JUNE 7-13, 2017 I VOLUME 41 I NUMBER 23
The
Battle
FOR CHEROKEE BY NICHOLAS PHILLIPS
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THE LEDE
“I have ancestors that were in the Confederacy and the Union, and grandpas that fought in WWII, uncles that fought Vietnam, Korea, a cousin that’s in Iraq right now. It’s a memorial to the vets. That’s what I’m here for; I’m not racist or anything. I’ll fly whatever flag I want. That’s what America’s about. That’s what my family laid their lives out for.
PHOTO BY THEO WELLING
“I think this has all gone ridiculously too far. Desecrating a monument — I think that’s too far.” —BRETT ACKERMAN, PHOTOGRAPHED AT THE RALLY TO SAVE THE CONFEDERATE STATUE IN FOREST PARK ON JUNE 3
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TABLE OF CONTENTS FEATURE
12.
The Battle for Cherokee Business is booming on south city’s most dynamic street. But an old problem continues to fester. Written by
NICHOLAS PHILLIPS Cover Photo
STEVE TRUESDELL
NEWS
CULTURE
DINING
MUSIC
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The Lede
Calendar
Your friend or neighbor, captured on camera
Seven days worth of great stuff to see and do
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31
Horses Run Free
Film
A judge said that St. Louis’ taxicab commission cannot regulate horse-drawn carriages. Now no one’s doing it, reports Danny Wicentowski
Ken Loach’s I, Daniel Blake earns a rave from Robert Hunt for its sympathetic portrayal of working-class Britons
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Opera
Shelter Shuffle
Months after the city closed Larry Rice’s shelter, some homeless people say they struggle to find beds
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The Trial, performed by Opera Theatre St. Louis in its U.S. premiere, demonstrates that opera is where Kafka makes sense, writes Sarah Fenske
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Books
Evie Hemphill peruses Chavisa Woods’ new story collection, Things to Do When You’re Goth in the Country
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Goose Egg
Still Wild
The Blue Duck goes big in its St. Louis incarnation, but leaves Cheryl Baehr’s tastebuds wanting
Major label success can’t take Alaska out of Portugal. The Man
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Homespun
Side Dish
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Evy Dick of Pastaria knows that everything is better with ‘nduja
Grandpa’s Ghost The Carnage Queen I Country of Piss
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New Products
Made in St. Louis, Karuna transforms juice from a sugary eco-hazard to something altogether new
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Food News
Chef Rick Lewis will open a new spot in the Grove
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In Memoriam
Cheryl Baehr remembers Larry Lampert, the late pitchmanturned-restaurateur
Out Every Night
The best concerts in St. Louis every night of the week
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This Just In
This week’s new concert announcements
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NEWS
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Judge’s Slap-Down on Horses Leaves Freefor-All Written by
DANNY WICENTOWSKI
O
n May 26, attorney Dan Kolde emailed a fiery complaint to the city of St. Louis and the Metropolitan Taxicab Commission, or MTC. The subject: a horse-drawn carriage he’d spotted clopping along a downtown street during rush hour. Writing on behalf of the St. Louis Animal Rights Team, Kolde noted that the carriage company was violating the MTC’s street codes that specifically prohibit carriages from operating on public streets between 4 p.m. and 6 p.m. Kolde demanded the city open an investigation and issue a citation. “Frankly,” he wrote, “my client is extremely frustrated and I cannot say that I blame them. For some reason that is lost on me, MTC and the City will not or cannot even enforce the simplest of rules regarding these carriages.” The frustration felt by Kolde’s client has been building for years. After a court challenge by the St. Louis Animal Rights Team in 2014, a separate legal agreement with St. Louis city in 2015 formalized the MTC’s regulations on horse carriages. The agreement followed a string of troubling incidents which activists argued were reflective of widespread abuse, including one horse’s tragic death in Tilles Park in 2013. In 2014, the director of the city’s Health Department even tried, unsuccessfully, to banish all horse-drawn carriages from the city. But a legal challenge by a carriage company operating in the city has put a halt to the MTC’s
For at least six months, horse carriages in St. Louis city and county have operated regulation-free. | PHOTO VIA FLICKR/MITCH BENNETT
involvement. And no one in either St. Louis city or St. Louis County appears to be trying to fill the void. The MTC hasn’t regulated horsedrawn carriages for six months, and in its absence, no one else has either. That an industry which uses large animals to pull people around busy streets is unregulated might come as a surprise, particularly if the last thing you read about horse carriages was that a city judge upheld the taxi commission’s September 2016 cease-and-desist order banning Brookdale Farms from operating carriages in the city. The ruling followed allegations that the Eureka-based company violated
taxi commission rules by using unlicensed drivers and illegally working its carriage horses on days when the temperature and humidity crossed the 100-degree threshold. The company’s ban was widely covered by local media, but everybody (including Riverfront Times) missed what happened little more than a month later: Brookdale Farms challenged the MTC’s cease-and-desist order in St. Louis County Circuit Court — and won. On October 31, Judge Kristine Kerr stayed further enforcement by the taxi commission, noting simply that its authority under the law covers vehicles using a taximeter. Horse-drawn carriages, she riverfronttimes.com
suggested tersely, are not under its purview. In response, the MTC quietly decided to stop regulating the horse carriage industry altogether, in both the county and city. While the decision didn’t make headlines last year, the MTC and its lawyers make no secret of it now. Following Kolde’s May 26 email complaining about a horse carriage operating in downtown during rush hour, MTC attorney Chuck Billings wrote back: “We are under a court order from Judge Kerr in St. Louis County not to enforce the carriage portion of the code.” In an emailed statement, MTC Continued on pg 11 director Ron
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ost nights, James Williams just tries to keep moving. “The park closes at ten,” he says. “So I walk the streets all night.” The 65-year-old has been homeless for about four or five months, ever since his lease ran out and he did not have enough money to keep up payments, he says. Last Thursday, he joined about 150 others north of City Hall in the corner of Kaufman Park, where Rev. Larry Rice and workers from his recently closed homeless shelter handed out bus passes, toiletries, bottles of water and bags of chips. People here say there are simply not enough beds. The city had promised to find room for those displaced in April when Rice was forced to close New Life Evangelistic Center, the controversial shelter he had operated for more than four decades. Rice lost his occupancy permit in 2015, but persisted for more than two years in staving off shutdown. When the city finally won its long legal battle against Rice’s operation, municipal leaders opened two 75-bed temporary shelters to fill the vacuum. A makeshift women’s shelter in the 12th and Park recreation center closed on May 23, ahead of a 60-day schedule. Eddie Roth, St. Louis’ director of human resources, says ten of the 60 women and nine kids who were admitted after NLEC closed left on their own. The rest were placed in other shelters before it closed or longterm housing, he says — the city’s ultimate goal. “Now we’re turning our attention to the guys,” he says. The city initially set up cots in the St. Louis Weed Control warehouse, but faced a class-action lawsuit from the nonprofit law firm ArchCity Defenders and lawyers from a Saint Louis University Law legal clinic, who argued the conditions were inhumane. The two sides agreed the warehouse would be closed by Monday, although the city says it had always planned to shut it down in June. As the deadline approached, the city signed a ten-month lease to set up another 75-cot temporary shelter at the former Horizon Club, a vacant drop-in center at the corner of Pine and North 23rd streets. Roth says they’re implementing a six-month
JUNE 7-13, 2017
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James Williams says he walks all night because St. Louis homeless shelters are overcrowded. | DOYLE MURPHY “wind-down” program to guide the men toward more permanent housing. The goal is to cut down the number of people in temporary shelters to zero, or at least drop the population to a size that could be absorbed into Biddle House, a full-service shelter on North 13th Street. The city has moved toward a housing-first approach to homelessness, a strategy that prioritizes long-term homes over shelters. Biddle, a 98bed facility that opened last year, is lined with offices where an array of service providers work with residents on plans designed to move them off the streets for good. In the aftermath of NLEC’s closure, the city and a network of agencies focused first on the women and children, Roth says, a project made more difficult because they weren’t sure the privately run shelter was actually closing this time, much less how many people were staying there. “Winding down the women’s shelter in six weeks I think shows what we’re capable of when we work together,” Roth says. There are fewer facilities for homeless men, but Roth is optimistic they’ll have similar success in six months. The city signed a ten-month lease as
a contingency going into the winter months, he says. Rice, unsurprisingly, remains critical of the city’s strategy. He says more people land on the streets everyday, and it’s disingenuous to talk about decreasing a finite number. “You took care of that 60 [women and children],” he says. “Great. What about the other 60 that become homeless?” Ann Perryman, 49, had stayed at NLEC before it closed. She says she never heard about the temporary shelter run by the city, and overcrowding at other facilities left her with few options. “When they closed, I just got me a tent,” she says. Overcrowding at the shelters is a major problem, according to people at the park on Thursday. Williams says he has waited in line for hours at Biddle House, only to see all the available spots evaporate before he could land one. He carries around a folded note from a doctor, describing his medical ailments and need for emergency housing. But it doesn’t do him any good if there aren’t enough beds. “I don’t get it,” he says. “I don’t get the whole system. I don’t get it, man.” —Doyle Murphy
HORSES Continued from pg 9 Klein defended the agency’s pullback, citing Judge Kerr’s order. “We believe the City and the county do have the authority to enforce their own ordinances, and we believe they may legally delegate some of that authority to MTC,” Klein writes. “The subject is being litigated. The judge has stayed the MTC’s enforcement of the ordinances.” There’s no telling what further litigation might bring, but neither the city or the MTC appear to be rushing to resolve the issue. (It’s possible the MTC could find itself paying damages to Brookdale Farms for the attempted enforcement action stayed by Judge Kerr.) For now, though, the ambiguity has put government o cials in a tough position. Koran Addo, spokesman for Mayor Lyda Krewson, tells RFT that the city’s Health Department continues to uphold its side of the 2015 “memorandum of understanding” signed with the MTC. But that agreement only covers health inspections on stables and checks on horses’ health. “The Health Department doesn’t have any authority to regulate horse carriages,” Addo says. “As far as the regulation the taxi commission is supposed to be doing, the city is trying to work something out. Right now things are in limbo.” To Jerry Kirk, who’s run Brookdale Farms for more than 30 years, the legal squabbles between animal rights activists, the MTC and local governments are little more than noise, signifying few actual limitations on his business. “The taxicab commission wanted us to knuckle under. We said no,” Kirk tells RFT. “We went to court, and a judge said right away that they’ve got no leg to stand on.” Indeed, despite the bad press over the MTC’s attempt to ban his business, Kirk simply ignored MTC’s cease-desist-order and now says that he never considered tweaking how his carriages operated. “Nothing has changed with the way we do business,” he says. At this point, aside from filing paperwork showing yearly veterinary checkups have been performed and allowing city health inspectors to look at the horse stables, Kirk insists Brookdale Farms doesn’t owe regulators anything.
It’s functioning safely as a self-regulated business, and he says he doesn’t need outside agencies enforcing requirements for commercial liability insurance, vehicle inspections, background checks or driver training. “This is something all the companies have always done. The companies take care of training its drivers, they teach them everything,” says Kirk. He maintains that Brookdale Farm’s safety and training policies are either equal or more stringent than what MTC’s
street codes required. “The taxi commission wasn’t involved with training or anything to do with the drivers,” Kirk adds. “All they did was collect money from the drivers. It had nothing to do with being accountable.” Trusting companies like Brookdale Farms to keep horses safe, though, sounds to animal rights activists like a fox being commissioned to run a hen-house. Without enforcement on the table — and the possibility of consequences for violating the rules — Kolde and
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the St. Louis Animal Rights Team believe it’s only a matter of time before another tragedy strikes. “This is an industry which has benefited for years from a lack of regulatory enforcement,” Kolde says. He points out that temperatures are expected to spike next weekend, posing a possible danger to the horses forced to ferry couples and visitors for hours on end. “That is just wrong,” he says. “The public and the horses den serve better.”
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Cherokee Street has become the city’s creative hub. But rising crime in the surrounding neighborhoods remains a big frustration. | STEVE TRUESDELL
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The
Battle
FOR CHEROKEE Business is booming on south city’s most dynamic street. But an old problem continues to fester BY NICHOLAS PHILLIPS
Y
ou can tell how long someone has lived in the Cherokee neighborhood by how they pronounce the street name. Newcomers punch the first syllable (as in “CHER-o-kee”). Lifers tend to lean on the back end (“cher-o-KEE”). Francis Rodriguez is a lifer. A restaurateur and artist with wintry stubble, Rodriguez has spent most of his 58 years on Cherokee and the surrounding grid of “state streets.” He watched the area flourish in his youth, then hollow out by the 1990s. Now he is a pillar of its remarkable turnaround — a movement of which he is fiercely protective, especially lately. Rodriguez embodies Cherokee’s idiosyncrasy. Despite his Latino surname, he speaks no Spanish, but understands some German, having spent time in Europe as a child. His paternal ancestors were the native Yaqui people of Mexico. That explains why, when he quit teaching biology at Gateway High School to launch a wood-fired pizza joint on Cherokee in 2014, he named it “Yaquis.” Rodriguez is a kinetic man. He is quick to erupt in anger and just as quick to apologize. While many neighbors his age lean conservative, Rodriguez leans left. His pizzeria has emerged as an informal hub of progressive politics on the city’s south side. It’s where revelers at the Cinco de Mayo festival have bludgeoned piñatas of Donald Trump, and where former rapper Bruce Franks, Jr. stood atop the bar to celebrate his underdog win in last summer’s statehouse race. Liberal bona fides aside, Rodriguez is also a product of a rough-and-tumble ethos. He has zero patience for delinquency, and has been known to chase down purse-snatchers and to brandish a .22-caliber handgun in self-defense. “Growing up in this area breeds a certain kind of toughness,” he says. But even he wasn’t prepared for what occurred in the wee hours of Sunday, April 30. Rodriguez lives above Yaquis with his wife, Beckie Lewis, and their daughter, now eighteen months old. Shortly before 1 a.m. on that date, he heard a commotion on the street below. Half a block east, the nightclub 2720 had just hosted a free eighteen-and-up EDM show. Scores of patrons were spilling out. An argument flared. Rodriguez decided to get dressed and check on his staff. After lacing up his second shoe, he heard a loud BANG just outside. Then gunshots cracked up and down the street. He raced to the rear of the apartment, where Lewis was Continued on pg 14 now awake and trying to shield the riverfronttimes.com JUNE 7-13, 2017 RIVERFRONT TIMES
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CHEROKEE Continued from pg 13 baby on the floor. He rushed downstairs to Yaquis. Patrons were taking cover. At the entrance, a woman attempting to flee the gunfire got stuck in the doorway. Rodriguez pulled her in, then locked the front door. And then, he remembers, he went into “a blind rage.” He stalked out the back door and onto Iowa Avenue, where the crowd was scattering and shell casings littered the pavement. It was over. At least 60 rounds had been fired — most, apparently, into the air. They were so loud, people heard them from a mile away. While nobody died, two went to the hospital with injuries, and one taco truck was left with a shattered window. After the police arrived, Rodriguez walked back upstairs to take a breather. He stepped into his bathroom. He vomited. Neither he nor his wife slept the rest of that night. He became more convinced than ever that Cherokee’s bars and clubs were no place for minors — and he couldn’t wait to give the local busi14
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ness association a piece of his mind. “I know I’m a bully,” he says. “I try to work against my darker nature. But when I have to put my baby on the floor, you motherfuckers are going to listen to me.” Over the past nine months, Cherokee Street — ground zero for the city’s DIY art and nightlife scene — has suffered a rash of violence. The effect has been sobering. Those who brought about the street’s cultural and political flowering did so organically, without a master plan or much interest from City Hall. But their work required a fertile soil of cheap real estate, which came mixed in with poverty and crime. They knew it was a tough place, but with investment, might get better. Now that crime is on the rise, Cherokee denizens want to protect what they’ve grown — but they’ll have to make peace among themselves first. It’s not merely that stakeholders disagree on whether to address crime with a hard or soft approach — that is, incarceration versus conversation. There are also personal rifts that linger from the old political order being
Beckie Lewis and Francis Rodriguez own two businesses on Cherokee. They were horrified by an April 30 shooting. | KELLY GLUECK
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swept aside by younger upstarts. Some of this is the inevitable result of gentrification, the process by which a once-abandoned neighborhood gets renewed. Yet on these blocks, textbook dichotomies don’t hold. Nothing is as simple as old versus young, black versus white, or wealthy versus poor. Cherokee has become a complex web of personalities, all trying to pull their neighborhood to safer ground. They’re just not pulling in the same direction.
