R I Y E S H P A T I L
A R C H I T E C T U R E P O R T F O L I O
EDUC ATION
COMPETITIONS
PRIMARY|SECONDARY SCHOOL
LOUIS I. KAHN TROPHY (N.A.S.A.)
St. Francis D’Assissi High School, Mumbai.
Sketcher
JUNIOR COLLEGE
LOUIS I. KAHN TROPHY (N.A.S.A.)
Sathaye College Of Science, Mumbai.
Sketching Head
BACHELOR OF ARCHITECTURE
LOUIS I. KAHN TROPHY (N.A.S.A.)
Rizvi College Of Architecture, Mumbai. (4th Year B. Arch)
Trophy Head
(2015-16)
(2016-17)
(2017-18)
LOUIS I. KAHN TROPHY (N.A.S.A.)
Trophy Mentor
L ANGUAGES
(2018-19)
ANNUAL NA SA DESIGN COMP. (N.A.S.A.)
.
ENGLISH
(2016-17)
HINDI MARATHI
ANNUAL NA SA DESIGN COMP. (N.A.S.A.)
.
SOF TWARES
POSTS
AUTOCAD
PROCREATE (iPad)
REVIT
COREL DRAW
SKETCHUP
PHOTOSHOP
RIYESH PATIL Artist | Designer +91 9920067320
riyeshpatil@gmail.com
SITE DEVELOPMENT HEAD Ÿ 2018 Archfest Ÿ 2019 Archfest
LOGO DESIGNER Ÿ 2017 Archfest Ÿ 2018 Archfest Ÿ 2019 Archfest
(2018-19)
WHO AM I With one hand dipped in Architecture & the other in Art, I constantly thrive to ď€ nd a balance between the two. Architecture has helped me evolve and unlearn all the preconceived notions while Art has always been a medium of expression and a way to discover myself.
C O N T E N T S
A R T
D E S I G N
A R C H I T E C T U R E
1
ORPHANAGE
2
CO-WORKING SPACE
3
COMMEMORATION CENTRE
4
LANDSCAPE DESIGN
5
INTERIOR DESIGN
6
WORKING DRAWING
7
ART
8
INSTALLATIONS + HANDS-ON
9
LOUIS I. KAHN TROPHY
(Architectural Design Sem. 3)
(Architectural Design Sem. 5)
(Architectural Design Sem. 6)
(NASA Design Entry)
(Semester 3)
(Semester 6)
(Sketches, Illustrations, etc.)
(Pavilion, Mural, Carpentry, etc.)
(Naggar Castle, Anand Bhavan)
ORPHANAGE ORPHANAGE 1
Mumbai has a lot of orphanages for children, but none of them are designed particulalry for their needs and are usually retrotted in an existing structure. The Aim was to design an Orphanage for Children and provide a better shelter to facilitate their all round growth and needs.
Convert 2D to 3D
Creating avoid on the northern facade to ood the interiors with diffused north light.
Slicing the form to create sub-volumes from the entire volume.
Using these new volumes to sculpt spaces. As these volumes are created from a single volume, it creates a greater sense of unication
Increasing the height of the northern facade leaving a gap between the glass and the slab. Also, Sloped Roof allows easy escape of hot air.
PLAN
ROOF PLAN
SECTIONS
CO-WORKING CO-WORKING SPACE SPACE 2
Starting with a basic form.
The Site was in Mahim, Mumbai with it’s west side overlooking the highly dynamic LifeLine and it’s west side having the static and soothing view of the waterfront.
With the increasing demand of Co-Working Ofces in Mumbai, the aim was to break free from the notion of ofce being a space of cubicles and design a space which would actually enhance the interaction within the CoWorkers enabling them to have a wider network while being in an open ofce environment.
Altering the basic form to enhance the viewing experience.
Creating a void in the mass to immerse nature into the structure making the space not only outward looking but also looking into itself.
Elongating the form to increase the area & introduction of vertical louvers & pop-out spaces to frame the view & break the monotony.
Stacking up these loops to form interesting volume of spaces.
