AUGUST 9–15, 2017 I VOLUME 41 I NUMBER 31
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“Life is so short. There’s not a lot of time to think about these things that really matter. You don’t want to be 60 and your body is all falling apart and you think, ‘Oh my God, what has my life been about?’ Pursuing material things like money and power? All those things disappear when you die. What will you have left when you die? Just you and your consciousness.” —HARE KRISHNA DEVOTEE YOLANDE SCHÖLLER, PHOTOGRAPHED IN TOWER GROVE PARK AT THE CHARIOT FESTIVAL ON JULY 30
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TABLE OF CONTENTS FEATURE
16.
The Munster Hustle
Eddie Munster is alive and living in Missouri
Written by
DOYLE MURPHY Cover by
KELLY GLUECK
NEWS
CULTURE
DINING
MUSIC
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25
37
51
The Lede
Calendar
Your friend or neighbor, captured on camera
Seven days worth of great stuff to see and do
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28
‘This Is Hell’
Danny Wicentowski goes undercover inside St. Louis’ notorious Workhouse
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Film
Robert Hunt explores the difference between truth and verisimilitude in Whose Streets? and Detroit
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Evicted in North City
Robert Langellier meets a woman fighting back after her landlord ordered her out. But what of the thousands just like her?
Stage
Sarah Fenske laughs out loud at Is He Dead?, while Paul Friswold is blown away by Stray Dog Theatre’s Ragtime
Pizza Time
Roy Kasten profiles the south city label and studio bringing St. Louis soul to life
45
Homespun
Side Dish
Travis Hebrank of Polite Society went from passing the bar to tending it
47
First Look
Bing Bing is now serving Chinesestyle crepes in U. City, while Stix & Ice combines kabobs and daiquiris
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Food News
Stage Left Diner makes its exit
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The Blue Lotus Position
Cheryl Baehr digs in at Humble Pie, where the owners of Fozzie’s try their hand at pizza ... with delicious results
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Stacey Winter We’re Both Right Now
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Out Every Night
The best concerts in St. Louis every night of the week
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This Just In
This week’s new concert announcements
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NEWS
9
‘This Is Hell’ Written by
DANNY WICENTOWSKI
B
y reputation, the St. Louis Workhouse is a mold-infested pit whose 700-plus detainees — nearly all of whom are merely awaiting trial — are drawn from the ranks of the poor, addicted, homeless and mentally ill. Inmates, lawyers and anti-incarceration activists have alleged that medical care is withheld for months and that guards dole out beatings and pit prisoners against each other in “gladiator-style combat.” In the summer, the cells broil with triple-digit heat, although temporary air-conditioning units installed las m n ma finall a r ss a problem. On Friday, RFT accompanied 15th Ward alderwoman Megan Green on an unannounced visit to the Workhouse. Green also invited a reporter from the St. Louis American and two activists from Decarcerate STL. We did not disclose our identities as media. Green introduced us as graduate students in social work studying the effects of mass incarceration. The tour lasted nearly three hours, and while the physical conditions appeared better than the sweating hellhole described by activists earlier this month, some horror stories appeared all too real. Among dirt and grime, detainees attempted again and again to get our attention. In some cases, they wanted to detail the bad conditions they face. In others, they simply wanted to remind us who they are, and why they are being held — in many cases, for the smallest of offenses, and simply because they don’t have money for bail, condemning them to city custody while they’re waiting for their day in court. The letters above the brick and glass entrance spell out “Medium Security Institution,” but everyone knows the squat, barbed-wire compound sprawled on the north riverfront as the City Workhouse. There is irony in the nickname — it comes from an 1848 city Continued on pg 11 ordinance that
Je’re Reid, far left, talks with Lee Camp of ArchCity Defenders. The lawyers have helped her find new housing. | PHOTO BY ROBERT LANGELLIER
IN NORTH CITY HOME, EVICTIONS ARE SWIFT
S
ee ‘em?” Je’re Reid asks. She kicks a pile of clothes on the basement floor, scattering roaches across the concrete. “I just sprayed.” Reid is giving a brief, sweaty tour of the unfinished storage room from which she and her daughter are being evicted. A dim, 15-by-20-foot space with no air conditioning, it’s just big enough for a mattress, a pile of bagged, roach-infested clothes, a fridge and a microwave (both with roaches), a pantry cabinet (roaches), a water heater and a chair. Incense sticks glow from cracks in the walls where black mold has grown. “She had another hard night,” she says, referring to her thirteen-year-old daughter. “We was fightin’ ‘em off of her.” Her daughter, who has asthma and eczema, has rashes on her skin from spider bites. “Oh, Jesus,” she says, turning on a second fan. Reid, a single mom on disability,
rents the space for $400 a month from Reginald B. Williams Sr., a Chicago-based landlord who claims to control six properties in St. Louis, including this single-family home in north city. The surrounding houses are a mix of vacants and those holding on. Williams’ house has been home to, depending on whom you ask, sixteen to eighteen people, many without more than a room to call their own. Williams has a reputation, according to many residents and neighbors, of using various strongman approaches to property governance, including (take a deep breath): overcrowding; verbal abuse; maintenance neglect; roach, spider and mold infestation; coercing residents to make him their disability or social security payee; withholding lease copies; evicting tenants overnight with no judicial process; and capriciously raising the rent. He’s told tenants he needs more money to pay for an indoor pool for his son. Reached by phone Friday, Williams denies the more serious accusations as “ludicrous” and calls his accusers “nasty,” blaming Reid, for example, for the roach infestation. He declines riverfronttimes.com
to comment on other accusations. He also refuses to disclose any other addresses he owns, though he has people claiming to be his tenants call a reporter to testify on his behalf. He claims that Reid and other unhappy tenants are behind on rent, a charge they all deny. “They come with nothing,” Williams says. “They ain’t got a bed. They ain’t got a dresser. So how in the world can you have somebody to make a complaint [when they] don’t want to pay rent?” Last week, Williams was threatening to padlock the front door if Reid and two other tenants were not gone by the following morning. Reid went to ArchCity Defenders, the non-profit legal group. In response to what ArchCity considered an illegal eviction, its lawyers slapped him with a cease-and-desist order and organized a small demonstration overnight to stop him. In St. Louis, a landlord needs a court order and to provide 30 days’ notice in order to evict a tenant. The order also accuses Williams of “breach of the covenant of Continued on pg 10
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Horse racing season continues at
FAIRMOUNT PARK COLLINSVILLE, IL
Reid’s room was infested by roaches. | PHOTO BY ROBERT LANGELLIER
ROACHES Continued from pg 9 uiet enjoyment, negligence, breach of contract, conversion of personal property, trespass and intentional infliction of emotional distress.” Williams says he’s being unfairly blamed for a bad situation. Of his tenants, he says, “They don’t have nowhere to go. They can’t pay a light bill. They can’t pay a gas bill. They can’t buy a bed. They can’t buy a sheet. They can’t buy a stove or refrigerator. So you let them move in because you have mercy on them. They want to live there free.”
FAMOUS AMONG FRIENDS. 10
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Elizabeth Vega, a community activist who runs a house down the street, sits on Reid’s porch Friday morning, surrounded by about fifteen protesters and speaking with Thomas Harvey of ArchCity Defenders. She’s had to take in four or five residents that Williams has evicted in the past, cases that she says also lacked the proper 30-day notice. “It’s sort of a catch-22, because if they shut [Williams] down, then there’s a bunch of people who won’t have any place to go,” she says. Lack of affordable housing stock is the root source of many illegal evictions, according to Harvey. “This woman has benefits,” he says of Reid. “She should be able to find housing. But unfortunately, and I would guess that not only the other residents in this house, but the other people up and down the street and throughout this region, are forced into horrifying conditions with bugs, or they don’t have bathrooms ...
because the city of St. Louis and the St. Louis region hasn’t committed to providing affordable housing for folks that are vulnerable.” At :15 a.m., one of Williams’ representatives shows up to evict Reid. Seeing the demonstration, she calls Williams instead. After a verbal exchange with ArchCity’s lawyers, she leaves. Reid is left on the porch, technically not evicted but with nowhere safe to go. “I want to be able to sleep without bugs,” she says, sobbing. “I want to be able to sleep without breathing in mold. I want to be able to sleep and not have to deal with all of this. “With the exception of three hours of sleep I’ve been up for 2 hours trying to keep these bugs off my daughter.” “ ou know what happens when you cry, right ” her daughter says, leaning into her. “I have a permanent twitch now,” Reid continues. “I got over the permanent twitch when I was a kid. ow I’m back to twitching because I feel like they’re everywhere, all over me. This is not right.” At least Reid has ArchCity Defenders supporting her. Harvey calls a friend and finds an apartment where she can stay for 30 days, rent free. any other people are not so lucky. Thirteen percent of St. Louis residents make under $10,000 a year, which is low enough to ualify for low-income housing. St. Louis manages about ,000 Section vouchers, but has a waitlist of more than 23,000 families a whole lot of Je’re Reids. —Robert Langellier
Alderwoman Megan Ellyia Green took reporters inside the Workhouse, which holds 700-plus detainees, most awaiting trial. | DANNY WICENTOWSKI
WORKHOUSE Continued from pg 9 stipulated that prisoners who could n a ir fin s w l c mmitted to the “Work House” to pay off their debts, and then released. These days, many men and women in rk s fin ms l s imprisoned because they cannot pay their bonds or traffic tickets. (Those accused of more serious crimes are typically held in the Justice Center downtown.) Although prisoners work in the jail kitchen or on cleanup crews, their meager pay cannot be used to satisfy their debts to the criminal justice system. And so they remain in the Workhouse, for months or even years, waiting for the wheels of justice to turn. After introducing ourselves as social work students, we leave our phones at the security station and pass through a heavy metal door into the visitation area. A lieutenant leads us through a wide hallway that smells of bleach, and a sign directs us to the “Resident Visiting Cages.” Here, prisoners in yellow uniforms speak to their families using telephone receivers and interact behind thick panes of glass. Our tour guide is a supervisor who started patrolling the Workhouse more than two decades ago, and despite her soft-spoken delivery and diminutive stature, she seems to
command immediate respect from the inmates and guards we pass along the way. She notes that previous overcrowding had forced jail staff to place inmates on bunk beds in the gym. “We had a lot of prisoners here because they couldn’t a r ir ra c ick s s says. These days, several dorm and day room areas are empty and undergoing renovation. We come to a security office. r a a -scr n m ni r n the wall shows sixteen camera views of various dorm rooms and sleeping quarters. Inevitably, talk turns to air conditioning. Last month, as a heat wave baked the city with temperatures as high as 107 degrees, protesters staged demonstrations at the Workhouse’s front gates, facing pepper spray and arrest as they demanded relief for the people inside the jail. In response to the outcry, Mayor Lyda Krewson arranged for temporary A/C units to be installed. Soon after, older sections of the jail, including the men’s daytime living ar rs w r fi wi w a our tour guide refers to as “worms” — heavy white tubes running from outdoor cooling units and attached to windows. It wasn’t just the prisoners who were relieved by the newly cooleddown areas. Guards and jail staff were just as happy. Yet it only took
days for the jail to experience the i si s an rs r is r lls us, some areas of the jail “were like icicles.” Staffers started showing up to work with jackets. Inmates complained as well; one tried to use a broom handle to damage a vent to s w c l air Green inquires about the number of inmates serving time on possession charges, and she presses for information about those who cannot afford to pay bonds. Gesturing at the “social work students,” she says we’re studying how the bail s s m c i l fills ris ns wi poor people. It’s true, responds the second supervisor. It’s not just drug possession, she adds. Some inmates are locked up for failing to pay child support — Missouri law considers it a felony to fall behind on payments by $5,000 — and Green stops her short. “For child support?” repeats the alderwoman, incredulous. “How does that help? If you can’t pay child support, you certainly can’t pay your child support when you’re locked up.” w il l gic is a ing law is clear-cut. As our tour guide leads us away from the security offic r n n s wi r signa i n that changing the criminal statute would take action in the state legislature. Continued on pg xx riverfronttimes.com
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WORKHOUSE Continued from pg 11 n w rs fin s walking into various pods, dormitories and living spaces. It quickly becomes clear that detainees are desperate to get our attention, to share their complaints. They try both shouting and murmured messages. One woman hisses for attention, then whispers, “This place is hell.” As we depart the women’s pod to make way for dinnertime, a female prisoner motions at the showers and tells us to watch r as We’re led to a pod labeled “close observation,” one of three pods reserved for male detainees who can’t be housed with the general population. The inmates might suffer from mental illness or depression or require protective custody. A different pod houses those on suicide watch. The “pods” don’t look like a normal cell block. The two-tiered rooms are ringed with heavy metal doors with small windows. Faces are pressed against the glass. Our tour guide takes us to one s c c ll n firs r an c a s with the man inside. He’s left a note stuck to the window, reading, “No rec for 3 days, want to talk to supervisor.” m n n s c n r gin raising bedlam, shouting about mold and roaches and rat bites. One yells, “Don’t listen to the shit they slinging! Shit’s fucked up here!” “Gentlemen, behave,” retorts a nearby guard. Our tour guide estimates that ar n fi n rc n inma s require some form of observation or special care. She’s seen suicidal prisoners run up the pod stairwell and leap from the second floor. rking as a c rr c i nal c r she says, takes a sense of duty to impart “care, custody and control” of those in custody. Dinner is not being served in the cafeteria today (too few staff, apparently), and so we are led to the “day room” area, where prisoners might be watching TV or just passing the time. Our presence sends dozens of inmates to the windows to gawk at the visitors. Turning a corner, we come face to face with a guard dangling a grilled cheese sandwich in a gloved hand. On a bench sits a detainee with long braids. He’s scowling up at the guard and the sandwich. The guard, a well-built middle-aged man, grins at our tour guide. “He took this off a tray — shoplifting!” he says. The guard
repeats the charge several times in a sing-song, mocking voice. “Shoplifting! Shoplifting!” sw a a ig s airs s c n r a ris n r s s at us, “This isn’t a place for human beings.” On s c n r rm r ms we pass through one of the living quarters that’s been upgraded with A/C. Newspaper lines the bed frames beneath mattresses, and prisoners keep what few personal belongings they have — a Bible, a Koran, a bottle of soda, a small radio, a sheaf of
hand-written notes — piled on the bed or beneath the small cots. ack n firs r w s in a room full of kitchen workers wearing white uniforms, gloves and head coverings. One man has been here two months on a weapons charge, another ten months. Neither can pay his bond. They’re relative newcomers, and they say that inmates have been known to live here — uncharged and awaiting trial — for more than two years. Amid the crosstalk of inmates’ tales of mold and asbestos, a man
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with short braids and a clear, impassioned voice quiets the others. He declares that the living conditions will change “when we change ourselves.” He’s jeered and laughed at. “Come on, man,” his peers tell him. He laughs along with them and doesn’t bring it up again. As we leave the kitchen workers and make our way back to the entrance, prisoners again crowd the bars and windows separating them from the hallway. Some shout out their sentences. “I’ve been here sixContinued on pg 15 teen months
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WORKHOUSE Continued from pg 13 on marijuana,” one says. Another: “I’ve got two kids and a cousin at home.” Despite the repeated claims about black mold and rats, I spot only a few cockroaches in the hallway, though the building, which was built in 1966, is clearly showing its age. Waste and dirt are everywhere. At one point, I see a half-dozen black trash bags leaning against a wall, right beneath a paper sign stating: “Please do not pile trash bags in the hallway.” Outside the Workhouse, I ask Green what she took away from the tour. She’d last visited in October 2016. Aside from the newly-installed A/C, she remarks that conditions seem largely unchanged. “When we’re talking about people who are picked up on substance abuse charges, possession charges, and then assigned a $10,000 bond and have to put up ten percent to get out, that’s an extraordinary amount of money,” she says. “It’s an extraordinary amount of strain on our system.” ’s i c l c n a r k n system that most people never get to see up close. The Workhouse rarely grants tours to media. Green says that recent news coverage of the facility during the heat wave convinced her to arrange the undercover trip. “I think it’s important that people who are writing about it experience it as well,” she says. “So you’re writing from a place of knowledge and not from a place of assumption.” Green concedes that “some people in political power are not going to be happy with me” for sneaking reporters into the jail. But Green also believes that city leaders, particularly the Circuit Attorney’s Office, need to look at reducing bail amounts and reducing the inmate population — a goal shared by Mayor Lyda Krewson. People with addictions or mental health issues would be better served by treatment, Green says. If we deployed resources to provide that treatment, we might not even need places like the Workhouse anymore. “The cycle just keeps going,” Green says, noting that addicts and the mentally ill are frequently r -arr s s m rg nc rooms and then placed back in the Workhouse. “At some point in time we have to say that it’s not working.” At the same time, Green offers
praise for the jail staff, especially the supervisors she encountered Friday. “Their budgets are continually getting cut, both from the city and the state level, and services that w r r n r fi n ars ag just aren’t available anymore,” Green says. “They’re having to get creative in how they’re able to address the mental health issues and substance abuse issues in there.” Green shares a similar goal with anti-incarceration activists: What the Workhouse really needs, she argues, isn’t expensive upgrades
or renovation. It needs to be shut down. Green later explains that she’s lanning a a c n r- r sal to the bill proposed by the Board of Aldermen that would place a halfcent sales-tax hike on the November ballot. Green’s proposal would also create a tax hike, but this one would hit business owners with a payroll tax instead of residents. She claims it would raise $10 million more than the current bill. “These funds will transition the Workhouse into a rehabilitation center that helps to end the cycles
of mental illness, addiction and poverty that keep people coming back to the criminal justice system,” Green says. Transforming the Workhouse from its current position as a jail (and a mental hospital of last resort) would take sweeping cooperation between city agencies, and likely the state as well. But if it works, suggests Green, the Workhouse would become unnecessary. On that day, the Workhouses’ services would “no longer be needed.” And then, Green writes, “the aging facility can be closed for good.” n
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THE
MUNSTER HUSTLE
EDDIE MUNSTER IS ALIVE!!! ...and living in Missouri
DOYLE MURPHY
E
ddie Munster has been greeting his fans all afternoon. Inside the St. Joseph Civic Arena, former child actor Butch Patrick and his wife, Leila Lilley, have set up their booth in a far corner of the main r s n a r ms It is a brutally hot Friday in mid-July, and several hundred of the weekn ’s firs isi rs s m s a r in fake blood and dressed as their a ri slas r film c arac rs lazily make their way among the stalls of the horror-themed Crypticon. Patrick, who played Eddie on The Munsters, made the two-hour drive with Leila from their home in northern Missouri the day before, hauling plastic tubs of merchandise and a pair of replica Munster hot rods inside a trailer decorated with a protruding dragon head. Now standing at their table are a towering, bearded fan and his wife, wearing matching T-shirts that bear the name of a haunted house in the far suburbs of Kansas City. The T-shirts are the kind of thing Patrick notices. He immediately wants to know more about the business. “Do you own it?” he asks. In fact, they do. “Do you ever have celebrities?” That’s something the man, Jeremy Toynbee, had not really considered. Business has been solid
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firs n in is garag an was successful enough to relocate and expand the operation to a barn and two acres in the small town of ar n r ansas a c l ri appearance wasn’t really on his radar. Within moments, though, Patrick is laying out the basics of a strategy where he could visit Toynbee’s House of Horrors on, say, a Wednesday, and then string together two or three appearances at Kansas City car dealerships and shops over several days, splitting his fee among all the parties. fig r w g m tom line from four different ways, and nobody has to pay too heavy,” he explains to Toynbee. Before they’re done, Patrick has sold the haunted house proprietor a $30 autographed photo and generated a potential business lead that leaves both men happy. “One of the things I like doing is working with people who’ve never had a celebrity event and showing them the ropes,” he says later, adding, “I do know the haunt business.” Patrick is a master at this kind of deal making. A self-described “hustler” all his life, years after dropping out of Hollywood and beating drug addiction, Butch Patrick (legal name: a rick ill as il a fin li as a former child star. From his base in Missouri, he works his way through small and mid-sized towns across the
heartland, visiting twenty to thirty car shows, conventions and festivals every year. Finding new opportunities among the constant churn requires the ear of a salesman and a certain amount of humility. The conventions are in many ways the absence of glamor for celebrity guests. For hours, they sit in plastic folding chairs and hawk autographed photos of their younger, more-employable selves in hotel ballrooms and re-purposed gymnasiums. Some celebrities loathe such events, but Patrick sees them as a perfectly pleasant way to make a living. “The people are always happy,” he says. “It’s a happy exchange, which makes it easy to do.” The show, which ran 1964 to 1966, was film ack r an n anticipated long-running syndication. So while The Munsters found new audiences in generation after generation of rerun-watching fans, residuals for its stars were minimal at best. But Patrick can still make money off of events and merchandise.
