The Silkbox of Catterick Racecourse Design Report by Rosie J Marsden

A DAY AT THE RACES

ROSie MARSDEN

CONTENTS INTRODUCTION

3 4-5 6 7

Building Details Brief The Silk Box of Catterick Racecourse Schedule of Requirements of Spaces

9 10 11

Catterick Bridge Racecourse Greville Worthington Jockey Silks

13 14 15 16 17 18 19 20 21 22

Immediate Reactions Genius Loci Location Size and Shape Character, Position and Settings Materials Circulation and Access Light External Conditions Environmental Analysis

23-28 29-34

The Coach House Owen Scott Bespoke Tailors

INSPIRATIONS

35-38 39 40-41

The Tote by Serie Architects Fabric Formwork Inspirational Exteriors and Interiors

REFERENCING AND BIBLIOGRAPHY

42 43 44-45

Bibliography Webography Images

RESEARCH

SITE INVESTIGATION AND ANALYSIS

CASE STUDIES

building details

Name Original use Location Date of Construction Architect

Catterick Tote Building Tote building Catterick Racecourse 1930â&#x20AC;&#x2122;s Unknown

Fig 1.1 View of the north-east facade of the orginal tote building.

Brief The Tote building at Catterick Racecourse currently lacks a clear purpose and is used as a glorified store room. The re-imagined Tote Building will establish a sustainable future for the building which reflects the context of the racecourse, its sunday market and the multi faceted interests of the owner, Greville Worthington. The re-imagined tote building will become a live/works scenario specializing in bespoke jockey silks as well as bespoke garments and millinery specifically designed for the races.

Fig 1.2 Photoshop render showing many angles of the tote building.

BRIEF The existing tote building lies centrally to the race track at Catterick Racecourse. The development of the tote building will have to consider its surrounding landscape and its purpose in its development. Catterick Racecourse want to take advantage of the Tote building and for it to have a purpose once again within the site. There will be many factors to consider, such as; size and shape, character and setting, materials, viewpoints, thresh- old, circulation and access, lighting, external conditions and environmental issues.The tote building will be re- stored to a functional building. The re design will be considerate of existing features and will incorporate the history and existing qualities into its new design.

The Silk Box The Tote Building will be re-imagined into... The Silk Box. The Silk Box will include a live/work scenario. The garment designer will occupy the ground floor of the space for a silk and design studio. There will be a silk studio and dress makers facilities in which the dress maker would come and work in to create the customers bespoke garments. The client will come for fittings. Above the silk studio will be re-imagined into an upmarket apartment that is rented out to jockeys and their partners or friends who will be attending upcoming races at Catterick. The apartment will have a 360 degree viewing platform specifically designed for the day of the races. The silk box would be very sought after and contemporary way of attending the races. The building will stop being old fashioned and become fashionable.

Fig 1.3 Fashion Illustation

Schedule and Requirements of Spaces I will be re-designing the tote building into a live and work space. The work space will be located on the ground floor. This will be a large studio space with fitting areas for the clients. It will also have storage and toilet facilities. The studio will be separate from the living areas and will not be able to be accessed. There will be a separate entrance to the apartment space which will include stairs up to the first floor. This space will include a small kitchen area, bathroom, living area and mezzanine floor for a bedroom area that sleeps 2 people. There will also be a 360 degree viewing platform ideal for the race day. This will be its own level at the highest point of the space. The studio work space will be designed for one or two designers and will be able to take fittings for 1 person at a time. The apartment is a 2 person apartment but additional guests of up to 8 more people are allowed to visit any one time making the total 10 people. Fig 1.4 Fashion Illustation

The Silk Box is not open to the public and has to be rented through Catterick Racecourse for the week or weekend of the races. The apartment will be re-imagined with a modern and contemporary feel using influences of its surrounding atmospheres. It will be aimed at a wealthy client and would be popular among jockeys who would be able to get their bespoke garments fitted and made at the same time as having a leisurely break within the excitement of the racecourse.

Fig 1.5 Two people watching a race

Catterick Bridge Racecourse Catterick Bridge Racecourse is a thoroughbred horse racing venue located in the hamlet of Catterick Bridge in North Yorkshire, England. Catterick Racecourse is one of the true homes of the Northern racing scene - a venue steeped in tradition and a favourite among many of the regionâ&#x20AC;&#x2122;s owners,trainers and racing public. Racing at Catterick Bridge began as early as the mid-17th Century and the first recorded meeting took place on April 22nd 1783, but it was not until 1813 that a permanent course was created. The track is left-handed, sharp and undulating, just over a mile round, with a 3 Fig 2.1 Catterick Races Badge furlong run-in. The gravel subsoil means the going is usually good. Today, Catterick is a charming blend of old and new.Â The framework of the old 1906 stand is still evident in the present Grandstand but many alterations and improvements have taken place while maintaining the informal atmosphere. IAD Level 5. (2014). Catterick Racecourse. Available: http://cagd.co.uk/site/ item.php?ref=1036759&context=group. Last accessed 17th January 2015.

