HONSTEIN TIMOR MORTIS DOGS OF DESIRE PROJECT
version 04.27.15
TEXT Tomorrow, and Tomorrow, and Tomorrow, and Tomorrow… and now, and now, and now, and now… Timor Mortis Conturbat me —Compiled by Laura Grey
NOTES The opening noise sound should be a smooth continuation of the noise that ends ‘Sunday Calls’. Vocal loops will be roughly as notated, but timing will vary in performance. That is ok as the loops do not need to line up with anything in the score. The string noises and drones should always be in the background. The effect is a soft bed of noise that gradually shimmers with some harmonics popping out. The cloud of long tones in the Flute/Clarinet/Soprano Sax/ Bowed Vibraphone layer, should similarly be in the background, never rising above Theo and the Piano. The effect is to create a halo of sound around Theo’s melody. The rule for balance is that Theo is always very clearly in the foreground. Once Theo begins singing his loops all timing should come from his part. He will vary the number of loops before successive loops enter. Theo will cue the start of the hymn-tune (rehearse number 3). When the hymn-tune begins, the tempo will be extremely elastic. Everyone follow Theo. I have included Theo’s melody as a cue staff in all the parts so that the musicians can always play their parts in relation to Theo’s melody. The wine glasses need to be tuned before hand to an ‘A’ one ledger line above the treble clef staff. Wine glass players should create a steady and constant drone. If possible it would be good to add reverb to all the instruments.
Timor Mortis
commissioned by the Albany Symphony Orchestra with funding from Music Alive, a residency program of the League of American Orchestras and New Music USA
music by Robert Honstein text compiled by Laura Grey
Score in C
Flute
Clarinet in B b
Soprano Sax.
Wine Glasses
Theo
Loop 1
Loop 2
Loop 3
Vibraphone
Piano
&
###
10"
10"
!
!
## & #
!
!
## & #
!
!
&
###
w
!
OBOE, BASSOON, SAX II, HORN, TRUMPET, TROMBONE : all play wine glasses, pitched at an A
move finger in circular fashion around rim of wine glass to produce a continuous tone.
p
## & #
!
!
44
## & #
!
!
4 4
## & #
!
!
44
## & #
!
!
4 4
## & #
!
!
## & #
!
!
? ###
!
!
10"
Violin I
Violin II
Viola
Cello
Double Bass
## & # ## & # ## & # ? ### ? ###
II
·
"
molto sul pont light and slow bow almost all noise
quiet bed of noise
¬
continue string noise from 'Under Ice'
" ¬
" ¬
"
10"
·
II
molto sul pont light and slow bow almost all noise
quiet bed of noise
continue string noise from 'Under Ice'
I
·
molto sul pont light and slow bow almost all noise
quiet bed of noise
I
continue string noise from 'Under Ice'
·
molto sul pont light and slow bow almost all noise
quiet bed of noise
!
!
© 2015 Robert Honstein
3
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L2
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gradually allow harmonics to occassionally speak, but tone is still mostly noise
21
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gradually allow harmonics to occassionally speak, but tone is still mostly noise
Timor Mortis
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loop continues until end of piece
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a quiet prayer, free time and slow q ca.
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35
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non vibrato always follow Theo blend with wine glasses
·
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poco
non vibrato molto sul tasto Always echo flute Blend with wine glasses
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**gradually incorporate this figure into the harmonic/noise sound. leave plenty of space in texture, freely move between the harmonic/noise sound and the flautando circle figure.
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"
45
o
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non vibrato always echo Theo blend with wine glasses
&
L1
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non vibrato always echo Theo blend with wine glasses
a bit slower
T
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Timor Mortis
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**gradually phase out the variable speed tremelo figure and only play the harmonics/noise figure
## & #
**gradually phase out the variable speed tremelo figure and only play the harmonics/noise figure
## & #
Ȯ . ? ### .
Œ
w
slowing
44 ˙ & œœ
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## & #
Timor Mortis
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Ȯ ..
O 44 w
O 34 œ Œ Œ
I
·
molto sul pont light and slow bow almost all noise
"
5
6 W.
## & #
L1
L2
L3
o
## & #
o
## & #
o
6 Vln. I
Vln. II
Vla.
Vlc.
Cb.
&
5"
wine glasses drop out one by one in descending score order to create decrescendo
## & #
###
5"
10"
30"
70
30"
10"
!
!
!
!
!
!
5"
5"
## & # &
###
Ă“
**gradually phase out the flautando circles figure and only play the harmonics/noise figure
o
? ### ## & #
6
o
o
Timor Mortis
!
o
!
! ! !
o
o