Rizwana Lubis: Portfolio 2025

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a. Urban terrain projection Medium: Ink on vellum
Rizwana Lubis

Professional Work

01. The Craft that Binds | AlvinT

02. Gerobak Majalah Tempe | AlvinT

03. Geldert: Plan | Atelier Cho Thompson

04. Priscilla: Custom Furniture & Index | Atelier Cho Thompson

The Craft that Binds Brand activation project with The Balvenie & AlvinT.

Brand Activation & Program

“The Craft that Binds” is an artist installation by AlvinT in collaboration with The Balvenie. In today’s digital age, our senses are often dulled by technology, limiting how we experience the world. Crafts, however, demand more than just sight—they engage touch, smell, sound, and taste, forming a deeper connection with materials and makers. In this special exhibition, The Balvenie and alvinT celebrate craftsmanship, inviting visitors to rediscover a sensory experience that reconnects us with the richness of tradition, perspective, and character often lost in life.

The Craft that Binds

Barley Ceiling Installation

The wheat ceiling installation is built upon the existing grid of the alvinT showroom, while the barley ceiling enhances the landscape of The Balvenie’s whisky harvest in Speyside.

This design creates a dynamic experience, allowing the audience to immerse themselves in a touch of Speyside during craft workshops, the Maker’s Talk, and whisky pairing dinners—capturing the essence of being in Speyside.

Elevation A
Elevation B
Plan: Spatial Experience

Gerobak Majalah Tempe

Brand activation for a digital media, Majalah Tempe. Authors

Brand Activation & Program

“Majalah Tempe” is a digital magazine designed to spark conversation around Indonesia’s pressing issues in the design industry, many of which affect the younger generation. The name “tempe” symbolizes the magazine’s nourishing content, much like the hard work behind design. The brand uses the gerobak (food cart) typology to evoke a sense of closeness and familiarity, much like sharing food—in this case, a humble bag of tempe—sparking thoughtful dialogue.

Alvin Tjitrowirjo
Rizwana Lubis Angela Mayrina Egi Juliansyah
Gerobak Majalah Tempe

Geldert: Plan

Preliminary plan drawing for schematic design phase.

Priscilla: Furniture Index

Curating furniture option for client’s family room, dining room and living room.

Firm
Atelier Cho Thompson
Location California Role Created furniture package.
Priscilla: Furniture Index

OPT 1

Bernhardt

Helena Fabric

Sectional

124” x 24” x 32.5”

OPT 2

Bernhardt

Joli Fabric

Sectional

101” x 42” x 32.5”

OPT 3

Design Within Reach

Pastille Collection

Sectional Chaise

105” x 65” x 33”

OPT 1

Armadillo

Sistine

Peregrine

75% Indian Silk & 25% Wool Pile

Off-the-Shelf Sizes: 10’ x 14’

OPT 2

Warp and Weft

Ebba

Silver

Wool and Silk

Off-the-Shelf Sizes: 8’3” x 10’11”

OPT 3

Restoration Hardware

Patna Hand-Knotted Wool Rug

Grey

Mongolian Wool

Off-the-Shelf Sizes: 10’ x 14’

A. Furniture Index
a. S1 Family Room
b. R1 Family Room 175”
B. Custom Furniture Index
c. C1 Booth Chair
Priscilla: Furniture Index

Academic Work

05. Pinwheel Place

06. Care Space

07. Silo Memories

08. Rescape

09. The Terrace

10. Silo Memories

Authors

Pinwheel Place

Multipurpose dwelling with timber structures prioritizing disaster resiliency.

Courtyard

Programmed for a natural environment with native plants and fire-barrier plant schedule.

Program

Rest Wing

Location Greenville, CA

Programmed for healthcare services such as labs and clinic for diagnosis. Short term housing is available at the second level for traveling/resident doctors and nurses.

(See page 5 for ref.)

Work Wing

Programmed for collaborative services such as hardware store and maker spaces, as well as office spaces at the second floor.

Play Wing

Programmed for community services such as a restaurant, bar and a multipurpose room.

Rizwana Lubis
Aditya Kosman
Alden Gendreau
GIS Mapping, Site Research, Project Design, Project Modeling. Rendering, Plans, Sectional Perspective, Diagrams
Isometric Dwelling
The Pinwheel

Site Context

Site selection at residential/commercial parcel.

Three Pronged Approach

The concept is centered around a three-pronged approach consisting of rest, work, and play. Each components are led to measure three-scenarios of Everyday, Service, and Emergency. Below is the programmatic scatter graph:

Graph Notes

a. Circles are to scale with programmatic urgency from community responses.

b. Tangent to circles are relevance to the programs.

The Pinwheel

Detail Drawings

Roof to Column Connection
Roof to Rammed Earth
Rammed Earth to Foundation a c b
The Pinwheel
a. Rest Wing
b. Work Wing
c. Play Wing
The Pinwheel

06. Care Space

Identifying zones to allow care programs.