F
rancis Rodriguez has no direct memory of the grand sweep of Cherokee’s past — how it grew from a grazing pasture in the 1800s to a commercial strip a century later. He never saw the electric streetcars rolling past Woolworth’s after World War I, nor did he get to hear a young Frank Sinatra croon at the Casa Loma Ballroom in 1939. But Rodriguez, born in 1958, did witness the tail end of that boom. He sold Globe-Democrat newspapers at crowded taverns in the late 1960s. He also participated in the tit-for-tat
of old-school ward politics: His family helped campaign for local alderman Louis “Uncle Louie” Buckowitz, who in turn helped Rodriguez land a lifeguard job at public pools. By the time Rodriguez graduated from Roosevelt High School in 1977, deindustrialization and white flight were draining American cities. Cherokee Street was not spared. East of Jefferson Avenue, some antique merchants managed to stay afloat. On the west side, most storefronts went dark, save the odd pharmacy or head shop selling bongs to suburban teens. Crack use, alcoholism and homelessness became common. Things got bleak enough that even Rodriguez himself moved to Crestwood in 1993 and stayed there for many years. But in the early aughts, there was a quiet rebirth. Hispanic entrepreneurs trickled in to sell groceries and tacos. Developers found architectural gems of red brick and restored them. Poor young artists, meanwhile, took advantage of low rents to set up galleries and play loud guitars. Over the course of a decade, Continued on pg 16 the steady riverfronttimes.com
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CHEROKEE Continued from pg 15
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stream of energy, dollars and foot traffic rose into a wave. In 2013, Cherokee saw 23 new establishments open. The next year, 22 followed, with 25 more in 2015 and an additional sixteen in 2016 — a total of 86 new businesses and nonprofits in just four years. Among them was Yaquis, opened by Rodriguez, his wife and a third partner, Joe Timm, in 2014. Last September the trio opened a burger-slinging dive bar called the B-Side down the block. Rodriguez has poured most of his finances into these ventures — one reason among many he is so concerned about crime.
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ccording to an RFT analysis of police data, there was a six percent increase citywide in reported “person crimes” (robberies, assaults, rapes and homicides) from 2012 through 2016. But in the four neighborhoods surrounding Cherokee Street — Gravois Park, Benton Park West, Benton Park and Marine Villa — that increase was 53 percent. And so far this year, such reports are up by a quarter over last year. The bulk of these incidents have occurred in the state streets. Last September, the Post-Dispatch reported on groups of youths roving Gravois Park attacking people, sometimes at random. On September 25, nearly a dozen people mobbed 37-year-old Rob Ludwig and his girlfriend after she attempted to intervene in the harassment of a young neighbor. They both had to be hospitalized; Ludwig suffered a brain bleed, two black eyes and even a blackened tongue. The violence occasionally spills onto Cherokee proper. Online police maps show that 24 violent crimes, mostly assaults, have occurred on the street itself in the last six months. Just steps off the main drag, two incidents even made the news. In October, a 64-year-old Vietnamese shopkeeper recovering from cancer was brutally mugged in an alley behind Cherokee while taking an afternoon walk. He ended up in critical condition. Then, on March 21, a man was shot in the shoulder at Cherokee and California Avenue during an apparent robbery. Rodriguez was at Yaquis that night. He saw the police SUVs and walked up to the scene. He noticed with irritation how a streetlight was out, and how the property just north of the intersection lay in shadow. With his cell phone, he made a video, which he uploaded to Facebook under a caption decrying “absentee landlords.”
“Look at this,” he says in the clip, showing the dark lot. “No lights on.... I’m sick and tired of these people who own property down here and put as at peril. They need to take care of their shit down here.” He didn’t know yet who owned the property. When he found out, his anger swelled.
T
he political winds have shifted abruptly on Cherokee Street: In just two years, voters have ousted three incumbent Democratic committee members, one state representative and two aldermen. The latter change was key. If a city ward is a fiefdom, the alderman is its lord. He is the liaison to city services and can make life easy — or hard — for entrepreneurs. Cherokee Street has the misfortune of serving as a border between wards. For more than a decade, that meant that in the central blocks, the north side of the street was repreContinued on pg 18 sented by 9th
Kaveh Razani manages 2720, which has come under fire for its all-ages policies. | MABEL SUEN
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CHEROKEE Continued from pg 16 Ward Alderman Ken Ortmann, while much of the south side fell under 20th Ward Alderman Craig Schmid. Both have been replaced by younger candidates. The first domino to fall was Schmid. An attorney by trade, he was considered by many to be an assiduous caretaker, but also risk-averse and uneasy around Cherokee’s weirder element. Challenged in the 2007 primary by artist Galen Gondolfi, Schmid and/or his allies sent voters a mailer linking Gondolfi to “communists, socialists, anarchists, vandals and graffiti ‘artists.’” (In the old Cherokee, those words were slurs; today, they might describe your barista.) Schmid and Ortmann “had the best of intentions,” says Randy Vines, who with his twin brother Jeff opened the Style House apparel store on Schmid’s part of Cherokee in 2010. “When they were elected, their sole goal was to preserve livability in a time of steep decline. But the hallmark of urban neighborhoods is they evolve. You cannot protect them from everybody and everything.” Schmid, for example, had long kept a moratorium on new bars. Under pressure, he lifted it in 2009, but lasted just one more term before losing in 2015 to Cara Spencer, a business analyst backed by the district’s influ-
ential business association. Spencer rescued the Marquette Pool from a summer closure in her first few months, took on the payday lending industry and is even threatening a lawsuit over the city’s plan to pay for $138 million of renovations at Scottrade Center. Her supporters point to her as proof that it’s possible to take on the political establishment and win. Others followed her lead: Last September, business owner (and Ferguson protester) Bruce Franks Jr., took down the neighborhood’s longtime state representative, Penny Hubbard. Then in March, Dan Guenther, a pony-tailed organizer with the Benton Park Neighborhood Association, bested Ortmann in the 9th Ward. Ortmann, whose family owns a Soulard dive bar, is a former U.S. Marine and classic south-city pol. Still smarting from his loss in May, he suggests he’s been a victim of the street’s very success. “The millennials don’t want to give me credit,” he says. “I don’t think they care how [Cherokee] got there, they weren’t there through the hard times and the development that got done.” The area’s crime problem was very much on Ortmann’s mind. Before losing the election, he used ward funds that he’d squirreled away to buy a $437,000 system of high-tech police security cameras at ten different intersections in the 9th Ward, including
at two spots on Cherokee. The cameras, which recognize license plates, help police quickly spot stolen cars — and apprehend their drivers. They’re already active downtown, but they’ll be something new for Cherokee. He expects them to start arriving next month. But Ortmann’s project drew some grumbling online from younger residents, who worry about heavy-handed policing and its impact on young black residents. Schmid, too, is finding part of his legacy under fire. It turns out that the “absentee landlord” who failed to light the old bank property at Cherokee and California — the landlord against whom Francis Rodriguez railed on Facebook — was the Gravois Park Neighborhood Association. And its members had acquired that property thanks to a sweetheart deal from Schmid. According to a spokeswoman for the city’s Land Reutilization Authority (LRA), it was common in the mid-aughts for aldermen to acquire distressed properties using federal Community Development Block Grant funds, then gift those properties to constituents who promised to develop them. It was a way to subsidize renewal — or at least, that was the theory. But renewal is not what happened at the old bank property. Schmid did not return calls seeking comment. But the record shows that, in 2005, as part of a broader devel-
opment plan for the area, Schmid used $20,000 in federal block grant funds to enable the LRA to buy the old Jefferson Heritage Bank property. He then arranged for the LRA to give it to his allies in the neighborhood association, a nonprofit that agreed in writing to “repair, fence and landscape [it] for [a] community center and retail facility.” If they failed to do so within a year, the city reserved the right to reclaim the property. A year went by, and the city never took it back. So from that point on, the association has owned it, free and clear. And today, even though it sits in the heart of a thriving commercial strip, the association has done very little with it. According to city records, only one merchant has occupied the retail space, and only for a few years. The adjacent parking lot is nearly always chained off. Its drains have clogged, causing giant puddles to form after hard rain. Last autumn, neighbors complained to Alderwoman Spencer that criminals were taking advantage of the lot’s darkness. She emailed the association’s officers, concerned about the lack of “significant lighting.” “I am hoping you can update me on future plans for the site and perhaps a meeting with all involved can help us get on the same page,” Spencer wrote. Ten minutes later, she received Continued on pg 20 a reply from riverfronttimes.com
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Shirley Wallace. In the group’s filings, Wallace is listed as treasurer, with an address of 2100 Cherokee. However, she doesn’t own the antique business located there, much less the building it’s in. In fact, public records show that Wallace is a St. Charles resident who owns no property or business in the neighborhood. Still, for more than a decade, she has continued to show up on Cherokee Street to oppose the newcomers at every turn — including Alderwoman Spencer. Referring to the old bank property, Wallace wrote: “There has never been an incident there in more than ten years.... Significant lighting is not necessary. Our future plans are not your concern and do not require a meeting.” After the March 17 shooting, Spencer again emailed members of the association, and again, Wallace rebuffed her. “There is a lot of empty property in the 20th ward part of Cherokee that could use your help,” Wallace wrote. “We are doing just fine.” In the weeks that followed, though, the association quietly responded to its neighbors’ concerns. They painted over graffiti, and set up a timed lighting system in the lot. Secretary Dale Sweet acknowledges to the RFT that the property “has been a little under-utilized,” and that they’ve discussed finding another retail tenant. But he insists it’s their choice to make, adding, “America still has private property rights.” Gravois Park Neighborhood Association is a holdout from the days of Old Cherokee. It’s not as young or dynamic as its nearby analogues, but it’s not a shell organization either. Its members meet every month in the old bank office. They participate in National Night Out and a mentoring program through the city’s juvenile court system. City records show they pay their property taxes. Yet they also claim to speak for the neighborhood — for example, by making community impact statements in criminal cases. And they do that without ever holding open elections. (Both Wallace, the treasurer, and the new president, Daniel Petty, declines to speak to RFT.) In 2016, frustration over their closed elections even led to the creation of an offshoot Gravois Park group. It has since dissolved. The group’s isolation is not just cultural. The property that has everyone riled up actually lies in Benton Park West, not Gravois Park, and thanks to redistricting, it’s no longer even part of the 20th Ward. It has become
At least 86 new businesses have been formed on the street in the last four years. | STEVE TRUESDELL
a physical symbol of everything that upsets Cherokee’s new guard about the old one. They see it as a stubborn “no” in a neighborhood of “yes.” Some even see it as publicly subsidized land speculation. Abigail Vargas’ family owns La Vallesana next door. Their corner eatery has grown from a small popsicle hut in 2003 to a large restaurant with two patios and a gazebo. She remembers asking the association twice about buying the bank property, but they told her it’s not for sale. “If they don’t have a plan or something in mind, a lot of other people probably do,” she says. In the meantime, she too expresses concern about criminals using the bank lot as an escape route. “They can hide back there.” Three weeks after the March 21 shooting, Francis Rodriguez and his wife Beckie Lewis attended the association’s April meeting with some friends. They broached the topic of Continued on pg 22 lighting in the
IN LOVING MEMORY OF THE LIVES LOST IN ORLANDO THIS FATEFUL DAY, ONE YEAR AGO JUNE 12, 2016
Dan Guenther and Cara Spencer toppled long-time members of the Board of Aldermen to win their seats. | STEVE TRUESDELL
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lot. “Our biggest problem as a business owner is crime,” said Lewis. “We walk around here. There are no lights. This is a parking lot where people feel safe to deal drugs.” True or not, there was an undercurrent of political tension in her words. The neighborhood association had aligned with Schmid. Newer business owners like Lewis and Rodriguez had backed Spencer. So when Lewis segued from the topic of crime into questions about the association’s funding, the exchange got heated. “We lost our temper and the meeting just fell apart,” Rodriguez said later. “You could see they weren’t listening and they weren’t going to move off center.”
O
ne of the thorniest security questions in this neighborhood is how much to involve the cops. “We have a love-hate relationship with the police on Cherokee,” says Anne McCullough, a spokeswoman for the business association, which is now controlled by the newcomers. In some ways, the link with law enforcement is as strong as ever: 3rd District Captain Shawn Dace has brought back a pair of officers anchored to the street, even amidst staffing shortag-
es. He says they have made inroads with local kids and helped some folks feel more comfortable speaking to the authorities (which may have contributed to the rise in reported incidents). Yet some prefer to bypass the police. Cherokee resident Julia Ho, who is the founder of Solidarity Economy St. Louis, has advocated for a restorative justice program. In that scenario, people who commit low-level offenses could acknowledge their misdeeds and make amends outside the court system. The idea found backers: the Cherokee Street Business Association voted to support it last fall, and even the court’s juvenile division said it was on board. But a March 2017 launch date came and went; Ho says the project is on the backburner for lack of funding. In any case, Ho believes Cherokee cannot police its way out of entrenched problems. For her, crime is a symptom of poverty, and “safety” has different meanings for different people. To a new shopkeeper, “safety” might mean threats on the sidewalk. But a block off the main drag, “safety” might describe the threat of rising rents. McCullough agrees that newcomers to Cherokee should adopt a broad view — and temper expectations. “While things can feel very personal, especially when gunshots are happening outside of your window, people need to recognize that gunshots
Yaquis has become an unofficial hub for the city’s progressives. | STEVE TRUESDELL
38TH ANNUAL ST. LOUIS PRIDEFEST SOLDIERS MEMORIAL • DOWNTOWN ST. LOUIS
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have been happening outside of windows in this neighborhood for twenty years,” she says. “It’s disheartening for them to make it about them, and not about what they’re moving into. It’s not an easy fix.” But the crime doesn’t come solely from people living in the neighborhood. In some cases, opportunists from elsewhere come to prey on unsuspecting Cherokee customers. And venues that allow an all-ages crowd make some neighbors nervous. Kaveh Razani, who has been managing 2720 for the last year and a half (and Blank Space before that) welcomes teenagers to Cherokee. “I reject the notion that this street is for people above the age of 21,” Razani says. Ever since bullets flew outside 2720 on April 30, he has had to defend his business practices. While Razani does feel responsible for security inside his clubs, he says he can’t control what happens out on the street. Down the block at Yaquis, Rodriguez disagrees. A career teaching high school convinced him, he says, that kids mature greatly between 18 and 21. Enforcement can’t be 100 percent, indoors or on the street, so allowing teens close proximity to liquor is just courting disaster. Rodriguez went to the Cherokee Station Business Association Meeting on May 18 to make himself heard.