Above, Butch Patrick and his wife, Leila Lilley, prepare for fans at Crypticon. Left, every inch of their booth has been arranged witih care. | DOYLE MURPHY
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THE MUNSTER HUSTLE Continued from pg 17
On the weekend of the St. Joseph trip, he is less than three weeks from his 64th birthday. He dresses casually in shorts, black leather Chuck Taylors and a green flannel with Frankenstein’s face printed across the back. The features that made him an unforgettable little mons r n w r m sl ll w props. Stripped of his widow’s peak wig and pointy ear tips, he looks disarmingly normal. He has wavy brown hair that rises from a relatively straight horizon above his forehead. He stands a perfectly avrag fi s n can s ill see the boyishness in his face, and without the green makeup that gave him a pallid look in black and white, he appears tanned and relaxed. His Munster events season boils wn a a fi m n s a year, Patrick says, and he collects fees of $2,000 to $5,000 per event. It adds up. Expenses for travel and bills such as upkeep on his Munster hot rods eat a healthy chunk of the revenues, but he is still able to make what he will describe only as a “comfortable” living that allows him to spend his winters by the beach in Florida. At Crypticon, he has two tables full of merchandise. For sale are eight-by-ten photos of a preteen Patrick as Eddie Munster, sporting the little velvet suit he wore on The Munsters. There are “Team Eddie” T-shirts, Munsters wallets, n a l ks ns rs k chains, Munsters dolls, Munsters stickers and even pouches of Munsters-themed dark roast coffee. a l r n s c i for,” Patrick says, delivering the slogan with all the music of a radio pitchman. Even convention-goers who aren’t Munsters fans draw closer to see the eighteen-foot-long Munster Koach and gold-painted Dragula hot rods parked behind the tables. Leila, whose tireless attention to detail is the secret weapon of the business, says they began with T-shirts and photos. Now, they have a full online store at Munsters.com, where they also advertise availability for all manner of events, from birthday parties to corporate gatherings. “We strive to give them something personal,” Patrick says. “It’s not some William Shatner thing where you wait in line and pay $100 for two minutes.” And if he ends up doing business in the future with one or two of the people he meets, all the better.
Above, Patrick bought his grandmother’s house and has been living part-time in Macon since early 2016. | DOYLE MURPHY Right, Patrick’s mother, Patti Hunt, and grandmother, Marjorie Greenstreet, in an undated family photo. | COURTESY BUTCH PATRICK Butch Patrick jams his foot down on the gas pedal, and the Munster Koach flies down the road. Built like an oversized Model T, it has a red velvet interior and a gleaming skull for a gear shifter. The roar of the Koach’s 454 Chevrolet engine is deafening as the hot rod surges forward. a is n as gas l vard a couple of weeks ago,” Patrick shouts over the noise, “for about an hour and a half with a camera crew.” is is n gas g wing a ca l a r n a a rail r honks and waves. An old man pulls r in arking l rais s a cell phone sheathed in a camouag cas an sna s a Patrick went to eighth grade here in the small town of Macon, living with his grandmother in a hulking w -s r ic rian s w s of downtown. An hour north of Columbia, this bit of rural Missouri was a refuge for the thirteen-year-old child star. The Munsters wrapped in 1966 after two grueling years, and Patrick needed a place to go. His mother, Continued on pg 20
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THE MUNSTER HUSTLE Continued from pg 19
Patti Hunt, had split with his father arl n an la r marri a a r League Baseball player. When her spouse signed with the Washington Senators, she moved to the East Coast while her son stayed behind with family in California. Patrick, it was decided, would move in with his grandmother in the Midwest. It seemed like a s rang fi r a ac -l ing ki who grew up in Los Angeles, but he now remembers that time fondly. “I used to shoot pinball there, s l n c n s a rack he says, gesturing to a weathered building on a tour through town. There are more empty storefronts today, but the wide streets and small-town charm have been largely unchanged in 50 years. The California kids could be ruthless to a young Patrick, but he was quickly accepted in Macon. “Here it was more of a curiosity thing,” he says. “In L.A., it was a al s ing 20
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He remembers exploring the s is gran m r ar ri Greenstreet, had stuffed with antiques. She was a rambler and would drive her big Cadillac cross-country in search of treasures. He attributes his love of Americana and road trips to those early adventures. In many ways, those days in Macon were the last semblance of anything like a normal childhood for Patrick. He soon returned fulltime to acting and left Missouri behind. Greenstreet eventually sold the house and moved on to West irginia an n a As a teenager, Patrick veered hard into a life of partying that would take more than 40 years to leave, but he always remembered ac n r fi n ars r s whenever he found himself in the region, he would drive through town to see his grandmother’s old house. In 2015, he bought it and decided to move back. Butch Patrick has plans for the house.
An imposing brick behemoth, it is painted white and set back from a curve in the road on a shady lot. The interior is trimmed in thick, carved wood with walls painted in ll r s an l -gra s i fir places are spaced throughout the dimly lit rooms. In the attic, for fun, a mannequin head with a stick-like torso is shrouded in white lace and suspended from the ceiling. Patrick insists he made the purchase solely to save his grandmother’s former home from demolition. But now that it’s his, he cannot help but see the opportunities. Start with this: “It’s haunted,” says his wife, Leila. The couple starting living there ar im in ril ac n la i n as c m home base for their summer hopscotching from one Midwestern event to the next. Patrick says he firs l arn a s ’s aranormal activities from his younger sister, who spent even more of her childhood there than he did. “All my life, I’ve spoken to my grandmother about Miss Rubey,”
Michele Lilley says in a phone interview from her home in Manhattan Beach, California. Miss Rubey is apparently the spirit of Elizabeth Wardell, the home’s former owner and a daughter of a local coal baron. Michele says she regularly saw her while spending summers in Macon. The g s l fig r na ar n the landing of the stairs, her head bowed. “She’s not scary; she’s sad,” Michele remembers telling her grandmother. Patrick says he was oblivious to any ghost sightings as a kid and has not seen anything since moving back. Michele is not surprised. Her r r is a c m assi na man now sober, he will spend hours on the phone talking to people struggling wi s s anc a s he is also stubborn, and his focus can al k s a ag s could sit on his lap while he is on his phone and he would never notice. ’s s n a g s sa s Leila, 48, is different. In many wa s s is s as c s an
is certainly more organized than her husband. But, unlike Patrick’s tendency toward tunnel vision, she sees everything. At Munsters’ ns s is firs n n tice fans lingering at the outskirts an firs s ring forward with a business card. She is also the one calling promoters weeks in advance and monitoring the Facebook fan page day and night, deleting the work of creeps who try to post explicit, photoshopped images of Lily Munster or ads for German timeshares. It makes sense that she is also more attuned to the weirdness of the Macon house. Miss Rubey has appeared in her presence, she says, but there are other entities, too. “The only way I can give it an analogy is like a big football player, a big entity that follows me around n ang r s n r a ning and not really a protector,” Leila sa s ’s s s m n s m ing there.” a rick sa s ila was a firs s overwhelmed by the paranormal activity that she Continued on pg 22 riverfronttimes.com
Left, Leila and Patrick take the Munster Koach for a spin around Macon. | DOYLE MURPHY Right, the couple married in September during a “picnic-style” wedding in the small Missouri town. | COURTESY BUTCH PATRICK
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THE MUNSTER HUSTLE Continued from pg 21 refused to sleep there, and they spent their first few nights in a hotel. But they have slowly gotten used to weird happenings. “We decided that we would leave the lights on and work our way through it, which we pretty much have,” Patrick says. He and Leila had been in the house about six months when they married in September. (They had been introduced several years before in Florida by legendary car designer George Barris, the man responsible for the original Munster Koach and Batmobile.) The “picnic-style” ceremony was held beside a lake in Macon on the grounds of an old military academy. Lucinda Watson, manager of the Apple Basket Cafe in Macon, was among several townspeople who were surprised and delighted fin ms l s incl n 90-person guest list along with the couple’s friends from across the country. “It was nothing fancy, but it was still gorgeous,” Watson says. “It was the perfect small-town wedding.” After the ceremony, the newlyweds drove off in the Munster Koach before returning to the house for a reception. Watson, who caught Leila’s bouquet, says people in Macon have always been intrigued by min s ic rian ar i is the long-running rumors of ghosts, and part is the connection to Eddie Munster. Patrick was quick to realize the potential marketability of combing those two aspects even before he had closed on the property. And it was not long before ghosts began to seem like an asset. Just imagin ssi ili i s ki from The Munsters, has grown up to live in a real haunted house. Patrick and a friend who is a clairvoyant envisioned a paranormal reality show called Property Horrors, where they would use the house as the framework to explore otherworldly tales. Patrick has long felt there was a story in the time-warp simplicity of Macon. “Andy of Mayberry meets Eddie Munster in the Twilight Zone,” is his pitch. He and Leila have never fully unpacked, leaving boxes and furniture c r in ar s s l a film cr w need a scene of them moving in, but that scenario seems increasingly unlikely as time goes on. “It’s been a year, and I’m pretty much over that,” he says. “I don’t think it’s going to happen.”
No matter. He is now working n a lan r fi r a rs called “1313 Weekends,” a play on ns rs’ fic i nal ckingbird Lane address. As many as thirteen visitors at a time would pay $100 each to visit the house, maybe in a rick an ila r l nc a the Apple Basket and swing by the cemetery to pay their respects at Miss Rubey’s grave. He is still working out the details. Quitting Hollywood early was always the plan, Patrick says. He acted steadily from the age of seven until he was eighteen. By the time he landed The Munsters gig, he had already worked as one of the original cast members of General Hospital and played more than a dozen, mostly minor, roles in television an film It was his portrayal of Edward Wolfgang Munster, however, that changed his life forever. The pilot for the show had featured another child actor, who played the young werewolf as a ferocious, snarling terror. When Patrick took over for the series opener, the role of Eddie morphed into that of an earnest son. The show’s producers had recently wrapped Leave It to Beaver, and their new cast of friendly monsters navigating suburban California was a knowing twist on a traditional family sitcom, n ing k r g i ’s very Beaver-like lines. “Gee, Pop, do you always have to pick on me?” Eddie says in a second-season episode where he ri r ns awa r m m The show also gave CBS an answer to The Addams Family, which opened the same week on ABC. The two competed in black-and-white for two years before both were canceled following the 1966 season. a rick was s w l ars old but already an established pro. After The Munsters, he acted in s a r ig si c m era, including Gunsmoke, I Dream of Jeannie and a recurring role on My Three Sons. His sister Michele says directors liked him because he could read a script, quickly learn his lines and perform a scene in one take. was s ill s si nw n w wn ra il la a ng gang m m r in film a a a i n of the novel The Sandpit Generals. He traces the beginning of decades of addiction to that time away from home and family. It was an intense shooting schedule, and the young actors were more or less unsupervised to drink and party when they
Major Leaguer Ken Hunt and his famous stepson, Butch Patrick, at a father-son game. | COURTESY BUTCH PATRICK
weren’t on set. “I tell everyone he left the house looking like Richie Cunningham, and he came back looking like John Lennon,” Michele says. film was s s carr Patrick’s career to another plane, but the release was delayed. When i i finall c m i s r n in theaters was brief and unremarkable. He spent another two years acting, including a morning kids show called Lidsville that marked him as a heartthrob in a string of teen magazines. But Patrick says his boyhood plan was always to quit Hollywood at nineteen, maybe become a race car driver. He claims a relatively unknown George Lucas approached about him about starring in American Graffiti, but by then he was nearly done with full-time acting. He now says he dropped out of the running for the part that ultimately went to Richard Dreyfuss, because Lucas told him he would have to cut his long hair. “When I saw the movie two years later, I realized what a huge mistake I’d made,” Patrick says. The film would earn Golden Globe nominations for Lucas and Dreyfuss. For his part, Patrick was s rfing an g ing ar i s
“He worked so much as a child that I think once he turned eighteen and had his money, he was like, ‘Now, it’s time to play,’” his sister says. “And that’s what he did for a really long time.” Patrick says he was an addict for 41 years, a lifestyle that sometimes led to trouble with the law. He was arrested in 1979 for transporting Quaaludes. “I had a connection and ended up with a couple hundred of them,” he says. In 1990, he was arrested again after a limo driver told police the ex-child actor and another man beat and robbed him when he got lost on the way back to Patrick’s hotel. Patrick says he met is c n an r firs im that night in a bar, and the man decided to try to physically extract a refund from the driver, leading to criminal charges against the man and Patrick. “‘Munsters’ Actor, 37, Is Arrested,” read the headline in the Chicago Tribune. A robbery charge against Patrick was later dropped, but he was convicted of battery and r r a in fin s an fees. The run-ins were embarrassing, but he says his substance abuse was hardest on his family.
