2
water harvesting kinetic tiles for energy generation
TOILET
OUTER SHELL
Voids
GARBHAGRIHA
OFFICE AREA +0.3 M
MANDAPA +0.3 M
DINNING AREA AND KITCHEN +0.3 M
Solids
INNER SHELL
VIEW FROM DINING SPACE +00M
MOLDING OF SHIKHARA
Plan with respect to grid
MEDITATION HALL +4.3M
Site with design grid
FINAL FORM
VIEW FROM MEDITATION HALL
AREIAL VIEW
EVOLUTION OF FORM
DEVELOPMENT OF GEOMETRIC GRID
VIEW FROM THE ENTRANCE
ELEMENTS OF DESIGN
AERIAL NIGHT VIEW
The competition aims to create a pure and imaginative expression of a temple that will have a degree of hindu temple architecture to it. The major guiding points are innovation, green energy, intelligence and low carbon. The temple designed to be practical, spiritual and experiential.
IIT IDC competition The project aims on designing for children with focus on ‘play and learn’. The intent was on design of objects, media and environment for children.
Urban play The aim was to create a playful intervention in a public place. The qualities of the intervention could be taken from the games which we play in day to day life. Here the games choosen to adopt qualities are basketball, yoga and arcade games.
M AT E R I A L C O S T I N G HARDPLASTIC 1,00,000 STEEL ROD 5,000 RUBBER HANDLE 200 CYCLE PADDLE 520 STEEL PLATES 55,000
TOTAL 1,60,720
HORIZONTAL PTFE PANEL
TOP HORIZONTAL PTFE PANELS SSSSSMMMMMMMMMMMMMM ATTACHED TO ANGLE SECTION WITH BOLTS
ISA
PANEL
C
SIDE PTFE PANELS SSSSSMMMMMMMMMMMMMMM
BOLTED TO PTFE PANELS
B A
VERTICAL PTFE PANEL
KNOB
ISA HOLDING THE PTFE PANELS
BOLTS
ROD
VERTICAL PTFE PANELS SSSSSMMMMMMMMMMMMMM ATTACHED TO ANGLE SECTION WITH BOLTS PTFE PANEL
PTFE PANELS FOR CASING
BALL BEARING
BOLTS CONNECTING MS PLATE AND PTFE PANEL FOLDED MS PLATE ACTING AS PLINTH
DOWEL BOLTS MM LONG FIXING THE MS PLATE
FOLDED MS PLATE ACTING AS PLINTH
FOLDED MS PLATE ACTING AS A PLINTH ANCHORED TO THE GROUND AND BOLTED TO THE PANEL
PANELS
ROD SLITS
BOLTS CONNECTING MS PLATE AND PTFE PANEL DOWEL BOLTS MM LONG FIXING THE MS PLATE PAVER BLOCKS CRUSHED ROCKKSOIL-CEMENT COMPACTED EARTH
KNOB
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Kailasa Temple
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Kailasa Temple
Ritika Rajendra Redkar +91 9082838314 ritikaredkar2000@gmail.com ritikar17@aoamumbai.in