That evening, about 75 people gathered on the second floor of Nebula Co-working at Cherokee and Jefferson. In a humid event space scented with re-finished hardwood floors, the board addressed a crowd composed of dozens of shopkeepers, residents, two aldermen, one police captain, two dogs, and one baby. For two hours, they hashed out what happened, how it felt, and possible fixes. One young woman fought back tears as she recalled the storm of bullets. Seated at the back of the room, Rodriguez took his turn to speak. But when others jumped in, he grew frustrated and demanded more time. He began to bicker with three women across the room before losing his temper, shouting and leaving in a huff (followed by a door slam). And that wasn’t even the finale. At the end of the meeting, Pat Brannon, the proprietor of Casa Loma, raised hackles. “I get asked to have rap shows,” he said. “But I turn them down.” He said rap promoters were not ideal business associates, and on top of that, “I know the type of person that’s gonna come in. They’re not gonna respect the Casa Loma.” Incredulous, Razani interrupted him: “Can I address the room? Do I need to respond to this?” Meanwhile, Pacia Anderson sat at Continued on pg 24 one of the tall
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A tea shop and clothing shop are among the street’s newer additions. | STEVE TRUESDELL
CHEROKEE Continued from pg 23 tables, disgusted. A community organizer originally from Belleville, she has lived on Cherokee since 2014. What she heard in Brannon’s words was this: Black youth are the problem. She was offended. She gathered her things to leave when the person next to her put his hand on her arm. It was state Representative Bruce Franks Jr. (D-St. Louis). A Ferguson protester and battle rapper, Franks won an upset victory last November against one of the city’s old-guard political dynasties. “I got this,” he whispered. Franks made his way to the front. First, he noted all the rap and hip-hop shows he personally had played at Razani’s clubs, without incident. “You’re right,” he told Brannon. “It is the promoters. But it’s not necessarily this genre of music or these types of people. Because the type of people that you’re talking about is me. You’ve been over here for a long time. I have too. “There’s really no place in the world like Cherokee,” he continued. “I really think we should concentrate on what solutions we could possibly give to 2720, help empower them, help to grow their business, as we help to grow every other business on Cherokee and within the surrounding area.” The crowd applauded — and seemed to exhale.
A
week later, Francis Rodriguez sits in Yaquis, dissatisfied. He had hoped for a consensus on a curfew for minors. Instead, he’d lost his temper. As he runs through his policy argument again, the deeper reason for his behavior emerges: He is still traumatized by the shootings on April 30. “It makes it hard for me to go to sleep,” he finally says. “I can’t really go to sleep until I know people are out of our building and are safe. I’m afraid I’ll go to sleep and somebody will walk in and kill them.” He chokes up. “I couldn’t live with myself then.” “Look,” he continues. “There’s a river of good will flowing down the middle of Cherokee in an otherwise hopeless place. If you’re right on Cherokee, you can stick your toe in this river. You feel invigorated. The lights are on. People are drinking. People are happy.” He gestures south into the state streets. “Walk down that way. There’s no party. There’s no flow down there.” But he sees no alternative to effort and hope. He wants everyone in the state streets to feel the same hope for Cherokee that he feels — police stats and political grudges be damned. “They aren’t driving us off,” he says of all the doubters and delinquents. “We have the high ground. Physically and morally. And in any pitched battle, if you have the high ground, you’re n normally the victor.”
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WEEK OF JUNE 8-14
The “spokespup” for this year’s Urban Wanderers art show. | COURTESY OF STRAY RESCUE
BY PAUL FRISWOLD
THURSDAY 06/08 Monsters
the Tower Grove Abbey (2336 Tennessee Avenue; www.straydogtheatre.org). Tickets are $25.
Jeremy and Davis are convinced that they’ve finally done it — they’ve plotted out how to commit the perfect crime. Of course the brothers have concealed their plans and intentions from everyone, but they overlooked one key factor: When your wife finds a man tied up in her basement, she’s gonna start asking questions. Local actor and playwright Stephen Peirick’s new comic-thriller Monsters explores what happens when would-be master criminals forget that you can never fool your wife. Monsters is performed at 8 p.m. Thursday through Saturday (June 8 to 24) at
FRIDAY 06/09 Urban Wanderers Stray Rescue’s street teams see animals in their worst moments. Chained up in their own filth, injured and holed up behind dumpsters, malnourished and abused — these animals are found in abominable conditions, and Stray Rescue’s people know it. This year’s Urban Wanderers art show is all about that moment when the cats and dogs are pulled out of the darkness and back into the
world. More than 80 artists have read the individual stories of a cat or dog’s rescue; the artists have then interpreted in their work the animal’s emotional state at the moment Stray Rescue arrived. Actual artifacts found with the rescuee have been incorporated into the exhibit as well. Urban Wanderers: Through Their Eyes opens with a free reception from 5 to 8 p.m. Friday, June 9, at the Saint Louis University Museum of Art (3663 Lindell Boulevard; sluma. slu.edu). The show remains up through July 23, and the gallery is open 11 a.m. to 4 p.m. Wednesday through Sunday.
Next to Normal riverfronttimes.com
Brian Yorkey and Tom Kitt won three Tony awards and the 2010 Pulitzer Prize for Drama for their musical Next to Normal because of its clear-eyed portrayal of the ways mental illness affects families as a unit and as individuals. In it, a mother’s bipolar disorder has kept her caught in an endless cycle of medication that only works until her body adjusts to the dosage. The more her illness flares up, the more it strains her relationship with her husband and children. Is there a course of medication or therapy that can set her and her family back on the path to normal? Insight Theatre Company opens its tenth season with Next to Normal. The show is performed at 8 p.m. Thursday through Saturday and Continued on pg 28
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DID YOU KNOW:
1.3 MILLION PEOPLE READ
A lonely traveler discusses the importance of “home” in Title and Deed. | TODD DAVIS
CALENDAR Continued from pg 27 at 2 p.m. Sunday (June 8 to 25) at .Zack (3224 Locust Street; www. insighttheatrecompany.com). Tickets are $20 to $35.
Title and Deed
EACH MONTH
An immigrant — or maybe just a traveler from parts unknown — comes into view with his single piece of luggage and starts talking. He explains that he’s not from here, and slowly begins to reveal snippets about where he’s from. What this stranger is speaking of is the concept of “home”; the sounds and sights and people that make a place dear. But he’s also talking about the isolation that accrues when you haven’t felt any of its comforts for too long. Will Eno’s one-man show Title and Deed addresses the alienation wrought by displacement. Midnight Company presents the show at 8 p.m. Thursday through Sunday (June 8 to 24) at Avatar Studios (2675 Scott Avenue; www. midnightcompany.com). Tickets are $15.
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Titus Mozart’s late opera La clemenza di Tito, now known as Titus, was commissioned to assuage the fears of both the nobility and the peasants of Bohemia following the French Revolution. It tells of the great mercy of Tito, the new emperor of Rome. Vitellia, daughter of the emperor deposed by Tito’s father, wants revenge. She plots to kill Tito, enlisting his own friend Sesto as assassin. But Vitellia also has designs on being empress; if Tito were to choose her as his new wife, all her fury would dissipate. Instead he selects Vitellia’s sister, and so Vitellia sets her murderous plan into action. What she hasn’t counted on is Tito’s own belief that a ruler should be both merciful and just — even toward his own wouldbe assassin. Opera Theatre of St. Louis closes its current season with Titus, at the special request of OTSL music director Stephen Lord. This will mark Lord’s final outing with the company he helped establish, and the principal singers are all his former mentees. Titus is performed at 8 p.m. Saturday, June 10, at the Loretto-Hilton Center (130 Edgar Road; www.opera-stl.org), and is performed five more times in repertory through June 24. Tickets are $25 to $135. Continued on pg 30
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CALENDAR Continued from pg 24 Gateway Men’s Chorus June is LGBT Pride month, not that the White House would know. And it’s exactly because this administration is so hostile to the cause that this year’s Pride events are so important. It’s easy to stand up when you’re being honored, but it’s vital to do so in the face of open disdain. The Gateway Men’s Chorus walks tall with its final show of the season, Shine: A Celebration of Broadway. The program includes classic and contemporary show tunes, with selections coming from Hamilton, Something Rotten! and Kinky Boots. The GMC presents Shine at 8 p.m. Friday and Saturday (June 9 and 10) at the Edison Theatre on Washington University’s campus (6445 Forsyth Boulevard; www.gmcstl. org). Tickets are $15 to $25.
The 39 Steps Richard Hannay is enjoying a night out at the music hall when the crowd is panicked by gunshots. He comforts a distressed woman, who talks him into taking her to his place. There she reveals some very intimate things about herself; she’s a spy, those shots were meant for her, and she knows there’s a secret organization that wants to steal British military secrets. Her murder later that night proves the truth of her wild claims, setting Hannay on the path to uncover the truth of the “39 Steps,” her last words. Patrick Barlow’s The 39 Steps transforms John Buchan’s spy novel of the same name into a comic romp through the films of Alfred Hitchcock. (Hitch adapted the novel into a film in 1 35. Part of the fun is the very limited cast — four actors play more than 140 roles during the show, adding to Hannay’s paranoia as everyone starts to look the same. Act Inc presents The 39 Steps at 8 p.m. Friday and Saturday and 2 p.m. Sunday (June 9 to 11) and again at 8 p.m. Friday, June 24, and 2 p.m. Sunday, June 25, at Lindenwood University’s J. Scheidegger Center for the Arts (2300 West Clay Street; www.actincstl.com). Tickets are $20.
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René Barbera stars as Tito in Titus.
Father Dominic Bread has long been regarded as “the staff of life,” which makes Father Dominic the wielder of the staff. The Converse-wearing, smile-sporting Benedictine monk has long popularized the art of baking bread in homes thanks to his former TV career and his ongoing series of books. His newest book, Baking Secrets of the Bread Monk, continues his work with advice for beginners, tricks for advanced bakers and a handy list of substitutions that can replace common ingredients when you come up short. Fr. Dominic visits the Missouri History Museum (Lindell Boulevard and DeBaliviere Avenue; www.mohistory.org) at 1 p.m. today to discuss bread, baking and the satisfaction you get from feeding friends and family. Admission is free.
TUESDAY 06/13 Jesus Christ Superstar The Muny launches its 99th sea-
son with the Andrew Lloyd Webber and Tim Rice sensation Jesus Christ Superstar. The rock musical tells the story of Jesus and his apostles in the days leading up to the crucifixion. As Jesus faces interference from the Roman governor, he must also deal with dissent from one of his closest companions — the apostle Judas. All the while, Jesus knows what will happen next: who among his disciples will deny him publicly, who among them will betray him, and the inevitability of his earthly demise (and subsequent resurrection). Jesus Christ Superstar is performed at 8:15 p.m. Monday to Sunday (June 13 to 18) at the Muny in Forest Park (www. muny.org). Tickets are $15 to $95.
Planning an event, exhibiting your art or putting on a play? Let us know and we’ll include it in the Night & Day section or publish a listing in the online calendar — for free! Send details via e-mail (calendar@ riverfronttimes.com), fax (314-754-6416) or mail (6358 Delmar Boulevard, Suite 200, St. Louis, MO 63130, attn: Calendar). Include the date, time, price, contact information and location (including ZIP code). Please submit information three weeks prior to the date of your event. No telephone submissions will be accepted. Find more events online at www.riverfronttimes.com.
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[REVIEW]
Everyday Hero Ken Loach returns from retirement to give us a compassionate look at modernday working-class Britons Written by
Robert Hunt
I, Daniel Blake
Directed by Ken Loach. Written by Paul Laverty. Starring Dave Johns, Hayley Squires and Briana Shann. Opens Friday, June 9, at the Landmark Tivoli Theatre.
W
hen Ken Loach released the impressive but under-appreciated Jimmy’s Hall three years ago, he also announced that it would be his last film. After a half-century of directing powerful, socially conscious and occasionally even headline-making drama for television and film, Loach was ready to retire. That didn’t last long. Watching the rise of right-wing extremism in Great Britain and elsewhere, Loach, a longtime activist and unapologetic socialist, realized he wasn’t willing to take to a rocking chair and keep quiet, so he stepped back into his position as the English cinema’s most outspoken defender of the poor and the working class. But don’t call it a comeback: I, Daniel Blake, which won the Palme d’Or at last year’s Cannes film festival, extends Loach’s long line of compassionate, righteously angry movies. It’s also one of the best films he’s ever made. Loach’s titular hero, played by Dave Johns, is a 59-year-old woodworker, recently widowed. His once-productive days at work have been replaced by long hours answering redundant questionnaires and listening to hold music through the phone lines of Brit-
Katie and Dan (Hayley Squires and Dave Johns) struggle to maintain their dignity. | PHOTO BY JOSS BARRATT. COURTESY SUNDANCE SELECTS ain’s social service agencies. Dan is recovering from a severe heart attack, and while his doctor has told him that he’s not prepared to return to work, the bureaucracies of the health and unemployment system aren’t so sure. He tries to navigate his way through the system with humor intact, but it’s not easy. When he tells a case worker that he has no computer experience, he’s told there’s a special number he can call for assistance he just needs to find it online. On one of his typically fruitless waiting-room outings, he befriends Katie (Hayley Squires , a single mother who has just arrived in ewcastle after being homeless in London. Like Dan, Katie is stubbornly trying to preserve her dignity while living in poverty, starving herself so that her two children can eat. But for a brief period he breaks through her reserve, acting as occasional handyman and babysitter. That brief description doesn’t
come close to covering the highs and lows of Paul Laverty’s screenplay. Both Dan and Katie experience many ups and downs, though a lot more of the latter, as they continue the high-wire act of economic survival without a safety net. But I, Daniel Blake is less a film that follows a plot from beginning to end than it is a series of observations, sometimes warm and human, other times so bitter that the second time I saw the film I wanted to look away from the screen. There’s not a false moment in the film, but there are many that are simply too truthful for comfort. Loach is understandably critical of the seemingly indifferent social structures that fail people like Dan and Katie, just as he is angry about the economic injustice that allows poverty to spread unchecked. But I, Daniel Blake is more than just a film of anger and outrage. It’s also warm and funny, with genuinely appealing figures and superlative performances from Johns riverfronttimes.com
and Squires. Loach takes his material seriously, but he also treats his characters — all of his characters — with honest affection, allowing them the dignity that the political system tries so hard to take from them. It is a film of level-headed compassion, so open to humanity that even the simplest scenes (Dan working around Katie’s apartment, or his casual encounters with his neighbor, a young man hoping to get rich selling knock-off tennis shoes seem unexpectedly revealing. Although Loach shows tragedy and hardship, he also shows compassion, a rare quality in contemporary films. As we stagger into the annual summertime parade of loud action films and dizzying comic-book adventures, the novelty of I, Daniel Blake is especially appealing. It’s a film that simply respects humanity and reminds us that our real lives, regardless of their economic status or social n standing, really do matter.
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THE ARTS
[REVIEW]
And the Law Won Kafka gets the opera treatment in the U.S. premiere of The Trial at Opera Theatre of St. Louis Written by
SARAH FENSKE The Trial
Music by Philip Glass. Libretto by Christopher Hampton. Directed by Michael McCarthy. Presented by Opera Theatre of St. Louis through June 24 at the Loretto-Hilton Center (130 Edgar Road, Webster Groves; 314-961-0644). Tickets $25 to $129.
