Rachel Smith Process
C Nebraska Statewide
Independant living council
NESILC
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Th c es Un reat ece th like ivit ssi e y o ec the . Th nis es K ey t a sio un w im nis stle an ed ts rh te to wa au d c nt s, to e rea ed wh d te Th ich uc a a e se fi rt to tho ate soc w ces rst is be ug an iet as sio su fo ht d c y th re ni e r t ar re at le sts of he t w a st as c V ed ou er pu as te p imu S l d bl fo ub la in ac p ic. r 18 u ru th lic ted 98 bl m e ta . ish , a we ste th m al . ei a th r a ga y, r t,
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Gustav Klimt Koloman Moser The Wiener Werkstatte was created as an outlet for graduates of Kunstgewerbeschule. The workshop bridged the gap between fine art and graphic design with advertisement posters and over one thousand decorative post cards. This was an inexpensive way to experiment.
In 1903 the secessionists featured only Japanese artists in the exhibition hall. Japanese art influenced the secessionist a great deal. They favored the flat backgrounds, heavy geometric outlines and figure ground reversal.
The aesthetic hovers between natural and geometric. The common checkerboard motif was anything but rigid and curved lines were favored over a rhythmic grid system. Reductive style was a combination flat forms and bright complementary colors like blue and orange.
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ie n n a
Th c es Un reat ece th like ivit ssi e y o ec the . Th nis es K ey t a sio un w im nis stle an ed ts rh te to wa au d c nt s, to e rea ed wh d te Th ich uc a a e se fi rt to tho ate soc w ces rst is be ug an iet as sio su fo ht d c y th re ni e r t ar re at le sts of he t w a st as c V ed ou er pu as te p imu bl fo ub la in ld Sac ic. r 18 pu ru th lic ted 98 bl m e ta . ish , a we ste th m al . ei a th r a ga y, rt z ,
in
s ec es s io n
e
w
1897-1910
he
re
Gustav Klimt Koloman Moser The Wiener Werkstatte was created as an outlet for graduates of Kunstgewerbeschule. The workshop bridged the gap between fine art and graphic design with advertisement posters and over one thousand decorative post cards. This was an inexpensive way to experiment.
In 1903 the secessionists featured only Japanese artists in the exhibition hall. Japanese art influenced the secessionist a great deal. They favored the flat backgrounds, heavy geometric outlines and figure ground reversal.
The aesthetic hovers between natural and geometric. The common checkerboard motif was anything but rigid and curved lines were favored over a rhythmic grid system. Reductive style was a combination flat forms and bright complementary colors like blue and orange.
Creative Brief The first spread of the magazine is based off of editorial fashion photo shoots. The clothing used for the photo shoot was made for my Line Development class. The line is a wearable rendition of melting ice. The colors chosen represent the dark colors of deep oceans, bright snow, and frozen ice caps. I wanted to continue this imitation of melting ice throughout the magazine. This is why I used the same color scheme, adding in grey as a background color to emphasize the key colors. This is also why they back drop in the photo shoot is grey. From the photo shcot I narrowed down the photos from over 200 to six key photos. For the last spread I chose to do a fake article on Berenik, a Swiss designer with a graphic design background. I chose Berenik specifically because of the designer’s background in graphic design. The photo I chose has a slight fade to the right so I decided to emphasize this and put the article on the lightest part.
SPRING 2013
ROLLing RACK THE BEST OF SPRING FASHION WEEK BERENIK
HOW SHE MAKES GRAPHIC DESIGN WORK FOR HER
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FASHION HACKS THAT WILL SAVE YOUR SPRING
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INTHE ATLA
MELT
HE ANTIC
the bubble hem of the dress was stuffed with light blue crinoline to give the skirt an ombre effect. this mimics the way glaciers melt.
top inspired by rigid ice structres. shown by the ribbon pieces coupled with floating ice. shown by the light organza fabrication.
ROLLING RACK SPRING 2013
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KYLER’S TATTOO WAS TAKEN FROM THE GUSTAV KLIMT PAINTING “NUDA VERTIS” WHICH I THOUGHT WAS IRONIC GIVEN MY RESEARCH WAS DONE ON KLIMT.
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ROLLING RACK SPRING 2013
the pants, which are shown unhemmed, are a soft light blue to match the ribbon in the shirt. the thick waist band and BUTTONS ARE A REFRENCE TO SAILOR PANTS. ROLLING RACK SPRING 2013
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ROLLING RACK SPRING 2013
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