ROSHANAK GHEZELBASH 2135003626 roshanak.ghezelbash@gmail.com roshanakghezelbash.com
RG
ROSHANAK GHEZELBASH
+1-2135003626 roshanak.ghezelbash@gmail.com roshanakghezelbash.com Los Angeles, CA 90068
RG ........................................................................................................................................................................................................................................................................
Revit AutoCAD Maya 3D Max After Effects Photoshop Illustrator Rhino Arnold Zbrush Sketchup Google Suite Photography Sketching Sculpture Model Making
SKILLS
PROFESSIONAL SUMMARY Self-motivated, detail-oriented, and highly ambitious. Creating construction documents utilizing Revit 3D BIM modelling, including modeling, template setup, file origination, interior and exterior design concepts.
EXPERIENCE Architect, WE Architecture, Dec 2014 - Aug 2019, Tehran, Iran Digital modeling and rendering, Revit-based designer, modeler. Material selection, site analyze, construction documentation. Participated in all phases of the design and construction processes. Design custom decoration, furniture, casework, material selection. Designed office layout sensitive to cultural differences. Junior-level architect, Amir Kabir Co., Apr 2011 - Nov 2014, Tehran, Iran Digital modeling and rendering. Creation of conceptual, working, as-built, and shop drawings. Conducted field surveys, coordinated with suppliers, manufactures. Developed extensive construction document. Internship architect, Imen Markazi Design, Dec 2009 - Jan 2011, Tehran, Iran Prepared proposed expansion and building additions. Creation of diagrams, drawings, graphics, and physical models. Performed site analysis, surveyed existing buildings, maintained product.
EDUCATION Master of Science, Design Theory and Pedagogy Sep 2020 SCI-Arc - Los Angeles, CA Master of Science, Architecture Jan 2015 AIU - Tehran, Iran Bachelor of Arts, Sculpture Jun 2010 Tehran University - Tehran, Iran Associate of Arts, Graphics Jun 2005 Vali Asr College - Tehran , Iran
SELECTED E X H I B I T I O N S Solo exhibition My Unfinished Structure Sayeh Gallery, 2018 Flower Exhibition Negar Gallery,2018 Self In Other Perception Sayeh Gallery, 2018 Small Sculpture Iranian Artists House, 2011 Martyrs Sardasht Monument Sardasht Exhibition, 2005 Levitation and Molana Emam Ali Art Museum, 2005
WORKSHOPS & SYMPOSIUMS Blue Rhino Symposium and Exhibition Best Hotel, Istanbul, Turkey, 2018 Designing Villa, By Hariri & Hariri Contemporary Architects Association, Tehran, Iran, 2015 Tradition + Identity, Kasper Ax AA Tehran Visiting School, Tehran, Iran, 2014 Design And Construction Arch House Of Iran, Yazd, Iran, 2013 Educational System and Research Iranian Architectural Association, Tehran, Iran, 2012 TA 101 Course, Transactional Analysis The Gregory Institute, Pert, Australia, 2005
Future Cities 2050 Studio Project, Instructors: Farhad Ahmadi, Shahid Beheshti University Group Work: Roshanak Ghezelbash, Parastoo Ezati, Spring 2015.
The final master Studio is based on the premise that the ideas, techniques, and formal provocations. In the studio, contemporary issues of critical importance provide alternative architectural discourse contexts, explored and produced. Living in the Anthropocene era and rising sea-level makes it more evident that we will soon experience another urban type. The expansion of the population on earth triggers the land shortage accordingly, lacking natural resources. The need for alternative energy sources and enhancing personal spaces plus a global village requires a place where everyone has privacy while a community brings such cluster cities. Nature: In the shape of green surfaces between frames and different latitudes. Energy: This provides in two ways, as mentioned before, there is three energy cycle in the central core.
Future Cities 2050 Studio Project, Instructors: Farhad Ahmadi, Shahid Beheshti University Group Work: Roshanak Ghezelbash, Parastoo Ezati, Spring 2015. Use of alternative resources : The creation of alternative energies is a topic that has been considered in two parts. This complex’s primary structural definition is the central absorbent core of the sea’s power: Wave energy, Tide. Body of each cell as an adsorbent of solar energy, making the cell like a closed cycle of life. To justify the floating potential, we might need an auxiliary structure to keep the mass’s stability and confront ocean waves, Something like a plate works the same as a mussel type structure. Byssal or byssus threads are strong, silky fibers made from proteins used by mussels and other bivalves to attach to rocks, pilings, or other substrates. These animals produce their byssal threads using a byssus gland located within the or- organism’s foot. A group of these mussels, strong filaments, are secreted by some clams’ families to attach themselves to hard surfaces. Mollusks can move slowly by extending a byssal thread, using it as an anchor, and then shortening it. Residential: consist of a set of cells in which each section will define a space for human living uniformly cover all the collection.