Fig 2.2 Horse racing at Catterick Bridge Racecourse

GREVILLE WORTHINGTON

Fig 2.3 Greville Worthington

Greville started leading the company Catterick racecourse as a director in 20th Oct 1991 to present. This was also his first directorship. His newest directorship is with Baltic Contemporary Visual Arts Trading Limited where he holds the position of â&#x20AC;&#x153;Company directorâ&#x20AC;?. The company was established 24 Dec 2001 and is based in Tyne and Wear. Greville has held 9 directorships, 4 of which are currently active, and 5 are no longer active. Near the catterick racecourse and set in acres of incredibly kept parkland with a stately home tucked away in the background, the converted church of St Paulinus is now Greville Worthingtons house. He also tends to preserve buildings and keep them safe from ruining. The Tote, based at the Catterick racecourse is one of these. The building previously functioned as a center of information where odds were displayed during matches, and where an artist called Paul Lincoln collaborated to exhibit his work once. IAD Level 5. (2014). Greville Worthington. Available: http://cagd.co.uk/site/item. php?ref=1052472&context=group. Last accessed 17th January 2015.

JOCKEY SILKS A jockeys silks are their identity. The name â&#x20AC;&#x2DC;silksâ&#x20AC;&#x2122; comes from the first jockey outfit made of silk. Jockey silks have evolved over the years starting off with simple block colours and black caps to much more unique body and sleeve combinations with distinctive colours and designs. The silks are now made of synthetic materials such as nylon, lycra or polyester to make them more aerodynamic to ensure the jockeys best performance. The cut of jockey silks are close fitting for minimal wind resistance but not too tight.The lightweight materials like silk are ideal for ease of movement and breathability. IAD Level 5. (2014). Jockey Colours Pres. Available: http://cagd.co.uk/site/ item.php?ref=1050685&context=group. Last accessed 17th January 2015.

Fig 2.4 Two jockeys and their race horses

Fig 2.5 Jockeys racing

Immediate reactions One of my first impressions of the tote building was surprise. I had little knowledge of horse racing and race tracks. I was surprised where the building was located and also by its size. I wasnt expecting a building to stand alone within a race track. The tote building is situated within the inner part of the track, this means the jockeys and race horses race around the building. The North-East facade faces the stands. Externally my eyes were drawn to the art work on the right side of the front exterior height, The building was wrapped in the words “A pile in the midst” This made me curious and wonder what the story was behind it. I liked the use of text and mystery within the art work. I thought it was something unusual to have on a building like this. The contrast in colours from the red bricks and the layering of the brickwork with the white window, cornices and lintels was interesting.

Fig 3.1 The tote building showing artwork by Lawrence Weiner “A pile in the midst”.

Internally my immediate reactions were interested in the heights of the floors. The heights are unusual, the first floor has particulary high celings. The amount of windows within the space seemed like a lot, there was almost more window than brick on the first floor. I thought this was interesting as you could see the surrounding landscape very clearly at almost any angle or viewpoint.

genius loci

The spirit of the place is desererted and desolate. It gives an unsociable atmosphere due to its withdrawn location within the site. The tote looks very uniform and standard. It doesnt seem architecturally interesting and seems like it gives off a purely functional atmosphere. The building remains intact and looks like it has been looked after. It seems unimaginative. I feel as though it sticks out within the track as its old purpose as tote building is now unused. It seems segregated and abandonded or cast away from the hustle of people and the liveliness of the atmosphere.

Fig 3.2 Tote Building, south-west elevation

Location The tote is located centrally to the race track at Catterick Racecourse. The north-east facade is adjacent to the stands. In the past when the tote building still had a purpose the location it is situated in was ideal. Adjacent to the stands and a good distance from the track. Now that it is unused its location is of less purpose. Currently the tote buildings positioning has no relevance to the races that take place. It seems isolated from the excitement from the Race course. In the re-design it would be interesting to make the site more social.

Fig 3.3 Plan view of location of the Tote Building, not to scale.

size and shape The tote building is currently a two storey rectangular shaped brick structure. The tore is small in square feet but is interestingly in height for a two storey building. The heights of the floor levels mean the first floor has very tall ceiling.

Fig 3.4 Tote Building, north-west elevation

character, position and setting The tote buildings relation to the racetrack is very significant. It is histotical and old fashioned. It has a lot of character with the cornices and the artwork. The positioning within the track makes for a suitable setting and gives it a meaning. The tote building played a huge part in the horse racing so that it makes it very historical and full of charm. Including the racetrack at the history into the new design would be aesthetically pleasing aswel as giving it some purpose.

Fig 3.5 Artwork by Lawrence Weiner â&#x20AC;&#x153;A pile in the midstâ&#x20AC;?. Tote Building, south-west elevation

materials The tote is built of expensive good quality red brick with a flat roof.They have kept the original brickwork and replaced the roofing with similar materials where it has damaged. They have replaced the apetures with grey steel windows to compliment the roofing. The building will have had to withstand many weather conditions causing abrasion. This has lead to the materials of tbe building to have weathered away slightly. New materials will have to be considered to make the building fully functional again.

Fig 3.6 Tote Building, north-east elevation

circulation and access There is good circulation around the site and Catterick Racecourse. As you enter the racecourse you immediately notice the isolated building within the track. There is a large concrete walk way between the stands and the track. This is for betting shops to position there stands, catering stands and on sundays the sunday market. To the right is the stands to the left is the race track. The access to the building is restricted because of the track. Making it even more secluded. The pathways lead around the entire building and the stands. This makes access for the public easy to everywhere besides the tote building. Therer is a carpark over the road which makes it accessible to vehicals. Darlington is the most convinently situated train station apprximately 15 miles from Catterick Racecourse. This links trains from the whole of york-

Fig 3.7 Tote Building main entrance, south-west elevation

light The sun paths will travel from East to West in a southerly direction. In summer the sun path is alot higher than in winter this is shown on the diagram below. During the summer the sun path will cast longer shadows of the building onto parts of the racetrack . It will shadow to the left of the building in the morning and to the right of the building in the evening.