“I did some serious damage,” he says. The drug and alcohol abuse went on for so long, his sister wasn’t sure if he would survive. “It was to the point I thought, ‘When is the call going to come, and how is my mom going to deal with it?’” she says. And then he quit. He entered rehab on November 21, 2010, partly as a favor to a drug counselor who thought a celebrity success story would be a good example for others. There was another round of headlines, but then all was quiet. Michele says she was not expecting rehab to work, at least not without a handful of relapses. She would visit her brother at the facility, and each time he would say he was about ready to quit the program. firs i was ’m n s a ing r and then “I’m leaving tomorrow,” the sister recalls. He was adamant about dropping out in time to spend li a s a m s continued to stay, remaining in place until after the new year. He will celebrate seven years of sobriety in November. “He’s so great,” Michele says. “I can’t tell you how thrilled I am, because I was so worried.” Patrick says his counselors described his break with substance abuse as a “burning bush experi nc rar am l r a m n aking l n firs attempt. “I haven’t touched anything,” he says, “not a line, not a pill, not a in n a rink The Crypticon crowds in St. Joseph are decent but not overwhelming. One booth over, David Naughton, the American werewolf in London himself, looks over at Patrick and Leila and gives them a half shrug. Oliver Robins, who played ki in firs w Poltergeist movies, leaves his perch along the arena’s upper walkway and tosses one of his homemade key fobs over the rail to the Munsters booth. “I made this for you,” he says. Patrick and Leila spend the slow moments straightening their displays and checking in on the Facebook fan page. During a lull, Patrick talks about his stepfather. n n s ar in ankees’ organization as a backup, and possible successor, to the legendary Mickey Mantle. A lifelong ri n an r ank s’ gr a fellow North Dakotan Roger Maris, Hunt seemed on the path to stardom. riverfronttimes.com
is main ing was fi l ing Patrick says, “He could throw it from the warning track to home n a a r ck The newly formed Los Angeles ng ls ra im r m ankees in 1961, and Hunt hit 25 home r ns wi s in is firs s as n on the West Coast. But a shoulder in r n arl r in is w r l right arm. Hunt could still play, but it was as if his shot at greatness had n s l n r m im ndered around Los Angeles for another season and a half, followed by a brief and unremarkable stint with the Washington Senators. “He had a bad attitude,” Patrick says of his stepfather’s life after in r l lik w rl owed him something, and he faded away.” The tale seems like an obvious parable for one of the most famous child stars of his generation, but a rick is s lling a s r liked Hunt. Some of his best childhood memories are of hanging out in the Senators’ clubhouse during a father-son game while on a weekn r ak r m filming k s a picture on his phone of himself wi n was r all a ma r ballplayer,” he says. Before long, the crowds are moving again. He chats with a cosplayer dressed like a femme fatal from the Batman movies. One of his most loyal fans from the Facebook page drops by to show off an Eddie Munster tattoo she got that morning at a booth on the other end of the arena. It is so new, it’s still wrapped in cellophane. Patrick does not plan to do this work forever. Maybe a few more years on the circuit of weekend car shows and Midwest festivals. He says he could eventually cut back to August, September and October man r i ns r is always highest around Halloween an n s a ica r the rest of the year. “I have an exit plan,” he says. rn w s ill n s alking fans and traveling around the counr ins ins an Sleepaway Camp actress Felissa Rose toward the end of Saturday for a panel discussion on the life of a child actor in Hollywood. He’s done dozens of these Q-and-A sessions in dozens of towns, but he’s ever aware that his audience hasn’t heard it before. “I really want to do a show one day about what it’s like to move back to a childhood town and save a house,” he says. “I call it, ‘Andy of Mayberry meets Eddie Munster in the Twilight Zone.’” n
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WEEK OF AUGUST 10-16
BY PAUL FRISWOLD
THURSDAY 08/10 CatCon 2017 What could be more adorable than the wee, slinking predator implicated in the deaths of 3.7 million birds every year? Yes, we’re talking about Felis catus, the deadly beasts we love to love, even if they’re merely tolerating us for the kibble. Man’s not-quite-best friend gets honored every August 10 with International Cat Day, an event the kittehs surely greet with total disdain. The St. Louis County Library, thankfully, takes a more celebratory view. Its Grant’s View Branch (9700 Musick Road, Affton; www.slcl.org) hosts CatCon from 6 to 8 p.m. tonight, welcoming adult cat lovers for cat videos, face painting, refreshments and more. Learn to make a catnip sock toy or even take home a new killer from Animal House Cat Rescue and Adoption Center or Stray Haven Rescue, which will both be on site. Costumes are encouraged.
FRIDAY 08/11 Spirited Away Chihiro is ten years old and perpetually sullen, especially now that her family is leaving the city for the Japanese countryside. On the family’s trip to their new home, a wrong turn lands them in a mysterious tunnel with an abandoned town at the other end. Much to Chihiro’s dismay they’re actually in the spirit world, and in short order her parents are transformed into pigs and she has to get a job in a bathhouse run by a sly witch. Hayao Miyazaki’s Oscar-winning film Spirited Away follows Chihiro as she attempts to earn her freedom, return her parents to human form and understand the lessons learned in the spirit realm. A subtitled version of Spirited Away screens at 11:55 p.m. Friday and Saturday (August 11 and 12) at the Landmark Tivoli
Kõshirõ; “Mirror”, c. 1930; color woodblock print with mica, gofun, and embossing; Saint Louis Art Museum, The Margaret and Irvin Dagen Fund for Modern and Contemporary Japanese Prints in honor of Steven Owyoung 66:2016
Continued on pg 26
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CALENDAR Continued from pg 25 Theatre (6350 Delmar Boulevard, University City; wwww.landmarktheatres.com) as part of the Reel a film s ri s ick s ar
A Century of Japanese Prints Japan had a long history of woodblock printing (ukiyo-e) that, although now recognized for their artistic qualities, were at the time purely commercial works. That began to change in the mid-nineteenth century, as Japanese artists were exposed to Western printmaking. These early modern artists began the creative print movement, which was motivated by a desire to explore the artistic possibilities of Japan’s traditional hand-carved woodblock printing methods. Artists such as Kobayakawa Kiyoshi and Hashiguchi cr a r rai s m rn Japanese society in prints that are both beautiful works of art and incredible documents of an era. The Saint Louis Art Museum displays a treasure trove of them in the new exhibit, A Century of Japanese Prints. The show opens on Friday, August 11, and remains up through January 28. Admission is free.
SATURDAY 08/12 Dred Scott Festival of Freedom Dred and Harriet Scott were not the only enslaved people to file “freedom suits,” but their case did more to publicize the inhuman practice of slavery. That’s thanks to both their dogged attorneys (among them Roswell M. Field, father of Eugene) and the cruelty of the Supreme Court’s ruling that Dred wasn’t a person according to the U.S. Constitution. Dred and Harriet’s long struggle to be legally recognized as human beings conin s ins ir m ricans fig injustice. The Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory. rg c l ra s a fig wi Dred Scott Festival of Freedom today from 11 a.m. to 5 p.m. The day includes panel discussions, a
Un io n St at io n
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short theatrical presentation from Kate Taney Billingsley and a presentation from Scot descendent Lynne Jackson about the unknown history of her famous ancestor. Admission is free.
United We Brunch Breakfast has long been styled as the most important meal of the day, but that is not always true. Sometimes the sun is quite high in the sky when you wake up and breakfast is long gone — that’s when brunch steps in to save your bacon, and to serve you bacon too. That’s why the RFT’s United We Brunch is back for a summer edition. Today from 11 a.m. to 3 p.m. at St. Louis Union Station (1820 Market Street; www.rftbrunch. com) you can enjoy bottomless beverages (try a Bellini) and a vast panoply of breakfast/lunch foods. Parker’s Table, the Dapper Doughnut, Taco Circus and Frida’s are all participating, so you’re cerain fin s m ing a sa isfi s your craving. Tickets for United r nc ar
SUNDAY 08/13 Great Muslim Food Festival Nothing brings people together faster than a meal. It’s the one s r -fir acili a r r c n rsation and a sense of camaraderie, which is why summer is stacked with festivals that focus on food. The newest arrival on the scene is the Great Muslim Food Festival and Cook-Off, a celebration of the diverse dishes of the Muslim world. The food festival features local restaurants such as St. Louis Gyros and Yapi Mediterranean Subs and Sandwiches selling their most popular offerings, as well as a bazaar full of artists and merchants. The cook-off portion is open to all comers, and features six categories (all of them halal, kosher or vegan). That includes best rice and pasta dish and best dessert, along with a special class for cooks thirteen and younger. The Great Muslim Food Festival and Cook-Off takes place from 11 a.m. to 6 p.m. today at the World’s Fair Pavilion in Forest Park (www.cair-mo.org/cookoff). Admission is free but you’ll need money if you want to shop or eat.
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WEDNESDAY 08/16 Bonnie and Clyde Arthur Penn’s groundbreaking gangster film Bonnie and Clyde marks the birth of the “New Holl w s l filmmaking i its blend of comedy and violence (often at the same time) and its frank depiction of violence and sexual subjects, Bonnie and Clyde changed how filmmakers approached storytelling. Bonnie (Faye Dunaway) is a waitress in a small town who witnesses Clyde Barrow (Warren Beatty) committing a petty crime. She impetuously joins him, setting off on a grand romantic adventure that swoops through the Dust Bowl
states and ends in a spectacular outrs g nfir an l rn r lassic i s marks film’s anniversary with a pair of nationwide screenings. You can see it locally at 2 p.m. Sunday and 7 p.m. Wednesday (August 13 and 16) at the Marcus Wehrenberg Des Peres Cine (12701 Manchester Road, Des Peres; www.fathomevents.com). Tickets ar n
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FILM
[REVIEW]
A Tale of Two Cities A documentary and a drama show the difference truth and verisimilitude Written by
ROBERT HUNT Whose Streets?
Directed by Sabaah Folayan and Damon Davis. Opens Friday, August 11, at the Landmark Tivoli Theatre and three other cinemas.
Detroit
Directed by Kathryn Bigelow. Written by Mark Boal. Starring John Boyega, Will Poulter, Algee Smith and Jacob Latimore. Now screening at multiple theaters.
Y
ou probably remember the unbearably hot Saturday afternoon in August 2014 when a story popped up on your news feed that an unarmed teenager had been shot by a polic c r r n w rs the story kept getting bigger: the gr wing c mm ni rag im r m r s s an alm s as alarming as s ing i s l fact that the teenager’s body was s ill l ing n rning s r was that last detail that might have l inking r lic trying to start a riot?” O r n rs n ws an in i a l w s an ac k s s c n in an s r risingl w r n’ s c ming in r m l cal m ia death of Michael Brown quickly became a national and eventually in rna i nal s r r m s ng l s w rk in an ranc an n ina w r man rights protesters adopted the an s n’ s c an world was looking down on a place w a r ar r rg s n iss ri Whose Streets? captures the energy and pain of that hot week in August and the months of protest an c n ic a ll w w n san s l in is ar a k s r s an w n
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In Whose Streets?, Brittany Ferrell rallies for justice in Ferguson. | COURTESY OF MAGNOLIA PICTURES those same streets were invaded by tanks and other armored vehicl s r cs incr asing militarization of local municipalities that was (and continues to be) encouraged by the government’s willingness to function as a mili ar l mall Whose Streets? brings the frustration and outrage of that period to life and places the i w r in c n r ac i n A collaboration between aci is filmmak r a aa la an an l cal ar is am n a is i ’s a w r l film an a n c ssar n serving as both a cohesive catalog of the repercussions of Michael Brown’s murder and a document of the grassroots protest movement that spontaneously emerged r m is a s ws a rmath of Brown’s shooting — including the pettiness that moved g rnm n cials limina the memorials created at the scene — but also offers inspiring portraits of some of the activists who were motivated to advocate r s ic s ac i is s incl ri an rr ll a ng singl mother arrested while leading a
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ig wa - l cking r s an ai i w li m rr sc n an s ar wa c which used video to counter police efforts to stop media coverage of r ss la an an a is r c n what these new young activists are thinking and how they made the decision to rise up — an emoi nal c ic n r c r as n filmmak rs n lingering over the bookshelves of ir s c s s wing il s an a rs a ins ir m ings ma a a n as but this was not a movement that cam r m n w r is is als c rs a r c an - l r l i n ichael Brown’s death is shown in fragments of cell-phone video and stunned reactions from the peol rg s n w ic is w most of us learned about it that a r a ar in mi l a m l im ia l si n an i ’s n n ir l cl ar w r i ’s g ing whole world is watching and we’re wa c ing w l w rl we’re a little short on tools to help
us sort out what we’re constantly acc ssing il r ar r as ns to remain skeptical of the utility of the viral video (as Michael Eric s nr c n l in in New York Times w a r c n l seen acquittals in several cases in w ic lic kill narm m n even though the murders were ca r n i an n in n cas carri n ac k i Whose Streets? provides a lesson in the use of video as a poli ical an rnalis ic ins r m n mig in r s ing s a m r anal ical film a ic a l r wn an rg s n wi l gal r s an rnalis s r c mm n a rs s c as aisi a s (whose brilliant book Between the World and Me was written in reac i n gran r ’s cisi n n in ic arr n ils n a ’s a i r n film r a i rn im Whose Streets? is about li ing in ick n ’s n a r ac i n i ’s an ri nc Whose Streets? uses multiple perspectives and on-the-scene footage to turn the 2014 protests
KYLE MOONEY
GREG MATT MICHAELA CLAIRE MARK DANES HAMILL KINNEAR WALSH WATKINS
“ABSURD AND ABSURDLY CHARMING.” –Manohla Dargis, THE NEW YORK TIMES
“A DISARMINGLY SWEET COMEDY.”
–Justin Chang, LOS ANGELES TIMES
STORY BY
KYLE MOONEY SCREENPLAYBY KEVIN COSTELLO & KYLE MOONEY
DIRECTED BY
DAVE MCCARY
WWW.SONYCLASSICS.COM
STARTS FRIDAY, AUGUST 11
ST. LOUIS LANDMARK TIVOLI THEATRE 6350 Delmar Blvd in The Loop (314) 727-7271
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In Detroit, Fred (Jacob Latimore) suffers under the unkind gaze of Krauss (Will Poulter). | ANNAPURNA PICTURES AND FRANCOIS DUHAMEL in an imm rsi n a r n Bigelow tries for a similar feeling in firs min s r s Detroit w ic is as n ri s in a ci ars ag On a s r icial l l s ac i s i irs sc n s in which citizens of Detroit respond to a heavy-handed arrest with vil nc an l ing s an ansi m l i-la r s n rack create a sense of being right in the ick rning s r s they’re all technique and no consi r m an ill s ra r l g laining a w ni century saw blacks moving from ci i s in r followed by a second migration w i s r m ci s r film sn’ m c l audience understand the ‘67 riots from a historical or social perspeci n ac man cisi ns made by Bigelow and screenwriter Mark Boal actually undermine any n rs an ing rama ic c r Detroit is ins ir lgi rs l ncin in w ic r lack nagers were murdered and nine other people were terrorized by city polic an s a r rs ig l w reduces the nightmarish situation a rr r-film si g r l coming not from police brutality or systemic racism but from a pair of out-of-control cops who would
be more comfortable as the murderers in a low-budget remake of In Cold Blood By reducing the conflict to a handful of characters with audience-friendly back stories (the nastier of the two cops is about to be charged with homicide; two of the black teens are aspiring entertainrs n rg ar c r al it softens our interpretation of the s r ’r m an s in s ic i ’s n ca s film r als an ins i i nal aw ’s sim l that characters we’re supposed to lik ar r a n airl ak s c rag mak a film like Detroit l ima l courage of Bigelow and Boal is defeated by a reluctance to show a larg r arg r cing firs a s ri nmotivated acts of vandalism and looting (and not showing any of i s a rma a all nc rage the same narrow point of view a r a l ar r ss by people whose only knowledge rg s n r s s cam from what they saw on the local n ws Detroit tells us (roughly) about something that happened ars sn’ r all ll s w Whose Streets? a m r aring an n s film la s wn i s is rical ackgr n lls viewers in and tells them what’s n g ing n n w
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32
THE ARTS
[ S TA G E ]
The Dearly Departed St. Louis Shakespeare’s Is He Dead? is a goofy good time Written by
SARAH FENSKE Is He Dead?
Directed by Edward Coffield. Written by Mark Twain and adapted by David Ives. Presented by St. Louis Shakespeare through August 13 at the Ivory Theatre (7620 Michigan Avenue; www.stlshakespeare.org). Tickets are $18 to $20.