A
man is awoken and informed that he is being arrested, but the charge is never clear. So begins Franz Kafka’s 1925 novel The Trial, but so too could begin any number of stories ripped from the headlines in the decades since. It matters little who makes the arrests — Stalin’s men in 1930s Russia or U.S. intelligence forces in the Middle East after 9/11. A show trial is a show trial (or maybe there’s no trial at all). The detainee’s fate is clear from the moment he’s apprehended. His guilt or innocence doesn’t matter. The Trial is now an opera, thanks to Philip Glass and Christopher Hampton. Their faithful adaptation of the novel first premiered in Wales a few years ago and then was a smash hit in London; Opera Theatre of St. Louis’ staging of the show, which kicked off Sunday, is the U.S. premiere. And what a premiere! Sunday’s flawless performance came with one of those endings where the audience was holding its breath and didn’t even realize it until that startling closing line (no spoilers here, though it’s in the book). You could almost hear the collective gasp — and then everyone jumped to their feet. Theo Hoffman, who stars as the hapless Josef K., came in for the most applause, and rightly so: He was on stage for every minute of the show, and he was simply
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Josef K (Theo Hoffman, left) seeks help from Titorelli (Brenton Ryan). Because who better to help with a court case than a painter? | KEN HOWARD
incredible. On first thought, it might seem like an odd fit, Kafka as opera. Yet as becomes readily apparent watching this production, nothing could be more apropos. Reading Kafka, after all, is like being in a nightmare, where nothing quite makes sense, yet the absurdity on the page strikes at a greater truth. It’s like having a fever; everything is at once both blurry and startlingly clear. And what is opera if not a fever dream? Of course people don’t go around in real life singing their conversations — much less baring their hearts in arias. Yet the truth on stage in a great opera strikes at
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the heart of the human condition. Its artifice is a path that allows us to explore our secret hopes, our dreams, our fears. The Trial has fewer moments allowing for bared souls than you’ll find in operas from the golden age (there is never a moment when Josef K. faces the audience and sings of how he aches for Fräulein Burstner or must fire his lawyer — and rightly so). But the unvoiced desires and fears... they are there, always lurking out of the corner of his eye. Director Michael McCarthy’s staging relies on a simple set where someone always seems to
be watching Josef K. The singers’ powdered faces might be an homage to Charlie Chaplin, but they also suggest German expressionism. They’re unsettling, the slightly off-kilter visages you’d encounter in a bad dream. That eight singers play more than twenty parts only adds to the dissonance. Everyone seems vaguely familiar even upon first entrance — and that familiarity is menacing rather than comfortable. It helps that the cast is terrific. Everyone is good, but Susannah Biller, who plays two of the main female parts, is especially so. As the guards, too, Robert Mellon and
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The guards (Robert Mellon, left and Joshua Blue, right) come for Josef K (Hoffman). Mellon and Blue are hilarious; they also play other roles in the production. | KEN HOWARD
Joshua Blue are quite funny, the comic relief brought to bumbling life. For all its black humor — and the audience did laugh at loud, much more than you’d think — the show remains harrowing. That Glass’ music pays homage to Bernard Herrmann’s jangly, paranoid score for North by Northwest punctuates the feeling that you’re watching a suspense classic turned on its side. It’s a world where everyone else may be in on the joke... or maybe there isn’t even a joke. They’re just laughing at you out of contempt. Kafka himself died before The
Trial was published — years before his name became synonymous with bureaucratic nightmares, and nearly two decades before two of his sisters were themselves apprehended by a government that didn’t have to explain its charges against them. One died in the camp at Chelmno; the other at Auschwitz. In translating Kafka’s classic tale to opera nearly 100 years after its writing, Glass and Hampton leave us with unsettling truth. History’s grand sweep shows us that the surreal is more real than we’d like to think. We should probably all be a bit more paranoid. n
NG COMI ! SOON OPENS SATURDAY!
ONE NIGHT ONLY! JUNE 20
TGIF OPERA GARDEN PARTIES
Every Friday this season! Live music. Boozy ice cream. Late night snacks. Date Night packages available! (314) 961-0644 | ExperienceOpera.org All performances sung in English and accompanied by members of the St. Louis Symphony.
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BIGGEST SHOWCASE TO DATE! P R E S E N T E D BY
P L E A S E D R I N K R E S P O N S I B LY 34
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[BOOKS]
Goth Girl Timely and haunting, Chavisa Woods’ story collection leads readers deep into rural America Written by
EVIE HEMPHILL
A
sk southern Illinois native Chavisa Woods where her startling plots and characters come from, and the short answer is her imagination. But as weird and wrenching and “out there” as they may seem, her stories also scream real-life Midwest. Restless adolescents befriend a strange woman living in a cemetery. A fervent young Southern Baptist burns a birthday present believed to be an occult toy. Casual conversation over cigarettes turns to talk of manslaughter, and a lesbian couple tries to keep it together at a Mensa party immediately after dropping acid. With eight tales of such people comprising her newest book,
Things to Do When You’re Goth in the Country (Seven Stories Press, 2017), Woods brings an often invisible landscape into rare focus. It’s a book that feels especially resonant given the current cultural moment in America. While it’s a work of fiction, and one that even ventures into fantasy, the people at its center are the working class and the rural poor. Often dismissed or even despised, they’re shown here in their full complexity over the course of 221 vivid pages. “I do hope [readers] get a sense of what it feels like to be there,” says Woods, 35, who grew up in rural Sandoval, Illinois, and moved to St. Louis as a young adult. “Sexism, racism and bigotry are driving forces in these areas for the actions of the people, and there is also a larger structure driving that” — namely, a capitalist system that offers, she says, “very little chance of any serious class climbing.” One of the stories captures an apocalyptic outlook that seems equal parts hope and despair. “What’s Happening on the News?” opens with a twenty-year-old Desert Storm soldier visiting his mother’s fourth-grade class with a helmet full of sand from Iraq
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Chauvisa Woods left rural Illinois for St. Louis because “they had a punk scene and a gay youth group and arts scene.” | COURTESY OF THE AUTHOR for show and tell. A child in the room — the narrator of the piece — raises her hand when the hero visitor mentions that a secret $1 million bounty has been placed on Saddam Hussein’s head. “I wanted to know if Saddam Hussein’s head should be delivered on a platter or a stick,” she explains in the story. “I was a child familiar with the Bible. In biblical stories, heads are often delivered on platters, and sometimes left as warnings on sticks.” For Woods, military recruitment in the U.S. and evangelical Christianity are inextricably linked, and “What’s Happening on the ews ” reflects that overlap and some of the beliefs she herself espoused as a child, like the connection between Israel, the Dome of the Rock and the second coming of Jesus. “And the adults around me who believed these things were in many ways good, loving people, and gave me a good childhood and cared for me as well as any parent could,” Woods says. “But of course, this aspect of my upbringing was notable and is still very strange to me, and when I write about these beliefs and certain experiences, just solely focusing on these religious superstitions, it sounds
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really absurd and insane.” Talking about it from a child’s perspective allows her to present the piece matter-of-factly, without much filter. “I hope that even though it is a child talking, it’s not lost that these beliefs really do impact our national politics and American culture in a huge way,” she adds. Based in Brooklyn these days (she moved to New York in 2003), Woods aims to provide a sense of place and the rhythm of life in her fiction, which now includes three full-length works. She also hopes that those from the areas she writes about “see themselves or people they know represented in a meaningful way.” Along with southern Illinois, St. Louis is a location that keeps cropping up in Woods’ work. Many chapters of her 2013 novel, The Albino Album, take place in the city, as does one of the stories in
Things to Do When You’re Goth in the Country. It’s a place the
author considers both bizarre and vibrant, and she’s looking forward to a return visit this month when she discusses and signs copies of her new book at 7 p.m. June 14 at Left Bank Books. “Around fifteen years old, I began going to St. Louis on the
weekends and spent many days at a time there in the summers because they had a punk scene and a gay youth group and an arts scene,” says Woods. She also spent a lot of time in Soulard and at MoKaBe’s Coffeehouse, which remains her first stop on trips back to the city. At eighteen, she moved here. A member of the St. Louis Poetry Slam team for two years, Woods performed in Shakespeare plays at the Grandel Theatre and became active in the area’s thriving arts community. Woods was also an early resident of C.A.M.P., a south city anarchist collective still in existence today. Even then she was already seriously pursuing writing, choosing to work part-time whenever it was feasible in order to dedicate time and energy to her craft. “That means I have made less money than I could have, and of course, it’s a gamble, but so far, it’s been worth it for me,” Woods says. “I placed my art and the ability to create it at the forefront of my life. It was a dangerous choice, and I have sacrificed some security for it, but it’s the only choice I could make in good conscience, and I’m glad I did.” n
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The Blue Duck has its hits and its misses. The Scotch egg, left, was a success; the grilled pork chop and its odd collection of sides, much less so. | MABEL SUEN
[REVIEW]
Goose Egg The Blue Duck tries hard in Maplewood, but it’s just not ready for the big city Written by
CHERYL BAEHR The Blue Duck
2661 Sutton Boulevard, Maplewood; 314769-9940. Tues.-Thurs. 11 a.m.-midnight; Fri.-Sat. 11-1 a.m.; Sun. 10:30 a.m.-9 p.m. (Closed Mondays.)
I
had the best ham sandwich of my life at the Blue Duck, the three-month-old Maplewood outpost of the beloved Washington, Missouri, comfort food
spot. House-cured ham, grilled so that the edges develop just a touch of caramelization, has the sweet pork flavor of a country ham steak. It’s sliced and stacked atop a butter-griddled potato bun, accented with a date-walnut spread and crumbled blue cheese that mingle to form a delectable tapenade the consistency of an old-fashioned cocktail party cheeseball. A drizzle of sorghum molasses plays off the ham’s sweetness and offers a syrupy contrast to the funky blue cheese, while arugula and a single, thick-sliced onion ring serve as garnishes. This miracle on a bun, known as the “Don Hamm,” is just one of the Blue Duck’s down-home lunchtime successes. In fact, one of my dining companions was so impressed with her quiche and a taste of my sandwich that she went back the next day with her husband. Lunch, she reported, was again delicious.
This pleasurable, home-style food was exactly what I expected from a restaurant that got its start seven years ago in a quaint Missouri river town. Burgers, quiche, salads, mac and cheese — all are examples of the sort of simple, well-executed meal you’d enjoy with Mom after a day spent antiquing on Main Street. This is how owners Chris and Karmen Rayburn built a large enough following to warrant expansion, and it is where the Blue Duck excels. But something seems to have happened on the restaurant’s migration east on I-44, and it wasn’t for the better. In an apparent attempt to gussy-up the food for more sophisticated tastes, the Blue Duck set its sights a bit higher. Fusion, New American, contemporary riffs on comfort fare — this is the type of food you’d expect to see on the menu of a hip Maplewood eatery. And this is where the Blue riverfronttimes.com
Duck stumbles. This tale of two ducks begins roughly seven years ago, not long after the Rayburns bought Washington’s Gourmet Café and renamed it the Blue Duck. Though they moved the restaurant to its current digs on the city’s riverfront, the husband and wife team had an even bigger move in mind: They wanted to expand to St. Louis. After searching for the right location, they came across a subdivided space in the building that used to house Monarch and knew they’d found their spot. On this last point alone, you have to commend the Rayburns for their bravery. Since Monarch closed five years ago, the building that held one of the crown jewels of St. Louis dining has sat vacant — mostly because it was massive and expensive, but in part (at least in my humble opinion) because no one wanted Continued on pg 41
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7344 MANCHESTER | 314-645-4803 | BOOGALOOSTL.COM Named Best Pulled Pork in St. Louis by George Mahe!
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lunch buffet 11-2:30, dinner buffet 5-8:30 regular menu always available
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MADE YOU LOOK!! 2727 S. 12TH STREET • ST. LOUIS, MO 63118 • (314) 772-1180
LUNCH • CATERING & TAKEOUT • WED-SUN 11AM-3PM 40
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The “Don Hamm” is sandwich perfection, a miracle on a bun. | MABEL SUEN
BLUE DUCK Continued from pg 39 to occupy such hallowed ground. Comparisons to Monarch, though unfair, are inevitable, and it took a brazen soul — or, in this case, two of them — to accept such a challenge. Though the Rayburns in no way are trying to be Monarch 2.0, they pay homage to the building’s storied history by hanging Monarch’s old-fashioned revolving coat-check rack above the bar. It’s the most prominent fixture in an otherwise bland dining space. Exposed ductwork, a dark drop ceiling, a deep, shotgun space that’s windowless save for the very front and icy blue-colored paint on drywall give off the feel of a finished basement. They’ve tried to soften it up with assorted window pane wall hangings, wooden tables and a bright red accent wall, but the room feels both cool and overlarge, even when filled with guests. To the Rayburns’ credit, I overheard an interior designer consulting on the space during one of my visits, indicating that a revamp may be in the works. A more pressing issue for the Blue Duck, however, is a menu revamp — or at least one capable of revamping part of it. As previously noted, lunchtime offerings are where the restaurant puts its best webbed-foot forward. In addition to the “Don Hamm,” the
restaurant’s signature sandwich, the “DLT,” pairs succulent sliced duck breast with tomato, lettuce and chipotle mayonnaise to offer a touch of heat. A gooey fried egg oozes over the components, and toasted sourdough bread soaks in the yolk, sauce and rendered duck fat. It’s a magnificent take on a BLT. uiche — on my visit filled with spinach and tomatoes — is so fluffy it occupies a perfect, custard-like state. Unlike a more traditional pie shell, the crust on my visit was soft and flaky like brioche, and pouffed away from the egg mixture as if it had been baked en croute. The restaurant offers the same menu throughout the day, so there are no “lunch” or “dinner” offerings per se. However, the more formal appetizers and entrees you’d be inclined to order for an evening meal were less successful. Of the starters, the Scotch egg was the standout. The egg was cooked so that the yolk remained liquid, and its coating of breadcrumb and sausage was soft, with a pleasant crispy texture. Pickled mustard seed vinaigrette and arugula offered a refreshing counter to the richness. It’s one of the better examples of the form I’ve tasted. On-trend braised pork belly steam buns were passable, but not memorable. The pork belly was stringy, and the kimchi lacked spice. Likewise, fried pork belly bites were mediocre. Coated in a bland spice Continued on pg 42 riverfronttimes.com
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BLUE DUCK Continued from pg 41
La Vallesana ENJOY A COLD BEER OR MARGARITA ON OUR LARGE OUTDOOR PATIOS! PATIO BACK BAR NOW OPEN
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Dessert offerings include cake with lemon curd and strawberry ice cream. | MABEL SUEN rub, the cubes of meat had the taste and texture of stale bacon. I found myself soaking them in the accompanying molasses barbecue sauce. The “Smoked Fried Hot Chicken” piqued my interest because of a most unique and whimsical feature: Red Hot Riplets breading. The Old Vienna potato chips are beloved in St. Louis for their addictively piquant seasoning. As such, I anticipated the chicken would pick up on such a pronounced spice blend, but it was overpowered by the smoke. The flavor was flat, and in an attempt to give it some oomph I tried dipping the chicken into the accompanying pickled pepper gravy. This was a mistake; the bland goo makes wallpaper paste seem appetizing. I was worried when the server did not ask our temperature preference for the lamb chops, and the well-done meat that arrived confirmed my suspicions. A mushroom and red wine puree may have reconstituted the meat, but it was so overtaken by a salty olive puree that no other flavors could shine through. A fava bean and barley mélange was the best part of the dish. The grilled pork chop, though also overcooked, was at least brined and flavorful. However, the overall presentation suggested an awkward attempt to hip-up country cooking. On the plate next to the chop, a crock of shirred eggs
and bacon tasted fine, but made for a strange side dish. Was I supposed to eat them separately? With the chop? It was confusing, but less confusing than the tar-black carrots also served as an accompaniment. The menu said they are “glazed,” though with what I have no idea. They didn’t taste burnt. In fact, they didn’t taste much like anything but carrot, which only made their appearance odder. Those smoke-bomb fried whole potatoes also made an appearance, as did a dried-out biscuit. I was hoping that an apple crumb cake would finish things on a high note, but the crumble was so smoked (yes, they smoke this too) that it overtook what would otherwise have been a decent enough dessert. Bourbon caramel cream cheese and softened apples tried to show off their flavors, but they couldn’t break through. In some ways, I wonder if that’s not a commentary on many of the restaurant’s problems. There are a few nuggets of solid cooking that want to shine through at the Blue Duck, but they’re masked by a need to try too hard. Except for that ham sandwich. Its greatness can shine through just about anything. n The Blue Duck
Scotch egg.........................................$8 “Don Hamm”.....................................$10 Smoked fried hot chicken...............$18
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SHORT ORDERS
[SIDE DISH]
Cooking Is Like Dancing for Evy Dick Written by
CHERYL BAEHR
E
vy Dick of Pastaria (7734 Forsyth Boulevard, Clayton; 314-862-6603) had big plans for her culinary empire, dating all the way back to middle school. “By the time I was in sixth grade, I wanted to open a food truck,” Dick recalls. “This was way before they were cool. I was so set on it that when I was writing my thank you notes for my eighth grade graduation gifts, I’d tell everyone that I was going to put the money toward my food truck.” No one was surprised by her business plan. As long as she can remember, Dick was in the kitchen, eschewing Pop Tarts and pre-packaged fare for home-cooked food. Her mother gave her free rein in the kitchen and fostered her passion for cooking by encouraging her creativity. “I used to come home from school and my mom would ask me what we should have for dinner,” Dick recalls. “I’d take whatever was in the refrigerator and make some bowl out of rice or veggies or anything I’d find. My mom called it ‘Evy Chow.’” Dick was singularly focused on turning her “Evy Chow” into a career and wanted to pursue cooking in lieu of college. After graduating high school, she got a good job working on the line at the Lodge of the Four Seasons at the Lake of the Ozarks — one she talked her way into even though her only professional food service experience at the time had been at Subway. However, her father insisted she get a four-year degree, so Dick studied dietetics at Mizzou. There, her classroom learning was matched by the experience she
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As sous chef at Pastaria, Evy Dick has learned that ‘nduja makes everything better. | SARA BANNOURA
gained working in the kitchen at the university’s alumni center. Because it was a teaching kitchen, she got to experiment with different ingredients and techniques — an experience that gave her the confidence to pursue her next gig at 44 Stone Public House in Columbia, where her sous chef connected her to Brasserie’s Brian Moxey. Moxey was Dick’s introduction to Gerard Craft, who recognized her potential and gave her a shot on the line at Pastaria. Four years later, she’s worked her way up to sous chef at the wildly popular Italian spot, a promotion she credits not only to her love of cooking, but also to her rigorous training in her other passion: dance. When it comes to dance and cooking, “the discipline, energy, passion and dedication are nearly identical,” Dick explains. “People who knew me when I was younger are surprised that I am a chef and not dancing anymore ... except on the line in the kitchen.” Dick took a break from the line to share her thoughts on the St.