Summer

Winter

Fig 3.8 Sunpath analysis and own image of sunlight at the racetrack

External Conditions The wind direction comes from an easterly direction. The site isnt blocked from winds as it stands alone. The wind will affect the tote and will in time take its tole naturally on the brickwork. It is in a fairly good condition as it isnt protected by other structures it will be exposed to many weather conditions. On my visit to the site the winds were fairly calm and the sun was shining even though it was bitterly cold. The external conditions affect how you view the site and I could appreciate the site in these conditions but weather and external conditions will need to be considered because of the building being isolated.

Fig 3.9 Catterick Bridge Racecourse stands

Environmental Analysis There are many environmental factors to consider when assessing the re-design of the tote. It need to be suitable for all external factors. This includes the sun and prevailing winds. The materials of the structure will need to be assessed and maybe even replaced for safely issues. The re- design will have to replace some aspects of the site but as part of the design as many existing features will be kept if possible. This retains its historical features and can also aid to the design. The site will need look at keeping it as environmentally friendly and sustainable as possible. This could be done by using energy efficient equipment or even re working existing structures. The landscape around the tote building could be incorporated into the new designs. This could bring new natural aspects to the design and compliment the existing features and the surrounding race track.

Fig 3.10 Catterick Bridge Racecourse, landscape

The coach house Name of building Location Architect Original use Current use

The Old Coach House Halsham, East Yorkshire Salt Architects Old Coach House Upmarket Apartment

The coach house

Immediate Reactions

Genius Loci

Context

I was immediately drawn to the coach house. I was excited to look inside. It seemed small from the outside and looked as though it was a bungalow. I was curious to know what the design and layout was. The exterior is built of a red brick with slate roofing. It has tall brown windows and you can see clearly into the white open space. The interior is crisp and clean, it is surprisingly spacious. The staircase is structurally very interesting and so is the use of materials. The interior is very contemporary and modern. I think it works well contrasting with its more traditional exterior and surrounding landscape.

There is a relaxing and peaceful spirit of the coach house. The positioning of the coach house within the grassy are rural area makes the place feel very secluded and calm as it is hidden away from the road.

The old coach hose was originally an outbuilding for horse drawn carriages and the coach man would live on a small floor above the carriages. The new renovation brings to life a building with historical value that can be used once more. The coach house is situated in Halsham, East Yorkshire making it accessible enough but also gives it a sense of isolation. This gives the atmosphere of the coach house relaxing and safe.

Fig 4.2 The Coach House

The coach house Views, Vistas, Approaches

Transport and connectivity

Circulation

The coach house is easily viewed from many angles. It is situated in the middle of a group of small buildings and houses and is a short walk away from a country lane. You can approach through the country lane or from within one of the neighboring buildings.

The coach house has fairly good transport links.There is car parking facilities for visitors. There is good train links as it is near Hull city and other smaller towns with train stations such as Withernsea, Burstwick and Keyingham. There is also local buses in the area.

There is good circulation throughout the coach house if the number of people inside are limited. The space is small but the design manages to give the people an easy layout to circulate around the space well. The three main rooms are large and open and even thought the coach house is small scale. The two rooms downstairs will be used for one bedroom and one living room. First floor a study/storage space, bathroom and bedroom.

Fig 4.3 The Coach House, Interior

The coach house

Access and entrance

Proportions

Sensory

There is one main entrance to the coach house. It is designed for private use and is not open to the public. As you enter into the main entrance you begin straight into the kitchen. This is also the centre of the coach house. Either side there is two similar sized rooms to enter. The coach house isnâ&#x20AC;&#x2122;t easily accessible for many people at one time. The left room has a small staircase intended for one person at a time for easy accessibility. There is space in the exterior that can be use to

The coach house is proportionate to its neighboring landscape and nearby structures. It firs in well with its surroundings. The coach house looks smaller from the outside its surprising how open and spacious the proportions of the rooms are. They have kept the original brickwork and replaced the roofing with similar materials where it has damaged. They have replaced the apetures with grey steel windows to compliment the roofing.

The sound outside was fairly quiet, not much noise pollution from traffic as its not by a busy road it is quite secluded. The interiors had a calm and relaxing feel due to the whilte walls and large windows allowing the heat from the sun to soak in and give the space a warm feeling. The view out the window was bright and sunny. The natural light and raw brick work. The general feeling inside the building was calm and serene. The space seemed organised and spacious.

Fig 4.4 Main entrance

Fig 4.5 Ground floor room

Fig 4.6 Staircase

The coach house Light and Lighting There was no lighting outside. Inside lighting was lit well through natural light. The windows were almost the entire height of the wall. This let in a lot of natural light which meant during the visit no artificial lighting was needed during the day. There was subtle artificial lighting that would be used during the evening. This lighting will compliment the atmosphere set for the coach house as it still retains a natural glow.

Fig 4.7 Front room window

Relationship of Internal and External space There is an relationship between the internal and external space, through large windows and doors. If you are inside you can see out of any room you are in at the surrounding exterior and its nature. The internal and external space shared a relationship in the architectural styles and materials used. The interior of the mill used the raw brickwork just like the exterior. There isnâ&#x20AC;&#x2122;t any signage as its for private use.