O
f all the great scenes in The Adventures of Tom Sawyer, my favorite is the one where Tom and Huck crash their own funerals. I will admit to being envious. What fun it would be to see our actions interpreted, for once, in the generous light granted by a tragic death. And who wouldn’t secretly enjoy seeing their loved ones blubber over their absence — without the sad reality of never getting to see them again? A fake death is surely the best kind of death. Two decades after Mark Twain brought that idea to life in his 1876 novel, he made it the center of a play, Is He Dead? His young hero, Jean-François Millet, is a talented artist who can’t manage to sell a painting. With a usurious lender demanding repayment, Millet’s friends realize he would be worth far more dead than alive. They stage his death — and build his l g n r fi s accr s as they’d planned. But what they haven’t planned for is the impact of Millet’s “widowed sister,” Daisy. Nearly everyone who meets the eccentric widow falls madly in love with her. Of course Daisy is just Millet in a dress, there to supervise his affairs and rak in is r fi s i ’s n as being a gal, even a homely one, and poor Daisy/Millet is soon fending off suitors even while staying one step ahead of the law. If the plot sounds vaguely stu-
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Nicole Angeli (left) and Jennifer Quinn (right) are intrigued by Daisy (Zac McMillan), who bears a certain resemblance to her dead brother. | RON JAMES pid, it is. Twain’s script — never produced in his day, and only happened upon by a scholar nearly 100 years later — was touched up by playwright David Ives before its 2007 Broadway debut. The result is a setup that feels straight out of a goofy 1970s sitcom, complete with a bunch of silly boob jokes and zany supporting characters. Dutchy, the fat German, loves smelly cheese. O’ a g n ss ris is fill wi blarney. Madames Caron and Bathilde are two drunk landladies with over-the-top French accents. Can humor this broad really connect with an audience in 2017? As it turns out, the answer is yes. In St. Louis Shakespeare’s current production, which opened at the Ivory Theatre last weekend, Is He Dead? never feels essential. But it is a rollicking good time. Give the play a few minutes to warm up and yourself enough time to shake free
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from your postmodern snobbishn ss an ma n fin rself laughing out loud. The direction, by Edward Coffi l la s arcical illain Andre (a hilarious Ben Ritchie) even g s is wn m sical ris r time he enters — signaling that it’s OK to treat this as one big joke. The s r ws a im s wi ac rs almost like a Marx Brothers’ movie, an l s s a s ling to great effect. His young actors skid around the stage, careen into each other and even jump over the furniture. It’s all very funny, something like a particularly good episode of Friends, with a bunch of fake accents thrown in for good measure. Like Friends, it only works because the cast is so winning. As Millet’s tippling landladies, Nicole Angeli and Jennifer Quinn are unbelievably funny, while Molly
McCaskill, as Millet’s long-suffering gal pal, makes a lovely ingenue. And as Millet, Zac McMillan has a touch of Jack Lemmon. He makes a decent enough romantic hero, but in drag, he’s so charming, you start to suspect something has been liberated in the inhabiting of his al r- g fin rs l r ing r ais fin a in ss A man in a dress, of course, is the oldest of shopworn plot devices. But the nice thing about having an author as astute as Twain m l ing i is a fin s a i truth along with the old jokes. It’s not just that corsets are uncomfortable or that smoking cigars is suddenly verboten. Poor Daisy has to fig s ral m n wi misc i on their mind, and even a jealous girlfriend certain the widow has stolen her man. Being fake dead is easy. Being a woman? Dear God, who’d ever choose it? n
DID YOU KNOW:
1.3 MILLION PEOPLE READ
Henry Ford (Jason Meyers) and Coalhouse (Omega Jones) sing about achieving success by never giving up. | JOHN LAMB [ S TA G E ]
America Singing Set a century ago, Stray Dog’s glorious Ragtime remains contemporary and vital Written by
PAUL FRISWOLD Ragtime
Book by Terrence McNally, music by Stephen Flaherty and lyrics by Lynn Ahrens. Based on the novel by E. L. Doctorow. Directed by Justin Been. Presented by Stray Dog Theatre through August 19 at the Tower Grove Abbey (2336 Tennessee Avenue; www. straydogtheatre.org). Tickets are $20 to $25.
G
eorge Santayana’s most wellknown aphorism about the lessons of history — “Those who cannot remember the past are condemned to repeat it” — gets a lot of play these days, but only because we as a species keep bungling into the same wars, the same brutality and the same horrible outcomes. What good is a ing w rl a r fing r i s
if everything contained within it is a miserable replay of last century’s atrocities, each one a new and yet recurring nightmare? That is when art proves its worth. Recreating the troubles of the real world within the constraints and restrictions of a novel, play or opera allows us to recognize mistakes and lapses in judgment as they’re being made, rather than seeing them only in retrospect. The artificiali is a l ns a all ws s see clearly things for what they are. Santayana has a quote for that as well: “The truth is cruel, but it can be loved, and it makes free those who have loved it.” Which brings us to Ragtime. Stray Dog Theatre’s current production of the musical adaptation of E.L. Doctorow’s novel about early-twentieth-century America is sharp, focused, relentlessly cruel and, yes, entirely lovable truth. Director Justin Been and his 26-person strong cast (the largest in Stray Dog’s history) have combined forces to show us America in all her glory and woe. It is a story as sprawling as the country it depicts, and just like America, it will break you and it will set you free. The plot wends through the lives of three families: an established and prosperous white family, an immigrant Jew and his young daughter attempting to start over,
and a black couple who dream of their infant son one day being fully integrated into America. Their lives converge and separate in cyclical fashion, occasionally intercepting the trajectory of the famous (Houdini, Booker T. Washington) or the infamous (Evelyn Nesbit, Emma Goldman). As the Jewish father and daughter, Jeffrey M. Wright and Avery Smith arrive with high hopes that are soon dashed by life in a tenement and America’s disdain for foreigners (a recurring illness in this country). Wright is one of the strongest singers in St. Louis, but on Saturday night he was undone by a microphone on the fritz — one more indignity for Tateh to weather before ascending to the peak of society. Mother (Kay Love) and her family are already ensconced in the society’s upper echelons, immune from toil or disappointment. But when s fin s an in an lack in r garden, she awakens to the fact that others struggle to get by. Free from the control of her husband (Phil Leveling), she makes a spontaneous decision to take responsibility for the child and his mother, Sarah (Evan Addams). Mother discovers she likes making her own decisions, and she soon indulges in the practice like an old pro. When Coalhouse Continued on pg 34 riverfronttimes.com
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NOW HIRING PART-TIME GRAPHIC DESIGNER The Graphic Designer will work with the Production Manager to maintain and design all marketing collateral for print and web material for the weekly paper as well as, quarterly issues and RFT Sponsored Events.
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Proficiency in Adobe Platform Excellent advertisement design/production skills Experience in layout designs Have understanding of print and digital design 1 year of experience related to the field Ability to work quickly on tight deadlines Take initiative and work independently
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Mother (Kay Love) lets Sarah (Evan Addams) and her son into her life. | JOHN LAMB
RAGTIME Continued from pg 33 Walker Jr. (Omega Jones) shows up at her door to see his gal Sarah, she welcomes him into her home too. This sets off a string of fractures, calamities and bloodshed within both families. It always ends in blood in America. Jones has shone in a handful of local supporting roles, but here he dominates Ragtime with his charisma, his big, rich voice and his acting technique. Coalhouse is a ragtime pianist, and he plays Mother’s piano while waiting for Sarah to forgive him. This turns into “New Music,” a song about the changes occurring in both music and in white and black families. Father is against having “this negro” in his house, but Mother and her Younger Brother find joy in Coalhouse’s playing — and so does a surprised Sarah. Jones is such an engaging and talented performer that Father seems willfully stupid for shutting himself off. As amazing as “New Music” is, it’s not the song that ultimately sticks
with you. That would be “Till We Reach That Day,” which follows the murder of Sarah. After she’s beaten to death by the police (one of them yells “I thought she had a gun,” as they slink off stage, unpunished and anonymous), Coalhouse and the black cast members bury her. Director Been places Ebony Easter, Melissa Sharon Harris, Dorrian Neymour and Chrissie Watkins on r in r n s ag w r they sing of blood on the ground and their hope that one day the humanity of black people will be recognized. There are tears in their eyes and rage in their voices, yet of the white cast, only Mother and the radical anarchist Emma Goldman (Laura Kyro) join in their plea. Ragtime the novel debuted in 1975, and the musical in 1996. Twenty-one years later, women still sing this song over the bodies of their children. More violence follows “Till We Reach That Day,” sn ng ssi l r s the lasting image of Ragtime is of six women prophesying that we will never get to heaven until we change our ways. n
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Slices of Humble Pie’s margherita, “Hercules,” “Vegan Bánh Mì” and “Humble Garden” pies share a plate with ratatouille salad. | MABEL SUEN
[REVIEW]
Pizza Time The owners of Fozzie’s pivot from sandwiches to pizza, with delicious results Written by
CHERYL BAEHR Humble Pie
9783 Clayton Road, Ladue; 314-997-7070. Mon.-Sun. 4-9 p.m.
T
here are two sides to Humble i i rall firs gr s imm ia l n lling off Clayton Road and into a s ri mall arking l r a a a ain r-
s l c ag m la n wi r s a ran ’s l g ck ns al ng wi wr g -ir n r a l s wi r s -c l w rs lan rs r wing wi rs an ma s c ra ai an win w s s illing r s herbs over their sides line both sides of what looks to be the front door. n’ r s ing n i g r is c arming sc n rns m r l a s ag n the actual restaurant. The real action takes place just around c rn r ns a s ing r g s a r n rs a ac arking l g ss must walk around the side of the il ing an r g an all wa a irk s a ’s a s ig il ing’s las cc an i a r rwa ns a s i l n m c larg r an an airplane bathroom. A small order
counter and a soda cooler take up the entirety of the real estate. The nl ar a in in as i rns is n a a i r s an ing n a l g in all Contrasted with the initial im r ssi n sc n r is ark r an slig l clan s in gi s m l i a s r s ak as l w ic w l n r rig a i nc n ar a g i ’s m r a gam l r iring a l restaurateur to embrace such a c all nging s r na l r m l i i has two of them — Jess and Mark cas w k r rm r - s ac is as c m r The husband and wife team has enjoyed national acclaim for their l l nc c n r i ’s an wic m ri m an ci r ir an a i a a r ing a r ac - ’s c riverfronttimes.com
wn r n ic las ar g iming wasn’ i rig r cas s c l n’ l in rig i a s ciall c nsi ring a ark cas g is s ar in ig sc l a a i ria ark cas as c m a l ng wa sinc is a s slinging i s as a nag r ’s gra a r m c linar sc l w rk a an impressive array of upscale restaurants around town and n c n s a ic lin-s arr r s a ran in lgi m as a rm r employer. And now he can add to that roster m l i w ic is a w lc m addition to St. Louis’ expansive i a sc n s a i ’s ’s ak n is ackgr n an a li it to a more casual model without m ing ings wn ll g s ar ma ins in a clima c n r ll g r m ingr i n s Continued on pg 40
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17258 CHESTERFIELD AIRPORT RD. • CHESTERFIELD, MO 63005 • (636) 536-2739 • ROCKANDBREWS.COM 38
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TAI KE
St. Louis’ ONLY Taiwanese Restaurant! LUNCH & DINNER TUES-SUN
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HUMBLE PIE Continued from pg 37 are sourced locally and sauces are ma r m scra c s as ’ c r mam r rmal si down operation. The Lucases toiled for months r ing r c ir g r ci an ir r s r s l in w i a styles that are as different as the two sides of the restaurant. The firs is an l ra- in r n -s a crust that makes Imo’s look hefty; s c n is a ick r c ang lar icilian-in nc r i -s l pie akin to focaccia. Both styles are available as the base of a variety of signa r i as i r n i as w rk r wi i r n cr s s incl ing arg ri a a ra i i nal r ara i n an ar an ma sa c r s m ar lla an asil ns r r is l arg ri a is a lig i s caccia-lik cr s s r ing as a l c a l s ng r s aking rig sa c an m l n c s On a in cr s w r sam ings cam acr ss as salty and muddled. The thin crust worked well r g a r iforward pie that pairs Granny Smith apples with dates and a ri l fig alsamic ic ri c s gi s i a an ar nk an r s ar g la garnis a r i c m s n infuses it with pepper. It’s a lovely airing sw an sa r a evokes brie baked en croute. I expected the thin crust to be ragil r r ss ls n in was l asan l surprised by how well it held up g n r s ing s a r ss ls s r s ll rs onions and bacon. Smoked m ar lla in s i a’s ma sa c as wi a r
at e r G
That only looks like an entrance — but at least it’s a good place to enjoy the Humble Pie’s offerings on a nice day. | MABEL SUEN I opted for the thick crust on rc l s a r k-ins ir i wi g r m a a ma s li an r ncini was l asan n g i a i r s gar -sw ni ns ma an c n ras n is sw sa r la all ing n r s a ran ’s garlic fing rs asicall a in-cr s sa c - r c s i a a as s lik i ’s n ri l wi sim l s r m l i ’s a a w rks w ll n ick r cr s ra s r ing as a firm r as r the carnivorous feast of Polish
s! e c i Pr
sa sag m a alls r ni am an ac n g scri i n s gg s s ’ll cl c ing r ar a r a ing is m ns r i i wasn’ a all gr as r rw lming ar call i alanc sm k ac n s ic r ni garlick sa sag an mami- ill m a alls somehow didn’t overwhelm — ins a ac r a s l flavor difference that made this an enjoyable experience. I was equally impressed with the n i a la n s i sa l gain s l c
the thicker crust and was pleased with the results. Meatballs and spicy cheese sauce are balanced wi r s s inac larg slic s nn l an r ni ns an marina ma s gain r a is a c l a g n a a ii n s r s ingr i n s ma r a s r risingl lig rling m a i n a g ing c nsi ring c l n’ stop at one slice. m l i ’s gan n i a ll m is m a liss is is n ring
Fresh fish flown in every Friday & Saturday
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314.781.2345 | Big Bend and 40 in Richmond Heights 40
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Locally Owned Since 1979
La Vallesana CHEROKEE STREET’S ORIGINAL DESTINATION FOR TACOS AND ICE CREAM TWO L AR GE PATIOS • INDOOR & PATIO B AR HAP P Y HOUR 2-6P M MON-THUR S
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Pies serve one to two guests and include flavors such as blueberry lemon and vegan Mexican chocolate. | MABEL SUEN
HUMBLE PIE Continued from pg 40 w r ’ s gg s in cr s so as to mimic the crunch of crusty i nam s r a r ar in a s l i is s cking w m c is as s lik an ac al n m an a w ll- r ar n a a c n an srirac a- rais kimc i ala n slic s an c c n -mang srirac a sa c ring a s aring a g ickl r ni ns cilan r carrots and radish provide some c ling r li l wi sal cr nc an s a rs
ar s w r l can’ s n ing is n n as a s of sweat form on your brow. g m l i ’s m n is anc r i s i as restaurant offers a handful of a i rs incl ing s an ing m a alls s r in ang r sa c as w ll as s ral sala c ic s a ing n r a a l’s am s ala n m lang ic ca li w r gr n rs carr s c ick n ar - il gg an ill r ssing be the sort of chicken salad you’d fin in a sc k k ass m
l
alis s l ng-s r ali i r n ig r r s a ran a gi s i i s nam will sa isfi r rr ra a ill w ic impressed with its mix of fresh an grill g a l s ca wi cris ri ni ns as i r -a- ir w ic marri mi gr ns wi r s - r m-gar n min cilan r asil an arsl as w ll as m kin a an s n l w r s s an ri cherries. The layers of texture and r ac s n s mig mak think you are at a specialty salad
s ra r an a ak i a spot. n k ing wi m Humble Pie serves a handful of in i i all -si ss r i s (The menu says they serve one to w l w is s aring s w n r l ak c nc c i ns are the handiwork of Dottie il rman an ss cas w operate under the name Dottie’s Flour Shop. Options include an excellent blueberry and lemon an i as w ll as cas’ slig l s ic gan ican c c la w ic will mak rg ’ eschewed the dairy. The pair are alr a s lling ir war s in a l cal coffee shop as well as at Humble i an ir al n r as ri s s gg s s w will aring m r from them in the future. rn w g m l i is the place to taste their wares — even if it means a bit of a wait. nsci sl cking r c n as -cas al i a r n in w ic g al as n g lks c a l wi in min s m l i ak s a w il a l ng w il ick im s r n rmal-si orders on both of my visits ran 45 min s s k in min a is is n a gra -an -g ra i n despite what its carryout aesthetic s gg s s s s ar a is order before they pick up (delivery is a aila l as w ll r r ar g c m n a c ai But it’s fine. Whether you’re m ling ar n in s arc r n r r la ing awa in a a i c air wai ing r rs ranc is k Onc g r r r m l i r s i ’s n worth the effort. Humble Pie
Meatballs ...................................... $9.50 “Vegan Bánh Mì,” small, thin crust................................$7 “Fundido,” half-pan thick crust ..........$8
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CEVICHE AND CRAB LEGS 42
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2727 S. 12TH STREET • ST. LOUIS, MO 63118 • (314) 772-1180
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CHAPARRITOSSTL.COM 44
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SHORT ORDERS
45
[SIDE DISH]
From Passing the Bar to Tending It Written by
CHERYL BAEHR
T
ravis Hebrank of Polite Society (1923 Park Avenue, 314325-2553) was on the brink of law school graduation, set to follow in the footsteps of his father and sister, who are both attorneys, when he made an abrupt change of course. “I was good at it, but I knew I never had a passion for it,” Hebrank says of becoming a lawyer. “I think a lot of people don’t realize their passion until it is too late, and fig r a i was s im to make a stupid mistake, if that’s what this was going to become. So I broached the subject of not becoming a lawyer. My parents reacted as well as they could have.” Mom and Dad may not have been immediately thrilled with Hebrank’s decision, but they certainly saw it coming — and maybe even bore some responsibility for his subsequent turn to the hospitality industry. Hailing from southern Illinois, the Hebrank family made it a priority to dine out together regularly at some of the area’s better restaurants. The experience instilled in Hebrank a precocious appreciation for gastronomy that would sometimes become the butt of his family’s jokes. “When I was five or six, my grandma gave me a taste of escargot, thinking I’d think it was disgusting. I loved it,” Hebrank recalls. “When I was eight or nine, I remember going to a country club in Edwardsville with my mom, dad and a friend of mine. It’s been told how funny it was that my friend ordered a hot dog and I ordered escargot.” Hebrank gravitated toward wine when he was in high school and into college, but he didn’t get his
Travis Hebrank was a law school student who felt the siren call of wine. Eventually, he listened. | SARA BANNOURA firs r s a ran n il was a second-year law student at Saint Louis University. While dining with his family at Scape in the Central West End, Hebrank discovered that he knew one of the restaurant’s managers, and later emailed her about a job. Initially hired as a server assistant, he quickly rose through the ranks, gaining management’s trust as he took on responsibilities with the wine list. Eventually, Hebrank was promoted to management and became Scape’s wine buyer, where he continued to develop his knowledge of wine and spirits and seek out interesting bottles. Not long after his promotion, Jonathan Schoen started as the general manager, and he and Hebrank connected over a shared vision of hospitality. When Schoen left to develop what would become Polite Society, he had no doubt that Hebrank should run the restaurant’s bar program. These days, Hebrank is busy tending bar at the Lafayette Square hotspot, serving thoughtful drinks and interesting glass pours to thirsty patrons. But it’s not lost on him just how close he was to work-
ing at a different kind of bar — one his parents made him pursue even as he insisted that the restaurant industry was his calling. “They still told me I should take the bar an finis sc l r rwis i would be a waste,” Hebrank says. “I agreed with them and passed it, but to their credit, they saw in me that I knew what I was talking about and how rare it is for someone to really like something and to get an opportunity to make money doing it.” Hebrank took a break from Polite Society’s bar to share his thoughts on the St. Louis restaurant industry, the virtues of x-ray vision and why a little bit of effort can make life so much better. What is one thing people don’t know about you that you wish they did? I only seem like a horribly abrasive person because I’m a bad actor. What daily ritual is non-negotiable for you? I usually shower. Usually. Routine isn’t my thing. If you could have any superpower, what would it be? riverfronttimes.com
X-ray vision. For… science. What is the most positive trend in food, beer, wine or cocktails that you’ve noticed in St. Louis over the past year? Effort. People are learning more. And learning is a good thing on its own, but it’s also pretty cool when people learn to make their lives better. You have to have heard of black cardamom to be able to use it. If you don’t dig deep, you can miss out on some amazing things, and your food or art or whatever will be that much more boring because you didn’t put in the effort fin s n w ingr i n s r techniques. What is one thing missing or that you’d like to see in the local food and beverage scene? Late night. In Dublin, you could get a doner kebab at any time of day. In New York, you can get hot dogs or pizza or anything really. Here it’s fast food. Who is your St. Louis food or drink crush? I think the cocktail program at Retreat is phenomenal: Tim, good work, buddy. Mikey, your food is Continued on pg 47
AUGUST 9-15, 2017 RIVERFRONT TIMES
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Authentic Hong Kong Style Cuisine
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TRAVIS HEBRANK Continued from pg 45 OK too, I guess… Piss off, Grant. I think Reeds is awesome — food, beverage, and people: Alisha, Andre, Zac et al. And one that I feel gets WAY too little recognition is Elliot Harris at BaiKu Sushi Lounge, the best sushi chef in wn s l s fis on rice, maybe some chives on their mackerel. Elliot always has something new for me to try. You can tell he cares. I also have to mention Little Saigon in the Central West End. It may be the most hospitable and solidly consistent restaurant in the city. (This is not an exhaustive list.) Which ingredient is most representative of your personality? Gin, because at heart, I am bland and uninteresting, but I am dressed up with herbs and spices and Christmas tree smell. If you were not tending bar, what would you be doing? I guess I’d be a lawyer, or something … put that schooling to work. I can’t be an astronaut; they don’t allow four-eyed assholes into rockets — at least in the U.S. Name an ingredient never allowed behind your bar. Human. I’m adventurous, but you shouldn’t eat humans. Although... What is your after-work hangout? Usually my couch. My cat, Federica, yells at me until I feed her. Then I eat a little too. We cuddle. That’s about it. I work too much to go get trashed at Mangia. What’s your edible guilty pleasure? am a firm li r in k c Chefs always make a stink about ketchup. They’re wrong. It’s sweet and salt and vinegar and tomato-umami. “But it’s boring!” So is water, but you still use that, ya crackpot. If I had to choose between a well-prepared béarnaise or ketchup for the rest of my life, I would choose ketchup. What would be your last meal on earth? Probably something really bad for me because I’m going to be dead anyway, so lots of anchovies and mackerel and other pickled salty things. And probably some bacon. Wait. “Last meal on earth”… Does this imply that I’m going to some other planet? Do you guys know something I n don’t?