Activities and System

Programmed area centering the calming, regenerated water underlining a healing element. Regenerative Water Recovery with Water a b (See page 7 for ref.)

Water filtration system to restore

Authors Rizwana Lubis Suvin Choi
Location Greenville, CA
Role GIS Mapping, Site Research, Project Design, Rendering, Sectional Perspective, Diagrams
Wolf Creek.

Silo Memories

Responding to historical context and the existing missile silo site in rural Colorado.

Location Aurora, CO Role GIS Mapping, Site Research, Project Design, Rendering, Sectional Perspective, Diagrams, Poem

Program a

Water Neurosis

The transformed missile silo will be adaptive to the existing water pipes - trascending driplets of water to our own reflection.

Acoustical Neurosis b

Our natural tendency is to find the balance between the noise and the quiet. The transformed missile silo will charter the path to finding the silverlining.

Sensory Neurosis c

The transformed missile silo questions our senses to retrieve a memory that was once lived.

(See page 9 for ref.)

Pitter-Patter, a poem.

Pitter-patter - the sound of dripping water. The dark and hidden subterranean underground complex suggests little about who lives under. The sight of vast pavements and maintenance encroaches on Colorado vegetation. Junk was thrown in different places whilst cracks were cast on the concrete walls of what was once the isolated space of a warhead. Rusting pipes provide ways for chemically contaminated water, feeding its landscape where its green deteriorates over time. In the end, we were deceived in our curious minds through the history and time of a system of contention.

Pitter-patter. An empty tunnel at the cost of $1.5 million dollars. Housing the largest and most expensive underground launch complex that was commissioned. Rusted walls of stories never told. Of a cylindrical shape pressured by the earth above. Pipes and cables of the most advanced technology and economy, 62 years ago. What would it mean now?

Pitter-patter. Old photographs picture the imagination. "Airmen using the ‘dangerous’ personnel entrance”, “In the distance, one of the 2 mysterious towers at 724-C”, “the instrument array tubes deployed and gathering vital information in all their glory”. Close your eyes and fantasize about these sayings of a forsaken place. What time didn’t tell us that it was home to a system safe to narrate the next best innovation, changing the lives of people that were brought into the war, and affected by the war

Pitter-patter. Lives captured as memory are verbal and experiential, through a celebratory gathering where people were asked to mourn while eating food provided by the widow - a funeral. But in the moment of silence, and for the only one who speaks of the memory, its picture is vivid. What could a memory be when it is lived?

Pitter-patter. The sound of memory. For when harmony and joy were once removed, now lived a new beginning to the literary. When memory is destined to be lived, it diffuses nostalgia. When it is given a place, it gives a chance for a memory to be lived forever. Pitter-patter, pitter-patter, pitter-patter...

Rescape

Reparative action to Indigenous beliefs and practices based on Usufruct Law.

Role

By encouraging an economy that restores native plants and resources while respecting Indigenous beliefs and practices, Rescape can establish an alternative to market-based economic exchanges that have destroyed Indigenous economies. The dwelling is designed to dialogue a self-sufficient local economy within the courtyard typology supported by the bioretention mechanism creating water recyclying opportunities.

Location Aurora, CO
GIS Mapping, Site Research, Project Design, Rendering, Sectional Perspective, Diagrams, Poem
Bioretention Mechanism
Rooftop Mechanism
Courtyard Mechanism

Modularity

The two modes of dwelling randomized to increase the probability in variety. The varying economic mechanism increases more economic facets for Indigenous communities.

Module A

Module B

Process Models

b. Puzzled Water Works
c. Elevated Water Works
a. Grounded Water Model

Terrace Contextualizing the homesteading movement in a food-diversed ecosystem.

Program

The ability for green spaces increasingly populating through each level for different programs that would exist by its needs and number of occupancy. Inspired by the homesteading movement, it addresses the importance of cultivating food, renewable energy, and the opportunity for financial independence, especially in a diverse area like Jackson Heights, NY.

Location Jackson Heights, NY Role Site Research, Project Design, Rendering, Sectional Perspective, Diagrams.

Centering Water for Service

Based on Louis Kahn’s Served and Servant theory, The Terrace seeks to understand how water (servant) can be of service to residents and the growing vegetation (served) categorized by two fins shown below.

Seviced by Water

Water to Service

The Pinwheel

10. Desert House

Exploring panoramic opportunities for the artist’s activity.

Authors Rizwana Lubis
Location Joshua Park, CA
Role Site Research, Project Design, Rendering, Sectional Perspective, Diagrams.
The Desert House

Environment: Artist’s POV

A table is presented as part of the constraint to challenge the spatial relationship and change the term of its use. The table becomes a multipurpose object where the program fluctuates of use.

Environment: Artist’s Living

The interior architecture reflects the movement of the figure-ground, where it begins to dissect apart the overlapping element and conforms to design decisions created from the transitions.

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