Fig 4.8 View of the outide from the inside

External Conditions The mill is a two story red brick structure with a slate roofing.. It has many large brown windows on the ground floor and some smaller windows on the first floor. The coach house is very characteristic and includes some traditional features on the exterior such as chain drain pipes and a traditional metal symbol on the front of the roof.

Fig 4.9 Exterior view of ground floor room

The coach house The case study to the Coach House was useful in seeing how such a small space can be designed to give a spacious feel. It helped me understand the importance of storage and how to use space as much as possible and still retain an aesthetic design. I have learnt about what is required in an apartment space and which design features I am interested in. This case study has helped me understand the requirements to designing a living space.

Fig 4.10 Mezzanine Floor

owen scott bespoke tailors Name of building Location Architect Original use Current use

Owen Scott Bespoke Tailor Leeds, West Yorkshire Unknown Market Street Arcade Central Arcade

Fig 4.11 Owen Scott Leeds Store

owen scott bespoke tailors Immediate Reactions The shop is in a small shopping complex in Leeds city centre called it. The shopping centre is entirely glass facades within concrete walls. There was a few small businesses within the complex including a tattoo parlor and a restaurant. The complex is quiet and hidden away from the high street. It looked very small for what I expected a bespoke tailors to be. After speaking with the owner he informed me this was just the shop for meeting with clients and for fittings. The production happens in a factory in huddersfield. The shop interior was very chic. It was well designed and fashionable.

The interior design said alot about what the business is about and what kind of impression it wanted to make. It was very trendy and hip. The space was small, it had the one main room with a desk with chairs for the client meetings a small fitting room and many samples and inspiring decor around the walls of the space. Genius Loci There is a trendy vibe and the shop has a swanky feel to it. It makes you feel cool in such a contemporary space. The layout is intimate and personal which is how the service of bespoke garment would also be designed.

Context Owen Scott Bespoke Tailors was set up 4 years ago. Its flagship store is in Huddersfield and it has two other stores in Leeds and Saville Row, London. I visited the Leeds store. This is the meeting point for clients to come and browse or discuss their garments. Clients often come in with their own ideas and discuss how they can be made a reality. However some clients come in without any ideas and the tailors can guide them and plan with them what they want. The Leeds store is for meetings and fittings. The garments get produced at the tailoring studio in Huddersfield. The client would only visit the Leeds store. The service on average takes 6-8 weeks. They do offer an express service if necessary. However they do not recommend this as they aim to ensure each gar-

owen scott bespoke tailors Views, Vistas, Approaches

Transport and Connectivity

Circulation

The Leeds store is in the city centre. It is in central arcade shopping complex on the 1st floor. Central Arcade is just off the busy high street Briggate. It is small and only has a few units for shops and resturants. You can access the store in unit 13 by using the staircase or the lift which are next to the store. You can view the store from the ground floor as the space is open and all the store fronts are glass.

The Leeds store is very accessible. It has excellent transport links due to being situated just off the high street in the city centre. It is a 5 minute walk from the main train station in Leeds. It has excellent bus links to west Yorkshire. There is also many city centre car parks so driving is also a good option.

The store is very small so circulation around it is only good if there is no more than 4 people at a time browsing. There is space for a meeting for 2 people, the tailor and the client. This is so the client can have an intimate and personal meeting as that is part of the service they are paying for within their bespoke garment. The space is made up of the main room which has items on display for browsing and a desk for the client meetings. It also has a small fitting room. They also own unit 14 which they are currently using as a storage room. In the future they hope to expand their store across both units and use that part to display their hire wear items.

Fig 4.12 Andy the manager with one of the suit

owen scott bespoke tailors

Access and Entrance

Proportions

Sensory

There is two main entrances to the Central Arcade shopping complex. It has an open walkaway through it which is constantly open giving the shopping complex a open plan layout. You can access the store on the 1st floor. It has one main entrance.

The store is proportionate to all the other stores and within the Central Arcade. Central Arcade is designed with a minimalist feel. The store is rectangular shaped and small. It is however exactly enough space for its purpose.

Central Arcade is fairly quiet it is a very small shopping complex. It is hidden away from the noise of the high street. It has a calm feel to it with its open plan, large glass roof and white walls. It has a contemporary look and is host to the cityâ&#x20AC;&#x2122;s independent fashion.â&#x20AC;? It embraces Leeds shopping heritage famous for its Victorian arcades.

Fig 4.13 Exterior view

Fig 4.14 Interior view, Fitting room

Fig 4.15 The meeting desk for clients

owen scott bespoke tailors Light and Lighting The Central Arcade shopping complex is lit well through natural light through the glass roofing. This makes the space well lit through the daylight. It has some artificial lighting for when it gets dark. The store its self is lit well though natural light as the shop front is glass so it gets a lot of the natural daylight in. It also has small artificial light fittings on the ceilings. It also has a statement lighting piece. This is above the main desk it is a bowler hat with a light inside. This is very stylish and gives the shop a lot of character.

Fig 4.16 Bespoke bowler hat light fitting

Relationship of internal and external space There is a relationship between the internal and external space, through its glass façade as the shop front. If you are inside you can see the entire 1st floor of the Central Arcade. You can even see part of the ground floor because of the mezzanine design. The architectural style is consistent throughout the arcade it is contemporary and functional with a minimalist theme. There is signage around the site used for the businesses within as it if for public access.