Chef Yijun Chef, left, and partner Yong Liu are serving bing (top left) and tasty Japanese-style skewers, too (bottom left). | SARAH FENSKE [FIRST LOOK]
New in the Lou: Bing Written by
SARAH FENSKE
T
he newest restaurant to open in the Loop, Bing Bing (567A Melville Avenue, University City; 314-669-9229), has done zero advertising. It doesn’t have a sign out front. And even if it did, it’s hard to imagine anyone would see it — its small storefront, previously home to Moya Grill, is just far enough from the bustle of Delmar miss n s rian ra c But clearly, partners Yong Liu and Yijun Chen are doing something right: At lunch time, the place has been packed, with a host of Chinese students eager for a taste of home. Bing Bing is unique in the St. Louis area in that it offers crepes — savory Shanghai-style crepes, stuffed with everything from fried fish to barbecue pork. In China,
they are called jianbing, or bing for short, and they have recently taken the U.S. by storm. Specialty bing restaurants have popped up in New York, San Francisco and Portland, Oregon. In fact, that profusion has already affected Bing Bing. Liu and Chen rin ir firs s m n s wi a different restaurant name, Mr. Bing, before realizing they needed to avoid confusion with the shop of the same name in New York City. But for ex-pats eager for a taste of home, word of their concept has spread quickly. “All the Chinese, they’ve been really excited,” Liu says. Still, he’s not getting ahead of himself: “It’s a new thing in St. Louis, so a lot of people might not even try it.” After just a few weeks of business, he and Chen are almost done with a new menu that will increase the number of non-bing options — in addition to the half-dozen appetizers on the menu, you’ll be able to order Japanese-style skewers and four different types of soup. The restaurateurs have both been in the area for more than a decade. Liu, who also works as a hairstylist, came with his family from riverfronttimes.com
the Hong Kong area. Chen, whose family owns a Chinese restaurant in Fenton, is from Shanghai. i sa s firs as ing n a recent trip to Shanghai and was blown away. He’s in charge of the front of the house; Chen, who serves as the restaurant’s chef, has a longer history with bing. “He’s eaten them since he was a child,” Liu says. In addition to a series of appetizers, Bing Bing offers creative beverages, including Aurora tea a c m s r m r a w r r ic rinks c m with two colors; customers are instructed to give the sealed glass a few good shakes to mix things up. Or you can try salted lemon tea or Thai tea, served in a charming lightbulb-shaped vessel. The place is largely unchanged since its days as Moya, with a clean, stylish look and counter service. The striking murals on the wall suggesting Ethiopian women, however, have now been joined by a maneki neko cat on the counter. Diners excited about the neighborhood’s new restaurant should cross their fing rs a i will ring g l ck Bing Bing is open seven days a week from 11 a.m. to 9 p.m. n
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[FOOD NEWS]
EXIT STAGE LEFT
S
WINNER RFT FAVORITE IRISH/ENGLISH/SCOTTISH 2006-2016 OPEN 7 DAYS A WEEK LUNCH & DINNER FULL MENU AVAILABLE UNTIL MIDNIGHT FRI & SAT
SAT & SUN BRUNCH 10-3PM ENDLESS MIMOSAS BLOODY MARY BAR
Erika Wilkes: “You can get a kid to eat almost anything on a stick.” | TAYLOR VINSON
[FIRST LOOK]
PHOTO BY ED ALLER
8 S . SARAH ST REE T, ST. LOUIS 31 4-535-0551 WWW.THESCOTTISH A R MS.COM
Stix & Ice: A Hangout Spot in North County Written by
TAYLOR VINSON
S L O C A L B R E W S O N TA P • CO C K TA I L S PAT I O • F R E E P O O L • J U K E B O X OPEN MIC & TRIVIA NIGHTS
4123 Chippewa • St. Louis, MO 63116 •(314) 899-9343 / R Y D E R S TAV E R N S T L
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tix & Ice (35 Florissant Oaks Shopping Center, Florissant), which opened in late May in Florissant, is a bar, family restaurant and a hang-out spot like no other. Its specialties: kabobs and daiquiris. Owner Erika Wilkes is a marketing, business and technology teacher at Jennings Senior High by day. She says the inspiration is simple: “We found that you can get a kid to eat almost anything on a stick. That’s where the name came from.” The restaurant’s origins lie in the role that Wilkes’ home plays as the “neighborhood house,” the spot where kids come to eat and play while the adults talk with a spiked lemonade in hand. Stix and Ice aims to be a place where anyone can come to eat, have a drink, listen to the music they like, take pictures in the photo booth and smoke hookah, all under one roof. The place offers house-made kabobs, with two skewers over a bed of seasoned rice for $8. Choose between chicken, shrimp, beef and/or veggies. Specialty kabobs, like the customer a ri ick n an a s w ic
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comes drizzled with syrup, are $9. The daiquiri menu consists of drinks such as “the Atomic” (grape, rum, tequila, vodka), “the Royal Hulk” (sour apple, apple whiskey with Crown Apple) and “the Angry Smurf” (blueberry, vodka). Non-alcolic a rs ar a aila l a shot to your daiquiri, known as a “topper,” to get the full effect. Drinks are $8 for a small or $10 for a larger size. The customer service is the cherry on top. Erika Wilkes considers Stix & Ice “a Wilkes family-run business,” and makes sure to help everyone feel at home. She often comes out of the kitchen to speak directly with guests about their experience and how the restaurant can work to make things better. Customers have even helped add to the menu. “We had someone that created a drink,” she says. “They wanted every single flavor in one cup. We said OK.” Now that drink is called “the Rainbow.” The space, which is located in the Florissant Oaks Shopping Center strip off Lindbergh, is a warm and inviting atmosphere with large windows and a spacious layout. Stix & Ice is open for lunch noon to 11 p.m. Tuesday through Thursday, noon to 1 a.m. Friday and Saturday and noon to 10 p.m. on Sunday. After 9 p.m., it’s adults only. Happy hour, held from 5 to 7 p.m., includes $4 mini kabobs and all drinks and spirits $1 off, as well as two-for-one well drinks. Stix and Ice also offers a loyalty card, with which customers receive a free daiquiri after six purchased ones. Says Wilkes, “This is your spot. It’s what you make it. You can change the jukebox station. You can skip ahead if you don’t like what’s on.” It’s truly her goal to make everyone feel like Stix & Ice is their ultimate chill spot.
tage Left Diner (541 N. Grand Boulevard, 314-5337500) has taken its final bow. Located next to the Fox Theatre, the bright faux-diner had been a regular stop for theater-goers in Grand Center for years, first as City Diner, then as Stage Left Diner. But on July 31, the restaurant said goodbye, effective immediately. A Facebook post gave no reason for the closure, stating only, “We are grateful for the support of our patrons, but today Stage Left Diner has closed its doors for the final time.” As RFT critic Cheryl Baehr reported, the restaurant’s September 2016 reboot was an attempt to solve some problems with City Diner, the second outpost of a concept with separate ownership on South Grand: [C]onsultant Brad Beracha ... told me that owner Steve Smith had opted for a new concept because the old City Diner had earned poor marks from its customers and lost the confidence of the neighborhood. Smith called upon Beracha to reimagine the greasy spoon as an elevated comfort food spot. One of the biggest complaints about the previous incarnation, Beracha explained, was the service. He and Smith made improving the restaurant’s hospitality the focal point of the rebrand, instilling a cultural change in the staff to try to win back displeased guests. Baehr, for one, wasn’t won over. She called the eatery’s appearance “stunning,” but said the menu overhaul left much to be desired, writing, “[T]here wasn’t much about the food at Stage Left Diner that left me with a pleasant taste in my mouth. And that’s a shame that goes far beyond the effort its owners put into the reboot. “Grand Center is a prominent jewel in this city’s crown, and the Fox Theatre is a national treasure,” she continued. “Restaurants catering to this crowd should see it as an opportunity to raise their culinary offerings to the level such a theater district deserves, not phone it in because they have a captive audience. We deserve better. The Fox deserves better.” No word yet on what will come next for the space. -Sarah Fenske
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BLUE CRAB
CAJUN • LEMON PEPPER GARLIC • THE WHOLE SHA-BANG!
how spicy?
PLAIN & SIMPLE • JUST A KICK IT’S GETTIN’ HOT IN HERE I CAN’T FEEL MY MOUTH
20 SOUTH20BELT | |BELLEVILLE, | 618.257.9000 SOUTHWEST BELT WEST BELLEVILLE, IL |IL618.257.9000 www.beastcraftbbq.com www.beastcraftbbq.com
OPEN WEEKDAYS AT 3PM, WEEKENDS AT NOON • 8080 OLIV E BLVD. • 314-801-8698 riverfronttimes.com
20 SOUTH BELT WEST | BELLEVILLE, IL | 618.257.9000 www.beastcraftbbq.com
SNOW CRAB LEGS
AUGUST 9-15, 2017 RIVERFRONT TIMES
49
®
SAT. 9/30
ON SALE 08.09
ON SALE FRI. AT 10AM
SAT. 10/21
THU. 11/16
ON SALE FRI. AT 10AM
SATURDAY 8/12
TUESDAY 8/15
SUNDAY 8/19
TUESDAY 8/22
SUNDAY 8/26
TUESDAY 8/29
FRIDAY 9/1 & SATURDAY 9/2
SUNDAY 9/10
MONDAY 9/11
UPCOMING SHOWS 10/4 ANGEL OLSEN
9/11 THE MOUNTAIN GOATS AT THE SHELDON CONCERT HALL
10/5 UP AND VANISHED LIVE
9/12 SEU JORGE
10/7 THIEVERY CORPORATION
9/16 MIKE BIRBIGLIA
10/7 THE AVETT BROTHERS AT CHAIFETZ ARENA
9/18 APOCALYPTICA
10/8 CAT VIDEOS LIVE!
9/19 JONNY LANG
10/10 MILKY CHANCE
9/23 USO RED ROCK & BLUE WITH THE REVIVIALISTS
10/12 THE HEAD AND THE HEART
9/24 BROKEN SOCIAL SCENE
10/13 ANDY MINEO
9/25 RHIANNON GIDDENS
10/14 KREWELLA
9/26 TWO DOOR CINEMA CLUB
10/15 AL STEWART/YEAR OF THE CAT SHOW
9/27 LEROY SANCHEZ AT OFF BROADWAY
10/17 WHITNEY CUMMINGS
10/3 SCREAMING FEMALES AT OFF BROADWAY
10/19 JON BELLION
visit us online for complete show information facebook.com/ThePageantSTL
@ThePageantSTL
thepageantstl.tumblr.com
thepageant.com // 6161 delmar blvd. / St. Louis, MO 63112 // 314.726.6161
50
RIVERFRONT TIMES
AUGUST 9-15, 2017
riverfronttimes.com
MUSIC
51
[PREVIEW]
The Blue Lotus Position A south city label and studio brings St. Louis soul to life Written by
ROY KASTEN Blue Lotus Label Revue 8 p.m. Saturday, August 12. Off Broadway, 3509 Lemp Avenue. $10. 314-498-6989.
