design portfolio 2011

Page 1

academic portfolio

Romiar D. Karamooz address: 8377 Sedan Ave, West Hills, CA 91304 email: romiark@email.arizona.edu tel: 818.577.9802


Curriculum Vitae

Romiar Davrani Karamooz 8377 Sedan Ave, West Hills, CA romiark@email.arizona.edu 818.577.9802

education

work experience

Bachelor of Architecture [B.Arch Degree] University of Arizona, Tucson, AZ GPA: 3.6 Design Studio GPA : 4.0

2004

05

Stonefire Grill, West Hills, CA December 2004 to August 2006, July-August 2009

Position: caterer, deliverer, trainer, head cashier, and waiter Description: answering phones, customer service, serving Contact: Christin Sporny

software

achievements / awards

name : address : email : tel :

2007 - 2008 “Academic

Distinction”

2010 Arizona Builders’ Alliance Portfolio Competition (Runner-up) - Scholarship

Honorable Mention: Spring 2007, Spring 2008

2009 Lyceum Fellowship Competition - Merit

Dean’s List: Fall 2007, Fall 2008, Spring 2009, Fall

2009 AIA Design Excellence, 3rd Year Design Studio Project - Award

2009

06

07

08

DMJM Design/AECOM Design, Los Angeles, CA

June-August 2006 to 2008 INTERN

Description: built models [study and presentation], organized presentation packets, red lines, mentor of younger interns Projects: Thomas Properties Group :: City National Plaza Retail Entrance, 555 S. Flower St. Los Angeles Maguire Properties :: 755 Figueroa Tower, Los Angeles Wulfe & Co. :: BLVD Place, Houston Reference: Carlos Madrid, Andre Krause

1st Language

AutoCAD 2006-2010 Rhinoceros 4.0 Vray Rendering Engine SketchUp 7 Microsoft Office Adobe Creative Suite CS5 Photoshop, Illustrator, InDesign, Bridge, Fireworks, Dreamweaver Picasa 3

2nd Language

Revit, Grasshopper, 3ds Max,

other Languages

Farsi (Iranian) - Fluent Knowledge of Conversation and Written Comprehension French - Elementary Knowledge of Conversation and Grammer

Travel Experience

Iran (1996 to 1998) - Studied the 4th and 5th Grade. Cities include Tehran, Isfahan, Kerman

09

2010 R. Drachman - Scholarship 2010 Excellent Academic Performance - Scholarship

10 Central Casting, Los Angeles, CA June-August 2009

Description: experience in the movie industry and filming set dynamic

11 Drachman Design/Build Coalition, Tucson, AZ January-Present 2011 VOLUNTEER

Description: bus shelter design, fabrication drawings, on site installation, materials scheduling Reference: Chris Trumble

Moorhead and Moorhead, New York, NY August 2010 INTERN

Description: generated renderings for Design/Miami Reference: Granger Moorhead, Robert Moorhead

The Standard Hotel, New York, NY July 2010

Description: roof-top restaurant services Reference: Andres Rizo, Josh Greenspan

Architecture in Formation, New York, NY June 2010 INTERN

Description: office organization, project research Reference: Matthew Bremer


5 90 7-1/4” 138 degrees

01

4-3/16” 80 degrees

7-11/16”

7

turn-pipe chair ergonomics and furniture design

11-13/16”

10

02 MOMENT DIAGRAM

4

5

structures analysis of one-way spans, cantilevers, and towers

6 8" T.O. STRUCTURE

7'-8" T.O. SCREEN WALL

7'-4"

BUS STOP SIGNAGE ATTACHED TO 10 GA. SHEET STEEL FASCIA

03

5/16" FIBER CEMENT PANEL BEYOND

04 8

S

7

6

5

4

3

5

05

design/build bus shelters regional specific shelters for the city of Tucson [4 different orientations; north/south/east/west]

lyceum fellowship competition 2009 [blacksmith studio] MERIT recipient

aisc competition 2010 [ urban farming culinary arts school] introducing farming into an urban setting

6 7 8 9

06

T

urban dead space intervention capstone :: tucson underpass

T


5

5

90

90 180

90

180

180

90

lock 3� di roller step 1

step 2

step 3

step 4

process/ fabrication of frame

3 inch radius bends - typ.