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Louis food and beverage scene, her love of the city’s small, independent restaurants and why everything is better with ‘nduja. What is one thing people don’t know about you that you wish they did? I’ve competitively danced my entire life. I know that most wouldn’t compare a ballerina and a chef, but the discipline, energy, passion and dedication are nearly identical. When I’m expediting a busy service, I’ll tell my line cooks “let’s dance” and they know I’m going to jump in and help push out the dishes as quick as we can, as a team. It’s my favorite part about a service. It’s a beautiful and fun routine. What daily ritual is non-negotiable for you? Honestly, I think that I should probably take a step back and make time for something that I do for myself every day and make it a priority. If you could have any superpower, what would it be?
Teleportation, for sure. I had the opportunity to travel the world with my family growing up. Most of the time, when I’m creating dishes, I’m remembering a certain smell or taste or feeling that I experienced in a certain place. If I could just go straight there, just for a minute, I would be on another level. What is the most positive thing in food, wine or cocktails that you’ve noticed in St. Louis over the past year? I am loving the gourmet cocktail trend. Bartenders are becoming more like chefs. Each aspect of their cocktails involve so much thought and technique. At the same time, chefs can offer a ton to the bartender. It’s not “front of house/ back of house” anymore. What is something missing in the local food, wine or cocktail scene that you’d like to see? I would love to see more coverage of authentic cuisine. Don’t get me wrong, I absolutely love to see cuisines brought to a new level Continued on pg 46 by modern
ANOTHER
GIVE FRO
GIVE FROZEN FROZEN GIVE
ANOTHER BAKE ANOTHER BAKE
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EVY DICK Continued from pg 44
BABY BACK RIBS HOUSE RUB, SMOKED WITH CHERRY WOOD, GLAZED, SERVED WITH ONE SIDE
HOURS MON 11AM - 9PM TUES - FRI 11AM -10PM SAT 11 AM -10 PM | SUN CLOSED 290 0 V I RGI N I A AV EN UE, ST. LO UIS 31 4 -776-1 4 07 WWW.T H ES H AV ED D UC K.CO M
St. Louis’
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900 SPRUCE ST. ST. LOUIS, MO 63102 314-932-1456 46
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Steakhouse 19 Years In A Row! 1998-2017 RFT Readers Restaurant Polls HISTORIC SOULARD
2117 South 12th St. 314-772-5977
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chefs. However, I think there are some hidden gems in St. Louis that are overlooked because of their lack of advertisement. The Mideast Market on Manchester has the best gyros in all of St. Louis, in the back corner of their small grocery store. Coming back from India, I couldn’t help but crave a street kebab. I didn’t have to look too far to actually find it. I think the small neighborhood markets with genuine products and recipes need to be recognized and supported. Who is your St. Louis food crush? Probably Mark Sanfilippo of Salume Beddu. He has turned his passion into an empire. There’s nothing more to say….. except everything is better with ‘nduja. Which ingredient is most representative of your personality? There are many negative connotations with lemons, but I can’t think of one thing that’s wrong with them. I believe a lemon (somewhat) represents my personality because I’m mostly behind the scenes, but it makes all the difference in the outcome. When I add lemon to a dish, I do it for balance. When something is balanced, it’s right. If you weren’t working in the restaurant business, what would you be doing? After my dad (a very smart man) told me I had to get a four-year degree before doing anything culinary, I decided to go to school for dietetics. I wanted to be a specialty chef for elderly people with particular health problems. I’ve always thought I would be helping elderly people or an art teacher. When I retire one day, I still think I’ll try to become an art teacher. Name an ingredient never allowed in your kitchen. This is a very di cult one for me because I’m known to add about anything to my recipes. Probably margarine ... or pre-made pasta. What is your after-work hangout? My boyfriend and I just bought a house a couple months ago. So, after work, I cannot get home quickly enough to sit on my kitchen counter and have a glass of wine and relax with him. What’s your food or beverage guilty pleasure? Potato chips. I love potato chips. What would be your last meal on earth? A French dip roast beef sandwich. Hands down. n
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Alt-Juice, Straight Out of St. Louis Written by
CHERYL BAEHR
K
aruna founder Angela Zeng though she was doing the right thing. As a mother, she tried her best to make healthy choices for her children — organic food, fresh fruits and vegetables, no soda. Naturally, she was excited when cold-pressed juices hit the market, making it possible to provide a wholesome, nutritious beverage to her kids without having to personally work a juicer. Or so she thought. “I flipped over the bottle on its side and was shocked when I read the nutrition label,” Zeng recalls. “There were 60 grams of sugar in the bottle — granted, a bottle is technically a serving and a half, but still, that’s basically like eating five Krispy Kreme doughnuts. I might as well just have been giving them ice cream. They make these claims to be healthful, but they’re just not true. I should know. I was in the industry.” Indeed, if anyone was in a position to understand the ins and outs of truth in juice advertising, it was Zeng. A biochemist, medical researcher and holder of a Ph.D in pathology, Zeng has devoted the better part of her career to nutrition science, looking at the ways that the food we eat effects our overall health. She later worked for a pharmaceutical company before being recruited by a Chinese juice company seeking to bring its product to the U.S. — an experience that opened her eyes. Says Zeng, “It’s what got me into the beverage industry because what I saw made me disturbed.” It also led her to her new company — Karuna, a line of plant-based superfood drinks based right here in St. Louis. Zeng was shocked by two things about the juice industry. The first is the amount of waste produced in making cold-pressed juices. Only 30 percent of actual product goes into juice, she says. The rest goes into
Angela Zeng’s line of Karuna beverages now include coffee infusions, as well as a host of exotic ingredients. | KELLY GLUECK
the garbage and hits the landfill. “Food waste is one of the largest sources of methane in the environment,” Zeng explains. “If the industry doesn’t make a change, we’re not going to be able to feed ourselves.” However, sustainability was not her only concern. As Zeng explains, she was increasingly disturbed by the misleading claims made by alleged healthy products. “When you hear the words ‘natural’ or ‘organic,’ you assume ‘healthy,’ but that’s not necessarily true,” says Zeng. “A lot of these products may be plant-based, but they’re not necessarily using quality ingredients, or the ingredients they are using are purified with so many chemicals and left in a state the body cannot absorb. Even if an ingredient is ‘good for you,’ consuming it this way gives you none of the benefits.” With her background in both biochemistry and the juice industry, Zeng knew she could do better. She founded Karuna early this year as a way to answer what she felt was a need for healthy beverages, made sustainably, with an eye to convenience. Over the course of the year, Zeng developed eight different bever-
ages using ingredients not typically thought of in the juice industry, including turmeric, aronia berries, chestnuts and even mung bean sprouts grown hydroponically in her downtown production facility. The results of her efforts are drinks that boast a unique, subtly sweet flavor profile, such as her Divine Pinkalicious protein drink, a tart, pineapple-forward beverage that blends mung bean pulp with quinoa, flaxseed, aronia berry and monk fruit extract. Recently, Zeng has begun experimenting with a line of coffee infusions, something she admits comes from a need for a caffeine boost and a distaste for plain black coffee. Currently, she has two blends on the market. The first, Cafe ino, is an alcohol-free infusion that marries coffee that’s been aged in red wine barrels with Chinese dates and cacao nibs. The second, Cafe Turmeric, is her coffee-based answer to chai tea, a delightful melange of coffee, coconut cream, Chinese dates and black soybeans that leaves a pleasant spicy kick on the finish. Zeng believes her products will appeal to anyone interested in the relationship between what we riverfronttimes.com
eat and how it affects our overall health and the health of our environment. She chose St. Louis as the base of her operations not only because it has been her home for the past twenty years, but because she feels it’s the right market. “Everyone kept telling me that I would have no luck if I launched Karuna in the Midwest,” says Zeng. “They kept telling me to move it to California because no one cares about healthy living here. I don’t believe that. We’re having great success here. People like to support local businesses, and we have many people here who want to live healthy lifestyles.” Currently, Karuna is available in 24 stores around town, including Whole Foods, Straub’s and Dierberg’s. Though she plans to eventually expand out of the area, Karuna is currently more of a boutique operation which allows her to focus on product development and consumer education. “Can you believe where we’re located,” laughs Zeng. “We’re right across the street from the Department of Health. Really, that’s what we want to do — to help people make healthy decisions whether they buy our products or not.” n
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RAMADAN KAREEM Cultural Experience for Everyone to Enjoy! N O W -J U N E 2 5 DINNER BUFFET 7-10PM ALL INCLUSIVE: APPETIZRES, ENTREES, DESSERTS, BEVERAGES
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Chef Rick Lewis opened Southern two years ago. Now he and his wife Elisa are making plans for a restaurant of their own. | ERIC FRAZIER
[FOOD NEWS]
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RICK LEWIS IS GROVE-BOUND
R
ick Lewis, whose Nashville fried chicken spot Southern (3108 Olive Street) proved a smash hit in Midtown, is going out on his own. Lewis announced Thursday that he will be leaving Southern after a brief transition period to open a new restaurant at 4270 Manchester Avenue, the spot in the Grove most recently inhabited by Sweetie Pie’s and (briefly) Sweet Times at the Mangrove. His partner in the venture will be his partner in life, wife Elisa Lewis. Elisa Lewis also has a restaurant pedigree; her parents own Quincy Street Bistro, the south city neighborhood spot where her husband made his name before going into business with Mike Emerson of Pappy’s Smokehouse. During his tenure at Quincy Street Bistro, in 2014, Lewis earned a James Beard nomination
JUNE 7-13, 2017
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as “Rising Star Chef of the Year.” And the couple’s collaboraration predates even that, Rick Lewis says. “Before Southern and even before Quincy Street Bistro, Elisa and I worked together at Monarch,” he tells us. “That’s really what built the foundation of a working relationship for us. It isn’t always sunshine and rainbows, but I’d rather spend my days working next to my wife than anyone else.” Southern, which opened two years ago, in June 2015, was a joint partnership between Lewis and Emerson. The acclaimed hot chicken restaurant shares bathrooms and a hallway with the landmark barbecue spot. In a press release, Lewis described his new restaurant as “a counter service concept with a touch of refinement.” The space, located in the heart of the Grove, is 4,000 square feet and will be able to seat up to 100 guests. Lewis knows he has developed a reputation for fried chicken and soul food, thanks in no small part to Southern, and he doesn’t plan to drift too far from that winning formula at the new restaurant. “I don’t see myself totally recreating
Rick Lewis and I don’t see us starting completely over from scratch,” Lewis explains. “We’re going to try really hard to one-up ourselves, though. It will be rustic, down-home cooking that we will execute as well as possible. “Of course you can’t have Southern food or soul food without fried chicken, but we will be paying attention to several other dishes as well. We will change the menu about four times a year to reflect the seasons and will be doing more daily specials.” Service is another way that the Lewis family’s new concept will differentiate itself from their former venture. Though the restaurant will still be counter service, do not expect it to be fast-casual. A larger dining room and longer hours will invite guests to linger, providing the time and space for things like Sunday family-style meals, brunch and beer collaborations. “What we want to focus on is having you feel like you’re coming into Ricky Lewis’ house to be served, eat good food, have a good time and leave feeling valued,” Lewis explains. —Sarah Fenske and Cheryl Baehr
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Serving Lunch Monday - Saturday FROM 11AM CAPRESE PIZZA SALAD
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[IN MEMORIAM]
RIP, Larry Lampert Written by
CHERYL BAEHR
L
arry Lampert, the auto parts entrepreneur and pitchman-turned-prolific restaurateur, passed away earlier this month from pancreatic cancer. Lampert was 66 years old. Though he made his fortune in a chain of auto parts stores, Lampert’s claim to fame was his signature catchphrase. “What’s the story, Larry?” someone would ask in the stores’ commercials. He’d reply, “You want it, I got it.” Lampert brought that mindset with him to the restaurant business, an industry he approached with as much an entrepreneurial spirit as a love for food. Talkative and endlessly enthusiastic, he was always in search of the next big thing, beginning in the 1980s with pizza parlors and then a chain of sandwich shops called Fatman’s Subs. Recognizing a demand for barbecue in town far before there was a smoker on every corner, Lampert began serving smoked meats at his sub shops, eventually converting them to full-fledged barbecue joints. Lampert briefly retired from the restaurant business, but he just couldn’t stay away from the smoker. In 2005, he opened the popular Plush Pig Barbecue in Clayton to rave reviews. He eventually moved the restaurant to Rock Hill. Here, he pulled his daughter Angie into the business, and the
Larry Lampert (left) started numerous restaurants, including most recently the Red Shack. Daughter Angie (right) was his partner. | MABEL SUEN
pair would go on to run a sandwich shop in Maryland Heights before converting it, too, into a barbecue restaurant. Their next venture, the Q Shack, saw Lampert dive into the realm of barbecue-meets-Tex-Mex, where he prided himself in standing as a counter to what he saw as the gourmet-ification of barbecue. Though the restaurant was a success (earning a rave in this paper), his insatiable appetite for reinvention could not be contained by a little shack in a Maplewood strip mall. Before
long, Lampert had shuttered the Q Shack and, with Angie, reinvented the concept as a taco, tamale and burrito joint called the Red Shack. The Dogtown Tex-Mex spot, which opened last June, was run by Angie. But the restaurant would not survive the death of its patriarch, which was first reported by St. Louis Magazine. In a Facebook post dated May 25, the Red Shack announced its closure. “Sadly we lost our leader Larry Lampert on May 8 to cancer,” the
Mi Lindo Michoacan
post reads. “With him gone we are closing the doors to the Red Shack on Friday at 3 p.m.” However, in true Lampert spirit, Angie seemed to leave the door open for another iteration, some new concept some day. In response to a commenter who asked, “Closing forever, or just that day?” Angie replied, “The Red Shack will close for good. Doesn’t necessarily mean we won’t try something else.” Larry Lampert may be gone, but his spirit clearly lives on. You n wanted it, he got it.