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Fashion House Studio Project, Instructors: Reza Miri, Azad University Fall 2014
An eco-village is a place for people who desire to live in a city’s cultural atmosphere with less exposure to traffic or air pollution. The project was located in the countryside, based on sustainable architecture, socially, and power saving. My project to improve the community was a production site to produce some fabric and cloths. The fashion house has a natural-based approach, a place for visitors to the village as a financial resource. A place to create, socialize and educate children in different ranges from fabricating to tailor clothes. The base concept was the design of a cubic form with local materials. Using light, thin fabric for facades protects from rain and wind and provides sunlight in the complex. Moreover, locating the classrooms under the ground creates the opportunity of using soil’s thermal performance. PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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Fashion House Studio Project, Instructors: Reza Miri, Azad University Fall 2014
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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Sand Wave Community Center Studio Project, Instructors: Reza Habibi, Azad University Spring 2013
The community center is based on the Kashan desert to accommodate people for gathering and social events. The site-specific center was inspired by how wind shapes the desert’s sand. The project combined protrusive organic formations, linear embellishments, and futuristic sensibilities. The grand scale of achievement is how this place could be a place for minorities to gather, hence a better chance of equal opportunity and social injustice. The architecture is conceived as landscape--the landscape becomes architecture, and the building takes on the surrounding countryside wave. The desire to be one with nature and connection with the landscape also felt from within the building. The main salon has a generous glass façade, both in size and sophisticated details— the outside’s visual contraction.
Sand Wave Community Center Studio Project, Instructors: Reza Habibi, Azad University Spring 2013
Light Museum Studio Project,Instructors: Hossain Ghamchili, Azad University Spring 2014
SECTION B -B
oroaster said: love like sun, even if you want to not take love to someone you cannot. The light museum used different lighting systems to create a creational place for various audiences: children and adults. To achieve both amusement and education, the museum allowed exploring light, shadow, and reflection between them--like reflecting light throughout the water in a dark room, reminds the goddess of water, Anahita. The most significant recourses of life, the sun, called Mehr— love, in ancient Iran, provides an extraordinary experience for who comes to the light museum. Learning and playing in different rooms of this place brings about another type of experiment using audience contribution.
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Qazvin Headquarter Building Competition Project, Group work: Roshanak Ghezelbash, Naser Ghanbari, Paniz Ghaednia. Tehran, Iran, Spring 2017.
The Glass House is for the whole town a symbol for the rejuvenation and the new-found self-esteem of glassmaking in the country. The most excellent factory of making glass in Iran held a competition for headquarter in the capital. A sustainable approach to have natural air ventilation and providing daylight for office hours. For avoiding sunlight of sunset for the main facade in the west, make alter-native shades to change during the day to evening. The Dimond shape inspires by Iranian architecture. The luxurious touch of the lobby made it more of a metaphor for darkness and light.
Qazvin Headquarter Building Competition Project, Group work: Roshanak Ghezelbash, Naser Ghanbari. Tehran, Iran, Spring 2017.
Venus In Downtown Studio Project, Instructors: Rachael McCall Studio, SCI-Arc Summer 2020
Through immigration, self-exile, or involuntary displacement, I represented a state of alienation--a diaspora condition. Found themselves as Alice that ended up in the wonderland out of their curiosity and only then realized their status as an outsider. Detached from the initial land and were not attached to the new one, observed, and absorbed other cultures. Meanwhile, seeking their roots to shape a new version of Self. When we left their comfort zone, we made projects with assets from what brings us photos and letters.
Venus In Downtown Studio Project, Instructors: Rachael McCall Studio, SCI-Arc Summer 2020
Continuous Domes Workshop: Tradition + Identity, Instructors: Kasper Ax, AA Tehran Visiting School, Summer 2014.
The workshop is based on researching continuous materials and inventing design opportunities on the boundary between liquid and solid. In Iran architecture, the vast majority of methods depended on chemical processes. The best example of that could be the compression or solidification of molded mud turning to bricks and adobes. With recent technological additions in the building industry, such as programmable 3D printing and robotic arms, our conception of continuous materials must be tested, challenged, and pushed to the extreme. The intention was to obtain material properties that match the regional heritage’s sophistication and respond to actual and future requirements—contracting on dominant geometric elements, domes, not reproducing or imitating it, instead of examining it and understanding the centuries of knowledge embedded within it. The group analyzed fragments to discover any logic that reveals itself in traditional patterns, textures, structures, and architectural elements to enable new spatiality ideas.
Self-Portrait Self In Other Perception at Sayeh Gallery Summer, 2018
Modern humans make selfies from their leisure moments, and happiness never mentioned what we suffer. the “Self in other perception,” collectin shows how people see themselves in reality. Moments we omit in social media. Make a relief and a calm moment even we have lots of issues with the world’s current situation. Make a perfect selfie apart from what we live—Reffernig to van Gogh self-portrait and how honest it was. We witness the moment of self-reveling. My selfportrait made an unmistakable thought of speaking about the reality of my situation.
Protect Me From Me Unfinished structure, Solo exhibition at Sayeh Gallery Summer, 2018
After her abortion, a friend of mine lost family support. She tried to survive after trauma, choosing not to have a child in Iran, both illegal and unconventional. She decides not to have a baby, but somehow she lost her fertility because of out-clinical surgeries abortion. Many female figures, every year, even died.They try to stand on their own feet with hard work while they lost physical and emotional ties. A self-destructive decision that leads to pain and suffers. Hands remained invisible, the specific detail of the body deprived of attention, restless precious creatures.
RG