01

geometry, material, ergonomics the course began by researching geometry in nature, material limitation, and ergonomics. with the use of one pipe, i wanted to create a chair that is self strengthened and flexes as someone sits on it.

step 5

step 6

step 7


13 8� typ. 12

11

10

9

8

A

B

C

D

E

Bending moment weakness and response (tension lines)

7

6

5

4

3

P

steel tower - lateral forces group project - group of 4 fellow students. the concept of alternating, tapering rectangular floor plates was tested through drawing and two full scale iterations rendered by 1/8� rod. each built product was weighted and placed on a shaker table in order to test structural integrity and to identify the effects of extreme lateral forces upon a built form.


DESIGN

EXISTING SHELTERS: SOLAR

PRECEDENT

VISIBILITY ACCESSIBILITY RAIN

Resultant Louver Screen

VIDEO INTERVIEWS BUS PATRON SURVEYS

PROGRAM

ERGONOMIC STUDY

VISIBILITY STUDY ACCESSIBILITY STUDY

EQ 5 PM

NOR TH

SUN STUDIES

SUM 5 PM

NOR TH

Mapped Cut Plane

HIGH RISK FOR OBESITY HIGH RIDERSHIP

SITE ANALYSIS

4 CARDINAL DIRECTIONS

03

Negative

LACK OF EXISTING SHELTER

region specific bus shelters - tucson, az

H-11357-SF South Facing shelter

H-12897-WF West Facing shelter

SUM 5 PM

East Facing shelter EQ 5 PM

H-11305-EF North Facing shelter

H-14435-NF Critical Shading “SWEET SPOT”

group project - the bus shelter prototype project was done by our studio section of 15 students. the environmental conditions of the Sonoran Desert presented unique challenges to public transportation. High temperatures and intense sunlight inhibit ridership and the use of public transportation. Current bus shelters are not designed in response to these conditions. The studio initially developed 15 schematic designs, 4 of which were selected for further development. Eventually a single scheme was selected.

Critical Visibility “SWEET SPOT”


H-12897-WF

FABRICATION

SHOP DRAWINGS

B

02 A 6'-6"

4

3

5

7

6

8

10'-0"

#10 Galvanized self drilling screws with gasket

7'-2"

5'-814"

CONTROL JOINT

M

1/4” Steel plate structural louver screen (vertical)

N 1/8“ Steel plate structural louver screen (horizontal)

D

O

3

HSS 4" X 2" X 1/8" STEEL TUBE VERTICAL FRAMING MEMBER TYP.

CONTROL JOINT

3/4" EXPANSION BOLT TYP. SET INTO UNREINFORCED SLAB

1'-6" T.O. SEAT

C

16 GAUGE STEEL PANELS ATTACHED WITH GALVANIZED #10 SELF DRILLING SCREWS TO 1" x 1" x .065" SQ. STEEL TUBE FURRING, 24" MAXIMUM SPACING

CONTROL JOINTS AT 6' INTERVALS TYP.

.

4" MIN

HSS 4" X 2" X 1/8" STEEL TUBE SILL PLATE

04

3/4” Expansion bolts

6

2“ x 2” x 1/8“ steel tube

3/4" EXPANSION BOLT TYP. SET INTO 6" UNREINFORCED SLAB TYP. (SHELTER TO SLAB REFERENCE POINT)

03

1” x 1“ x .065” sq. steel tube frame

L

EQ.