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thepageant.com // 6161 delmar blvd. / St. Louis, MO 63112 // 314.726.6161
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Portugal. The Man will release its eighth full-length, Woodstock, just days after its St. Louis stop. | MACLAY HERIOT
[PREVIEW]
Still Wild Major-label success can’t take Alaska out of Portugal. The Man Written by
HOWARD HARDEE Portugal. The Man
7 p.m. Sunday, June 11. The Pageant, 6161 Delmar Boulevard. $27.50 to $30. 314-7266161.
T
he music video for “Noise Pollution,” the lead single off Portugal. The Man’s new album, begins with frontman John Gourley clinging to the trunk of a bare birch tree. As the song’s electro-bassline kicks in, Gourley drops from his perch and does push-ups in a fast-flowing river.
The video cuts intermittently to a snowmobile on fire. The images are distinctly Alaskan, which is no mistake: The video was shot on the Susitna River near Wasilla, where the founding members of the band grew up together. “I learned how to swim — or at least float — in that river when I was four,” says guitarist Eric Howk. Throughout the band’s history its members have returned to Alaska to shoot videos, and even when they film elsewhere, they find themselves drawn to similar aesthetics, Howk says. For instance, the video for the band’s groovy, swinging follow-up single, “Feel It Still,” was shot in a junkyard in Oregon, but it pretty accurately portrays what it’s like to walk into a subarctic hole-in-the-wall. “The bars in Wasilla have the same vibe,” Howk says. “You don’t know whether there’s a gas leak in there or if there’s some sort of Fear and Loathing thing going on. Everybody is looking at you like
they want to fight you.” Even as Portugal. The Man has become a critically acclaimed, internationally successful indie-rock band, the guys have taken a bit of Alaskan rowdiness with them. Bassist Zack Carothers explained during an April performance on KEXP 90.3 FM in Seattle that the group often plays small, unannounced shows under different names to test out new material. “We just go play little bar shows and probably drink too much, get a little bit crazy,” he said. “That’s our way to really let loose.” Howk spoke to the Riverfront Times by phone ahead of Portugal. The Man’s show at the Pageant on June 11. Currently in the midst of an international tour, the band will roll through St. Louis less than a week before releasing its new album, Woodstock. Though Howk has played with the band off and on since its earliest days, he didn’t o cially become a member until 2015. He met riverfronttimes.com
Gourley as a student at Snowshoe Elementary School in the reedy willow forests outside of Wasilla, and he started a band with Carothers in high school. “We were not good,” he says, “but we were one of the only bands in town, and we always had a feeling that it was what we wanted to do — whether or not we were good at it.” After relocating to the Pacific Northwest, Howk pursued a career as a touring guitarist with various groups, including the now-defunct power-pop band the Lashes. In 2007, toward the end of that band’s run, he was severely injured after stepping into an unmarked hole at a construction site. The twelve-foot fall fractured his vertebrae and left him paralyzed from the sternum down, but it didn’t keep him from playing guitar; he has performed in a wheelchair ever since. Meanwhile, Portugal. The Man steadily gained popularity, first with a major Continued on pg 58
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PORTUGAL. THE MAN Continued from pg 55 label debut album, 2011’s In the Mountain in the Cloud, and then truly breaking through with hits “Purple Yellow Red & Blue” and “Modern Jesus,” both off 2013’s Evil Friends. Howk was in and out of the picture throughout that period. “Any time I was in the same city, or if I was playing the same festival with a different band, I would jump on stage with them,” he says. “Now, the only difference is that I don’t have the choice to say, ‘No.’” Woodstock is the first album Howk helped build from the ground up, and it was somewhat of a circuitous process. Drawing influence from hip-hop and R B from the early 2000s, the band originally recorded about 40 songs with Mike D of the Beastie Boys, but eventually decided to steer the record in a different direction and worked with super-producer Danger Mouse. (About half the songs that made the final cut are revamped versions from the Mike D sessions.) “We needed to focus on material that said something, that meant something,” Howk says. “A lot of the songs didn’t feel like the right messages to get out because they were about girlfriends or nature or whatever. We thought there were more interesting, compelling narratives that would come out at some point.” For example, beneath the hookworm melodies of “Feel It Still” the lyrics are about basic human rights — like access to clean water — and the Black Lives Matter movement. The song’s buried message of resistance is given more context by the music video, shot in that Alaskan-style junkyard, during which Gourley writhes around, dances like a robot and sings that he’s “a rebel just for kicks.” Carothers, playing the role of some guy at the bar who wants to fight, lays him out with a punch to the face. Musically, listeners can hear Howk’s influence in the descending guitar run that gives the choruses in “Feel It Still” an exotic, Bollywood-style flavor. He also helps arrange vocal harmonies, but he’s a guitarist first and foremost — as his bandmates can attest. “They knew exactly what I do, and that’s exactly what they wanted,” Howk says. “I created a dream job for myself and got hired by my best friends.” n
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HOMESPUN
GRANDPA’S GHOST The Carnage Queen / Country of Piss grandpasghost.bandcamp.com
B
en Hanna has been summoning the knotty, deep-rooted spirits of American music as the guitarist, singer and songwriter of Grandpa’s Ghost since 1994. From his home in Pocahontas, Illinois, he’s released albums on small but respected labels and engaged in regular collaboration with experimental artists. While Hanna has kept busy over the past decade, his band’s output has been relatively scarce. That changed in May with the release of the double LP The Carnage Queen and an attendant EP, Country of Piss. All told, Grandpa’s Ghost has delivered 22 new recordings — some from Hanna’s vaults, some recently composed. They were captured in New York City with Hanna’s long-time bandmates Jack Petracek and Bill Emerson, along with Tim Garrigan, a St. Louis native best known for You Fantastic! and Dazzling Killmen. Despite Hanna’s many collaborations, Grandpa’s Ghost still holds a place of creative primacy for him. “Grandpa’s Ghost was kind of a prism through me that was still rooted in mine and Bill and Jack’s lineup,” says Hanna. “Bill and I started the group in 1994; we started working with Jack as an engineer in 1996.” The dichotomy of the band’s output goes beyond the quiet/loud, acoustic/electric divide; the most charged moments for Grandpa’s Ghost are fuzzy, gnarly divining rods, while the more spare tracks create their circular and oblong patterns as if dictated by some long-suspended pendulum. The title tracks give some hint to Grandpa’s Ghost’s dual engines: “Carnage Queen” is the band at its most succinct, a three-minute rock song bathed in twang and overdrive; “Country of Piss” rolls on gentle strums and banjo plucks for fourteen minutes, though Hanna’s up-close delivery makes it feel somehow shorter and longer than its actual running time. Hanna moved to New York in 2005 to pursue a degree; before moving back to the Midwest, he booked recording time in the city and summoned Emerson and Petracek and the New York-based Garrigan. “I wanted to record all of this stuff — there was part of me that was coming to an end in New York and I wanted to capture some of that feeling,” he says. “I was very conscientious; I just turned 50 and thought this might be the last time.” Working on the score for James Fotopoulos’ adaptation of Alice in Wonderland helped him tap into his musical background, stretching back to his childhood in rural Illinois. “I sang in the choirs, played cornet, sang in church. But Alice being a children’s story at its core, it helped me get in touch with a core element of who I was,” he says. “By the time I got these new records, I wanted to get to some of the songs I loved growing up. When we do a cover, you ask, ‘How do you honor the song?’ Sometimes honoring it means deconstructing it.”
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Some of the covers chosen for these paired releases speak to randpa’s host’s more overt influences the pass at Neil Young and Crazy Horse’s “Lookin’ for a Love” is fitting for a band that could seemingly turn any song into “Cortez the Killer.” But the others — John Hiatt’s “Learning How to Love You” and Judas Priest’s “Electric Eye” — speak to the breadth of Hanna’s listening interest. “There’s a political statement in that song, ‘Electric Eye,’” says Hanna. Since moving back to the St. Louis area, Hanna spent some time readying the live incarnation for a slew of local gigs, including a show this weekend at the Tap Room and a set at next week’s Riverfront Times-sponsored ShowcaseSTL. Poring through the band’s recorded work kept him up past midnight, making notes and trying to discern how best to present the band’s vast catalogue in a 45-minute set. “You try to be honest to who you are and who the band is,” Hanna says of prepping the live sets. “You try to say what feels right, what’s our energy. It’s challenging — some of [the songs] take on different meanings as you get older.” Now that he’s been leading Grandpa’s Ghost for more than twenty years, Hanna is reflective about his band’s longevity and his dedication to this decades-long project. “I think if you have an idea about what you want to do from a creative angle, you can see what the market will bear,” Hanna says. “I didn’t ever really think that we’d make money, so I made an early decision that we would pursue anything and everything that we felt was viable, in more of a longer-term shelf life. “I don’t know that there’s still any money involved in it,” he adds, “but the longer you stick around, the more you maintain a commitment to your aesthetic and your art.” Grandpa’s Ghost
9 p.m. Saturday, June 10. The Schlafly Tap Room, 2100 Locust Street. Free. 314-241-2337.
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OUT EVERY NIGHT
THURSDAY 8 CHASE WALKER BAND: 10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. THE GREEN MCDONOUGH BAND: 8 p.m., free. Hammerstone’s, 2028 S. 9th St., St. Louis, 314773-5565. HUMMING HOUSE: 8 p.m., $12-$15. Blueberry Hill - The Duck Room, 6504 Delmar Blvd., University City, 314-727-4444. IVAS JOHN & BRIAN CURRAN: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. KIM MASSIE: 10:30 p.m., $10. Beale on Broadway, 701 S. Broadway, St. Louis, 314-621-7880. REEVE CARNEY: 8 p.m., $15-$18. Fubar, 3108 Locust St, St. Louis, 314-289-9050. SARAH JAROSZ: 7:30 p.m., $51. The Sheldon, 3648 Washington Blvd., St. Louis, 314-533-9900. SATISFACTION: THE INTERNATIONAL ROLLING STONES SHOW: 8 p.m., $12. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. TIG NOTARO: 8 p.m., $35. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161. TWANGFEST 21 DAY 2: w/ Erika Wennerstrom, John Paul White, John Henry 8 p.m., $22-$25. Off Broadway, 3509 Lemp Ave., St. Louis, 314773-3363.
FRIDAY 9 ARI HEST: 6 p.m., $25. SqWires, 1415 S 18th St, St. Louis, 314-865-3522. BILL POSS: 7:30 p.m., $12-$15. Espenschied Chapel, 317 County Road, Mascoutah, 618-5667425. BILLY PEEK: 9 p.m., $5. Hwy 61 Roadhouse and Kitchen, 34 S Old Orchard Ave, Webster Groves, 314-968-0061. BLACK PUSSY: w/ Dibiase, Oxbraker, The Judge 8 p.m., $10-$12. Fubar, 3108 Locust St, St. Louis, 314-289-9050. BROODS: 8 p.m., $20-$22.50. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161. CHRIS STEPHENS: 7 p.m., $5. Foam Coffee & Beer, 3359 Jefferson Ave., St. Louis, 314-7722100. GOOD MORNING BEDLAM: 5 p.m., $5. Music Record Shop, 4191 Manchester Ave., St. Louis, 314-272-4607. HOLLOW CD RELEASE SHOW: w/ A Dark Orbit, Summoning The Lich, Unimagined, Autumn Tint 7 p.m., $10-$12. Fubar, 3108 Locust St, St. Louis, 314-289-9050. IVAS JOHN BAND: 10 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222. JJ THAMES: 5 p.m., $10. National Blues Museum, 615 Washington Ave., St. Louis. LEROY JODIE PIERSON: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. MODEST MOUSE: 8 p.m., $42.50-$45. The Pageant, 6161 Delmar Blvd., St. Louis, 314-7266161. SYNTHETIC SUN: w/ Giants In The Sky, Separer 9 p.m., $5. The Sinkhole, 7423 South Broadway, St. Louis, 314-328-2309. TWANGFEST 21 DAY 3: w/ Robbie Fulks, Parker Millsap, Cave States 8 p.m., $22-$25. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363.
SATURDAY 10 DANBURY STREET: 6 p.m., free. Howard’s in Soulard, 2732 S 13th St, St. Louis, 314-349-2850. DIESEL ISLAND CD RELEASE PARTY: 2:30 p.m., $10. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. GORGUTS: w/ Defeated Sanity, Exist 7 p.m., $18-$20. Fubar, 3108 Locust St, St. Louis, 314289-9050. THE GREEN MCDONOUGH BAND: 8 p.m., free. Sullivan’s, 907 N. Illinois St., Belleville, 618233-7060. KILLER INSTINCT: IRON MAIDEN TRIBUTE: w/
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Bonehouse 8 p.m., $12-$15. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161. LARRY GRIFFIN & ERIC MCSPADDEN: 7 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. LOVE JONES “THE BAND”: 10 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. MAD LIBBY: w/ Thames, The Broadcast Obscura, Earth To Sender 7 p.m., $8-$10. Cicero’s, 6691 Delmar Blvd., University City, 314-862-0009. SEETHER: w/ Kaleido 7 p.m., $32.50-$35. The Pageant, 6161 Delmar Blvd., St. Louis, 314-7266161. TRAVELER: w/ Mariner, Union Grove, Church Key, Secondary 6 p.m., $10-$12. The Firebird, 2706 Olive St., St. Louis, 314-535-0353. TWANGFEST 21 DAY 4: w/ Chuck Prophet, The Flat Five, Town Cars 8 p.m., $22-$25. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. VYA: w/ The Vigilettes, White Fuzzy Blood Bath 8 p.m., $7. El Lenador, 3124 Cherokee St., St. Louis, 314-771-2222.