D
own in the Blue Lotus Studio, located in a handsomely refinis as m n in a s city ranch house, a musician noodles away on a Wurlitzer l c ric ian a i ’s an r tha Franklin or Ray Charles riff, r ma i ’s s m ing ’s c m up with on the spot. Music memra ilia c rs r inc walls and a drum kit sits at the r a as rk ar s an am s ’s a small cr w man ca s fin r li racking an i ’s c m nlik l si s m c i nal l s an m ricana r c r ings m sician si ing a k ar n acks n is n under-appreciated, world-class talents that Blue Lotus has taken unr i s wing a l i a s s i an r c r la l’s wn r is a m l i-ins r m n alis s ngwri r an s l - a g ngin r Blue Lotus, he has recorded tracks r is l s ci ’s r c n m gr wn an l gi s n in an a ir c mpleted this year) and realized the firs al m riginal ma rial ran s lman lan ns n Imagine This la l’s ina g ral r l as is ar acks n’s r firs al m 1963 m rg wi a sound like few other releases on c n m rar l s an s l sc n r c r ings all a an in is a l s c arac r yet they also feel utterly contemporar s aking ir c l i al-
Paul Niehaus IV is the driving force behind St. Louis’ Blue Lotus record label. | DAN COSTELLO i
is s r is s n g al is mak as m c m sic an g i w rl as ssi l i a s sa s ’ n r c r ing r ars i ak s a w il ’ il g skills an ar s an ngin r ma n alwa s agr wi cisi ns a are made after the record comes r nning a r c r la l an ing r c r ings g w rk l ng- rm an a m r c nr l r w m sic is r s n a c n r l a r s i a s and the artists he works with the freedom to make records they othrwis mig n ar imagin ns n’s al m s n s lik a l s a - l classic wi singr’s w a r ins inc i ic s rming r g riginal s ngs all arrang wi ins ira i n an gri n r isn’ a r c gni a l c r n n al m an ins ir c ic r an ar is w lik is la lma acks n as l ng ma is nam an li ing li ring is l s a ar-g rs ar acc s m
aring i nc s ar wan ing ar r riginal s ngs an m r kn w a riginal m sic, the more they want to hear i acks n sa s n is r c r l sai a ain’ wa sing a ain’ r s l ’ kn w wan i rn an was w acks n as a a l ng n r-ra ar car r in is gr w in r i g r c s sang in c rc an as a nag r rs a is mother, who worked with Ike an ina rn r sign apers that would allow him to tour i lin’ irc i wi lik s k i n g m r an r rm wi s l i a ar ara Carr. ’ a a n s a s an pretend I was much older than I was la g s g a g c l n’ g ri i sacrific a l r marriag s kn w ri r r l as 1963 acks n’s nl r c r ing was singl riverfronttimes.com
ig ll in w ic cam a a ri r rn l s in cc r ing acks n la l c r s as n r ai im an r al i s an as i ll wing in s r ri scri c ang is nam n r c r an acks n ar w a mak s l tus enterprise different is the trust, cr a i an c mm rcial a i a s as il wi ar is s On ing a a l is is w r is is n acks n sa s i n’ r s l ca s all ri - s c l n’ a m r w a a l as n r ain’ n ls l king r ar is s lik m ns ir s cc ss ns n’s r l as acks n s g i a s an l s gi is wn s ngs a s O r s an a fi m n s w gan wri ing g r wi i a s larg l cr a ing ri s an m l i s an acks n c m sing l rics a r w r m is an s foundation and also tapped into Continued on pg 55
AUGUST 9-15, 2017 RIVERFRONT TIMES
51
c o n c e r t c a l e n d a r
SAT AUG 12
THEGROVE
THU AUG 17
Chali 2na & Krafty Kuts w/ DJ Mahf, & Vthom
ALL ROADS LEAD TO SIAM
SAT AUG 26
DIVORCEE WEDNESDAY’S
The Werks + Aaron Kamm
SEE BARTENDER FOR SCANDALOUS DRINK SPECIALS
& The One Drops
FRI SEP 1
SIAMSTL
SIAM_STL
SIAMSTL
4121 MANCHESTER AVE. | WED-SUNDAY 9PM TO 3AM
YOUR SANDWICH PUB IN THE GROVE
SAT SEP 2
SUN OCT 1 CALIFORNIA HONEYDROPS
CLASSES. SHOWS. FOOD. BAR.
WED OCT 11 HORSESHOES & HAND GRENADES
20 BEERS ON TAP PLUS A ROTATING SELECTION OF BOTTLES & CANS
+ KITCHEN DWELLERS 3960 CHOUTEAU | THEIMPROVSHOP.COM
for more information and to purchase tickets:
OPEN FOR LUNCH AT 11AM SAMMIES TILL 2:30AM
bootlegstl.com 4140 manchester AVe. stl, mo 63110
314.775.0775 52
RIVERFRONT TIMES
AUGUST 9-15, 2017
POOL TABLE • GIANT PAC MAN • BOARD GAMES DJS THURS-SUN @ 10:30PM
4 2 4 3 M A N C H E S T E R AV E N U E • 3 1 4 - 5 3 1 - 5 7 0 0
riverfronttimes.com
VESTL.COM
HOME TO THE annual showcase stl PRESENTED BY THE
August Burger of the Month: DR. CLAW
E V E R Y J U N E I N T H E G R OV E
Jumbo Lump crab cake, heirloom tomatoes, spring mix, lemon garlic mayo and red pepper relish on a brioche bun.
4317 Manchester Ave in the Grove 314 .553.9252 | laylastl.com riverfronttimes.com
AUGUST 9-15, 2017 RIVERFRONT TIMES
53
Any time you see the moon, think of
thur. aug. 10 9PM Big Mike Aguirre and The Blue City All Stars
fri. aug. 11 10PM Cluterpluck with Special Guests Grass Fed Mule
sat. aug. 12 10PM PBR PRESENTS:
77 Jefferson with Special Guest Skillinjah
wed. aug. 16 9:30PM Voodoo Players Tribute to The Beatles
thur. aug. 17 9PM LOYAL FAMILY PRESENTS:
Tephra Sounf from NOLA featuring Nikki Glaspie and Members of Nolatet, Nth Power, Dumpstaphunk and more!
sat. aug. 19 10PM The Right Now from Chicago
736 S Broadway â&#x20AC;¢ St. Louis, MO 63102 (314) 621-8811
54
RIVERFRONT TIMES
AUGUST 9-15, 2017
6177 Delmar in The Loop riverfronttimes.com
BLUE LOTUS Continued from pg 51
$2 DRAFT BEER (16 oz) $3 CRAFT ON DRAFT $3 RAIL DRINKS $5 APPS
Pullquote Gene Jackson released his debut album, 1963, through Blue Lotus. | BOB BAUGH is wn s r al m’s m s w r l c lla ra i n a s ri acks n’s s n a ic im r g a ic i n i was ins ir a sim l ass ri r m i a s a s man s ngs r ars acks n sa s ’ mak a a an wri l rics n r a an a c l w rk wi was g ing cra wis c l a m a l w n ars ag ’s a ng cr a i min n as ng r r ing is r s m sicians ’m w rking wi a ri nc imr ising wi an s n s i a s n ar is lik n as a muscle to create on the fly, and so the opportunity to work with s m n lik a is a l ssing I make an instrumental, and put all ar s an ars g r ’ll c m ack wi l rics an i will mak s ns r m ginning n il l s la l ma ng a an i ni ia l s n ric n ss r s ca ring spirit of Motown and the sweat a is r a s i s m s sing lar rai is m sician in O’ nn r w was a l ng- im m m r r cka ill an Screamers and who continues to w rk wi ck ang i tle Rachel and others, co-produces and lays down drum parts. He also arrang s rings a l n a
ni rama an ig r ns n an acks n’s al ms On g s l s will s a la l r a O r a wa ns n an acks n will g r ni r rm g r an ’ll in n mi w is als r c r ing r la l as w ll as r cka ill cr n r r an n a ill rm rl r m is an n ak an ic s l ani l Hamm, who recently returned to is na i is r m r lan Or g n l ng wi w rking n al ms r mi an amm i a s lans r c r sing r ariss wan a ls an alr a as s n s ngs wri n wi ackson for a follow-up to 1963. The w ar als l king wri r other artists as well. is all i a s an acks n will head to Montana to perform a lli ilm s i al an il n g ar ai n r la l s s ain r rs ssi l r n l s mig fin ing a l si na i nal a n i n ns n an acks n’s al ms a r c nl n n mina r l s las war s s l s las maga in ’m n l king r am acks n sa s s wan g m ssag ’m s ill r grin ing a ’s w a ’ g n
WEDNESDAY
8:00 pm
THURSDAY 9:00-Close $2 Tall Boys
2001 Menard (corner of Menard & Allen) 314-833-6686 Facebook: dukesinsoulard riverfronttimes.com
AUGUST 9-15, 2017 RIVERFRONT TIMES
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56
HOMESPUN
STACEY WINTER We’re Both Right Now www.staceywinter.com
Stacey Winter Record Release
8 p.m. Sunday, September 3. Off Broadway, 3509 Lemp Avenue. $10. 314-498-6989.
K
it Hamon, known in music circles as Stacey Winter, is an adept musician on a host of instruments, a versatile songwriter, a recording engineer of skill and (every bit as much as the rest) a great conversationalist. He’s just a few weeks away r m cial r l as his six-song vinyl EP, We’re Both Right Now, which will be celebrated at Off Broadway on September 3. A week later he’ll be performing with his wife, Beth Bombara, at LouFest; their set comes the day prior to “a 40- or 50-date run” with the electro-pop band RAC, with whom Hamon is a touring player. First up, though, is the release of his own EP, which was largely recorded at his own Lemp Electric Studio, with instrumentation by ... himself, alongside short bursts of collaboration by friends and longtime associates, including Bombara, remix/arrangement whiz-kid Adult Fur, Aaron Stovall on synths, guitarist John Calvin Abney and, lastly, Hamon’s sonic sounding board, Karl Kling of RAC. While Kling added to the sheen, all the raw recording was Hamon’s, as was most of the instrumentation. “I try to play the studio as an instrument,” Hamon says. “I don’t, when I’m working, think, ‘Here’s the chord progression, here’s the melody.’ Literally, the firs s ng cam wi r m rack r ms an percussion, then I added bass and chords around that. That’s my way of writing, rather than starting out with a song that I could play on guitar in a coffeeshop. These songs have a rhythm to them, rather than my crafting a vibe to support just the lyrics. I don’t know who cares about any of that, but it’s how I do it. “I’m pushing and brushing against the edge of what can do with a bunch of instruments. I don’t consider myself a guitarist, though I play them in bands. I’m not a drummer, even though I’ve played drums in the touring band of RAC, at shows of 2,500 people. I just lik la ins r m n s a fi s a s ng fi s a i These six songs have a nice degree of range, two-tofour minute bursts of indie rock bliss: catchy, hooky, quickly familiar. A song that feels cut from a slightly i r n cl is fi rack an n which sounds as if it could be the under-the-credits title track of a breezy, clever art-house rom-com. “Love an n am n sa s is nl n n record that started out as a full-on song, so production went on top of that. I thought, ‘This feels soul-esque, so I’ll sing as high as I can. So I’ll sing high, then will
56
RIVERFRONT TIMES
AUGUST 9-15, 2017
riverfronttimes.com
Stacey Winter. | NATE BURRELL sing even higher and then I’ll put a hilarious guitar solo on, because why not?’ Honestly, I feel like this record is a practical joke on myself. I’m not sure if it’s serious, but it’s fun, so who cares? “As far as it being any type of departure,” he adds, “I’ve played in a lot of very different projects. Some work in this same way and some don’t. But today, it seems like a pretty nice step forward for myself.” sicall am n’s ims l in a sw sition of late, even if he admits that 2017 has “been the slowest in recent years” on some musical fronts. But he’s been opening himself up to inputs from far and wide: Abney and Kling, for example, aren’t based here, while his current live band (Bombara, Stovall, r mm r ik c rk an assis in ac mann includes some of his besties. “I agree with a lot of the St. Louis-centric thing,” Hamon says. “There’re a lot of bands that do that and it’s really cool. There’s a lot of untapped talent locally. Not even ‘untapped,’ but tapped only locally. And there’s something beautiful about that. But being on the road and meeting people in different places ... I’ve had so many weird late-night conversations, playing records at someone’s house. You learn something from those moments, when you’re outside the norm of the people that you see every day and hang out with on your own.” Hamon’s the type to challenge himself frequently. His EP album cover is an example. The colorful, patterned work is a literal mistake: His self-learned coding rendered his cover a visual example of an error made while rooting for bad code. The result, though, was lovely enough that it merited a permanent place in is ca al g scr wing a s m a r c metaphor,” he says. For the album’s release show, Hamon plans on offering an accompanying coloring book, which will also be an option for digital-only buyers. And he’ll have a band in which the players are “all monsters. And they all said, ‘Yeah, I can play that. So let’s play it like the record,’ which is also great.” —Thomas Crone
GET READY FOR
THE FIGHT
SAT. AUG 26 Rhythm & Blues Jazz • Bossa • Reggae
SEE IT LIVE @
Fletcher Moley Group with Ben Wheeler, David Stone, Katie Turnbull, Duane Williams, and Kyle Honeycutt
Evangeline’s • 7-11 pm - no cover Friday, August 11 Friday, September 8
512 N Euclid Ave, CWE St Louis
DUKE’S THE SOULARD PARTY BAR
FOR MORE INFORMATION Like & Follow Us on Facebook @dukesinsoulard
DJ DANCE PARTY FRIDAYS & SATURDAYS 9:00 PM
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AUGUST 9-15, 2017 RIVERFRONT TIMES
57
58
OUT EVERY NIGHT
THURSDAY 10
[CRITIC’S PICK]
CITY WIDE SOUNDS: w/ Alligator Wine 8 p.m., $5. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. HERBIE HANCOCK: 7 p.m., $40-$65. Powell Hall, 718 N. Grand Blvd, St. Louis, 314-534-1700. JUDITH HOWARD: 6 p.m., free. Howard’s in Soulard, 2732 S 13th St, St. Louis, 314-349-2850. KIM MASSIE: 10:30 p.m., $10. Beale on Broadway, 701 S. Broadway, St. Louis, 314-621-7880. MBZ LIVE: 7 p.m., $15. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929. TITANIUM BLUES BAND: 8 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. THE TONINA SAPUTO QUARTET: 9:30 p.m., free. The Dark Room, 3610 Grandel Square inside Grandel Theatre, St. Louis, 314-776-9550. WEEDEATER: w/ Beitthemeans, The Gorge, The Maness Brothers 7 p.m., $15-$18. Fubar, 3108 Locust St, St. Louis, 314-289-9050.
FRIDAY 11 3 OF A PERFECT PAIR: 7 p.m., free. Hwy 61 Roadhouse and Kitchen, 34 S Old Orchard Ave,
Herbie Hancock. | PPHOTO BY DOUGLAS KIRKLAND
Webster Groves, 314-968-0061. ALLEY MUTTS: 6 p.m., free. Howard’s in Soulard, 2732 S 13th St, St. Louis, 314-349-2850. BROTHER JEFFERSON BLUES BAND: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St.
Herbie Hancock 7:30 p.m. Thursday, August 10.
Louis, 314-436-5222.
Powell Hall, 718 North Grand Boulevard. $50 to $100. 314-534-1700.
CONCERT FOR KIDS: A NIGHT BENEFITING
Herbie Hancock has been at the center of so many transformations in jazz that only comparisons to the titans Miles Davis and John Coltrane — both of whom he worked with and learned from — seem apt. As if it wasn’t enough to turn jazz-funk into pop music and help create the genre of postbop, Hancock has continued to rethink and re-situate jazz well into the sixth decade of his career. He has celebrated
SOUTHSIDE EARLY CHILDHOOD CENTER: w/ Casey Bazzell, A Bientot, After11, The Sneaker Bombs 8 p.m., $10. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929. JIM JEFFERIES: 8 p.m., $39.50-$49.50. Peabody Opera House, 1400 Market St, St. Louis, 314241-1888. LEIGH SPANOS: 5 p.m., $10. National Blues Mu-
the genius of Joni Mitchell and jammed with Flying Lotus and Thundercat, and recently traveled the globe for the Imagine Project, an improvisational masterpiece of world music. That restlessness, that willingness to take risks, both artistic and commercial, defines his art. His genius remains singular and boundless. Anti-Luddites Unite: Hancock has long been obsessed with technology. From the keytar to sample triggers to using an array of iPads to create surround sound, there’s no telling what circuits he’ll bend next. —Roy Kasten
seum, 615 Washington Ave., St. Louis. LEROY JODIE PIERSON: 7 p.m., $5. BB’s Jazz,
DJ Hal Greens 8 p.m., $10. Off Broadway, 3509
314-833-3929.
LOVE JONES “THE BAND”: 9 p.m., $10. BB’s Jazz,
Blues & Soups, 700 S. Broadway, St. Louis, 314-
Lemp Ave., St. Louis, 314-498-6989.
SHANGRI-LA: 9 p.m., free. Nightshift Bar & Grill,
Blues & Soups, 700 S. Broadway, St. Louis, 314-
436-5222.
CACODYL: w/ The Scatterguns, Tasty Sap 9 p.m.,
3979 Mexico Road, St. Peters, 636-441-8300.
436-5222.
LETTERS FROM THE FIRE: 6 p.m., $13. The Fire-
$7. The Heavy Anchor, 5226 Gravois Ave., St.
SLIGHTLY LESS INFECTED CD RELEASE: w/ Stink-
MARTY FRIEDMAN: w/ Scale The Summit, The
bird, 2706 Olive St., St. Louis, 314-535-0353.
Louis, 314-352-5226.
bomb, The Savage Bastards, Antithought, Banjo
Fine Constant 8 p.m., $23-$25. Fubar, 3108
THE REAL MACAWS: 8 p.m., $17-$25. Old Rock
THE CARY COLMAN JAZZ TRIO: 6 p.m., free.
Rat 8 p.m., $5. San Loo, 3211 Cherokee St., St.
Locust St, St. Louis, 314-289-9050.
House, 1200 S. 7th St., St. Louis, 314-588-0505.
Howard’s in Soulard, 2732 S 13th St, St. Louis,
Louis, 314-696-2888.
NEW PORNOGRAPHERS: w/ Ought 8 p.m., $30.
SAHBABII: 8 p.m., $20-$60. Fubar, 3108 Locust
314-349-2850.
THE SLIM SADIES: w/ Tattooed The Dog, Secular
Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-
St, St. Louis, 314-289-9050.
LARRY GRIFFIN & ERIC MCSPADDEN: 7 p.m., $5.