GROUND FLOOR PLAN
DE
O PL
EX D O
O FL R PL S
E AT
1st FLOOR PLAN
SECTIONS
2nd FLOOR PLAN (OPEN COWORKING SPACE)
3rd FLOOR PLAN (SHARED | PRIVATE COWORKING SPACE)
4th FLOOR PLAN (ACCOMODATIONS)
COMMEMORATION COMMEMORATION CENTRE CENTRE 3
With Bollywood completing it’s 100 Years Milestone, the Aim was to Design a Commemoration Centre to rejoice the Art of Cinema, paying Tribute to a Unique Bollywood Personality. Selected Personality was Anurag Kashyap for his Raw, Bold, Brutal approach to the idea of Film Making and his constant efforts to portray the society in its truest form.
• WORKSHOPS
Giant Cube as a space to signify Brutality with Simplicity.
Chamfering the edges to not overpower the user & yet keep the brutality intact allowing various forms.
Chamfering the tip to allow the natural light to penetrate in from the north.
Playing with the levels to create interesting & inward looking spatial workshop.
• EXPERIENTIAL / EXHIBITION SPACE
A room with human friendly proportions.
Increasing the volume drastically to overpower the human proportyion to create discomfort & isolation.
Increasing the volume drastically yet gradually to to slowly gulp the user into the space.
Chamfering the tip to allow the natural diffused north light to penetrate in.
• LANDSCAPED SEATING
General Seating
Introducing Landscape in between the seating.
Raising the lanscaped portion to create an heirarchy of facets & to creat a backrest
• SUNKEN PATHWAY
Normal Pathway with kerb stone dening the edge.
Sinking the pathway into the ground to create a much more involving & immersive experience.
Modifying the sunken path to a zigzag path creating a play of sight & increase interest due to ambiguity.
Adapting to the form of the rest of the design acting not only as a seating but also a buffer zone.
PLAN (WORKSHOP)
SECTION (WORKSHOP)
PLAN @ 1.5M
ROOF PLAN
S E C T I O N S
E L E V A T I O N S
LANDSCAPE LANDSCAPE DESIGN DESIGN (NASA Competition Entry) Theme: REFLECTION An attempt to create a Landscape Design which could translate the Intagible Experience of Depression into a Tangible Experiential Space. The Aim was to give out a social message and spread Awareness about Mental Health.
4
AGE
Natural Phenomenon Path it takes Point of Reection Places| People|Events|Occurences
Ÿ Ÿ Ÿ Ÿ
The Youth are the Major victims to the Depression
Journey Memories No. of people suffering from Depression in India (As of 2015) Ÿ Ÿ
Stimulant Interaction
Flashback Calamity/Disaster Leave an impact
Introducing an Intervention which aims to spread an Awareness among the youth about the sensitive topic of Depression by creating a Physical Space which translates this intagible experience of Depression into a Tangible Experience.
Ratio of people suffering from depression in Urban Areas
No. of people Committed Suicide in India (as of 2012)
PLAN
타 Change in
Volumes
타 Play of Light &
타 Levels
Shadow
타 Texture: Rough
Rock
EXPERIENCE
SECTIONS
INTERIOR INTERIOR DESIGN DESIGN 5
Retroď€ t For A Family with a Husband-Wife and 2 Kids in an existing house with only the exterior walls intact.
AX VIE ONO W
ME
PLAN
TR
IC
LIGHT FIXTURE DESIGNS
WEST ELEVATION
WORKING WORKING DRAWING DRAWING 6
Working Drawing of a G+2 R.C.C. Villa
COMPOUND WALL & GATE DETAIL
GROUND FLOOR PLAN
SECTION AA’
( VILLA )
FAUCET DETAIL
TOILET PLAN
SKYLIGHT DETAIL
SECTION CC’
KITCHEN COMPARTMENT DETAIL
STRIP SECTION
ART ART 7 SKETCHES
ART + ARCHITECTURE
URBAN SKETCHES.
INSTALLATIONS INSTALLATIONS + + HANDS-ON HANDS-ON 8
BAMBOO PAVILION, Sagunabaug, Maharashtra
3D WALL MURAL, Rizvi College Of Arch.
INTERACTIVE WALL, Rizvi College Of Arch.
INTERACTIVE WALL, Rizvi College Of Arch.
A PL AY OF LIGHT, Rizvi College Of Arch.
LOUIS LOUIS I. I. KAHN KAHN TROPHY TROPHY
(DOCUMENTATION & ANALYSIS)
(NASA Competition Entries)
9
Intensive Documentation and Analysis of Historical and Traditional Architecture and Sites.
NAGGAR C A STLE, Kullu, Himachal Pradesh.
ANAND BHAVAN, Civil Lines, Allahabad.
`
T H A N K
Y O U