K

STRUCTURAL STEEL LOUVER SYSTEM CONSISTING OF 1/4" X 4" MILD STEEL PLATE VERTICAL MEMBERS @ 12" O.C. AND 1/8" X 4" MILD STEEL PLATE HORIZONTAL MEMBERS @ 18" O.C.

4

16 ga. steel cladding seat

5

2” x 1“ x .065” steel tube

J

TING

Return wall panel

I

EQ.

ROOF/CEILING

1/4” Steel plate with 3/4” through bolt

H

SEA

B

10 ga. steel fascia

G

EQ.

A

F

T.O. WALL

16 GAUGE STEEL PANEL TYP.

VERTICAL MEMBERS TO BE CONTINUOUS FULL-HEIGHT TO HEADER AT ROOF-LEVEL. DO NOT SPLICE.

2

4“ x 2” x 1/8“ steel tube

.

16 ga. steel flashing

E

. TYP

1” x 1“ x .065” sq. steel tube furring

D

O.C

16 ga. steel cladding surface

C

HSS 4" x 2" x 1/8" STEEL TUBE ROOF STRUCTURE

12"

B

(SHELTER TO SLAB REFERENCE POINT)

2' TYP.

16 GAUGE SHEET STEEL FASTENED TO 3/4" CDX PLYWOOD WITH 2 LAYERS 30# FELT

5'-21516"

A

1

CONSTRUCTION DOCUMENTS

PERIMETER OF EXISTING 6" UNREINFORCED SLAB

E EQ.

7

F 2'-0" .

TYP

G M 8

SCREEN WALL

N

EXTENT TO ROOF ABOVE

O

PLAN

Scale:

G E

A

REAR WALL

2'-0"

A

LONGITUDINAL SECTION

1/2" = 1'-0"

B

1

2

3

Scale:

4

3/4" = 1'-0"

5

7

6

8

10'-0"

6'-6" EQ.

EQ.

2' TYP. T.O. STRUCTURE

T.O. STRUCTURE 7'-8"

B

7'-8" T.O. WALL 7'-2"

F

HSS 4" x 2" x 1/8" TUBE STEEL HEADER WELDED TO STRUCTURAL STEEL LOUVER SCREEN T.O. SCREEN WALL

D

STRUCTURAL MILD PLATE STEEL SCREEN WALL LOUVERS ROTATED PER SOLAR REQ. ABOUT CENTRAL AXIS

7'-4" SIGNAGE MOUNTED TO STEEL FASCIA 10 GA. SHEET STEEL FASCIA

STRUCTURAL STEEL LOUVER SYSTEM

16 GAUGE STEEL PANEL TYP.

FULL WELD AT ALL ALL INTERSECTIONS

1" x 1" x .065" SQ. STEEL TUBE FURRING

9" O.C. TYPICAL SPACING

16 GA. SHEET STEEL PANELS BEYOND

9"

HSS 4" x 2" x 1/8" STEEL TUBE FRAME

RETURN PANEL BEYOND 16 GAUGE PERFORATED SHEET STEEL SEATING

I

BENCH

J

3/4" EXPANSION BOLT TYP. SET INTO UNREINFORCED SLAB TYP.

K

HSS 2" X 2" X 1/8" STEEL TUBE SUPPORT

HSS 4" x 2" x 1/8" TUBE STEEL SILL PLATE WELDED TO STRUCTURAL STEEL LOUVER SCREEN

L H

00 EXPLODED PERSPECTIVE

RETURN WALL A

TRANSVERSE SECTION

Scale:

3/4" = 1'-0"

ELEVATION

Scale:

3/4" = 1'-0"

EXPLODED PERSPECTIVE

type H-12897-WF

type H-11305-EF


ld we

a ing

rea

off

m

ge fo r

din loa

k oc gd

a ch me

al co

0

lyceum yc m fellowship yceum fellowshi competition ompeetition 2009 200 concept - to split the major meadow into its two minor meadows to the south. the translucent canopy links the building to trees as it recedes to the tree tops. due to the warm humid climate when class is primarily in session (spring, summer, fall), most of the space is outdoor to obtain optimum ventilation.

st.

nic

al

s

me ns



5

civic civ vic ic center er 101

bunker bu nkker kerr hl hill 1100

hi or c hhistoric ddowntown wntoow wn

financial fifin an all core re jeeewerly jew ew w district strict ct

toyy dist strict st ct

arts district dis c

101

seafo seafoo afood od distr dis distr sstrict c

s river.