Era, Shaping Motion, Jacob Veninga 6 p.m.,
726-6161.
THE EDUCATED GUESS 10 YEAR ANNIVERSARY +
BB’s Jazz, Blues & Soups, 700 S. Broadway, St.
$10. Fubar, 3108 Locust St, St. Louis, 314-289-
THE PEOPLES: 2 p.m., free. Howard’s in Soulard,
RECORD RELEASE: 9 p.m., $10. Off Broadway,
Louis, 314-436-5222.
9050.
2732 S 13th St, St. Louis, 314-349-2850.
3509 Lemp Ave., St. Louis, 314-498-6989.
LAVELL CRAWFORD: 7 & 10 p.m., $35. The
TAB BENOIT: 6 p.m., $20-$25. Atomic Cowboy,
SOUL REUNION: 4 p.m., $10. National Blues
Pageant, 6161 Delmar Blvd., St. Louis, 314-726-
4140 Manchester Ave, St. Louis, 314-775-0775.
Museum, 615 Washington Ave., St. Louis.
6161.
WAX FANG: 7 p.m., $12-$13. The Firebird, 2706
SOUL REUNION: 10:30 p.m., $7. Beale on Broad-
LAVELL CRAWFORD: 7 & 10 p.m., $35. The
Olive St., St. Louis, 314-535-0353.
way, 701 S. Broadway, St. Louis, 314-621-7880.
SATURDAY 12 BASTARD AND THE CROWS EP RELEASE SHOW: 9 m
r
c la
a
m
c s
Pageant, 6161 Delmar Blvd., St. Louis, 314-726-
St. Louis, 314-241-2337.
6161.
SUNDAY 13
MONDAY 14
BIG MIKE AGUIRRE & BLUE CITY ALL STARS:
LOLA AND THE KICKBACKS: w/ Brian Owens and
GINA SICILIA BAND: 6 p.m., $10. BB’s Jazz, Blues
GREEN DAY: w
10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S.
The Deacons of Soul 8 p.m., $15-$20. Delmar
& Soups, 700 S. Broadway, St. Louis, 314-436-
p.m., $30-$89.50. Hollywood Casino Amphi-
Broadway, St. Louis, 314-436-5222.
Hall, 6133 Delmar Blvd., St. Louis, 314-726-
5222.
theatre, I-70 & Earth City Expwy., Maryland
THE BLUE LOTUS SOUL REVUE: w/ Roland John-
6161.
GUESS WHO I SAW TODAY: 11 a.m., free. The
Heights, 314-298-9944.
son, Gene Jackson, Renee Smith, Everett Dean,
MELVINS: w/ Spotlights 8 p.m., $20-$25. The
Dark Room, 3610 Grandel Square inside Gran-
MUSIC UNLIMITED: 8:30 p.m., $10. BB’s Jazz,
Devon Cahill, Honeybaked and the Choice Cuts,
Ready Room, 4195 Manchester Ave, St. Louis,
del Theatre, St. Louis, 314-776-9550.
Blues & Soups, 700 S. Broadway, St. Louis, 314-
58
RIVERFRONT TIMES
AUGUST 9-15, 2017
riverfronttimes.com
a fis an
l m n
SOUTHERN ILLINOIS’ BEST DESTINATION PATIO BAR BIKES WELCOME
[CRITIC’S PICK] An Educated Guess | PHOTO BY ANGELA VINCENT
Bruce Hornsby 8 p.m. Saturday, May 21. River City Casino, 777 River City Casino Boulevard. $40 to $50. 314-388-7777.
To see the extent of Bruce Hornsby’s reach and influence, you’ll have to think past those few indelible, still-worthy hits from the mid-80s. His long association with the Grateful Dead accounts for a significant subset of his fanbase, and he brings a kind of grey eminence on the just-released Day of the Dead tribute album (he tackles “Black Muddy River” with DeYarmond
Edison). So far this year Hornsby has shared the stage with country-pop singer Zac Brown (for a cover of “End of the Innocence”) and enlisted Bon Iver’s Justin Vernon to sit on Rehab Reunion, his forthcoming LP with his longstanding band the Noisemakers. Piano-less Man: For Rehab Reunion, Hornsby steps away from his usual seat at the piano to perform largely on the dulcimer, that four-stringed lap harp of Appalachian origins. –Christian Schaeffer
436-5222.
Olive St., St. Louis, 314-535-0353.
RO JAMES: w/ Truenessia Combs, Terry Rogers
ST. LOUIS SOCIAL CLUB: 8 p.m., $5. BB’s Jazz,
8 p.m., $25. The Marquee Restaurant & Lounge,
Blues & Soups, 700 S. Broadway, St. Louis, 314-
1911 Locust St, St. Louis, 314-436-8889.
436-5222.
SOULARD BLUES BAND: 9 p.m., $5. Broadway Oyster Bar, 736 S. Broadway, St. Louis, 314-
WEDNESDAY 16
621-8811.
BARBARIAN: w/ Peucharist, Malas, Vile Desecra-
TUESDAY 15
FRIDAYS SATURDAYS SUNDAYS FOLLOW US ON FACEBOOK: GOODTIMES.PATIO.BAR 200 N. MAIN ST., DUPO, IL GET READY FOR
THE MONEY FIGHT AUG 26
tion 8 p.m., $10-$12. Fubar, 3108 Locust St, St. Louis, 314-289-9050.
CITY AND COLOUR: 8 p.m., $35-$40. The Pageant,
BIG RICH MCDONOUGH & RHYTHM RENEGADES: 7
6161 Delmar Blvd., St. Louis, 314-726-6161.
p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broad-
CONSTANCE: w/ Beyond Atlas, Aurora View,
way, St. Louis, 314-436-5222.
Unimagined 6 p.m., $10. Fubar, 3108 Locust St,
BOB “BUMBLE BEE” KAMOSKE: 8 p.m. Beale on
St. Louis, 314-289-9050.
Broadway, 701 S. Broadway, St. Louis, 314-621-
IDINA MENZEL: 7:30 p.m., $45-$150. The Fox
7880.
Theatre, 527 N. Grand Blvd., St. Louis, 314-534-
THE BREVET: 7 p.m., $10-$12. Fubar, 3108 Lo-
1111.
cust St, St. Louis, 314-289-9050.
JAMAICA LIVE TUESDAYS: w/ Ital K, Mr. Roots, DJ
CHEAP TRICK: w/ Foreigner, Jason Bonham’s
Witz, $5/$10. Elmo’s Love Lounge, 7828 Olive
Led Zeppelin Experience 7 p.m., $29.95-$99.95.
Blvd, University City, 314-282-5561.
Hollywood Casino Amphitheatre, I-70 & Earth
KIM MASSIE: 10:30 p.m., $10. Beale on Broad-
City Expwy., Maryland Heights, 314-298-9944.
way, 701 S. Broadway, St. Louis, 314-621-7880.
HOMESHAKE: 8 p.m., $12-$14. The Monocle,
ROOKIE OF THE YEAR: w/ Stages & Stereos, Kyle
4510 Manchester Ave, St. Louis, 314-935-7003.
Lucas, Ashland, The Cinema Story, Disguise
KINGDOM OF GIANTS: w/ Special TBA, Afterlife,
The Limit 6 p.m., $12-$15. The Firebird, 2706
LIVE MUSIC
WATCH IT LIVE AT GOOD TIMES
Continued on pg 60
riverfronttimes.com
AUGUST 9-15, 2017 RIVERFRONT TIMES
59
OUT EVERY NIGHT Continued from pg 59
[CRITIC’S PICK]
Louis, 314-726-6161, thepageant.com. LELAND’S ROAD: W/ Fresh Heir, Alexander Ruwe, Fri., Sept. 1, 8 p.m., $10-$12. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-
Kriminals, Hollow, Torn at the Seams 6 p.m.,
3929, thereadyroom.com.
$12-$15. The Firebird, 2706 Olive St., St. Louis,
LIL DUVAL: Fri., Sept. 29, 7:30 & 10 p.m.; Sat.,
314-535-0353.
Sept. 30, 7:30 & 10 p.m.; Sun., Oct. 1, 7:30 p.m.,
MARTY SPIKENER & THE ON CALL BLUES BAND:
$25. Helium Comedy Club, 1151 St. Louis Galle-
10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S.
ria Saint Louis Galleria Mall, Richmond Heights,
Broadway, St. Louis, 314-436-5222.
314-727-1260, st-louis.heliumcomedy.com.
SHAKEY GRAVES: w/ David Ramirez 8 p.m., $19-
MARLON WAYANS: Thu., Aug. 24, 7 p.m.; Fri.,
$22. Delmar Hall, 6133 Delmar Blvd., St. Louis,
Aug. 25, 6:30 & 9 p.m.; Sat., Aug. 26, 6:30 &
314-726-6161.
9 p.m., $35-$45. Helium Comedy Club, 1151
SORRY PLEASE CONTINUE: 8 p.m., $5. The Heavy
St. Louis Galleria Saint Louis Galleria Mall,
Anchor, 5226 Gravois Ave., St. Louis, 314-352-
Richmond Heights, 314-727-1260, st-louis.
5226.
heliumcomedy.com.
WEDNESDAY NIGHT JAZZ CRAWL: 5 p.m. contin-
MIKE LOVE: Thu., Sept. 7, 8 p.m., $15. Blueberry
ues through Dec. 27, free. The Stage at KDHX,
Hill - The Duck Room, 6504 Delmar Blvd., Uni-
3524 Washington Ave, St. Louis, 314-925-7543,
Cheap Trick. | BY DAVID MCCLISTER
ext. 815.
versity City, 314-727-4444, blueberryhill.com. THE NATIONAL PARKS: W/ RIVVRS, Wed., Oct. 25, 8 p.m., $12-$14. Blueberry Hill - The Duck
THIS JUST IN 4 HANDS PRESENTS: CITY WIDE SOUNDS: W/ Les Gruff and the Billy Goat, Emily Wallace, Elliott Pearson, Thu., Sept. 21, 8 p.m., $5. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505, oldrockhouse.com. AMERICAN AQUARIUM: Mon., Sept. 25, 8 p.m., $17-$20. Off Broadway, 3509 Lemp Ave., St. Louis, 314-498-6989, offbroadwaystl.com. ANDREW BELLE: Thu., Nov. 16, 8 p.m., $15. Off Broadway, 3509 Lemp Ave., St. Louis, 314-4986989, offbroadwaystl.com. BARB WIRE DOLLS: W/ Svetlanas, 57, Tue., Oct. 24, 8 p.m., $15. Blueberry Hill - The Duck Room, 6504 Delmar Blvd., University City, 314727-4444, blueberryhill.com. BLACKTOP MOJO: W/ Divine Sorrow, Axeticy, Fri., Sept. 15, 7 p.m., $10-$13. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com.
Cheap Trick 7 p.m. Wednesday, August 16. Hollywood Casino Amphitheatre, 14141 Riverport Drive, Maryland Heights. $29.95 to $99.95. 314298-9944.
At this point, what can be said about Cheap Trick that 10,000 other music writers haven’t already written? Since 1973 the Rockford, Illinois-based rock act has been defining and perfecting the power-pop sound with endless hooks and nervy guitars, reveling in the relative simplicity that a shot of pop can bring to a muscular rock sound. From its early singles “I Want You to Want Me” and “Surrender” to its more modern
Room, 6504 Delmar Blvd., University City, 314727-4444, blueberryhill.com.
output — including June’s excellent We’re All Alright! — Cheap Trick remains a model of consistency, to the point that fans sometimes take the band for granted. They shouldn’t. With more than 10 million records sold in the U.S. alone over the course of a 40-plus year career, Cheap Trick has influenced countless artists and cemented itself as one of the best rock bands performing today, full stop. Jukebox Heroes: Foreigner and Jason Bonham’s Led Zeppelin Experience will open the show. —Daniel Hill
NOW THAT’S WHAT I CALL A BENEFIT SHOW: W/ Ben Diesel, The Stars Go Out, LS Xprss, Tracing Wires, The Holy Hand Grenades, Vince Puzzo, Sat., Sept. 23, 8 p.m., $10. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. POST MALONE: Sun., Sept. 24, 8 p.m., $40. Pop’s Nightclub, 401 Monsanto Ave., East St. Louis, 618-274-6720, popsrocks.com. PRAIRIE REHAB: W/ Andrew Ryan and the Travelers, Oh Caledonia, Fri., Sept. 15, 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. PUNK ROCK FOR PET FOOD: W/ the Danged (The Damned Tribute Band), The Five Stooges tribute band (Stooges Tribute band), We’re a Happy Family (Ramones Tribute band), Sat., Aug. 26, 9 p.m., $5. The Heavy Anchor, 5226 Gravois
BOB LOG III: Tue., Oct. 24, 8 p.m., $10. Off
Ave., St. Louis, 314-352-5226, theheavyanchor.
Broadway, 3509 Lemp Ave., St. Louis, 314-4986989, offbroadwaystl.com.
588-0505, oldrockhouse.com.
Washington Ave, St. Louis, 314-925-7543, ext.
com.
BROTHER LEE & THE LEATHER JACKALS: W/
DIRTY HEADS: W/ The Unlikely Candidates, Ty-
815, thestagestl.com.
REAPING ASMODEIA: W/ Nethersphere, Mon.,
Breakmouth Annie, Superfun Yeah Yeah
rone’s Jacket, Thu., Nov. 16, 7 p.m., $25-$27.50.
THE HONEY DEWDROPS: Thu., Aug. 24, 8 p.m.,
Sept. 11, 7 p.m., $10-$12. Fubar, 3108 Locust St,
Rocketship, The Death, free. The Ready Room,
The Pageant, 6161 Delmar Blvd., St. Louis, 314-
$12. The Stage at KDHX, 3524 Washington Ave,
St. Louis, 314-289-9050, fubarstl.com.
4195 Manchester Ave, St. Louis, 314-833-3929,
726-6161, thepageant.com.
St. Louis, 314-925-7543, ext. 815, thestagestl.
SHERWOOD: Thu., Oct. 19, 7 p.m., $17-$22. The
thereadyroom.com.
THE DREAM SYNDICATE: W/ Elephant Stone,
com.
Firebird, 2706 Olive St., St. Louis, 314-535-0353,
BULLY: Thu., Nov. 2, 8 p.m., $15. Off Broadway,
Wed., Dec. 6, 8 p.m., $20-$25. Off Broadway,
JAVIER MENDOZA: W/ Making Movies, Fri., Oct.
fir
3509 Lemp Ave., St. Louis, 314-498-6989, off-
3509 Lemp Ave., St. Louis, 314-498-6989, off-
20, 8 p.m., $20-$25. Off Broadway, 3509 Lemp
SYNTH FESTL II: SYNESTHESIA: W/ Wingtips,
broadwaystl.com.
broadwaystl.com.
Ave., St. Louis, 314-498-6989, offbroadwaystl.
Tearful Moon, PRUDENCE, Reaches, ICE, Wax
COLD CAVE: Sat., Sept. 30, 9 p.m., $17.50-$20.
DRYJACKET: W/ Sundressed, Ben Diesel, Young
com.
Fruit, Ethik’s Mind, Deux Plex, NNN Cook, Jad-
Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-
Animals, Name It Now, Fri., Sept. 8, 7 p.m., $12.
JAYMES YOUNG: Fri., Sept. 29, 8 p.m., $18-$20.
ed Evil Lambs, Sat., Sept. 16, 7 p.m., $15. The
726-6161, delmarhall.com.
Fubar, 3108 Locust St, St. Louis, 314-289-9050,
The Firebird, 2706 Olive St., St. Louis, 314-535-
Heavy Anchor, 5226 Gravois Ave., St. Louis,
CONCRETESLIM: Fri., Aug. 25, 8 p.m., $10-$12.
fubarstl.com.
The Stage at KDHX, 3524 Washington Ave, St.
FRANKIE VALLI & THE FOUR SEASONS: Thu., Nov.
JESSICA LEA MAYFIELD: Fri., Nov. 17, 8 p.m., $15.
THE WONDER YEARS: INTIMATE ACOUSTIC TOUR:
Louis, 314-925-7543, ext. 815, thestagestl.com.
30, 8 p.m., $60-$105. Family Arena, 2002 Arena
Off Broadway, 3509 Lemp Ave., St. Louis, 314-
W/ The Obsessives, Jetty Bones, Wed., Sept. 27,
CONSIDER THE SOURCE: Sat., Oct. 14, 8 p.m.,
Parkway, St Charles, 636-896-4200, familyare-
498-6989, offbroadwaystl.com.
7 p.m., $22-$25. The Firebird, 2706 Olive St., St.
$12. Blueberry Hill - The Duck Room, 6504
na.com.
KID SCIENTIST PRESENTS: A REPORT FROM THE
Delmar Blvd., University City, 314-727-4444,
GENITORTURERS: Wed., Oct. 18, 8 p.m., $15-$20.
FUTURE: W/ Adult Fur, Hands and Feet, Grace
VIBES STL: THE GRAND ARTS EVENT: W/ DJ Stain,
blueberryhill.com.
