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Design
Baskerv ille
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rg
Typ o g r a p hy
Credit w
Crisp Edges
Elegant
Baske Proportional
Clarity
Classical
Easy On The Eyes
rville Timeless
Transitional
The lowercase G has an open loop
Experimental typography is defined as the unconventional and more artistic approach to typeface selection. Francis Picabia was a Dada pioneer of this practice in the early twentieth Century. David Carson is often associated with this movement, particularly for his work in Ray Gun magazine in the 1990s. Regular 10/12
E W The uppercase E has long lower arm
The uppercase and lowercase W has no middle stroke
The uppercase C has top and bottom serifs
The uppercase A has high crossbar and pointed apex
C A
“
Baskerville ... the King of fonts Experimental typography is defined as the unconventional and more artistic approach to typeface selection. Francis Picabia was a Dada pioneer of this practice in the early twentieth Century. Ray Gun magazine in the 1990s. His work caused an uproar inapproach to typeface selection. The design community due to his abandonment of his standard practices in typeface selection, layout, and design.
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Regular 8/11
Baskerville's typeface was part of an ambitious project to create books the greatest possible quality. Baskerville was a industrialist, who had started his career as a writing master was (teacher of books calligraphy) and carver of gravestones, before the making a fortune as a manufacturer of varnished lacquer v gravestonesa time when books .
Regular 7/9 Regular 8/10
Baskerville's typeface was part of an ambitious project to create books of the greatest possible quality. Baskerville was a wealthy industrialist, who had started his career as a writing was ( as a manufacturer of cal. Beatricteacher of calligraphy) and carver of gravestones, before making a fortune as a manufacturer the calligraphy of varnished lacquer goods. At a time when books in England were generally printed to a low. standard using typefaces .
Regular 9/11
Baskerville's typeface was part of an ambitious project to create books of the greatest possible quality. Baskerville was a wealthy industrialist, who had started his career as a writing master was (teacher of calligraphy) and carver of gravestones, before making a fortune as a manufacturer of cal. Beatrice Warde, Dreyfus and others have written that aspects of his design recalled his hand writing and common elements of the taught by the time which had been used in copperplate engraving but had lacquer goods.
The uppercase Q has swash-like tail
Regular 11/13
Regular 10/12
Baskerville's typeface was part of an ambitious project to create books of the greatest possible quality. Baskerville was a wealthy industrialist, who had started his career as a writing master was (teacher of calligraphy) carver of gravestones, before making a fortune varnished lacquer goods.
Baskerville's typeface was part of an ambitius project to create books of greatest possible quality. Baskerville was wealthy industrialist, who had started his career as writing master (teacher of calligraphy) and carver before agravestones good. At a time when books .
Regular 12/14
Baskerville's typeface was part of an ambitious project to create books of the greatest possible were quality. Baskerville was a wealthy industrialist, who had started his career as a writing master teacher of calligraphy and carver, bef making a fortune as a manufacturer of varnish lacquer goods. Time when books in England.
Baskerville
Typography
“John Baskerville was inspired by the Caslon typeface and sought to rationalise it �
Styles Of
Baskerville A H O V
B I P W
E F G L M N S T U Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
0 1 2 3 4 5 6 7 8 9
@ # &“ ” ? ! $ / , .
A H O V
a b c h i j o p q v w x
B I P W
C J Q X
C J Q X
D K R Y
D K R Y
E F G L M N S T U Z
d k r y
e f g l m n s t u z
0 1 2 3 4 5 6 7 8 9
@ # &“ ” ? ! $ / , .
A H O V
E F G L M N S T U Z
a b c d e f g h i j k l m n o p q r s t u v w x y z
0 1 2 3 4 5 6 7 8 9
@ # &“ ” ? ! $ / , .
B I P W
C J Q X
D K R Y
Regular
Regular Italic
Regular Old Face
The uppercase T has long arm
Bold
Medium
Bold Oblique
A H O V
B I P W
C J Q X
D K R Y
E F G L M N S T U z Z
a h o v
b i p w
c j q x
d e f g k l m n r s t u y
0 1 2 3 4 5 6 7 8 9
@ # & “ ”? ! $ / , .
A H O V
a h o v
B I P W
C J Q X
D K R Y
E F G L M N S T U Z
b i p w
c j q x
d k r y
e f g l m n s t u z
0 1 2 3 4 5 6 7 8 9
@ # & “ ”? ! $ / , .
A H O V
a h o v
B I P W
C J Q X
D K R Y
E F G L M N S T U Z
0 1 2 3 4 5 6 7 8 9
b i p w
c j q x
d k r y
e f g l m n s t u z
@ # & “ ”? ! $ / , .
The letter has vertical or almost vertical stress in the bowls
36 pt
24 pt
The q ui
ck
The quick brown fox ju
og
dog
pt 21
umps over the lazy dog
do g
g lazy do
yd
zy
og
e lazy
e over th
over th
laz
la
yd
jumps
the
rt he
jumps
mp s ov er
ov e
laz
fox ju
fox brown
n fox
um ps
the
k brow
fox j
er s ov mp
qui ck b
ju fox
row n
wn bro
ck b
row n
ick The qu
qu i
ck qui
Th e
Th e
12 pt
pt
e Th
18
14
pt
e ecam , I b m. s r e t t e of le of th aut y fection ad yet e b e r an h of th e pe irer ng to th racy th of types �. m d u a ti c on et early contribu ater ac uce a s roporti Baskerville n a e d John een pro s of f gr ue p ing b desirou f ideas o ured to their tr v a o e “ H nsibly mysel deav to b inse med to d en ceived a h n I for red, and hat I co a w e p o t p a g rdin acco