Fig 4.17 Interior view looking outside

External Conditions The Arcade is a Situated right at the heart of Leeds, linking Briggate to the well established Corn Exchange and Leeds Kirkgate Market. http://leeds-list.com/ style/central-arcade-a-diamond-in-the-rough/.

Fig 4.18 Central Arcade

owen scott bespoke tailors The case study to Owen Scott Bespoke Tailors was extremely useful. I have an understanding about how the process of tailoring starts from the first meeting with a client, to the production within the studio, then back to the Leeds store for fittings and then finally when it is completed, the last meeting. I have an understanding about what my space will now require within the tote for the studio aspect of my design. I have learned about production time and how long the process takes and how individual and personal bespoke services are. This case study has helped me understand the requirements of having a studio and work space.

Fig 4.19 Store inteior showing display suits and ties

inspirations Building The Tote Date 2009 Location Mumbai Racecourse, India Architect Chris Lee, Kapil Gupta of Serie Architects

Fig 5.1 Interior view of The Tote by Serie Architects

inspirations “A series of disused buildings from colonial times have been converted to incorporate a banquet hall, restaurant and bar. Located on the grounds of the Mumbai Race Course, this building takes its inspiration from the rain trees in the surrounding landscape. A steel structural system comprises a steel truss with laser-cut sections whose branch-like components become thinner as they reach the ceiling. These emulate wide-canopied trees and provide a vertical landscape mirroring the interior’s extensive structural system as well as offering shade. Floor to ceiling windows aid further in blurring the line between the building’s interior and exterior spaces. Interior spaces are defined by the degree of structural branching overhead and the scheme’s programme includes a wine bar, restaurant and banquet areas.

Fig 5.2 Exterior view of the Tote at night

Both the structure and lighting scheme reference trees. Where the structure’s branches meet its rafters, irregular slits and openings filter light to the interior. On the upper level, the lounge bar’s multifaceted wood panelling, an interpretation of intersecting tree branches, incorporates light installations in the areas where the branches intersect the ceiling.”

Phaidonatlas. (2009). THE TOTE RESTAURANT. Available: http://phaidonatlas. com/building/tote-restaurant/3720. Last accessed 17th January 2015.

Fig 5.3 One of the main entrances to the Tote

inspirations

Fig 5.4 Tree like structures supporting roofing

Fig 5.5 Columns in the Tote

This case study is useful to see how other tote buildings at Racecourse have been re-imagined. This re-design is architecturally and structurally stunning. The architects were inspired by the surrounding landscape at the race course and this has influenced the trees and the branches. I like the fact that although they are essential in the structure of the building they have been cleverly designed to be an installation aswel. I would like to look into this aspect futhur and see how I can make my structures such as columns architecturally interesting. This has inspired me to look at fabric formwork and as that relates to my brief and can be used in a similar way.

inspirations

Fig 5.6 Architectural drawing of tree like forms in The Tote Building

Fig 5.7 Section view of tree branch structure

inspirations Fabric formwork The concept of casting concrete within fabric. â&#x20AC;&#x153;Fabric-cast concrete involves casting concrete in forms made with flexible formwork. This provides the potential to produce forms that are both structurally efficient and architecturally exciting in a relatively inexpensive and practical manner. By careful shaping of the fabric it is possible to produce complex shapes that would otherwise be difficult and expensive to produce using conventional formwork systems.â&#x20AC;? Remo Pedreschi and Alan Chandler (Decemeber2007). Fabric Formwork. RIBA Publication: RIBA Publication. 96 (Description) . Fig 5.8 Fabric formwork columns

Fig 5.9 Fabric Formwork

INSPIRATIONS

Exteriors

Fig 5.10 Windows

Fig 5.12 Interesting apartment facade

Fig 5.11 Box shaped extention

Fig 5.13 Large, square windows

Interiors

Fig 5.14 White open space

Fig 5.16 Contemporary windows

INSPIRATIONS

Fig 5.15 Tall ceilings

Fig 5.17 Mezzanine level for bed

Bibliography Ashcroft, Roland (1992) Construction for Interior Designers. Longman Art and Design Littlefileld, David, Editor (2008) Metric Handbook Planning and Design Data. Architectural Press Ching, Francis D. K. (2001) Building Construction Illustrated. John Wiley and Son inc Gordon, J. E. (1991) Structures: or Why Things Donâ&#x20AC;&#x2122;t Fall Down. Penguin Moorhouse, P. (1991) Anthony Caro - Sculpture Towards Architecture. Tate Schittich, C. (2002) In Detail: Interior Spaces (space, light, materials). Birkhauser Van Onna, Edwin (2003) Material World. Frame:Birkhauser Juracek, Judy A. (Jan 2006) Architectural Surfaces: Details for Architects, Designers & Artists. Thames & Hudson Remo Pedreschi and Alan Chandler (Decemeber2007). Fabric Formwork. RIBA Publication: RIBA Publication. 96 (Description) .

