Charles Christian’s Americana

Charles Christian’sCharles Christian’s Charles Christian’s AmericanaAmericana Americana

HAS AMERICANA LOST ITS WAY?

By Charles Christian** I produce and host a weekly syndicated Americana show for FM and internet radio. No big deal about that. And in the course of each week I receive a shed load of new releases and keep track of both the US and UK Americana singles and albums charts. No big deal about that either except… most of the music I see coming my way is not Americana.

Now the traditional definition of Americana is too Rock for Country and too Country for Rock but the stuff I’m receiving is neither Rock nor Country. Instead I get a lot of singer-songwriter from people (mainly men) who appear to be oblivious to the fact Tom Paxton and Bob Dylan did it all first, and better, about 60 years ago. However the bulk of the material is what I’d call “Corrs Lite” – The Corrs in this case being an Irish band who were big in the 1990s playing the kind of inoffensive pop you could have in the background at a dinner party.

It’s music that’s not pop enough to make the current Top 40 charts. Not country enough to make the country charts. And not edgy enough to make the indie charts. It’s audio landfill all too often sung by delicate boy-and-girl couples who have endless fey tunes about unhappy relationships. So what is Americana? It’s a huge genre that takes us from the country-rock of The Byrds and the Flying Burrito Brothers in the late Sixties/early Seventies through to Blues, R&B, Roots, Southern Rock, Rockabilly and even Bluegrass. It can be funny, it can be sad, it can have a serious message – or just be about bourbon and bad decisions. There’s a lot of songs about bourbon and bad decisions. Most importantly, it is a genre that is constantly pushing new boundaries and evolving. Of course it needs to evolve, all music needs to evolve otherwise we’d be

Fantastic Negrito

listening to madrigals and Gregorian chants on our iPhones.

For example I’m so Happy I Cry by Fantastic Negrito on his new album Have You Lost Your Mind Yet? is an up-dated version of an old field holler blues-type song. Then there’s an outfit called Gangstagrass who are producing a mix of hip-hop meets bluesgrass. Check out their new album No Time For Enemies. It sounds like a recipe for total disaster but it really works, it’s pushing the boundaries again and not trying to preserve a musical form in aspic, based on what it was like 70 or more years ago. And then there’s Tobert John & The Wreck – the title track of their new album Last Light on the Highway is almost 70’s Prog Rock.

My own definition of Americana is fairly basic: can you imagine Sheryl Crow or the

late Tom Petty playing it? If the

Gangstagrass

or club that’s not so quiet you can’t hear, feet tapping and that you could dance to, if I seeing so much bland stuff in the charts and country charts so they brand it as Americana. Sorry, just because you wear a Stetson and doubledenim doesn’t automatically make your music Americana.

‘My’ Americana has a rockier, bluesier, rootsier vibe – the R in Americana stands for Rock. Robert John and The Wreck

answer is “yes” then it’s Americana. It’s are video links to some of the tracks I’m the kind of music you’d hear live in a bar currently playing. yet also not so loud it makes your ears * Crazy by Shadow & The Thrill –bleed. (Or was it only me who spent his forget the Gnarls Barkley original, this college years at gigs standing way too sounds like it’s being played by the ghost close to the stacks of Marshall cabinets?) of Gary Moore https://youtu.be/3Fy9-R4- It’s also the kind of music that sets your 9XM you were in the mood. * Looking for an Old Friend by The All of which brings me back to Southern Rock https://youtu.be/ where I started and the question of why am KlAewYVm-Ps or being pushed my way? The cynic in me * It Ain’t My Fault by Brothers says its because their labels know the Osborne – yes it’s a bourbon and bad music is not going to make the main pop decisions song Rant over… here Georgia Thunderbolts – some classic

Tom Petty

* Legends Never Die by Orville Peck & Shania Twain – an almost surreal kitschfest https://youtu.be/PV3dDRNmj_U

* Tattoos Trucks & Country Music by Matt Ward – very droll https://youtu.be/ faaZwLXThjI

* Down Home Girl by Rainbow Girls – https://youtu.be/sRo-G7U5VDk

**He looks pretty young but he’s just backdated.