SUNDAY 11
way, 701 S. Broadway, St. Louis, 314-621-7880. KING 810: w/ Gost 7 p.m., $16-$18. Fubar, 3108 Locust St, St. Louis, 314-289-9050. MUSE: w/ Thirty Seconds to Mars 6 p.m., $30-$99.50. Hollywood Casino Amphitheatre, I-70 & Earth City Expwy., Maryland Heights, 314-298-9944. ST. LOUIS SOCIAL CLUB: 9 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314436-5222. WORSHIPPER: 8 p.m., $10. The Firebird, 2706 Olive St., St. Louis, 314-535-0353.
WEDNESDAY 14 BIG RICH MCDONOUGH & RHYTHM RENEGADES: 9 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. BOB “BUMBLE BEE” KAMOSKE: 8 p.m. Beale on Broadway, 701 S. Broadway, St. Louis, 314-621-7880.
MISS MAY I: w/ Upon A Burning Body, Kublai Khan, Currents 6 p.m., $20-$23. Fubar, 3108 Locust St, St. Louis, 314-289-9050. MISTERWIVES: w/ the Greeting Committee 8 p.m., $23-$25. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161. TANK & THE BANGAS: 8 p.m., $15. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. WEDNESDAY NIGHT JAZZ CRAWL: 5 p.m. continues through Dec. 27, free. The Stage at KDHX, 3524 Washington Ave, St. Louis, 314-925-7543, ext. 815.
THIS JUST IN 1 LAST CHANCE: W/ The Volunteers, New American Classic, Thu., June 15, 8 p.m., $8. Cicero’s, 6691 Delmar Blvd., University City, 314-8620009, ciceros-stl.
Continued on pg 64
[CRITIC’S PICK]
CHRIS BLACK EXPERIENCE: 5 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. COCO MONTOYA: 8 p.m., $17.50-$20. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505. THE DARRELLS: 2 p.m., free. Howard’s in Soulard, 2732 S 13th St, St. Louis, 314-349-2850. JUSTIN HOSKINS “TRIBUTE TO BABY FACE”: 8:30 p.m., $10. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-436-5222. LEWIS DEL MAR: 8 p.m., $15-$18. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161. MZ. SHA & THE KLE’ SHA BAND: 4 p.m., $10. National Blues Museum, 615 Washington Ave., St. Louis. PORTUGAL. THE MAN: 8 p.m., $27.50-$30. The Pageant, 6161 Delmar Blvd., St. Louis, 314-7266161. REHYDRATE POOL PARTY: w/ EC Twins noon, $15. Ameristar Casino, 1 Ameristar Blvd., St. Charles, 636-949-7777. SARAH LONGFIELD: w/ Drewsif Stalin’s Musical Endeavors, Lattermath 6 p.m., $12. Fubar, 3108 Locust St, St. Louis, 314-289-9050. SOUL REUNION: 10:30 p.m., $7. Beale on Broadway, 701 S. Broadway, St. Louis, 314-621-7880. THELMA AND THE SLEAZE: w/ Birdcloud, Ex-Girlfriends 8 p.m., $12. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. THE WEAPON - HARD ROCK & METAL TRIBUTE: w/ A Shogun Named Marcus: A Tribute To Clutch, Oracle 7 p.m., $5-$6. The Firebird, 2706 Olive St., St. Louis, 314-535-0353.
MONDAY 12 AMY BLACK: 8 p.m., $15. Off Broadway, 3509 Lemp Ave., St. Louis, 314-773-3363. CUT UP: w/ Breakmouth Annie, The Mondales 8 p.m., $8-$10. Fubar, 3108 Locust St, St. Louis, 314-289-9050. OLD CROW MEDICINE SHOW: 8 p.m., $30-$50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161. SOULARD BLUES BAND: 9 p.m., $5. Broadway Oyster Bar, 736 S. Broadway, St. Louis, 314-6218811. THIRD SIGHT BAND: 8 p.m., $5. BB’s Jazz, Blues & Soups, 700 S. Broadway, St. Louis, 314-4365222.
TUESDAY 13 ALEJANDRO ESCOVEDO & THE BURN SOMETHING BEAUTIFUL BAND: 8 p.m., $25-$35. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314-726-6161. J. COLE: 8 p.m., $35-$50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161. JAMAICA LIVE TUESDAYS: w/ Ital K, Mr. Roots, DJ Witz, $5/$10. Elmo’s Love Lounge, 7828 Olive Blvd, University City, 314-282-5561. KIM MASSIE: 10:30 p.m., $10. Beale on Broad-
JUNE 7-13, 2017
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Dave King. | ANDREA CANTER
Dave King Trucking Company 8 p.m. Sunday, June 11. Joe’s Cafe, 6014 Kingsbury Avenue. $15. 314-8622541.
Fans of inventive, occasionally irreverent jazz let out a collective gasp this spring when the Bad Plus announced that founding pianist Ethan Iverson would be leaving the group, to be replaced by Orrin Evans. It marked the end of an era for the Minneapolis-founded trio, though in recent years its members have kept busy with extracurricular activities. Case in
point: Drummer Dave King has pushed past the trio format with his own Dave King Trucking Company quintet, mixing electric guitar, upright bass and a pair of reed players with more melodic compositions. How all five players will fit on Joe’s Cafe’s famously tiny stage is another matter. Videodrone: King’s absurd and hilarious YouTube series Rational Funk recently ended after 60 episodes, but his more scripted series Lights Cameron Jackson fills the void nicely. –Christian Schaeffer
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THIS JUST IN Continued from pg 62 [CRITIC’S PICK]
Old Crow Medicine Show. | DANNY CLINCH
Old Crow Medicine Show 8 p.m. Monday, June 12. The Pageant, 6161 Delmar Boulevard. $30 to $50. 314-726-6161.
Old Crow Medicine Show owes Bob Dylan a solid, so it makes perfect sense that the band would build a tour around tackling the entirety of Blonde on Blonde in honor of its 50th anniversary. Without “Wagon Wheel,” the band’s co-write with Dylan (Dylan never sat down with songwriter Ketch Secor, but he did get 50 percent of the publishing), Old Crow would still be busking outside Boone Drug in
North Carolina. At this point the band is probably as sick of it as you are, but they’re not above appeasing the bluegrass bros with it in concert. So come for the “rock me mama,” but stay for all of “Sad Eyed Lady of the Lowlands.” Nashville Sound: Blonde on Blonde is a modernist rock masterpiece because of the country session players who cut it with Dylan in Nashville. The pickers in Old Crow Medicine Show play the album like they know they’ve got a lot to live up to. –Roy Kasten [CRITIC’S PICK]
J. Cole 8 p.m. Tuesday, June 13. The Pageant, 6161 Delmar Boulevard. $35 to $50. 314-726-6161.
Rapper J. Cole’s biggest critic may be a Hampton Inn based in Sandy, Utah. A beef between rappers and hotels may seem completely absurd, but to be fair, the Hampton Inn started it. On December 9, the date Cole released his latest, 4 Your Eyez Only, the establishment tweeted the following: “Is the new J. Cole album putting you to sleep early? Stop on by and stay the night with us at the Hampton Inn Sandy!” It was a clever way for the hotel to get some attention, sure — and it succeeded, if the sheer number of hip-hop outlets 64
RIVERFRONT TIMES
eager to report on the “feud” can be used as a metric — but we’d argue that its critical assessment of the album was flawed. And fans would agree with us: Already certified platinum by April, every track on 4 Your Eyez Only debuted in the top 40 of Billboard’s Hot 100 chart. Meanwhile, Hampton Inn’s tweet has since been deleted. Big Fish: The Pageant is an exceptionally small venue when compared to J. Cole’s considerable drawing power. Expect to stand shoulder-to-shoulder.
JUNE 7-13, 2017
–Daniel Hill
riverfronttimes.com
com. 120 MINUTES: Sat., June 17, 9 p.m., free. Schlafly Bottleworks, 7260 Southwest Ave, Maplewood, 314-241-233 , schlafly.com. AIKO TSUCHIDA: W Edgefield C. Johnston Duo, Jon Valley, Sat., June 17, 7 p.m., 7pm. Shameless Grounds, 1901 Withnell Ave., St. Louis, 314-449-1240, shamelessgrounds.com. ANAPHORA: W/ Tree One Four, Papa Skinny & The Phat Blues Band, Fri., July 7, 7 p.m., $10. Cicero’s, 66 1 Delmar Blvd., niversity City, 314-862-0009, ciceros-stl.com. ANGEL OLSEN: W/ Mount Moriah, Wed., Oct. 4, p.m., 20- 22.50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161, thepageant.com. BABY BIRDS DON’T DRINK MILK: W/ Isabel Rex, Warren, Wed., July 5, 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-3525226, theheavyanchor.com. THE BACKROAD BOYS: Fri., Oct. 13, 7 p.m., $15$18. Old Rock House, 1200 S. 7th St., St. Louis, 314-588-0505, oldrockhouse.com. BANKS: Mon., Sept. 18, 8 p.m., $27.50-$30. Delmar Hall, 6133 Delmar Blvd., St. Louis, 314726-6161, delmarhall.com. BILLY PEEK: Fri., June 9, 9 p.m., $5. Hwy 61 Roadhouse and Kitchen, 34 S Old Orchard Ave, Webster Groves, 314-968-0061, hwy61roadhouse.com. BIRDTALKER: Thu., July 6, 8 p.m., $12. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. BLACK BOY JOY: W/ Jime, Golliday, Hello Jizoo, Corey Black, Tre , Sun., June 1 , p.m., 1012. Kranzberg Arts Center, 501 rand Blvd, St. Louis, 314-533-0367, kranzbergartscenter. org. BODY FOUND: W Cacodyl, Thames, Sat., July 1, p.m., - 10. Cicero’s, 66 1 Delmar Blvd., niversity City, 314- 62-000 , ciceros-stl.com. BOYS OF SUMMER TOUR: Sat., Aug. 5, 1 p.m., $25-$29. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. BRIAN MCKNIGHT: W/ Ginuwine, Sat., Aug. 26, 7 p.m., 45- 100. The Fox Theatre, 52 . rand Blvd., St. Louis, 314-534-1111, fabulousfox.com. BRONCHO: W Billy Changer, Sun., July 16, p.m., $15. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929, thereadyroom. com. BRUISE: W Omerta, Polterguts, Chalked p, Mon., June 19, 8 p.m., $7. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. BUTTERCUP: W/ Separer, Superfun Yeah Yeah Rocketship, Subtroplolis, Fri., July 28, 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. CATALOGUE LIVE: Sat., July 22, 9 p.m., $5. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. CHAPTERS: W Embracer, Biff K’narly And The Reptilians, Marriott, Scribble, Sat., July 15, 7 p.m., 12- 15. Cicero’s, 66 1 Delmar Blvd., niversity City, 314- 62-000 , ciceros-stl.com. DAVEY SUICIDE: W/ Motograter, Fri., July 14, 7 p.m., $12-$14. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. EARLY TURNER: W/ Bad Haircuts, Sun., July 23, 7 p.m., $6-$8. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. FATAL BUS ACCIDENT: A COMEDY TALK SHOW: Wed., July 26, 9 p.m., $5. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. FINESSE MITCHELL: Thu., Aug. 17, 7:30 & 10 p.m.; Fri., Aug. 18, 10 p.m.; Sat., Aug. 19, 10 p.m., 1 - 31. Helium Comedy Club, 1151 St. Louis Galleria Saint Louis Galleria Mall, Richmond Heights, 314-727-1260, st-louis. heliumcomedy.com. GALACTIC EMPIRE: W Dangerkids, Wed., July 19, 7 p.m., $18-$20. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. GOGOL BORDELLO: W Lucky Chops, Wed., ov. 1, p.m., 25- 2 .50. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161, thepageant.com. THE GREEN MCDONOUGH BAND: Thu., June 8, 8 p.m., free. Hammerstone’s, 202 S. th St., St. Louis, 314-773-5565, hammerstones.net. Sat., June 10, p.m., free. Sullivan’s, 0 . Illinois St., Belleville, 618-233-7060. Fri., June 23, 8 p.m., free. Edwardsville City Park, 112 S. Kansas St., Edwardsville. Sat., June 24, 6 p.m., free. Howard’s in Soulard, 2 32 S 13th St, St. Louis,
314-349-2850. HE IS WE: W/ The Icarus Account, Woven In Hiatus, Fri., Sept. 1, 7 p.m., $15-$18. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. HOMESHAKE: Wed., Aug. 16, 8 p.m., $12-$14. The Monocle, 4510 Manchester Ave, St. Louis, 314-935-7003, themonoclestl.com. ITS A BENEFIT TO HELP CUVI SEE BETTER, GOSH!: W/ Skyline In Ruins, The Faded Truth, Facing Infamy, Cuvi, Austin Estrada, Cody Pratt, Sat., July 29, 6 p.m., $5. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. JETPACK BRUCE: W Cost Of Desire, Mr. Wilson’s Heroes, Love Kingsford, Fri., June 23, 7 p.m., . Cicero’s, 66 1 Delmar Blvd., niversity City, 314-862-0009, ciceros-stl.com. JON BELLION: Thu., Oct. 19, 8 p.m., $32.50-$35. The Pageant, 6161 Delmar Blvd., St. Louis, 314726-6161, thepageant.com. MAD LIBBY: W/ Thames, The Broadcast Obscura, Earth To Sender, Sat., June 10, 7 p.m., $8-$10. Cicero’s, 66 1 Delmar Blvd., niversity City, 314-862-0009, ciceros-stl.com. MANIAC: W/ Life Sucks, Tue., July 4, 6 p.m., $7. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. MOON HOOCH: Fri., Oct. 13, 10 p.m., $15-$17. Old Rock House, 1200 S. 7th St., St. Louis, 314588-0505, oldrockhouse.com. MY LIFE WITH THE THRILL KILL KULT: Tue., Oct. 17, 8 p.m., $20-$25. The Ready Room, 4195 Manchester Ave, St. Louis, 314-833-3929, thereadyroom.com. PALISADES: Fri., June 30, 8 p.m., $15. Fubar, 3108 Locust St, St. Louis, 314-289-9050, fubarstl.com. RATBOYS: Sun., July 23, 8 p.m., $10-$12. Blueberry Hill - The Duck Room, 6504 Delmar Blvd., niversity City, 314- 2 -4444, blueberryhill. com. REHYDRATE POOL PARTY: W EC Twins, Sun., June 11, noon, 15. Ameristar Casino, 1 Ameristar Blvd., St. Charles, 636- 4 , ameristar. com. RETRO CHAMP: W T- Dubz, Major Music, Sat., Aug. 5, 8 p.m., $10-$15. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. RHIANNON GIDDENS: Mon., Sept. 25, 8 p.m., $3045. The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161, thepageant.com. RICK KILIAN: W/ The Roads Below, The Right Hooks, Sat., July , p.m., 10. Cicero’s, 66 1 Delmar Blvd., niversity City, 314- 62-000 , ciceros-stl.com. THE RUN AROUND: W/ the Radio Buzzkills, The Savage Bastards, Suburban Commandos, Fri., July 21, 9 p.m., $7. The Heavy Anchor, 5226 Gravois Ave., St. Louis, 314-352-5226, theheavyanchor.com. SAWYER FREDERICKS: W/ Gabriel Wolfchild and The orthern Light, Haley Johnsen, Thu., July 13, 7 p.m., $18-$20. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. SEARCHING FOR NOSTALGIA: W/ Acceptable Losses, Striking Dawn, A440, Thu., July 6, 6 p.m., $10. Fubar, 3108 Locust St, St. Louis, 314-2899050, fubarstl.com. SECOND TO ALL CD RELEASE: Sat., June 17, 7 p.m., 6- . Cicero’s, 66 1 Delmar Blvd., niversity City, 314- 62-000 , ciceros-stl.com. SHOTGUN CREEK: W reg Finger Band, Circle The Wagons, Fri., June 16, p.m., 10. Cicero’s, 66 1 Delmar Blvd., niversity City, 314- 620009, ciceros-stl.com. SPLIT THE SKYLINE CD RELEASE PARTY: Sat., Aug. 19, 7 p.m., $10-$12. The Firebird, 2706 Olive St., St. Louis, 314-535-0353, firebirdstl.com. TOM SEGURA: Fri., Oct. 27, 8 p.m., $30-$35. The Pageant, 6161 Delmar Blvd., St. Louis, 314- 266161, thepageant.com. U2: Sat., Sept. 16, 5 p.m., TBA. The Dome at America’s Center, 01 Convention Plaza St., St. Louis, 314-342-5201, explorestlouis.com. VNV NATION: W/ iVardensphere, Tue., Oct. 10, 8 p.m., 25- 30. Blueberry Hill - The Duck Room, 6504 Delmar Blvd., niversity City, 314- 2 4444, blueberryhill.com. VYA: W/ The Vigilettes, White Fuzzy Blood Bath, Sat., June 10, p.m., . El Lenador, 3124 Cherokee St., St. Louis, 314-771-2222, lenador.com. WAKA FLOCKA FLAME: Thu., July 20, 8 p.m., $283 . The Pageant, 6161 Delmar Blvd., St. Louis, 314-726-6161, thepageant.com.