Webography

http://en.wikipedia.org/wiki/Catterick_Bridge_Racecourse http://www.catterickbridge.co.ukt http://www.serie.co.uk/projects/tote http://phaidonatlas.com/building/tote-restaurant/3720 http://www.dezeen.com/2009/12/07/the-tote-by-serie-architects/ http://www.umanitoba.ca/cast_building/research/fabric_formwork/ http://opus.bath.ac.uk/23588/ http://www.owenscott.co.uk http://saltarchitects.co.uk IAD Level 5. (2014). Greville Worthington. Available: http://cagd.co.uk/site/ item.php?ref=1052472&context=group. Last accessed 17th January 2015. IAD Level 5. (2014). Jockey Colours Pres. Available: http://cagd.co.uk/site/ item.php?ref=1050685&context=group. Last accessed 17th January 2015. IAD Level 5. (2014). Catterick Racecourse. Available: http://cagd.co.uk/site/ item.php?ref=1036759&context=group. Last accessed 17th January 2015.

images 1.3 Fashion Illustration http://th01.deviantart.net/fs70/PRE/i/2012/051/8/7/fashion_illustration_ by_claireashleythompson-d4qfpuz.jpg 1.4 Fashion Illustration http://api.ning.com/files/Oss98hq1zuKQ0HXgHBEwFeWjNc3dKcMYRY mE0bvY2J39uduok*iVORFkfu7YJfm3lnU-NpAX7yM*iCHX6zOXJQ__/Black_Backless_Ink. jpg 2.1 https://gg.com/media/courses/catterick-bridge.svg 2.2 http://www.google.co.uk/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&ved=0CAQQ jBw&url=http%3A%2F%2Fwww.goracing.co.uk%2Fadmin%2Fgenerate-thumb nail. php%3F width%3D245%26height%3D136%26file%3D%2Fuploads%2F news%2F216-image.jpg&ei=Jgy8VLKdBMTsaODVgagG&bvm=bv.83829542,d.d2s&psig=AFQjC NHoKMuo1riH9GGYUjd7dbxtYuv9GA&ust=1421696415057200 2.3 Greville http://old.contemporaryartsociety.org/media/uploads/2010/11/5398/20-greville-wor thington2010-photosteve-iles-jpg.jpg 2.4 http://www.grand-national.me.uk/wp-content/uploads/jockey-silks.jpg 2.5 http://kauto-star.co.uk/wp-content/uploads/2014/01/free-horse-racing-tips.jpg 3.3 Richard Coleman. (2014). Tote building Catterick Racecourse DL107PE CAD Plans. Available: http://media2.cagd.co.uk/287/1012060_f44e73b.pdf. Last accessed 17th January 2015. 3.8 Richard Coleman. (2014). Tote building Catterick Racecourse DL107PE CAD Plans. Available: http://media2.cagd.co.uk/287/1012060_f44e73b.pdf. Last accessed 17th January 2015.

images 5.1 http://www.serie.co.uk/projects/tote 5.2 http://www.serie.co.uk/projects/tote 5.3 http://www.serie.co.uk/projects/tote 5.4 http://www.serie.co.uk/projects/tote 5.5 http://www.serie.co.uk/projects/tote 5.6 http://www.serie.co.uk/projects/tote 5.7 http://www.serie.co.uk/projects/tote 5.8 http://www.umanitoba.ca/cast_building/assets/images/fabric_formwork/branching_ structures/ Tree_Col_Line_View%20copy.jpg 5.9 http://richardbush.files.wordpress.com/2010/12/dscf2268.jpg 5.10 http://www.onekindesign.com/2013/03/01/contemporary-property-in-london-mapledene-road/ 5.11 http://www.dezeen.com/2012/08/04/eden-house-by-the-practice-of-everyday-design/ 5.12 http://www.homedit.com/cool-building-facades/black-painted-building-facade/ 5.13 http://www.archdaily.com/29150/grangegorman-residence-odos-architects/gg_08/ 5.14 http://cdn.designrulz.com/wp-content/uploads/2011/10/100-11th-Avenue-2.jpg 5.15 https://www.google.co.uk/search?q=luxury+apartment+tall+ceilings&biw=1280&bih=592&source=lnms&tbm=isch&sa=X&ei=VtK8VILfGpX1asyNgIAO&ved=0CAYQ_AUoAQ#imgdii=_&imgrc=HEZEo2Z6ngWhmM%253A%3Bq8mkCeWquDRTXM%3Bhttp%253A%252F%252Fqastore. com%252Fwp-content%252Fuploads%252F2014%252F10%252Fapartment-design-contemporary-modern-open-plan-apartment-design-with-high-ceilings-luxury-living-room-with-high-ceiling.jpg%3Bhttp%253A%252F%252Fqastore.com%252Fcontemporary-modern-open-plan-apartment-design-with-high-ceilings%252F%3B600%3B397 5.16 http://www.indianaghosthelp.com/wp-content/uploads/2014/03/excellent-manhattan-penthouse-apartments-with-brown-bed-white-bedding-bedside-table-area-rug-large-windows-inspiring-decorations-at-luxury-Manhattan-penthouse-apartments.jpg 5.17 http://sglivingpod.com/home-decor/small-space-apartment-interior-designs/ All other images are personal and take by myself.

