About me..
Me llamo Roberto Pellitero, tengo 25 años y soy un estudiante de tercero de Grado en Conservación y Restauración en la especialidad de Escultura en la Escuela de Arte de Valladolid, España. En mi anterior etapa académica obtuve el título de estudios superiores en Conservación y Restauración en la especialidad de Pintura en la Escuela de Arte de León ubicada también en España. Hoy en día sigo ampliando mis estudios en este campo con la intención de obtener la doble titulación y así conseguir una mejor preparación y poder abarcar mas campos para mi futura carrera profesional.
I am called Roberto Pellitero, I am 25 years old and I am a student of third party of Degree in Conservation and Restoration in the speciality of In the School of Art of Valladolid, Spain. In my previous academic stage I obtained the title(degree) of top studies in Conservation and Restoration in the speciality of Painting in the School of León's Art located also in Spain. Nowadays I continue extending my studies in this field with the intention of obtaining the double qualifications and this way to obtain a better preparation and to be able to include mas fields for my future professional career(race).
Biography
PERSONAL INFORMATION Roberto Pellitero
21/04/1988
+34602520713
60 Cirilo S antos St Floor 1 Right Santa María del Páramo, León 24240 Spain robertopellitero@gmail.com
restauraenobras@blogsport.com.es
ACADEMIC BACKRGROUND September 2004- September 2006:
BACHELOR OF ART. School of Art of León. Spain.
September 2008- June 2013:
DEGREE IN PAINTING CONSERVATION AND RESTORATION. School of Art of León, Spain
September 2013- now:
3º OF DEGREE IN SCULPTURE CONSERVATION AND RESTORATION. School of Art in Valladolid, Spain.
ADITIONAL TRAINING Course 2010:
LA RESTAURACIÓN DE VIDRIERAS: CRITERIOR Y ACTUACIONES. School of Art of León, Spain.
Course 2011:
CONSERVACIÓN PREVENTIVA EN LAS INSTITUCIONES MUSEÍSTICAS, School of Art of León, Spain.
COMPUTER SKILLS Adobe PhotoShop, Adobe Illustrator, Corel, Microsoft Word, PowerPoint
Content Art´s School León Pictorial procedures Restoration Organic Inorganic Art´s School Valladolid Sculptural procedures Restoration Organic Preventive conservation
To have a detailed information of the processes that I present in this one portfolioes he visits my personal web page restaruaenobras@blogspot.com.es
Art麓s School of Le贸n In the school麓s of Le贸n art develop different practices in two subjects; in pictorial procedures where I developed the methodology of the technologies and in the practices of restoration with real work.
Pictorial procedures Technique: Collage Material: Linen, acrylic, sweets, hygienic paper, carpenter's tail, cable, bulb and plug Dimensions: 33 x 25 cm
Methodological: using as base a linen, I realized the collage painting the image wished on the same one and placed sweets about the image painted with acrylic, he believes a false hand with hygienic paper and tail waters down in order that this way it was supporting a bulb that is ignited.
Collage
Encaustic Tecnique: Encaustic Material:Table of wood, tail of rabbit, wax of bee and pigments in powder. Dimensions: 23 x 15 cm
Methodological: I warmed the wax of abaja up to melting it then to mix it with the pigments in powders, later I applied it with paintbrush on a table of wood before prepared with tail of rabbit.
Painting on metal Technique: Painting on metal Material: Plate of copper, stucco, oils and oil. Dimensions: 18 x 12 cm
Methodological: I cleaned the plate of copper using garlic and alcohol then to apply different hands of stucco. I realized an attribute to a work of the Greek one realizing my face using oils and oils.
Painting on table Technique: Painting on table Material: Table of wood, stucco, linen, red bowl, white of egg of egg, bread of gold and oils. Dimensions: 18 x 18 cm Methodological: Prepare the table then to be covered with linen. Later I applied different hands of stucco. I painted using oils and in mantle embolĂŠ using red bowl and to burnish it. To finish I realized a stew on the bowl using white of egg.
Methodological: Preparation of mortars then to apply the technologies of sgraffito, fresh air, tempering to the tail and tempering to the casein.
Wall painting Technique: Wall painting Material: Wall, pigments in powder, plaster, egg, oils and switched off. Dimensions: 52 x 78 cm
Sgraffito
, Tempering to the tail
Fresh air
Tempering to the casein
Restoration Organic Typology: religious Period: XVII-XVIII century Material and technique: oil on canvas Dimensions: 200 x 125 cm
Treatment conducted: Fillings. Chromatic reintegration.
Santa Clara
Treatment conducted: ďƒź Polychrome consolidation. ďƒź Tensioning over strainer.
Typology: portrait Period: contemporary Material and technique: oil and canvas Dimensions: 50 x 40 cm
Portray man with moustache
Typology: religious Period: XVIII century Material and technique: oil and canvas Dimensions: 160 x 110 cm Treatment conducted Previous study Examination ultraviolet ligh Tplacement grafts, patches and i Intarsia-technique
La Transfiguración
Typology: religious Period: XVII-XVIII century Material and technique: oil and canvas Dimensions: 174,4 x 10,7 cm
Treatment conducted: Polychrome consolidation. Removing varnish.
Virgen de Guadalupe
Typology: religious Period: XVII century Material and technique: oil and linen Dimensions: 188 x 120 cm
Treatment conducted: Polychrome consolidation. Paint tensioning. Surface cleaning. Reverse mechanical cleaning.
I elaborated two types of gels for the cleanliness realizing different tryings: Gel 1 mixes of 100 gr of distilled water, with 80 gr of ethanol and 20 gr of Klucel J Gel 2 mixes of 10 gr of Tilosa with 332 ml of distilled water
La Asunción
I took samples of the fabric and analyzed them under the microscope
Herberg's reagent, with which it is possible to observe his structure of cane of bamboo.
Switzer's reagent, we estimate the grouped folds
Inorganic Typology: religious Period: XX century Material and technique: ceramic altarpiece Dimensions: 250,6 x 155,2 cm (36 pieces) Treatment conducted: Previous study. Support consolidation. Cleaning obverse and reverse. Reconstruction and volumetric reintegration. Locating tile fragments. Chromatic reintegration. Painted new pieces.
Retablo Virgen del Camino
Realizing different processes of the treatment.
Art´s School of Valladolid Nowadays I am dealing third party of Conservation and Restoration of Sculpture in the school of art of Valladolid, extending to extend my knowledge in view of my future professional career.
Pictorial procedures Technique: Shaped of the forefinger of the left hand Material: Wire, modeling clay, plastic and wood Dimensions: 16 x 4 x 3 cm
Restoration Organic Typology: religious Period: XVI century Material and technique: Sculpture round bundle with polichromy on wood Dimensions: 89 cm X 51 cm X 35cm
Treatment conducted: Even I am in the process of documentation and previous studies
Program maps Illustrator CS5
ﾃ］gel que mira a la izquierda
Preventive conservation We elaborate some projects as: Emergency plan To ask for a work in lending(borrowing) to the museum of the meadow Assembly(Montage) of a room of exhibitions Design of packing for the transport of a work
Roberto Pellitero Phone: +34 602520713 Email: robertopellitero@gmail.com Personal Web:resturaenobras@blogspot.com.es