SAVAGE LOVE GET OUT BY DAN SAVAGE Hey, Dan: I hate how my boyfriend has sex with me. It used to be fine, but a year ago he started adding new moves he obviously got from porn: smacking my pussy with an open palm, vigorously rubbing my clit, wrapping his hands around my neck. I’m not anti-porn; what bothers me is that even though I told him these moves don’t feel good on my body and hurt me, he doesn’t care. It’s not that I don’t want him to enjoy himself, but I don’t feel like his enjoyment should come at the price of mine. I don’t know how to get him to listen to me. Porn Lessons Erasing All Sexual Energy Your boyfriend listened to you, PLEASE. You told him you don’t like his porny new moves; he told you he likes them and intends to keep doing them. So this isn’t about listening — it’s about caring. Your boyfriend is hurting you and “he doesn’t care.” Dump the motherfucker already. And while you’re not anti-porn, PLEASE, and I’m certainly not anti-porn, it would appear that porn is part of the problem. “The porn industry, like every other area of popular culture, is dominated by a closed loop of white guys talking to white guys about other white guys,” said Cindy Gallop, legendary advertising executive, consultant and public speaker. “The most easily accessed mainstream straight porn is all about the man, with zero empathy for the female experience, taken to ludicrous (and for the woman, painful)
extremes.” At MakeLoveNotPorn.com, Gallop wants not only to balance out porn with socially shared #realworldsex, but to see the porn market flooded with porn made by women. “Seeing more innovative porn — porn that men would find just as hot — would result in everybody having a much better time in bed,” said Gallop. “Men need to see there is no bigger turn-on than being in bed with someone who you know is having an absolutely fabulous time because of you.” Unfortunately, PLEASE, you’re having an absolutely miserable time. “PLEASE’s boyfriend is operating in his own closed loop,” said Gallop, “the belief that sexual gratification is all about him. He has no idea what sexual gratification really could be. She needs to leave him.” Hey, Dan: I’m 28 years old and have been with my boyfriend (also 28) for three years. I’m a pretty sexual person. I like to dominate and be dominated. However, my boyfriend is non-aggressive, non-dominating and non-initiating. I ALWAYS have to initiate and I’m ALWAYS in the driver’s seat. I’m tired of this. I enjoy strong masculine energy! I’m a feminist, but sometimes in the bedroom it can be incredibly hot to feel like a sex object. We’ve talked and talked, and tried some light bondage (he didn’t like it), and talked about a threesome (he’s opposed). He says sex just isn’t something he “thinks about a lot.” How do I get him to show some sexual aggression? Wants Him Aggressive More Keep reading, WHAM. Hey, Dan: My husband of seventeen
65
years has never been into sex — which I always knew was a problem, but the other stuff was good. He’s into pornography, though, and I’ve busted him many times. To say I am resentful is an understatement. He uses corn oil for masturbating, and I’ve been reduced to marking the bottle and booby-trapping it to see if he’s been up to his tricks. We have two children, so that’s what keeps me from “pulling the trigger.” Gagging In Chicago
I wasn’t giving him enough sex. I felt so guilty that I put up with some very coercive situations. I became an orgasm dispenser for a dumbass whose beard prickled my clit painfully, who complained my G-spot moved around, and who fell asleep fingering me. I put up with his shit for far too long. It would have been helpful to be told that GGG needs to be MUTUAL and feel good for both parties. Sassy Unconquered Babe
GIC: You have three options. 1. Pull the trigger. 2. Redefine your marriage as companionate — it’s about child-rearing and family life, not about sex. If your husband is free to find fulfillment in the bottle (of corn oil), and you’re free to find fulfillment in the bedroom (of another man/men), maybe you can make it work. 3. Continue with what you’re doing now — your husband sneaking off to have a wank, and you monitoring (and booby-trapping?!?) every bottle of corn oil that comes into the house. WHAM: our boyfriend isn’t going to become someone else — he’s not going to suddenly become more interested in sex or more sexually aggressive — so if you don’t want to be sending me a letter like GIC’s in fourteen years, end this relationship. People who want healthy, functional, monogamous LTRs — free from booby traps and busts — need to prioritize sexual compatibility at the start. That doesn’t mean things can’t go off the rails later (see the first letter , but they’re less likely to.
GGG — good in bed, giving of pleasure, and game for anything within reason — is what we should be for our partners and our partners should be for us. So it absolutely needs to be mutual, SUB, and there are definitely limits. “Being GGG means considering a partner’s reasonable sexual requests,” I previously responded to a reader who asked for a clarification. “ ot all sexual requests can be fulfilled, and not all needs can be met. But two people who want to make their relationship work need to carve out a mutually satisfying repertoire that doesn’t leave anyone feeling frustrated or used. Does everyone get everything they want? Of course not. But each of us has a right to ask for our needs to be met (without being abusive or coercive) and the responsibility to indulge our partner’s reasonable requests if we can (without being abused or coerced). We should also recognize when the gulf is too great and end the relationship rather than engaging in sex acts that leave us feeling diminished and dehumanized.”
Hey, Dan: I desperately wanted to be GGG in my past relationship. My partner chronically complained that
Listen to Dan’s podcast at savagelovecast.com. mail@savagelove.net
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riverfronttimes.com
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SOUTH-CITY $600 314-707-9975 Gravois & Pennsylvania: 2 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up.
RICHMOND-HEIGHTS $525-$575 314-995-1912 SPECIAL-1 MONTH FREE! Near Metrolink, Hwys 40 & 44 & Clayton. 1BR, all electric off Big Bend.
DOWNTOWN Cityside-Apts 314-231-6806 Bring in ad & application fee waived! Gated prkng, onsite laundry. Controlled access bldgs, pool, fitness, business ctr. Pets welcome
SOUTH CITy $400-$850 314-771-4222
NORTH COUNTY $539 314-524-3635 We accept City & County Section 8 vouchers. All electric, gated parking, onsite laundry, close to public transportation.
1-3 BR Apts. Many different units. NO CREDIT, NO PROBLEM! www.stlrr.com
NORTH-COUNTY $510 314-521-0388 Newly renovated 1BR apts for SENIOR LIVING. Safe and affordable. FIRST MONTH FREE!
UNIVERSITY CITY $795 314-727-1444
OVERLAND/ST. ANN $535-$575 314-995-1912 SPECIAL-1 MONTH FREE! Great location near Hwys 170, 64, 70 & 270. 6 minutes to Clayton. Garage, Clean, safe, quiet. RICHMOND-HEIGHTS $525-$575 314-995-1912
2BR, new kitch, bath & carpet, C/A & heat. No pets.
SOUTH CITY $515 314-707-9975 Ray & Meramec: 1 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up. SOUTH-CITY $515 314-707-9975 Jamieson & Nottingham: 1 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up.
SPECIAL-1 MONTH FREE! Near Metrolink, Hwys 40 & 44 & Clayton. 1BR, all electric off Big Bend.
SOUTH-CITY $600 314-707-9975 Gravois & Pennsylvania: 2 BR, All Electric, Hardwood Floors, Central Air, W/D Hook-up.
SOUTH CITy $400-$850 314-771-4222
w w w . LiveInT heG rove. com 320 Houses for Rent
1-3 BR Apts. Many different units. NO CREDIT, NO PROBLEM! www.stlrr.com SOUTH-CITY 314-504-6797 5052 Miami (West of Kingshighway) Renovated 1 BD with Enclosed Sun Porch, Updated Bathroom, New Cabinets, New Windows, Dishwasher, C/A, Refinished Hardwood Floors, Appliances. Near Shopping and Bus Line.
DUTCHTOWN $980 314-223-8067 3 BR spacious home for rent. Natural wood floor (1st flr), carpet (2nd flr). Lrg updated kitchen w/double oven gas stove, 2 bath, dining rm, bsmnt, w/d hookup, fenced yard, a/c. Lots of Closets!
210 Houses for Sale
SOUTH-CITY $495 314-443-4478 7327 Michigan Ave (near Loughborough & Hwy 55). 1 BR with large living room and bedroom. Basement storage, W/D hookup.
FILE BANKRUPTCY NOW! CALL ANGELA JANSEN 314-645-5900 BANKRUPTCYSHOPSTL.COM THE CHOICE OF A L AWYER IS AN IMPORTANT DECISION AND SHOULD NOT BE BASED SOLELY ON ADVERTISING.
FIRST MONTH FREE! AFFORDABLE SENIOR LIVING
Newly Renovated 1 Bedroom Apartments $510 Appliances • Energy Efficient Laundry On-Site
HERITAGE SENIOR APARTMENTS NORTH COUNTY AREA 314-521-0388
WESTPORT/LINDBERGH/PAGE $535-$585 314-995-1912 SPECIAL-1 MONTH FREE! Nice Area near Hwys 64, 270, 170, 70 & Clayton. Patio, laundry, great landlord! Clean, safe, quiet.
Thur., June 15 at 2:00PM 647 Aqua Ridge Drive St. Louis, MO Auction Held On Site
DOWNTOWN Cityside-Apts 314-231-6806 Bring in ad & application fee waived! Gated prkng, onsite laundry. Controlled access bldgs, pool, fitness, business ctr. Pets welcome
riverfronttimes.com
Real Estate Auction
JUNE 7-13, 2017
Open House: Sun, June 11 12-2PM adamsauctions.com 618-234-8751
RIVERFRONT TIMES
67
DATING MADE EASY... LOCAL SINGLES! Listen & Reply FREE! 314-739-7777 FREE PROMO CODE: 9512 Telemates
FIRST MONTH FREE!
The Changing Pointe at
AFFORDABLE SENIOR LIVING Newly renovated 1 bedroom apartments in North County.
EarthCircleRecycling.com
Earth Circle’s mission is to creatively assist businesses and residents with their recycling efforts while providing the friendliest and most reliable service in the area.
Heritage Senior Apartments 314-521-0388
ALCOHOL & SUBSTANCE USE TREATMENT FOR ADULTS
Call Today! 314-664-1450
DETOXIFICATION 4-WEEK RESIDENTIAL TREATMENT OUTPATIENT PROGRAMS MEDICATION-ASSISTED TREATMENT AFTERCARE • FAMILY SUPPORT
EVANGELINE’S
NOW SERVING BRUNCH ON SATURDAY & SUNDAY! evangelinesstl.com
PRESENTS...
Murder in the Man Cave!
CALL 1-800-345-5407 24-hour Confidential Assessment with Caring and Compassionate Counselors. No Cost for the Initial Assessment. Most Major Insurances Accepted.
Every Wednesday
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Bring 5 friends & your ticket is
FREE!
Hope for a bright future
WAXING & WINE EVENT
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Visit gatewayescaperooms.com or call 314-270-9884
Buy One Brazilian Wax for $49 Bring A Friend For Free! Always receive a pair of cute panties with any bikini wax.
RAMADAN KAREEM
6635 Delmar Blvd (in the Loop) 314-833-3598
Call Angela Jansen ~314-645-5900~ Bankruptcyshopstl.com The choice of a lawyer is an important decision and should not be based solely on advertising.
DINNER BUFFET
CenterPointe Hospital 4801 Weldon Spring Parkway St. Charles, MO 63304
File Bankruptcy Now!
w w w. C e n t e r Po i n t e H o s p i t a l . c o m
AUDIO EXPRESS!
Lowest Installed Price In Town — Every Time!
It’s Road-Trip Time! Update Your Dash!
Ultimate Massage by
Summer!
2837 Cherokee Street (314) 226-9243 thepalmtreestl.com
INSTALL ! D INCLUDE
Two-Year Warranty
DAILY 10 AM - 5 PM
South County/Lemay Area
314-620-6386
$
# 2006003746
14990
99
Save
$
00*
AM/FM/CD receiver links two phones. Variable color illumination. DriveEQ audio quality.
Link Two Phones! Save $130*
24999
$
Save More When We Install It!
COMING SOON! NORTH COUNTY LOCATION RIVERFRONT TIMES
Dinner only during Ramadan
Installed Price Saves You $$$!
SWEDISH & DEEP TISSUE FULL BODY MASSAGE
68
May 27-June 25 7-10pm All Inclusive Appetizer Entree Dessert SL Riverfront Times — Beverage
DVD/CD receiver with 6.2” monitor. Ready for optional steering wheel control interface.
SOUTH: 5616 S. Lindbergh • (314) 842-1242 WEST: 14633 Manchester • (636) 527-26811 HAZELWOOD: 233 Village Square Center • (314) 731-1212 Mon. - Sat. 9 AM - 7 PM; Sunday Noon - 5 PM Unless otherwise limited, prices are good through Tuesday following publication date. Installed price offers are for product purchased from Audio Express installed in factory-ready locations. Custom work at added cost. Kits, antennas and cables additional. Added charges for shop supplies and environmental disposal where mandated. Illustrations similar. Video pictures may be simulated. Not responsible for typographic errors. Savings off MSRP or our original sales price, may include install savings. Intermediate markdowns may have been taken. Details, conditions and restrictions of manufacturer promotional offers at respective websites. Price match applies to new, non-promotional items from authorized sellers; excludes “shopping cart” or other hidden specials. © 2017, Audio Express.
JUNE 7-13, 2017
riverfronttimes.com
AUDIO EXPRESS!
Lowest Installed Price In Town — Every Time!
Real Estate Auction Thur., June 15 at 2:00PM 647 Aqua Ridge Drive
St. Louis, MO
Open House: Sun, June 11, 12-2PM
Auction Held On Site Charming 2BR brick home w/LR & DR combo, kitchen, full bath, walk-out basement and 1 car garage. Corner lot w/2 sheds. Must See! Terms: 6% Buyer’s Premium. $5,000 down day of sale. Balance due in 30 days.
ADAM’S AUCTION 618-234-8751 LIC#044000169