A DAY AT THE RACES

ROSie MARSDEN

3 4-5 6 7

Building Details Brief The Silk Box of Catterick Racecourse Schedule of Requirements of Spaces

9 10 11

Catterick Bridge Racecourse Greville Worthington Jockey Silks

13 14 15 16 17 18 19 20 21 22

Immediate Reactions GenIus Loci Location Size and Shape Character, Position and Settings Materials Circulation and Access Light External Conditions Environmental Analysis

23-28 29-34

The Coach House Owen Scott Bespoke Tailors

35-38 39 40-41

The Tote by Serie Architects Fabric Formwork Inspirational Exteriors and Interiors

42 43 44

Bibliography Webography Images

building details

Name Original use Location Date of Construction Architect

Catterick Tote Building Tote building Catterick Racecourse 1930â&#x20AC;&#x2122;s Unknown

Fig 1.1 View of the north-east facade of the orginal tote building.

rse currently lacks a clear purpose and

blish a sustainable future for the building urse, its sunday market and the multi Worthington.

me a live/works scenario specializing oke garments and millinery specifically

ngles of the tote building.

io.

nd floor here will in which o he cli-

to an ckeys ending

wing f the

and

Fig 1.3 Fashion Illustation

Fig 1.4 Fashion Illustation

Fig 1.5 Two people watching a race

Catterick Bridge Racecourse Catterick Bridge Racecourse is a thoroughbred horse racing venue located in the hamlet of Catterick Bridge in North Yorkshire, England. (wiki) Catterick Racecourse is one of the true homes of the Northern racing scene - a venue steeped in tradition and a favourite among many of the region’s owners,trainers and racing public. Racing at Catterick Bridge began as early as the mid-17th Century and the first recorded meeting took place on April 22nd 1783, but it was not until 1813 that a permanent course was created. (http://www. Fig 2.1 Catterick Races Badge catterickbridge.co.uk/about/) The track is left-handed, sharp and undulating, just over a mile round, with a 3 furlong run-in. The gravel subsoil means the going is usually good. (WIKI) Today, Catterick is a charming blend of old and new. The framework of the old 1906 stand is still evident in the present Grandstand but many alterations and improvements have taken place while maintaining the informal atmosphere. (http://www.catterickbridge.co.uk/about/)

Fig 2.2 Horse racing at Catterick Bridge Racecourse

GTON

ville started leading the company Catteracecourse as a director in 20th Oct 1991 esent. This was also his first directorHis newest directorship is with Baltic emporary Visual Arts Trading Limited re he holds the position of â&#x20AC;&#x153;Company ctorâ&#x20AC;?. The company was established 24 2001 and is based in Tyne and Wear. ville has held 9 directorships, 4 of which currently active, and 5 are no longer e. Near the catterick racecourse and set res of incredibly kept parkland with a ely home tucked away in the background, converted church of St Paulinus is now ville Worthingtons house. lso tends to preserve buildings and keep m safe from ruining. The Tote, based at Catterick racecourse is one of these. The ing previously functioned as a center of mation where odds were displayed durmatches, and where an artist called Paul oln collaborated to exhibit his work once.

Fig 2.4 Two jockeys and their race horses

Immediate reactions

One of my first impressions of the tote building was surprise. I had little knowledge of horse racing and race tracks. I was surprised where the building was located and also by its size. I wasnt expecting a building to stand alone within a race track. The tote building is situated within the inner part of the track, this means the jockeys and race horses race around the building. The North-East facade faces the stands.

Externally my eyes were drawn to the art work on the right side of the front exterior height, The building was wrapped in the words “A pile in the midst” This made me curious and wonder what the story was behind it. I liked the use of text and mystery within the art work. I thought it was something unusual to have on a building like this. The contrast in colours from the red bricks and the layering of the brickwork with the white window, cornices and lintels was interesting.

Fig 3.1 The tote building showing artwork by Lawrence Weiner “A pile in the midst”.

and desolate. It gives an unsociable atmosphere he site.

dard. It doesnt seem architecturally interesting unctional atmosphere. The building remains inafter. It seems unimaginative. I feel as though it urpose as tote building is now unused. It seems away from the hustle of people and the

ation

Fig 3.3 Plan view of location of the Tote Building, not to scale.

ey rectangular shaped brick structure. m2.

terestingly in height for a two storey mean the first floor has very tall ceel-

Fig 3.4 Tote Building, north-west elevation

Fig 3.5 Artwork by Lawrence Weiner â&#x20AC;&#x153;A pile in the midstâ&#x20AC;?. Tote Building, south-west elevation

quality red brick with a flat roof.

tand many weather conditions causing abras of tbe building to have weathered away be considered to make the building fully func-

Fig 3.6 Tote Building, north-east elevation

circulation and access

There is good circulation around the site and Catterick Racecourse.

As you enter the racecourse you immediately notice the isolated building within the track. There is a large concrete walk way between the stands and the track. This is for betting shops to position there stands, catering stands and on sundays the sunday market. To the right is the stands to the left is the race track. The access to the building is restricted because of the track. Making it even more secluded. The pathways lead around the entire building and the stands. This makes access for the public easy to everywhere besides the tote building. Therer is a carpark over the road which makes it accessible to vehicals. Darlington is the most convinently situated train station apprximately 15 miles from Catterick Racecourse. This links trains from the whole of york-

Fig 3.7 Tote Building main entrance, south-west elevation

in a southerly direction . the course slightly.