10

lit little tokyo yo

ele los ang

cen entral ra cit city

south out uth p rk park pa

10

fashion fas fa ashio district striccctt

relocation

1100

p pr produce ce district str t

c into urban

warehouse wareh w ouuse district dis str

10

ontext site of demolished 14 acre community farm [south central farms]

2009-2010 009-2010 aisc competition urban rban farm / culinary culi arts Thee program p am was driven by the closure the largest urban farming establishment in the U.S. no more than 3 miles from the site, South Central Farms [14 ntral Farm 14 acres of public farming]. The plan is to mediate and promote urban farming within the city of Los Angeles. Something that went hand with fresh produce and food was cooking. I decided to share this urban farming program with a culinary arts h d in i hand h school to give the space an educational component. The way to two programs are tied together for interaction are through student based restuarants and community farmers markets that occur within large public courtyard. There is a constant cycle of producing, educating, urban community interaction, consuming, and recycling.

public circulation urban street interaction

inner program circulation


st. rin g

sp s.

s ain m s.

t.

cultivating

3

1

4 6

2 level 1 plan

7

9th w.

1 2 3 4 5 6 7

kitchen auditorium lobby farm storage seminar spaces library cafe

level 2 plan

5

st.

culinary

consumption


stone ave.

Problem Definition :

Infrastructure is primarily driven by a single performative function; the need to transport vehicles and other forms of mass transportation. As a result, this structural massive that in embedded into a fabric creates boundaries and often very awkward and unapprachable spaces. Tucson falls victim to this collision between pedestrian, bike, vehicular, and rail line circulation. The underpasses that bisect the railroad tracks are the primary means of entering Downtown and remain classified as spaces that neglect public to pedestrian interaction.

sixth st.

sixth ave.

seventh st. 1909

1919

1949

2011

20**

1947

3 too

le a

4

ve

eighth st.

fourth ave.

1901

.

downtown links

06

urban dead space intervention

1 2 3 4 5 6 7 8

services

offices

parking

tucson amtrak station rondstadt bus station solar culture - arts corner moca tucson residential on congress hotel congress rialto theatre ironhorse park

vacant land

through an investigation of the three underpasses it is determined that sixth ave underpass is the most critical in terms of circulation and experience. in comparison, the underpass is longer (more DARK than than the others), less open and spacious (more ENCLOSED, NOISE AMPLIFIED), uni-directional flow of traffic (only a means of EXITING downtown), and a non-existant bike path (BIKE SAFETY). by developing adjacent sites around the underpass and creating a LINK between one side of the railroad to another, the underpass can inturn become an experiential break through this threshold.

a.

b.

2

5

1 6

7

8


FOURTH AVE.

V

ehicle

V

P

treet car

rain

rain

rain

S

T

T

T

ed.

ehicle

P

ed.

P ed.

V

ehicle

B

ike lane

STONE AVE.

SIXTH AVE.

CULTURAL / PUBLIC [north of tracks] park [green space] pedestrian walkways bike access market [temporal or permanant] gallery space community center event holder [extension of 4th ave.]

TRANSITIONAL CONNECTOR [underpass] programmatic : transportation pedestrian bycyclist vehicle train above cable car [to be determined] qaulitative : sound, air, light, safe

PROGRAMMATIC FACILITY [downtown] a program that meshes with the existing urban fabric compliments and weaves the two sides together


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