Fubar, 3108 Locust St, St. Louis, 314-289-9050,
Basement, Fatal Flaws, Fri., Sept. 1, 9 p.m.; Sat.,
DJ Hoodbunny, Key!, DJ Osh Kosh, Sat., Sept.
CRAIG FINN & THE UPTOWN CONTROLLERS: W/
fubarstl.com.
Sept. 2, 9 p.m., $10. Off Broadway, 3509 Lemp
2, 7 p.m., $25-$35. Delmar Hall, 6133 Delmar
John K. Samson, Mon., Oct. 16, 8 p.m., $20-$25.
GIRLPOOL: Sat., Oct. 21, 8 p.m., $13-$15. Off
Ave., St. Louis, 314-498-6989, offbroadwaystl.
Blvd., St. Louis, 314-726-6161, delmarhall.com.
The Ready Room, 4195 Manchester Ave, St.
Broadway, 3509 Lemp Ave., St. Louis, 314-498-
com.
WILLIAM ELLIOT WHITMORE: Thu., Sept. 28, 8
Louis, 314-833-3929, thereadyroom.com.
6989, offbroadwaystl.com.
A KILLERS CONFESSION: W/ Blacklite District,
p.m., $15-$18. Blueberry Hill - The Duck Room,
DANCE WITH THE DEAD: W/ Gost, Sun., Nov. 5, 8
THE GROOVELINER: W/ Jesse Gannon, Fri., Aug.
Wed., Sept. 6, 7 p.m., $13-$15. The Firebird,
6504 Delmar Blvd., University City, 314-727-
p.m., $13-$15. Off Broadway, 3509 Lemp Ave.,
18, 8 p.m., $10. Off Broadway, 3509 Lemp Ave.,
St. Louis, 314-498-6989, offbroadwaystl.com.
St. Louis, 314-498-6989, offbroadwaystl.com.
stl.com.
YUNG PINCH: Sun., Aug. 20, 8 p.m., $15-$18. The
DEAD HORSES: Sun., Oct. 22, 7 p.m., $10-$12.
HANNAH ALDRIDGE: W/ Wave Theory, Sun.,
KORN: W/ Kings Bounty, Sat., Sept. 30, 8 p.m.,
Firebird, 2706 Olive St., St. Louis, 314-535-0353,
Old Rock House, 1200 S. 7th St., St. Louis, 314-
Aug. 20, 7 p.m., $10. The Stage at KDHX, 3524
$52.50-$65. The Pageant, 6161 Delmar Blvd., St.
fir
60
RIVERFRONT TIMES
AUGUST 9-15, 2017
riverfronttimes.com
fir
Oli
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314-352-5226, theheavyanchor.com.
ir s l c m
is
-
-
fir
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is
-
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fir
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4444, blueberryhill.com.
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SAVAGE LOVE COMMIT TO SOMETHING BY DAN SAVAGE Hey, Dan: My boyfriend of eight months, K, and I are polyamorous. We started the relationship on that foot, and for a while I was the partner he spent the most time with. However, recently we both started dating the same woman, L, and they have been spending more time together than with me. They both reassure me that they love me and care for me deeply, but I am an anxiously-attached person and sometimes I have panic attacks and fear that they’re going to leave me. I’m working on becoming more secure via books on cognitive behavioral therapy, and I’m looking into in-person therapy. This is m r t eri re ati n i tn t his (I’m 22, he’s 35). And while K has been super patient with me, my worry and grasping is a point of friction. K has told me he doesn’t want to be solely responsible for my sexual satisfaction and my need for constant reassurances. e an iet a een arin m t strongly concerning sex. I feel neglected if K doesn’t penetrate me but he penetrates L, or if L gets to penetrate K via a strap-on and I don’t. I love both my partners, but I’ve been feeling sexually neglected — and with a HIGH sex drive, it een ite ain i i m r t “trio rodeo” and I really want to make it work — I’ve seen a future with K for a while (the I-want-your-children kind), and L is joining those future visions. can n a a t create m re opportunities for sexy-time and not ruin it with anxiety attacks? BDSM Enthusiastic Lover On Voyage4 Emotional Durability
I’m always suspicious when two (or more) people claim to be deeply in love after dating for a short period of time, O an ig m n s alifi s Premature declarations of love up the emotional stakes, which can place a strain on a newish relationship that i ma n s r ng n g ar You’ll feel a lot less anxious, BELOVED, if you make a conscious effort l w r s ak s n rw r s ial i wa ack girl You’ve been dating K for a little more than half a year, and you’ve been dating L for whatever “recently” adds up to in a world where eight months als ’ll r c r an i levels if you tell yourself you aren’t c mmi an as li ar n rs is is ginning s r la i ns i s ll ’r c mmi ted to right now is continuing to get kn w an ’r c mmi dating them and you’re committed to l ring w r is mig g ar n c mmi m Committing yourself to therapy is ag i a O an r therapist can start by reevaluating whether a poly relationship is right r in rac ic s s m n wi anxiety issues and hang-ups about all sex acts being divided up equally, poly may not be right for you, or it may not rig r rig n w r a li l therapy, who knows? You’ve been at this rodeo for only eight months, and if these problems are already coming up, it might not be r a ac m n s l r r an i ’s ssi l is r isn’ r Hey, Dan: This is about your Campsite Rule. I think you should amend it. In
1984, when I was twenty years old, I met an LGBT rights activist who was 53. He was working with the group I contacted after I’d called the local youth crisis hotline here in Baton Rouge and got called a faggot. (I hadn’t realized they created youth crises rather than in t em m a e a a mmer in initiate me an t en went off to study in Europe. Because of him, I knew the difference between making love and getting your rocks off, and I moved through the world with the e c n ence e t me e er e t have. I ended up working in national politics for 30 years, and I did all of it as an out gay man. I moved back home a e ear a an trie t n im it no luck. Finally, about a month ago, I did. He’s in his mid-80s now and under hospice care, but he does remember me. I got to tell him everything I’d done with what he taught me. I only got about a third of the way down the list before his e e e it tear an ri e here’s my suggested amendment: If you ene te r m t e am ite e i someone left you in better shape than they found you — look that person up and tell them what they meant to you. And if he’s alone and in hospice care, spend some time being there for him and holding his hand. Can’t Think Of Funny Acronym r l s mm r ing l in r shape than he found you — the heart of my Campsite Rule — and the lessons he imparted had a hugely positive impact n r li ins a am n ing m am si l O w ic c ers the conduct of older and/or more experienced people dating and/or fucking younger and/or less experienced people, I’m going to amend my Tea
61
an
m a l “When the younger person in an older/younger affair speaks of it in future years, they have a duty to be kind,” goes the Tea and Sympathy Rule, which covers the conduct of the ng r l ss ri nc ar n r you were left in better shape than you were found, strive to do no harm in r rn n n’ s ak rafair — not even kindly — if doing so will wreak havoc on the life of a former lover who honored the Campsite l n a cr ’m a ing O ’s am n m n l n i n fi r m am site Rule — if years ago a lover left you in better shape than they found you — look that person up and tell them w a m an ic r ssi nals n rg s to confront exes who did us wrong, but we rarely talk about reaching out to people who did us right (in every sense rm firs r l s ri s friend was a wonderful and very sexy guy who helped me grow in so many wa s fini l l m in ar r s a an n m lik O I was able to express my gratitude to him before he died and I’m so glad I i mm a If you were lucky enough to have a Tommy in your life, dear readers, if you were lucky enough to have an early sex and/or romantic partner who left you in better shape than they found you, reach out to them and express r gra i ’ll gla i Listen to Dan’s podcast at savagelovecast.com. mail@savagelove.net @fakedansavage on Twitter ITMFA.org
STREAK’S CORNER • by Bob Stretch
riverfronttimes.com
AUGUST 9-15, 2017 RIVERFRONT TIMES
61
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BE WELL, STAY WELL. Help others be well and stay well. Build a business helping others get what they need and you WILL get what you need. Call (314) 223-8067 now for appointment
500 Services 530 Misc. Services
600 Music 610 Musicians Services
MUSICIANS Do you have a band? We have bookings. Call for information (314)781-6612 Mon-Fri, 10:00-4:30
MUSICIANS AVAILABLE
Do You Need... A Musician? A Band? String Quartet? Call the Musicians Association of St. Louis
(314) 781-6612 M-F, 10:00-4:30
The Tattooed Gentleman Tattooed & uninhibited male offering services as
400 Buy-Sell-Trade 435 Household
Bartender
MOVING SALE!
Server
ETHAN ALLEN GAME TABLE (4-6), cherry, 6 chairs, uphlstrd seats, rollers.
Storyteller General Entertainer
314-651-5429
tattoedgentleman@aol.com
SHAKER KING BDRM mahog./black, 4-poster, nightstands, bench, table. DINING RM table (4-12), curved mahog. hutch, buffet, 6 lyre chairs. MODERN BISTRO/BAR SET 4 chairs, birch, iron, glass. KAWAI upright ebony piano. LLADRO NAO geisha, ERTE vase, KIPNESS signed art.
Simply Marvelous
314/277-2569
Call (314) 223-8067 now for appointment
314-620-6386 Ls # 2006003746
FIRST MONTH FREE!
AFFORDABLE SENIOR LIVING 55
OVERLAND/ST. ANN $555-$595 314-995-1912 SPECIAL-1 MONTH FREE! Great location near Hwys 170, 64, 70 & 270. 6 minutes to Clayton. Garage, Clean, safe, quiet. RICHMOND-HEIGHTS $535-$615 314-995-1912 SPECIAL-1 MONTH FREE! Near Metrolink, Hwys 40 & 44 & Clayton. 1BR, all electric off Big Bend. SOUTH CITY $400-$850 314-771-4222 1-3 BR Apts. Many different units. NO CREDIT, NO PROBLEM! www.stlrr.com
UNIVERSITY CITY $795 314-727-1444 2BR, new kitch, bath & carpet, C/A & heat. No pets. WESTPORT/LINDBERGH/PAGE $545-$605 314-995-1912 SPECIAL-1 MONTH FREE! Nice Area near Hwys 64, 270, 170, 70 & Clayton. Patio, laundry, great landlord! Clean, safe, quiet. 320 Houses for Rent
DUTCHTOWN $980 314-223-8067 3 BR spacious home for rent. Natural wood floor (1st flr), carpet (2nd flr). Lrg updated kitchen w/ double oven gas stove, 2 bath, dining rm, bsmnt, w/d hookup, fenced yard, a/c. Lots of Closets!
SOUTH-CITY $499 314-707-9975 Jamieson & Nottingham: 1 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up.
FILE BANKRUPTCY NOW!
SOUTH-CITY $525 314-707-9975 2319 Indiana 1 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up. SOUTH-CITY
$550 314-707-9975 2742 Osage Large 1 BR, all electric, hdwd flrs, C/A. Washer/Dryer hook ups in the unit.
CALL ANGELA JANSEN 314-645-5900 BANKRUPTCYSHOPSTL.COM THE CHOICE OF A L AWYER IS AN IMPORTANT DECISION AND SHOULD NOT BE BASED SOLELY ON ADVERTISING.
AUDIO EXPRESS!
Lowest Installed Price In Town — Every Time!
End Of Summer Blowout! INSTALL ! D INCLUDE
$
Control USB or Flash cards from dash.
Save $350*
499
$
Machine Operators • Assemblers Warehouse • Production General Warehouse
HERITAGE SENIOR APARTMENTS
Apply Today www.workatfocus.com or call 816.977.5815
99
$
*
Low, Low Price!
POSITIONS INCLUDE:
Pay: Up to $11.00/hr Shifts: 1st / 2nd / 3rd
12e940 Sav
Focus Workforce Management is seeking to interview candidates for a leading manufacturer in Fenton, MO. If you are seeking a new challenge and a step forward to success apply today!
Newly Renovated 1 Bedroom Apartments $510 Appliances • Energy Efficient Laundry On-Site NORTH COUNTY AREA 314-521-0388
NORTH-COUNTY $510 314-521-0388 Newly renovated 1BR apts for SENIOR LIVING 55+. Safe and affordable. FIRST MONTH FREE!
Mix 5 Phones!
ULTIMATE MASSAGE BY SUMMER!!!!
Relaxing 1 Hour Full Body Massage. Light Touch, Swedish, Deep Tissue. Daily 10am-5pm South County.
317 Apartments for Rent
SOUTH-CITY 314-504-6797 5052 Miami (West of Kingshighway) Renovated 1 BD with Enclosed Sun Porch, Updated Bathroom, New Cabinets, New Windows, Dishwasher, C/A, Refinished Hardwood Floors, Appliances. Near Shopping and Bus Line.
hile Get ‘Em W ! They Last
Call Cynthia today for your massage. M-F 7-5, Sat. 9-1. 314-265-9625 - Eureka Area #2001007078
Openings for serious, motivated individuals. Independent Reliv Distributor
300 Rentals
99
Save More When We Install It!
6.2” monitor with Drive EQ sound. Link 2 phones and 2 cameras. Ready to add iDatalink Maestro.
SOUTH: 5616 S. Lindbergh • (314) 842-1242 WEST: 14633 Manchester • (636) 527-26811 HAZELWOOD: 233 Village Square Center • (314) 731-1212 Mon. - Sat. 9 AM - 7 PM; Sunday Noon - 5 PM Unless otherwise limited, prices are good through Tuesday following publication date. Installed price offers are for product purchased from Audio Express installed in factory-ready locations. Custom work at added cost. Kits, antennas and cables additional. Added charges for shop supplies and environmental disposal where mandated. Illustrations similar. Video pictures may be simulated. Not responsible for typographic errors. Savings off MSRP or our original sales price, may include install savings. Intermediate markdowns may have been taken. Details, conditions and restrictions of manufacturer promotional offers at respective websites. Price match applies to new, non-promotional items from authorized sellers; excludes “shopping cart” or other hidden specials. © 2017, Audio Express.
riverfronttimes.com
AUGUST 9-15, 2017
AUDIO EXPRESS!
RIVERFRONT TIMES
Lowest Installed Price In Town — Every Time!
63
DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates
EarthCircleRecycling.com
Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area.
at CenterPointe Hospital
Call Today! 314-664-1450
ALCOHOL & SUBSTANCE USE TREATMENT FOR ADULTS
PRESENTS...
DETOXIFICATION 4-WEEK RESIDENTIAL TREATMENT OUTPATIENT PROGRAMS MEDICATION-ASSISTED TREATMENT AFTERCARE • FAMILY SUPPORT
Murder in the Man Cave!
EVANGELINE’S Bistro & Music House “New” New Orleans Cuisine Live Music Outdoor Patio Sunday Swing Jazz Brunch Happy Hour
CALL 1-800-345-5407 24-hour Confidential Assessment with Caring and Compassionate Counselors. No Cost for the Initial Assessment. Most Major Insurances Accepted.
evangelinesstl.com
Hope for a bright future
File Bankruptcy Now! Call Angela Jansen ~314-645-5900~ Bankruptcyshopstl.com The choice of a lawyer is an important decision and should not be based solely on advertising.
FIRST MONTH FREE! AFFORDABLE SENIOR LIVING 55+
Newly renovated 1 bedroom apartments in North County. Heritage Senior Apartments 314-521-0388
LET US HELP YOU PUSH THE RIGHT BUTTONS!
Patricia’s
patriciasgiftshop.com
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Ultimate Massage by
Summer! •
The Changing Pointe at CenterPointe Hospital 4801 Weldon Spring Parkway St. Charles, MO 63304
w w w. C e n t e r Po i n t e H o s p i t a l . c o m
314-620-6386
Have you or a loved one been diagnosed with
major depressive disorder? If so, that person could qualify for a clinical research study of a possible new adjunctive treatment for major depressive disorder conducted by St. Louis Clinical Trials. Qualified participants should:
• Be a male or female at least 18 years old • Currently be treated with an anti-depressant drug for at least the past eight weeks • Have been diagnosed with major depressive disorder at least one year ago • If female, should not be pregnant or about to become pregnant. Those who qualify for this study may be eligible for compensation for their time. Transportation may be available. For more information, call St. Louis Clinical Trials at 314.802.8822 or visit joinaresearchstudy.com.
314.802.8822 joinaresearchstudy.com www.facebook.com/ St-Louis-Clinical-Trials
# 2006003746
64
RIVERFRONT TIMES
FREE!
-----------------------------
Visit gatewayescaperooms.com or call 314-270-9884
RFT WEEKLY E-MAILS For an Inside Look at Dining, Concerts, Events, Movies & More! Sign up at www.riverfronttimes.com
Get the Attention of our Readers
Call 314-754-5966 for More Info
The Tattooed Gentleman Tattooed & uninhibited male offering services as
SOME WEEKENDS
South County/Lemay Area
Bring 5 friends & your ticket is
Made You Look!
SWEDISH & DEEP TISSUE FULL BODY MASSAGE MON - FRI 10 AM - 5 PM
-----------------------------
AUGUST 9-15, 2017
riverfronttimes.com
10330 OLD OLIVE ST. RD. ST. LOUIS, MO 63141
Bartender Server Storyteller General Entertainer
314-651-5429
tattoedgentleman@aol.com DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates
EarthCircleRecycling.com
Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area.
Call Today! 314-664-1450