Fig 3.9 Catterick Bridge Racecourse stands

nalysis

ors to consider when assessing the uitable for all external factors. This ds. The materials of the structure will en replaced for safely issues. some aspects of the site but as part of s will be kept if possible. This retains id to the design. The site will need y friendly and sustainable as possible. efficient equipment or even re workpe around the tote building could be This could bring new natural aspects to ting features and the surrounding race

e, landscape

The coach house Name of building Location Architect Original use Current use

The Old Coach House Halsham, East Yorkshire Salt Architects Old Coach House Upmarket Apartment

us Loci

Context

e is a relaxing and eful spirit of the coach e. The positioning of oach house within rassy are rural area s the place feel very ded and calm as it is n away from the road.

The coach house Views, Vistas, Approaches

Transport and connectivity

Circulation

ions

ach house is proate to its neighbordscape and nearby es. It firs in well surroundings. The house looks smaller e outside its surprisw open and spacious portions of the are.

Sensory The sound outside was fairly quiet, not much noise pollution from traffic as its not by a busy road it is quite secluded. The interiors had a calm and relaxing feel due to the whilte walls and large windows allowing the heat from the sun to soak in and give the space a warm feeling. The view out the window was bright and sunny. The natural light and raw brick work. The general feeling inside the building was calm and serene. The space seemed organised and spacious.

owen scott bespoke tailors Name of building Location Architect Original use Current use

Owen Scott Bespoke Tailor Leeds, West Yorkshire Unknown Market Street Arcade Central Arcade

ke tailors

rior design said ut what the busiabout and what mpression it wantake. It was very nd hip. The space all, it had the one om with a desk with or the client meetmall fitting room ny samples and g decor around the the space.

Loci

a trendy vibe and p has a swanky feel makes you feel cool a contemporary

owen scott bespoke tailors Views, Vistas, Approaches The Leeds store is in the city centre. It is in central arcade shopping complex on the 1st floor. Central Arcade is just off the busy high street Briggate. It is small and only has a few units for shops and resturants. You can access the store in unit 13 by using the staircase or the lift which are next to the store. You can view the store from the ground floor as the space is open and all the store fronts are glass and it has a huge walk way

Transport and Connectivity The Leeds store is very accessible. It has excellent transport links due to being situated just off the high street in the city centre. It is a 5 minute walk from the main train station in Leeds. It has excellent bus links to west Yorkshire. There is also many city centre car parks so driving is also a good option.

Circulation The store is very small so circulation around it is only good if there is no more than 4 people at a time browsing. There is space for a meeting for 2 people, the tailor and the client. This is so the client can have an intimate and personal meeting as that is part of the service they are paying for within their bespoke garment. The space is made up of the main room which has items on display for browsing and a desk for the client meetings. It also has a small fitting room. They also own unit 14 which they are currently using as a storage room. In the future they hope to expand their store across both units and use that part to display their hire wear items.

ke tailors

ns is proportionate other stores and Central Arcade. cade is designed imalist feel. The ctangular shaped . It is however ough space for e.

Sensory Central Arcade is fairly quiet it is a very small shopping complex. It is hidden away from the noise of the high street. It has a calm feel to it with its open plan, large glass roof and white walls. It has a contemporary look and is host to the city’s independent fashion.” It embraces Leeds shopping heritage for Victorian Arcades.” centralarcade. co.uk/location.html

ke tailors

inspirations Building The Tote Date 2009 Location Mumbai Racecourse, India Architect Chris Lee, Kapil Gupta of Serie Architects

Fig 5.1 Interior view of The Tote by Serie Architects

http://www.serie.co.uk/projects/tote

n his

ike he

the

ior al

l, g, es,

inspirations This case study is useful to see how other tote buildings at Racecourse have been re-imagined. This re-design is architecturally and structurally stunning. The architects were inspired by the surrounding landscape at the race course and this has influenced the trees and the branches. I like the fact that although they are essential in the structure of the building they have been cleverly designed to be an installation aswel. I would like to look into this aspect futhur and see how I can make my structures such as columns architecturally interesting. This has inspired me to look at fabric formwork and as that relates to my brief and can be used in a similar way.

Interiors

INSPIRATIONS

or Interior Designers. Longman Art and Handbook Planning and Design Data. Ar-

onstruction Illustrated. John Wiley and Son

y Things Donâ&#x20AC;&#x2122;t Fall Down. Penguin Sculpture Towards Architecture. Tate paces (space, light, materials). Birkhauser ld. Frame:Birkhauser al Surfaces: Details for Architects, Designers

ecemeber2007). Fabric Formwork. RIBA cription) .

Webography

ge p Image own llustration http://th01.deviantart.net/fs70/ 8/7/fashion_illustration_by_claireashleythompson-d4qfpuz.

llustration http://api.ning.com/files/Oss98hq1zuKQ0HXgHcMYRYmE0bvY2J39uduok*iVORFkfu7YJfm3lnU-NpAXJQ__/Black_Backless_Ink.jpg ge

w.google.co.uk/url?sa=i&rct=j&q=&esrc=s&source=im0CAQQjBw&url=http%3A%2F%2Fwww.goracing.co.uk%erate-thumbnail.php%3Fwidth%3D245%26height%3D136%ploads%2Fnews%2F216-image. dBMTsaODVgagG&bvm=bv.83829542,d.d2s&psig=AFQjCNGYUjd7dbxtYuv9GA&ust=1421696415057200

http://old.contemporaryartsociety.org/media/up398/20-greville-worthington2010-photosteve-iles-jpg.jpg w.grand-national.me.uk/wp-content/uploads/jockey-silks.jpg uto-star.co.uk/wp-content/uploads/2014/01/free-horse-racing-